“
If A is a success in life, then A equals x plus y plus z. Work is x; y is play; and z is keeping your mouth shut
”
”
Albert Einstein
“
Intelligence plus character-that is the goal of true education.
”
”
Martin Luther King Jr.
“
Freedom is the freedom to say that two plus two make four. If that is granted, all else follows.
”
”
George Orwell (1984)
“
La plus belle des ruses du diable est de vous persuader qu'il n'existe pas."
("The devil's finest trick is to persuade you that he does not exist.")
”
”
Charles Baudelaire (Paris Spleen)
“
I'm lonely. Why do you think I had to learn to act so independent? I also get mad too quickly, and I hog the covers, and my second toe is longer than my big one. My hair has it's own zip code. Plus, I get certifiably crazy when I've got PMS. You don't love someone because they're perfect. You love them in spite of the fact that they're not.
”
”
Jodi Picoult (My Sister’s Keeper)
“
By now, it is probably very late at night, and you have stayed up to read this book when you should have gone to sleep. If this is the case, then I commend you for falling into my trap. It is a writer's greatest pleasure to hear that someone was kept up until the unholy hours of the morning reading one of his books. It goes back to authors being terrible people who delight in the suffering of others. Plus, we get a kickback from the caffeine industry...
”
”
Brandon Sanderson (Alcatraz Versus the Evil Librarians (Alcatraz, #1))
“
What I said yesterday didn't mean anything! I love everyone in the flock! Plus, it was the Valium talking!"
"Uh-huh. You just keep telling yourself that. You looove me."
Max: (tries to punch him)
"Pick a tree. I'll go carve our initials in it."
Max: (screams and runs into bathroom)
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
“
The reason that the rich were so rich, Vimes reasoned, was because they managed to spend less money.
Take boots, for example. He earned thirty-eight dollars a month plus allowances. A really good pair of leather boots cost fifty dollars. But an affordable pair of boots, which were sort of OK for a season or two and then leaked like hell when the cardboard gave out, cost about ten dollars. Those were the kind of boots Vimes always bought, and wore until the soles were so thin that he could tell where he was in Ankh-Morpork on a foggy night by the feel of the cobbles.
But the thing was that good boots lasted for years and years. A man who could afford fifty dollars had a pair of boots that'd still be keeping his feet dry in ten years' time, while the poor man who could only afford cheap boots would have spent a hundred dollars on boots in the same time and would still have wet feet.
This was the Captain Samuel Vimes 'Boots' theory of socioeconomic unfairness.
”
”
Terry Pratchett (Men at Arms: The Play)
“
Elend smiled. "Oh, come on. You have to admit that you're unusual, Vin. You're like some strange mixture of a noblewoman, a street urchin, and a cat. Plus, you've mangaged - in our short three years together - to kill not only my god, but my father, my brother, and my fiancée. That's kind of like a homicidal hat trick.
”
”
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
“
J’aurais dû être plus gentille—I should have been more kind. That is something a person will never regret. You will never say to yourself when you are old, Ah, I wish I was not good to that person. You will never think that.
”
”
Khaled Hosseini (And the Mountains Echoed)
“
Plus, you're the last Dragomir. You're always going to be in the spotlight. Who’s she? Just another Ivashkov. There are tons of them.'
'Probably because all the guys like Adrian and have all sorts of illegitimate children.'
'Adrian doesn’t have any children.'
'That we know of,' I said mysteriously.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
Achievement is talent plus preparation
”
”
Malcolm Gladwell (Outliers: The Story of Success)
“
Fascism is capitalism plus murder.
”
”
Upton Sinclair
“
Will they cower?' Kym asked.
'Tons of cowering! Plus your name in the summer programme. A custom-designed banner. A cabin at Camp Half-Blood. Two shrines. I'll even throw in a Kymopoleia action figure.'
'No!' Polybotes wailed. 'Not merchandising rights!
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
Just remember you’re not alone here.” I never know what to say to that. I am actually alone in my head, and that’s where 90 plus percent of my problems are.
”
”
Martha Wells (Network Effect (The Murderbot Diaries, #5))
“
Hey, thanks for stopping by," Howard said. "I'd offer you some tea and cookies, but all we have is boiled mole and artichokes. Plus, we kind of have a dead girl in the living room.
”
”
Michael Grant (Lies (Gone, #3))
“
If I'm an advocate for anything, it's to move. As far as you can, as much as you can. Across the ocean, or simply across the river. The extent to which you can walk in someone else's shoes or at least eat their food, it's a plus for everybody.
Open your mind, get up off the couch, move.
”
”
Anthony Bourdain
“
Daemon was standing in the doorway of my bedroom. Hair messy from sleep, flannel pajama bottoms rumpled. No shirt. Three feet plus of snow outside, and he was still half naked.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
I know people think erotica is just a romance novel with rougher sex. It's not. If it's a subgenre of anything, it's horror.
Horror? Really?
Romance is sex plus love. Erotica is sex plus fear.
”
”
Tiffany Reisz (The Siren (The Original Sinners, #1))
“
Câţiva centimetri, câţiva ani, câteva mii de lei in plus, câteva cărţi citite în plus, mă rog, lucruri de felul ăsta despart oamenii...
”
”
Mircea Cărtărescu (Nostalgia)
“
My first feeling was that there was no way to continue. Writing isn't like math;in math, two plus two always equals four no matter what your mood is like. With writing, the way you feel changes everything.
”
”
Stephenie Meyer (Midnight Sun [2008 Draft])
“
A miracle is when the whole is greater than the sum of its parts. A miracle is when one plus one equals a thousand.
”
”
Frederick Buechner (The Alphabet of Grace)
“
0 plus 100 equals 100. But so does 50 plus 50, only with more balance. Let this be a lesson in love.
”
”
Jarod Kintz (This Book is Not for Sale)
“
Qui plussait, plus se tait. French, you know. The more a man knows, the less he talks.
