Plump Quotes

We've searched our database for all the quotes and captions related to Plump. Here they are! All 100 of them:

There's something to be said about a slightly plump person—you have just enough of too much.
Jamaica Kincaid
Fred, you next," the plump woman said. "I'm not Fred, I'm George," said the boy. "Honestly, woman, you call yourself our mother? Can't you tell I'm George?" "Sorry, George, dear." "Only joking, I am Fred," said the boy and off he went.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed.
James Joyce (Ulysses)
Did you… Did you just kiss me?” He sounded puzzled, and maybe a little out of breath. His lips were full and plump and… God. Kissed. There was simply no way Olive could get away with denying what she had just done. Still, it was worth a try. “Nope.” Surprisingly, it seemed to work. “Ah. Okay, then.” Carlsen nodded and turned around, looking vaguely disoriented. He took a couple of steps down the hallway, reached the water fountain - maybe where he’d headed in the first place. Olive was starting to believe that she might actually be off the hook when he halted and turned back with a skeptical expression. “Are you sure?
Ali Hazelwood (The Love Hypothesis)
The drama bug strikes hardest with Jews, homosexuals and plump women who wear their hair in bangs. These are people who, for one reason or another, desperately crave attention
David Sedaris
I have been finding treasures in places I did not want to search. I have been hearing wisdom from tongues I did not want to listen. I have been finding beauty where I did not want to look. And I have learned so much from journeys I did not want to take. Forgive me, O Gracious One; for I have been closing my ears and eyes for too long. I have learned that miracles are only called miracles because they are often witnessed by only those who can can see through all of life's illusions. I am ready to see what really exists on other side, what exists behind the blinds, and taste all the ugly fruit instead of all that looks right, plump and ripe.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
My gripe is not with lovers of the truth but with truth herself. What succor, what consolation is there in truth, compared to a story? What good is truth, at midnight, in the dark, when the wind is roaring like a bear in the chimney? When the lightning strikes shadows on the bedroom wall and the rain taps at the window with its long fingernails? No. When fear and cold make a statue of you in your bed, don't expect hard-boned and fleshless truth to come running to your aid. What you need are the plump comforts of a story. The soothing, rocking safety of a lie.
Diane Setterfield (The Thirteenth Tale)
I say what other people only think, and when all the rest of the world is in a conspiracy to accept the mask for the true face, mine is the rash hand that tears off the plump pasteboard, and shows the bare bones beneath.
Wilkie Collins (The Woman in White)
It's like I was connected to the plumping system.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
I love it when you look at me like that,' he murmured, his fingers kneading into the plump flesh of her cheeks, 'How am I looking at you?' she managed. 'Like you want to eat me alive, but you don't have a spoon.
Cherrie Lynn (Rock Me (Ross Siblings, #2))
Their cheeks are plump and pink and shining like they’ve been eating too much sugar, but actually it’s Gossip Glow, the flushed look that comes from throwing another woman under the bus.
Mona Awad (Bunny)
She crossed her arms over her chest, and his gaze went automatically to her breasts, which were no nicely plumped by her biceps. Yeah, he was a sex demon. Shoot him. "what are you going to do? And eyes up, mister." Busted.
Larissa Ione (Sin Undone (Demonica, #5))
I was walking along the bank of a stream when I saw a mother otter with her cubs, a very endearing sight, I'm sure you'll agree. And even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged onto a half submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature's wonders, gentlemen. Mother and children dining upon mother and children. And that is when I first learned about evil. It is built into the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
Terry Pratchett
Woe to you, my Princess, when I come. I will kiss you quite red and feed you till you are plump. And if you are forward, you shall see who is the stronger, a gentle little girl who doesn't eat enough, or a big wild man who has cocaine in his body. -- A love letter from Freud to his fiancée.
Sigmund Freud (Letters of Sigmund Freud)
Ol' man Simon, planted a diamond. Grew hisself a garden the likes of none. Sprouts all growin' comin' up glowin' Fruit of jewels all shinin' in the sun. Colors of the rainbow. See the sun and the rain grow sapphires and rubies on ivory vines, Grapes of jade, just ripenin' in the shade, just ready for the squeezin' into green jade wine. Pure gold corn there, Blowin' in the warm air. Ol' crow nibblin' on the amnythyst seeds. In between the diamonds, Ol' man Simon crawls about pullin' out platinum weeds. Pink pearl berries, all you can carry, put 'em in a bushel and haul 'em into town. Up in the tree there's opal nuts and gold pears- Hurry quick, grab a stick and shake some down. Take a silver tater, emerald tomater, fresh plump coral melons. Hangin' in reach. Ol' man Simon, diggin' in his diamonds, stops and rests and dreams about one... real... peach.
Shel Silverstein (Where the Sidewalk Ends)
When describing nature, a writer should seize upon small details, arranging them so that the reader will see an image in his mind after he closes his eyes. For instance: you will capture the truth of a moonlit night if you'll write that a gleam like starlight shone from the pieces of a broken bottle, and then the dark, plump shadow of a dog or wolf appeared. You will bring life to nature only if you don't shrink from similes that liken its activities to those of humankind." (Letter to Alexander Chekhov, May 10, 1886)
Anton Chekhov
You have splendid breasts, lass," he purred, cupping the plump mounds. "Splendid," he repeated stupidly, and she almost laughed. Men loved breasts any shape or form, they just loved them. -Drustan to Gwen
Karen Marie Moning (Kiss of the Highlander (Highlander, #4))
In District 12, looking old is something of an achievement since so many people die early. You see an elderly person, you want to congratulate them on their longevity, ask the secret of survival. A plump person is envied because they aren't scraping by like the majority of us. But here is different. Wrinkles aren't desirable. A round belly isn't a sign of success.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
In all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these: 1. Because as they have more Knowledge of the World and their Minds are better stor’d with Observations, their Conversation is more improving and more lastingly agreable. 2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman. 3. Because there is no hazard of Children, which irregularly produc’d may be attended with much Inconvenience. 4. Because thro’ more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin’d to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes. 5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement. 6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy. 7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy. 8thly and Lastly They are so grateful!!
Benjamin Franklin
She shrugged another plump shoulder. “I never listened to Porter when he got going.” Ah. At last. The secret to a successful marriage.
Josh Lanyon (Death of a Pirate King (The Adrien English Mysteries, #4))
Young men!” he snorted to Erak. “They think a pretty face can cure every ill.” “Some of us can remember back that far. Halt,” Erak told him with a grin. “I suppose that’s all far behind an old hack like you. Svengal told me you were settling down. Some plump, motherly widow seizing her last chance with a broken-down old gray bear, is she?” Erak, of course, had been told by Svengal that Halt had recently married a great beauty. But he enjoyed getting a reaction from the smaller man. Halt’s one-eyed stare locked onto the Oberjarl. “When we get back, I’d advise you not to refer to Pauline as a ‘plump, motherly widow’ in her hearing. She’s very good with that dagger she carries and you need your ears to keep that ridiculous helmet of yours in place.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
The way his plump hand clutched at her hip seemed somehow improper; not morally, aesthetically.
