Plug In Baby Quotes

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By the way, don’t you think shoving a light bulb up baby Jesus’ butt and plugging it in is just a little sacrilegious?
Dana Marie Bell (The Ornament: Max and Emma (Ornament, #1))
What good is a crow to a pack of grieving humans? A huddle. A throb.              A sore.                          A plug.                                       A gape.                                                    A load. A gap. So, yes. I do eat baby rabbits, plunder nests, swallow filth, cheat death, mock the starving homeless, misdirect, misinform. Oi, stab it! A bloody load of time wasted. But I care, deeply. I find humans dull except in grief.
Max Porter (Grief is the Thing with Feathers)
She needed to disconnect a few times a day, like a battery in reverse that recharged when it wasn’t plugged in.
Zoje Stage (Baby Teeth)
So tell me: were you born broken just like me, born hungry? Are we all of us born with some part of us missing? Are we each us born with a hole?....Born with a hole and no earthly way of finding just the exact right plug to fill it, not 'til you've tried 'em from A to Z and back once more: booze, fags, work, candy, men, girls, heroin, methedrine, methadone, God. Tried having a baby. Tried killing yourself. A hundred religions, from Calvin to the Dalai Lama and back again; tried every damn thing you could think of and some you had to stumble over....You stick a plug in your weakness like a finger in the proverbial dike and let pressure build up let it swell and swell 'til there's nothing left but tension, nothing left but what's left over--the absence, not the presence. The wound you shape your soul around.
Gemma Files (We Will All Go Down Together)
He lifted his gaze to hers. "I have a lot of other things I should be doing, but I'm here." He stared into her eyes for several heartbeats before he returned his attention to the big box. "I've tried to stay away. After you threw me out of the house, I thought it was probably for the best. You're a distraction, and I don't need a distraction right now." He handed the screwdriver back to her and ripped the box open with his big hands. "I've got tapes I need to review, and plays I need to go over in my head before today's practice, yet here I am. Putting baby furniture together for you because I can't get you out of my head. I plug in a tape, and all I do is think about you." He peeled back the cardboard and reached for the instruction sheet that had fallen to the floor. "But the thing is, Adele, I'm not really sure whether you want me to be here or not." His polo shirt pulled out of the waistband of his Levi's and slid up the tan muscles of his back. He straightened and looked at her over the top of the instructions. "I don't know what you want.
Rachel Gibson (Not Another Bad Date (Writer Friends, #4))
What did we talk about? I don't remember. We talked so hard and sat so still that I got cramps in my knee. We had too many cups of tea and then didn't want to leave the table to go to the bathroom because we didn't want to stop talking. You will think we talked of revolution but we didn't. Nor did we talk of our own souls. Nor of sewing. Nor of babies. Nor of departmental intrigue. It was political if by politics you mean the laboratory talk that characters in bad movies are perpetually trying to convey (unsuccessfully) when they Wrinkle Their Wee Brows and say (valiantly--dutifully--after all, they didn't write it) "But, Doctor, doesn't that violate Finagle's Constant?" I staggered to the bathroom, released floods of tea, and returned to the kitchen to talk. It was professional talk. It left my grey-faced and with such concentration that I began to develop a headache. We talked about Mary Ann Evans' loss of faith, about Emily Brontë's isolation, about Charlotte Brontë's blinding cloud, about the split in Virginia Woolf's head and the split in her economic condition. We talked about Lady Murasaki, who wrote in a form that no respectable man would touch, Hroswit, a little name whose plays "may perhaps amuse myself," Miss Austen, who had no more expression in society than a firescreen or a poker. They did not all write letters, write memoirs, or go on the stage. Sappho--only an ambiguous, somewhat disagreeable name. Corinna? The teacher of Pindar. Olive Schriener, growing up on the veldt, wrote on book, married happily, and ever wrote another. Kate Chopin wrote a scandalous book and never wrote another. (Jean has written nothing.). There was M-ry Sh-ll-y who wrote you know what and Ch-rl-tt- P-rk-ns G-lm-an, who wrote one superb horror study and lots of sludge (was it sludge?) and Ph-ll-s Wh--tl-y who was black and wrote eighteenth century odes (but it was the eighteenth century) and Mrs. -nn R-dcl-ff- S-thw-rth and Mrs. G--rg- Sh-ld-n and (Miss?) G--rg-tt- H-y-r and B-rb-r- C-rtl-nd and the legion of those, who writing, write not, like the dead Miss B--l-y of the poem who was seduced into bad practices (fudging her endings) and hanged herself in her garter. The sun was going down. I was blind and stiff. It's at this point that the computer (which has run amok and eaten Los Angeles) is defeated by some scientifically transcendent version of pulling the plug; the furniture stood around unknowing (though we had just pulled out the plug) and Lady, who got restless when people talked at suck length because she couldn't understand it, stuck her head out from under the couch, looking for things to herd. We had talked for six hours, from one in the afternoon until seven; I had at that moment an impression of our act of creation so strong, so sharp, so extraordinarily vivid, that I could not believe all our talking hadn't led to something more tangible--mightn't you expect at least a little blue pyramid sitting in the middle of the floor?