”
”
Madeleine L'Engle (A Wrinkle in Time (A Wrinkle in Time Quintet, #1))
“
Plus, I was about to spend six weeks with Christian Ozera. He was sarcastic, difficult, and made jokes about everything. Actually, he was a lot like me.
It was going to be a long six weeks.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
What in hell is that?”
She kept going toward the bathroom, refusing to apologize or look down at the pink, delicate, very
short lace nightgown. When she emerged, face washed and clean, Rowan was sitting up, arms crossed
over his bare chest. “You forgot the bottom part.”
She merely blew out the candles in the room one by one. His eyes tracked her the entire time.
“There is no bottom part,” she said, flinging back the covers on her side. “It’s starting to get so hot,
and I hate sweating when I sleep. Plus, you’re practically a furnace. So it’s either this or I sleep
naked. You can sleep in the bathtub if you have a problem with it.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
So…these Pillars of Hercules. Are they dangerous?”
Annabeth stayed focused on the cliffs. “For Greeks, the pillars marked the end of the known world. The Romans said the pillars were inscribed with a Latin warning—”
“Non plus ultra,” Percy said.
Annabeth looked stunned. “Yeah. Nothing Further Beyond. How did you know?”
Percy pointed. “Because I’m looking at it.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Un sot trouve toujours un plus sot qui l'admire.
A fool always finds a greater fool to admire him.
”
”
Arthur Conan Doyle (A Study in Scarlet)
“
Freedom is the freedom to say that two plus two make four.
”
”
George Orwell (1984)
“
I love her for what she has dared to be, for her hardness, her cruelty, her egoism, her perverseness, her demoniac destructiveness. She would crush me to ashes without hesitation. She is a personality created to the limit. I worship her courage to hurt, and I am willing to be sacrificed to it. She will add the sum of me to her. She will be June plus all that I contain.
”
”
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
“
Mathematics is a language plus reasoning; it is like a language plus logic. Mathematics is a tool for reasoning.
”
”
Richard P. Feynman (The Character of Physical Law)
“
In the end, people don't view their life as merely the average of all its moments—which, after all, is mostly nothing much plus some sleep. For human beings, life is meaningful because it is a story. A story has a sense of a whole, and its arc is determined by the significant moments, the ones where something happens. Measurements of people's minute-by-minute levels of pleasure and pain miss this fundamental aspect of human existence. A seemingly happy life maybe empty. A seemingly difficult life may be devoted to a great cause. We have purposes larger than ourselves.
”
”
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
“
We must remember that intelligence is not enough. Intelligence plus character-that is the goal of true education. The complete education gives one not only power of concentration, but worthy objectives upon which to concentrate.
”
”
Martin Luther King Jr.
“
Go beyond! Plus Ultra!
”
”
Kohei Horikoshi (僕のヒーローアカデミア 11 [Boku No Hero Academia 11])
“
So could we please not mob the three-thousand-plus-year-old reaper like tweens at a boy-band concert?
”
”
Rachel Vincent (My Soul to Save (Soul Screamers, #2))
“
Humor is tragedy plus time.
”
”
Mark Twain
“
Alec flushed. "I think it's more important for you to go than me. You're Valentine's son, I'm sure you're the one the Queen really wants to see. Besides, you're charming."
Jace glared at him.
"Maybe not at the moment," Alec amended. "But you're usually charming. And faeries are very susceptible to charm."
"Plus, if you stay here, I've got the whole first season of Gilligan's Island on DVD," Magnus said.
"No one could turn that down," said Jace. He still wouldn't look at Clary.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Celui qui passe à coté de la plus belle histoire de sa vie n'aura que l'âge de ses regrets et tous les soupirs du monde ne sauraient bercer son âme.
”
”
Yasmina Khadra (Ce que le jour doit à la nuit)
“
N'oublie jamais, celui qui croit savoir n'apprend plus.
”
”
Pierre Bottero (Ellana (Le Pacte des MarchOmbres, #1))
“
Apparently being a mermaid is dead dull. I watched The Little Mermaid with her once a few years ago—she thought it was freaking hilarious. She couldn’t stop laughing about the shell-bra thing, given that mermaids aren’t mammals. Plus, as she put it, Prince Eric was far too hairy and “peach colored” for her taste. I always thought he was pretty hot, but then again, I am a mammal.
”
”
Kiersten White (Paranormalcy (Paranormalcy, #1))
“
Don't you wish you had a job like mine? All you have to do is think up a certain number of words! Plus, you can repeat words! And they don't even have to be true!
”
”
Dave Barry
“
If love does not know how to give and take without restrictions, it is not love, but a transaction that never fails to lay stress on a plus and a minus.
”
”
Emma Goldman
“
Please be SILENT and LISTEN.
I am the SCHOOLMASTER
and you are in the CLASSROOM.
Just like ELEVEN PLUS TWO equals
TWELVE PLUS ONE,
And even a FUNERAL can be REAL FUN,
You will find my DICTIONARY
is quite INDICATORY.
If you want to read my story, just look...
THEN UNREAD.
”
”
Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
“
There is no desire more natural than the desire of knowledge. (Il n'est desir plus naturel que le desir de connaissance)
”
”
Michel de Montaigne (Essays)
“
On the plus side, if he ever had to fight through a roomful of adolescent girls, he only needed to blink (his velvet brown eyes framed in embarassingly long lashes) a few times, and they would all faint.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
Il y a des beautés qui sautent aux yeux et d'autres qui sont écrites en hyéroglyphes: on met du temps à déchiffrer leur splendeur mais, quand elle est apparue, elle est plus belle que la beauté.
”
”
Amélie Nothomb
“
When anybody asks me what time it is, I always say, “Yesterday, plus 24 hours.
”
”
Jarod Kintz (This Book is Not for Sale)
“
The hypothesis of God, for instance, gives an incomparably absolute opportunity to understand everything and know absolutely nothing. Give man an extremely simplified system of the world and explain every phenomenon away on the basis of that system. An approach like that doesn't require any knowledge. Just a few memorized formulas plus so-called intuition and so-called common sense.