Truman Capote (Breakfast at Tiffany's: A Short Novel and Three Stories)
A rabbit sneeze on the morning breeze sets homesick hearts aglow sitting with his rumps in a chicory clump and longing for a nice plump doe.
Richard Adams (Watership Down (Watership Down, #1))
All I want to know is why a party of Fey wanted to kill me,” I said heatedly. The beetle’s lips twisted enough to show fang. “Doesn’t everyone?” Radu hustled me out the door before I could find out if the vamp’s plump little carcass would fit into his overstuffed desk.
Karen Chance (Midnight's Daughter (Dorina Basarab, #1))
If anything she was a shade too plump, but she knew the ninety-seven ways of making love that the Hindus are supposed to set much store by―though mind you, it is all nonsense, for the seventy-fourth position turns out to be the same as the seventy-third, but with your fingers crossed.
George MacDonald Fraser (Flashman (The Flashman Papers, #1))
Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss’d cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer has o’er-brimm’d their clammy cells.
John Keats (Complete Poems and Selected Letters)
Girl lithe and tawny, the sun that forms the fruits, that plumps the grains, that curls seaweeds filled your body with joy, and your luminous eyes and your mouth that has the smile of the water. A black yearning sun is braided into the strands of your black mane, when you stretch your arms. You play with the sun as with a little brook and it leaves two dark pools in your eyes.
Pablo Neruda
He kissed the plump mellow yellow smellow melons of her rump, on each plump melonous hemisphere, in their mellow yellow furrow, with obscure prolonged provocative melonsmellonous osculation.
James Joyce (Ulysses)
Would you like some warm Spring pie? Then, take a cup of clear blue sky. Stir in buzzes from a bee, Add the laughter of a tree. A dash of sunlight should suffice To give the dew a hint of spice. Mix with berries, plump and sweet. Top with fluffy clouds, and eat!
Paul F. Kortepeter (Holly Pond Hill: A Child's Book of Easter)
And in his heart, I think, he's now learned what I came to believe, which is, as I've said all along, that the sun may burn brightly, and the faces of children may be plump and achingly sweet, but in the air we breathe, in the water we drink and in the food we share, there will always be darkness in this world.
Douglas Coupland (Hey Nostradamus!)
Mr. Hooks?” “Mr. Ludefance? Pleasure to meet you and thank you for coming in.” As he extended his hand to me, I noticed the girl at the desk staring at my face. Hooks looked back at her staring and must have given her a look of some kind. “Mr. Ludefance, this is my secretary, Cholia.” She stood up and continued to stare at my scar. Black hair, cute face, maybe five-foot-four at the most, and a little on the plump side with rosy cheeks. Young. Very young. Looked like a teenager to me. Or was I just getting ‘older?
Behcet Kaya (Appellate Judge (Jack Ludefance, #3))
Hefty? I'd railed to Peter, waving the clipping for emphasis. Hefty? For the record 'Hefty' is a trash bag. I'm festively plump.
Jennifer Weiner (Certain Girls (Cannie Shapiro, #2))
The fact is that camels are far more intelligent than dolphins. They are so much brighter that they soon realised that the most prudent thing any intelligent animal can do, if it would prefer its descendants not to spend a lot of time on a slab with electrodes clamped to their brains or sticking mines on the bottom of ships or being patronized rigid by zoologists, is to make bloody certain humans don't find out about it. So they long ago plumped for a lifestyle that, in return for a certain amount of porterage and being prodded with sticks, allowed them adequate food and grooming and the chance to spit in a human's eye and get away with it.
Terry Pratchett (Pyramids (Discworld, #7))
She was plump, with dyed red hair and a face so caked with cosmetics that the floor of the Amazon jungle probably saw more natural light...
John Connolly (Every Dead Thing (Charlie Parker, #1))
Elaine had done the ungraceful thing as usual. Guenever, in similar circumstances, would have been sure to grow pale and interesting—but Elaine had only grown plump.
T.H. White (The Once and Future King)
It was one of those sumptuous days when the world is full of autumn muskiness and tangy, crisp perfection: vivid blue sky, deep green fields, leaves in a thousand luminous hues. It is a truly astounding sight when every tree in a landscape becomes individual, when each winding back highway and plump hillside is suddenly and infinitely splashed with every sharp shade that nature can bestow - flaming scarlet, lustrous gold, throbbing vermilion, fiery orange.
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After Twenty Years Away)
I sometimes used to ask myself, what on earth did I love her for? Maybe fore the warm hazel iris of her fluffy eyes, or for the natural side-wave of her brown hair, done anyhow, or again for that movement of her plump shoulders. But, probably the truth was that I loved her because she loved me. To her I was the ideal man: brains, pluck. And there was none dressed better. I remember once, when I first put on that new dinner jacket, with the vast trousers, she clapsed her hands, sank down on a chair and murmured: 'Oh, Hermann...." It was ravishment bordering upon something like heavenly woe.
Vladimir Nabokov
During the night he'd kicked off a sock; his toes were plump as early peas; it was all she could do not to taste his caramel skin. So much of the language of love was like that: you devoured someone with your eyes, you drank in the sight of him,you swallowed him whole. Love was sustenance, broken down and beating through your bloodstream.
Jodi Picoult (Nineteen Minutes)
No, my good lord, banish Peto, banish Bardolph, banish Poins, but for sweet Jack Falstaff, kind Jack Falstaff, true Jack Falstaff, valiant Jack Falstaff, and therefore more valiant, being as he is, old Jack Falstaff, banish not him thy Harry's company, banish not him thy Harry's company. Banish plump Jack, and banish all the world.
William Shakespeare (King Henry IV, Part 1)
She's forgetting,' Ellen said to Jack, plumping herself down on a chair. 'All of her life is leaking out of her. Soon there will be nothing left.
Isobelle Carmody (Greylands)
The crowd had the plump, righteous, slightly constipated look that seems the exclusive province of businessmen who belong to the GOP.
Stephen King (The Dead Zone)
Picture me then idle, basking, plump, and happy, stretched on a cushioned deck, warmed with constant sunshine, rocked by breezes indolently soft.
Charlotte Brontë (Villette)
Hatred is an animal you feed, and I imagined that after four years, Aaron’s became plump and bloated.
