Pocket Reminder Quotes

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But I have seen the best of you and the worst of you, and I choose both. I want to share every single one of your sunshines and save them for later. I will tuck them into my pockets so I can give them back to you when the rain falls hard. Friend, I want to be the mirror that reminds you to love yourself. I want to be the air in your lungs that reminds you to breath. When the walls come down, when the thunder rumbles, when nobody else is home, hold my hand, and I promise I won’t let go.
Sarah Kay
I like when he tells me that he likes the way I feel because it goes against what I've heard my entire life and I wish I could put his words in my pocket just to touch them once in a while and remind myself that they exist.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
I wish I could put his words in my pocket just to touch them once in a while and remind myself that they exist.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Yes, I'm often reminded of her, and in one of my array of pockets, I have kept her story to retell. It is one of the small legion I carry, each one extraordinary in its own right. Each one an attempt - an immense leap of an attempt - to prove to me that you, and your human existence, are worth it.
Markus Zusak (The Book Thief)
Simon whispered to me, “But is everything okay?” “No,” Tori said. “I kidnapped her and forced her to escape with me. I’ve been using her as a human shield against those guys with guns, and I was just about to strangle her and leave her body here to throw them off my trail. But then you showed up and foiled my evil plans. Lucky for you, though. You get to rescue poor little Chloe again and win her undying gratitude.” “Undying gratitude?” Simon looked at me. “Cool. Does that come with eternal servitude? If so, I like my eggs sunnyside up.” I smiled. “I’ll remember that.” *** “Oh, right. You must be starving.” Simon reached into his pockets. “I can offer one bruised apple and one brown banana. Convenience stores aren’t the place to buy fruit, as I keep telling someone.” “Better than these. For you, anyway, Simon.” Derek passed a bar to Tori. “Because you aren’t supposed to have those, are you?” I said. “Which reminds me…” I took out the insulin. “Derek said it’s your backup.” “So my dark secret is out.” “I didn’t know it was a secret.” “Not really. Just not something I advertise.” ... “Backup?” Tori said. “You mean he didn’t need that?” “Apparently not,” I murmured. Simon looked from her to me, confused, then understanding. “You guys thought…” “That if you didn’t get your medicine in the next twenty-four hours, you’d be dead?” I said. “Not exactly, but close. You know, the old ‘upping the ante with a fatal disease that needs medication’ twist. Apparently, it still works.” “Kind of a letdown, then, huh?” “No kidding. Here we were, expecting to find you minutes from death. Look at you, not even gasping.” “All right, then. Emergency medical situation, take two.” He leaped to his feet, staggered, keeled over, then lifted his head weakly. “Chloe? Is that you?” He coughed. “Do you have my insulin?” I placed it in his outstretched hand. “You saved my life,” he said. “How can I ever repay you?” “Undying servitude sounds good. I like my eggs scrambled.” He held up a piece of fruit. “Would you settle for a bruised apple?” I laughed.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
We need a coat with two pockets. In one pocket there is dust, and in the other pocket there is gold. We need a coat with two pockets to remind us who we are.
Parker J. Palmer
When you counsel someone, you should appear to be reminding him of something he had forgotten, not of the light he was unable to see.
Baltasar Gracián (The Art of Worldly Wisdom: A Pocket Oracle)
I need to go to him,” Genya whispered. “One last time.” She had pulled a notebook from her pocket, the pages held open. It took Zoya a moment to understand what it was. She glimpsed a few words in David’s scrawl: Ideas for compliments—hair (color, texture), smile (causes and effects), talents (tailoring, tonics, sense of style—inquire on “style”), teeth? size of feet? “His journal,” Zoya said. Where David had written down all his little reminders for how to make Genya happy.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Henry shuffled the jewelled insect back out of his pocket. It amber heart warmed light through the pit again. “Back in the lab, of course, as father dear tries to copy it with nonmagical parts. My mother told me to keep this one to remind me of what I am.” “And what is that?” The bee illuminated both itself and Henry: its translucent wings, Henry’s wickedly cut eyebrows. “Something more.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
There had been so many easy words between them that Daniel was guilty of nodding every now and then and tuning out the excess. He hadn't known, at the time, that he should have been hoarding these, like bits of sea glass hidden in the pocket of a winter coat to remind him that once it had been summer.
Jodi Picoult (The Tenth Circle)
Motherlands are castles made of glass. In order to leave them, you have to break something – a wall, a social convention, a cultural norm, a psychological barrier, a heart. What you have broken will haunt you. To be an emigré, therefore, means to forever bear shards of glass in your pockets. It is easy to forget they are there, light and minuscule as they are, and go on with your life, your little ambitions and important plans, but at the slightest contact the shards will remind you of their presence. They will cut you deep.
Elif Shafak (How to Stay Sane in an Age of Division)
You don't forget. You don't 'get over it'. You just find a way to stuff the pain in a pocket somewhere inside. But every once in a while, something - some stupid, insignificant little thing - triggers it. The worst pain you have ever felt. And you have to start all over. Feel the same jerking agony that only comes when you realize, when you remember that you'll never see his face again, that you'll never be able to share that stupid thing that reminded you of him in the first place. The pain never goes away. It only dulls, waiting for another trigger.
Julie Hockley (Scare Crow (Crow's Row, #2))
He reached in his pocket, took out the gray button that had fallen off her suit the first time they’d met. When she’d viewed him as a murder suspect. “And I have my talisman to remind me.” It never failed to baffle her—and on a deeper level delight her—that he carried it with him, always. “What ever happened to that suit anyway?” Humor flickered in his eyes. “It was hideous, and met the fate it deserved. This”—he held up the button—“was the best part of it.
J.D. Robb (Salvation in Death (In Death, #27))
I need to make a playlist of acoustic covers from tonight and carry it in my pocket. Songs that will remind me of winding up in a coffee shop in lace sleeves and red lipstick
Marisa Kanter (What I Like About You)
She tucked the stiff envelope into her pocket and it pressed against her leg all day, reminding her that she had been written to, that she belonged to somebody.
Rosie Alison (The Very Thought of You)
Raindrops are my only reminder that clouds have a heartbeat. That I have one, too. I always wonder about raindrops. I wonder about how they’re always falling down, tripping over their own feet, breaking their legs and forgetting their parachutes as they tumble right out of the sky toward an uncertain end. It’s like someone is emptying their pockets over the earth and doesn’t seem to care where the contents fall, doesn’t seem to care that the raindrops burst when they hit the ground, that they shatter when they fall to the floor, that people curse the days the drops dare to tap on their doors. I am a raindrop.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
Van Eck folded his soiled handkerchief twice, tucked it away. He nodded to the boy and the girl. “Do whatever you have to. The auction starts in less than an hour, and I want answers before then.” “Hold him up,” the stout boy said to the girl. She hauled Wylan to his feet, and the boy slipped a pair of brass knuckles from his pocket. “He’s not going to be so pretty after this.” “Who is there to care?” Van Eck said with a shrug. “Just make sure you keep him conscious. I want information.” The boy eyed Wylan skeptically. “You sure you want to do it this way, little merch?” Wylan summoned every bit of bravado he’d learned from Nina, the will he’d learned from Matthias, the focus he’d studied in Kaz, the courage he’d learned from Inej, and the wild, reckless hope he’d learned from Jesper, the belief that no matter the odds, somehow they would win. “I won’t talk,” he said. The first punch shattered two of his ribs. The second had him coughing blood. “Maybe we should snap your fingers so you can’t play that infernal flute,” Van Eck suggested. I’m here for her, Wylan reminded himself. I’m here for her. In the end, he was not Nina or Matthias or Kaz or Inej or Jesper. He was just Wylan Van Eck. He told them everything.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
With time to think, the full reality of what had happened hit Thomas like a falling boulder. Ever since Thomas had entered the Maze, Newt had been there for him. Thomas hadn’t realized just how much of a friend he’d become until now. His heart hurt. He tried to remind himself that Newt wasn’t dead. But in some ways this was worse. In most ways. He’d fallen down the slope of insanity, and he was surrounded by bloodthirsty Cranks. And the prospect of never seeing him again was almost unbearable. [...] He pulled the envelope out of his pocket and ripped it open, then took out the slip of paper. The soft lights that ringed the mirror lit up the message in a warm glow. It was two short sentences: Kill me. If you’ve ever been my friend, kill me. Thomas read it over and over, wishing the words would change. To think that his friend had been so scared that he’d had the foresight to write those words made him sick to his stomach. And he remembered how angry Newt had been at Thomas specifically when they’d found him in the bowling alley. He’d just wanted to avoid the inevitable fate of becoming a Crank. And Thomas had failed him. [...] “Newt suddenly twisted around and grabbed Thomas by the hand holding the gun. He yanked it toward himself, forcing it up until the end of the pistol was pressed against his own forehead. “Now make amends! Kill me before I become one of those cannibal monsters! Kill me! I trusted you with the note! No one else. Now do it!” Thomas tried to pull his hand away, but Newt was too strong. “I can’t, Newt, I can’t.” “Make amends! Repent for what you did!” The words tore out of him, his whole body trembling. Then his voice dropped to an urgent, harsh whisper. “Kill me, you shuck coward. Prove you can do the right thing. Put me out of my misery.” The words horrified Thomas. “Newt, maybe we can—” “Shut up! Just shut up! I trusted you! Now do it!” “I can’t.” “Do it!” “I can’t!” How could Newt ask him to do something like this? How could he possibly kill one of his best friends? “Kill me or I’ll kill you. Kill me! Do it!” “Newt …” “Do it before I become one of them!” “I …” “KILL ME!” And then Newt’s eyes cleared, as if he’d gained one last trembling gasp of sanity, and his voice softened. “Please, Tommy. Please.” With his heart falling into a black abyss, Thomas pulled the trigger.
James Dashner (The Death Cure (The Maze Runner, #3))
POCKET-SIZED FEMINISM The only other girl at the party is ranting about feminism. The audience: a sea of rape jokes and snapbacks and styrofoam cups and me. They gawk at her mouth like it is a drain clogged with too many opinions. I shoot her an empathetic glance and say nothing. This house is for wallpaper women. What good is wallpaper that speaks? I want to stand up, but if I do, whose coffee table silence will these boys rest their feet on? I want to stand up, but if I do, what if someone takes my spot? I want to stand up, but if I do, what if everyone notices I’ve been sitting this whole time? I am guilty of keeping my feminism in my pocket until it is convenient not to, like at poetry slams or my women’s studies class. There are days I want people to like me more than I want to change the world. There are days I forget we had to invent nail polish to change color in drugged drinks and apps to virtually walk us home at night and mace disguised as lipstick. Once, I told a boy I was powerful and he told me to mind my own business. Once, a boy accused me of practicing misandry. You think you can take over the world? And I said No, I just want to see it. I just need to know it is there for someone. Once, my dad informed me sexism is dead and reminded me to always carry pepper spray in the same breath. We accept this state of constant fear as just another part of being a girl. We text each other when we get home safe and it does not occur to us that our guy friends do not have to do the same. You could saw a woman in half and it would be called a magic trick. That’s why you invited us here, isn’t it? Because there is no show without a beautiful assistant? We are surrounded by boys who hang up our naked posters and fantasize about choking us and watch movies we get murdered in. We are the daughters of men who warned us about the news and the missing girls on the milk carton and the sharp edge of the world. They begged us to be careful. To be safe. Then told our brothers to go out and play.
