Poe Nevermore Quotes

Hey," said Shadow. "Huginn or Muninn, or whoever you are." The bird turned, head tipped, suspiciously, on one side, and it stared at him with bright eyes. "Say 'Nevermore,'" said Shadow. "Fuck you," said the raven.

Quoth the Raven, "Nevermore.

So." [Isobel] cleared her throat. "What are we doing?" "We," [Varen] said at last, "are doing a project on Poe." "Didn't he marry his cousin or something?" "The man is a literary god and that's all you have to say?

Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. Tis some visitor," I muttered, "tapping at my chamber door — Only this, and nothing more." Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; — vainly I had sought to borrow From my books surcease of sorrow — sorrow for the lost Lenore — For the rare and radiant maiden whom the angels name Lenore — Nameless here for evermore. And the silken sad uncertain rustling of each purple curtain Thrilled me — filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating, Tis some visitor entreating entrance at my chamber door — Some late visitor entreating entrance at my chamber door; — This it is, and nothing more." Presently my soul grew stronger; hesitating then no longer, Sir," said I, "or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"— here I opened wide the door; — Darkness there, and nothing more. Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortals ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore?" This I whispered, and an echo murmured back the word, "Lenore!" — Merely this, and nothing more. Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before. Surely," said I, "surely that is something at my window lattice: Let me see, then, what thereat is, and this mystery explore — Let my heart be still a moment and this mystery explore; — 'Tis the wind and nothing more." Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately raven of the saintly days of yore; Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door — Perched upon a bust of Pallas just above my chamber door — Perched, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore. Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Ghastly grim and ancient raven wandering from the Nightly shore — Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore." Much I marveled this ungainly fowl to hear discourse so plainly, Though its answer little meaning— little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blest with seeing bird above his chamber door — Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore.

Say 'Nevermore,'" said Shadow. "Fuck You," said the Raven.

Wasn't he the one who sliced off his ear and mailed it to his girlfriend?" "Van Gogh," said Varen, in a monotone that suggested he might be in pain. "Van Gogh," Gwen said, leaning away, waving the apple. "Edgar Allan Poe. Close enough!

Please welcome Professor Varen Nethers, famous depressed dead poets historian and author of the bestselling books Unlocking your Poe-tential: A Writer's Guide, and Mo Poe Fo Yo: When You Just Can't Get Enough.

And my soul from out that shadow that lies floating on the floor, Shall be lifted -- Nevermore!

What can I say?" Poe muttered. "Chicks dig the mustache.

Take thy beak from out my heart, and take thy form from off my door!” Quoth the raven, “Nevermore.

Then, methought, the air grew denser, perfumed from an unseen censer Swung by Seraphim whose footfalls tinkled on the tufted floor. "Wretch," I cried, "thy God hath lent thee--by these angels he hath sent thee-- Respite--respite and nepenthe from thy memories of Lenore! Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!" Quothe the Raven, "Nevermore.

Other friends have flown before — On the morrow he will leave me, as my hopes have flown before.” Quoth the raven, “Nevermore.

Isobel watched as Varen’s head turned slowly toward her father. She couldn’t exactly tell with the sunglasses, but she somehow knew that he had to be staring down the false Poe with one of his most penetrating “you are the essence of lameness” expressions.

And the Raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon's that is dreaming, And the lamp-light o'er him streaming throws his shadow on the floor: And my soul from out that shadow that lies floating on the floor Shall be lifted — nevermore!

Ah, broken is the golden bowl! the spirit flown forever! Let the bell toll!-a saintly soul floats on the Stygian river; And, Guy de Vere, hast thou no tear?-weep now or nevermore!

Is it also true that you drank to excess?” Isobel asked, flipping to the next index card. Poe scoffed at the question, his response simply “Nyeh.” Varen’s head snapped so quickly toward her father that Isobel was surprised the sunglasses hadn’t flown off. “Well, sometimes,” Poe corrected himself. Shifting, he stooped in his seat. Varen’s stare remained. “Often,” Poe growled, angling away, pulling his already tight jacket around himself even tighter.