Krista Ritchie (Addicted for Now (Addicted #3))
I know my breasts, small as plums, would win no blue ribbons. But in your hands they tremble and fill with song like plump, white birds.
Cecilia Llompart (The Wingless)
The immense accretion of flesh which had descended on her in middle life like a flood of lava on a doomed city had changed her from a plump active little woman with a neatly-turned foot and ankle into something as vast and august as a natural phenomenon. She had accepted this submergence as philosohpically as all her other trials, and now, in extreme old age, was rewarded by presenting to her mirror an almost unwrinkled expanse of firm pink and white flesh, in the centre of which the traces of a small face survived as if awaiting excavation.
Edith Wharton (The Age of Innocence)
As if sensing the oncoming theatre, the pigeons arrived from nowhere, and dug in close on the powerlines. They were perched on TV aerials, and, God forbid, on the trees. There was also a single crow, fat-feathered and plump, like a pigeon disguised in a trench coat.
Markus Zusak (Bridge of Clay)
So it is not an accident that the Nazi lads vent a particular fury against (Einstein). He does truly stand for what they most dislike, the opposite of the blond beast intellectualist, individualist, supernationalist, pacifist, inky, plump... How should they know the glory of the free-ranging intellect and soft objective sympathy to whom money and violence, drink and blood and pomp, mean absolutely nothing?
John Maynard Keynes
Nick knew the moment she realized her robe had dropped. Knew when the knowledge she was naked hit her full force. Watched her lips purse a small circle of horror right before sanity hit to make her reach for the robe. Nick used his two-second time span to make a decision. Her fingers started to yank up the material when he blocked her motion, lowered his head, and stamped his mouth over hers. Shock held her immobile and he used the time to his advantage. One quick thrust parted her plump lips and allowed him entry—entry to every slick, feminine heated corner of her mouth. Drugged on the taste of her, he circled her tongue with quick, urgent strokes, begging her to give it all back to him. And she did. Full power.
Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
Many obese people spend a significant amount of their energy on suppressing the urge to tell some of the people who are staring at them that they do not eat as much and as frequently as they seem to.
Mokokoma Mokhonoana
Twas the night before Christmas, when all through the house Not a creature was stirring, not even a mouse; The stockings were hung by the chimney with care, In hopes that St. Nicholas soon would be there; The children were nestled all snug in their beds; While visions of sugar-plums danced in their heads; And mamma in her 'kerchief, and I in my cap, Had just settled our brains for a long winter's nap, When out on the lawn there arose such a clatter, I sprang from my bed to see what was the matter. Away to the window I flew like a flash, Tore open the shutters and threw up the sash. The moon on the breast of the new-fallen snow, Gave a lustre of midday to objects below, When what to my wondering eyes did appear, But a miniature sleigh and eight tiny rein-deer, With a little old driver so lively and quick, I knew in a moment he must be St. Nick. More rapid than eagles his coursers they came, And he whistled, and shouted, and called them by name: "Now, Dasher! now, Dancer! now Prancer and Vixen! On, Comet! on, Cupid! on, Donder and Blixen! To the top of the porch! to the top of the wall! Now dash away! dash away! dash away all!" As leaves that before the wild hurricane fly, When they meet with an obstacle, mount to the sky; So up to the housetop the coursers they flew With the sleigh full of toys, and St. Nicholas too— And then, in a twinkling, I heard on the roof The prancing and pawing of each little hoof. As I drew in my head, and was turning around, Down the chimney St. Nicholas came with a bound. He was dressed all in fur, from his head to his foot, And his clothes were all tarnished with ashes and soot; A bundle of toys he had flung on his back, And he looked like a pedler just opening his pack. His eyes—how they twinkled! his dimples, how merry! His cheeks were like roses, his nose like a cherry! His droll little mouth was drawn up like a bow, And the beard on his chin was as white as the snow; The stump of a pipe he held tight in his teeth, And the smoke, it encircled his head like a wreath; He had a broad face and a little round belly That shook when he laughed, like a bowl full of jelly. He was chubby and plump, a right jolly old elf, And I laughed when I saw him, in spite of myself; A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread; He spoke not a word, but went straight to his work, And filled all the stockings; then turned with a jerk, And laying his finger aside of his nose, And giving a nod, up the chimney he rose; He sprang to his sleigh, to his team gave a whistle, And away they all flew like the down of a thistle. But I heard him exclaim, ere he drove out of sight— “Happy Christmas to all, and to all a good night!
Clement Clarke Moore (The Night Before Christmas)
I can see you, touch you, and kiss you.” I wipe it away with my thumb. “I can love you.” My eyes drop to her plump lips, and her bottom one trembles. “You, Blakely Rae Archer, are my heaven.
Shantel Tessier (The Ritual (L.O.R.D.S., #1))
She lay sprawled across the alien’s chest like some plump, slutty blanket, and instead of jumping off like a good little girl, she snuggled closer.
Eve Langlais (Alien Mate 2 (Alien Mate, #2))
It's raining in Washington tonight. Plump, warm summer rain that covers the sidewalks with leopard spots. Downtown, elderly ladies carry their houseplants out to set them on the fire-escapes, as if they were infirm relatives or Boy Kings. I like that.
Alan Moore (Swamp Thing, Vol. 1: Saga of the Swamp Thing)
Tadas was sent to the principal today," announced Jonas at dinner. He wedged a huge piece of sausage into his small mouth. "Why?" I asked. "Because he talked about hell," sputtered Jonas, juice from the plump sausage dribbling down his chin. "Jonas, don't speak with your mouth full. Take smaller pieces," scolded Mother. "Sorry," said Jonas with his moth stuffed. "It's good." He finished chewing. I took a bite of sausage. It was warm and the skin was deliciously salty. "Tadas told one of the girls that hell is the worst place ever and there's no escape for all eternity." "Now why would Tadas be talking of hell?" asked Papa, reaching for the vegetables. "Because his father told him that if Stalin comes to Lithuania, we'll all end up there.
Ruta Sepetys (Between Shades of Gray)
Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed a red-painted finger down the center of his chest, over his abdomen, heading straight for the button on his jeans. And oh, hell to the no. “Get your hands off him.” Sadi’s head snapped in my direction. “Excuse me?” “I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.” One side of her plump red lips curled up. “You want to make me?” In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away. “Stop it,” he murmured, voice dropped low in that teasing way of his. I saw red. The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red—
Jennifer L. Armentrout (Opposition (Lux, #5))
The honeysuckle was everywhere the day the letter arrived, like heat. Wild roses bloomed in hedges of tendrils and perfume. There were fat bees, dirigible bees, plump and miniature. It was a sweet, tangled morning, and the sun rose, leisurely, in a spectacular blush.