Blythe Baird
Yes, often, I am reminded of her, and in one of my vast array of pockets, I have kept her story to retell. It is one of the small legion I carry, each one extraordinary in its own right. Each one an attempt- an immense leap of an attempt- to prove to me that you, and your human existence, are worth it. Here it is. One of a handful. The Book Thief. If you feel like it, come with me. I will tell you a story. I'll show you something.
Markus Zusak
No one likes to be reminded of how stupid they were once upon a time.
Angela Roquet (Pocket Full of Posies (Lana Harvey, Reapers Inc. #2))
As he spoke, he whipped a tape measure and a large round magnifying glass from his pocket. With these two implements he trotted noiselessly about the room, sometimes stopping, occasionally kneeling, and once lying flat upon his face... As I watched him I was irresistibly reminded of a pure-blooded well-trained foxhound as it dashes backwards and forwards through the covert, whining in its eagerness, until it comes across the lost scent. For twenty minutes or more he continued his researches, measuring with the most exact care the distance between marks which were entirely invisible to me, and occasionally applying his tape to the walls in an equally incomprehensible manner.
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
I may not find joy every day. Some days will just be hard, and I will simply exist, and that’s okay, too. No one should have to be happy all the time—no one can be, with the ways in which life throws curveballs at us. On those days, it’s important not to mourn the lack of joy but to remember how it feels, to remember that to feel at all is one of the greatest gifts we have in life. When that doesn’t work, we can remind ourselves that the absence of joy isn’t permanent; it’s just the way life works sometimes. The reality of disability and joy means accepting that not every day is good but every day has openings for small pockets of joy.
Alice Wong (Disability Visibility : First-Person Stories from the Twenty-first Century)
Annie Dillard famously writes, “How we spend our days is, of course, how we spend our lives.”6 I came across Dillard’s words a couple years before I went to seminary, and throughout those years of heady theological study I kept them in my back pocket. They remind me that today is the proving ground of what I believe and of whom I worship.
Tish Harrison Warren (Liturgy of the Ordinary: Sacred Practices in Everyday Life)
I kissed him lightly and used the moment to slip the package out of the inside of his pocket. I was a white handkerchief folded into a square. "What's this?" He pretended to look put out. "Did you just pick my pocket?" "Yes." "Good thing it's for you then." "It is? Really?" I'd only been teasing him when I went through his pockets. I unwrapped it, touched. It was a small brooch made of tin, in the shape of a rose. "Oh, Colin, it's lovely. Thank you!" "I thought the rose would remind you of this place. I guess now you don't need it." he pinned it to my top, just under my collarbone. "I love you, Violet. Could you love a gardener who can't afford real silver, now that you're an earl's daughter living in a fine house?" I leaned forward so my lips were so close to his they brushed lightly when I spoke. "I love you, Colin Lennox." His grin was crooken and wicked. "Then we'll be just fine.
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
My mother was like sand. The kind that warms you on a beach when you come shivering out of the cold water. The kind that clings to your body, leaving its impression on your skin to remind you where you’ve been and where you’ve come from. The kind you keep finding in your shoes and your pockets long after you’ve left the beach. She was also like the sand that archaeologists dig through. Layers and layers of sand that have kept dinosaur bones together for millions of years. And as hot and dusty and plain as that sand might be, those archaeologists are grateful for it, because without it to keep the bones in place, everything would scatter. Everything would fall apart.
Clare Vanderpool (Navigating Early)
You are burnt beyond recognition," he added, looking at his wife as one looks at a valuable piece of personal property which has suffered some damage. She held up her hands, strong, shapely hands, and surveyed them critically, drawing up her fawn sleeves above the wrists. Looking at them reminded her of her rings, which she had given to her husband before leaving for the beach. She silently reached out to him, and he, understanding, took the rings from his vest pocket and dropped them into her open palm. She slipped them upon her fingers; then clasping her knees, she looked across at Robert and began to laugh. The rings sparkled upon her fingers. He sent back an answering smile.
Kate Chopin (The Awakening)
Manila is a city of extremes. The poor are very poor and the rich very rich. They live side by side. The rich live in sprawling houses in residential subdivisions with fancy names like Green Meadows, White Plains, Corinthian Plaza, Bel Air, San Lorenzo, Magallanes and the very exclusive Forbes Park, a leafy enclave that was home to the famous Manila Polo Club. The poor are not far from sight. They live in little pockets on the periphery of these affluent subdivisions. A constant reminder to the rich that there is another side to life.
Arlene J. Chai (The Last Time I Saw Mother)
anyone’s pocket. “I should like to be on a scythe committee one day,” Rowan said. Citra looked at him oddly. “Why are you talking like Faraday?” Rowan shrugged. “When in Rome . . .” “We’re not in Rome,” she reminded him. “If we were, we’d have a much cooler place for conclave.
Neal Shusterman (Scythe (Arc of a Scythe, #1))
Full of meal plans today. Lunch?” “Sorry? Oh, yes. Apparently Magdelana remembered I’m an early riser.” He slipped the date book he had on his desk into his pocket as he got to his feet. “We’ll have lunch.” “So I heard. You’re going to want to be careful there, pal.” “Of what?” “It wouldn’t be the first old friend you’ve had come around hoping you’d dip back into the game for old times’ sake. You might want to remind her you’re sleeping with a cop these days.
J.D. Robb (Innocent in Death (In Death, #24))
If our shallow, self-critical culture sometimes seems to lack a sense of the numinous or spiritual it’s only in the same way a fish lacks a sense of the ocean. Because the numinous is everywhere, we need to be reminded of it. We live among wonders. Superhuman cyborgs, we plug into cell phones connecting us to one another and to a constantly updated planetary database, an exo-memory that allows us to fit our complete cultural archive into a jacket pocket. We have camera eyes that speed up, slow down, and even reverse the flow of time, allowing us to see what no one prior to the twentieth century had ever seen — the thermodynamic miracle of broken shards and a puddle gathering themselves up from the floor to assemble a half-full wineglass. We are the hands and eyes and ears, the sensitive probing feelers through which the emergent, intelligent universe comes to know its own form and purpose. We bring the thunderbolt of meaning and significance to unconscious matter, blank paper, the night sky. We are already divine magicians, already supergods. Why shouldn’t we use all our brilliance to leap in as many single bounds as it takes to a world beyond ours, threatened by overpopulation, mass species extinction, environmental degradation, hunger, and exploitation? Superman and his pals would figure a way out of any stupid cul-de-sac we could find ourselves in — and we made Superman, after all.
Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)
Now he reduced his progress to the rhythm of his boots -- he walked across the land until he came to the sea. Everything that impeded him had to be outweighed, even if only by a fraction, by all that drove him on. In one pan of the scales, his wound, thirst, the blister, tiredness, the heat, the aching in his feet and legs, the Stukas, the distance, the Channel; in the other, I'll wait for you, and the memory of when she had said it, which he had come to treat like a sacred site. Also, the fear of capture. His most sensual memories -- their few minutes in the library, the kiss in Whitehall -- was bleached colorless through overuse. He knew by heart certain passages from her letters, he had revisited their tussle with the vase by the fountain, he remembered the warmth from her arm at the dinner when the twins went missing. These memories sustained him, but not so easily. Too often they reminded him of where he was when he last summoned them. They lay on the far side of a great divide in time, as significant as B.C. and A.D. Before prison, before war, before the sight of a corpse became a banality. But these heresies died when he read her last letter. He touched his breast pocket. It was a kind of genuflection. Still there. Here was something new on the scales. That he could be cleared had all the simplicity of love. Merely tasting the possibility reminded him of how much had narrowed and died. His taste for life, no less, all the old ambitions and pleasures. The prospect was of rebirth, a triumphant return.
Ian McEwan (Atonement)
This is the list you carry in your pocket, of the things you plan to say to Kay, when you find him, if you find him: 1. I’m sorry that I forgot to water your ferns while you were away that time. 2. When you said that I reminded you of your mother, was that a good thing? 3. I never really liked your friends all that much. 4. None of my friends ever really liked you. 5. Do you remember when the cat ran away, and I cried and cried and made you put up posters, and she never came back? I wasn’t crying because she didn’t come back. I was crying because I’d taken her to the woods, and I was scared she’d come back and tell you what I’d done, but I guess a wolf got her, or something. She never liked me anyway. 6. I never liked your mother. 7. After you left, I didn’t water your plants on purpose. They’re all dead. 8. Goodbye. 9. Were you ever really in love with me? 10. Was I good in bed, or just average? 11. What exactly did you mean, when you said that it was fine that I had put on a little weight, that you thought I was even more beautiful, that I should go ahead and eat as much as I wanted, but when I weighed myself on the bathroom scale, I was exactly the same weight as before, I hadn’t gained a single pound? 12. So all those times, I’m being honest here, every single time, and anyway I don’t care if you don’t believe me, I faked every orgasm you ever thought I had. Women can do that, you know. You never made me come, not even once. 13. So maybe I’m an idiot, but I used to be in love with you. 14. I slept with some guy, I didn’t mean to, it just kind of happened. Is that how it was with you? Not that I’m making any apologies, or that I’d accept yours, I just want to know. 15. My feet hurt, and it’s all your fault. 16. I mean it this time, goodbye.
Kelly Link (Stranger Things Happen)
And as the music ended, he saw her, like a woman in a romance, pull from her cotton sleeve a note that she pushed into his breast pocket. It would burn there unread for another hour as he danced and talked with in-laws who did not matter to him, who got in the way, whose bloodline connection to him or his wife he could not care less about. Everything that was important to him existed suddenly in the potency of Marie-Neige. He could tell what the shallow freize of the wedding party that surrounded them would continue to be, and yet the one he knew best-he could not conceive how she would behave or respond to him in a week, or even in an hour. She had stepped into more than his arms for a dance, had waited for the precise seconds so it was possible and socially forgivable-the sunlit wedding procession, the eternal meal-and she had passed him a billet-doux as if they were within a Dumas. The note she had written said 'Good-bye.' Then it said 'Hello.' And then it reminded him that 'A message sent by pigeon to The Hague can sometimes change everything.' She had, like one of those partially villainous and always evolving heroines, turned his heart over on the wrong day.
