Plush Quotes

We've searched our database for all the quotes and captions related to Plush. Here they are! All 200 of them:

It had always seemed to him a very plush kind of problem, a privilege, really, to consider whether life was meaningful or not.
Hanya Yanagihara (A Little Life)
The grass was plush under his feet as he flew down the right flank of the field.
J.L. Marrain (THE GRIDD: PERILS OF THE LIGHTHOLDER)
Yes, when I get big and have my own home, no plush chairs and lace curtains for me. And no rubber plants. I'll have a desk like this in my parlor and white walls and a clean green blotter every Saturday night and a row of shining yellow pencils always sharpened for writing and a golden-brown bowl with a flower or some leaves or berries always in it and books . . . books . . . books. . . .
Betty Smith
Crickey, love, what happened here? Are you hurt?” he asked, lifting her to her feet, the surfboard leash still wrapped around her foot. Her eyes worked their way up his torso, along the plush green towel hugging his midsection. Catherine couldn’t help staring at his well-formed abs and chest before making her way up to his concerned eyes. “Obviously I fell,” Catherine said. “I think I got a splinter.” “Let me see,” Jake insisted, taking her hand into his. “It’s small. I can take care of that in a snap.” Staring up into his deep blue eyes, Catherine could feel herself drowning in the depths of them, unconsciously resting her other hand upon his dampened chest to steady herself.
Diane Merrill Wigginton (A Compromising Position)
A week after my drugs ran out, I left my bed to perform at the college, deciding at the last minute to skip both the doughnut toss and the march of the headless plush toys. Instead, I just heated up a skillet of plastic soldiers, poured a milkshake over my head and called it a night.
David Sedaris
I sank back in the gray, plush seat and closed my eyes. The air of the bell jar wadded round me and I couldn't stir.
Sylvia Plath (The Bell Jar)
The oversized chairs are white; the walls, covered with occasional landscape paintings, are white; and the plush carpet is the whitest of all. I'm insanely glad I didn't bring a cup of grape juice with me.
Wendy Mass
Nina threw herself into a chair at the table and wriggled her feet out of her jewelled slippers, digging her toes into the plush white carpet. “Ahhh,” she said contentedly. “So much better.” She shoved one of the cakes from the coffee service into her mouth and mumbled, “What do you want, Kaz?” “You have crumbs on your cleavage.” “Don’t care,” she said, taking another bite of cake. “So hungry.” Kaz shook his head, amused and impressed at how quickly Nina dropped the wise Grisha priestess act. She’d missed her true calling on the stage.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
In a world full of roses, stand out like a dandelion in the middle of a green, plush lawn!
June Stoyer
Sigmund Freud once asserted, "Let one attempt to expose a number of the most diverse people uniformly to hunger. With the increase of the imperative urge of hunger all individual differences will blur, and in their stead will appear the uniform expression of the one unstilled urge." Thank heaven, Sigmund Freud was spared knowing the concentration camps from the inside. His subjects lay on a couch designed in the plush style of Victorian culture, not in the filth of Auschwitz. There, the "individual differences" did not "blur" but, on the contrary, people became more different; people unmasked themselves, both the swine and the saints.
Viktor E. Frankl (Man's Search for Meaning)
There are silences and silences. No one of them is like another. There is the silence of grief in velvet-draped rooms of a plushly carpeted funeral parlor which is far different from the bleak and terrible silence of grief in a widower's lonely bedroom.
Dean Koontz (Phantoms)
It’s almost painful, the way little children just trustingly hold out their hearts for you to look at—the way they haven’t learned yet how to conceal what matters to them, even if it’s just chewing gum or a plush dolphin or plastic binoculars.
Catherine Newman (Sandwich)
Wearing an antique bridal gown, the beautiful queen of the vampires sits all alone in her dark, high house under the eyes of the portraits of her demented and atrocious ancestors, each one of whom, through her, projects a baleful posthumous existence; she counts out the Tarot cards, ceaselessly construing a constellation of possibilities as if the random fall of the cards on the red plush tablecloth before her could precipitate her from her chill, shuttered room into a country of perpetual summer and obliterate the perennial sadness of a girl who is both death and the maiden.
Angela Carter (The Bloody Chamber and Other Stories)
I know. I know. Just--hold on." He pulled out a thick headband. It was brown, with a plush fox head on the front. He put it on his head. I laughed. "What the hell is that?" "It's my fox hat." "Your fox hat?" "Yeah, Pudge. My fox hat." "Why are you wearing your fox hat?" I asked. "Because no one can catch the motherfucking fox.
John Green (Looking for Alaska)
He stands with his hands in his pockets, well-dressed and self-assured, with his life before him and a plush armchair behind him.
Edmund de Waal (The Hare with Amber Eyes: A Family's Century of Art and Loss)
Even despite the fuck, the boy’s golden curls and plush, cherry pink mouth stood before his eyes. That mouth. It was a cross between an angel’s mouth and a whore’s. He wanted to fucking wreck it. He’d
Alessandra Hazard (Just a Bit Ruthless (Straight Guys, #6))
The things of your life arrived in their own time, like a train you had to catch. Sometimes this was easy, all you had to do was step onto it, the train was plush and comfortable and full of people smiling at you in a hush, and a conductor who punched your ticket and tousled your head with his big hand, saying, Ain’t you pretty, ain’t you the prettiest girl now, lucky lady taking a big train trip with your daddy, while you sank into the dreamy softness of your seat and sipped ginger ale from a can and watched the world float in magical silence past your window, the tall buildings of the city in the crisp autumn light and then the backs of the houses with laundry flapping and a crossing with gates where a boy was waving from his bicycle, and then the woods and fields and a single cow eating grass....... .....Because sometimes it was one way, easy, and sometimes it was the other, not easy; the things of your life roared down to you and it was all you could do to grab hold and hang on. Your old life ended, and the train took you away to another...
Justin Cronin (The Passage (The Passage, #1))
A story is a map of the world. A gloriously colored and wonderful map, the sort one often sees framed and hanging on the wall in a study full of plush chairs and stained-glass lamps: painstakingly lettered, researched down to the last pebble and participle, drawn with dash and flair, with cloud-goddesses in the corners and giant squid squirming up out of the sea...[T]here are more maps in the world than anyone can count. Every person draws a map that shows themselves at the center.
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
For years I'd been an expert at longing, an expert at loving from the state of not-quite-having, an expert at daydreaming and sinking back into the plush furniture of cinematic imagining.
Leslie Jamison (Make It Scream, Make It Burn)
I've lived here ... my whole life. It's where I lost all my baby teeth. Where tiny hamster, gerbil, and bird skeletons lie in rotted-out cardboard coffins beneath the oak tree in our backyard. Also where, if some future archaeologist goes digging, they'll find the remains of a plush toy: a gray terrier named Toto I buried after the accident.
Jennifer McMahon (My Tiki Girl)
Softened by Time's consummate plush, How sleek the woe appears That threatened childhood's citadel And undermined the years! Bisected now by bleaker griefs, We envy the despair That devastated childhood's realm, So easy to repair.
Emily Dickinson
Where are we—” Kyungsoo yelps as Jongin practically throws him over the window pane of a filthy-rich looking convertible, a treacherous little thing parked up against the curb, all black exteriors and plush white interiors, not even bothering to open the door, “going?” “To see fireflies,” Jongin says muffling coughs in his sleeves, and it’s only when Kyungsoo buckles up and looks over does he realize that the boy is grinning from ear to ear, “Real ones.
Changdictator
Shallan sat down on the plush, white bed, and sank almost down to her neck. What had they made the thing out of? Air and wishes? It felt luxurious.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
He’s always been attracted to broken things. He was the kind of boy who talked the bad girls through their problems, who defended them and didn’t take advantage. He was sensitive to his stuffed animals’ feelings, rotating their position on his bed so that a new plush animal would occupy pride of place at his pillowside every night. Soon I became first and foremost on that pillow; princess of the island of misfit toys.
Jalina Mhyana (Dreaming in Night Vision: A Story in Vignettes)
Autumn is Nature's last party of the year. And dressing for the occasion, forests don their brightest attire, while the creatures follow suit with plush coats of fur. As the birds savor their final flights in the waning embers of light, Nature's children scamper about in search of manna for their winter pantries, pausing long enough to frolic in the heaps of newly fallen leaves." ["Autumn Suppers," Orange Coast Magazine, Oct. 1983]
Debra Welsh
Yes, when I get big and have my own home, no plush chairs and lace curtains for me. And no rubber plants. I'll have a desk like this in my parlor and white walls and a clean green blotter every Sunday night and a row of shining yellow pencils always sharpened for writing and a golden-brown bowl with a flower or some leaves or berries always in it and books...books..books.
Betty Smith
I turned my attention back to the tal, handsome footman who was waiting patiently for me to take his hand and descend out of the plush carriage. Colin looked at me blandly. I knew perfectly well that he was remembering last spring when I stumbled out of a hired hack and sprawled, rather spectacularly, into a muddy puddle.
Alyxandra Harvey (Haunting Violet (Haunting Violet #1))
Hazel Motes sat at a forward angel on the green plush train seat, looking one minute at the window as if he might want to jump out of it, and the next down the aisle at the other end of the car.
Flannery O'Connor (Wise Blood)
Thank heaven, Sigmund Freud was spared knowing the concentration camps from the inside. His subjects lay on a couch designed in the plush style of Victorian culture, not in the filth of Auschwitz.
Viktor E. Frankl (Man's Search for Meaning)
I hope there is life elsewhere in the universe. I don't care about aliens and advanced technology. I just want there to be one planet that is all moss. A perfect sphere of soft, green carpet. I hope it exists and that no human foot ever dents its perfect, plush surface.
Jarod K. Anderson (Love Notes From The Hollow Tree)
Nothing is more incendiary to an ill-advised, unanticipated tryst than to be enclosed in a darkened, plush-upholstered, moving chamber. Privacy, Intimacy, Darkness, Transience: the Four Whorsemen of the Apocalypse.
John MacLachlan Gray (The Fiend in Human)
Normally, Richard was the kind of guy I disliked, someone born and raised plush: looks, charm, smarts, probably money. These men were never very interesting to me; they had no edges, and they were usually cowards. They instinctively fled any situation that might cause them embarrassment or awkwardness. But Richard didn’t bore me. Maybe because his grin was a little crooked. Or because he made his living dealing in ugly things.
Gillian Flynn (Sharp Objects)
I murmur: "It's a seat," a little like an exorcism. But the word stays on my lips: it refuses to go and put itself on the thing. It stays what it is, with its red plush, thousands of little red paws in the air, all still, little dead paws. This enormous belly turned upward, bleeding, inflated—bloated with all its dead paws, this belly floating in this car, in this grey sky, is not a seat. It could just as well be a dead donkey tossed about in the water, floating with the current, belly in the air in a great grey river, a river of floods; and I could be sitting on the donkey's belly, my feet dangling in the clear water.
Jean-Paul Sartre (Nausea)
Had she told him that she loved him? Yes, of course, many times; but it was his imagination—the prompter’s voice at his ear—which had added the words “for ever.” He hadn’t asked what she meant when she told him she loved him. What lover ever does? Those plush and gilded words rarely seem to need annotation at the time.
Julian Barnes (Levels of Life)
This hug is like coming home from a long trip and finally drinking coffee from your favorite mug. Curling up in that plush blanket you’ve been dreaming about for days.
Sarah Adams (The Rule Book)
The office containing these two men was of such hushed opulence that it seemed as though their words were borne to one another on small plush pillows.
Donald E. Westlake (Dancing Aztecs)
If one is going to spend her afternoon singing hymns to the great porcelain goddess, she might as well do it in a really plush ladies room. Stupid fear of public speaking.
Molly Harper (My Bluegrass Baby (Bluegrass, #1))
I hold my plush monkey over the bannister and let it drop. Its eyes light up when you squeeze its kidneys as whose eyes, I suppose, would not.
Frederick Buechner (The Alphabet of Grace)
the sprawling branches of the maple tree were plush with autumn.
Kristin Hannah (Fly Away (Firefly Lane #2))
Living room, equipped with sofa and coffee table and paved in Persian rug, still plush underfoot.
A.J. Finn (The Woman in the Window)
Home is where the heart is... mine is nestled in the soft hush of written words, encapsulated by plush blankets of paper. - Lish Soares
Lish Soares
Affluence isn't affluence at all. Hong Kong is the benchmark; everybody else's affluence is mere tat. Until you've experienced that perfume-washed air as polarized glass doors embrace you into a luxury hotel's plush interior, you've only had a dud replica of the real thing.
Jonathan Gash (Jade Woman (Lovejoy, #12))
Then she told him to look in the bedroom and Aureliano Segundo saw the mule. Its skin was clinging to its bones like that of its mistress, but it was just as alive and resolute as she. Petra Cotes had fed it with her wrath, and when there was no more hay or corn or roots, she had given it shelter in her own bedroom and fed it on the percale sheets, the Persian rugs, the plush bedspreads, the velvet drapes, and the canopy embroidered with gold thread and silk tassels on the episcopal bed.
Gabriel García Márquez (One Hundred Years of Solitude)
And while Constantin and I sat in one of those hushed plush auditoriums in the UN, next to a stern muscular Russian girl with no makeup who was a simultaneous interpreter like Constantin, I thought how strange it had never occurred to me before that I was only purely happy until I was nine years old.
Sylvia Plath (The Bell Jar)
Hazel heads up the hill to the cemetery where generations of my husband’s people are buried behind a low iron fence, and for whatever reason I follow the dog. A plush vegetation is knitted over all the graves, and I think of how meticulously Joe’s aunt had kept things here, but this is not the summer for weeding. The cemetery is the highest point on the property and would have been the logical site for a house, the way it overlooks the trees and the barn and all the way to the edge of the lake, but those first settlers gave the best land to their dead, the very first a two-year-old named Mary. One by one they followed her up the hill until twenty-nine of them were resting beneath the mossy slabs, and there they wait for us to join them. That’s what life was like back in the day, you buried your children, your husband, your parents right there on the farm. They had never been anywhere else. They had never wanted to be anywhere else.
Ann Patchett (Tom Lake)
Some Promised Land. The honey was there, but the milk we brought in with our goats. To people in California, God gives a magnificent coastline, a movie industry, and Beverly Hills. To us He gives sand. To Cannes He gives a plush film festival. We get the PLO. Our winters are rainy, our summers hot. To people who didn't know how to wind a wristwatch He gives underground oceans of oil. To us He gives hernia, piles, and anti-Semitism.