Cathleen Schine (The Love Letter)
...one day when I was a young boy on holiday in Uberwald I was walking along the bank of a stream when I saw a mother otter with her cubs. A very endearing sight, I'm sure you'll agree, and even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged onto a half submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature's wonders, gentlemen. Mother and children dining upon mother and children. And that is when I first learned about evil. It is built into the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
The Three of them were beautiful, in the way all girls of that age are beautiful. It can't be helped, that sort of beauty, nor can it be conserved; it's a freshness, a plumpness of the cells, that's unearned and temporary, and that nothing can replicate. None of them was satisfied with it, however; already they were making attempts to alter themselves into some impossible, imaginary mould, plucking and pencilling away at their faces. I didn't blame them, having done the same once myself.
Margaret Atwood (The Blind Assassin)
It was Gideon who finally broke the silence, which gave me a certain satisfaction. “What’s the matter? Cat got your tongue?” The way he asked, he sounded almost embarrassed. “What?” “It’s what my mother always used to when I was little. If I was looking straight ahead and saying nothing, like you right at this moment.” “You have a mother?” Only when I’d said it did I realize what a silly question it was! Oh, for heaven’s sake! Gideon raised one eyebrow. “What did you expect?” he asked, amused. “You thought I was an android put together by Uncle Falk and Mr. George?” “Well, it’s not such an outlandish idea. Do you have photos of yourself as a baby?” Trying to imagine a baby Gideon with a round, soft plump-cheeked face and a bald head made me grin.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
Val smiled evilly at the child and reached into his pocket. “Do you,” he asked, “like kittens?” And he held out a black, fluffy kitten with a white chest. Annalise blinked at the kitten’s green eyes. The kitten blinked back. “Oh, yes!” said Annalise. Val deposited the kitten into the plump little arms and strolled to the kitchens, where Hecate and her kittens were in residence, swinging his gold walking stick. There were seven more kittens remaining and a garden full of his enemies’ children…
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
Loneliness is here. It molds our souls, but also our bodies. Right inferior temporal gyri, posterior cingulates, temporoparietal junctions, retrosplenial cortices, dorsal raphe. Lonely people’s brains are shaped differently. And I just want mine to . . . not be. I want a healthy, plump, symmetrical cerebrum. I want it to work diligently, impeccably, like the extraordinary machine it’s supposed to be. I want it to do as it’s told.
Ali Hazelwood (Love on the Brain)
Precautions to be taken in the case Of freak reincarnation: what to do On suddenly discovering that you Are now a young and vulnerable toad Plump in the middle of a busy road, Or a bear cub beneath a burning pine, Or a book mite in a revived divine.
Vladimir Nabokov (Pale Fire)
I can only hope that, upon learning of my imminent execution, Good Samaritans in Colorado will be moved to ship me a plump love apple from their backyard patch - and should they happen to be friendly with Hunter S. Thompson, perhaps persuade him to inject it with a little something beforehand. Hunter will know just what I mean, and trust me, it won't affect the taste of the tomato.* *When I wrote those lines, Thompson was alive and blooming. Now, with his sad demise, still more color has faded out of the American scene. Where are the men today whose lives are not beige; where are the writers whose style is not gray?
Tom Robbins (Wild Ducks Flying Backward)
Two-thirty comes during Testifying. It's Janine, telling about how she was gang-raped at fourteen and had an abortion.But whose fault was it? Aunt Helena says, holding up one plump finger. Her fault, her fault, her fault. We chant in unison. Who led them on? She did. She did. She did. Why did God allow such a terrible thing to happen? Teach her a lesson. Teach her a lesson. Teach her a lesson.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
The Patrician took a sip of his beer. “I have told this to few people, gentlemen, and I suspect I never will again, but one day when I was a young boy on holiday in Uberwald I was walking along the bank of a stream when I saw a mother otter with her cubs. A very endearing sight, I’m sure you will agree, and even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged on to a half-submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature’s wonders, gentlemen: mother and children dining on mother and children. And that’s when I first learned about evil. It is built into the nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
And here, after all that, is what I have come to believe about beauty: Laughter is beautiful. Kindness is beautiful. Cellulite is beautiful. Softness and plumpness and roundness are beautiful. It's more important to be interesting, to be vivid, and to be adventurous, than to sit pretty for pictures. A woman's soft tummy is a miracle of nature. Beauty comes from tenderness. Beauty comes from variety, from specificity, from the fact that no person in the world looks exactly like anyone else. Beauty comes from the tragedy that each person's life is destined to be lost to time. I believe women are too hard on themselves. I believe that when you love someone, she becomes beautiful to you. I believe the eyes see everything through the heart - and nothing in the world feels as good as resting them on someone you love. I have trained my eyes to look for beauty, and I've gotten very good at finding it. You can argue and tell me it's not true, but I really don't care what anyone says. I have come, at last, to believe in the title I came up with for the book: Everyone Is Beautiful.
Katherine Center (Everyone is Beautiful)
Presently, out from the wrappings came a teapot, which caused her to clasp her hands with delight, for it was made in the likeness of a plump little Chinaman ... Two pretty cups with covers, and a fine scarlet tray, completed the set, and made one long to have a "dish of tea," even in Chinese style, without cream or sugar.
Louisa May Alcott (Eight Cousins (Eight Cousins, #1))
Had she been born 500 years sooner, Raphael would have chosen her as a model for his cherubs. Tendrils of bright red hair framed her face, a spray of freckles powdered her nose, and she was as plump as a perfectly ripened peach. Raphael probably would have painted out the freckles, and that would have been a mistake. Like brushing cinnamon off cinnamon toast.
E.L. Konigsburg
Draft-dodging is what chicken-hawks do best. Dick Cheney, Glenn Beck, Karl Rove, Rush Limbaugh (this capon claimed he had a cyst on his fat ass), Newt Gingrich, former Attorney General John Ashcroft—he received seven deferments to teach business education at Southwest Missouri State—pompous Bill O’Reilly, Jeb Bush, hey, throw in John Wayne—they were all draft-dodgers. Not a single one of these mouth-breathing, cowardly, and meretricious buffoons fought for his country. All plumped for deferments. Former New York Mayor Rudy Giuliani? Did not serve. Former Massachusetts Governor Mitt Romney? Did not serve in the military. (He served the Mormon Church on a thirty-month mission to France.) Former Senator Fred Thompson? Did not serve. Former President Ronald Reagan? Due to poor eyesight, he served in a noncombat role making movies for the Army in southern California during WWII. He later seems to have confused his role as an actor playing a tail gunner with the real thing. Did Rahm Emanuel serve? Yes, he did during the Gulf War 1991—in the Israeli Army. John Boehner did not serve, not a fucking second. Senate Minority Leader Mitch McConnell, R-KY? Not a minute! Former Senate Majority Leader Trent Lott, R-MS? Avoided the draft. Senate Minority Whip Jon Kyl, R-AZ—did not serve. National Republican Senatorial Committee Chair John Cornyn, R-TX—did not serve. Former Senate Republican Policy Committee Chair John Ensign, R-NV? Did not serve. Jack Kemp? Dan Quayle? Never served a day. Not an hour. Not an afternoon. These are the jackasses that cherish memorial services and love to salute and adore hearing “Taps.
