β
It is easy in the world to live after the world's opinion; it is easy in solitude to live after our own; but the great man is he who in the midst of the crowd keeps with perfect sweetness the independence of solitude.
β
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Ralph Waldo Emerson (The Complete Prose Works Of Ralph Waldo Emerson)
β
Some nights the sky wept stars that quickly floated and disappeared into the darkness before our wishes could meet them.
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Ishmael Beah (A Long Way Gone: Memoirs of a Boy Soldier)
β
Please, no matter how we advance technologically, please don't abandon the book. There is nothing in our material world more beautiful than the book."
(Acceptance speech, National Book Award 2010 (Nonfiction), November 17, 2010)
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Patti Smith
β
Rejection is an opportunity for your selection.
β
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Bernard Branson
β
No matter how corrupt, greedy, and heartless our government, our corporations, our media, and our religious & charitable institutions may become, the music will still be wonderful.
β
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Kurt Vonnegut Jr. (A Man Without a Country)
β
How do you defeat terrorism? Donβt be terrorized.
β
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Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
β
Each of us is a book waiting to be written, and that book, if written, results in a person explained.
β
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Thomas M. Cirignano (The Constant Outsider: Memoirs of a South Boston Mechanic)
β
Fiction has been maligned for centuries as being "false," "untrue," yet good fiction provides more truth about the world, about life, and even about the reader, than can be found in non-fiction.
β
β
Clark Zlotchew
β
blessed be
she
who is
both
furious
and
magnificent
β
β
Taylor Rhodes (calloused: a field journal)
β
Just a middle-age man with all the privilege that unasked for gift affords. When in truth it seems, we see suffering as the province of children, mothers, wives and lovers. Broken, struck by the hand of a manβs blind ambition, brutish strength. What of the gentle-man with the soft voiceβ¦
β
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Peter B. Forster (More Than Love, A Husband's Tale)
β
You know, everybody's ignorant, just on different subjects.
β
β
Will Rogers
β
How else would you get to live a thousand lives in the span of only one? The beauty of fiction is that it makes you feel things on a visceral level. You can cry with those characters, laugh with them. It teaches you to look at anotherβs perspective, to have empathy. In nonfiction, you simply learn about something instead of feeling it.
β
β
Liz Tomforde (The Right Move (Windy City, #2))
β
Writers imagine that they cull stories from the world. I'm beginning to believe that vanity makes them think so. That it's actually the other way around. Stories cull writers from the world. Stories reveal themselves to us. The public narrative, the private narrative - they colonize us. They commission us. They insist on being told. Fiction and nonfiction are only different techniques of story telling. For reasons that I don't fully understand, fiction dances out of me, and nonfiction is wrenched out by the aching, broken world I wake up to every morning.
β
β
Arundhati Roy (The God of Small Things)
β
He would write it for the reason he felt that all great literature, fiction and nonfiction, was written: truth comes out, in the end it always comes out. He would write it because he felt he had to.
β
β
Stephen King (The Shining (The Shining, #1))
β
Education...has produced a vast population able to read but unable to distinguish what is worth reading.
β
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George Macaulay Trevelyan
β
The foundation of adult trust is not "You will never hurt me." It is "I trust myself with whatever you do.
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β
David Richo (Daring to Trust: Opening Ourselves to Real Love and Intimacy)
β
The child intuitively comprehends that although these stories are unreal, they are not untrue ...
β
β
Bruno Bettelheim (The Uses of Enchantment: The Meaning and Importance of Fairy Tales)
β
To be prepared against surprise is to be trained. To be prepared for surprise is to be educated.
β
β
James P. Carse (Finite and Infinite Games: A Vision of Life as Play and Possibility)
β
I think how the world is still somehow beautiful even when I feel no joy at being alive within it.
β
β
Loung Ung (First They Killed My Father: A Daughter of Cambodia Remembers)
β
New York is an ugly city, a dirty city. Its climate is a scandal, its politics are used to frighten children, its traffic is madness, its competition is murderous.