Joseph Heller (God Knows)
I had travelled from Spain into Morocco and from there south to the Atlas Mountains, at the edge of the Sahara Desert…one night, in a youth hostel that was more like a stable, I woke and walked out into a snowstorm. But it wasn’t the snow I was used to in Minnesota, or anywhere else I had been. Standing bare chest to cool night, wearing flip-flops and shorts, I let a storm of stars swirl around me. I remember no light pollution, heck, I remember no lights. But I remember the light around me-the sense of being lit by starlight- and that I could see the ground to which the stars seemed to be floating down. I saw the sky that night in three dimensions- the sky had depth, some stars seemingly close and some much farther away, the Milky Way so well defined it had what astronomers call “structure”, that sense of its twisting depths. I remember stars from one horizon to another, making a night sky so plush it still seems like a dream. It was a time in my life when I was every day experiencing something new. I felt open to everything, as though I was made of clay, and the world was imprinting on me its breathtaking beauty (and terrible reality.) Standing nearly naked under that Moroccan sky, skin against the air, the dark, the stars, the night pressed its impression, and my lifelong connection was sealed.
Paul Bogard (The End of Night: Searching for Natural Darkness in an Age of Artificial Light)
Do you need the access code? I can text him for it. He changes it remotely every two days." "The code to his childhood bedroom. He changes it. From Berlin." "Well, he's the head of a mercenary company." She reached for her phone. "Can't have anyone finding Mr. Wiggles. Plush bunnies need the same protection as state secrets, you know.
Brittany Cavallaro (The Last of August (Charlotte Holmes, #2))
I did not reach thee, But my feet slip nearer every day; Three Rivers and a Hill to cross, One Desert and a Sea— I shall not count the journey one When I am telling thee. Two deserts—but the year is cold So that will help the sand— One desert crossed, the second one Will feel as cool as land. Sahara is too little price To pay for thy Right hand! The sea comes last. Step merry, feet! So short have we to go To play together we are prone, But we must labor now, The last shall be the lightest load That we have had to draw. The Sun goes crooked—that is night— Before he makes the bend We must have passed the middle sea, Almost we wish the end Were further off—too great it seems So near the Whole to stand. We step like plush, we stand like snow— The waters murmur now, Three rivers and the hill are passed, Two deserts and the sea! Now Death usurps my premium And gets the look at Thee.
Emily Dickinson
He opened the door for me with an impassive expression. Oh, but he couldn’t fool me. I knew very well that he gloated inside. He had the right to. I’d be gloating aloud if I were him. I slid into the plush black leather seat and ran my hands over every surface I could touch after buckling my seatbelt. Awe, like a slow burning fuse, spread all over my body. My fingertips sizzled. It was one thing to hear Gramps talk and completely another to actually sit inside the fantasy. “Should I give you two some time alone?”
 “What?” 
His smile gave me unexpected quivers. “Stop molesting my car.
Kate Evangelista (Til Death (Fractured Souls, #1))
My letters seeking a job, though truthful, diminished the full truth. Face would blanch if the facts had been complete: "Dear Sir," I thought. "Do you have a position for a journeyman burglar, con man, forger and car thief; also with experience as armed robber, pimp, card cheat and several other things. I smoked marijuana at twelve (in the 40's) and shot heroin at sixteen. I have no experience with LSD and methedrine. They came to popularity since my imprisonment. I've buggered pretty young boys and feminine homosexuals (but only when locked up away from women). In the idiom of jails, prisons and gutters (some plush gutters) I'm a motherfucker! Not literally, for I don't remember my mother. In my world the term, used as I used it, is a boast of being hell on wheels, outrageously unpredictable, a virtuoso of crime. Of course by being a motherfucker in that world I'm a piece of garbage in yours. Do you have a job?
Edward Bunker (No Beast So Fierce)
It is often said of the gold rush that the people who got rich were the shovel dealers who profited from the greed of the forty-niners. With Beanie Babies, most of the lasting personal fortunes came from selling books and tag protectors, not from speculating in plush.
Zac Bissonnette (The Great Beanie Baby Bubble: Mass Delusion and the Dark Side of Cute)
But if there are spirits, I do not see why they are not everywhere, or may not be presumed to be so. You could argue that their voices may well be muffled by solid brick walls and thick plush furnishings and house-proud antimacassars. But the mahogany-polishers and the drapers' clerks are as much in need of salvation - as much desirous of assurance of a afterlife - as poets or peasants, in the last resort.
A.S. Byatt (Possession)
Sigmund Freud once asserted, "Let one attempt to expose a number of the most diverse people uniformly to hunger. With the increase of the imperative urge of hunger all individual differences will blur, and in their stead will appear the uniform expression of the one unstilled urge." Thank heaven, Sigmund Freud was spared knowing the concentration camps from the inside. His subjects lay on a couch designed in the plush style of Victorian culture, not in the filth of Auschwitz. There, the "individual differences" did not "blur" but, on the contrary, people became more different; people unmasked themselves, both the swine and the saints. And today you need no longer hesitate to use the word "saints": think of Father Maximilian Kolbe who was starved and finally murdered by an injection of carbolic acid at Auschwitz and who in 1983 was canonized. You may be prone to blame for invoking examples that are the exceptions ot the rule. "Sed omnia praeclara tam difficilia quam rara sunt" (but everything great is just as difficult to realize as it is rare to find) reads the last sentence of the Ethics of Spinoza. You may of course ask whether we really need to refer to "saints." Wouldn't it suffice just to refer to decent people? It is true that they form a minority . More than that, they always will remain a minority. And yet I see therein the very challenge to join the minority. For the world is in a bad state, but everything will become still worse unless each of us does his best. So let us be alert-alert in a twofold sense: Since Auschwitz we know what man is capable of. And since Hiroshima we know what is at stake.
Viktor E. Frankl (Man's Search for Meaning)
When given bad news, most women of my station can afford to slump onto their divans, their china cups slipping from their fingers to the carpet, their hair falling prettily from its pins, their fourteen starched petticoats compacting with a plush crunch. I am not one of them.
Edgar Allan Poe (The Raven)
This one,” he said, stopping me in front of a grand painting that covered the wall. It was a painting of a pale, well-dressed woman. She wore a voluminous dress that overtook her plush chair; seated at a desk in front of a window, she clutched flowers and a note. It breathed of sunlight; each color used in the painting had a yellow or orange hue. Reading the plaque on the wall, it said: “Love Letters” by Jean Honoré Fragonard.
Liana Cincotti (Picking Daisies on Sundays (Picking Daisies on Sundays, #1))
I love how the landscape gives the impression of vast space and intimacy at the same time: the thin brown line of a path wandering up an immense green mountainside, a plush hanging valley tucked between two steep hillsides, a village of three houses surrounded by dark forest, paddy fields flowing around an outcrop of rock, a white temple gleaming on a shadowy ridge. The human habitations nestle into the landscape; nothing is cut or cleared beyond what is requires. Nothing is bigger than necessary. Every sign of human settlement repeat the mantra of contentment: “This is just enough.
Jamie Zeppa
He introduced me to want, the gateway drug. He introduced me to my body. Made me unafraid of it. I fell in love with him, with mornings making coffee in his small Chelsea apartment, days in plush bathrobes talking books and philosophy, going out to dinner at the best hole-in-the-wall spots (he knew them all) and taking long walks over the Brooklyn Bridge at night, eating truck ice cream on the waterfront. Kissing with rainbow sprinkles in our teeth.
Rachel Harrison (The Return)
The most lovely moving picture actor, considered in the light of genuine aesthetic values, is no more than a piece of vulgarity; his like is to be found, not in the Uffizi gallery or among the harmonies of Brahms, but among the plush sofas, rococo clocks and hand-painted oil-paintings of a third-rate auction room.
H.L. Mencken (In Defense of Women)
The furry panda is a noble creature, known for its excellent chess-playing skills. Pandas often play chess in exchange for lederhosen, which make up a large chunk of their preferred diet. They also make a fortune off their licensing deals, in which they shrink and stuff members of their clan and sell them as plush toys for young children. It is often theorized that one day all of these plush pandas will decide to rise up and rule the world. And that will be fun, because pandas rock.
Brandon Sanderson (The Knights of Crystallia (Alcatraz, #3))
I only took off my shirt, Daniel. The bra isn't even all that revealing," she replied, cool as can be, plush mouth set all prim and proper. "If all it takes for you to lose your cool is the hint of hard nipple then I'm concerned on your behalf." "Shit. Say hard nipple again." Her body vibrated beneath him with soft laughter. "No.
Kylie Scott (Flesh (Flesh, #1))
Rule One: Make friends with death Tailgating in the Antarctic is no joke. We are trying to do nothing less ambitious than reverse the course of history. We want Team Krill to defeat Team Whale. Look, if you want to tailgate in comfort, don't get on the boat. You can buy some quail eggs or snails or whatever you people eat and you can watch the Food Chain Games on your flat TV. Stay in Los Angeles. Hug your wife on your plush banquette. Cheer for the Antarctic minke whales, like every other asshole. No, wait a second, here comes the real Rule One: if you are a supporter of Team Whale, you can go fuck yourself, my fine sir. This list is for the fans of Team Krill.
Karen Russell (Vampires in the Lemon Grove: Stories)
The white neighborhoods of Johannesburg were built on white fear—fear of black crime, fear of black uprisings and reprisals—and as a result virtually every house sits behind a six-foot wall, and on top of that wall is electric wire. Everyone lives in a plush, fancy maximum-security prison. There is no sitting on the front porch, no saying hi to the neighbors, no kids running back and forth between houses. I’d ride my bike around the neighborhood for hours without seeing a single kid. I’d hear them, though. They were all meeting up behind brick walls for playdates I wasn’t invited to. I’d hear people laughing and playing and I’d get off my bike and creep up and peek over the wall and see a bunch of white kids splashing around in someone’s swimming pool. I was like a Peeping Tom, but for friendship. It was only after a year or so that I figured out the key to making black friends in the suburbs: the children of domestics." (from "Born A Crime: Stories from a South African Childhood" by Trevor Noah)
Trevor Noah (Born a Crime: Stories from a South African Childhood)
The Environmental Protection Agency now warns us that indoor air pollution is the nation's number one environmental threat to health- and it's from two to ten times worse than outdoor air pollution. A child indoors is more susceptible to spore of toxic molds growing under that plush carpet; or bacteria or allergens carried by household vermin; or carbon monoxide, radon and lead dust. The allergen level of newer, sealed buildings can be as much as two hundred times greater than that of older structures.
Richard Louv (Last Child in the Woods: Saving Our Children from Nature-Deficit Disorder)
After three hours, I come back to the waiting room. It is a cosmetic surgery office, so a little like a hotel lobby, underheated and expensively decorated, with candy in little dishes, emerald-green plush chairs, and upscale fashion magazines artfully displayed against the wall. A young woman comes in, frantic to get a pimple "zapped" before she sees her family over the holidays. An older woman comes in with her daughter for a follow-up visit to a face-lift. She is wearing a scarf and dark glasses. The nurse examines her bruises right out in the waiting room. And you are in the operating room having your body and your gender legally altered. I feel like laughing, but I know it makes me sound like a lunatic.
Joan Nestle
...and all the other little creature comforts he provided. She loved that phrase, loved imagining comfort as a plush Pomeranian curling around her ankles.
Brit Bennett (The Vanishing Half)
leaned his head back onto the plush headrest of his private limousine and shut his eyes
Sarah Price (The Divine Secrets of the Whoopie Pie Sisters (Whoopie Pie Sisters #1-3))
I snuck them into the space between his side and the coffin's plush silver lining. "You can light these," I whispered to him. "I wont mind.
John Green (The Fault in Our Stars)
Henrietta knew of the heart as an organ; she privately saw it covered in red plush and believed that it could not break, though it might tear.
Elizabeth Bowen (The House in Paris)
Moth holes had appeared in the plush of matrimonial comfort.
Vladimir Nabokov (Lolita)
Now she wants them together on Gwen’s absurdly plush bed. She wants to know what Gwen tastes like- everywhere.
Emma R. Alban (Don't Want You Like a Best Friend (Mischief & Matchmaking, #1))
She thinks of her former job in a Hobart law firm. Right now, the thought of being in her quiet-as-a-library, air-conditioned, plush-carpeted city office, with a takeout coffee on the desk next to her and a tricky clause to unravel, is like remembering a glorious tropical holiday. She sees now that she didn’t just enjoy work, she loved it. She is a person whose brain requires certainty and control, rules and procedures, perhaps more than the average person, but motherhood has none of that and some days she is bored out of her freaking mind.
Liane Moriarty (Here One Moment)
Did you see that bison on the wall there? He’s so big. And so cute.” Angelo grinned. “I thought you might say that. That’s why I got a smaller version.” He took the plush animal from inside his jacket, where he’d been hiding it, and placed it on the table. “This is Ted.” Minka’s eyes glistened with tears as she stared at it. Crap, what had he done wrong? He’d thought she’d love it. But then she grabbed the toy in one hand, threw her arms around Angelo, and squeezed him so hard his ribs creaked. “Thank you,” she said against his chest. “He’s perfect.
Paige Tyler (Her Fierce Warrior (X-Ops, #4))
Late Echo" Alone with our madness and favorite flower We see that there really is nothing left to write about. Or rather, it is necessary to write about the same old things In the same way, repeating the same things over and over For love to continue and be gradually different. Beehives and ants have to be re-examined eternally And the color of the day put in Hundreds of times and varied from summer to winter For it to get slowed down to the pace of an authentic Saraband and huddle there, alive and resting. Only then can the chronic inattention Of our lives drape itself around us, conciliatory And with one eye on those long tan plush shadows That speak so deeply into our unprepared knowledge Of ourselves, the talking engines of our day.
John Ashbery (As We Know: Poems)
I began to turn my body, but he held me and laid me back onto the bed, insistently, kissing my breasts but not lingering, kissing a line down my stomach and lower. “You want me to prove to you that I want you more than I’ve ever wanted anything in my life, Roses. Is that true, aye? Because I just can’t take this anymore.” I gasped as he licked into my sensitive flesh, wetting me with his soft strokes, speaking soft words against my skin. “If you insist on doubting me, Roses, if you absolutely insist on breaking down every defense that I have with your tears and your plush, wet, ripe beauty, then that’s what I’ll have to do, lass. Is that what you want from me? Proof?” I could only sigh a soft response, already falling, burning, wanting too much.