”
”
Arkady Strugatsky (Roadside Picnic)
“
Real friends were the kind where you pick up where you’d left off, whether it be a week since you’d seen each other or two years.
”
”
Jojo Moyes (One Plus One)
“
Regret is just perfectionism plus time.
”
”
B.J. Novak (One More Thing: Stories and Other Stories)
“
I couldn't resist another grin. "So...is there a family discount?"
"Hell, no. Nash is paying full price. Plus tip.
”
”
Rachel Vincent (My Soul to Steal (Soul Screamers, #4))
“
Wisdom equals knowledge plus courage. You have to not only know what to do and when to do it, but you have to also be brave enough to follow through.
”
”
Jarod Kintz (This Book is Not for Sale)
“
He was the class clown, the court jester, because he'd learn early that if you cracked jokes and pretended you weren't scared, you usually didn't get beat up. Even the baddest gangster kids would tolerate you, keep you around for laughs. Plus, humor was a good way to hide the pain
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
Who what am I? My answer: I am everyone everything whose being-in-the-world affected was affected by mine. I am anything that happens after I’ve gone which would not have happened if I had not come. Nor am I particularly exceptional in this matter; each ‘I’, every one of the now-six-hundred-million-plus of us, contains a similar multitude. I repeat for the last time: to understand me, you’ll have to swallow the world.
”
”
Salman Rushdie (Midnight’s Children)
“
We’re so self-important. Everybody’s going to save something now. “Save the trees, save the bees, save the whales, save those snails.” And the greatest arrogance of all: save the planet. Save the planet, we don’t even know how to take care of ourselves yet. I’m tired of this shit. I’m tired of f-ing Earth Day. I’m tired of these self-righteous environmentalists, these white, bourgeois liberals who think the only thing wrong with this country is that there aren’t enough bicycle paths. People trying to make the world safe for Volvos. Besides, environmentalists don’t give a shit about the planet. Not in the abstract they don’t. You know what they’re interested in? A clean place to live. Their own habitat. They’re worried that some day in the future they might be personally inconvenienced. Narrow, unenlightened self-interest doesn’t impress me.
The planet has been through a lot worse than us. Been through earthquakes, volcanoes, plate tectonics, continental drift, solar flares, sun spots, magnetic storms, the magnetic reversal of the poles … hundreds of thousands of years of bombardment by comets and asteroids and meteors, worldwide floods, tidal waves, worldwide fires, erosion, cosmic rays, recurring ice ages … And we think some plastic bags and some aluminum cans are going to make a difference? The planet isn’t going anywhere. WE are!
We’re going away. Pack your shit, folks. We’re going away. And we won’t leave much of a trace, either. Maybe a little Styrofoam … The planet’ll be here and we’ll be long gone. Just another failed mutation. Just another closed-end biological mistake. An evolutionary cul-de-sac. The planet’ll shake us off like a bad case of fleas.
The planet will be here for a long, long, LONG time after we’re gone, and it will heal itself, it will cleanse itself, ’cause that’s what it does. It’s a self-correcting system. The air and the water will recover, the earth will be renewed. And if it’s true that plastic is not degradable, well, the planet will simply incorporate plastic into a new paradigm: the earth plus plastic. The earth doesn’t share our prejudice toward plastic. Plastic came out of the earth. The earth probably sees plastic as just another one of its children. Could be the only reason the earth allowed us to be spawned from it in the first place. It wanted plastic for itself. Didn’t know how to make it. Needed us. Could be the answer to our age-old egocentric philosophical question, “Why are we here?”
Plastic… asshole.
”
”
George Carlin
“
Life resembles a novel more often than novels resemble life.
(La vie ressemble plus souvent à un roman qu'un roman ne ressemble à la vie.)
”
”
George Sand
“
Rien n’est plus trompeur qu’une photo : on croit fixer un moment heureux pour l’éternité alors qu’on ne crée que de la nostalgie
”
”
Guillaume Musso (Sauve-moi)
“
Me plus you. (Imma tell you one time) Me plus you. (Imma tell you one time)
Me plus you. (Imma tell you one time)
One time.
When I met ya girl my heart when knock (knock knock)
Now them butterflies in my stomach won't stop (stop stop)
Even love is a struggle and it's all we got.
So we gun keep keep climbing to the mountain top.
'Cause your world, is my world, and my breath is your breath, and my heart is yours...
”
”
Justin Bieber
“
I know this goes without saying, but Stonehenge really was the most incredible accomplishment. It took five hundred men just to pull each sarsen, plus a hundred more to dash around positioning the rollers. Just think about it for a minute. Can you imagine trying to talk six hundred people into helping you drag a fifty-ton stone eighteen miles across the countryside and muscle it into an upright position, and then saying, 'Right, lads! Another twenty like that, plus some lintels and maybe a couple of dozen nice bluestones from Wales, and we can party!' Whoever was the person behind Stonehenge was one dickens of a motivator, I'll tell you that.
”
”
Bill Bryson (Notes from a Small Island)
“
Tu n’es encore pour moi qu’un petit garçon tout semblable à cent mille petits garcons. Et je n’ai pas besoin de toi. Et tu n’as pas besoin de moi non plus. Je ne suis pour toi qu’un renard semblable à cent mille renards. Mais, si tu m’apprivoises, nous aurons besoin l’un de l’autre. Tu seras pour moi unique au monde. Je serai pour toi unique au monde.
”
”
Antoine de Saint-Exupéry (Le Petit Prince)
“
You know, you spend your whole life feeling like you don’t quite fit in anywhere. And then you walk into a room one day, whether it’s at university or an office or some kind of club, and you just go, ‘Ah. There they are.’ And suddenly you feel at home.
”
”
Jojo Moyes (One Plus One)
“
We can't know or say what other people do. You have to think what you want to do to get the situation where you want it to be.