But there is one thing about it - once you have lived in New York and it has become your home, no place else is good enough.
β
β
John Steinbeck (America and Americans and Selected Nonfiction)
β
...in real life I always seem to have a hard time winding up a conversation or asking somebody to leave, and sometimes the moment becomes so delicate and fraught with social complexity that I'll get overwhelmed trying to sort out all the different possible ways of saying it and all the different implications of each option and will just sort of blank out and do it totally straight -- 'I want to terminate the conversation and not have you be in my apartment anymore' -- which evidently makes me look either as if I'm very rude and abrupt or as if I'm semi-autistic and have no sense of how to wind up a conversation gracefully...I've actually lost friends this way.
β
β
David Foster Wallace (Consider the Lobster and Other Essays)
β
Non-fiction can distort; facts can be realigned. But fiction never lies.
β
β
V.S. Naipaul (A Bend in the River)
β
Itβs hard to believe there are people that donβt read books. Thereβs so much magic in words and well told stories.
β
β
C. Toni Graham
β
Get immersed in the beauty that surrounds you. No filters, edits, or adjustments. Experience the colors, sounds, textures and smells within your reach. Live.
β
β
C. Toni Graham
β
Read everything. Read fiction and non-fiction, read hot best sellers and the classics you never got around to in college.
β
β
Jennifer Weiner
β
Freaks become norms, and norms become extinct. Monster by monster, evolution advanced
β
β
Siddhartha Mukherjee (The Gene: An Intimate History)
β
Being surrounded by books was the closest she'd ever gotten to feeling like the member of a gang. The books had her back, and the nonfiction, at least, was ready to fight if necessary.
β
β
Abbi Waxman (The Bookish Life of Nina Hill)
β
If reading makes you happy, do it. Whatever makes your heart sing and brings you joy, do that too.
β
β
C. Toni Graham
β
So long as governments set the example of killing their enemies, private individuals will occasionally kill theirs.
β
β
Elbert Hubbard (Elbert Hubbard's Scrap Book)
β
The great force of history comes from the fact that we carry it within us, are unconsciously controlled by it in many ways, and history is literally present in all that we do.
β
β
James Baldwin (The Price of the Ticket: Collected Nonfiction, 1948-1985)
β
Remember to celebrate the small accomplishments along your journey because they will provide the support needed when the road gets rocky.Β
β
β
C. Toni Graham
β
Imagination is not bound by possibilities. The creative mind will always break the shacklesβmaking the impossible, possible.
β
β
C. Toni Graham
β
Sustain joy by anchoring yourself with gratitude.
β
β
C. Toni Graham
β
To merge on the road you are meant to travel, means making a choice and then taking action.
β
β
C. Toni Graham
β
How well opposed to grand Theft Auto are you?
β
β
Stephenie Meyer
β
The elements of the written word can be purely magical. I read and I write...I inspire and Iβm living.
β
β
C. Toni Graham
β
When we feel unsafe with someone and still stay with him, we damage our ability to discern trustworthiness in those we will meet in the future.
β
β
David Richo
β
Itβs not just the big moments that count, itβs all of the small actions that feed our heart and soul on a daily basis. Cherish those moments and reflect on how to replicate them often.
β
β
C. Toni Graham
β
Lifeβs too short to walk around with your arms crossed and bottom lip poked out. Find a way to smile for yourself even if itβs as simple as licking the spoon clean or putting clean sheets on your bed.
β
β
C. Toni Graham
β
Public βcareer feministsβ have been more concerned with getting more women into βboardroomsβ, when the problem is that there are altogether too many boardrooms, and none of them are on fire.
β
β
Laurie Penny (Unspeakable Things: Sex, Lies and Revolution)
β
Decide what you want to do. Then decide to do it. Then do it.
β
β
William Zinsser (On Writing Well: The Classic Guide to Writing Nonfiction)
β
Writers have influenced thoughts, principals, viewpoints and experiences throughout history. A talented writerβs pen is anointed with magic!