Juliette Miller (Highlander Claimed (Clan Mackenzie, #1))
She stood almost a foot shorter than him, but that had never been a problem, given most of their conversations had been horizontal. The years had filled out her curves, and she wore those few extra pounds of plush well, especially below the flare of her hips. The ass that dethroned JLo, or some shit. Her shapely figure had its own press corps. A woman like this was built to be bedded, and often.
Kate Meader (Sparking the Fire (Hot in Chicago, #3))
the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change. “Holy shit—is that a red velvet chaise lounge?” The guys exchange a WTF look. “Um…sure?” Justin says. “Why—” I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder. Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat. “What is happening right now?” Justin bursts out. I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.” Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing. Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position. “Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?” “What is happening?” We both ignore Justin’s baffled exclamation. “Show me the thumbs up,” Garrett says. I give the camera a wolfish grin and stick up my thumbs. My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.” He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag. As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures. I nod in approval. “Damn. I should go into modeling.” “You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.” Fuck, it totally does. Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.” I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.” “You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.” “Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.” “Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch
Elle Kennedy (The Mistake (Off-Campus, #2))
Once I'm through the doors, I often pause to take in the grandeur of the lobby. It never tarnishes. It never grows drab or dusty. It never dulls or fades. It is blessedly the same each and every day. There's the reception and concierge to the left, with its midnight-obsidian counter and smart-looking receptionists in black and white, like penguins. And there's the ample lobby itself, laid out in a horseshoe, with its fine Italian marble floors that radiate pristine white, drawing the eye up, up to the second-floor terrace. There are the ornate Art Deco features of the terrace and the grand marble staircase that brings you there, balustrades glowing and opulent, serpents twisting up to golden knobs held static in brass jaws. Guests will often stand at the rails, hands resting on a glowing post, as they survey the glorious scene below—porters marching crisscross, dragging suitcases behind them, guests lounging in sumptuous armchairs or couples tucked into emerald love seats, their secrets absorbed into the deep, plush velvet.
Nita Prose (The Maid (Molly the Maid, #1))
Sigmund Freud once asserted, “Let one attempt to expose a number of the most diverse people uniformly to hunger. With the increase of the imperative urge of hunger all individual differences will blur, and in their stead will appear the uniform expression of the one unstilled urge.” Thank heaven, Sigmund Freud was spared knowing the concentration camps from the inside. His subjects lay on a couch designed in the plush style of Victorian culture, not in the filth of Auschwitz. There, the “individual differences” did not “blur” but, on the contrary, people became more different; people unmasked themselves, both the swine and the saints.
Viktor E. Frankl (Man's Search for Meaning)
But as much as I'll always have this place imprinted on me, little bits of grit rubbed into my plush skin ... I was also poised to to get out. I was always walking around with that hum in my hips, preparing for flight.
Leah Lakshmi Piepzna-Samarasinha (Dirty River: A Queer Femme of Color Dreaming Her Way Home)
awe-inspiring shit we put on shelves.” These included live waxworms, a five-pound gummi bear, a diver’s speargun, a book titled Venus with Biceps: A Pictorial History of Muscular Women, a butt plug attached to a plush foxtail,
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
We head to that corner of the basement. Rev straddles the weight bench and sits down while Declan sits on a yoga ball and leans against the corner. They fall into these positions so easily that I wonder if this is their space, the way Rowan and I claim her room or the plush couch in my basement. I’m not a violent person, but hitting something sounds really good. I draw back a hand and swing, throwing my whole body into it. Ow. Ow. The bag swings slightly, but shock reverberates down my arm. I think I’ve dislocated every joint of every finger, but I can feel it, and it’s the first thing I’ve truly felt in weeks. It feels fantastic. I need one of these in my basement. I grit my teeth and pull back my arm to do it again. “Whoa.” A hand catches my arm in midswing. I’m standing there, gasping, and Declan has a hold of my elbow. His eyebrows are way up. “So . . . yeah,” he says. “I don’t want to be sexist here, but after the way you talk about cars, I didn’t expect you to throw a punch like that.” I draw back and straighten, feeling foolish. “Sorry.” “What are you apologizing for?” He looks at me like I’m crazy. “I just don’t want to watch you break a wrist.” “Here.” Rev half stands, holding out a pair of black padded gloves. He’s pushed back the hood of his sweatshirt, and I wonder if he’s grown more comfortable around me—or if he’s just warm. “If you really want to beat on it, put on gloves
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
No one tells you this, but when you enter your thirties, you will find vaguely in-shape bodies ridiculously attractive as opposed to your Chris Hemsworth predilections of the past. This is not to say that ripped dudes turn you off. It’s just that the DadBod signifies comfort—in one’s skin, in throwing a middle finger to vanity, and in eating what tastes good as opposed to what makes one look good—and for me, comfort equals home. DadBod is a home that smells like cinnamon and plush carpeting that you can massage your toes in.
Phoebe Robinson (You Can't Touch My Hair: And Other Things I Still Have to Explain)
She was also wearing vampire bunny slippers. Myrnin had given them each a pair for Christmas, since they’d all found his so hilarious, and as Eve marched toward Claire, the rabbit slippers’ mouths flapped up and down, their red tongues flashing and plush teeth biting the ground.
Rachel Caine (Fall of Night (The Morganville Vampires, #14))
Anton Brookes: I think I was within my right to accuse him of selling out a little bit, if you think about what Nirvana was supposed to be about and what they stood for; they did antirape benefits for Bosnia and stuff like that. Nirvana were supposedly right-on, weren't they? They were the voice of a generation, the conscience of a generation. And for all intents and purposes, Kurt mutated into everything he was against. He became your attitudinal rock star, with the tantrums and the plush hotels and everything. And then, for all intents and purposes, Kurt was sucking corporation cock.
Mark Yarm (Everybody Loves Our Town: An Oral History of Grunge)
Normally, Richard was the kind of guy I disliked, someone born and raised plush: looks, charm, smarts, probably money. These men were never very interesting to me; they had no edges, and they were usually cowards. They instinctively fled any situation that might cause them embarrassment or awkwardness.
Gillian Flynn (Sharp Objects)
A wonderful ferment was working in Germany. Life seemed more free, more modern, more exciting than in any place I had ever seen. Nowhere else did the arts or the intellectual life seem so lively. In contemporary writing, painting, architecture, in music and drama, there were new currents and fine talents. And everywhere there was an accent on youth. One sat up with the young people all night in the sidewalk cafés, the plush bars, the summer camps, on a Rhineland steamer or in a smoke-filled artist’s studio and talked endlessly about life. They were a healthy, carefree, sun-worshiping lot, and they were filled with an enormous zest for living to the full and in complete freedom. The old oppressive Prussian spirit seemed to be dead and buried. Most Germans one met—politicians, writers, editors, artists, professors, students, businessmen, labor leaders—struck you as being democratic, liberal, even pacifist.
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
I lay on Sherard’s office floor in the royal mage tower in a sprawled eagle formation. Why? Because the carpet and I were friends. His red-and-gold carpet was nice and plush, to start with. Secondly, it wasn’t demanding answers from me. Thirdly, it wasn’t trying to attack me. My bar was low this afternoon.
Honor Raconteur (All In A Name (The Case Files of Henri Davenforth, #9))
It was a short kiss, as sweet a one as I knew how to give. And it rocked my simple world temporarily on its axis. In the span of that minute with her plush lips on mine, her silky tongue in my mouth, and the scent of her floral skin and bonfire imprinted hair in my nose, there was no future for me but her.
Giana Darling (Good Gone Bad (The Fallen Men, #3))
To Himself" So you've come to me now without knowing why; Nor why you sit in the ruby plush of an ugly chair, the sly Revealing angle of light turning your hair a silver gray; Nor why you have chosen this moment to set the writing of years Against the writing of nothing; you who narrowed your eyes, Peering into the polished air of the hallway mirror, and said You were mine, all mine; who begged me to write, but always Of course to you, without ever saying what it was for; Who used to whisper in my ear only the things You wanted to hear; who comes to me now and says That it's late, that the trees are bending under the wind, That night will fall; as if there were something You wanted to know, but for years had forgotten to ask, Something to do with sunlight slanting over a table And chair, an arm rising, a face turning, and far In the distance a car disappearing over the hill. Mark Strand, Collected Poems. (Knopf; First Edition edition September 30, 2014)
Mark Strand (Collected Poems)
The offices were like a national holding center for the trainably banal, occupied by people who decorated their cubicles with quilted, heart-shaped picture frames and those tiny plush bears with the fierce spring grip that cling to lamps and computer terminals, personalized to read “Terri’s bear” or “I wuv you very beary much!
David Sedaris (Barrel Fever)
This candy store! The kids used to vibrate with excitement if you even mentioned it. It’s almost painful, the way little children just trustingly hold out their hearts for you to look at—the way they haven’t learned yet how to conceal what matters to them, even if it’s just chewing gum or a plush dolphin or plastic binoculars.
Catherine Newman (Sandwich)
But that doesn’t mean I can’t watch you touch yourself,” I whisper. A small gasp leaves her plush lips. She stops the little circles she’s been inadvertently moving her hips in. I take one step back, watching with fascination as a blush travels up to her neck. So fucking pretty. “Do I get to watch you, too, or are you a selfish lover?
H.D. Carlton (Shallow River)
Meanwhile the thinking person, by intellect usually left-wing but by temperament often right-wing, hovers at the gate of the Socialist fold. He is no doubt aware that he ought to be a Socialist. But he observes first the dullness of individual Socialists, then the apparent flabbiness of Socialist ideals, and veers away. Till quite recently it was natural to veer towards indinerentism. Ten years ago, even five years ago, the typical literary gent wrote books on baroque architecture and had a soul above politics. But that attitude is becoming difficult and even unfashionable. The times are growing harsher, the issues are clearer, the belief that nothing will ever change (i.e. that your dividends will always be safe) is less prevalent. The fence on which the literary gent sits, once as comfortable as the plush cushion of a cathedral-stall, is now pinching his bottom intolerably; more and more he shows a disposition to drop off on one side or the other. It is interesting to notice how many of our leading writers, who a dozen years ago were art for art's saking for all they were worth and would have considered it too vulgar for words to even vote at a general election, are now taking a definite political standpoint; while most of the younger writers, at least those of them who are not mere footlers, have been 'political' from the start. I believe that when the pinch comes there is a terrible danger that the main movement of the intelligentsia will be towards Fascism. . . . That will also be the moment when every person with any brains or decency will know in his bones that he ought to be on the Socialist side. But he will not necessarily come there of his own accord; there are too many ancient prejudices standing in the way. He will have to be persuaded, and by methods that imply an understanding of his viewpoint. Socialists cannot afford to waste any more time in preaching to the converted. Their job now is to make Socialists as rapidly as possible; instead of which, all too often, they are making Fascists.
George Orwell (The Road to Wigan Pier)
How lame it is for me to sit in some cushy living room watching Apocalypse Now, on videocassette no less. You think you have pain? That guy went up the river to kill a guy. I’m sitting in a suburban living room on a plush carpet with Search and Destroy tattooed on my back and I’m watching the real thing, it makes touring seem rather easy in comparison. I
Henry Rollins (The First Five: "High Adventure in the Great Outdoors", "Pissing in the Gene Pool", "Art to Choke Hearts", "Bang!", "One from None" (Henry Rollins))
One more drink and we’re sharing our rape stories. Nearly every woman I know has one. If I had a nickel for every time I’ve heard one of these stories I could buy an enormous, plush pillow with which to smother my tear-stained face. Near rape, date rape, rape rape, it’s all the same, I think. Close enough is rape. Once I had a friend tell me this breathless, elaborate story about fighting off a drunk man at a party. He tears her dress, scratches her skin, throttles her throat, and it ends with her punching him in the eye, but, she points out repeatedly, he never actually fucks her. “Thank god nothing happened,” she said to me. I stared at her, and then slowly responded. “Yes,” I said. “Thank god for that.
Jami Attenberg (All Grown Up)
I forgot that with the green, the plushness, and shiny plant life that pushed up and surrounded us, with the nourishment it provided came—the fur, the claws, the teeth. This was not our place. We were borrowers. No longer were we the dominant species. Our time had passed. We were small in number and frame. We were supposed to run. Climb. Cower I forgot.
Lauren Nicolle Taylor (The Wall (The Woodlands, #2))
rooms. They were upstairs. At the back of the shop a spiral staircase led up to a balcony overlooking the dresses below. A dozen oak doors lined the wall behind the railing. I entered a room as big as my entire apartment and hung the gown on the door hook. The walls were a pale gold with a design of darker leaves in each corner. Beyond a jungle of mirrors, a plush couch
Angela Roquet (Graveyard Shift (Lana Harvey, Reapers Inc. #1))
His eyes slid to mine, amused and questioning. He said down the bond, And do you think I need to redecorate our home? We passed open-air chambers full of fat, silk pillows and plush carpets, passed windows whose panes were arranged in colourful medleys, passed urns overflowing with lavender and fountains gurgling clearest water under the mild rays of the sun. It's not a competition, I trilled to him. His hand tightened on mine. Well, even if Thesan has a prettier palace, I'm the only one blessed with a High Lady at my side. I couldn't help my blush. Especially as Rhys added, Tonight, I want you to wear that crown to bed. Only the crown. Scoundrel. Always. I smiled, and he leaned in smoothly to brush a kiss to my cheek. Mor muttered a plea for mercy from mates.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
It is difficult when you pass that way, especially when you are peacefully recovering from sea-sickness with the plush cushions of a boat-train carriage under your bum, to believe that anything is really happening anywhere. Earthquakes in Japan, famines in China, revolutions in Mexico? Don't worry, the milk will be on the doorstep tomorrow morning, the New Statesman will come out on Friday.
George Orwell (Homage to Catalonia)
The North London suburbs were a vacuum for identity. It was as beige as the plush carpets that adorned its every home. There was no art, no culture, no old buildings, no parks, no independent shops or restaurants...The only form of expression was through the spending of money on homogenized assets -- conservatories, kitchen extensions, cars with built in satnav, all-inclusive holidays to Majorca.
Dolly Alderton (Everything I Know About Love)
He enjoyed not being dead. Lying there, Kiowa admired Lieutenant Jimmy Cross's capacity for grief. He wanted to share the man's pain, he wanted to care as Jimmy Cross cared. And yet when he closed his eyes, all he could think was Boom-down, and all he could feel was the pleasure of having his boots off and the fog curling in around him and the damp soil and the Bible smells and the plush comfort of night.