Alexander Theroux
What is it you do, then? I'll tell you: You leave out whatever doesn't suit you. As the author himself has done before you. Just as you leave things out of your dreams and fantasies. By leaving things out, we bring beauty and excitement into the world. We evidently handle our reality by effecting some sort of compromise with it, an in-between state where the emotions prevent each other from reaching their fullest intensity, graying the colors somewhat. Children who haven't yet reached that point of control are both happier and unhappier than adults who have. And yes, stupid people also leave things out, which is why ignorance is bliss. So I propose, to begin with, that we try to love each other as if we were characters in a novel who have met in the pages of a book. Let's in any case leave off all the fatty tissue that plumps up reality.
Robert Musil (The Man Without Qualities: Volume I)
He pulled me upright, my back against his hot, hard chest. Brushing aside my hair, he started a long trail of ticklish kisses that followed the curve of my spine and ended on my left buttock. Without warning, his massive paw smacked my plump cheek. "Sergei!" I gasped and tried to slide away from him but he held tight. "This ass of yours has been tempting me for months. The least you deserve is that single spanking.
Roxie Rivera (Sergei (Her Russian Protector, #5))
Ma was heavy, but not fat; thick with child-bearing and work. She wore a loose Mother Hubbard of gray cloth in which there had once been colored flowers, but the color was washed out now, so that the small flowered pattern was only a little lighter gray than the background. The dress came down to her ankles, and he strong, broad, bare feet moved quickly and deftly over the floor. Her thin, steel-gray hair was gathered in a sparse wispy knot at the back of her head. Strong, freckled arms were bare to the elbow, and her hands were chubby and delicate, like those of a plump little girl. She looked out into the sunshine. Her full face was not soft; it was controlled, kindly. Her hazel eyes seemed to have experienced all possible tragedy and to have mounted pain and suffering like steps into a high calm and a superhuman understanding. She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt and fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build up laughter out of inadequate materials. But better than joy was calm. Imperturbability could be depended upon. And from her great and humble position in the family she had taken dignity and a clean calm beauty. From her position as healer, her hands had grown sure and cool and quiet; from her position as arbiter she had become as remote and faultless in judgment as a goddess. She seemed to know that if she swayed the family shook, and if she ever really deeply wavered or despaired the family would fall, the family will to function would be gone.
John Steinbeck (The Grapes of Wrath)
Nothing like love to put blood back in the language, the difference between the beach and its discrete rocks and shards, a hard cuneiform, and the tender cursive of waves; bone and liquid fishegg, desert and saltmarsh, a green push out of death. The vowels plump again like lips or soaked fingers, and the fingers themselves move around these softening pebbles as around skin. The sky's not vacant and over there but close against your eyes, molten, so near you can taste it. It tastes of salt. What touches you is what you touch.
Margaret Atwood (Selected Poems 2: 1976 - 1986)
My searchlight expired, but still I ran. I heard voices, and yowls, and echoes, but above all there gently rose that impious, insidious scurrying, gently rising, rising as a stiff bloated corpse gently rises above an oily river that flows under endless onyx bridges to a black putrid sea. Something bumped into me - something soft and plump. It must have been the rats; the viscous, gelatinous, ravenous army that feast on the dead and the living...
H.P. Lovecraft (Tales of H.P. Lovecraft)
And now,” Hunt continued evenly, “you’ve thrown her over to St. Vincent’s sympathetic care. God knows he’ll probably rob her of her virtue before they even reach the manor.” Marcus glanced at him sharply, his smoldering ire undercut by sudden worry. “He wouldn’t.” “Why not?” “She’s not his preferred style.” Hunt laughed gently. “Does St. Vincent have a preferred style? I’ve never noticed any similarities between the objects of his pursuit, other than the fact that they are all women. Dark, fair, plump, slender…he’s remarkably unprejudiced in his affairs.” “Damn it all to hell,” Marcus said beneath his breath, experiencing, for the first time in his life, the gnawing sting of jealousy.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
I stopped in front of a florist's window. Behind me, the screeching and throbbing boulevard vanished. Gone, too, were the voices of newspaper vendors selling their daily poisoned flowers. Facing me, behind the glass curtain, a fairyland. Shining, plump carnations, with the pink voluptuousness of women about to reach maturity, poised for the first step of a sprightly dance; shamelessly lascivious gladioli; virginal branches of white lilac; roses lost in pure meditation, undecided between the metaphysical white and the unreal yellow of a sky after the rain.
Emil Dorian (Quality of Witness: A Romanian Diary, 1937-1944)
In Germany, Dodd had noticed, no one ever abused a dog, and as a consequence dogs were never fearful around men and were always plump and obviously well tended. "Only horses seem to be equally happy, never children or the youth," he wrote. ... He called it "horse happiness" and had noticed the same phenomenon in Nuremburg and Dresden. In part, he knew this happiness was fostered by German law, which forbade cruelty to animals and punished violators with prison. "At a time when hundreds of men have been put to death without trial or any sort of evidence of guilt, and when the population literally trembles with fear, animals have rights guaranteed them which men and women cannot think of expecting." He added, "One might easily wish he were a horse!
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
Mr. Emerson watched, almost breathless, as she swirled the wine in her glass expertly, then lifted it so that she could examine it more closely in the candlelight. She brought the glass to her nose, closed her eyes, and sniffed. Then she placed the glass to her plump lips and tasted the wine, holding it in her mouth for a while before swallowing. She opened her eyes, smiled even more widely, and thanked Antonio for his precious gift.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
Conventions vs. spontaneity. This is a dialectical choice, it depends on the assessment you make of your own times. If you judge that your own time is ridden with empty insincere formalities, you plump for spontaneity, for indecorous behavior even...Much of morality is the task of compensating for one's age. One assumes unfashionable virtues, in an indecorous time. In a time hollowed out by decorum, one must school oneself in spontaneity.
Susan Sontag
Affairs are like a seventh day. They are a break from all duties and obligations and responsibilities. I'm not saying this is right and I'm not saying it lightly. This is just how they are. You can't be responsible when you're with your lover. And since you already know you're way out of line, you go the extra distance. You throw yourself in headfirst. You become the very personification of irresponsible. You are way alive. Every detail sings. It would be a great way to live if it weren't so ruinous.