β
β
C. Toni Graham
β
Writers create impressions that inspire, stir emotions, evoke questions and sprinkle seeds of awe.
β
β
C. Toni Graham
β
Don't worry about having the right words; worry more about having the right heart. It's not eloquence he seeks, just honesty.
β
β
Max Lucado (Cast of Characters: Common People in the Hands of an Uncommon God)
β
Bias in the workplace is a form of tribalism β youβre either in or out
β
β
Hanna Hasl-Kelchner (Seeking Fairness at Work: Cracking the New Code of Greater Employee Engagement, Retention & Satisfaction)
β
Freaks are called freaks and are treated as they are treated β in the main, abominably β because they are human beings who cause to echo, deep within us, our most profound terrors and desires.
β
β
James Baldwin (The Price of the Ticket: Collected Nonfiction, 1948-1985)
β
I never knew before, what such a love as you have made me feel, was; I did not believe in it; my Fancy was afraid of it, lest it should burn me up. But if you will fully love me, though there may be some fire, 'twill not be more than we can bear when moistened and bedewed with Pleasures.
β
β
John Keats (Bright Star: Love Letters and Poems of John Keats to Fanny Brawne)
β
You can no more read the same book again than you can step into the same river.
β
β
Neil Gaiman (The View from the Cheap Seats: Selected Nonfiction)
β
Donβt try to visualize the great mass audience. There is no such audienceβevery reader is a different person.
β
β
William Zinsser (On Writing Well: The Classic Guide To Writing Nonfiction)
β
I used to think a drug addict was someone who lived on the far edges of society. Wild-eyed, shaven-headed and living in a filthy squat.
That was until I became one...
β
β
Cathryn Kemp (Painkiller Addict: From Wreckage to Redemption - My True Story)
β
Focus on giants - you stumble.
Focus on God - Giants tumble.
β
β
Max Lucado (Cast of Characters: Common People in the Hands of an Uncommon God)
β
Home is where the heart begins, but not where the heart stays.
β
β
Hanif Abdurraqib (They Can't Kill Us Until They Kill Us)
β
Inspiration ignites the spark of magic. Creativity is magic.
β
β
C. Toni Graham
β
Low employee engagement is a symptom of a suboptimal workplace culture
β
β
Hanna Hasl-Kelchner (Seeking Fairness at Work: Cracking the New Code of Greater Employee Engagement, Retention & Satisfaction)
β
I lay on my floor crying again⦠shaking. Searching for inner strength and coming up empty. My eyes burned and my mouth was dry as I sucked on air that seemed to keep getting thicker and harder to breathe. I tried to leave again, but ended up leaning my forehead against the door, feeling defeated and wishing the Grim Reaper would come for me in all his silky, black glory.
β
β
Nathan Daniels
β
Before you can kill the monster you have to say its name.
β
β
Terry Pratchett (A Slip of the Keyboard: Collected Non-Fiction)
β
Writing is an act of ego, and you might as well admit it.
β
β
William Zinsser (On Writing Well: The Classic Guide To Writing Nonfiction)
β
Fiction is the lie that tells the truth, after all.
β
β
Neil Gaiman (The View from the Cheap Seats: Selected Nonfiction)
β
Non fiction? Non fiction?! Listen, reality is what got me into this mess in the first place.
β
β
Justin Alcala
β
Examine every word you put on paper. You'll find a surprising number that don't serve any purpose.
β
β
William Zinsser (On Writing Well: The Classic Guide to Writing Nonfiction)
β
Starting over can be the scariest thing in the entire world, whether itβs leaving a lover, a school, a team, a friend or anything else that feels like a core part of our identity but when your gut is telling you that something here isnβt right or feels unsafe, I really want you to listen and trust in that voice.
β
β
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
β
Today is the day you choose to find joy, fulfillment and the path that will make your heart sing. It's your choice, never lose sight of that.
β
β
C. Toni Graham
β
I am Not, but the Universe is my Self.