Joanna Russ (On Strike Against God)
So tell me: were you born broken just like me, born hungry? Are we all of us born with some part of us missing? Are we each us born with a hole?....Born with a hold and no earthly way of finding just the exact right plug to fill it, not 'til you've tried 'em from A to Z and back once more: booze, fags, work, candy, men, girls, heroin, methedrine, methadone, God. Tried having a baby. Tried killing yourself. A hundred religions, from Calvin to the Dalai Lama and back again; tried every damn thing you could think of and some you had to stumble over....You stick a plug in your weakness like a finger in the proverbial dike and let pressure build up let it swell and swell 'til there's nothing left but tension, nothing left but what's left over--the absence, not the presence. The wound you shape your soul around.
Gemma Files (We Will All Go Down Together)
What are you doing here?” he asked Bailey, surprised that Bailey was roaming the streets in his wheelchair at eleven o'clock. “Karaoke, baby.” “Karaoke?” “Yep. Haven't done it in a while, and we've been getting complaints from the produce section. Seems the carrots have formed a Bailey Sheen fan club. Tonight is for the fans. Fern's got quite a following in the frozen foods.” “Karaoke . . . here?” Ambrose didn't even crack a smile . . . but he wanted to. “Yep. Closing time means we have free rein of the place. We take over the store’s sound system, use the intercom for a microphone, plug in our CDs, and rock Jolley's Supermarket. It's awesome. You should join us. I should warn you, though, I'm amazing, and I'm also a mic hog.” Fern giggled, but looked at Ambrose hopefully. Oh, hell, no. He wasn't singing Karaoke. Not even to please Fern Taylor, which he actually wanted to do, surprisingly enough.
Amy Harmon (Making Faces)
So enticing is the red gape of a cuckoo nestling that it is not uncommon for ornithologists to see a bird dropping food into the mouth of a baby cuckoo sitting in some other bird's nest! A bird may be flying home, carrying food for its own young. Suddenly, out of the corner of its eye, it sees the red super-gape of a young cuckoo, in the nest of a bird of some quite different species. It is diverted to the alien nest where it drops into the cuckoo's mouth the food that had been destined for its own young. The 'irresistibility theory' fits with the views of early German ornithologists who referred to foster-parents as behaving like 'addicts' and to the cuckoo nestling as their 'vice'. It is only fair to add that this kind of language finds less favour with some modern experimenters. But there's no doubt that if we do assume that the cuckoo's gape is a powerful drug-like super-stimulus, it becomes very much easier to explain what is going on. It becomes easier to sympathize with the behaviour of the diminutive parent standing on the back of its monstrous child. It is not being stupid. 'Fooled' is the wrong word to use. Its nervous system is being controlled, as irresistibly as if it were a helpless drug addict, or as if the cuckoo were a scientist plugging electrodes into its brain.