Wendy Plump
So I decided to do it [hike the Appalachian Trail]. More rashly, I announced my intention - told friends and neighbors, confidently informed my publisher, made it common knowledge among those who knew me. Then I bought some books... It required only a little light reading in adventure books and almost no imagination to envision circumstances in which I would find myself caught in a tightening circle of hunger-emboldened wolves, staggering and shredding clothes under an onslaught of pincered fire ants, or dumbly transfixed by the sight of enlivened undergrowth advancing towards me, like a torpedo through water, before being bowled backwards by a sofa-sized boar with cold beady eyes, a piercing squeal, and slaverous, chopping appetite for pink, plump, city-softened flesh.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
It was a meal that we shall never forget; more accurately, it was several meals that we shall never forget, because it went beyond the gastronomic frontiers of anything we had ever experienced, both in quantity and length. It started with homemade pizza - not one, but three: anchovy, mushroom, and cheese, and it was obligatory to have a slice of each. Plates were then wiped with pieces torn from the two-foot loaves in the middle of the table, and the next course came out. There were pates of rabbit, boar, and thrush. There was a chunky, pork-based terrine laced with marc. There were saucissons spotted with peppercorns. There were tiny sweet onions marinated in a fresh tomato sauce. Plates were wiped once more and duck was brought in... We had entire breasts, entire legs, covered in a dark, savory gravy and surrounded by wild mushrooms. We sat back, thankful that we had been able to finish, and watched with something close to panic as plates were wiped yet again and a huge, steaming casserole was placed on the table. This was the specialty of Madame our hostess - a rabbit civet of the richest, deepest brown - and our feeble requests for small portions were smilingly ignored. We ate it. We ate the green salad with knuckles of bread fried in garlic and olive oil, we ate the plump round crottins of goat's cheese, we ate the almond and cream gateau that the daughter of the house had prepared. That night, we ate for England.
Peter Mayle (A Year in Provence (Provence, #1))
At ten, she was moreover noisy and wild, hated confinement and cleanliness and loved nothing so well in the world as rolling down the green slope at the back of the house. At fifteen, appearances were mending; she began to curl her hair and long for balls; her complexion improved, her features were softened by plumpness and colour, her eyes gained more animation, and her figure more consequence. Her love of dirt gave away to inclination for finery, and she grew clean as she grew smart. To look almost pretty, is an acquisition of higher delight to a girl who has been looking plain the first fifteen years of her life, than a beauty from her cradle can ever imagine.
Jane Austen (Northanger Abbey)
Nothing is so sad, in my opinion, as the devastation wrought by age. My poor friend. I have described him many times. Now to convey to you the difference. Crippled with arthritis, he propelled himself about in a wheelchair. His once plump frame had fallen in. He was a thin little man now. His face was lined and wrinkled. His moustache and hair, and hair, it is true, were still of a jet black colour, but candidly, though I would not for the world have hurt his feelings by saying so to him, this was a mistake. There comes a moment when hair dye is only too painfully obvious. There had been a time when I had been surprised to learn that the blackness of Poirot's hair came out of a bottle. But now the theatricality was apparent and merely created the impression that he wore a wig and had adorned his upper lip to amuse children!
Agatha Christie (Curtain (Hercule Poirot, #44))
That is what they say I said when they found me in the blackness after three hours; found me crouching in the blackness over the plump, half-eaten body of Capt. Norrys, with my own cat leaping and tearing at my throat....When I speak of poor Norrys they accuse me of a hideous thing, but they must know that I did not do it. They must know it was the rats; the slithering, scurrying rats whose scampering will never let me sleep; the daemon rats that race behind the padding in this room and beckon me down to greater horrors than I have ever known; the rats they can never hear; the rats, the rats in the walls.
H.P. Lovecraft (Tales of H.P. Lovecraft)
And here, after all that, is what I have come to believe about beauty: Laughter is beautiful. Kindness is beautiful. Cellulite is beautiful. Softness and plumpness and roundness are beautiful. It’s more important to be interesting, to be vivid, and to be adventurous than to sit pretty for pictures. The soft tummy of a woman is a miracle of nature. Beauty comes from tenderness. Beauty comes from variety, from specificity, from the fact that no person in the world looks exactly like anyone else. Beauty comes from the tragedy that each person’s life is destined to be lost to time. I believe women are too hard on themselves. I believe that when you love someone, she becomes beautiful to you. I believe the eyes see everything through the heart, that nothing in the world feels as good as resting them on someone you love. I have trained my eyes to look for beauty, and I’ve gotten very good at finding it. You can argue and tell me it’s not true, but I really don’t care what anyone says. I have come at last to believe in the title of the book: Everyone Is Beautiful.
Katherine Center (Everyone is Beautiful)
She was just going to pretend nothing had happened, nod at him politely, and tiptoe her way out of here. Yes, solid plan. "Did you . . . Did you just kiss me?" He sounded puzzled, and maybe a little out of breath. His lips were full and plump and . . . God. Kissed. There was simply no way Olive could get away with denying what she had just done. Still, it was worth a try. "Nope." Surprisingly, it seemed to work. "Ah. Okay, then." Carlsen nodded and turned around, looking vaguely disoriented. He took a couple of steps down the hallway, reached the water fountain—maybe where he'd been headed in the first place. Olive was starting to believe that she might actually be off the hook when he halted and turned back with a skeptical expression. "Are you sure?
Ali Hazelwood (The Love Hypothesis)
[Julie] had lived a great deal among lies, before plumping for a small life of her own, a sincere and restricted life from which all pretense, even in matters sensual, was banished. How many crazy decisions and allegiances to successive aspects fo the truth! Had she not, one day when her costume for a fancy dress had demanded short hair, cut off the great chestnut mane that fell below her waist when she let it down? 'I could have hired a wig,' she thought. 'I might also, at a pinch, have passed the rest of my life with Becker or Espivant. If it comes to that, I could also have gone on stirring puddings in a saucepan at Carneilhan. The things "one might have done" are, in fact, the things one could not do...