β
β
Shih-t'ou
β
Consistency is the playground of dull minds
β
β
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
β
Blessings! Count them and be thankful. Ask for an abundance of them and accept with gratitude.
β
β
C. Toni Graham
β
They shared a doom against which virtue was no defense
β
β
Truman Capote (In Cold Blood)
β
Fiction can show you a different world. It can take you somewhere you've never been. Once you've visited other worlds, like those who ate fairy fruit, you can never be entirely content with the world that you grew up in. Discontent is a good thing: discontented people can modify and improve their worlds, leave them better, leave them different.
And while we're on the subject, I'd like to say a few words about escapism. I hear the term bandied about as if it's a bad thing. As if "escapist" fiction is a cheap opiate used by the muddled and the foolish and the deluded, and the only fiction that is worthy, for adults or for children, is mimetic fiction, mirroring the worst of the world the reader finds herself in.
If you were trapped in an impossible situation, in an unpleasant place, with people who meant you ill, and someone offered you a temporary escape, why wouldn't you take it? And escapist fiction is just that: fiction that opens a door, shows the sunlight outside, gives you a place to go where you are in control, are with people you want to be with(and books are real places, make no mistake about that); and more importantly, during your escape, books can also give you knowledge about the world and your predicament, give you weapons, give you armour: real things you can take back into your prison. Skills and knowledge and tools you can use to escape for real.
As JRR Tolkien reminded us, the only people who inveigh against escape are jailers.
β
β
Neil Gaiman (The View from the Cheap Seats: Selected Nonfiction)
β
The story you are about to read is a work of fiction. Nothing - and everything - about it is real.
β
β
Todd Strasser
β
The problem with fiction, it has to be plausible. That's not true with non-fiction.
β
β
Tom Wolfe
β
But my way of writing is rather to think aloud, and follow my own humours, than much to consider who is listening to me; and, if I stop to consider what is proper to be said to this or that person, I shall soon come to doubt whether any part at all is proper.
β
β
Thomas de Quincey (Confessions of an English Opium Eater)
β
βa knowledgeable man is a free man, or at least a man who longs for freedom.
β
β
Trevor Noah (Born a Crime: Stories From a South African Childhood)
β
Keep writing, dreaming and creating. There are no boundaries to your imagination. Writers are gifts to the world.
β
β
C. Toni Graham
β
Life is complicated. If life was simple, wouldnβt that make us simpletons?
β
β
C. Toni Graham
β
Writing is hard work. A clear sentence is no accident. Very few sentences come out right the first time, or even the third time. Remember this in moments of despair. If you find that writing is hard, itβs because it is hard.
β
β
William Zinsser (On Writing Well: The Classic Guide to Writing Nonfiction)
β
This is your life β not your parentsβ, teachersβ or significant otherβs. If you ever find yourself on a path that just doesnβt feel safe anymore, you have every right to stop the car, get out β change your shoes and start walking.
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Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
β
I never want you to deny anything about yourself because you have grown up thinking itβs unacceptable or inconvenient for the people around you.
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β
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
β
We mark with light in the memory the few interviews we have had with souls that made our souls wiser, that spoke what we thought, that told us what we knew, that gave us leave to be what we inly are.
β
β
Ralph Waldo Emerson
β
There seems to be a requirement for just so many people to be in the poor class, just as the need for a middle class exists. One class actually supports the other. The only way to get out of that cycle is to fight your way out. Never pass up an opportunity, and stick your foot into every open door, even if itβs just to see whatβs inside. If thereβs a possibility of seeing something you never have seenΒ to experiencing something new. Do it.Β
β
β
Gaylan D. Wright (Slave to the Dream: Everyoneβs Dream)
β
A writer, or any man, must believe that whatever happens to him is an instrument; everything has been given for an end. This is even stronger in the case of the artist. Everything that happens, including humiliations, embarrassments, misfortunes, all has been given like clay, like material for oneβs art. One must accept it. For this reason I speak in a poem of the ancient food of heroes: humiliation, unhappiness, discord. Those things are given to us to transform, so that we may make from the miserable circumstances of our lives things that are eternal, or aspire to be so.