Tim O'Brien (The Things They Carried)
None of our furniture matches. Our towels are not plush and white, but worn, featuring Scooby-Doo. When we have guests over for dinner parties, Tiffany and I hide all the books and deflated basketballs and lotion samples until everything is spotless. We aim to emulate the polished sheen of our friends’ houses. But afterward, it’s as if the house can unbutton its pants, release its gut, all of our items pouring out again.
Chanel Miller (Know My Name: A Memoir)
certain he would never have hit his son the way she did over the burned bread. But why has he come to see me? The baker sits awkwardly on the edge of one of the plush chairs. He’s a big, broad-shouldered man with burn scars from years at the ovens. He must have just said good-bye to his son. He pulls a white paper package from his jacket pocket and holds it out to me. I open it and find cookies. These are a luxury we can never
Suzanne Collins (The Hunger Games Trilogy)
She looked away from him, her expression suddenly contemplative, the edges of her teeth catching at the plush curve of her lower lip. Just as Gideon thought she was going to refuse him, she reached out impulsively, her warm fingers catching at his. He held her hand as if he cradled a fragile bird in his palm, and drew her close enough that he could smell the hint of rose water in her hair. Her body was slim, sweetly curved, her uncorseted waist soft beneath his fingers. Despite the undeniable romance of the moment, Gideon felt a most unromantic stirring of lust as his body reacted with typical mare awareness to the nearness of a desirable female. He eased his partner into a slow waltz, guiding her expertly across the uneven flagstones. "I've seen fairies dancing on the lawn before," he said, "when I get deep enough in a bottle of brandy. But I've never actually danced with one before.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
I equate opening the boxes with the early ’90s stuffed toy for young girls, Puppy Surprise. The commercial for Puppy Surprise featured a group of five-to-seven-year-old girls crowded around a plush dog. They would shriek with delight as they opened her plushy stomach and discovered just how many stuffed baby puppies lived inside. Could be three, could be four, or even five! This was, of course, the “surprise.” Such was the case with dead bodies.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Hazel Motes sat at a forward angle on the green plush train seat, looking one minute at the window as if he might want to jump out of it, and the next down the aisle at the other end of the car. The train was racing through tree tops that fell away at intervals and showed the sun standing, very red, on the edge of the farthest woods. Nearer, the plowed fields curved and faded and the few hogs nosing in the furrows looked like large spotted stones. Mrs.
Flannery O'Connor (Collected Works of Flannery O'Connor: Featuring Wise Blood, A Good Man Is Hard to Find, The Violent Bear It Away, Everything That Rises Must Converge, and More (Grapevine Edition))
IN LEO’S ROOM, I FIND the small stuffed giraffe, Max, on the floor beside the bed. I carry him down the hall, feeling the soft synthetic fur, the thick plush: all the pain and grief and tragedy accreted on this thing of string and cloth and stuffing, but how much Leo loves it, needs it, is soothed by it. That, I suppose, is how the brave do it, they just put it all together, the good and the bad, and they hold it tight to themselves, and walk on with it.
Jacqueline Holland (The God of Endings)
So it was that Phryne acquired a skimpy costume of Fugi cotton, with fringes, in a blinding shade of pink known colloquially as ‘baby’s bottom’, a pair of near-kid boots with two-inch heels, an evening bag fringed and beaded to within an inch of complete inutility, stockings in peach, and a dreadful cloche hat with a drunken brim in electric blue plush. Her method in choosing these garments was simple. Anything at which Dot exclaimed, ‘Oh, no, Miss!’ she bought.
Kerry Greenwood (Cocaine Blues (Phryne Fisher, #1))
You have children? Marie’s mother asked suddenly. One, Margaret said. I had a son. The past tense, unintended, shocks her. How easily her mind has accepted what her heart cannot. Have, she corrects herself. I have a son. But I won’t ever see him again. A long pause between them, stretching and swelling until it wrapped around both of them, thick and plush. Then, to Margaret’s surprise, Marie’s mother reached out, touched Margaret’s wrist. Welcome to the worst club in the world, she said.
Celeste Ng (Our Missing Hearts)
You take my hand and I'm suddenly in a bad movie, it goes on and on and why am I fascinated We waltz in slow motion through an air stale with aphorisms we meet behind endless potted palms you climb through the wrong windows Other people are leaving but I always stay till the end I paid my money, I want to see what happens. In chance bathtubs I have to peel you off me in the form of smoke and melted celluloid Have to face it I'm finally an addict, the smell of popcorn and worn plush lingers for weeks
Margaret Atwood (Power Politics: Poems (A List))
Just then, I notice Mrs. Mulgrave giving the younger woman beside her a slight push in my direction. "This is my daughter, Maisie. She will be your maid." "Maisie?" I can't help blurting out in astonishment. I hardly recognize her. The past seven years have transformed Maisie from a plain preteen into a beautiful young adult. I didn't expect her to be so... pretty. She wears a black tee with black pants, but the simple clothing and lack of makeup only enhances her looks. She has heavy-lidded deep brown eyes, clear skin with the hint of a tan, the kind of plush pink lips that housewives in my New York hometown would pay good money for, and long brown hair highlighted with strands of gold. Her only adornments are a thick wristwatch and a rectangular pendant hanging on a chain around her neck. I feel a pang of sympathy as I look from mother to daughter. If Maisie's luck had been different---if she'd been born to parents like the Marinos---she could have had the world at her feet, instead of being shut up in a house working as a maid.
Alexandra Monir (Suspicion)
She takes it, flicks through the photographs of the objects picked up at the base. Rao sees her linger on a toy rifle, a red velvet comforter, a plush rabbit, a rocking chair. “Yeah,” she says. “Beautifully curated. Makes me think of the Valley of Lost Things. There’s a chapter called that in my book. It’s a literary device, a place characters visit in stories and find all the things people have lost. These, though”—her voice turns speculative—“seem to me not so much lost things as things made of loss. Where are these from?
Sin Blaché (Prophet)
Sure she had a little extra weight on her body, but since when does a number on the scale dictate who you are? She was a smart, fun, and good person, and that should count for something. And she was pretty, so what if she carried a few extra pounds, she was still a pretty girl,
Ava Catori (The Big, Not-So-Small, Curvy Girls Dating Agency (Plush Daisies, #1))
All the signs of the autumn came, the heavy plush-like asters, buck-berries and frost-flowers, everlasting and chicory – all the last tokens of the living year. The mockingbird would sing a few notes, reminiscent of spring after the quiet of the late summer, and on moonlight nights the cocks would crow all night long. Ellen bought a fresh ribbon for her dress and a bit of lace for her throat and blossomed anew with the frostweeds and the last of the chicory that lingered far into October. The abundance of autumn was again in the air, the summary of the growing season.
Elizabeth Madox Roberts (The Time of Man)
Plus,he's got a terrific butt.I know becuase I made sure I walked behind him to check it out." With a laugh, Keeley sat down beside her. "First, you're so predictable. Second, if Dad hears you talk that way, he'll shove the man on the first plane back to Ireland. And third, I didn't notice his butt, or anything else about him, particularly." "Liar." Sarah propped her elbow on the counter as her sister took out a lipstick. "I saw you give him the Keeley Grant once-over." Amused, Keeley passed the lipstick to Sarah. "Then let's say I didn't much ie what I saw. The rough-edged and proud of it type just doesn't do it for me.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
And then England—southern England, probably the sleekest landscape in the world. It is difficult when you pass that way, especially when you are peacefully recovering from seasickness with the plush cushions of a boat-train carriage underneath you, to believe that anything is really happening anywhere. Earthquakes in Japan, famines in China, revolutions in Mexico? Don’t worry, the milk will be on the doorstep tomorrow morning, the New Statesman will come out on Friday. The industrial towns were far away, a smudge of smoke and misery hidden by the curve of the earth’s surface. Down here it was still the England I had known in my childhood: the railway-cuttings smothered in wild flowers, the deep meadows where the great shining horses browse and meditate, the slow-moving streams bordered by willows, the green bosoms of the elms, the larkspurs in the cottage gardens; and then the huge peaceful wilderness of outer London, the barges on the miry river, the familiar streets, the posters telling of cricket matches and Royal weddings, the men in bowler hats, the pigeons in Trafalgar Square, the red buses, the blue policemen—all sleeping the deep, deep sleep of England, from which I sometimes fear that we shall never wake till we are jerked out of it by the roar of bombs.
George Orwell (Homage to Catalonia)
Perhaps it’s just because he’s an outsider, but to Connor, the Arápache live a life of contradiction. Their homes are austere and yet punctuated by pointed opulence. A plush bed in an undecorated room. A simple wood-burning fire pit in the great room that’s not so simple because logs are fed and temperature maintained by an automatic system so that it never goes out. With one hand they rebuke creature comforts, but with the other they embrace it—as if they are in a never-ending battle between spiritualism and materialism. It must have been going on so long, they seem blind to their own ambivalence, as if it’s just become a part of their culture.
Neal Shusterman (UnSouled (Unwind Dystology, #3))
Once a month, The Metropolitan hosts Films Under the Stars. The rooftop is converted to a luxury movie theatre. They show both new releases and classics and there’s a large staff serving traditional movie snacks, meals from the restaurant downstairs, and drinks from one of the two bars. There’s regular seating, oversized bean bags, and private seating in one of five cabanas. Each cabana has a couch, cooler, and two large, side by side, plush lounge chairs. The cooler has complimentary waters and wine. During the summer months, misting fans are included and during colder months, small heaters. We have two small heaters. The best part is the heavy curtains that surround the cabana; they give us extra privacy.
Charity Shane' (Truce of the Matter)
The gang of us sat around, and moved our thighs on the horsehair or on the split-bottom and stared down at the unpainted boards of the floor or at the design on the linoleum mat in the middle of the floor as though we were attending a funeral and owed the dead man some money. The linoleum mat was newish, and the colors were still bright—reds and tans and blues slick and varnished-looking—a kind of glib, impertinent, geometrical island floating there in the midst of the cornerless shadows and the acid mummy smell and the slow swell of Time which had fed into this room, day by day since long back, as into a landlocked sea where the fish were dead and the taste was brackish on your tongue. You had the feeling that if the Boss and Mr. Duffy and Sadie Burke and the photographer and the reporters and you and the rest got cuddled up together on that linoleum mat it would lift off the floor by magic and scoop you all up together and make a lazy preliminary circuit of the room and whisk right out the door or out the roof like the floating island of Gulliver or the carpet in the Arabian Nights and carry you off where you and it belonged and leave Old Man Stark sitting there as though nothing had happened, very clean and razor-nicked, with his gray hair plastered down damp, sitting there by the table where the big Bible and the lamp and the plush-bound album were under the blank, devouring gaze of the whiskered face in the big crayon portrait above the mantel shelf.
Robert Penn Warren (All The King's Men)
For instance, in a popularized 2010 study, researchers from Harvard, Yale, and MIT had eighty-six volunteer subjects participate in a mock financial negotiation: bargaining down the price of a car with the sticker price of $16,500. One by one, each subject would sit in a chair facing an experimenter who was playing the part of the car salesman. But there was a catch: half the participants were seated in hard, wooden chairs, and the other half were treated to plush, cushioned ones. The result? Those given the hard chairs were the harder bargainers. They were more forceful in their negotiations and bargained the salesman down to a price that was on average $347 lower than that of the comfy chair group. Apparently, the added comfort of the cushioned chairs led the other group to agree to a higher price.
Eliezer Sternberg (NeuroLogic: The Brain's Hidden Rationale Behind Our Irrational Behavior)
He slides his fingers up the seam of my panties, purposefully dragging the backside of his knuckles over my pussy, then my clit. I shake with the pleasure of it. “Yes, what?” I sink into the plush leather chair. “Yes…Pan?” He spits on my pussy, and slides two fingers up to meet my swollen nub. “Try again.” “Yes…” I inhale sharply when he slides back down and sticks his fingers deep inside of me. “Yes, my king.” “Good girl,” he says and finally gives me what I want and need—his mouth on my pussy. He licks and teases and fucks me with his tongue. I writhe in the chair, but he has me caged. I pant and moan at the ceiling. He is relentless with his mouth. The pleasure builds in my clit and when he adds a finger, fucking me with three, a high-pitched keening escapes my throat. I can feel them all watching me.
Nikki St. Crowe (The Dark One (Vicious Lost Boys, #2))
Achild acquires stuffed animals throughout their life, but the core team is usually in place by the time they’re five. Louise got Red Rabbit, a hard, heavy bunny made of maroon burlap, for her first Easter as a gift from Aunt Honey. Buffalo Jones, an enormous white bison with a collar of soft wispy fur, came back with her dad from a monetary policy conference in Oklahoma. Dumbo, a pale blue hard rubber piggy bank with a detachable head shaped like the star of the Disney movie, had been spotted at Goodwill and Louise claimed him as “mine” when she was three. Hedgie Hoggie, a plush hedgehog Christmas ornament, had been a special present from the checkout girl after Louise fell in love with him in the supermarket checkout line and would strike up a conversation with him every time they visited. But Pupkin was their leader.
Grady Hendrix (How to Sell a Haunted House)
She was happy with what she saw from the front, but turning and seeing her profile in the mirror left her feeling a little self-conscious. She pulled in her stomach, and swore she’d need to start wearing shape wear soon, but this would have to do for now. At least her legs were still mostly shapely. She had thin ankles, but the closer you got to her pudgy knees, the more it became obvious she carried extra weight.
Ava Catori (The Big, Not-So-Small, Curvy Girls Dating Agency (Plush Daisies, #1))
Of course, people find beauty in things without wet noses, too. But there is something unique about the ways in which we fall in love with animals. Unwieldy dogs and minuscule dogs and long-haired and sleek dogs, snoring Saint Bernards, asthmatic pugs, unfolding shar-peis, and depressed-looking basset hounds - each with devoted fans. Bird-watchers spend frigid mornings scanning skies and scrub for the feathered objects of their fascination. Cat lovers display an intensity lacking - thank goodness - in most human relationships. Children’s books are constellated with rabbits and mice and bears and caterpillars, not to mention spiders, crickets, and alligators. Nobody ever had a plush toy shaped like a rock, and when the most enthusiastic stamp collector refers to loving stamps, it is an altogether different kind of affection.