”
”
E. Lockhart (The Boy Book: A Study of Habits and Behaviors, Plus Techniques for Taming Them (Ruby Oliver, #2))
“
In any new situation, whether it involves an elevator or a rocket ship, you will almost certainly be viewed in one of three ways. As a minus one: actively harmful, someone who creates problems. Or as a zero: your impact is neutral and doesn't tip the balance one way or the other. Or you'll be seen as a plus one: someone who actively adds value. Everyone wants to be a plus one, of course. But proclaiming your plus-oneness at the outset almost guarantees you'll be perceived as a minus one, regardless of the skills you bring to the table or how you actually perform.
”
”
Chris Hadfield (An Astronaut's Guide to Life on Earth)
“
In our travels, we have come across many equations--math for understanding the universe, for making music, for mapping stars, and also for tipping, which is important. Here is our favorite equation: Us plus Them equals All of Us. It is very simple math. Try it sometime. You probably won’t even need a pencil.
”
”
Libba Bray (Going Bovine)
“
I see men assassinated around me every day. I walk through rooms of the dead, streets of the dead, cities of the dead; men without eyes, men without voices; men with manufactured feelings and standard reactions; men with newspaper brains, television souls and high school ideas. Kennedy himself was 9/10ths the way around the clock or he wouldn't have accepted such an enervating and enfeebling job -- meaning President of the United States of America. How can I be concerned with the murder of one man when almost all men, plus females, are taken from cribs as babies and almost immediately thrown into the masher?
”
”
Charles Bukowski (Charles Bukowski: Sunlight Here I Am: Interviews and Encounters 1963-1993)
“
If you don't want to be in an argument with someone, it is probably best to try to solve the problem, rather than lying around hoping the other person will do it for you.
”
”
E. Lockhart (The Boy Book: A Study of Habits and Behaviors, Plus Techniques for Taming Them (Ruby Oliver, #2))
“
An open Facebook page is simply a psychiatric dry erase board that screams, “Look at me. I am insecure. I need your reaction to what I am doing, but you’re not cool enough to be my friend. Therefore, I will just pray you see this because the approval of God is not all I need.
”
”
Shannon L. Alder
“
Because on some level, even though it never turns out to be true, and even though I should know better, I still expect life to be like the movies.
”
”
E. Lockhart (The Boy Book: A Study of Habits and Behaviors, Plus Techniques for Taming Them (Ruby Oliver, #2))
“
... c'est peut-être ça la vie : beaucoup de désespoir mais aussi quelques moments de beauté où le temps n'est plus le même. C'est comme si les notes de musique faisaient un genre de parenthèses dans le temps, de supension, un ailleurs ici même, un toujours dans le jamais.
Oui, c'est ça, un toujours dans le jamais.
”
”
Muriel Barbery (L'Élégance du hérisson)
“
Once upon a time, there was a naïve and innocent girl who thought she could tame the beast and live happily ever after. But the beast did not want to be tamed, for he was a beast and beasts care not for such things, and the girl died along with her dreams.
From childhood's grave sprang a young woman, jaded before her years, who knew that beasts could wear the skins of men, and that evil could exist in sunlight, as well as darkness.
Plus ça change, plus c'est la même chose.
”
”
Nenia Campbell (Terrorscape (Horrorscape, #3))
“
If you are on social media, and you are not learning, not laughing, not being inspired or not networking, then you are using it wrong.
”
”
Germany Kent
“
Bronwyn: Well, I'd like to try. I f you want to. Not because we're thrown together in this weird situation and I think you're hot, altough I do. But because you're smart, and funny, and you do the right thing more often than you give youerself credit for. I like your horrible taste in movies and the way you never sugarcoat anything and the fact that you have an actual lizard. I'd be proud to be your girlfriend, even in a nonoffical capacity while we're, you know, being investigated for murder. Plus, I can't go more than a few minutes without wanting to kis you, so - there's that.
Nate: You're doing better than me. I never stop thinking about kissing you.
”
”
Karen M. McManus (One of Us Is Lying (One of Us is Lying, #1))
“
Eventually, he found the bed too comfortable for his state of mind, so he lay down on his back, his legs sprawled across the carpet. He anagrammed "yrs forever" until he found one he liked: sorry fever. And then he lay there in his fever of sorry and repeated the now memorized note in his head and wanted do cry, but instead he only felt this aching behind his solar plexus. Crying adds something: crying is you, plus tears. But the feeling Colin had was some horrible opposite of crying. It was you, minus something. He kept thinking about one word - forever - and felt the burning ache just beneath his rib cage.
It hurt like the worst ass-kicking he'd ever gotten. And he'd gotten plenty.
”
”
John Green (An Abundance of Katherines)
“
Jesus waited three days to come back to life. It was perfect! If he had only waited one day, a lot of people wouldn't have even heard he died. They'd be all, "Hey Jesus, what up?" and Jesus would probably be like, "What up? I died yesterday!" and they'd be all, "Uh, you look pretty alive to me, dude..." and then Jesus would have to explain how he was resurrected, and how it was a miracle, and the dude'd be like "Uhh okay, whatever you say, bro..." And he's not gonna come back on a Saturday. Everybody's busy, doing chores, workin' the loom, trimmin' the beard, NO. He waited the perfect number of days, three. Plus it's Sunday, so everyone's in church already, and they're all in there like "Oh no, Jesus is dead", and then BAM! He bursts in the back door, runnin' up the aisle, everyone's totally psyched, and FYI, that's when he invented the high five. That's why we wait three days to call a woman, because that's how long Jesus wants us to wait.... True story.
”
”
Matt Kuhn
“
I was never really certain why he scared the bejesus out of me. Nothing scared me growing up. I’ve been playing with dead people since the day I was born, so it’s good thing, yet the Big Bad scared me. Which brings me to the reason I called.”
“Which was to give me nightmares for the rest of my life?”
