Cupid And Psyche Quotes

We've searched our database for all the quotes and captions related to Cupid And Psyche. Here they are! All 23 of them:

Love and the Soul (for that is what Psyche means) had sought and, after sore trials, found each other; and that union could never be broken. (Cupid and Psyche)
Edith Hamilton (Mythology)
The story of Psyche finally made sense to him- why a mortal girl would be so afraid. Why would she risk breaking the rules to look the god of love in the face, because she feared he might be a monster. Psyche had been right. Cupid was a monster. Love was the most savage monster of all.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Poor Nico di Angelo. The god's voice was tinged with disappointment. Do you know what you want, much less what I want? My beloved Psyche risked everything in the name of Love. It was the only way for her to atone for her lack of faith. And you- what have you risked in my name? "I've been to Tartarus and back," Nico snarled. "You don't scare me." I scare you very, very much. Face me. Be honest.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
It is a difficult matter to keep love imprisoned.
Apuleius (Cupid and Psyche and Other Tales from the Golden Ass)
..,No love cannot leave where there is no trust..,~cupid and psyche..,"Greek mythology of Edith Hamilton
Edith Hamilton
I little esteeme to see your visage and figure, little doe I regard the night and darknesse thereof, for you are my only light.
Apuleius (Cupid and Psyche)
If I canot know your name, may I light a lamp so I can see your face?' If you sould ever see my face, you will lose me forever.' Why?' Psyche wanted to know. 'Are you ugly? Are you afraid I won't love you if I see your face?' Perhaps I am afraid that if you see my face, it will be THAT that you will love and not me.' I understand, believe me. I know what that feels like.
Julius Lester (Cupid: A Tale of Love and Desire)
Night fell, and her husband came to bed, and as soon as they had finished kissing and embracing each other, he fell fast asleep. Psyche was not naturally either very strong or very brave, but the cruel power of fate made a virago of her. Holding the carving knife in a murderous grip, she uncovered the lamp and let its light shine on the bed. At once the secret was revealed. There lay the gentlest and sweetest of all wild creatures, Cupid himself, the beautiful Love-god, and at sight of him the flame of the lamp spurted joyfully up and the knife turned its edge for shame. Psyche was terrified. She lost all control of her senses, and pale as death, fell trembling to her knees, where she desperately tried to hide the knife by plunging it in her own heart. She would have succeeded, too, had the knife not shrunk from the crime and twisted itself out of her hand.
Apuleius (Cupid and Psyche)
Love hurts. Think back over romance novels you’ve loved or the genre-defining books that drive our industry. The most unforgettable stories and characters spring from crushing opposition. What we remember about romance novels is the darkness that drives them. Three hundred pages of folks being happy together makes for a hefty sleeping pill, but three hundred pages of a couple finding a way to be happy in the face of impossible odds makes our hearts soar. In darkness, we are all alone. So don’t just make love, make anguish for your characters. As you structure a story, don’t satisfy your hero’s desires, thwart them. Make sure your solutions create new problems. Nurture your characters doubts and despair. Make them earn the happy ending they want, even better…make them deserve it. Delay and disappointment charge situations and validate character growth. Misery accompanies love. It’s no accident that many of the stories we think of as timeless romances in Western Literature are fiercely tragic: Romeo and Juliet, Tristan and Isolde, Cupid and Psyche… the pain in them drags us back again and again, hoping that this time we’ll find a way out of the dark. Only if you let your characters get lost will we get lost in them. And that, more than anything else, is what romance can and should do for its protagonists and its readers: lead us through the labyrinth, skirt the monstrous despair roaming its halls, and find our way into daylight.
Damon Suede
I wish you could see your soul right now as I see it. How bright you are in your righteousness.
Wendy Higgins (Soul In Darkness)
I cannot think straight when you are so near." "Why must you always think straight? I enjoy your crooked thoughts.
Wendy Higgins (Soul In Darkness)
And, talking about the God of Love, Eros, who had grown up from the cute angelic Cupid with his ten colourful darts & golden bow, now wanted to be the God of True Love. He locked himself in embrace with his lovely wife, Psyche, all day & night, since, as he put it, Psyche was the Soul, & he, Eros, was the Body. And thus, Body & Soul should always be together. And he had, accordingly, set his golden bow & quiver of colourful darts aside.
Nicholas Chong
I spent all day wandering up and down the hallways, staring at the Mona Lisa and Canova’s 'Psyche and Cupid' and the 'Venus de Milo' and Caravaggio’s 'The Death of the Virgin' and hundreds of other works in all shapes and sizes and colors. Just before I was about to leave, I was staring at Michelangelo’s 'The Dying Slave', and I suddenly realized that every single work I had seen expressed the same thing, the same intense longing for beauty and immortality and justice and compassion. It was as though all of these artists from throughout history were there in those long hallways crying out the same anguished plea in a thousand different languages.