β
β
Jorge Luis Borges (Selected Non-Fictions)
β
I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn't beβbasically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distastefulβnonfiction only, please. I do not like genre mash-ups Γ la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children's books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, andβI imagine this goes without sayingβvampires.
β
β
Gabrielle Zevin (The Storied Life of A.J. Fikry)
β
To be a mass tourist, for me,...is, in lines and gridlock and transaction after transaction, to confront a dimension of yourself that is as inescapable as it is painful: As a tourist, you become economically significant but existentially loathsome, an insect on a dead thing.
β
β
David Foster Wallace (Consider the Lobster and Other Essays)
β
What I have learned so far had been an incredible journey and adventure. I remained in my own character even when I was not well liked. I now enter a room looking for people I may like rather than for those who will like me. There are people who change their demeanor between regular people and professional people. Just try to be who you are consistently and let those closest to you see your best, along with those you work with. People around you should not be the cause of change in your personal character.
β
β
Gaylan D. Wright (Slave to the Dream: Everyoneβs Dream)
β
Combat isn't where you might die -- though that does happen -- it's where you find out whether you get to keep on living. Don't underestimate the power of that revelation. Don't underestimate the things young men will wager in order to play that game one more time.
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β
Sebastian Junger (War)
β
You want fantasy? Here's one... There's this species that lives on a planet a few miles above molten rock and a few miles below a vacuum that'd suck the air right out of them. They live in a brief geological period between ice ages, when giant asteroids have temporarily stopped smacking into the surface. As far as they can tell, there's nowhere else in the universe where they could stay alive for ten seconds.
And what do they call their fragile little slice of space and time? They call it real life.
β
β
Terry Pratchett (A Slip of the Keyboard: Collected Non-Fiction)
β
My name is Zak Bagans. I've never believed in ghosts until I came face to face with one. So I set out on a quest to capture what I once saw onto video....With no big camera crews following us around, I am joined only by my fellow investigator Nick Groff and our equipment tech Aaron Goodwin. The three of us will travel to the some of most highly active paranormal locations, where we will spend an entire night, being locked down from dusk until dawn....Raw...Extreme...These are our Ghost Adventures.
β
β
Zak Bagans
β
...these stories are a kind of beacon. By making stories full of empathy and amusement and the sheer pleasure of discovering the world, these writers reassert the fact that we live in a world where joy and empathy and pleasure are all around us, there for the noticing.
β
β
Ira Glass (The New Kings of Nonfiction)
β
Make my life my favorite movie. Live my favorite character. Write my own script. Direct my own story. Be my biography. Make my own documentary on me. Non-fiction, live, not recorded. Time to catch that hero I've been chasing. See if the sun will melt the wax that holds my wings or if the heat is just a mirage. Live my legacy now. Quit acting like me. Be me.
β
β
Matthew McConaughey (Greenlights)
β
If you spend any amount of time doing media analysis, itβs clear that the most frenzied moral panic surrounding young womenβs sexuality comes from the mainstream media, which loves to report about how promiscuous girls are, whether theyβre acting up on spring break, getting caught topless on camera, or catching all kinds of STIs. Unsurprisingly, these types of articles and stories generally fail to mention that women are attending college at the highest rates in history, and that weβre the majority of undergraduate and masterβs students. Well-educated and socially engaged women just donβt make for good headlines, it seems.
β
β
Jessica Valenti (The Purity Myth: How America's Obsession with Virginity is Hurting Young Women)
β
That was the real secret of the Tarahumara: they'd never forgotten what it felt like to love running. They remembered that running was mankind's first fine art, our original act of inspired creation. Way before we were scratching pictures on caves or beating rhythms on hollow trees, we were perfecting the art of combining our breath and mind and muscles into fluid self-propulsion over wild terrain. And when our ancestors finally did make their first cave paintings, what were the first designs? A downward slash, lightning bolts through the bottom and middle--behold, the Running Man.