“Oh, no, that’s just a plus. Why was I so scared of him?”
“Hon, for one thing he was this powerful, massive, black smokelike being.”
“So, you’re saying I’m a racist?
”
”
Darynda Jones (Third Grave Dead Ahead (Charley Davidson, #3))
“
Well," he said, "I don't believe that either."
"Believe what? That I messed up? Why not?"
"Weren't you just listening? I saw you in Spokane. Someone like you doesn't mess up freeze." I was about to give him the same line I had given the guardians, that killing Strigoi didn't make me invincible, but he cut me off: "Plus I saw your face out there."
"Out.... on the quad?"
"Yeah," several more quite moments passed. "I don't know what happened, but the way you looked...that wasn't the look of someone trying to get back at a person. It wasn't the look of someone blanking out of Alto's attack either. It was something different...I don't know. But you were completely consumed by something else—and honestly? Your expression? Kind of scary."
"Yet...you aren't giving me a hard time over that either."
"Not my business. If it was big enough to take you over like that, then it must be serious. But if push comes to shove, I feel safe with you, Rose. I know you'd protect me if there really was a Strigoi there." He yawned. "Okay. Now that I have bared my soul, can we please go to bed? Maybe you don't need beauty sleep, but some of us aren't so lucky.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
Who what am I? My answer: I am the sum total of everything that went before me, of all I have been seen done, of everything done-to-me. I am everyone everything whose being-in-the-world affected was affected by mine. I am anything that happens after I've gone which would not have happened if I had not come. Nor am I particularly exceptional in this matter; each "I", everyone of the now-six-hundred-million-plus of us, contains a similar multitude. I repeat for the last time: to understand me, you'll have to swallow a world.
”
”
Salman Rushdie (Midnight’s Children)
“
William: I just had the best idea ever. Let's give Maddox a ring.
Paris: You mean propose to him? To grumpy ole Maddox? Willie, why didn't you tell us you're a masochist, who swung that way? You're so delicate, he'll rip you to shreds the moment you climb into his bed. Plus, he's hitched himself to Ashlyn. You try to lay a move on him, and that sweet thang will rearrange your face.
William: I mean call him, you idiot. What's with you tonight? Permanent brain damage? We'll breath heavily and ask him what he's wearing. I bet no one's phone sexed him before.
”
”
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
“
We live with such easy assumptions, don't we? For instance, that memory equals events plus time. But it's all much odder than this. Who was it said that memory is what we thought we'd forgotten? And it ought to be obvious to us that time doesn't act as a fixative, rather as a solvent. But it's not convenient--- it's not useful--- to believe this; it doesn't help us get on with our lives; so we ignore it.
”
”
Julian Barnes (The Sense of an Ending)
“
So,” Marasi said, “you traded a dead man’s scarf for another dead man’s gun. But…the gun itself belonged to someone dead, so by the same logic—”
“Don’t try,” Waxillium said. “Logic doesn’t work on Wayne.”
“I bought a ward against it off a traveling fortune-teller,” Wayne explained. “It lets me add two ’n’ two and get a pickle.
”
”
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
“
Plus there’s the fact,” he went on, making it clear he didn’t need me to reply anyway, “that music is a total constant. That’s why we have such a strong visceral connection to it, you know? Because a song can take you back instantly to a moment, or a place, or even a person. No matter what else has changed in you or the world, that one song stays the same, just like that moment. Which is pretty amazing, when you actually think about it.
”
”
Sarah Dessen (Just Listen)
“
Your insult has offended me. If we were at the Peaks, we would have to duel in traditional alil'tiki'i fashion."
"Which is what?" Teft asked. "With spears?"
Rock laughed. "No, no. We upon the Peaks are not barbarians like you down here."
"How then?" Kaladin asked, genuinely curious.
"Well," Rock said, "is involving much mudbeer and singing."
“How's that a duel?”
"He who can still sing after the most drinks is winner. Plus, soon' everyone is so drunk that they forget what argument was about."
Teft laughed. "Beats knives at dawn, I suppose.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
On bad days I talk to Death constantly, not about suicide because honestly that's not dramatic enough. Most of us love the stage and suicide is definitely your last performance and being addicted to the stage, suicide was never an option - plus people get to look you over and stare at your fatty bits and you can't cross your legs to give that flattering thigh angle and that's depressing. So we talk. She says things no one else seems to come up with, like let's have a hotdog and then it's like nothing's impossible.
She told me once there is a part of her in everyone, though Neil believes I'm more Delirium than Tori, and Death taught me to accept that, you know, wear your butterflies with pride. And when I do accept that, I know Death is somewhere inside of me. She was the kind of girl all the girls wanted to be, I believe, because of her acceptance of "what is." She keeps reminding me there is change in the "what is" but change cannot be made till you accept the "what is.
”
”
Tori Amos (Death: The High Cost of Living)
“
Dreams, dreams. I walk them; I live them. I delude myself with them. It's a wonder I can spot reality anymore. " he turned from me with a sigh. "I need a drink. "
"Oh, good. That'll fix everything. I'm glad in a world gone mad, you've still got your old standbys. "
"What do you expect me to do?" he asked.
"You could . . . You could . . . Well, now that you're here, you could help us. Plus, this guy we're meeting. He's another spirit user. "
"Yeah, that's exactly what I want. To help my girlfriend get her old boyfriend back. " He turned away again, and I heard him mutter, "I need two drinks.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
The only thing Jess really cared about were those two children and letting them know they were okay. Because even if the whole world was throwing rocks at you, if you had your mother at your back, you'd be okay. Some deep-rooted part of you would know you were loved. That you deserved to be loved.
”
”
Jojo Moyes (One Plus One)
“
Then what is good? The obsessive interest in human affairs, plus a certain amount of compassion and moral conviction, that first made the experience of living something that must be translated into pigment or music or bodily movement or poetry or prose or anything that's dynamic and expressivee--that's what's good for you if you're at all serious in your aims. William Saroyan wrote a great play on this theme, that purity of heart is the one success worth having. "In the time of your life--live!" That time is short and it doesn't return again. It is slipping away while I write this and while you read it, the monosyllable of the clock is Loss, loss, loss, unless you devote your heart to its opposition.