Colette Gauthier-Villars (Gigi, Julie de Carneilhan, and Chance Acquaintances: Three Short Novels)
Grabbing the doorknob, he twists, breaking the lock and shoving the door open. I’m just stepping off Trixie Skillz when I notice the hazy glow of an oil-lamp coming from inside, the flame turned way down low. Reclining on the couch next to it is an old woman, her white hair cropped close to her head, her spectacles perched low on her nose. She peers over them at us, the book in her hands entirely forgotten. We crashed the house of someone’s grandma. Just when I thought we were fresh out of horrors, another one comes. “We have nothing of any value, I assure you,” she says, her voice surprisingly steady for someone who thinks their home is being invaded. “I am not here for your things,” Pestilence says. “I am here for your hospitality.” The woman squints curiously at the horseman. Setting her book aside, she rises to her feet. Age has made her soft and plump, but there’s a certain quiet strength to her. “Ruth,” a thin, raspy voice calls from another room in the house, “who’s at the door?” Did he miss the part where we broke into their home? Ruth’s gaze stays on Pestilence for a long time, moving from his bow and quiver to his crown, before settling on his face. “I believe it’s one of the Four Horsemen, dear.” Her eyes flick to me. “And he’s brought with him a lady friend.
Laura Thalassa (Pestilence (The Four Horsemen, #1))
Gray and Drew sitting side by side, with their muscled physiques taking up a good portion of the booth, look like a comic book come to life. They catch me staring and both say, “What?” at the same time. Smiling, I shake my head. “Nothing. I just had this image of Thor and Captain America having a beer.” They both color at the same time. Which is kind of cute. “Ha!” cries Anna at my side. Her cheeks plump with a wide grin. “I had that Captain America thought about Drew too.” Drew perks up. “You did, huh?” Gray snorts. “Dude, I’ve just been compared to Thor. I totally win.” “What the hell does Thor have? A little hammer?” Drew waves a hand as if to say, please. But Gray smirks. “At least he isn’t hiding behind a wussy shield. Thor is a god. Enough said.” “A boring god with the personality of a post,” Drew volleys. “And you’re saying Captain America isn’t boring? Dude. He doesn’t even understand modern culture. He’s like a 1940s Boy Scout.” Drew and Gray eyeball each other for a second. Then Drew relents with a laugh. “Touché.
Kristen Callihan (The Friend Zone (Game On, #2))
A rabbi had a conversation with the Lord about Heaven and Hell. “I will show you Hell,” said the Lord, and he led the rabbi into a room containing a large round table. The people sitting around the table were famished and desperate. In the middle of the table was an enormous pot of stew that smelled so delicious that the rabbi’s mouth watered. Each person around the table held a spoon with a very long handle. Although the long spoons just reached the pot, their handles were longer than the would-be diners’ arms: thus, unable to bring food to their lips, no one could eat. The rabbi saw that their suffering was terrible indeed. “Now I will show you Heaven,” said the Lord, and they went into another room, exactly the same as the first. There was the same large round table, the same pot of stew. The people were equipped with the same long-handled spoons—but here everyone was well nourished and plump, laughing and talking. The rabbi could not understand. “It is simple, but it requires a certain skill,” said the Lord. “In this room, you see, they have learned to feed each other.
Irvin D. Yalom
In praise of mu husband's hair A woman is alone in labor, for it is an unfortunate fact that there is nobody who can have the baby for you. However, this account would be inadequate if I did not speak to the scent of my husband's hair. Besides the cut flowers he sacrifices his lunches to afford, the purchase of bags of licorice, the plumping of pillows, steaming of fish, searching out of chic maternity dresses, taking over of work, listening to complaints and simply worrying, there was my husband's hair. His hair has always amazed stylists in beauty salons. At his every first appointment they gather their colleagues around Michael's head. He owns glossy and springy hair, of an animal vitality and resilience that seems to me so like his personality. The Black Irish on Michael's mother's side of the family have changeable hair--his great-grandmother's hair went from black to gold in old age. Michael's went from golden-brown of childhood to a deepening chestnut that gleams Modoc black from his father under certain lights. When pushing each baby I throw my arm over Michael and lean my full weight. When the desperate part is over, the effort, I turn my face into the hair above his ear. It is as though I am entering a small and temporary refuge. How much I want to be little and unnecessary, to stay there, to leave my struggling body at the entrance. Leaves on a tree all winter that now, in your hand, crushed, give off a dry, true odor. The brass underside of a door knocker in your fingers and its faint metallic polish. Fresh potter's clay hardening on the wrist of a child. The slow blackening of Lent, timeless and lighted with hunger. All of these things enter into my mind when drawing into my entire face the scent of my husband's hair. When I am most alone and drowning and I think I cannot go on, it is breathing into his hair that draws me to the surface and restores my small courage.
Louise Erdrich (The Blue Jay's Dance: A Birth Year)
I Ask for Silence" Now they can leave me in peace. Now they grow used to my absence. I am going to close my eyes. I want only five things, five chosen roots. One is an endless love. Two is to see the autumn. I cannot exist without leaves flying and falling to the earth. The third is the solemn winter, the rain I loved, the caress of fire in the rough cold. Fourth, the summer, plump as a watermelon. And fifthly, your eyes, Matilde, my dear love, I won’t sleep without your eyes, I won’t exist without your gaze, I adjust the spring for you to follow me with your eyes. That, friends, is all I want. Next to nothing, close to everything. Now they can go if they wish. I have lived so much that some day they will have to forget me forcibly, rubbing me off the blackboard. My heart was inexhaustible. But because I ask for silence, don’t think I’m going to die. The opposite is true; it happens I am going to live. To be, and to go on being. I will not be, however, if inside me, the crop does not keep sprouting, the shoots first, breaking through the earth to reach the light; but the mothering earth is dark, and, deep inside me, I am dark. I am a well in the water of which the night leaves behind stars and goes on alone across fields. It’s a question of having lived so much that I want to live a bit more. I never felt my voice so clear, never have been so rich in kisses. Now, as always, it is early. The light is a swarm of bees. Let me alone with the day. I ask leave to be born.
Pablo Neruda (I Explain a Few Things: Selected Poems (English and Spanish Edition))
I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat. “This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand. My gaze dropped to it and I made no attempt to take it. Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?” His question caught me off guard, but I kept quiet. He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.” “She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.” As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded. Rolland chuckled. “She’s had a rough day, Sadi.” At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag. “Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.” “Are you?” Daemon replied.
 Every hair on my body rose as my arms unfolded.
 “Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans. And oh, hell to the no. “Get your hands off him.”
 Sadi’s head snapped in my direction. “Excuse me?”
 “I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.” One side of her plump red lips curled up. “You want to make me?”
 In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away. “Stop it,” he murmured, voice dropped low in that teasing way of his. I saw red. The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red— “And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails. The pictures settled as I gaped at him. Being slapped in the face would’ve been better.
Jennifer L. Armentrout (Opposition (Lux, #5))
To Autumn" Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For summer has o'er-brimm'd their clammy cells. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drows'd with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours. Where are the songs of spring? Ay, Where are they? Think not of them, thou hast thy music too,— While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies.