Richard Dawkins (The Selfish Gene)
Open All Night" (originally by Bruce Springsteen) I had the carburetor cleaned and checked With her line blown out, she's hummin' like a turbojet Propped her up in the backyard on concrete blocks For a new clutch plate and a new set of shocks Took her down to the carwash, check the plugs and points I'm goin' out tonight, I'm gonna rock that joint Early north Jersey industrial skyline I'm a all-set cobra jet creepin' through the nighttime Gotta find a gas station, gotta find a payphone This turnpike sure is spooky at night when you're all alone Gotta hit the gas, baby, I'm runnin' late This New Jersey in the mornin' like a lunar landscape The boss don't dig me, so he put me on the nightshift It takes me two hours to get back to where my baby lives In the wee wee hours, your mind gets hazy Radio relay towers, won't you lead me to my baby? Underneath the overpass, trooper hits his party light switch Goodnight, good luck, one two powershift I met Wanda when she was employed Behind the counter at the Route 60 Bob's Big Boy Fried chicken on the front seat, she's sittin' in my lap We're wipin' our fingers on a Texaco roadmap I remember Wanda up on scrap metal hill With them big brown eyes that make your heart stand still 5 A.M., oil pressure's sinkin' fast I make a pit stop, wipe the windshield, check the gas Gotta call my baby on the telephone Let her know that her daddy's comin' on home Sit tight, little mama, I'm comin' round I got three more hours, but I'm coverin' ground Your eyes get itchy in the wee wee hours Sun's just a red ball risin' over them refinery towers Radio's jammed up with gospel stations Lost souls callin' long distance salvation Hey Mr. DJ, won't you hear my last prayer? Hey ho rock 'n' roll, deliver me from nowhere Ryan Adams, Nebraska (2022)
Ryan Adams
We need to be humble enough to recognize that unforeseen things can and do happen that are nobody’s fault. A good example of this occurred during the making of Toy Story 2. Earlier, when I described the evolution of that movie, I explained that our decision to overhaul the film so late in the game led to a meltdown of our workforce. This meltdown was the big unexpected event, and our response to it became part of our mythology. But about ten months before the reboot was ordered, in the winter of 1998, we’d been hit with a series of three smaller, random events—the first of which would threaten the future of Pixar. To understand this first event, you need to know that we rely on Unix and Linux machines to store the thousands of computer files that comprise all the shots of any given film. And on those machines, there is a command—/bin/rm -r -f *—that removes everything on the file system as fast as it can. Hearing that, you can probably anticipate what’s coming: Somehow, by accident, someone used this command on the drives where the Toy Story 2 files were kept. Not just some of the files, either. All of the data that made up the pictures, from objects to backgrounds, from lighting to shading, was dumped out of the system. First, Woody’s hat disappeared. Then his boots. Then he disappeared entirely. One by one, the other characters began to vanish, too: Buzz, Mr. Potato Head, Hamm, Rex. Whole sequences—poof!—were deleted from the drive. Oren Jacobs, one of the lead technical directors on the movie, remembers watching this occur in real time. At first, he couldn’t believe what he was seeing. Then, he was frantically dialing the phone to reach systems. “Pull out the plug on the Toy Story 2 master machine!” he screamed. When the guy on the other end asked, sensibly, why, Oren screamed louder: “Please, God, just pull it out as fast as you can!” The systems guy moved quickly, but still, two years of work—90 percent of the film—had been erased in a matter of seconds. An hour later, Oren and his boss, Galyn Susman, were in my office, trying to figure out what we would do next. “Don’t worry,” we all reassured each other. “We’ll restore the data from the backup system tonight. We’ll only lose half a day of work.” But then came random event number two: The backup system, we discovered, hadn’t been working correctly. The mechanism we had in place specifically to help us recover from data failures had itself failed. Toy Story 2 was gone and, at this point, the urge to panic was quite real. To reassemble the film would have taken thirty people a solid year. I remember the meeting when, as this devastating reality began to sink in, the company’s leaders gathered in a conference room to discuss our options—of which there seemed to be none. Then, about an hour into our discussion, Galyn Susman, the movie’s supervising technical director, remembered something: “Wait,” she said. “I might have a backup on my home computer.” About six months before, Galyn had had her second baby, which required that she spend more of her time working from home. To make that process more convenient, she’d set up a system that copied the entire film database to her home computer, automatically, once a week. This—our third random event—would be our salvation. Within a minute of her epiphany, Galyn and Oren were in her Volvo, speeding to her home in San Anselmo. They got her computer, wrapped it in blankets, and placed it carefully in the backseat. Then they drove in the slow lane all the way back to the office, where the machine was, as Oren describes it, “carried into Pixar like an Egyptian pharaoh.” Thanks to Galyn’s files, Woody was back—along with the rest of the movie.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
I object in the strongest possible terms to the fact that the instant we stumble over possibly the most important thing anybody's ever found anywhere ever, the first thing SC does is snap into Full-Scale Raving Paranoia mode and apply this M32 total-secrecy-or-we'll-pull-your-plugs-out-baby
Anonymous
I heard a baby cry. And this blood-splattered thing was put in my arms. My child. And, at that moment, it was like a gigantic plug appeared and - POW! - I was plugged into humanity in a way I'd never been before. Never could be. I was part of all mothers and all births from the beginning of time. I was a woman in a mud hut in Africa, in an igloo in the Arctic, a wigwam in America, a cave, a skyscraper, a spaceship. I was part of a flow and that flow was blood -
Philip Ridley
Electric Feel" All along the western front People line up to receive She got the power in her hand To shock you like you won't believe Saw her in the amazon With the voltage running through her skin Standing there with nothing on She gonna teach me how to swim I said ooh girl Shock me like an electric eel Baby girl You turn me on with your electric feel I said ooh girl Shock me like an electric eel Baby girl Turn me on with your electric feel All along the eastern shore Put your circuits in the sea This is what the world is for Making electricity You can feel it in your mind Oh you can do it all the time Plug it in and change the world You are my electric girl Said ooh girl Shock me like an electric eel Baby girl Turn me on with your electric feel I said ooh girl Shock me like an electric eel Baby girl Turn me on with your electric feel Do what you feel now Electric feel now Do what you feel now Electric feel now Do what you feel now Electric feel now Do what you feel now Electric feel now Do what you feel now Electric feel now
MGMT
The only reason you had me was so you could get a maid you wouldn’t have to pay,” you’ll say bitterly, dragging the vacuum cleaner out of the closet. “That’s right,” I’ll say. “Thirteen years ago I knew the carpets would need vacuuming around now, and having a baby seemed to be the cheapest and easiest way to get the job done. Now kindly get on with it.” “If you weren’t my mother, this would be illegal,” you’ll say, seething as you unwind the power cord and plug it into the wall outlet.