”
”
Tennessee Williams
“
When did my house turn into a hangout for every grossly overpaid, terminally pampered professional football player in northern Illinois?"
"We like it here," Jason said. "It reminds us of home."
"Plus, no women around." Leandro Collins, the Bears' first-string tight end emerged from the office munching on a bag of chips. "There's times when you need a rest from the ladies."
Annabelle shot out her arm and smacked him in the side of the head. "Don't forget who you're talking to."
Leandro had a short fuse, and he'd been known to take out a ref here and there when he didn't like a call, but the tight end merely rubbed the side of his head and grimaced. "Just like my mama."
"Mine, too," Tremaine said with happy nod.
Annabelle spun on Heath. "Their mother! I'm thirty-one years old, and I remind them of their mothers."
"You act like my mother," Sean pointed out, unwisely as it transpired, because he got a swat in the head next.
”
”
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
“
How about I take you to my studio? Much less dangerous. Plus, I need a model and you could sit for me."
"You want me to sit for a portrait?" I asked stunned.
"Actually, at the moment I'm concentrating on full-length nudes, in the spirit of Modigliani," Jules said. He was making an effort to keep a straight face. "Just kidding, Kates. You're a lady."
Jules was trying the guilt-trip method of attack. And it was working.
"Ok I'll pose for you," I conceded. "But under no circumstances will any article of clothing leave my body whilst I am in your studio."
"And if you're elsewhere?" he asked, breaking into a sly smile.
I rolled my eyes.
”
”
Amy Plum (Until I Die (Revenants, #2))
“
Sometimes I believe that love dies but hope springs eternal. Sometimes I believe that hope dies but love springs eternal. Sometimes I believe that sex plus guilt equals love, and sometimes I believe that sex plus guilt equals good sex. Sometimes I believe that love is as natural as the tides, and sometimes I believe that love is an act of will. Sometimes I believe that some people are better at love than others, and sometimes I believe that everyone is faking it. Sometimes I believe that love is essential, and sometimes I believe that only reason love is essential is that otherwise you spend all your time looking for it.
”
”
Nora Ephron (Heartburn)
“
When the Washington Post telephoned me at home on Valentine's Day 1989 to ask my opinion about the Ayatollah Khomeini's fatwah, I felt at once that here was something that completely committed me. It was, if I can phrase it like this, a matter of everything I hated versus everything I loved. In the hate column: dictatorship, religion, stupidity, demagogy, censorship, bullying, and intimidation. In the love column: literature, irony, humor, the individual, and the defense of free expression. Plus, of course, friendship—though I like to think that my reaction would have been the same if I hadn't known Salman at all. To re-state the premise of the argument again: the theocratic head of a foreign despotism offers money in his own name in order to suborn the murder of a civilian citizen of another country, for the offense of writing a work of fiction. No more root-and-branch challenge to the values of the Enlightenment (on the bicentennial of the fall of the Bastille) or to the First Amendment to the Constitution, could be imagined. President George H.W. Bush, when asked to comment, could only say grudgingly that, as far as he could see, no American interests were involved…
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
Look I have somewhere I have to be and I don’t particularly love that I have to go, but you freaking out and making a scene is not going to do anything other than piss me off. I hope you had a good time last night and you can leave your number but we both know the chances of me calling you are slim to none. If you don’t want to be treated like crap maybe you should stop going home with drunken dudes you don’t know. Trust me we’re really only after one thing and the next morning all we really want is for you to go quietly away. I have a headache and I feel like I’m going to hurl, plus I have to spend the next hour in a car with someone that will be silently loathing me and joyously plotting my death so really can we just save the histrionics and get a move on it?
”
”
Jay Crownover (Rule (Marked Men, #1))
“
I was once asked if I had any ideas for a really scary reality TV show. I have one reality show that would really make your hair stand on end: "C-Students from Yale."
George W. Bush has gathered around him upper-crust C-students who know no history or geography, plus not-so-closeted white supremacists, aka Christians, and plus, most frighteningly, psychopathic personalities, or PPs, the medical term for smart, personable people who have no consciences.
To say somebody is a PP is to make a perfectly respectable diagnosis, like saying he or she has appendicitis or athlete's foot . . .
PPs are presentable, they know full well the suffering their actions may cause others, but they do not care. They cannot care because they are nuts. They have a screw loose! . . .
So many of these heartless PPs now hold big jobs in our federal government, as though they were leaders instead of sick. They have taken charge of communications and the schools, so we might as well be Poland under occupation.
They might have felt that taking our country into an endless war was simply something decisive to do. What has allowed so many PPs to rise so high in corporations, and now in government, is that they are so decisive. They are going to do something every fuckin' day and they are not afraid. Unlike normal people, they are never filled with doubts, for the simple reasons that they don't give a fuck what happens next. Simply can't. Do this! Do that! Mobilize the reserves! Privatize the public schools! Attack Iraq! Cut health care! Tap everybody's telephone! Cut taxes on the rich! Build a trillion-dollar missile shield! Fuck habeas corpus and the Sierra Club and In These Times, and kiss my ass!
There is a tragic flaw in our precious Constitution, and I don't know what can be done to fix it. This is it: Only nut cases want to be president.
”
”
Kurt Vonnegut Jr. (A Man Without a Country)
“
He started to dance. And all at once, because Cole was dancing, I was dancing. And this Cole was even more persuasive than the last one. This was everything about Cole's smile made into a real thing, a physical object made out of his hands looped around me, and his long body pushed up against mine. I loved to dance, but I'd always been aware that I was dancing, aware of what my body was doing. Now, with this music thumping and Cole dancing with me, everything became invisible but the music. I was invisible. My hips were the booming bass. My hands on Cole were the wails of the synthesizer. My body was nothing but the hard, pulsing beat of the track.