Jonathan Safran Foer (Eating Animals)
Here at the palace, Hitler encountered suffocating palace etiquette for the first time. The noble Italian chief of protocol bowed before him and then led his guests up the long, shallow flight of stairs, striking every plush red-carpeted tread solemnly with a gold-encrusted staff. He was accustomed to this measured tread, but Hitler was not: the nervous foreign visitor fell out of step, found himself gaining on the uniformed nobleman ahead, stopped abruptly, causing confusion and clatter on the steps behind, then started again, walking more quickly until he was soon alongside the Italian again. The latter affected not to notice, but perceptibly quickened his own pace, his lacquered slippers and silken stockings flashing, until the whole throng was trotting up the last few stairs in an undignified Charlie Chaplin gallop. There
David Irving (The War Path)
I wonder what's all that noise, and running backwards and forwards for, above stairs, quoth my father, addressing himself, after an hour and a half's silence, to my uncle Toby, - who you must know, was sitting on the opposite side of the fire, smoking his social pipe all the time, in mute contemplation of a new pair of black-plush-breeches which he had got on; - What can they be doing, brother? quoth my father, - we can scarce hear ourselves talk. I think, replied my uncle Toby, taking his pipe from his mouth, and striking the head of it two or three times upon the nail of his left thumb, as he began his sentence, - I think, says he: - But to enter rightly into my uncle Toby's sentiments upon this matter, you must be made to enter first a little into his character, the out-lines of which I shall just give you, and then the dialogue between him and my father will go on as well again.
Laurence Sterne (The Life and Opinions of Tristram Shandy, Gentleman)
The room was two-tiered, its marble balconies filled with rams and water nymphs in fancy dress; a kaleidoscope of colours swayed in time to the beat of hypnotic music. A concerto of absent musicians, it played only in her mind. The numerous chandeliers with sculptured metal frames hung down from chains, with endless fireflies attached. At the far end stretched a grand staircase, dressed with a plush velvet carpet in deep cerise, and ceiling paintings edged with gold embossed dado rails clung to the walls. Then Eve honed in on herself and saw that she wore a crushed white taffeta A-line gown that fit her trim figure like a glove. Her butterfly mask with floral patterns embroidered in red and gold silk sat against her pale skin, her reflection like that of a porcelain doll. A matching shawl rested softly on her shoulders. Everything was so beautiful that she almost totally lost herself in the mirror’s reflection." (little snippet from our book)
L. Wells
After placing everything in the backseat, Nadia buckled her seat belt and turned to him. “Corvon,” she addressed him by his in-game persona. “If I were to tell you that you get a prize for besting me, what would you want?” He slid closer, dragging his gaze over her without hiding it. Caleb could see her nipples peaking under her bra. She was as turned on as he was. “Anything I want?” “Perhaps. What would it be?” She wouldn’t commit, which meant she didn’t trust him. It was time to drop the asshole persona. He couldn’t help but let her in. She was his One. “I would want …” He reached for her chin. “...a kiss.” Caleb leaned in so far he could feel her breath on his face. Her pupils were dilated wide, and he ran his thumb over her plush bottom lip. “Would you award me such a prize, Asteria?” She nodded. Closing the distance between them, he claimed her lips. This kiss was even hotter than the one at laser tag, slow and languid, like they had all the time in the world. He wrapped his hand around the base of her head and leaned her body back as her arms wrapped around his waist. Her tongue slid along his in a tantalizing dance that stoked the fire within. She sighed softly into his mouth as he felt the walls between them melt away from the heat. One kiss, that’s all he’d asked for. But he never wanted it to end. This felt dangerous. But so right. Finally, he forced himself to break the kiss, moaning Nadia’s name. She looked dazed, like she was just waking up — or just had the most incredible orgasm. What he wouldn’t give to see Nadia’s afterglow. “Can you drive?” His mouth was bone dry but he managed to get the words out eventually. She nodded and started the motor. He buckled himself in but didn’t stop looking at her. That had been no ordinary kiss. He needed another. As she backed out to turn the truck around, Nadia looked over at him shyly. “I wanna do that again.” “Me, too.” Licking his lips at the idea of tasting her again, he broke the first of his rules. “Come upstairs when we get to my place and we can.
Jasmine C. Caldwell (The Geek Girl Squad: Nadia (The Geek Girl Squad #2))
Meanwhile, the Gestapo’s most notorious investigator—who would within a year be awarded the Iron Cross (reputedly by Hitler himself) for torturing and slaughtering thousands of résistants—was also taking a personal interest in Virginia. Hauptsturmführer Klaus Barbie, reared by an abusive father who had been severely mentally and physically damaged in fighting the French at Verdun in 1916, was not yet based full-time in Lyon. But he was already consumed by an obsessive desire to crush SOE, seen by the Germans as the backbone of the whole underground threat. Dozens of Gestapo officers were intercepting suspect signals coming out of Lyon and conducting waves of arrests and constant day and night raids from a plushly carpeted suite of offices on the third floor of the cavernous Hôtel Terminus next to Perrache station. They knew they were fast moving in on the center of the terrorist cell. Someone would break down under torture; Barbie would make sure of it. The Limping Lady of Lyon was becoming the Nazis’ most wanted Allied agent in the whole of France.
Sonia Purnell (A Woman of No Importance: The Untold Story of the American Spy Who Helped Win World War II)
You see in his Le pont de l’Europe a young man, well dressed in his grey overcoat and black top hat, maybe the artist, walking over the bridge along the generous pavement. He is two steps ahead of a young woman in a dress of sedate frills carrying a parasol. The sun is out. There is the glare of newly dressed stone. A dog passes by. A workman leans over the bridge. It is like the start of the world: a litany of perfect movements and shadows. Everyone, including the dog, knows what they are doing. Gustave Caillebotte, Le pont de l’Europe, 1876 The streets of Paris have a calmness to them: clean stone façades, rhythmic detailing of balconies, newly planted lime trees appear in his painting Jeune homme à sa fenêtre, shown in the second Impressionist exhibition in 1876. Here Caillebotte’s brother stands at the open window of their family apartment looking out onto the intersection of the rue de Monceau’s neighbouring streets. He stands with his hands in his pockets, well dressed and self-assured, with his life before him and a plush armchair behind him. Everything is possible.
Edmund de Waal (The Hare with Amber Eyes: A Family's Century of Art and Loss)
Even before I owned one, I'd always taken issue with the casual way people throw around the word 'cabin.' It seemed that somewhere along the line, the definition of a cabin went from a primitive, basic-needs shelter to any structure that had more than six or seven trees around it. I'd once been invited to a friend's supposed cabin only to arrive and find that it had a basketball court. Cabins do not have basketball courts. Cabins have tetanus. True cabins are hardly better than tents. They have limited amenities, basic comforts, and inefficient systems that make you thankful for the plush life you live 95 percent of the time. They are not anyplace with a sign above the toilet that says, "Life Is Better in the Woods." Cabins are small, musty places. They are poorly finished, outfitted with the hand-me-downs of people's real homes. They are repositories for knives that are a bit too dull, furniture that no longer matches, and artwork showcasing anything but good taste. When you enter a cabin, there should be a sense of encountering how things used to be, not just a variation on how they already are.
Patrick Hutchison (Cabin: Off the Grid Adventures with a Clueless Craftsman)
My honors thesis project was my first interactive exhibit, in which two facing chairs were activated by a motion sensor when the viewer walked by. One was a cofortable armchair of plush red velvet, with a dildo sticking out of a hole in the seat. When activated, the dildo moved up and down and a strobe light pulsed. The facing chair was hard and uncomfortable, with spikes protruding from the seat, and when the viewer walked by it a dog would bark. The juxtaposition of the two chairs was meant to represent how forces of repression censor the desire for liberation. In that same exhibition, I showed a handmade box in the shape of a cross, decorated with a beautiful painting of the Holy Trinity. The viewer was encouraged to open the box, where they would find a dildo wrapped in the American flag and nailed to a cross-- this was meant to symbolize the hypocrisy and repression that is hidden under the attractive facade of organized religion. The dildo was surrounded by pages from the Bible, which were themselves surrounded by images of the sickness and starvation caused by the embargo in Iraq, a comment on the effects of imposing one culture and religion on another.
Wafaa Bilal (Shoot an Iraqi: Art, Life and Resistance Under the Gun)
...the letters begin to cross vast spaces in slow sailing ships and everything becomes still more protracted and verbose, and there seems no end to the space and the leisure of those early nineteenth century days, and faiths are lost and the life of Hedley Vicars revives them; aunts catch cold but recover; cousins marry; there is the Irish famine and the Indian Mutiny, and both sisters remain, to their great, but silent grief, for in those days there were things that women hid like pearls in their breasts, without children to come after them. Louisa, dumped down in Ireland with Lord Waterford at the hunt all day, was often very lonely; but she stuck to her post, visited the poor, spoke words of comfort (‘I am sorry indeed to hear of Anthony Thompson's loss of mind, or rather of memory; if, however, he can understand sufficiently to trust solely in our Saviour, he has enough’) and sketched and sketched. Thousands of notebooks were filled with pen and ink drawings of an evening, and then the carpenter stretched sheets for her and she designed frescoes for schoolrooms, had live sheep into her bedroom, draped gamekeepers in blankets, painted Holy Families in abundance, until the great Watts exclaimed that here was Titian's peer and Raphael's master! At that Lady Waterford laughed (she had a generous, benignant sense of humour); and said that she was nothing but a sketcher; had scarcely had a lesson in her life—witness her angel's wings, scandalously unfinished. Moreover, there was her father's house for ever falling into the sea; she must shore it up; must entertain her friends; must fill her days with all sorts of charities, till her Lord came home from hunting, and then, at midnight often, she would sketch him with his knightly face half hidden in a bowl of soup, sitting with her notebook under a lamp beside him. Off he would ride again, stately as a crusader, to hunt the fox, and she would wave to him and think, each time, what if this should be the last? And so it was one morning. His horse stumbled. He was killed. She knew it before they told her, and never could Sir John Leslie forget, when he ran down-stairs the day they buried him, the beauty of the great lady standing by the window to see the hearse depart, nor, when he came back again, how the curtain, heavy, Mid-Victorian, plush perhaps, was all crushed together where she had grasped it in her agony.
Virginia Woolf
Want Could Kill Me Xandria Phillips for Dominique I know this from looking into store fronts taste buds voguing alight from the way treasure glows when I imagine pressing its opulence into your hand I want to buy you a cobalt velvet couch all your haters’ teeth strung up like pearls a cannabis vineyard and plane tickets to every island on earth but my pockets are filled with lint and love alone touch these inanimate gods to my eyelids when you kiss me linen leather gator skin silk satin lace onyx marble gold ferns leopard crystal sandalwood mink pearl stiletto matte nails and plush lips glossed in my 90s baby saliva pour the glitter over my bare skin I want a lavish life us in the crook of a hammock incensed by romance the bowerbird will forgo rest and meals so he may prim and anticipate amenity for his singing lover call me a gaunt bird a keeper of altars shrines to the tactile how they shine for you fold your wings around my shoulders promise me that should I drown in want-made waste the dress I sink in will be exquisite
Xandria Phillips
It was as if the wars they were conducting were to be symbolized in their own relationships. I thought how contention makes us human. How every form of it is practiced religiously, from gentlemanly debate to rape and pillage, from dirty political attacks to assassinations. Our nighttime street fights outside of bars, our slapping arguments in plush bedrooms, our murderous mutterings in the divorce courts. We had parents who beat their children, schoolyard bullies, career-climbing killers in ties and suits, drivers cutting one another off, people pushing one another through the subway doors, nations making war, dropping bombs, swarming onto beaches, the daily military coups, the endless disappearances, the dispossessed dying in their tent camps, the ethnic cleansing crusades, drug wars, terrorist murders, and all violence in every form countenanced somewhere by some religion or other … and for its entertainment politicidal, genocidal, suicidal humanity attending its beloved kick-boxing matches, and cockfights, or losing its paychecks on the blackjack felt and then going back to work undercutting the competition, scamming, ponzi-ing, poisoning … and the impassioned lovers of their times contending in their own little universe of sex, one turgidly wanting it, the other wincingly refusing it.
E.L. Doctorow (Andrew's Brain)
Only as a young man playing pool all night for money had he been able to find what he wanted in life, and then only briefly. People thought pool hustling was corrupt and sleazy, worse than boxing. But to win at pool, to be a professional at it, you had to deliver. In a business you could pretend that skill and determination had brought you along, when it had only been luck and muddle. A pool hustler did not have the freedom to believe that. There were well-paid incompetents everywhere living rich lives. They arrogated to themselves the plush hotel suites and Lear Jets that America provided for the guileful and lucky far more than it did for the wise. You could fake and bluff and luck your way into all of it. Hotel suites overlooking Caribbean private beaches. Bl*wj*bs from women of stunning beauty. Restaurant meals that it took four tuxedoed waiters to serve, with the sauces just right. The lamb or duck in tureen sliced with precise and elegant thinness, sitting just so on the plate, the plate facing you just so on the heavy white linen, the silver fork heavy gleaming in your manicured hand below the broad cloth cuff and mother of pearl buttons. You could get that from luck and deceit even while causing the business or the army or the government that supported you to do poorly at what it did. The world and all its enterprises could slide downhill through stupidity and bad faith. But the long gray limousines would still hum through the streets of New York, of Paris, of Moscow, of Tokyo. Though the men who sat against the soft leather in back with their glasses of 12-year-old scotch might be incapable of anything more than looking important, of wearing the clothes and the hair cuts and the gestures that the world, whether it liked to or not, paid for, and always had paid for. Eddie would lie in bed sometimes at night and think these things in anger, knowing that beneath the anger envy lay like a swamp. A pool hustler had to do what he claimed to be able to do. The risks he took were not underwritten. His skill on the arena of green cloth, cloth that was itself the color of money, could never be only pretense. Pool players were often cheats and liars, petty men whose lives were filled with pretensions, who ran out on their women and walked away from their debts. But on the table with the lights overhead beneath the cigarette smoke and the silent crowd around them in whatever dive of a billiard parlor at four in the morning, they had to find the wherewithal inside themselves to do more than promise excellence. Under whatever lies might fill the life, the excellence had to be there, it had to be delivered. It could not be faked. But Eddie did not make his living that way anymore.