Michael Ondaatje (Divisadero)
It was only then that I glanced back and saw Dad, still standing at the checkpoint, watching me walk away, his hands in his pockets, his shoulders slumping, his mouth slackened. I waved and he stepped forward, as if to follow, and I was reminded of the moment, years before, when power lines had covered the station wagon, with Mother inside it, and Dad had stood next to her, exposed. He was still holding that posture when I turned the corner. That image of my father will always stay with me: that look on his face, of love and fear and loss. I knew why he was afraid. He’d let it slip my last night on Buck’s Peak, the same night he’d said he wouldn’t come to see me graduate. “If you’re in America,” he’d whispered, “we can come for you. Wherever you are. I’ve got a thousand gallons of fuel buried in the field. I can fetch you when The End comes, bring you home, make you safe. But if you cross the ocean…
Tara Westover (Educated)
I hold the biscuits in front of his face and he stands up. "What do I have to do?" he says. "Nothing," I say. "They're for you." "Are they poisoned?" he says. "No," I say. "Eat one," he says. So I do. "Probably the others are poisoned," he says. "Eat a fraction of each." I eat a corner off each biscuit. He looks at the reminders suspiciously, then sniffs them. "I'm not sure it's worth it," he says. "How I wish you'd never come. Perhaps you've left the poison off of just those corners." I begin to realize I'll doubt whatever information he gives me. "Lick the entire biscuit," he says. "Then give them to me." So I lick each biscuit. "Both sides," he says. I lick both sides of each biscuit. I give him the wet biscuits and he cracks them open and sniffs them. Then he puts them in his pocket. "What do you want?" he says. "Now that you've failed to poison me to death.
George Saunders (Pastoralia)
I never read a book in my life,” she said again. She looked at the volume where it lay by the boulder, at Scott, at the book again. She seemed to be having a great deal of trouble getting used to the idea of a man reading a book. “What do you read books for?” Now he laughed, and she flared up at him, “You laughing at me?” “Lord, no, ma’am. It’s just that nobody ever asked me that before.” He looked at the still water for a moment, thinking. “Tell you what, suppose you had a friend, he knew a whole lot more than you do. He could tell you things about what people are like all over the world, the way they live, everything. And what folks were like a hundred years ago or even a thousand. He could tell you things that make your hair curl, lose you sleep, or things that make you laugh.” He looked up at her swiftly, and away. “Or cry.” He kicked a pebble into the water and watched the sunlight break and break, and heal. “More than that. Suppose you had a friend there waiting for you anytime you wanted him, anyplace. He’d give you all he’s got or any part of it, whenever you wanted it. And even more, you could shut him up if you didn’t feel like listening. Or if he said something you like, you could get him to say it over a hundred times, and he’d never mind.” He pointed at the book. “And all that you can put in your pocket.
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume X: The Man Who Lost the Sea)
It is a good plan to have a book with you in all places and at all times. Most likely you will carry it many a day and never give it a single look, but, even so, a book in the hand is always a companionable reminder of that happier world of fancy, which, alas! most of us can only visit by playing truant from the real world. As some men wear boutonnieres, so a reader carries a book, and sometimes, when he is feeling the need of beauty, or the solace of a friend, he opens it, and finds both.
The Pocket University - Volume XXIII
You have a hearing problem," Andrew deduced. "Too many balls to the helmet, perhaps. Can you read lips?" Andrew pointed at his mouth as he spoke. "The next time someone comes for you, stand down and let me deal with it. Do you understand?" "If it means losing you, then no," Neil said. "I hate you," Andrew said casually. He took a last long drag from his cigarette and flicked it off the roof. "You were supposed to be a side effect of the drugs." "I'm not a hallucination," Neil said, nonplussed. "You are a pipe dream," Andrew said. "Go inside and leave me alone." "You still have my keys," Neil reminded him. Andrew dug Neil's keys out of his pocket and pried his car key off it.
Nora Sakavic (The King's Men (All for the Game, #3))
When he went out it was freezing, and a pale winter sun was rising over Paris. No thought of escape had as yet crossed Monsieur Monde's mind. 'Morning, Joseph.' 'Morning, monsieur.' As a matter of fact, it started like an attack of flu. In the car he felt a shiver. He was very susceptible to head colds. Some winters they would hang on for weeks, and his pockets would be stuffed with wet handkerchiefs, which mortified him. Moreover, that morning he ached all over, perhaps from having slept in an awkward position, or was it a touch of indigestion due to last night's supper? 'I'm getting flu,' he thought. Then, just as they were crossing the Grands Boulevards, instead of automatically checking the time on the electric clock as he usually did, he raised his eyes and noticed the pink chimney pots outlined against a pale blue sky where a tiny white cloud was floating. It reminded him of the sea. The harmony of blue and pink suddenly brought a breath of Mediterranean air to his mind, and he envied people who, at that time of year, lived in the South and wore white flannels.
Georges Simenon (Monsieur Monde Vanishes)
Always preoccupied with his profound researches, the great Newton showed in the ordinary-affairs of life an absence of mind which has become proverbial. It is related that one day, wishing to find the number of seconds necessary for the boiling of an egg, he perceived, after waiting a minute, that he held the egg in his hand, and had placed his seconds watch (an instrument of great value on account of its mathematical precision) to boil! This absence of mind reminds one of the mathematician Ampere, who one day, as he was going to his course of lectures, noticed a little pebble on the road; he picked it up, and examined with admiration the mottled veins. All at once the lecture which he ought to be attending to returned to his mind; he drew out his watch; perceiving that the hour approached, he hastily doubled his pace, carefully placed the pebble in his pocket, and threw his watch over the parapet of the Pont des Arts.
Camille Flammarion (Popular Astronomy: A General Description of the Heavens (Cambridge Library Collection - Astronomy))
Puggle isn’t a word, Bridge.” Letting her down gently had no effect. She stomped a boot on the ground, making the contents of the mystery pink bag rattle in her hand. “It is,” she insisted. “Ask someone.” I looked from left to right, wondering who she was expecting me to stop. As busy as the park was, I couldn’t see a single person who looked knowledgeable in Australian wildlife. “What am I supposed to ask, Bridget?” I asked. “Excuse me ma’am, do you know what a puggle is?” She raised her free hand, bouncing on the spot. “I know! I know!” she squealed. “It’s a baby ’chidna.” I made a mental note to hold off on the sarcasm for a year or two. I decided to dazzle her with science instead. I took my phone from my pocket and Googled it – then had to eat my words because a baby echidna is indeed called a puggle. “How can you possibly know the things you do?” She grinned, reminding me too much of her mom. “I’m a smart girl, Ry.
G.J. Walker-Smith
Your beauty is not a tax you are required to pay to take up space in this world, I remind myself, and my hand flits unconsciously to my pocket where my list is still tucked. You deserve to be here.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
I reminded myself that I was there to share the most important truth I know, that the biggest prison is in your own mind, and in your pocket you already hold the key: the willingness to take absolute responsibility for your life; the willingness to risk; the willingness to release yourself from judgment and reclaim your innocence, accepting and loving yourself for who you really are—human, imperfect, and whole.
Edith Eger (The Choice: Embrace the Possible)
Even through the haze of summer you can see the cleared pockets of land that were once forest, now logged into oblivion. They look like a disease, but to the north and west, the untouched hills are a calm reminder.
Victoria Aveyard
Many of the old houses, round about, speak very plainly of those days when Kingston was a royal borough, and nobles and courtiers lived there, near their King, and the long road to the palace gates was gay all day with clanking steel and prancing palfreys, and rustling silks and velvets, and fair faces.  The large and spacious houses, with their oriel, latticed windows, their huge fireplaces, and their gabled roofs, breathe of the days of hose and doublet, of pearl-embroidered stomachers, and complicated oaths.  They were upraised in the days “when men knew how to build.”  The hard red bricks have only grown more firmly set with time, and their oak stairs do not creak and grunt when you try to go down them quietly. Speaking of oak staircases reminds me that there is a magnificent carved oak staircase in one of the houses in Kingston.  It is a shop now, in the market-place, but it was evidently once the mansion of some great personage.  A friend of mine, who lives at Kingston, went in there to buy a hat one day, and, in a thoughtless moment, put his hand in his pocket and paid for it then and there.
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
He shifted on his feet, stuffed his hands in his pockets, and studied me with open and growing amusement; “Are you going somewhere?” I swallowed and tried to shrug but the movement was lost under the layers of clothing, “Yes.” I lifted my chin, feeling suddenly hot which reminded me of how hot it was outside… even at 9:30pm; I then quickly amended, “No.” I lowered my hands from the hat on my head and tugged at the sleeves of the jacket, “I haven’t decided.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
I love it when he tells me that he likes the way I feel because it goes against everything I’ve heard my entire life and I wish I could put his words in my pocket just to touch them once in a while and remind myself that they exist.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Pulling to a stop in front of Aly’s house, I take a deep breath. With a flick of my wrist, I cut the engine and listen to the silence. I’ve sat in this exact spot more times than I can count. In many ways, Aly’s house is like my sanctuary. A place I go when my own home feels like a graveyard. I glance up at the bedroom window of the girl who knows me better than anyone, the only person I let see me cry after Dad died. I won’t let this experiment take that or her away from me. Tonight, I’m going to prove that Aly and I can go back to our normal, easy friendship. Throwing open my door, I trudge up her sidewalk, plant my feet outside her front door, and ring the bell. “Coming!” I step back and see Aly stick her head out of her second-story window. “No problem,” I call back up. “Take your time.” More time to get my head on straight. Aly disappears behind a film of yellow curtain, and I turn to look out at the quiet neighborhood. Up and down the street, the lights blink on, filling the air with a low hum that matches the thrumming of my nerves. Across the street, old Mr. Lawson sits at his usual perch under a gigantic American flag, drinking beer and mumbling to himself. Two little girls ride their bikes around the cul-de-sac, smiling and waving. Just a normal, run-of-the-mill Friday night. Except not. I thrust my hands into my pockets, jiggling the loose change from my Taco Bell run earlier tonight, and grab my pack of Trident. I toss a stick into my mouth and chew furiously. Supposedly, the smell of peppermint can calm your nerves. I grab a second stick and shove it in, too. With the clacking sound of Aly’s shoes approaching the door behind me, I remind myself again about tonight’s mission. All I need is focus. I take another deep breath for good measure and rock back on my heels, ready to greet my best friend. She opens the door, wearing a black dress molded to her skin, and I let the air out in one big huff.
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
I take the comb from a pocket of my new dress and then hesitate. If I begin to untangle my nimbus of snarls, he will see how badly my hair is matted and be reminded of where he found me. He stands. Good. He will leave, and then I will be able to wrangle my hair alone. But instead he steps behind me and takes the comb from my hands. 'Let me do that,' he says, taking strands of my hair in his fingers. 'It's the colour of primroses.' My shoulders tense. I am unused to people touching me. 'You don't need to-' I start. 'It's no trouble,' he says. 'I had three older sisters brushing and braiding mine, no matter how I howled. I had to learn to do theirs, in self-defence. And my mother...' His fingers are clever. He holds each lock at the base, slowly teasing out the knots at the very end and then working backward to the scalp. Under his hands, it becomes smooth ribbons. If I had done this, I would have yanked half of it out in frustration. 'Your mother...,' I echo, prompting him to continue in a voice that shakes only a little. He begins to braid, sweeping my hair up so that thick plaits become something like his circlet, wrapping around my head. 'When we were in the mortal world, away from her servants, she needed help arranging it.' His voice is soft. This, along with the slightly painful pull against my scalp, the brush of his fingertips against my neck as he separates a section, the slight frown of concentration on his face, is overwhelming. I am not accustomed to someone being this close. When I look up, his smile is all invitation. We are no longer children, playing games and hiding beneath his bed, but I feel as though this is a different kind of game, one where I do not understand the rules. With a shiver, I take up the mirror from the dresser. In this hair, and with this dress, I look pretty. The kind of pretty that allows monsters to deceive people into forests, into dances where they will find their doom.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
I took my hands from my pockets and ran them along the bricks' gnarled and pitted surface. They seemed light and ready to crumble. I felt the impulse to kiss them, so as to experience more closely a texture that reminded me of blocks of pumice or halva from a Lebanese delicatessen.