Distance running was revered because it was indispensable; it was the way we survived and thrived and spread across the planet. You ran to eat and to avoid being eaten; you ran to find a mate and impress her, and with her you ran off to start a new life together. You had to love running, or you wouldn't live to love anything else. And like everyhing else we ove--everything we sentimentally call our 'passions' and 'desires' it's really an encoded ancestral necessity. We were born to run; we were born because we run. We're all Running People, as the Tarahumara have always known.
β
β
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
β
Our higher needs include making full use of our gifts, finding and fulfilling our calling, being loved and cherished just for ourselves, and being in relationships that honor all of these. Such needs are fulfilled in an atmosphere of the five Aβs by which love is shown: attention, acceptance, appreciation, affection, and allowing.
β
β
David Richo
β
The thought came over me that never would one full and absolute moment, containing all the others, justify my life, that all of my instants would be provisional phases, annihilators of the past turned to face the future, and that beyond the episodic, the present, the circumstantial, we were nobody.
β
β
Jorge Luis Borges (Selected Non-Fictions)
β
The fundamentalist seeks to bring down a great deal more than buildings. Such people are against, to offer just a brief list, freedom of speech, a multi-party political system, universal adult suffrage, accountable government, Jews, homosexuals, women's rights, pluralism, secularism, short skirts, dancing, beardlessness, evolution theory, sex. There are tyrants, not Muslims.
United Nations Secretary-General Kofi Annan has said that we should now define ourselves not only by what we are for but by what we are against. I would reverse that proposition, because in the present instance what we are against is a no brainer. Suicidist assassins ram wide-bodied aircraft into the World Trade Center and Pentagon and kill thousands of people: um, I'm against that. But what are we for? What will we risk our lives to defend? Can we unanimously concur that all the items in the preceding list -- yes, even the short skirts and the dancing -- are worth dying for?
The fundamentalist believes that we believe in nothing. In his world-view, he has his absolute certainties, while we are sunk in sybaritic indulgences. To prove him wrong, we must first know that he is wrong. We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love. These will be our weapons. Not by making war but by the unafraid way we choose to live shall we defeat them.
How to defeat terrorism? Don't be terrorized. Don't let fear rule your life. Even if you are scared.
β
β
Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
β
I don't really care for fiction."
"How can you not? The best thing about reading is to escape from your life, to be able to live hundreds or even thousands of different lives. Non-fiction doesn't have that power- it doesn't change you like fiction does."
"Change you?" He raises his brow.
"Yes, change you. If you aren't affected somehow, even in the slightest bit, you aren't reading the right book. I would like to think that every novel I've read has become a part of me, created who I am, in a sense.
β
β
Anna Todd (After We Collided (After, #2))
β
Your life is a trajectory. Every choice you make alters that trajectory, in a positive or negative way. Will you categorize that dinner with friends as a business expense? Will you be honest with your daughter? Will you take more credit than youβre due? These are just the small questions that we face every day, and little by little, the answers influence the trajectory of our lives and beings.
β
β
Donald Van de Mark
β
We all have stories. Or perhaps it's because, as humans, we are already an assemblage of stories and the gulf that exists between us as people is that when we look at each other we might see faces, skin color, gender, race, or attitudes. But we don't see - we can't see the stories. And once we hear each other's stories, we realize the things we see as dividing us are all too often illusions; falsehoods. That the walls between us are, in truth, no thicker than scenery.
β
β
Neil Gaiman (The View from the Cheap Seats: Selected Nonfiction)
β
Why does the third of the three brothers, who shares his food with the old woman in the wood, go on to become king of the country? Why does James Bond manage to disarm the nuclear bomb a few seconds before it goes off rather than, as it were, a few seconds afterwards? Because a universe where that did not happen would be a dark and hostile place. Let there be goblin hordes, let there be terrible environmental threats, let there be giant mutated slugs if you really must, but let there also be hope. It may be a grim, thin hope, an Arthurian sword at sunset, but let us know that we do not live in vain.