Walter Tevis (The Color of Money (Eddie Felson, #2))
Out of a single man, they get a thousand: homo economicus, homo politicus, homo physico-chimicus, homo endocrinus, homo skeletonicus, homo emotions, homo percipiens, homo libidinosus, homo peregrinans, homo ridens, homo ratiocinans, homo artifex, homo aestbeticus, homo religiosus, homo sapiens, homo historicus, homo ethnographicus, and many, many more. But at the very end of the production line in this laboratory of mine sits a Scienter who is quite unique. Three thousand brains in one. His function is to collect all the data and clarifications written up by the specialist Scienters. When he has collated everything, he is convinced that he has clasped the red rabbit or the essential man entire to his understanding. There you are, you can see him from here,' he ended, with a sign to one of his assistants who brought me a pair of binoculars. I put them to my eyes and, indeed, at the far end of the gallery, I saw the Omniscienter. There he was, an enormous cranial dome with a tiny, shapeless, crumpled face, which seemed to me to be hanging by the ears from the two ebony knobs on the back of a raised throne. Swinging to and fro beneath this head was a little cloth puppet which dangled its empty trouser legs over the crimson plush seat. His tiny right arm was kept aloft by means of a wire, and the index finger rested on his temple in the gesture of one who knows. Above the throne ran a banner bearing this inscription: I KNOW EVERYTHING, BUT I DON'T UNDERSTAND ANY OF IT
René Daumal (A Night of Serious Drinking)
The key to preventing this is balance. I see the give and take between different constituencies in a business as central to its success. So when I talk about taming the Beast, what I really mean is that keeping its needs balanced with the needs of other, more creative facets of your company will make you stronger. Let me give you an example of what I mean, drawn from the business I know best. In animation, we have many constituencies: story, art, budget, technology, finance, production, marketing, and consumer products. The people within each constituency have priorities that are important—and often opposing. The writer and director want to tell the most affecting story possible; the production designer wants the film to look beautiful; the technical directors want flawless effects; finance wants to keep the budgets within limits; marketing wants a hook that is easily sold to potential viewers; the consumer products people want appealing characters to turn into plush toys and to plaster on lunchboxes and T-shirts; the production managers try to keep everyone happy—and to keep the whole enterprise from spiraling out of control. And so on. Each group is focused on its own needs, which means that no one has a clear view of how their decisions impact other groups; each group is under pressure to perform well, which means achieving stated goals. Particularly in the early months of a project, these goals—which are subgoals, really, in the making of a film—are often easier to articulate and explain than the film itself. But if the director is able to get everything he or she wants, we will likely end up with a film that’s too long. If the marketing people get their way, we will only make a film that mimics those that have already been “proven” to succeed—in other words, familiar to viewers but in all likelihood a creative failure. Each group, then, is trying to do the right thing, but they’re pulling in different directions. If any one of those groups “wins,” we lose. In an unhealthy culture, each group believes that if their objectives trump the goals of the other groups, the company will be better off. In a healthy culture, all constituencies recognize the importance of balancing competing desires—they want to be heard, but they don’t have to win. Their interaction with one another—the push and pull that occurs naturally when talented people are given clear goals—yields the balance we seek. But that only happens if they understand that achieving balance is a central goal of the company.
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
Hannah Winter was sixty all of a sudden, as women of sixty are. Just yesterday - or the day before, at most - she had been a bride of twenty in a wine-coloured silk wedding gown, very stiff and rich. And now here she was, all of a sudden, sixty. (...) This is the way it happened! She was rushing along Peacock Alley to meet her daughter Marcia. Anyone who knows Chicago knows that smoke-blackened pile, the Congress Hotel; and anyone who knows the Congress Hotel has walked down that glittering white marble crypt called Peacock Alley. It is neither so glittering nor so white nor, for that matter, so prone to preen itself as it was in the hotel's palmy '90s. But it still serves as a convenient short cut on a day when Chicago's lake wind makes Michigan Boulevard a hazard, and thus Hannah Winter was using it. She was to have met Marcia at the Michigan Boulevard entrance at two, sharp. And here it was 2.07. When Marcia said two, there she was at two, waiting, lips slightly compressed. (...) So then here it was 2.07, and Hannah Winter, rather panicky, was rushing along Peacock Alley, dodging loungers, and bell-boys, and traveling salesmen and visiting provincials and the inevitable red-faced delegates with satin badges. In her hurry and nervous apprehension she looked, as she scuttled down the narrow passage, very much like the Rabbit who was late for the Duchess's dinner. Her rubber-heeled oxfords were pounding down hard on the white marble pavement. Suddenly she saw coming swiftly toward her a woman who seemed strangely familiar - a well-dressed woman, harassed-looking, a tense frown between her eyes, and her eyes staring so that they protruded a little, as one who runs ahead of herself in her haste. Hannah had just time to note, in a flash, that the woman's smart hat was slightly askew and that, though she walked very fast, her trim ankles showed the inflexibility of age, when she saw that the woman was not going to get out of her way. Hannah Winter swerved quickly to avoid a collision. So did the other woman. Next instant Hannah Winter brought up with a crash against her own image in that long and tricky mirror which forms a broad full-length panel set in the marble wall at the north end of Peacock Alley. Passerby and the loungers on near-by red plush seats came running, but she was unhurt except for a forehead bump that remained black-and-blue for two weeks or more. The bump did not bother her, nor did the slightly amused concern of those who had come to her assistance. She stood there, her hat still askew, staring at this woman - this woman with her stiff ankles, her slightly protruding eyes, her nervous frown, her hat a little sideways - this stranger - this murderess who had just slain, ruthlessly and forever, a sallow, high-spirited girl of twenty in a wine-coloured silk wedding gown.
Edna Ferber (Gigolo)
My bisnonno is such a man...Fine, you laugh again. Not so handsome,I think,but just as proud. He struts through the square with his new shoes. He buys a carriage. But he gives to the poor,too, to the Church.He is kind to his siters; he is a friend to many.He is raffinato, a gentleman. And the girl he chooses? Hmm? Hmm?" "I don't know, Nonna. Elizabeth Benedetto?" "Hah!" Nonna slapped her hand hard against her knee. It bounced soundlessly off the leopard plush. "Elisabetta. Elisabetta, daughter of a man who works on another's boat. Elisabetta who has many sisters and who is intended for the Church if she does not marry. I don't remember her family name, if I ever knew. Maybe Benedetto.Why not? It does not matter.What matters is that no one understands why Michelangelo Costa chooses this girl. No one can...oh,the word...to say a picture of: descrivere." "Describe?" "Si. Describe.No one can describe her.Small,they think. Brown, maybe. Maybe not so pretty, not so ugly. Just a girl. She sits by the seawall mending nets her family does not own. She is odd,too,her neighbors think.They think it is she who leaves little bit of shell and rock when she is done with the nets, little mosaico on the wall. So why? the piu bella girls ask, the ones with long,long necks, and long black hair, and noses that turn up at the end. Why this odd, nobody girl in her ugly dresses, with her dirty feet? "Michelangelo sends his cousins to her with gifts. A cameo, silk handkerchiefs, a fine pair of gloves. Again,the laugh.Then, you would not have laughed at a gift of gloves, piccola. Oh,you girls now. You want what? E-mails and ePods?" "That's iPods,Nonna." "Whatever. See,that word I know. Now, Elisabetta sends back the little girst. So my bisnonno sends bigger: pearls, meters of silk cloth, a horse. These,too,she will not take. And the people begin to look,and ask: Who is she, this nobody girl,to refuse him? No money,no beauty,no family name.You are a fool,they tell her. Accept. Accept! "And my proud bisnonno does not understand. He can have any girl in the town.So again,he gathers the gifts, he carries them himself, leads the horse. But Elisabetta is not to be found. She is not at her papa's house or in the square or at the seawall. Michelangelo fears she has gone to the convent. But no. As he stands at the seawall, a seabird,a gull, lands on his shoulder and says-" "Nonna-" "Shh! The girl tells him to follow the delfino....delfin? Dolphin! So he looks, and there, a dolphin with its head above the water says, 'Follow!' So he follows,the sack with gifts for Elisabetta on his back,like a peddler, the horse trailing behind.The dolphin leads him around the bay to a beach, and there is Elisabetta, old dress covered in sand,feet bare, just drawing circles in the sand. She starts to run, but Michelangelo calls to her. 'Why,' he asks her. 'Why do you hide? Why will you not take my gifts?' And she says..." I'd been fighting a losing battle with yawning for a while. I was failing fast. "I have no idea. 'I'm in love with someone else.'?
Melissa Jensen (The Fine Art of Truth or Dare)
Whether or not readers got Berryman’s pun, they rejoiced in his imagery, and demanded more “bear cartoons” after Roosevelt returned to Washington. Berryman obliged—again and again, as he realized he had hit upon a symbol the public adored. With repetition, his original lean bear became smaller, rounder, and cuter. He drew it as “a poor measly little cub with most of its fur rubbed off, and big ears like prickly pears,” and it became the leitmotif of every cartoon he drew of Theodore Roosevelt. That winter, by one of the mysterious coincidences that yoke inventions, stuffed, plush bear cubs with button eyes and movable joints began to issue from Margarete Stieff’s toy factory in Giengen, Germany. Three thousand were ordered by F.A.O. Schwarz of New York City, while in Brooklyn a storekeeper named Morris Michtom began producing something similar at $1.50 each. The competing bears soon fused, along with Berryman’s cub, into a single cuddly entity that attached to itself the nickname of the President of the United States. For decades, perhaps centuries to come, uncounted millions of children across the world would hug their Teddy Bears, even as the identities of Stieff, Michtom, Berryman, and Roosevelt himself rubbed away like lost plush.
Edmund Morris (Theodore Rex)
– there was a whole load of inner-London kids just like us, who wanted to go out.’ That state of affairs was perfect for sound systems: business opportunity meets social exclusion meets musical potential. Forced to forget about West End clubs or plush suburban discos, London’s black soul scene became self-contained, vaguely outlaw, community-based, ever-innovative, and in complete empathy with its crowds.
Lloyd Bradley (Sounds Like London: 100 Years of Black Music in the Capital)
With tinny drumbeats, the rain pounds the roof My teary eyes compete They can't keep up Breathe Let it go Breathe The vice on my chest tightens its razoring grip I gasp No relief If only tears could soothe the pain Then, I would look upon the tidal waves against these walls without fear Crush and roll me, I'd plead, Mold my body anew But with these tears come no healing, Just death, slow and determined This old girl, this old woman, this old soul lives here inside A tortoise outgrowing this hare's body This youthful skin encasing a crumbling frame I smooth the matted web of curls off my sweaty neck And roll my eyes at the clock How slowly the time squeaks by here in this room, In this comfortless bed I abandon the warmth from under my blanket tower and shiver The draft rattles my spine One by one, striking my vertebrae Like a spoon chiming empty wine glasses, Hitting the same fragile note till my neck shakes the chill away I swipe along the naked floor with a toe for the slippers beneath the bed Plush fabric caresses my feet Stand! Get up With both hands, Gravity jerks me back down Ugh! This cursed bed! No more, I want no more of it I try again My legs quiver in search of my former strength Come on, old girl, Come on, old woman, Come on, old soul, Don't quit now The floor shakes beneath me, Hoping I trip and fall To the living room window, I trudge My joints grind like gravel under tires More pain no amount of tears can soothe away Pinching the embroidered curtain between my knuckles, I find solace in the gloom The wind humming against the window, Makes the house creak and groan Years ago, the cold numbed my pain But can it numb me again, This wretched body and fractured soul? Outside I venture with chants fluttering my lips, Desperate solemn pleas For comfort, For mercy For ease, For health I open the plush throw spiraled around my shoulders And tiptoe around the porch's rain-soaked boards The chilly air moves through me like Death on a mission, My body, an empty gorge with no barriers to stop him, No flesh or bone My highest and lowest extremities grow numb But my feeble knees and crippling bones turn half-stone, half-bone Half-alive, half-dead No better, just worse The merciless wind freezes my tears My chin tumbles in despair I cover myself and sniffle Earth’s scent funnels up my nose: Decay with traces of life in its perfume The treetops and their slender branches sway, Defying the bitter gusts As I turn to seek shelter, the last browned leaf breaks away It drifts, it floats At the weary tree’s feet, it makes its bed alongside the others Like a pile of corpses, they lie Furled and crinkled with age No one mourns their death Or hurries to honor the fallen with thoughtful burials No rage-filled cries echo their protests at the paws trampling their fragile bodies, Or at the desecration by the animals seeking morning relief And new boundaries to mark Soon, the stark canopy stretching over the pitiful sight Will replace them with vibrant buds and leaves Until the wasting season again returns For now, more misery will barricade my bones as winter creeps in Unless Death meets me first to end it
Jalynn Gray-Wells (Broken Hearts of Queens)
I don’t care what the shameful voices in your head tell you, or the deafening lies that the memories whisper. I don’t care if you’re reading this from a prison cell staring at decades in the face, or from the plush comfort of first class staring out over the shimmering face of the Pacific. We’re all broken, all walk with a limp. Here is the truth about you and me: even when in a far-off country, wasted life, stripped bare, smeared, squandered, nothing but scar tissue and shameful, self-inflicted wounds, the love of the Father finds the son and daughter. He finds us. This
Charles Martin (Long Way Gone)
Tightening her grip on her shoulder, Sun forced herself to focus on the feeling of the plush mattress, on the light scent of pineapple from the candle warmer on the nightstand, on the slats of moonlight that pierced through the blinds. The technique was referred to as grounding, and she had learned it not from the FBI mandated counselor, but from Bobby Weyrick. To this day, he
Mary Stone (Winter's Ghost (Winter Black #5))
I sat, still, with my head down, naked on a plush bed in the presence and possession of an insane Vorakkar.
Zoey Draven (Madness of the Horde King (Horde Kings of Dakkar #3))
That's Schatzi." "Fräulein," he says, and switches his endearments to what sounds like flawless German. In moments, she is on her back letting him rub her pale grey belly, wiggling in delight. Stupid dog. Last night when I tried to pet her she nipped me. We've been living like roommates that hate each other. She spends most of her time curled up in the front turret window seat, coming to the kitchen to get fed. Our first night I'd set up her plush little dog bed in my bedroom, and in the morning discovered she had dragged it out into the hallway while I was asleep, and there it has stayed. We take a longish walk in the morning; she gets let out at lunch into the yard so she can go to the bathroom, and then another longish walk after dinner. Other than these bits of contact, we don't really spend any time together.