My thoughts were flashes in between the downbeats.
beat:
my hand pressed on Cole's stomach
beat:
our hips crushed together
beat:
Cole's laugh
beat:
we were one person
Even knowing that Cole was good at this because it was what he did didn't make it any less of an amazing thing. Plus, he wasn't trying to be amazing without me--every move of his body was to make us move together. There was no ego, just the music and our bodies.
When the track ended, Cole stepped back, out of breath, half a smile on his face. I couldn't see how he could stop. I wanted to dance until I couldn't stand up. I wanted to crush our bodies against each other until there was no pulling them apart.
"You're an addiction," I told him.
"You should know.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
When she emerged, Keith was watching the tiny round window of the under-the-counter washing machine.
"Put your clothes in for a wash," he said. "They were disgusting."
Ginny always thought that the only way of getting clothes clean was by drowning them in scalding water and then whipping them around in a violent centrifugal motion that caused the entire washing machine to vibrate and the floor to shake. You beat them clean. You made them suffer. This machine used about half a cup of water and was about as violent as a toaster, plus it stopped every few minutes, as if it were exhausted from the effort of turning itself.
Sluff, sluff, sluff sluff. Rest. Rest. Rest.
Click.
Sluff, sluff, sluff, sluff. Rest. Rest. Rest.
"Who thought to put a window on a washing machine?" Keith asked. "Does anyone just sit and watch their wash?"
You mean, besides us?"
"Well," he said, "yeah. Is there any coffee?
”
”
Maureen Johnson (13 Little Blue Envelopes (Little Blue Envelope, #1))
“
So let me help you out. My favorite color is-hell, I don't know. I've never cared enough to think about it. My favorite movie is-what else-ZOMBIELAND. But not because the good guys win in the end, though that's a plus, but because Emma Stone is hot."
I snorted. He was SUCH a guy.
"My favorite band is-"
"Let me guess," I interjected. "White Zombie? Slayer?"
"Red. And no, not just because I want zombies to bleed.What about you? Who do you like? Because honestly, I'm surprised you know White Z and Slayer."
"I like Red,too, but I'm partial to Skillet. Used to listen to them with my sister. But why wouldn't I know the other bands?"
"You look so angelic."
"And do you think angels are hot?" I asked primly, trying to play it cool so that I wouldn't reveal what a mess I was on the inside. All this time, he'd wanted to get to know me and date me. What craziness!
"The hottest.
”
”
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
“
You know what happens when someone dies?' Delia said suddenly, startling me a bit. I kept putting together my sandwich, though, not answering: I knew there was more. 'It's like, everything and everyone refracts, each person having a different reaction'...'When Wish died, it just knocked the wind out of me. Truly. It's like that stupid thing
bert and Wes do, the leaping out thing, trying to scare each other: it was the biggest gotcha in the world.' She looked down at the sandwiches. 'I'd just assumed she'd be okay. It had never occurd to me she might actually just be... gone. You know?'...'And then she was,' Delia said, her hand on the bread bag. 'Gone. Gotcha. And suddenly I had these two boys to take care of, plus a newborn of my own. It was just this huge loss, this huge gap, you know'...'Some people... they can just move on, you know, mourn and cry and be done with it. Or at least seem to be. But for me... I don't know. I didn't want to fix it, to forget. It wasn't something that was broken. It's just ... something that happened. And like that hole, I'm just finding ways, every day, of working around it. Respecting and remebering and getting on at the same time.'
I envied Delia. At least she knew what she was up against. Maybe that's what you got when you stood over your grief, facing it finally. A sense of its depths, its area, the distance across, and the way over or around it, whichever you chose in the end.
”
”
Sarah Dessen (The Truth About Forever)
“
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice.
Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember.
“Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms.
She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire.
Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.”
“What to get the Shadowhunter who has everything,” Simon said with a grin.
“Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?”
“A piano.”
“Simon.”
“A really huge metronome that could also double as a weapon?”
Clary sighed, exasperated.
“Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.”
“Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?”
“I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets.
“Oh, come on. Isabelle’s easy.”
“That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.”
“You really have to DTR, Simon.”
“What?”
“Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?”
Simon blanched. “What? Seriously?”
“Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—”
“Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother.
where are you? It’s an emergency.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
The Western States nervous under the beginning change.
Texas and Oklahoma, Kansas and Arkansas, New Mexico,
Arizona, California. A single family moved from the land.
Pa borrowed money from the bank, and now the bank wants
the land. The land company--that's the bank when it has land
--wants tractors, not families on the land. Is a tractor bad? Is
the power that turns the long furrows wrong? If this tractor
were ours it would be good--not mine, but ours. If our tractor
turned the long furrows of our land, it would be good.
Not my land, but ours. We could love that tractor then as
we have loved this land when it was ours. But the tractor
does two things--it turns the land and turns us off the land.
There is little difference between this tractor and a tank.
The people are driven, intimidated, hurt by both. We must think
about this.
One man, one family driven from the land; this rusty car
creaking along the highway to the west. I lost my land, a
single tractor took my land. I am alone and bewildered.
And in the night one family camps in a ditch and another
family pulls in and the tents come out. The two men squat
on their hams and the women and children listen. Here is the
node, you who hate change and fear revolution. Keep these
two squatting men apart; make them hate, fear, suspect each
other. Here is the anlarge of the thing you fear. This is the
zygote. For here "I lost my land" is changed; a cell is split
and from its splitting grows the thing you hate--"We lost our
land." The danger is here, for two men are not as lonely and
perplexed as one. And from this first "we" there grows a still
more dangerous thing: "I have a little food" plus "I have
none." If from this problem the sum is "We have a little
food," the thing is on its way, the movement has direction.