Ted Chiang (Stories of Your Life and Others)
What had saved Ukraine is precisely what made the United States the most vulnerable nation on earth. Ukraine wasn’t fully automated. In the race to plug everything into the internet, the country was far behind. The tsunami known as the Internet of Things, which had consumed Americans for the better part of the past decade, had still not washed up in Ukraine. The nation’s nuclear stations, hospitals, chemical plants, oil refineries, gas and oil pipelines, factories, farms, cities, cars, traffic lights, homes, thermostats, lightbulbs, refrigerators, stoves, baby monitors, pacemakers, and insulin pumps were not yet “web-enabled.” In the United States, though, convenience was everything; it still is. We were plugging anything we could into the internet, at a rate of 127 devices a second. We had bought into Silicon Valley’s promise of a frictionless society. There wasn’t a single area of our lives that wasn’t touched by the web. We could now control our entire lives, economy, and grid via a remote web control. And we had never paused to think that, along the way, we were creating the world’s largest attack surface.
Nicole Perlroth (This Is How They Tell Me the World Ends: The Cyberweapons Arms Race)
Put in slightly less deathless prose, the poet’s thought might go like this: “Hey, John! This is John speaking. Those doubts you’re experiencing about Endymion? I know you think you’re never going to finish such an epic. I know you’re afraid the work will be savaged in the Times. They’ll say you’re not fit to hold Percy Shelley’s quill pen or Lord Byron’s sheet of parchment. BS, baby! I’m here to tell you, your poem is great! Scholars will be poring over its stanzas for centuries. Lovers will be cadging verses and dispatching them to their beloveds. Buck up, buddy! The tunnel may seem dark right now, but keep plugging. Don’t lose faith. You will emerge from it—I promise—to the sunlit uplands of poetic glory and renown!
Steven Pressfield (Put Your Ass Where Your Heart Wants to Be)
When male mammals want to make sure the females they’re having sex with will have their babies and not some other male’s, they sometimes produce a clumpy, sticky seminal fluid that “plugs” or blocks the female’s cervix against later intruders. Among primates at least, the more promiscuous the species, the thicker this seminal plug. Chimps have the thickest of them all: inside the female’s vagina, the fluid in the male chimp’s semen turns into a four-inch-long piece of clear rubbery spunk. Primatologists know this because they’ve watched such plugs fall out of a female’s vagina, usually when they’re dislodged by another male’s penis. Many scientists gather these from the forest floor like prized gems.
Cat Bohannon (Eve: How the Female Body Drove 200 Million Years of Human Evolution)
He was, despite everything, still one of us. So we put our heads together. We pulled the change from nowhere. We plugged Big A for the quarters under his bed. We asked Mr. Po for some of his flower money. We drilled Gonzalo and Erica for a little of their comp-pay. We pestered Juana for some alimony, and Rogelio for his overtime, and the three Ramirez daughters for their baby shower stash. We poked Charlie for those international checks, Adriana for her allowance, Neesha for her government check, and Dante for his lunch money. Nigel and Karl for the pennies they stole. LaToya for those side jobs, Benito for his Hazelwood, and Hugo for the paystubs he'd been cashing on the West Side.
Bryan Washington (Lot)
He says something to her, tweaks her nipple, and steps into the adjoined bathroom. Minutes pass, and I grow anxious. What is he doing? Fluffing his cock? Flossing his teeth? Maybe she keeps a bag of sex toys in there, and he’s debating between a Baby Jesus butt plug or shock therapy nipple clamps?
Pam Godwin (Buckled (Trails of Sin, #2))