Stacey Ballis (Recipe for Disaster)
There are about four times in a man’s life, or a woman’s, too, for that matter, when unexpectedly, from out of the darkness, the blazing carbon lamp, the cosmic searchlight of Truth shines full upon them. It is how we react to those moments that forever seals our fate. One crowd simply puts on its sunglasses, lights another cigar, and heads for the nearest plush French restaurant in the jazziest section of town, sits down and orders a drink, and ignores the whole thing. While we, the Doomed, caught in the brilliant glare of illumination, see ourselves inescapably for what we are, and from that day on skulk in the weeds, hoping no one else will spot us.
Jean Shepherd (In God We Trust: All Others Pay Cash)
So this dream seemed oddly familiar and yet completely alien to me at the same time. Once again I was tucked in a bed, being held and protected against anything and everything the world might have to throw at me. But instead of the soft embrace of parents I’d never known, my head lay on the chest of a man whose strong arms were wrapped around me like he never wanted to let me go. His heartbeat thumped beneath my ear. My arm and leg were coiled over him while he held me against him, his hand resting on the curve of my thigh. He was warm unlike anyone I’d ever known, his skin almost seeming to hold a fire within it which filled my soul with strength and peace. My eyes were closed so I couldn’t see him but I just felt oddly at home. Like this was where I was meant to be. My hand lay on the hard muscles of his abs and I slowly started tracing the lines the muscles created with my fingertips, not wanting to shatter the peace of the dream by opening my eyes. He inhaled deeply, his chest rising beneath me while the arm holding me pulled me a little closer still. I continued my sleepy exploration of his stomach, my fingers tracing the lines lower and lower until they suddenly skimmed against the edge of a rough waistband. I frowned to myself at the sensation of denim against my fingertips. Who would sleep in a pair of jeans? What kind of weird dream man had I conjured up? I ran my fingers along the top of the jeans, the rough material tickling at the edges of my memory but my head was too foggy to place it. “If you keep doing that I’m going to stop being a gentleman about this situation.” My hand fell still and I froze at the sound of that voice. There was no way even dream Tory would be deluded enough to feel safe in his arms. My heart pounded a panicked rhythm against my ribcage and I peeled my eyes open, blinking a few times against the darkness I found waiting for me. Pain thundered through my skull and my tongue was thick in my mouth. I cringed against the headache, trying to focus on something around me as I slowly realised that this wasn’t a dream at all. I spotted the fire burning low in the grate across the room first. There was a black fire guard standing before it and a plush cream chair beside it. I knew this room. I’d burned it down once. And somehow I’d ended up right in the centre of Darius Acrux’s goddamn golden bed. I was too horrified at myself to move, my brain hunting for answers in a foggy sea of alcohol infused memories. I’d been drinking in The Orb with Sofia and Diego while she shielded our presence with a spell to deflect attention so that no one would spot us and play any Hell Week pranks on us. Or notice the fact that we’d stayed out after curfew. I remembered playing a strange Fae version of truth or dare with them while we worked our way through too many shots and Diego came up with ideas to retrieve his hat from Orion. Then...nothing. Certainly nothing that could explain to me how I’d ended up in Darius Acrux’s arms. My gaze slid across the wide armchair where I spotted my academy skirt hanging over one arm. I swallowed a thick lump in my throat, turning my attention to what I was wearing...or wasn’t wearing. I plucked at the huge t-shirt which clearly wasn’t mine, pulling the neck wide so that I could look down inside it. A moment of relief found me as I spotted my bra still in place but he hadn’t released his hold on me so I couldn’t be sure my panties were still there too. (Darius POV)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
I evaluate her soft blond waves, the plushness of her purple-painted mouth, the way the skin of her throat looks thinner than it should. She is physically perfect, kept that way by the wealth she’s acquired, that she’d do anything to hold on to. “I’m not stupid, you know. Or … or so blinded by the prize that I don’t know that I’m being used as a pawn. Your pawn.
Joelle Wellington (Their Vicious Games)
You’re gorgeous, love. This chocolate, smooth-ass skin. These titties,” he said, suckling a nipple into his mouth. “All this plushness,” he called out, hugging her to his chest and squeezing her ass. “You’re letting me have access to all of you. I’m grateful, baby.
BriAnn Danae (Lucky # Sevyn (Erotic Love Language, #3))
Like the Velveteen Rabbit of Margery Williams's perennially best-selling children's book, plush makers are animated by the prospect of their creations becoming the first thing a child loves and values.
Zac Bissonnette (The Great Beanie Baby Bubble: Mass Delusion and the Dark Side of Cute)
The speculative boom for Beanie Babies has resulted in an unsurpassed volume of high-quality, perfectly preserved, monetarily worthless plush animals for children most in need of the comfort of something soft.
Zac Bissonnette (The Great Beanie Baby Bubble: Mass Delusion and the Dark Side of Cute)
But his voice was perfectly calm and mild when he said, “Correct your attitude, or I will correct it for you.
Alexis Rey (Plush (The Wonderland Chronicles, #1))
Good girl. The words hit me like a head rush, leaving me swaying from their power. A vague thought flitted by—I would do anything for him to call me that again.
Alexis Rey (Plush (The Wonderland Chronicles, #1))
Don’t worry, duckling. You’re doing great. Everybody makes mistakes. You will have plenty of chances to make it up to me.
Alexis Rey (Plush (The Wonderland Chronicles, #1))
I know you’re scared, sweetheart. You don’t need to be. If you’re a good girl, and I can already see you are, nothing you don’t want will happen here. I know it will take time, but you need to trust me. Will you try to trust me?
Alexis Rey (Plush (The Wonderland Chronicles, #1))
And I am watching, listening, and learning. Paying attention to your breath, your eyes, you skin, your body language. Always. Every minute we’re here. Eventually, I will know you better than you know yourself. I promise you that.
Alexis Rey (Plush (The Wonderland Chronicles, #1))
Travis wrapped his arms around her and they stumbled into the limousine, landing in a tangle of limbs on the plush leather backseat. “You got the job, Travis,” Georgie squealed, laying kisses all over his face. “You did it.” “No,” he said, taking her mouth in a kiss that tasted like lust, wonder. “We did it.” Georgie pulled back to study him, running her fingers through his hair, down his cheeks, completely incapable of keeping her heart out of her eyes. As thrilled as she was over Travis winning the contract, she didn’t want to think in terms of the end yet.
Tessa Bailey (Fix Her Up (Hot & Hammered, #1))
Hayden bites his lower lip white. When he lets go, the pain of his capillaries reopening is exquisite, plush warmth flooding his mouth. Unintentionally, Horatio lingers too long, presses into Hayden's mouth with exploratory curiosity, and Hayden's eyes snap open, a low moan dislodging from his throat. Horatio? he thinks, and even in his mind his voice is edged roughly, hoarse from lack of breath and Horatio wants... He wants. He doesn't have the words for what he wants, but Hayden's mouth is parted and inviting, and he doesn't shudder away when Horatio pushes deeper, traces a sharp line across the sensitive skin of his inner lip, works at the clench of his jaw until his mouth is loose and open and spit-slicked with his own want.
Em X. Liu (The Death I Gave Him)
We are all in the end those rhesus monkeys who cling to the soft plush mother for comfort, ignoring the food on the wire monkey until we starve. Other people can hurt us more than our bodies can.
Gina Frangello (Blow Your House Down: A Story of Family, Feminism, and Treason)
Life at court is no plush of pillows, but a writhing skein of snakes, each slithering about (forgive the metaphor) to capture reward and advancement. In short, my delightful regiment of helpers – courtiers, advisers, counselors, boon companions, call them what you will – need a boost of attention from me at some point in their career, either in hard cash or public honour equivalent – medals, robes, land, gifts, scrolls, titles and the like.
Ramsay Wood (Kalila and Dimna: Fables of Conflict and Intrigue (Kalila and Dimna, #2))
After the feast, Spidroth, Herobrine, Vioroth, Herobrine’s witches and some of his most senior advisers retired to Spidroth’s drawing-room to talk. The drawing-room had a plush red carpet and was full of comfy sofas. On one wall was a huge portrait of Herobrine, surrounded by portraits of Spidroth and her brothers and sister, and embedded into the opposite wall was an enormous fish tank full of different color axolotls
Dave Villager (Dave the Villager 38: An Unofficial Minecraft Series (The Legend of Dave the Villager))
Ooh, ooh, I’ve got it, what about burly or the always flattering bovine!
Ava Catori (The Big, Not-So-Small, Curvy Girls Dating Agency (Plush Daisies, #1))
Your skirt is tucked up into the back of your panties.
Ava Catori (The Big, Not-So-Small, Curvy Girls Dating Agency (Plush Daisies, #1))
A child’s attachment to his mother is a complicated yet crucial psychological business. In normal childhood development, at first the child’s whole world is the mother. Then, sometime between the infant and toddler stages, the child realizes that he’s separate from his mother and experiences separation anxiety, crying when she isn’t in sight. Often, to avoid the anxiety, he adopts an object that represents the security of the mother-child attachment. This becomes the transitional attachment object. It’s usually a blanket or a plush toy, and the toddler takes it everywhere, especially to bed. The transitional object helps the child bridge the gap between dependence and independence.
Catherine Gildiner (Good Morning, Monster: A Therapist Shares Four Heroic Stories of Emotional Recovery)
NWSL, Jeff Plush, who was there, never got up to speak. Instead, Garber spoke after de Blasio. MLS was one of the corporate sponsors that helped New York City pay for the parade, but representatives from Nike and EA Sports, who sponsored the parade as well, didn’t get up to speak. “Things just didn’t look right,” Solo says. “Everywhere we looked it was Don Garber, it was MLS, it was U.S. Soccer’s sponsors. It wasn’t necessarily about us when they were using our success to promote MLS and U.S. Soccer but not the women. It felt like they were using us.
Caitlin Murray (The National Team: The Inside Story of the Women who Changed Soccer)
It’s limited-edition because there’s only one. Because plush dolls are hard to make. I’m hoping to sell that at a fair price. $400? Maybe $500? I don’t know. I’ll have to see how many people want it once the convention starts. I’ll also have a bunch of Kid Youtuber stickers available that WON’T be as limited as the Davy plushie. The stickers were pretty easy to make, so I’ve got, like, a million of those suckers ready to go.
Marcus Emerson (Kid Youtuber 3: The Struggle is Real (a hilarious adventure for children ages 9-12): From the Creator of Diary of a 6th Grade Ninja)
Her mouth cinched into a round, plush shape, the sight throwing his brain into chaos... soft, tender, rose blossoms, cherries, sweet currant wine... he couldn't help wondering how they would feel on his skin, stroking downward, parting as her sweet tongue flicked out to taste him-
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
MacRae drew closer and took her head in his hands. His thumbs caressed the edge of her jaw, the light rasp of calluses causing gooseflesh to rise everywhere. Holy Moses, he was really going to do it. She was about to be kissed by a stranger. Too late to make light of anything now. What have I done? She stared up at him with wide eyes, the dissonant notes of nerves and tension joining in a long, sweet chord of desire. The crescents of his lashes, dark with gold tips, lowered slightly as he looked down at her. There was no place to hide from that piercing gaze. She felt so terribly exposed, every bit as naked as he'd been a few minutes ago. His head bent, and his mouth found hers with a pressure as soft as snowfall. She'd thought he might be rough or impatient, maybe a bit clumsy... she'd expected anything but the gently teasing caress that coaxed her lips apart before she was even aware of it. He tasted her with the tip of his tongue, a sensation that went down to her knees and weakened them. She felt herself list like a ship unable to right itself, but he gathered her firmly against him, his supportive arms closing around her. The tender focus on her mouth deepened until it had gone on longer than any kiss in her life, and still she wanted more. He kissed her as if it were not the first time but the last, as if the world were about to end, and every second was worth a lifetime. He feasted on her with the craving of years. Blindly she caught at his mouth with hers, while her fingers tangled in his hair. The textures of him- plush velvet, rough bristle, wet silk- stimulated her beyond bearing. She'd never known desire like this, a swoon that kept deepening into more and more exquisite feeling.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Tana was the most perplexing creature who’d ever graced these halls. No matter what Amon did, nothing got to her. He’d knocked over her things, moved items to new spots, he’d even opened doors right in front of her. She acted as if nothing happened and moved on. Not a whiff of fear. He’d heard her tell the others she didn’t believe in ghosts, so Amon had made it a personal mission to scare her. Amon solidified his hand and knocked on her door, with three slow, purposeful knocks. He watched as she opened the door, her dark brown eyes staring right through him. Amon took the time to gaze at her. She was smaller than him by more than a foot. Her body was soft and plush, with rounded hips and thick legs. Her warm, chestnut-colored curls cascade to her shoulders, bangs framing her cute round face. She looked around the hall. Once she noticed no one was there, she shrugged to herself and shut the door without a second thought. The gall! Amon was a fearsome demon. If not for this hex he could demolish this entire building with a wave of his hand.
L.E. Eldridge (Snowed Inn [With a Demon])
Fair warning, my place isn’t exactly a palace.” Not a palace but a waking dream. A vision I had the night Dominic told me he wanted nothing for a future. A vivid dream of a long driveway lined with Bradford pear trees that bloom white in the spring. A driveway that leads to a house on top of a hill floating in the middle of the mountains. A small house with lots of built-in bookshelves, cozy reading nooks draped with soft plush blankets and throw pillows. And behind it, a garden filled to the brim with every imaginable scent and color. I’d searched for nearly a month before I found something resembling what I dreamt of. The day I closed on it, I painted the front door blood red. And then I stocked the fridge with a rare wine. My last touch was adding my French Bulldog, Beau.
Kate Stewart (Exodus (The Ravenhood Duet, #2))
This place was like another world, no wonder Maria and Roberto referred to it as “The Garden of Eden.” Full of mysterious mountains, wildlife, and almost hand-crafted by God himself, a landscape that went far beyond the human eye and straight from the heavens. Millions from around the globe travelled each year to visit to experience this little piece of heaven on earth, a sanctuary of lakes and rivers and plush green rolling hills; it was said to be sacred but to Roberto, it was “home.
Kenan Hudaverdi (Emotional Rhapsody)
His lips are plush and entice me to feel them.