Alain de Botton (The Art of Travel)
I take a deep breath and tiptoe to the window only to press my nose against the cool surface. Feel my breath fog up the glass. Close my eyes to the sound of a soft pitter-patter rushing through the wind. Raindrops are my only reminder that clouds have a heartbeat. That I have one, too. I always wonder about raindrops. I wonder about how they’re always falling down, tripping over their own feet, breaking their legs and forgetting their parachutes as they tumble right out of the sky toward an uncertain end. It’s like someone is emptying their pockets over the earth and doesn’t seem to care where the contents fall, doesn’t seem to care that the raindrops burst when they hit the ground, that they shatter when they fall to the floor, that people curse the days the drops dare to tap on their doors. I am a raindrop. My parents emptied their pockets of me and left me to evaporate on a concrete slab.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
A prison chaplain in the West of England confessed he had given up one prisoner as hopeless, so stubborn was he against any approach by him, and known throughout the jail as the most truculent and obstinate troublemaker. But one day the governor was told of a visitor who insisted on seeing him. To his surprise, it was a little girl. "He's my daddy," she explained, "It's his birthday." The governor allowed the prisoner to be sent for. "Daddy," said the child as he was brought in, "this was your birthday, so I wanted to come and see you." Then taking a lock of hair out of her pocket, she offered it to him. "I had no money to buy a present for you. But I brought this, a lock of my own hair." The prisoner broke down and clasped her in his arms, sobbing. He became a changed man after that and guarded, as his most precious possession, the lock of hair that reminded him that somebody still loved him.
Francis Gay
The thought of missing it was eased when she found a gap in the bodies and was able to see the mound of guilt, still intact. It was prodded and splashed, even spat on. It reminded her of an unpopular child, forlorn and bewildered, powerless to alter its fate. No one liked it. Head down. Hands in pockets. Forever. Amen.
Markus Zusak (The Book Thief)
I started my illustrious career with a pitchfork in my hand and saddle soap in my pocket." Idly he tugged a white blossom from the vine, tucked it into her hair. The gesture flustered her-the easy charm of it-and made her remember they were walking in the moonlight, among the flowers. Not,she reminded herself, a good idea.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Next comes svadhyaya or study. This means study that concerns the true Self, not merely analyzing the emotions and mind as the psychologists and psychiatrists do. Anything that will elevate your mind and remind you of your true Self should be studied: the Bhagavad Gita, the Bible, the Koran, these Yoga Sutras, or any uplifting scripture. Study
Satchidananda (The Yoga Sutras of Patanjali—Integral Yoga Pocket Edition: Translation and Commentary by Sri Swami Satchidananda)
The little wooden bird is gone. The last of her past life, carried away with the dead. For months, she will keep reaching for the bird, hand drifting to her pocket the way it might to a stubborn curl, a motion born of so much habit. She cannot seem to remind her fingers it is gone, cannot seem to remind her heart, which stutters a little every time she finds the pocket empty. But, there, blooming amid the sorrow, is a terrible relief. Every moment since she left Villion, she has feared the loss of this last token. Now that it is gone, there is a guilty gladness tucked among the grief. This last, brittle thread to her old life has broken, and Addie has been set well, and truly and forcibly free.
V.E. Schwab (The Invisible Life of Addie LaRue)
I am slowly learning to disregard the insatiable desire to be special. I think it began, the soft piano ballad of epiphanic freedom that danced in my head, when you mentioned that "Van Gogh was her thing" while I stood there in my overall dress, admiring his sunflowers at the art museum. And then again on South Street, while we thumbed through old records and I picked up Morrissey and you mentioned her name like it was stuck in your teeth. Each time, I felt a paintbrush on my cheeks, covering my skin in grey and fading me into a quiet, concealed background that hummed everything you've ever loved has been loved before, and everything you are has already been on an endless loop. It echoed in your wrists that I stared at, walking (home) in the middle of the street, and I felt like a ghost moving forward in an eternal line, waiting to haunt anyone who thought I was worth it. But no one keeps my name folded in their wallet. Only girls who are able to carve their names into paintings and vinyl live in pockets and dust bunnies and bathroom mirrors. And so be it, that I am grey and humming in the background. I am forgotten Sundays and chipped fingernail polish and borrowed sheets. I'm the song you'll get stuck in your head, but it will remind you of someone else. I am 2 in the afternoon, I am the last day of winter, I am a face on the sidewalk that won't show up in your dreams. And I am everywhere, and I am nothing at all.
Madisen Kuhn (eighteen years)
The Pleiades and northern lights are still above the mountain. The mountain is in the east, and on its slopes there are reindeer. Reindeer always remind me of trees that have taken to moving. They remind me even more of trees than people do. In the distant past, reindeer were trees as people were, but they haven't come such a long way from their origins, and the branches can be seen although they no longer bear leaves. I have my bedtime book in my hand and my pocket light and walk toward the mountain over the edges of the moorland in rubber boots. The book is a relative of mine, I feel; it is made out of trees and human thought, and thus the relationship becomes twofold. These are ancient poems that I am taking to the mountains and the reindeer.
Gyrðir Elíasson
Sophie, have you had any contact with Archer Cross?” Every eye in the room was on me, and I had this bizarre urge to cover my face. I knew everything I was feeling was painted all over it. “No. I thought maybe…” I turned to cal. “Did you see him? When you went in to get Dad at Thorne Abbey?” It’s not like I expected Cal to go, Yes, I did. In fact, I was keeping him in my pocket. Here you go. But when Cal met my eyes and said, “Your dad was alone in the cell when I got there,” the words physically hurt. You’re lucky, I reminded myself. Your dad is here. So is Cal. And Jenna is safe. What were the chances that you’d get everyone back? “The cell door had been broken down,” Cal continued, “so your dad and I figured The Eye took him.” “You don’t remember anything?” I asked Dad. A rueful expression was on his face as he shook his head. “I was unconscious, I’m afraid.” Shoving my hands into my pockets, I said, “I’m sure you’re right. He’s probably with The Eye.” And they were either still keeping him as their pet warlock, or they’d found out about the two of us working together, and killed him. Either way, Archer was gone.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
It should be illegal for a woman to look as good as you do.” “Really?” She peered down at herself again, but saw nothing all that spectacular. “I’m glad you like it.” “I love it. I love you.” He dug in his pocket. “When I left today, it was for this.” Speechless, Priss watched as he opened a now-wet jeweler’s box. Inside, securely nestled in velvet, was a beautiful diamond engagement ring. Her heart nearly stopped. “I wanted it to be a surprise.” There were no words. Her eyes suddenly burned and her throat went tight. Trace took her hand and slipped the ring on her finger. The fit was perfect, but then, anything Trace did, he did right. “Priss?” Using the edge of his fist, he lifted her chin. “We’ve been to movies and plays, to small diners and fancy restaurants. I’ve taken you dancing and hiking, to the amusement park and the zoo.” Sounding like a choked frog, Priss said, “All the things I never got to do growing up.” “But there’s so much more, honey.” He moved wet tendrils of hair away from her face and over her shoulder. “I was trying to give you time to enjoy it all.” “No!” Priss did not want him second-guessing his intent. “I don’t need any more time. Really I don’t.” Both still very attentive, Matt and Chris snickered. Trace just smiled at her. Closing her hand into a fist, she held the ring tight. “All I need, all I want, is you.” “Glad to hear it, because I’m not an overly patient guy. Hell, I think I knew you were the one the day you showed up in Murray’s office.” He kissed the tip of her nose, her lips, her chin. “You were so damned outrageous, and so pushy, that you scared me half to death.” “You felt me up,” Priss reminded him. “But that was a first for me, too.” “I remember it well.” He treated her to a deeper kiss, and ended it with a groan. “Every day since then, I’ve wanted you more. Even when you worried me, or lied to me, or made me insane, I admired you for it.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
If you’ve got a squirt gun in your pocket, you may have to take it out. If you’ve got a bazooka, and people know you’ve got it, you may not have to take it out,” he said. Sometimes market fears can be self-fulfilling, and a strong demonstration can avoid the worst outcomes. I was reminded of the military doctrine of “overwhelming force” as the way to prompt quick surrender and minimize casualties.
Ben S. Bernanke (Courage to Act: A Memoir of a Crisis and Its Aftermath)
A botanist would have been stumped, coming across a tree like this one. Yet, if we are to judge a tree by its fruit, it was clearly an avocado. I picked the fruit, sliced it open, and tasted it to make sure. There was no doubt in my mind. If it looks like an avocado and tastes like an avocado, it has got to be an avocado. However, the tree itself had a white bark like that of a birch and its sap tasted like birch juice. Its leaves were delicate like that of a cypress, while its trunk and the root system reminded me of a baobab. Could it be that someone had grafted an avocado on to a baobab tree? And if so, why the bark so white and the leaves so, well, feathery, and delicate yet bold like a dragonfly’s wing? Why is there not another tree like it nearby? Where had the seed of this tree come from? I had no answer. So, I put the seed of the fruit in my pocket and took it home with me to see if I could make it grow.
Uguïsse Packard
Look at a coin from your pocket. On one side is "heads" - the symbol of the political authority which minted the coin; on the other side is "tails" - the precise specification of the amount the coin is worth as payment in exchange. One side reminds us that states underwrite currencies and the money is originally a relation between persons in society, a token perhaps. The other reveals the coin as a thing, capable of entering into definite relations with other things.
Keith Hart
Raindrops are my only reminder that clouds have a heartbeat. That I have one, too. I always wonder about raindrops. I wonder about how they’re always falling down, tripping over their own feet, breaking their legs and forgetting their parachutes as they tumble right out of the sky toward an uncertain end. It’s like someone is emptying their pockets over the earth and doesn’t seem to care where the contents fall, doesn’t seem to care that the raindrops burst when they hit the ground, that they shatter
Tahereh Mafi (Shatter Me (Shatter Me, #1))
Ronelle knew Dallas would not stay to eat. She often reminded Ronelle never to eat anything at potluck dinners or bake sales. One person hating the town could wipe out the entire population with poison. Looking around, she saw everyone eating and had a horrible thought. If they all died, that would leave only her mother and her in town. While her mother stopped to talk to Willie Davis, Ronelle slipped a piece of corn bread into her pocket. It would be all in crumbs by the time she got home, but she planned to eat it. Just in case.