β
β
Terry Pratchett (A Slip of the Keyboard: Collected Non-Fiction)
β
We have an obligation to read aloud to our children. To read them things they enjoy. To read to them stories we are already tired of. To do the voices, to make it interesting, and not to stop reading to them just because they learn to read to themselves. We have an obligation to use reading-aloud time as bonding time, as time when no phones are being checked, when the distractions of the world are put aside. We have an obligation to use the language. To push ourselves: to find out what words mean and how to deploy them, to communicate clearly, to say what we mean. We must not attempt to freeze language, or to pretend it is a dead thing that must be revered, but we should use it as a living thing, that flows, that borrows words, that allows meanings and pronunciations to change with time.
β
β
Neil Gaiman (The View from the Cheap Seats: Selected Nonfiction)
β
I recommend readers to be adventurous and to try things theyβve never heard of or considered reading before. Get out of the comfort zone and discover something new and exciting. If youβd never be caught dead in the mystery section go and read some George Pelecanos, Dennis Lehane, Michael Connelly or many others. If you only read thrillers get deep into the literary fiction aisle and let yourself be seduced. If you only read non-fiction pick up a Ian McDonald novel or a Joyce Carol Oates novel. If you only read comic books, get acquainted with the great Charles Dickens or a certain Monsieur Dumas. Pick up something at random and read a page. Feel the texture of the language, the architecture of the imagery, the perfume of the styleβ¦ Thereβs so much beauty, intelligence and excitement to be had between the pages of the books waiting for you at your local bookstore the only thing you need to bring is an open mind and a sense of adventure. Disregard all prejudices, all pre-conceived notions and all the rubbish some people try to make you think. Think for yourself. Regarding books or anything in life. Think for yourself.
β
β
Carlos Ruiz ZafΓ³n
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I want to suggest to you that citizens of free societies, democracies, do not preserve their freedom by pussyfooting around their fellow-citizen's opinions, even their most cherished beliefs. In free societies, you must have the free play of ideas. There must be argument, and it must be impassioned and untrammeled. A free society is not calm and eventless place - that is the kind of static, dead society dictators try to create. Free societies are dynamic, noisy, turbulent, and full of radical disagreements. Skepticism and freedom are indissolubly linked; and it is the skepticism of journalists, their show-me, prove-it unwillingness to be impressed, that is perhaps their most important contribution to the freedom of the free world. It is the disrespect of journalists-for power, for orthodoxies, for party lines, for ideologies, for vanity, for arrogance, for folly, for pretension, for corruption, for stupidity, maybe even for editors-that I would like to celebrate...and that I urge you all, in freedom's name, to preserve.
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Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
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So Oz finally became home; the imagined world became the actual world, as it does for us all, because the truth is that once we have left our childhood places and started out to make our own lives, armed only with what we have and are, we understand that the real secret of the ruby slippers is not that "there's no place like home," but rather that there is no longer such a place as home: except, of course, for the homes we make, or the homes that are made for us, in Oz, which is anywhere and everywhere, except the place from which we began.
In the place from which I began, after all, I watched the film from the child's - Dorothy's point of view. I experienced, with her, the frustration of being brushed aside by Uncle Henry and Auntie Em, busy with their dull grown-up counting. Like all adults, they couldn't focus on what was really important to Dorothy: namely, the threat to Toto. I ran away with Dorothy and then ran back. Even the shock of discovering that the Wizard was a humbug was a shock I felt as a child, a shock to the child's faith in adults. Perhaps, too, I felt something deeper, something I couldn't articulate; perhaps some half-formed suspicion about grown-ups was being confirmed.
Now, as I look at the movie again, I have become the fallible adult. Now I am a member of the tribe of imperfect parents who cannot listen to their children's voices. I, who no longer have a father, have become a father instead, and now it is my fate to be unable to satisfy the longings of a child. This is the last and most terrible lesson of the film: that there is one final, unexpected rite of passage. In the end, ceasing to be children, we all become magicians without magic, exposed conjurers, with only our simply humanity to get us through.
We are the humbugs now.
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Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)