K.M. Moronova (A God of Wrath & Lies (Pine Hollow, #1))
Visualization As you hone and create your identity and new narrative, being able to picture yourself moving through this new life actually helps it become your reality. As you use imagery as a tool, be aware that there is a huge difference between fantasizing and visualizing. It’s like the saying “If you write it down, it’s a plan; if you don’t, it’s a wish.” Fantasizing is the activity of imagining scenarios that satisfy your desire for gratification and vengeance. Fantasizing is wishing, which is not a bad place to start. Fantasy often uses a third-person POV, like watching yourself in the best movie ever, starring you. It might be fun to fantasize, but as a psychological tool that enables you to get what you want in life, it’s more or less useless. Fantasy is usually about outcome. You imagine yourself being respected or thin, in a sexual or romantic relationship, or on the beach, but you are no closer to realizing those dreams than you were before you fantasized about them. Visualizing is like writing it down to make a plan; more specifically, it is making a model in your mind of the process leading to the desired result. Visualizing is a scientific methodology for rehearsing different reality-based scenarios in your head before an important event or interaction. If you learn to visualize effectively, you can condition yourself to succeed, even in stressful, anxious situations. To visualize for success: First, use the third-person POV to see yourself showing up as required in your life, on task, and with the performance you desire. Next, use the first-person POV, where you enter into the scene and you see and feel the experience. Go over the specifics of a job interview and see yourself being assertive. Feel your steady heart rate. Smell the confidence. Train your brain to associate walking into that interview with assurance and calm. Visualize every sensation and step. The coldness of the doorknob, the plush carpet under your shoes, the overhead lighting, the sound of the copy machine down the hall. Immerse yourself in detail. Script the scene with positive, powerful phrases, like I can and I am. I can get the job done. I am the person you’re looking for. Repeat the scenario. During the week before the specific event or interaction is to take place, practice daily. Later on, when it’s all over, examine how close your visualization was to reality. Even if the two look completely different, you’ll be glad you did all you could to be prepared and to succeed. This is a tried-and-true method of practicing for success. Athletic coaches on the sports field and personal life coaches advocate and outright require this kind of thorough mental preparation. There is no substitute except to rely on luck, which is not really a plan. Prepare, prepare, prepare, and remember what Louis Pasteur said: “Chance seems to favor the prepared mind.
John R. Sharp MD (The Insight Cure: Change Your Story, Transform Your Life)
I swear to God, Amy . . . If you are dating or knocked up by a hockey player after all your ‘I don’t need a man’ schtick, I’m going to scream!” Oh God, no!” I blurted out. Hannah relaxed into the plush cushions of the booth, breathing out, “Thank God.” Flipping the ring on my finger, I held it up. “But I am married.” If Hannah’s brain was a computer, it would be short-circuiting and smoking right now.
Siena Trap (Playing Pretend with the Prince (The Remington Royals, #2))
I’d ached to draw that plush bottom lip into my mouth, to bite at it until it was even more swollen. Until I had. The taste of her had been everything I’d imagined.
Sophia Travers (My Office Rival (Keep Your Enemy Closer, #2))
REDWOODS The first time I entered a forest I saw the trees, of course, huddled together in rings, thin veils of mist between their branches, some dead but still standing, or fallen thigh bones on the desiccated floor, but I also saw the great buttery platters of fungus climbing like stepping stones up their shaggy trunks: tzadee, tzadee, tzadee, each a different size: small to large or large to small, as if some rogue architect had been cocky enough to install them on the stunned trees’ northern sides, leading up to the balcony of their one ton boughs. I was here to investigate my place among them, these giants, 3000 years old, still here, living in my lifetime. I should have felt small, a mere human—petty in my clumsy boots, burrs in my socks, while these trees held a glossary of stars in their crowns, their heads up there in the croissant-shaped clouds, the wisdom of the ages flowing up through from root to branchlet— though rather I felt large inside my life, the sum of Jung’s archetypes: the self, the shadow, the anima, the persona of my personhood fully recognized and finally accepted, the nugget of my being, my shadow of plush light. I felt like I was climbing up those fungal discs toward something endless, beyond my birth and death, into my here-ness and now-ness, the scent and silence overwhelming me, seeping back into my pores. You had to have been there to know such joy, fear intermingled, my limbs tingling: ancient, mute.
Ada Limon (You Are Here: Poetry in the Natural World)
This wasn’t no regular ass pussy; this was lush and plush top tier, big girl pussy. The kind of pussy that’ll make a nigga fall to his knees and beg.
Masterpiece (Love Me Naked)
Punctually at Christmas the soft plush Of sentiment snows down, embosoms all The sharp and pointed shapes of venom, shawls The hills and hides the shocking holes of this Uneven world of want and wealth, cushions With cosy wish like cotton-wool the cool Arm's-length interstices of caste and class, And into obese folds subtracts from sight All truculent acts, bleeding the world white.
W.R. Rodgers
You are comprised of a million tiny locks. There’s no master key to be found, encased in the plush velvet heart, no matter how desperately you ask someone to reach in and grope around. No matter how hard you try to find it.
Sarah Hall (How to Paint a Dead Man)
Her insecurities could fuck right off because there was nothing but plush, annoying perfection in of front me. That I was turned on enough by this woman to be dizzy was highly inconvenient.
Kate Canterbary (The Worst Guy (Vital Signs #2))
through any structure without detection by his prey. He was a flawless assassin. It was just before five local time when Steven settled into the plush leather seating of the first-class compartment. The Deutsche Bahn Intercity Express, or ICE, was a high-speed train connecting major cities across Germany with other major European destinations. The trip to Frankfurt would take about four hours, giving him time to spend some rare personal time with his team. Slash was the first to find him. The men shook hands and sat down. Typically, these two longtime friends would chest bump in a hearty bro-mance sort of way, but it would be out of place for Europe. “Hey, buddy,” said Steven. “Switzerland is our new home away from home.” “It appears so, although the terrain isn’t that different from our place in Tennessee,” said Slash. “I see lots of fishin’ and huntin’ opportunities out there.” Slash grew up on his parents’ farm atop the Cumberland Plateau of Tennessee about halfway between Nashville and Knoxville. His parents were retired and spent their days farming while raising ducks, rabbits and some livestock. While other kids spent their free time on PlayStation, Slash grew up in the woods, learning survival skills. During his time with the SEAL Teams, he earned a reputation as an expert in close-quarters combat, especially using a variety of knives—hence the nickname Slash. “Beats the heck out of the desert, doesn’t it?” asked Steven. After his service ended, Slash tried a few different security outfits like Blackwater, protecting the Saudi royal family or standing guard outside some safe house in Oman. “I’m not saying the desert won’t call us back someday, but I’ll take the Swiss cheese and German chocolate over shawarma and falafel every friggin’ day!” “Hell yeah,” said Slash. “When are you comin’ down for some ham and beans, along with some butter-soaked cornbread? My folks really wanna meet you.” “I need to, buddy,” replied Steven. “This summer will be nuts for me. Hey, when does deer hunting season open?” “Late September for crossbow and around Thanksgiving otherwise,” replied Slash. Before the guys could set a date, their partners Paul Hittle and Raymond Bower approached their seats. Hittle, code name Bugs, was a former medic with Army Special Forces who left the Green Berets for a well-paying job with DynCorp. DynCorp was a private
Bobby Akart (Cyber Attack (The Boston Brahmin #2))
Inside, there was a small plush Hello Kitty holding an apple in one hand and a book in the other. She was a teacher.
Sariah Wilson (Roommaid)
Rotten. Like all forbidden fruit, he appears lush and supple. A golden apple covered in a thin vermillion wax layer and a tantalizing taste of plush caramelized flavour. Hues of red and brown are woven into the skin, a perfect marriage of color that gets infected until it warps, sodden with the foul stench of bacteria. On the outside, he shines and shimmers in the sunlight. However, his insides are shriveled fruit that festers as pus oozes through its thick skin. Ryu Suzuki is indeed rotten to the core.
jk jones
You’re playing with fire, Quinn.” I whisper as I gently press her against the door. “An angel like you has no business tempting a devil like me. I will ruin you and not feel bad about it.” “The devil was an angel too.” She says, looking at me through her lashes, still biting that plush lip of hers. “So then tell me, Angel… what do you want?
A.E. Valdez (Colliding With Fate)
When he touches me, I feel alive. My skin becomes hot and pliant under his rubbing hands and approving hums, and I let him coax desire through my veins like hot liquid. His mouth is divine—firm but soft, warm but cool, the moist, plush texture glueing perfectly to mine.
Lola Malone (Crown of Disguise (The Initiation #1))
Like the upstairs living area, its windows were open to the brutal world beyond—no glass, no shutters—and sheer amethyst curtains fluttered in that unnatural, soft breeze. The large bed was a creamy white-and-ivory concoction, with pillows and blankets and throws for days, made more inviting by the twin golden lamps beside it. An armoire and dressing table occupied a wall, framed by those glass-less windows. Across the room, a chamber with a porcelain sink and toilet lay behind an arched wooden door, but the bath … The bath. Occupying the other half of the bedroom, my bathtub was actually a pool, hanging right off the mountain itself. A pool for soaking or enjoying myself. Its far edge seemed to disappear into nothing, the water flowing silently off the side and into the night beyond. A narrow ledge on the adjacent wall was lined with fat, guttering candles whose glow gilded the dark, glassy surface and wafting tendrils of steam. Open, airy, plush, and … calm. This room was fit for an empress. With the marble floors, silks, velvets, and elegant details, only an empress could have afforded it.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Pubic hair, on the other hand, was much admired during the Renaissance and among some, if not all Tudors. The slang words for pubic hair during the era included ‘feathers’, ‘fleece’, ‘flush’, ‘moss’, ‘plush’, ‘plume’, and, interestingly, ‘the admired abode’.
Carol McGrath (Sex and Sexuality in Tudor England)
I want to stay with you.” Like it was that easy. Like it was just a choice they both had to make. Like they could choose to do this together and the world would change with them. His dark eyes lit up as if she’d given him the moon. His hands closed tighter around her waist, drawing her closer and closer to him until he pulled off her mouth piece and kissed her. And oh, it didn’t matter then. Nothing mattered because he was kissing her, she was in his arms, and the ridiculous decision she had just made was for the both of them. Not just for herself. A small prick at the side of her neck distracted her for a split second before his tongue swept into her mouth. Then nothing mattered. Because he had coaxed her to follow him, trailing her own tongue along the sharp points of his deadly teeth. He showed her again how deadly he was, how dangerous, and yet how gently he would treat her for the rest of her days if she trusted him. Gods, she could love this undine. She could dedicate her entire life to making him happy just to feel the plush press of his lips to hers. “I adore you,” he said, his words eerily close to what she had just been thinking. “I want to keep you, Alys. I’ve wanted to keep you from the first moment I saw you. You are... everything. You know that, don’t you?” “Sure,” she breathed against his lips. “I don’t know if I’ll ever believe that, but I want you. I want to stay. I want to be with you for the rest of my life, even if that’s an insane thing to say.
Juliette Cross (The Lovely Dark: A Monster Romance Anthology)
We climb into the big dark plush cave of Celeste’s SUV with its tinted windows and leather seats and dashboard screen as complex and vital as the control panel of a jumbo jet.
Kate Christensen (Welcome Home, Stranger)
It’s almost painful, the way little children just trustingly hold out their hearts for you to look at - the way they haven’t learned yet how to conceal what matters to them, even if it’s just chewing gum or a plush dolphin or plastic binoculars.
Catherine Newman (Sandwich)
By self-identifying as a person who lived for a sleepover (gets energy from small groups where observations are exchanged, likely to sleep on a bed) but not a slumber party (where entertainers thrive, pranks are played, and the invitation tells you to bring a sleeping bag), I was basically figuring out my introversion and an all-consuming desire for plush accommodations.
Kate Kennedy (One in a Millennial: On Friendship, Feelings, Fangirls, and Fitting In)
Sitting inside a warm and cozy cafe laced with soft music, plush furniture, the smell of fresh coffee, books and newspaper, eating brunch served on a table made of cedar, surrounded by exposed brick walls, while looking at the locals run in the rain during Christmas time. The perfect day
Niedria Dionne Kenny
As were his Mafia connections. As he played the Desert Inn on the Vegas Strip his hoodlum pals were on display at the government hearings being held across America and in Los Angeles which had been his home since 1944. Organised crime had gone corporate, and the Mob’s national consigliere Sidney Korshak had established an influential network along with his closest friend Lew Wasserman, a Sinatra mentor and supporter and arguably the most powerful show-business tycoon – and major Presidential fixer – in America until his death in 2002. Their funny business was conducted in plush offices not street corners.
Mike Rothmiller (Frank Sinatra and the Mafia Murders)
In 2018 I went back to the mountains to become a wildland firefighter again. I hadn’t been in the field for three years, and since then I’d gotten used to training in nice gyms and living in comfort. Some might call it luxury. I was in a plush hotel room in Vegas when the 416 fire sparked and I got the call. What started as a 2,000-acre grass fire in the San Juan Range of Colorado’s Rocky Mountains was growing into a record breaking, 55,000-acre monster. I hung up and caught a prop plane to Grand Junction, loaded up in a U.S. Forest Service truck, and drove three hours to the outskirts of Durango, Colorado, where I suited up in my green Nomex pants and yellow, long-sleeved button down, my hard hat, field glasses, and gloves, and grabbed my super Pulaski—a wildland fire fighter’s most trusted weapon. I can dig for hours with that thing, and that’s what we do. We don’t spray water. We specialize in containment, and that means digging lines and clearing brush so there’s no fuel in the path of an inferno. We dig and run, run and dig, until every muscle is spent. Then we do it all over again.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
General-purpose or terry: Perfect for general-purpose cleaning, such as dusting, wiping, etc. Get a few, to avoid cross-contamination. I recommend five of these. Plush: Perfect for buffing surfaces to a streak-free shine. Stash one with you when cleaning for this purpose. Have two on hand. Flat-weave: Used for glass cleaning and delicate, soft surfaces such as flat-screen TVs and electronics. I use one or two for a home cleaning. Waffle-weave: Heavy-duty drying towels designed to replace dish towels. A pair of these is perfect in the kitchen.
Melissa Maker (Clean My Space: The Secret to Cleaning Better, Faster, and Loving Your Home Every Day)
as a result virtually every house sits behind a six-foot wall, and on top of that wall is electric wire. Everyone lives in a plush, fancy maximum security prison.
Trevor Noah (It's Trevor Noah: Born a Crime: Stories from a South African Childhood (Adapted for Young Readers))
It’s like humping a plush toy, except now the toy’s humping me, and there’s nothing plush about it.
Margot Scott (Stay Baby Stay (Daddy Loves You))