Jodi Thomas (The Comforts of Home (Harmony, #3))
Do you know why I always keep a shilling in my pocket? Because everything I am today, everything I've earned- it all started there. I was once worth a single shilling. Now I'm worth hundreds of thousands of pounds." "No, you aren't." "Shall I produce the bank ledgers to prove it?" "Ledgers are meaningless. I have a sum placed on me, you know. A dowry of forty thousand. And yet if I were to lose my virtue, some would deem me worthless." "You could never be worthless." "I could certainly drive down the price of your house. You never miss a chance to remind me." He shook his head. "That's not the point." "Here is the point." She stepped into his path, forcing him to meet her eyes. Man-eating sharks and all. "No one can be reduced to numbers in a ledger, or a stack of banknotes, or a single silver coin. We are humans, with souls and hearts and passion and love. Every last one of us is priceless. Even you." She set her frustration aside and took his face in her hands. He needed to hear this. Everyone needed to hear it, including her. Perhaps that was why she spoke the words so often, to so many creatures. Simply to hear them echo back. "Gabriel Duke. You are priceless.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
From a minaret, the khoja called the faithful to aksham, the evening prayer. It was a sound I associated with hot places—Cairo, Damascus—not a place where frost crunched underfoot and pockets of unmelted snow gathered in the crotch between the mosque’s dome and its stone palisade. I had to remind myself that Islam had once swept north as far as the gates of Vienna; that when the haggadah had been made, the Muslims’ vast empire was the bright light of the Dark Ages, the one place where science and poetry still flourished, where Jews, tortured and killed by Christians, could find a measure of peace.
Geraldine Brooks (People of the Book)
Excuse me, may I remind you that you’re stuck by your feet by an invisible force to a ball of unstable rock which is hurtling around in a total vacuum, and that you’re obliged to share this ball of unstable rock with millions of demented people, many of whom don’t use deodorant, and some of whom would like nothing better than to pocket all of your possessions, torture your pets and blow your head off. Not only that, everything that makes this situation bearable, like cheeseburgers and whiskey and reasonably priced cigars, is going to shorten your life, and in any case you’re going to die anyhow, half-blind, half-deaf, in wet pajamas, in Pasadena.
Graham Masterton (Innocent Blood)
The camera does a close-up on the girl who can miraculously see again. It cuts to the mother-in-law, then to the clueless husband. All at once, the credits run. “Maldito sea!” Lila shoves the coffee table with her foot. “We have to wait to see that hussy get what’s coming?” “Please. You know what’s coming.” I rub perfume on my wrists and sniff. It’s better than sour milk, and it reminds me of fancy department stores where I can only browse. I stuff a few samples in my pocket. “It’s going to end the way all the novelas end. Everybody happy.” She shoos away my idea like it’s a bad smell. “So what? Nobody gets happy the same way. That’s what’s interesting.
Meg Medina (Yaqui Delgado Wants to Kick Your Ass)
When she did, her mouth fell open. The vivid glamour of the world outside paled in comparison to the world within. It was a palace of vaulting glass and shimmering tapestry and, woven through it all like light, magic. The air was alive with it. Not the secret, seductive magic of the stone, but a loud, bright, encompassing thing. Kell had told Lila that magic was like an extra sense, layered on top of sight and smell and taste, and now she understood. It was everywhere. In everything. And it was intoxicating. She could not tell if the energy was coming from the hundreds of bodies in the room, or from the room itself, which certainly reflected it. Amplified it like sound in an echoing chamber. And it was strangely—impossibly—familiar. Beneath the magic, or perhaps because of it, the space itself was alive with color and light. She’d never set foot inside St. James, but it couldn’t possibly have compared to the splendor of this. Nothing in her London could. Her world felt truly grey by comparison, bleak and empty in a way that made Lila want to kiss the stone for freeing her from it, for bringing her here, to this glittering jewel of a place. Everywhere she looked, she saw wealth. Her fingers itched, and she resisted the urge to start picking pockets, reminding herself that the cargo in her own was too precious to risk being caught. The
V.E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
Or I can stay with Colby when he comes back,” she added deliberately. She even smiled. “He’ll take care of me.” His black eyes narrowed. “He can barely take care of himself,” he said flatly. “He’s a lost soul. He can’t escape the past or face the future without Maureen. He isn’t ready for a relationship with anyone else, even if he thinks he is” She didn’t rise to the bait. “I can count on Colby. He’ll help me if I need it.” He looked frustrated. “But you won’t let me help you.” “Colby isn’t involved with anyone who’d be jealous of the time he spent looking out for me. That’s the difference.” He let out an angry breath and his eyes began to glitter. “You have to beat the subject to death, I guess.” She managed to look indifferent. “You have your own life to live, Tate. I’m not part of it anymore. You’ve made that quite clear.” His teeth clenched. “Is it really that easy for you to throw the past away?” he asked. “That’s what you want,” she reminded him. There was a perverse pleasure in watching his eyes narrow. “You said you’d never forget or forgive me,” she added evenly. “I took you at your word. I’ll always have fond memories of you and Leta. But I’m a grown woman. I have a career, a future. I’ve dragged you down financially for years, without knowing it. Now that I do…” “For God’s sake!” he burst out, rising to pace with his hands clenched in his pockets. “I could have sent you to Harvard if you’d wanted to go there, and never felt the cost! “You’re missing the point,” she said, feeling nausea rise in her throat and praying it wouldn’t overflow. “I could have worked my way through school, paid for my own apartment and expenses. I wouldn’t have minded. But you made me beholden to you in a way I can never repay.” He stopped pacing and glared at her. “Have I asked for repayment?” She smiled in spite of herself. “You look just like Matt when you glower that way.” The glare got worse. She held up a hand. “I know. You don’t want to talk about that. Sorry.” “Everyone else wants to talk about it,” he said irritably. “I’ve done nothing but dodge reporters ever since the story broke. What a hell of a way to do it, on national television!
Diana Palmer (Paper Rose (Hutton & Co. #2))
We’re reminded of a story we heard about a wise old man who lived high in the Himalayan mountains. Periodically he ventured down into the local town to entertain the villagers with his special knowledge and talents. One of his skills was to psychically tell them the contents in their pockets, boxes, or minds. A few young boys decided to play a joke on the old man and discredit his special abilities. One came up with the idea to capture a bird and hide it in his hands. He knew, of course, the man would know the object in his hands was a bird. The boy devised a plan. Knowing the wise old man would correctly state the object in his hands was a bird, the boy would ask the old man if the bird was dead or alive. If the wise man said the bird was alive, the boy would crush the bird in his hands, so that when he opened his hands the bird would be dead. But if the man said the bird was dead, the boy would open his hands and let the bird fly free. No matter what the man said, the boy would prove the old man a fraud. The following week, the man came down from the mountain into the village. The boy quickly caught a bird, cupped it out of sight behind his back, walked up to the wise old man, and asked, “What is it that I have in my hands?” The man said, “You have a bird, my son.” The boy then asked, “Tell me, is the bird alive or dead?” The wise old man looked at the boy and said, “The bird is as you choose it to be.” So it is with your life.
Michael Hyatt (Living Forward: A Proven Plan to Stop Drifting and Get the Life You Want)
Someone--a man--came up behind her and snaked an arm around her waist. Not flirtation. Aggression. Kestrel sidestepped and spun, pulling her dagger from its sheath. Irex. His dagger was drawn, too. “A fight, dear Kestrel?” His stance was easy. He didn’t know how to play Bite and Sting, but his skill at weapons outmatched hers. “Not here,” she said stiffly. “No, not here.” His voice was soft. “But anywhere, if you want it.” “Exactly what do you think you are doing, Irex?” “You mean, a moment ago? Oh, I don’t know. Maybe I was trying to pick your pocket.” His tone hinted at a coarse double meaning. Kestrel slid her dagger into its sheath. “Theft is the only way you will get my gold.” She walked from the cover of trees and saw, with shaky gratitude, that the party was still there, that the sound of porcelain and spoons still tinkled over low talk, and that no one had noticed anything. No one, except perhaps Arin. He was waiting for her. She felt a flash of something unpleasant--embarrassment, perhaps, as she wondered how much of this afternoon he had overheard. Dismay to think that he might have witnessed that last exchange with Irex, and misunderstood it. Or was she troubled by something else? Maybe it was the thought that Arin knew perfectly well what had been taking place behind the trees and had made no move to interfere, to help. It was not his place to interfere, she reminded herself. She had not needed his help. “We are leaving,” she told him.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I remind him of his old wino father but the fantastic thing is that HE reminds ME of MY father so that we have this strange eternal father-image relationship that goes on and on sometimes with tears, it’s easy for me to think of Cody and almost cry, sometimes I can see the same tearful expression in his eyes when he sometimes looks at me—He reminds me of my father because he too blusters and hurries and fills all his pockets with Racing Forms and papers and pencils and we’re all ready to go on some mission in the night he takes with ultimate seriousness as tho we were going on the last trip of them all but it always ends up being a hilarious meaningless Marx Brothers adventure which gives me even more reason to love him (and my father too)
Jack Kerouac (Big Sur)
Dominic, with the powerful aura, got under my skin before I had a chance to ward him off and now I’m screwed. Even more now I know his taste and how hard he feels against the soft, wet parts of me. Dominic just introduced me to the most dangerous man in New York. Fuck. Fuck. Clarity pours over me. Does this mean Dominic is a member of the mafia after all? Only it wasn’t only a little kiss, was it? I’m sexually frustrated and Dom is standing there with his hands in his tailored pants pockets, aroused. The bulge is unmistakable. “Gabriella…” God, I’m wet too. If I rub my thighs together, I’ll feel how much. He’s hard, I’m wet… it’s a match made in heaven. “Gabriella…” he says again, thick and tarnished as I look him up and down. “Yeah?” “I said you’re too far away,” he murmurs, cutting his dark gaze my way. Stirring me. “Come here to me, cara.” he hooks two fingers with a motion and smirks like a devil with the key to all my desires. I swear my belly bottoms out as my feet carry me forward. Unable to refuse the invisible rope he has around my waist, pulling me closer. “Bossy aren’t you?” “I am your boss.” “I don’t think you want to remind me of that.” He hums and the rumble hurtles down between my thighs. How does he do that? Turn me on with just a noise. “I guess you’d like it if I called you sir, wouldn’t you?” His eyes flare and then darken, he drops his chin to his chest. “Do you really wish to turn me on right this moment?” Oh, fuck. Do I? I do. Yeah, I really do.