Jonathan Hull (Losing Julia)
Dearest Reece, I know you think it improper, or at the very least imprudent, for us to write to one another, but I don't care.There are too many rules as it is and they would choke me if I let them. Between corsets and lessons and curtsies and etiquette, I am hardly myself, and that is how they want it. They would prefer we all dress and talk and think (or not think) alike, like paper dolls. I do not wish to be a paper doll. Surely you can see that I am stronger than that.I don't give a fig for the scandalbroth or the gossipmongers. Let us remove to Paris, where no one knows us to care and where they dine on scandal with eclairs every morning. You will say again that it is impossible but I refuse to believe it. I know with every touch of your hand on mine, with every stolen kiss, that nothing is impossible. Perhaps love isn't meant to be simple. Perhaps this is merely a test, such as Psyche went through to prove herself to Cupid. Would you have me count lentils, beloved? And as you claim I have the most to lose, I pray you will let me decide for myself what it is I want and need. Which is you. Not silks or lobster soup in crystal bowls or diamonds around my neck. Just you. You say again and again that you love me. Prove it.
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
And then, as the religions fall into disuse, or the stories cease to be seen as the literal truth, they become myths. And the myths compost down to dirt, and become a fertile ground for other stories and tales which blossom like wildflowers. Cupid and Psyche is retold and half-forgotten and remembered again and becomes Beauty and the Beast. Anansi the African Spider God becomes Br’er Rabbit, whaling away at the tar baby.
Neil Gaiman (The View from the Cheap Seats: Selected Nonfiction)
Deep in the psychological caves of their mental platonic darkness, there is no rainbow colour or light of reason in many areas of their psyche, their inner mind. Instead they have married themselves to a dragon of a creature, so terrible that even Jupiter feared this monstrosity of pompous ignorance. Their hope of the beauty of Cupid is just a lovemaking session in the dark room of ignorance of both science and religion.
L.B. Ó Ceallaigh (The Bifrost and The Ark: Examining the Cult and Religion of New Atheism)
Hesitantly, Psyche reached out her arms. Instead of a scary shape of a monster, she felt a set of feminine shoulders as refined as her own. She moved her hands over the tender smooth skin, which was warm with life. Just the touch alone gave her a tingling sensation she had never felt before, a stroke of strange pleasure. Cupid leaned over and buried her face on the maiden's breasts then inhaled her sweet-scented skin, inhaling like it was the first rainfall after millennia of droughts, like the last bloom of the last lilac tree on earth. Psyche's eyes fluttered closed, and a soft sigh left her mouth. Without realizing it, she had her delicate arms around the invisible goddess and felt the gentle feathers of her folded wings.
Svetlana R. Ivanova (Cupid and Psyche)
You were wrong," he murmured ruefully, resting his cheek on top of Amy’s head. "You weren’t safe with me." "I feel like Psyche kissing Cupid in the dark," Amy said dreamily. Richard drew Amy’s arms around his back under his cloak. "Feel. No wings." Amy could hear the smile in the Gentian’s voice. "Does that mean if I unmask you, you won’t fly away?" Richard tightened his grip on Amy’s arms. "Don’t even consider it." "You could give me three trials, like Psyche." "With what as the prize at the end? Me, or membership in the League?" Amy managed the difficult feat of looking at him askance with her nose only inches from his. "It would be much easier for me to answer that question if I knew who you were." "What’s in a name? A Gentian by any other name would—" "Be an entirely different flower," interjected Amy, swatting him on the arm. "I refuse to be fobbed off with poor imitations of Shakespeare." "If you don’t like Romeo and Juliet, how about a sonnet?" Richard suggested. "Shall I compare thee to a summer’s day? Thou art—" "Not that easily deterred." Amy extricated herself from Richard’s arms – and his cloak, which had tangled around her knees – and hopped off the window seat. "Damnation," muttered Richard. "I’ll ignore that,"offered Amy generously. "And we can go straight to the crucial question of how I’m going to help you restore the monarchy
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
If you saw me, perhaps you would fear me, perhaps adore me, but all I ask of you is to love me. I would rather you would love me as an equal than adore me as a god.
Apuleius
It has a very happy ending,” the answerer replies. How does the myth of Cupid and Psyche end? Psyche and Cupid is a map of love and a story about the transformation of love that ends with freedom and the birth of a daughter named Pleasure. The mystery of love will never be unraveled. It’s one of the great mysteries of life. But by uncovering truths about love in an ancient story, by exposing a long-standing social and literary history that leaves a knot in the psyche and exploring this knotted place in our souls, I found a path leading to pleasure and discovered it is also a road to freedom.
Carol Gilligan (The Birth of Pleasure)
continuous quiver of love runs through Italian folklore. In speaking of the Sicilian tales, I mentioned the popularity of the Cupid and Psyche type found not only in Sicily but also in Tuscany and more or less everywhere.
Italo Calvino (Italian Folktales)
On the other hand, I knew my myths, and they all said you could kill something by seeing it too clearly. Cupid and Psyche shared a perfect love, but only in the dark.
Amy Bonnaffons (The Regrets)
Psyche looked up eagerly. “Voice?” she said. “Is that you?
Kate McMullan (Nice Shot, Cupid! (Myth-O-Mania, #4))