And the raven quote, nevermore.

Quoth the raven nevermore.

Be that word our sign of parting, bird or fiend!” I shrieked, upstarting— “Get thee back into the tempest and the Night’s Plutonian shore! Leave no black plume as a token of that lie thy soul hath spoken! Leave my loneliness unbroken!—quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!” Quoth the Raven “Nevermore.

Prophet!" said I, "thing of evil! - prophet still, if bird or devil! By that Heaven that bends above us- by that God we both adore- Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore- Clasp a rare and radiant maiden whom the angels name Lenore." Quoth the Raven, "Nevermore.

Sing a song of suspense in which the players die. Four and twenty ravens in an Edgar Allan Pie. When the pie was broken, the ravens couldn't sing. Their throats had been sliced open by Stephen, the new King. The King was in his writing house, stifling a laugh While his queen was in a tizzy of her bloody Lovecraft. When the dead maid got the garden for her rank as royal whore, King's shovel made it double and he married nevermore.

Mr. Snow.' 'Detective Winter.' 'Do you give all of the men in your life a murder case for Christmas, or just the really special ones?

But the raven, sitting lonely on the placid bust, spoke only, That one word, as if his soul in that one word he did outpour. Nothing further then he uttered - not a feather then he fluttered - Till I scarcely more than muttered `Other friends have flown before - On the morrow he will leave me, as my hopes have flown before.’ Then the bird said, 'Nevermore.

I want my lips to be the only ones to ever touch yours.

The End of the Raven "On a night quite unenchanting, when the rain was downward slanting I awakened to the ranting of the man I catch mice for. Tipsy and a bit unshaven, in a tone I found quite craven, Poe was talking to a Raven perched above the chamber door. 'Raven's very tasty,' thought I, as I tiptoed o'er the floor. 'There is nothing I like more.' [...] Still the Raven never fluttered, standing stock-still as he uttered In a voice that shrieked and sputtered, his two cents' worth -- 'Nevermore.' While this dirge the birdbrain kept up, oh, so silently I crept up, Then I crouched and quickly leapt up, pouncing on the feathered bore. Soon he was a heap of plumage, and a little blood and gore -- Only this and not much more.

Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore. Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Ghastly grim and ancient raven wandering from the Nightly shore — Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore.

Though thy crest be shorn and shaven, thou,” I said, “art sure no craven, Ghastly grim and ancient raven wandering from the Nightly shore — Tell me what thy lordly name is on the Night’s Plutonian shore!” Quoth the raven, “Nevermore.

Everything you have ever read about vampires - most of it is inaccurate or downright false. We are not beautiful, we don't turn into bats, we don't shrivel up in the sunlight and we are most definitely not afraid of something as fickle as garlic.

Say 'Nevermore'," said Shadow. "Fuck you", said the raven.

Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore.

I would like that very much. You have a bargain, lady. I will find you here among the lost souls, trapped women, and birds. I find that my own state has improved, if only slightly. Where I was once likely to travel in the presence of a murder of crows, I find I will only be burdened by an unkindness of ravens. It gives me heart." - A. E. Poe in Nevermore

Quaff, oh quaff this kind nepenthe and forget this lost Lenore!" Quoth the raven, "Nevermore.

Other friends have flown before— On the morrow he will leave me, as my hopes have flown before.” Then the bird said, “Nevermore.” Startled

Leave my loneliness unbroken!—quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!" Quoth the Raven, "Nevermore.

Never— nevermore

And my soul from out that shadow that lies floating on the floor Shall be lifted Nevermore

Ask not for whom the bell tolls, it tolls for the raven nevermore

Lady Ligeia," he began again, "is a woman in the literature who returns from the dead, taking over another woman's body to be with her true love." "Oh, yes. Lovely" Isobel blanched. "I guess the other chick didn't mind at all?