John Keats (To Autumn)
Surrounded by them, she would growl, “Let me tell a story . . . ” “Please!” the children would chorus, wriggling in anticipation. And she would begin in the way that all Mandinka storytellers began: “At this certain time, in this certain village, lived this certain person.” It was a small boy, she said, of about their rains, who walked to the riverbank one day and found a crocodile trapped in a net. “Help me!” the crocodile cried out. “You’ll kill me!” cried the boy. “No! Come nearer!” said the crocodile. So the boy went up to the crocodile—and instantly was seized by the teeth in that long mouth. “Is this how you repay my goodness—with badness?” cried the boy. “Of course,” said the crocodile out of the corner of his mouth. “That is the way of the world.” The boy refused to believe that, so the crocodile agreed not to swallow him without getting an opinion from the first three witnesses to pass by. First was an old donkey. When the boy asked his opinion, the donkey said, “Now that I’m old and can no longer work, my master has driven me out for the leopards to get me!” “See?” said the crocodile. Next to pass by was an old horse, who had the same opinion. “See?” said the crocodile. Then along came a plump rabbit who said, “Well, I can’t give a good opinion without seeing this matter as it happened from the beginning.” Grumbling, the crocodile opened his mouth to tell him—and the boy jumped out to safety on the riverbank. “Do you like crocodile meat?” asked the rabbit. The boy said yes. “And do your parents?” He said yes again. “Then here is a crocodile ready for the pot.” The boy ran off and returned with the men of the village, who helped him to kill the crocodile. But they brought with them a wuolo dog, which chased and caught and killed the rabbit, too. “So the crocodile was right,” said Nyo Boto. “It is the way of the world that goodness is often repaid with badness. This is what I have told you as a story.” “May you be blessed, have strength and prosper!” said the children gratefully.
Alex Haley (Roots: The Saga of an American Family)
Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.
Tom Robbins (Skinny Legs and All)
The most direct path to Party was raising pigs. The company had several dozen of these and they occupied an unequaled place in the hearts of the soldiers; officers and men alike would hang around the pigsty, observing, commenting, and willing the animals to grow. If the pigs were doing well, the swine herds were the darlings of the company, and there were many contestants for this profession. Xiao-her became a full-time swineherd. It was hard, filthy work, not to mention the psychological pressure. Every night he and his colleagues took turns to get up in the small hours to give the pigs an extra feed. When a sow produced piglets they kept watch night after night in case she crushed them. Precious soybeans were carefully picked, washed, ground, strained, made into 'soybean milk," and lovingly fed to the mother to stimulate her milk. Life in the air force was very unlike what Xiao-her had imagined. Producing food took up more than a third of the entire time he was in the military. At the end of a year's arduous pig raising, Xiao-her was accepted into the Party. Like many others, he put his feet up and began to take it easy. After membership in the Party, everyone's ambition was to become an officer; whatever advantage the former brought, the latter doubled it. Getting to be an officer depended on being picked by one's superiors, so the key was never to displease them. One day Xiao-her was summoned to see one of the college's political commissars. Xiao-her was on tenterhooks, not knowing whether he was in for some unexpected good fortune or total disaster. The commissar, a plump man in his fifties with puffy eyes and a loud, commanding voice, looked exceedingly benign as he lit up a cigarette and asked Xiao-her about his family background, age, and state of health. He also asked whether he had a fiance to which Xiao-her replied that he did not. It struck Xiao-her as a good sign that the man was being so personal. The commissar went on to praise him: "You have studied Marxism-Leninism-Mao Zedong Thought conscientiously. You have worked hard. The masses have a good impression of you. Of course, you must keep on being modest; modesty makes you progress," and so on. By the time the commissar stubbed out his cigarette, Xiao-her thought his promotion was in his pocket.
Jung Chang (Wild Swans: Three Daughters of China)
But if you will not take this Counsel, and persist in thinking a Commerce with the Sex inevitable, then I repeat my former Advice, that in all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these: 1. Because as they have more Knowledge of the World and their Minds are better stor'd with Observations, their Conversation is more improving and more lastingly agreable. 2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman. 3. Because there is no hazard of Children, which irregularly produc'd may be attended with much Inconvenience. 4. Because thro' more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin'd to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes. 5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding2 only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement. 6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy. 7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy. 8thly and Lastly They are so grateful!! Thus much for my Paradox. But still I advise you to marry directly; being sincerely Your affectionate Friend.
Benjamin Franklin
There were twenty-three females on the Keltar estate--not counting Gwen, Chloe, herself, or the cat--Gabby knew, because shortly after Adam had become visible last night, she'd met each and every one, from tiniest tot to tottering ancient. It had begun with a plump, thirtyish maid popping in to pull the drapes for the evening and inquire if the MacKeltars "were wishing aught else?" The moment her bespectacled gaze had fallen on Adam, she'd begun stammering and tripping over her own feet. It had taken her a few moments to regain a semblance of coordination, but she'd managed to stumble from the library, nearly upsetting a lamp and a small end table in her haste. Apparently it had been haste to alert the forces, for a veritable parade had ensued: a blushing curvaceous maid had come offering a warm-up of tear (they'd not been having any), followed by a giggling maid seeking a forgotten dust cloth (which--was anyone surprised?--was nowhere to be found), then a third one looking for a waylaid broom (yeah, right--they swept castles at midnight in Scotland--who believed that?), then a fourth, fifth, and sixth inquiring if the Crystal Chamber would do for Mr. Black (no one seemed to care what chamber might do for her; she half-expected to end up in an outbuilding somewhere). A seventh, eighth, and ninth had come to announce that his chamber was ready would he like an escort? A bath drawn? Help undressing? (Well, okay, maybe they hadn't actually asked the last, but their eyes certainly had.) Then a half-dozen more had popped in at varying intervals to say the same things over again, and to stress that they were there to provide "aught, aught at all Mr. Black might desire." The sixteenth had come to extract two tiny girls from Adam's lap over their wailing protests (and had stayed out of his lap herself only because Adam had hastily stood), the twenty-third and final one had been old enough to be someone's great-great-grandmother, and even she'd flirted shamelessly with the "braw Mr. Black," batting nonexistent lashes above nests of wrinkles, smoothing thin white hair with a blue-veined, age-spotted hand. And if that hadn't been enough, the castle cat, obviously female and obviously in heat, had sashayed in, tail straight up and perkily curved at the tip, and would her furry little self sinuously around Adam's ankles, purring herself into a state of drooling, slanty-eyed bliss. Mr. Black, my ass, she'd wanted to snap (and she liked cats, really she did; she'd certainly never wanted to kick one before, but please--even cats?), he's a fairy and I found him, so that him my fairy. Back off.
Karen Marie Moning (The Immortal Highlander (Highlander, #6))