Only a little multiplication now, and this land, this tractor are
ours. The two men squatting in a ditch, the little fire, the side-
meat stewing in a single pot, the silent, stone-eyed women;
behind, the children listening with their souls to words their
minds do not understand. The night draws down. The baby
has a cold. Here, take this blanket. It's wool. It was my mother's
blanket--take it for the baby. This is the thing to bomb.
This is the beginning--from "I" to "we."
If you who own the things people must have could understand
this, you might preserve yourself. If you could separate
causes from results, if you could know Paine, Marx,
Jefferson, Lenin, were results, not causes, you might survive.
But that you cannot know. For the quality of owning freezes
you forever into "I," and cuts you off forever from the "we."
The Western States are nervous under the begining
change. Need is the stimulus to concept, concept to action.
A half-million people moving over the country; a million
more restive, ready to move; ten million more feeling the
first nervousness.
And tractors turning the multiple furrows in the vacant land.
”
”
John Steinbeck (The Grapes of Wrath)
“
A woman in her thirties came to see me. As she greeted me, I could sense the pain behind her polite and superficial smile. She started telling me her story, and within one second her smile changed into a grimace of pain. Then, she began to sob uncontrollably. She said she felt lonely and unfulfilled.
There was much anger and sadness. As a child she had been abused by a physically violent father. I saw quickly that her pain was not caused by her present life circumstances but by an extraordinarily heavy pain-body. Her pain-body had become the filter through which she viewed her life situation.
She was not yet able to see the link between the emotional pain and her thoughts, being completely identified with both. She could not yet see that she was feeding the pain-body with her thoughts. In other words, she lived with the burden of a deeply unhappy self. At some level, however, she must have realized that her pain originated within herself, that she was a burden to herself. She was ready to awaken, and this is why she had come.
I directed the focus of her attention to what she was feeling inside her body and asked her to sense the emotion directly, instead of through the filter of her unhappy thoughts, her unhappy story. She said she had come expecting me to show her the way out of her unhappiness, not into it.
Reluctantly, however, she did what I asked her to do. Tears were rolling down her face, her whole body was shaking. “At this moment, this is what you feel.” I said. “There is nothing you can do about the fact that at this moment this is what you feel. Now, instead of wanting this moment to be different from the way it is, which adds more pain to the pain that is already there, is it possible for you to completely accept that this is what you feel right now?”
She was quiet for a moment. Suddenly she looked impatient, as if she was about to get up, and said angrily, “No, I don't want to accept this.” “Who is speaking?” I asked her. “You or the unhappiness in you? Can you see that your unhappiness about being unhappy is just another layer of unhappiness?” She became quiet again. “I am not asking you to do anything. All I'm asking is that you find out whether it is possible for you to allow those feelings to be there. In other words, and this may sound strange, if you don't mind being unhappy, what happens to the unhappiness? Don't you want to find out?”
She looked puzzled briefly, and after a minute or so of sitting silently, I suddenly noticed a significant shift in her energy field. She said, “This is weird. I 'm still unhappy, but now there is space around it. It seems to matter less.”
This was the first time I heard somebody put it like that: There is space around my unhappiness. That space, of course, comes when there is inner acceptance of whatever you are experiencing in the present moment.
I didn't say much else, allowing her to be with the experience. Later she came to understand that the moment she stopped identifying with the feeling, the old painful emotion that lived in her, the moment she put her attention on it directly without trying to resist it, it could no longer control her thinking and so become mixed up with a mentally constructed story called “The Unhappy Me.” Another dimension had come into her life that transcended her personal past – the dimension of Presence. Since you cannot be unhappy without an unhappy story, this was the end of her unhappiness. It was also the beginning of the end of her pain-body. Emotion in itself is not unhappiness. Only emotion plus an unhappy story is unhappiness.
When our session came to an end, it was fulfilling to know that I had just witnessed the arising of Presence in another human being. The very reason for our existence in human form is to bring that dimension of consciousness into this world. I had also witnessed a diminishment of the pain-body, not through fighting it but through bringing the light of consciousness to it.
”
”
Eckhart Tolle (A New Earth: Awakening to Your Life's Purpose)
“
As I grow in age, I value women who are over forty most of all. Here are just a few reasons why: A woman over forty will never wake you in the middle of the night to ask, “What are you thinking?” She doesn’t care what you think.
If a woman over forty doesn’t want to watch the game, she doesn’t sit around whining about it. She does something she wants to do. And, it’s usually something more interesting.
A woman over forty knows herself well enough to be assured in who she is, what she is, what she wants and from whom. Few women past the age of forty give a hoot what you might think about her or what she’s doing.
Women over forty are dignified. They seldom have a screaming match with you at the opera or in the middle of an expensive restaurant. Of course, if you deserve it, they won’t hesitate to shoot you, if they think they can get away with it.
Older women are generous with praise, often undeserved. They know what it’s like to be unappreciated.
A woman over forty has the self-assurance to introduce you to her women friends. A younger woman with a man will often ignore even her best friend because she doesn’t trust the guy with other women. Women over forty couldn’t care less if you’re attracted to her friends because she knows her friends won’t betray her.
Women get psychic as they age. You never have to confess your sins to a woman over forty. They always know.
A woman over forty looks good wearing bright red lipstick. This is not true of younger women. Once you get past a wrinkle or two, a woman over forty is far sexier than her younger counterpart.
Older women are forthright and honest. They’ll tell you right off if you are a jerk, if you are acting like one! You don’t ever have to wonder where you stand with her.
Yes, we praise women over forty for a multitude of reasons. Unfortunately, it’s not reciprocal. For every stunning, smart, well-coiffed hot woman of forty-plus, there is a bald, paunchy relic in yellow pants making a fool of himself with some twenty-two-year-old waitress.
Ladies, I apologize.
For all those men who say, “Why buy the cow when you can get the milk for free,” here’s an update for you. Now 80 percent of women are against marriage, why? Because women realize it’s not worth buying an entire pig, just to get a little sausage.
”
”
Andy Rooney