V. Theia (Manhattan Target (From Manhattan #6))
In one slick move, he shoves his phone in his pocket and grabs me so we’re in front of the cabinet. His hand slides around the back of my neck, and before I can panic, he kisses me hard. Momentarily caught off guard, I just throw my arms around his neck and press my body against his. His kiss deepens until our tongues are twisting together, and I’m reminded of just how great a kisser he is. The lights flicker on, and Grayson pulls away from me with a grunt. I’m so flustered, it takes me a few seconds to collect myself enough to see a man wearing a suit and a hotel name badge eyeing us. “Excuse me, Mr. Cole, I’m afraid this office is off-limits for guests,” he says. I glance at Grayson and have to stop myself from laughing at the shade of my lipstick he’s now wearing. Grayson doesn’t miss a beat; he just grabs my hand and tugs me across the room. “I won’t mention this if you don’t,” he says as we pass by the hotel porter. I try for a sheepish smile as we walk past him. “Sorry,” I mouth. As we make it out to the hallway, a half-smothered giggle escapes before I can stop it. “You should probably go to the men’s room before you go back to the party.” A smile creases his lipstick-smeared mouth before he swipes his hand over it. “Yeah. This isn’t really my shade.” I snort a laugh and try to laugh off the kiss. But as I head back to the party, I’m well aware that kiss has only stirred a desire for another one. Not only that but as I pull my mirror out to check my own face, I realize something I didn’t in the heat of the moment. ​There was nothing fake about that kiss.
Lexi Hart (Bad Boyfriend (Bad for Me, #1))
I purchased two ha'penny marbles. With admiring eyes I saw, luminous and imprisoned in a bowl by themselves, the agate marbles which seemed precious to me because they were as fair and smiling as little girls, and because they cost five-pence each. Gilberte, who was given a great deal more pocket money than I ever had, asked me which I thought the prettiest. They were as transparent, as liquid-seeming as life itself. I would not have had her sacrifice a single one of them. I should have liked her to be able to buy them, to liberate them all. Still, I pointed out one that had the same colour as her eyes. Gilberte took it, turned it about until it shone with a ray of gold, fondled it, paid its ransom, but at once handed me her captive, saying: "Take it; it is for you, I give it to you, keep it to remind yourself of me.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
Directly Mr Pye stepped ashore he heard her voice. 'The name is Dredger,' it said. Mr Pye lifted his head again, his thorn-shaped nose veering towards her and the rest of his round face following it, as a ship must follow its bowsprit. His little mouth continued to smile gently but it gave nothing away. As he remained silent, Miss Dredger raised her voice as though to establish the fact of her forthright nature from the outset. 'Mr Pye, I imagine!' Her new acquaintance removed his glasses, wiped them carefully, and re-set them on his nose. 'Who else?' he murmured. 'Who else, dear lady?' As Miss Dredger could not think 'who' else could possibly be Mr Pye, and had no wish to follow so foolish a train of conjecture, she blew some smoke out of her nostrils. Mr Pye watched the smoke-jets with interest, ad then, as though he were suggesting an alternative attitude to life, he drew a little box from his waistcoat pocket and helped himself to a fruit-drop. At this, Miss Dredger raised one of her black eyebrows, and as she did so she caught sight of young Pépé - and seeing him reminded her of Mr Pye's luggage. She turned to Mr Pye, her scrubbed hands on her tweed hips. 'What have you brought with you?' she said. Mr Pye turned his gaze upon her. 'Love,' he said. 'Just ... Love ...' and then he transferred the fruit-drop from one cheek to the other with a flick of his experience tongue. His fat little hands that held the lapels of his coat were quite green with the light reflected from the harbour water. Miss Dredger's face had turned the most dreadful colour and she had shut her eyes. The smoke drifted out of her nostrils with no enthusiasm. There were some things that simply are not mentioned - unless one wishes to be offensive and embarrassing. Religion, Art, and now this new horror - Love. What on earth did the man mean?
Mervyn Peake (Mr Pye)
Are people really gonna buy it if we never touch each other in public?” Peter asks, looking skeptical. “I don’t think relationships are just about physicality. There are ways to show you care about someone, not just using your lips.” Peter’s smiling, and he looks like he’s about to crack a joke, so I swiftly add, “Or any other body part.” He groans. “You’ve gotta give me something here, Lara Jean. I have a reputation to uphold. None of my friends will believe I suddenly turned into a monk to date you. How about at least a hand in your back jean pocket? Trust me, it’ll be strictly professional.” I don’t say what I’m thinking, which is that he cares way too much what people think about him. I just nod and write down, Peter is allowed to put a hand in Lara Jean’s back jean pocket. “But no more kissing,” I say, keeping my head down so he can’t see me blush. “You’re the one who started it,” he reminds me. “And also, I don’t have any STDs, so you can get that out of your head.” “I don’t think you have any STDs.” I look back up at him. “The thing is…I’ve never had a boyfriend before. I’ve never been on a real date before, or held hands walking down the hallway. This is all new for me, so I’m sorry about the forehead thing this morning. I just…wish all of these firsts were happening for real and not with you.” Peter seems to be thinking this over. He says, “Huh. Okay. Let’s just save some stuff, then.” “Yeah?” “Sure. We’ll have some stuff for you to do when it’s the real thing and not for show.” I’m touched. Who knew Peter could be so thoughtful and generous? “Like, I won’t pay for stuff. I’ll save that for a guy who really likes you.” My smile fades. “I wasn’t expecting you to pay for anything!” Peter’s on a roll. “And I won’t walk you to class or buy you flowers.” “I get the picture.” It seems to me like Peter’s less concerned about me and more concerned about his wallet. He sure is cheap.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Why don't you ask me up for a drink?" "A drink? There's not much of a variety, but you're welcome." "It's nice to be asked occasionally." Before he could tuck his hand safely in his pocket, she took it, threaded their fingers together. "You have free time now and again yourself," she said easily. "I wonder if you've heard of the concept of dates. Dinner, movies, drives?" "I've some experience with them," He glanced at his pickup as they turned his quarters. "It you've a yen for a drive, you can climb up into the lorry, but I'd need to shovel it out first." She huffed out a breath. "That, Donnelly, wasn't the most romantic of invitations." "Secondhand lorries aren't particularly romantic, and I've forgotten where I parked my glass coach." "If that's another princess crack-" She broke off,set her teeth. Patience, she reminded herself. She wasn't going to spoil things with an argument. "Never mind.We'll forget the drive." She opened the door herself. "And move straight to dinner.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Which mirror now, Ms. Lane?” He glanced around the white room, scanning the ten mirrors. “Fourth from the left. Jericho.” I was sick of him calling me Ms. Lane. I picked myself up off the white floor. Once again the Silver had spit me out with entirely too much enthusiasm, and I didn’t even have the stones on me. I didn’t have anything but the spear in my holster, a protein bar, two flashlights, and a bottle of Unseelie in my pockets. “You don’t have the right to call me Jericho.” “Why? Because we haven’t been intimate enough? I’ve had sex with you in every possible position, killed you, fed you my blood in the hopes that it would bring you back to life, crammed Unseelie into your stomach, and tried to rearrange your guts. I’d say that’s pretty personal. How much more intimate do we have to get for you to feel comfortable with me calling you Jericho? Jericho.” I expected him to pounce on the sex-in-every-possible-position comment, but he only said. “You fed me your—” I pushed into the mirror, cutting him off. Like the first one, it resisted me, then grabbed me and squirted me out on the other side. His voice preceded his arrival. “You bloody fool, do you never stop to consider the consequences of your actions?” He barreled out of the mirror behind me. “Of course I do,” I said coolly. “There’s always plenty of time to consider the consequences. After I’ve screwed up.” “Funny girl, aren’t you, Ms. Lane?” “Sure am. Jericho. It’s Mac. I’m Mac. No more fake formality between us. Get with the program or get the hell out of here.” His dark eyes flared. “Big talk. Ms. Lane. Try to enforce it.” Challenge burned in his gaze. I sauntered toward him. He watched me coldly and I was reminded of the other night, when I’d pretended to be coming on to him, because I was angry. He thought I was doing it again. I wasn’t. Being in the White Mansion with him was doing something strange to me. Unraveling all my inhibitions, as if these walls had no tolerance for lies, or within them there was no need.
Karen Marie Moning (Shadowfever (Fever, #5))
You do not know me.” My heart was breaking. I thought I knew, finally, what it meant to be a ghost. It meant speaking your words around a mouth full of loss. It meant grasping into echoes and hoping, praying that the words still meant something. “I know your soul,” I said, my voice cracking. “Everything else is an ornament.” “You have a strange effect on me…why is that?” he asked softly. “Beside you, I am reminded of something I have forgotten.” My hands fell to my sides. There, beneath the rags of my robes, the fabric was raised and bumpy and I knew what lay beneath it--a broken circlet of hair. I fished it out of the pocket. My whole body was trembling, shaking against its restraints of bone. Amar reached out to cup the back of my neck. I shuddered. I had forgotten how cold his hands were, like the soul of winter had tangled itself in his fingers. He stared at me and his gaze had all the finality of death--it was ferocious and terrible, a ravel of locked horns. He was searching me. I knew exactly what he was looking for-- Himself.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Oh, that this first-year guy messed up or something like that,” I said. “I would’ve found some way to make sure that he knew it wasn’t my fault.” “Me too. But that’s not what she did. She said, ‘Jerry, you remember that expansion analysis? Well, I made a mistake on it. It turns out that the law has just recently changed, and I missed it. Our expansion strategy is wrong.’ “I was dumfounded listening to her. I was the one who’d messed up, not Anita, but she—with much at stake—was taking responsibility for the error. Not even one comment in her conversation pointed to me. “ ‘What do you mean you made a mistake?’ I asked her after she hung up. ‘I was the one who didn’t check the pocket parts.’ This was her response: ‘It’s true you should’ve checked them. But I’m your first supervisor, and a number of times during the process I thought that I should remind you to check the pockets, but I never got around to asking until today. If I had asked when I felt I should’ve, none of this ever would have happened. So you made a mistake, yes. But so did I.
Arbinger Institute (Leadership and Self-Deception: Getting Out of the Box)
Eric Steele was strapped in and rubbing a rag over his father’s 1911. Demo had brought the pistol with the rest of Steele’s gear on board the C-17. In the cockpit, the pilot pushed the throttle forward, shoving Steele back in his seat. He barely noticed because he was thinking about the first time his father let him hold the pistol. It had felt so heavy in his hands back then. So much I never got to ask him. He ran his thumb over the spot where the serial number should have been. It was silver and all traces of the file marks were smoothed out by years of use. The pistol was one of John Moses Browning’s masterpieces, the same design that the American infantryman had carried in the Battle of Belleau Wood, Iwo Jima, Korea, and Vietnam. It was the only thing he had to remind him of the father he never really knew. Steele had made the pistol his own by modifying it to shoot 9mm, adding a threaded barrel, and installing suppressor sights, which were taller than the factory ones. It was his gun now, and he slipped it away before taking an amphetamine tablet out of his pocket and downing it with a sip of water.
Sean Parnell (Man of War (Eric Steele #1))
They’re checking IDs,” he says, craning his neck to see what’s holding us up. I pull mine out of my pocket, and he tilts his head to see the picture on it. “You look different.” “It’s two years old.” I start to lower my arm, and he puts his hand on mine to stop me. “That’s how you used to wear your hair,” he says, still examining it, holding my wrist to keep it where he can see it. “The bangs . . . I always liked the bangs. I was surprised you didn’t have them anymore.” I flush. “I grew them out a couple of summers ago.” He releases my arm. “Did you get a good essay out of it? ‘What I Did Last Summer’?” “I’m saving it for my college essay. ‘How Growing Out My Bangs Taught Me Compassion.’” “Work a third-world country in there somehow,” he says. “Colleges like to see some global awareness.” The line takes us through the front door. “Progress,” Finn says. “Look.” I point to a kid who’s clutching some beads and murmuring to himself. “Is he actually praying right now?” “There are no atheists in the SAT line.” “Remind me to ask him in a few weeks if it helped.” “I’m guessing the success of his prayers will correspond to the number of hours he spent studying.