Prophet!” said I, “thing of evil!— prophet still, if bird or devil! By that Heaven that bends above us— by that God we both adore— Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore— Clasp a rare and radiant maiden whom the angels name Lenore.” Quoth the Raven “Nevermore

Nothing further then he uttered--not a feather then he fluttered-- Till I scarcely more than muttered, "Other friends have flown before-- On the morrow he will leave me, as my hopes have flown before." Then the bird said, "Nevermore.

According to history, he wrote of humans originally having four arms, four legs, and a single head made up of two faces.” I stared awkwardly at him. “But, in fear of their power, Zeus split them all in half, condemning them to a life of searching for their other half...

Though Isobel could recall only a few specifics regrading the appearance of Poe's wife-a handful of vague characteristics picked up during her study with Varen, retained from the one or two glimpses she'd had for her portraits- Scrimshaw, it seemed, had forgotten nothing.

Nos contra mundum, Claws,” she told him. She wondered whether she could teach him to say this. But first he must learn to say “Nevermore”. If she were given any money for Christmas, she planned to spend it on lengths of purple taffeta which she would nail to her walls as a start to redesigning the room in the manner of Edgar Allan Poe.

Leave my loneliness unbroken!—quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!" Quoth the Raven, "Nevermore." And the Raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon's that is dreaming, And the lamp-light o'er him streaming throws his shadow on the floor; And my soul from out that shadow that lies floating on the floor Shall be lifted—nevermore!

Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore. “Though thy crest be shorn and shaven, thou,” I said, “art sure no craven, Ghastly grim and ancient raven wandering from the Nightly shore— Tell me what thy lordly name is on the Night’s Plutonian shore!” Quoth the Raven, “Nevermore.

Quoth the raven, “Nevermore.

is there balm in Gilead?—tell me—tell me, I implore!” Quoth the Raven “Nevermore.

Take thy beak from out my heart, and take thy form from off my door!” Quoth the Raven, “Nevermore.” And

Quoth the raven, nevermore

once upon a midnight dreary, while i pondered, weak and weary...QUOTH the raven, NEVERMORE.

Nevermore

I allowed him to carry me down the stairs but was surprised when he didn't make it to the sofa.

Leave no black plume as a token of that lie thy soul hath spoken! Leave my loneliness unbroken! — quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!” Quoth the raven, “Nevermore.” And the raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon that is dreaming, And the lamp-light o’er him streaming throws his shadow on the floor; And my soul from out that shadow that lies floating on the floor Shall be lifted — nevermore!

I’ll admit the situation piqued my interest, but there are 101 things in life I simply don’t have the patience for, and finding someone else’s rotting heart in the floorboards of my shop just about topped the list.

Nothing farther then he uttered — not a feather then he fluttered — Till I scarcely more than muttered, “Other friends have flown before — On the morrow he will leave me, as my hopes have flown before.” Quoth the raven, “Nevermore.

Though thy crest be shorn and shaven, thou,” I said, “art sure no craven, Ghastly grim and ancient Raven wandering from the Nightly shore— Tell me what thy lordly name is on the Night’s Plutonian shore!” Quoth the Raven “Nevermore.

The rough pitter-patter of rain against the tin roof caused me to stir in my sleep, but I struggled to fight it. I yearned to remain under the warmth of my thick quilt, wandering aimlessly through the dream world. But, alas, I knew reality would ease its way in and pull me out.

Beside the bat, on the opposite window, was the image of a raven painted in a mixture of black, blue and purple. I had to step back to realize the creature's wings were curved into the shape of the upper half of a heart, while their bottom halves were connected at the tail to form the end of the heart.

Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore, “Though thy crest be shorn and shaven, thou,” I said, “art sure no craven, Ghastly grim and ancient Raven wandering from the Nightly shore— Tell me what thy lordly name is on the Night’s Plutonian shore!” Quoth the Raven “Nevermore.