Claire LaZebnik (The Last Best Kiss)
In the shadows, a glass slipper shimmered on her foot. She bent to pick it up. Strange, that everything should disappear except her glass slipper. She hugged it to her chest. Before this night, she hadn't thought magic would ever touch her life. None of this would have been possible without her fairy godmother. She gazed at the stars twinkling above her. Somehow, she knew her godmother was listening. "Thank you so much... for everything." Carefully, she tucked her glass slipper into her pocket. At least she would have it to remind her of what a beautiful night it had been. Her fairy godmother's spell had been broken. Tomorrow, everything would go back to the way it was before. Her stepmother would go back to ordering her around the chateau, her stepsisters, Anastasia and Drizella, to tormenting her over every one of their needs, but she'd caught a glimpse of happiness, something she hadn't felt in many years. Her eyes had opened to the possibility of leaving home, of dreaming dreams that might actually come true. But she wasn't brave enough to chase them- not yet. Not so soon, anyway, after such a magnificent night. What she didn't realize was- she might not have a choice.
Elizabeth Lim (So This is Love)
Are you driving?” I asked Sam. “Nope. I plan to do some drinking,” Sam said. “You’re not old enough,” I reminded him. “Never stopped me before.” “Sam!” He halted and glared at me. “What? You gonna tattle to Mom and Dad?” Was I? No. But he didn’t know that. Besides, as irritating as my brother was, he was good for one thing: blackmail. And it was payback time for the snowball he’d hit me with yesterday. “Not if you make a contribution to the Kate-have-a-good-time fund.” “Ah, Kate, come on. I’m not hurting anyone. I’m a responsible drinker.” “How can you be responsible if you’re breaking the law?” “I don’t drive when I drink. No one gets hurt except me, if I happen to fall flat on my face.” “You get that drunk?” “I’ve got better things to do than discuss my life with you.” He reached into his back pocket and pulled out his wallet. “How much?” “Twenty should do it.” “Five.” “Ten.” He held out the bill that had one of my favorite presidents on it. “You know, Kate, no one likes a snitch.” I snatched it from his fingers, folded it up, and shoved it into the front pocket of my jeans. “Payback’s a bitch, Brother.” “What?” “I wouldn’t have tattled. But I didn’t like getting hit with a snowball yesterday, either. So now we’re even.” He snapped his fingers. “Give it back.” “Nope. Possession is nine-tenths of the law.” “You don’t even know what that means.” “And I suppose you do.
Rachel Hawthorne (Love on the Lifts)
It was amazing,really,how two people could live and work in basically the same place,and one could completely avoid the other.It just took setting your mind to it. Brian set his mind to it for several days.There was plenty of work to keep him occupied and more than enough reason for him to spend time away from the farm and on the tracks.But he found avoidance scared his pride. It was too close a kin to cowardice. Added to that,he'd told Keeley he wanted to help her at the school and had done nothing abuot it.He asn't a man to break his word, no matter what it cost him.And, he reminded himself as he walked to Keeley's stables, he was also a man of some self-control. He had no intention of seducing or taking the advantage of innocence. He'd made up his mind on it. Then he stepped into the stables and saw her.He wouldn't have said his mouth watered, but it was a very close thing. She was wearing one of those fancy rigs again-jodhpurs the color of dark chocolate and a cream sort of blouse that looked somehow fluid.her hair was down, all tumbled and wild as if she'd just pulled the pins from it. And indeed,as he watched she flipped it back and looped it through a wide elastic band. He decided the best place in the universe for his hands to be were in his pockets. "Lessons over?" She glanced back, her hands still up in her hair.Ah,she thought.She'd wondered how long it would take him to wander her way again. "Why? Did you want one?
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Power is about balance, remember?” He stepped back, his face paling, black eyes narrowing to slits. “I did not ask for your wisdom, false sadhvi. You do not know me.” My heart was breaking. I thought I knew, finally, what it meant to be a ghost. It meant speaking your words around a mouth full of loss. It meant grasping into echoes and hoping, praying that the words still meant something. “I know your soul,” I said, my voice cracking. “Everything else is an ornament.” “You have a strange effect on me…why is that?” he asked softly. “Beside you, I am reminded of something I have forgotten.” My hands fell to my sides. There, beneath the rags of my robes, the fabric was raised and bumpy and I knew what lay beneath it--a broken circlet of hair. I fished it out of the pocket. My whole body was trembling, shaking against its restraints of bone. Amar reached out to cup the back of my neck. I shuddered. I had forgotten how cold his hands were, like the soul of winter had tangled itself in his fingers. He stared at me and his gaze had all the finality of death--it was ferocious and terrible, a ravel of locked horns. He was searching me. I knew exactly what he was looking for-- Himself. I twined the bracelet together, letting it hover mere inches from his skin. I had no expectation, no method, no strategy. I was blind and clinging to a bruised piece of hope. But it was all I had. “You once said your soul could never forget mine,” I said, sliding the mended bracelet around his wrist. “Do you remember now?” He inhaled sharply, like something had rent through him. Around his wrist, the bracelet glowed like a caught star. “Jaani,” he breathed, staring at me.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
A strange structure untangled itself out of the background like a hallucination, not part of the natural landscape. It was a funny-shaped, almost spherical, green podlike thing woven from living branches of trees and vines. A trellis of vines hung down over the opening that served as a door. Wendy was so delighted tears sprang to her eyes. It was her Imaginary House! They all had them. Michael wanted his to be like a ship with views of the sea. John had wanted to live like a nomad on the steppes. And Wendy... Wendy had wanted something that was part of the natural world itself. She tentatively stepped forward, almost swooning at the heavy scent of the door flowers. Languorously lighting on them were a few scissorflies, silver and almost perfectly translucent in the glittery sunlight. Their sharp wings made little snickety noises as they fluttered off. Her shadow made a few half-hearted attempts to drag back, pointing to the jungle. But Wendy ignored her, stepping into the hut. She was immediately knocked over by a mad, barking thing that leapt at her from the darkness of the shelter. "Luna!" Wendy cried in joy. The wolf pup, which she had rescued in one of her earliest stories, stood triumphantly on her chest, drooling very visceral, very stinky dog spit onto her face. "Oh, Luna! You're real!" Wendy hugged the gray-and-white pup as tightly as she could, and it didn't let out a single protest yelp. Although... "You're a bit bigger than I imagined," Wendy said thoughtfully, sitting up. "I thought you were a puppy." Indeed, the wolf was approaching formidable size, although she was obviously not yet quite full-grown and still had large puppy paws. She was at least four stone and her coat was thick and fluffy. Yet she pranced back and forth like a child, not circling with the sly lope Wendy imagined adult wolves used. You're not a stupid little lapdog, are you?" Wendy whispered, nuzzling her face into the wolf's fur. Luna chuffed happily and gave her a big wet sloppy lick across the cheek. "Let's see what's inside the house!" As the cool interior embraced her, she felt a strange shudder of relief and... welcome was the only way she could describe it. She was home. The interior was small and cozy; plaited sweet-smelling rush mats softened the floor. The rounded walls made shelves difficult, so macramé ropes hung from the ceiling, cradling halved logs or flat stones that displayed pretty pebbles, several beautiful eggs, and what looked like a teacup made from a coconut. A lantern assembled from translucent pearly shells sat atop a real cherry writing desk, intricately carved and entirely out of place with the rest of the interior. Wendy picked up one of the pretty pebbles in wonder, turning it this way and that before putting it into her pocket. "This is... me..." she breathed. She had never been there before, but it felt so secure and so right that it couldn't have been anything but her home. Her real home. Here there was no slight tension on her back as she waited for footsteps to intrude, for reality to wake her from her dreams; there was nothing here to remind her of previous days, sad or happy ones. There were no windows looking out at the gray world of London. There was just peace, and the scent of the mats, and the quiet droning of insects and waves outside. "Never Land is a... mishmash of us. Of me," she said slowly. "It's what we imagine and dream of- including the dreams we can't quite remember.
Liz Braswell (Straight On Till Morning)
Since we’re on the topic, I’d also like to set some ground rules.” “What kind of ground rules?” he asks, leaning back. I press my lips together and take a breath. “Well…I don’t want you trying to kiss me again.” Peter curls his lip at me. “Trust me, I don’t want to do it either. My forehead still hurts from this morning. I think I have a bruise.” He pushes his hair off his forehead. “Do you see a bruise?” “No, but I see a receding hairline.” “What?” Ha. I knew that would get him. Peter’s so vain. “Calm down, I’m only kidding. Do you have a piece of paper and a pen?” “You’re gonna write this down?” Primly I say, “It’ll help us remember.” Rolling his eyes, Peter reaches into his backpack, pulls out a notebook, and hands it to me. I turn to a clean page and write at the top, Contract. Then I write No kissing. “Are people really gonna buy it if we never touch each other in public?” Peter asks, looking skeptical. “I don’t think relationships are just about physicality. There are ways to show you care about someone, not just using your lips.” Peter’s smiling, and he looks like he’s about to crack a joke, so I swiftly add, “Or any other body part.” He groans. “You’ve gotta give me something here, Lara Jean. I have a reputation to uphold. None of my friends will believe I suddenly turned into a monk to date you. How about at least a hand in your back jean pocket? Trust me, it’ll be strictly professional.” I don’t say what I’m thinking, which is that he cares way too much what people think about him. I just nod and write down, Peter is allowed to put a hand in Lara Jean’s back jean pocket. “But no more kissing,” I say, keeping my head down so he can’t see me blush. “You’re the one who started it,” he reminds me.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
The front door is locked—what’s up with that?” “Logan fixed the lock,” I tell her. Her bright red, heart-shaped mouth smiles. “Good job, Kevin Costner. You should staple the key to Ellie’s forehead, though, or she’ll lose it.” She has names for the other guys too and when her favorite guard, Tommy Sullivan, walks in a few minutes later, Marlow uses his. “Hello, Delicious.” She twirls her honey-colored, bouncy hair around her finger, cocking her hip and tilting her head like a vintage pinup girl. Tommy, the fun-loving super-flirt, winks. “Hello, pretty, underage lass.” Then he nods to Logan and smiles at me. “Lo . . . Good morning, Miss Ellie.” “Hey, Tommy.” Marlow struts forward. “Three months, Tommy. Three months until I’m a legal adult—then I’m going to use you, abuse you and throw you away.” The dark-haired devil grins. “That’s my idea of a good date.” Then he gestures toward the back door. “Now, are we ready for a fun day of learning?” One of the security guys has been walking me to school ever since the public and press lost their minds over Nicholas and Olivia’s still-technically-unconfirmed relationship. They make sure no one messes with me and they drive me in the tinted, bulletproof SUV when it rains—it’s a pretty sweet deal. I grab my ten-thousand-pound messenger bag from the corner. “I can’t believe I didn’t think of this before. Elle—you should have a huge banger here tonight!” says Marlow. Tommy and Logan couldn’t have synced up better if they’d practiced: “No fucking way.” Marlow holds up her hands, palms out. “Did I say banger?” “Huge banger,” Tommy corrects. “No—no fucking way. I meant, we should have a few friends over to . . . hang out. Very few. Very mature. Like . . . almost a study group.” I toy with my necklace and say, “That actually sounds like a good idea.” Throwing a party when your parents are away is a rite-of-high-school passage. And after this summer, Liv will most likely never be away again. It’s now or never. “It’s a terrible idea.” Logan scowls. He looks kinda scary when he scowls. But still hot. Possibly, hotter. Marlow steps forward, her brass balls hanging out and proud. “You can’t stop her—that’s not your job. It’s like when the Bush twins got busted in that bar with fake IDs or Malia was snapped smoking pot at Coachella. Secret Service couldn’t stop them; they just had to make sure they didn’t get killed.” Tommy slips his hands in his pockets, laid back even when he’s being a hardass. “We could call her sister. Even from an ocean away, I’d bet she’d stop her.” “No!” I jump a little. “No, don’t bother Liv. I don’t want her worrying.” “We could board up the fucking doors and windows,” Logan suggests. ’Cause that’s not overkill or anything. I move in front of the two security guards and plead my case. “I get why you’re concerned, okay? But I have this thing—it’s like my motto. I want to suck the lemon.” Tommy’s eyes bulge. “Suck what?” I laugh, shaking my head. Boys are stupid. “You know that saying, ‘When life gives you lemons, make lemonade’?—well, I want to suck the lemon dry.” Neither of them seems particularly impressed. “I want to live every bit of life, experience everything it has to offer, good and bad.” I lift my jeans to show my ankle—and the little lemon I’ve drawn there. “See? When I’m eighteen, I’m going to get this tattooed on for real. As a reminder to live as much and as hard and as awesome as I can—to not take anything for granted. And having my friends over tonight is part of that.” I look back and forth between them. Tommy’s weakening—I can feel it. Logan’s still a brick wall. “It’ll be small. And quiet—I swear. Totally controlled. And besides, you guys will be here with me. What could go wrong?” Everything. Everything goes fucking wrong.