Seventeen year old Alexis finds herself on the eve of her eighteenth birthday. What generally means a step into adulthood instead opens its way to a terrifying truth about not only her family, but herself. She comes from a long line of vampire hunters, and her real dad wants her to carry on the family quest. At the same time, she is falling for a new boy at school who has his own secret. He is a vampire. Alexis is forced to make a decision from which there is no turning back.—Will she deny this newly discovered heritage, or embrace it.

How? And why would you care?” I asked and ignored the angry glance Paul was directing at me. “He is a pathetic excuse for a vampire, don't you see? Feasting on animals!” He scoffed. “He thought he could change me, too. To be ‘strong’ like him, but I can tell you that there is no strength in hiding in the shadows drinking animal blood. The blood of humans…” he paused, making a deep and audible sniff with his nose. “…is just too enticing. Too delicious. Strengthening.” “You’re a monster!” I yelled, the realization that Janet had been the temptation he was talking about finally sinking in. “A monster? Now, now…what would Salem think if you called us such names? He and I are no different, you know? I imagine it will be little time at all before he drains you of blood, too.” “You are wrong about him. He’s different!” Why had he said ‘too’? Paul was about to say something to me but Kim shook her head. “This isn't the time or place, Paul,

And thus when by poetyr or wehn by music the most entrancing of the poetic moods we find ourselves melted into tears, we weep then not as the abbate gravina supposes through excess of pleasure but through a certain petulatn impatient sorrow at our inability to grasp no wholly here on earth at once and forever these divein and rapturous joys of which through the poem or through the music we attain to but brief and indeterminate glimpses. The struggle to apprehend the supernal loveliness this struggle on the part of souls fittingly constituted has given to the world all that which it (the world) has ever been enabled at once to understand and to feel as peotic whose distant footsteps echo down the corridors of time The impression left is one of pleasurable sadness. This certain taint of sadness is insperably connected with al the higher manifestations of true beauty . It is nevertheless. Beauty is the sole legitimate province of the poem. Melancholy is thus the most legitimate of all the poetical tones. The next desideratum was a pretext for the continous use of the one word nevermore.in observing the difficutly which i at once found in inventing a suffiecienly plausible reason for its continuous repetition i did not fail to preceive thta this difficutly arose solely form the pre assumption that the world was to be so continuously or monotonously spoke by a human being i did not fail to perceive in shor t that the difficulty lay in the reconciliation of this monotony with the exercise of reason on the part of the creature repeating the word here then immediately arose the idea of a non-reasoning creature capable of speech and very naturally a parrot in the first instance suggested itself but was superseded forthwith by a raven as equally capable of speech and infinitely more in keeping with the intended tone.“I had now gone so far as the conception of a Raven, the bird of ill-omen, monotonously repeating the one word "Nevermore" at the conclusion of each stanza in a poem of melancholy tone, and in length about one hundred lines. Now, never losing sight of the object _supremeness_ or perfection at all points, I asked myself--"Of all melancholy topics what, according to the _universal_ understanding of mankind, is the _most_ melancholy?" Death, was the obvious reply. "And when," I said, "is this most melancholy of topics most poetical?" From what I have already explained at some length, the answer here also is obvious--"When it most closely allies itself to _Beauty_; the death, then, of a beautiful woman is unquestionably the most poetical topic in the world, and equally is it beyond doubt that the lips best suited for such topic are those of a bereaved lover.