Emma Chase (Royally Endowed (Royally, #3))
I fumbled in my pockets for my father’s map. I stared and rubbed the paper between my fingers. I read the sightings’ dot’s dates with my wormed eyes, connecting them in order. There was the first point where my father felt sure he’d seen mother digging in the neighbor’s yard across the street. And the second, in the field of power wires where Dad swore he saw her running at full speed. I connected dots until the first fifteen together formed a nostril. Dots 16 through 34 became an eye. Together the whole map made a perfect picture of my mother’s missing head. If I stared into the face, then, and focused on one clear section and let my brain go loose, I saw my mother’s eyes come open. I saw her mouth begin to move. Her voice echoed deep inside me, clear and brimming, bright, alive. She said, “Don’t worry, son. I’m fat and happy. They have cake here. My hair is clean.” She said, “The earth is slurred and I am sorry.” She said, “You are OK. I have your mind.” Her eyes seemed to swim around me. I felt her fingers in my hair. She whispered things she’d never mentioned. She nuzzled gleamings in my brain. As in: the day I’d drawn her flowers because all the fields were dying. As in: the downed bird we’d cleaned and given a name. Some of our years were wall to wall with wonder, she reminded me. In spite of any absence, we had that. I thought of my father, alone and elsewhere, his head cradled in his hands. I thought of the day he’d punched a hole straight through the kitchen wall, thinking she’d be tucked away inside. All those places he’d looked and never found her. Inside their mattress. In stained-glass windows. How he’d scoured the carpet for her stray hair and strung them all together with a ribbon; how he’d slept with that one lock swathed across his nostrils, hugging a pillow fitted with her nightshirt. How he’d dug up the backyard, stripped and sweating. How he’d played her favorite album on repeat and loud, a lure. How when we took up the carpet in my bedroom to find her, under the carpet there was wood. Under the wood there was cracked concrete. Under the concrete there was dirt. Under the dirt there was a cavity of water. I swam down into the water with my nose clenched and lungs burning in my chest but I could not find the bottom and I couldn’t see a thing.
Blake Butler (Scorch Atlas)
I still remember a small story from the Pañca Tantra which I was told as a small child. One rainy day, a monkey was sitting on a tree branch getting completely drenched. Right opposite on another branch of the same tree there was a small sparrow sitting in its hanging nest. Normally a sparrow builds its nest on the edge of a branch so it can hang down and swing around gently in the breeze. It has a nice cabin inside with an upper chamber, a reception room, a bedroom down below and even a delivery room if it is going to give birth to little ones. Oh yes, you should see and admire a sparrow’s nest sometime. It was warm and cozy inside its nest and the sparrow peeped out and, seeing the poor monkey, said, “Oh, my dear friend, I am so small; I don’t even have hands like you, only a small beak. But with only that I built a nice house, expecting this rainy day. Even if the rain continues for days, I will be warm inside. I heard Darwin saying that you are the forefather of human beings, so why don’t you use your brain? Build a nice, small hut somewhere to protect yourself during the rain.” You should have seen the face of that monkey. It was terrible! “Oh, you little devil! How dare you try to advise me? Because you are warm and cozy in your nest you are teasing me. Wait, you will see where you are!” The monkey proceeded to tear the nest to pieces, and the poor bird had to fly out and get drenched like the monkey. This is a story I was told when I was quite young and I still remember it. Sometimes we come across such monkeys, and if you advise them they take it as an insult. They think you are proud of your position. If you sense even a little of that tendency in somebody, stay away. He or she will have to learn by experience. By giving advice to such people, you will only lose your peace of mind. Is there any other category you can think of? Patañjali groups all individuals in these four ways: the happy, the unhappy, the virtuous and the wicked. So have these four attitudes: friendliness, compassion, gladness and indifference. These four keys should always be with you in your pocket. If you use the right key with the right person you will retain your peace. Nothing in the world can upset you then. Remember, our goal is to keep a serene mind. From the very beginning of Patañjali’s Sūtras we are reminded of that. And this sūtra will help us a lot.
Satchidananda (The Yoga Sutras of Patanjali: Commentary on the Raja Yoga Sutras by Sri Swami Satchidananda)
Merry Christmas.” he says quietly, pulling something from his back pocket. I frown in confusion then smile in delight when I see what it is. It’s a shiny, sharp trowel with a holly green handle. It’s stolen from the gardens for sure. It is the single greatest gift I’ve ever received. “It’s so pretty.” I whisper happily, turning it over to test its edge. “I promised you something shiny.” “And you delivered.” I press my finger against the tip then pull it back quickly. “It’s sharp.” “Why else have it, right? Keep it with you when you can. If something goes down while I’m gone I want to know you have it.” I nod my head as I slip it into my back pocket. The handle sticks up but the point is hidden. When I look up at Vin my heart skips. His eyes are sharp, intense. “Come with me.” he commands quietly. “No.” I reply immediately. I was waiting for this. From the moment he woke me up, the second I saw his eyes, I knew. And just as quickly as I recognized it, I knew what my answer would be. He shakes his head in disbelief. “You know I’m not coming back here. Not for you, not for anyone.” “Maybe not, but if I go with you then you definitely won’t.” “It’s not going to work, Joss.” he tells me seriously. “The Hive won’t bite. They don’t want to rock the boat with the Colonies and the pot isn’t sweet enough to convince them to try. They’ll pass and everyone here is going to either stay here forever or die in a revolt.” “Nats included.” I remind him coolly. “She’s a big girl. She knows how it really is. She can yell at me all she wants, but she knows just as well as I do that no one will come here to help.” “Especially if you don’t ask.” “What the hell do you want from me?” he whispers fiercely. “You want me to go out there and rally the troops, bring them back here riding on a tall white horse and save the day? I’m no hero. I never have been. It’s how I’ve stayed alive.” “It’s also a great way to stay alone. And if you do this, if you go and pretend we don’t exist, then I’ll pretend I never knew you. Nats will too, I’m sure. You’ll be nothing to no one and won’t that make life easier for you? So go on and go, you coward, and don’t ever look back because there’s nothing to look back on. You were never even here far as I’m concerned.” I turn to leave him standing there in the cold beside the words I wrote to Ryan, words that have gone unnoticed and feel like nothing in the night. I’m spun around roughly and pinned against Vin’s chest. His breath is coming even and hard, sharp inhales and exhales that burst against my face leaving my skin freezing in their absence. “Don’t turn your back on me.” he growls. I can see the enforcer in him now. The hard ass who lived on the outside by the skin of his teeth and grit under his knuckles. It’s something I understand, something I can respect. Something I can relate to. I lean closer, no longer being pulled but rather pushing against him until our faces almost touch. “No, don’t you turn your back on me. On us.” I whisper harshly, pushing at him aggressively. He lets me go and I stumble back from him. “I’m no hero.” he repeats. “How do you know until you’ve tried?” * * * “You’ll come back for us, Vin.” I whisper in his ear. “I know you will.” I know no such thing, but I want it to be true and I can tell he does too so I tell him that it is. I lie to us both and I hope it makes it real. Vin nods his head beside mine and buries his face in my shoulder. I do the same. We stand huddled together against the cold and the uncertainty of everything tomorrow will bring.
Tracey Ward
I've put one foot before another and the years have passed, the time marked by late rent payments and the appearance of wrinkles - tiny ones, on the corners of my eyes. They are a reminder of my youth, and of the hourglass that we all live in, grains of sand slipping through the gap of time, each granule adding another wrinkle, another pocket of fat, another sag that I will fight to overcome, another grey hair to pluck or dye.
Alessandra Torre (The Dumont Diaries (The Dumont Diaries, #1-4))
I was about to answer when I was interrupted by the sound of Beethoven’s Fifth Symphony coming from my pocket. “That’s my editor,” I said. “Like the ringtone?” “Remind me to download you some LL Cool J.” “That’s, what, a drink or something?” Tee just shook his head and muttered, “White people.
Brad Parks (Eyes of the Innocent (Carter Ross Mystery #2))
the appearance of wrinkles — tiny ones, on the corners of my eyes. They are a reminder of my youth, and of the hourglass that we all live in, grains of sand slipping through the gap of time, each granule adding another wrinkle, another pocket of fat, another sag that I will fight to overcome, another grey hair to pluck or dye.
Anonymous
Outside, it feels like there is less standing between the Creator and us. There is a lingering visceral connection we can hear and see and smell, reminders of the bond between Creator and creation, like the mountain sage crushed up in the pocket of the sweatshirt I was wearing on a short, muddy hike the other day. “In
Cathleen Falsani (Sin Boldly: A Field Guide for Grace)