But sleep tha pondereth and is not to be and there oh may my weary spirit dwell apart forms heaven's eternity and yet how far from hell. other friends have flown before on the morrow he will leave me as my hopes have flown before the bird said nevermore. leave my loneliness unbroken. how dark a woe yet how sublimes a hope. And the fever called living is conquered at last. I stand amid the roar of a surf tormented shore and i hold within my hand grains of the golden sand how few yet how they creep through my fingers to the deep while i weep while i weep o god can i not grasp them with a tighter clasp o god can i not save one from the pitiless wave is all that we see or seem but a dream within a dream. Hell rising form a thousand thrones shall do it reverence. It was the dead who groaned within lest the dead who is forsaken may not be happy now. even for thy woes i love thee even for thy woes thy beauty and thy woes think of all that is airy and fairy like and all that is hideous and unwieldy. hast thou not dragged Diana from her car. I care not though it perishes with a thought i then did cherish. For on its wing was dark alley and as it fluttered fell an essence powerful to destroy a soul that knew it well. (Talking about death) the intense reply of hers to our intelligence. Then all motion of whatever nature creates most writers poets in especial prefer having it understood that they compose by a species of fine frenzy an ecstatic intuition and would positively shudder at letting the public take a peep behind the scenes at the elaborate and vacillating crudities of thought at the true purposes seized only at the last moment at the innumerable glimpses of idea that arrived not at the maturity of full view at the fully matured fancies discarded in despair as unmanageable at the cautions selection and rejections at the painful erasures and interpolations in a word at the wheels and pinions the tackle for scene shifting the steep ladders and demon traps the cock[s feathers a the red pain and the black patches which in ninety nine cases out of the hundred constitute the properties of the literary _histiro. Wit the Arabians there is a medium between heaven and hell where men suffer no punishment but yet do not attain that tranquil and even happiness which they supposed to be characteristic of heavenly enjoyment. If i could dwell where israfel hath dwelt and he where i he might not sing so wildly well mortal melody, while a bolder note than this might swell form my lyre within the sky. And i am drunk with love of the dead who is my bride. And so being young and dipt in folly , I feel in love with melancholy. I could not love except where death was mingling his with beauty's breath or hymen, Time, and destiny were stalking between her and me. Yet that terror was not friegt but a tremulous delight a feeling not the jeweled mine could teach or bribe me to define nor love although the love were thine. Whose solitary soul could make an Eden of that dim lake. that my young life were a lasting dream my spirit not awakening till the beam of an eternity should bring the morrow. An idle longing night and day to dream my very life away. As others saw i could not bring my passions from a comman spring from the sam source i have not taken my sorrow and all i loved i loved alone La solitude est une belle chose; mais il faut quelqu'un pour vous dire que la solitude estune belle chose impulse upon the ether the source of all motion is thought and the source of all thought. Be of heart and fear nothing your allotted days of stupor have expired and tomorrow i will myself induct you into the full joys and wonders of your novel existence. unknown now known of the speculative future merged in the august and certain present.

Experiences can change people, even the gentlest of creatures can turn into beasts if they are prodded enough. If

Tall, dark mountains arched upward in the distance, clouds casting shadows upon the rocky surfaces. Trees surrounded the area from every direction. Most of them were covered in lush, brilliant green leaves. Where there weren't trees, there were berry-speckled bushes, boulders ranging in various sizes, and a wide field of green grass that danced in the breeze. Although I had nearly drowned in its depths twice now, the most captivating piece of this scene was the vast lake. I

Flipping through the pages made me feel mildly nostalgic. The initial images were of me as an infant, and one of Salem as a young boy. It still rattled my brain that this man I had fallen in love with had lived over a hundred years before I even existed and there was so much of his life that I had missed out on. The next page contained numerous photographs from our wedding—one of each important guest. When I reached the last few filled out pages, I felt saddened once more. “Home,” I whispered and ran my fingers across the picture

Food is intended as fuel, but humans are weak and easily give in to temptation, ignoring that fact. They will eat and eat, no matter how full they might be, simply because they enjoy the taste.

then there is also a tiny portion of the population that consists of individuals like me.  People made me very uncomfortable

It was the emotional wounds that never really heal, the scars that can so easily be torn open again by a masochistic subconscious.

Consider Edgar Allen Poe’s famous poem, “The Raven.” Here we have a first-person narrator whose wife or lover, Lenore, has recently died. He is in his library searching through his books to find a way to make her death meaningful—or even understandable. When a raven enters the library, the narrator takes it as a sign and asks a series of increasingly desperate questions. The raven, of course, has long been a symbol for death, and the questions that the narrator asks the raven are all really questions about death. Is there a heaven? Does death come from God or the Devil? Will he ever get over her death? Will he see her again? These are likely the same things he was trying to find out from his books. But while the books may have tried to give answers, the raven—death itself—says only one word: “Nevermore.” So this is a poem that makes claims—or, more specifically, it is a poem that rejects claims. It rejects the notion that anyone can know anything about death, or what happens after death, except that a person who has died no longer exists. All that death “says” to us is “Nevermore.” If we try to go beyond this, we will eventually suffer the narrator’s fate and become insane. Many people would disagree vigorously with this premise. Some people believe that the spirits of the dead become ghosts that we can still communicate with. Others believe in heaven, hell, reincarnation, Nirvana, or some knowable final destination for the soul. I can imagine a number of different ways that one might go about rebutting Poe’s metaphysical truth claims. But it makes no difference whether or not ravens can talk. Nothing about Poe’s poem can be supported, or refuted, by scientific knowledge about the vocalization mechanisms of the Corvus corax. Nor does it matter whether or not Edgar Allen Poe ever knew anybody named Lenore, or owned a “bust of Pallas,” or did or said any of the things described in the poem. “The Raven” makes metaphysical truth claims that we can isolate and evaluate. But these claims do not depend on either the history or the science of the poem turning out to be true.

no.

They only judge us by what we are, not who we are.

Remember what I said about worlds," Nettie said, "and time.  You have said it yourself – I heard it like a whisper on the wind.  It is all dreams within dreams.  That is the real secret.  Time is not made up of one long string, but of layers.

So many things that might have been," Edgar said.  "My life – I'm afraid – will be recorded as a series of things that are, and better things that might have been.  My heart is sore, and I have never felt so weary.

Desmond

The rough pitter-patter of rain against the tin roof caused me to stir in my sleep, but I struggled to fight it. I yearned to remain under the warmth of my thick quilt, wandering aimlessly through the dream world. But, alas, I knew reality would ease its way in and pull me out. As hard as I tried to ignore it, my eyes flew open and all memory of dreams faded away. I sighed heavily and pressed my pillow hard against my eyes, blocking out the dim sunlight that snuck in through the creases in the blinds. Slowly, I pushed away my brief shelter from the light and let my eyes adjust. I stumbled to the bathroom, rinsed my face and brushed my teeth before swiftly walking downstairs to the kitchen.

 He wondered briefly if that was how it always was with magic.  It started out vital and potent, and then, over time, as men and women fought to possess it, hide it, steal it, and decipher it, it grew more and more obscure.

The floor in the room appeared to be glass, a crystal-clear mirror reflecting everything that touched its surface. A queen-sized canopy bed sat in the center of the room, draped in shining silk black sheets and blankets. Matching pillowcases covered the four pillows that rested atop the mattress. The posts holding up the bed were spiraled silver bars that held up matching silk curtains which enclosed the bed. Two identical black nightstands sat on either side of the bed.

They say that the hearts of the dead are never silent. They say that they live on, beat on, love on forever. But what of the hearts of the living?

We are bound to the earth by fate, and by gravity, so we will have to plod along and follow what clues are available.  I

You are a strange man, Mr. Poe." "So I've been told," Edgar said.  "I'd rather be strange than boring.  It's a flaw in my character.

My question was not whether the living could go on dead, because I knew they could, but rather whether the person they once were, the shadow of their shattered soul, could ever be resurrected.

Whether Tempter sent, or whether tempest tossed thee here ashore, Desolate yet all undaunted, on this desert land enchanted On this home by Horror haunted—tell me truly, I implore Is there—is there balm in Gilead?—tell me—tell me, I implore!’ Quoth the Raven ‘Nevermore.’” — Edgar Allen Poe, The Raven