Plotting Against Someone Quotes

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Depends. (Adron) On? (Livia) Whether or not they’re plotting against you. Taryn’s like a head injury. It’s only funny when it happens to someone else. And Tiernan…I think there’s now a hurricane on Chrinon VI named after him. (Adron)
Sherrilyn Kenyon (In Other Worlds (The League: Nemesis Rising, #3.5; Were-Hunter, #0.5; The League: Nemesis Legacy, #2))
He couldn't see her, sitting outside in the darkness, looking in at the light. A pair of actors trapped in a recondite play with no hint of plot or narrative. Stumbiling through their parts nursing someone else’s sorrow. Grieving someone else’s grief. Unable somehow to change plays. Or purchase, for a fee some cheap brand of exorcism from a conveyor with a fancy degree, who would sit them down and say in one of many ways: “ Your not the sinners. You’re the sinned against. You were only children.You had no control. You are the victims, not the perpetrators.” It would of helped if they could of made that crossing. If only they could have worn, even temporarily, the tragic hood of victim hood
Arundhati Roy (The God of Small Things)
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer. I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course. I didn’t feel it happen, the slip. Even if I had, I was so wrapped up in him that I couldn’t imagine pulling back or letting go of his warm skin or that moment. His touch was feather-light, stroking my skin with a kind of reverence, but the instant his lips found mine again, a single thought was enough to rocket me out of the honey-sweet haze. The memory of Clancy’s face as he had leaned in to do exactly what Liam was doing now suddenly flooded my mind, twisting its way through me until I couldn’t ignore it. Until I was seeing it play out glossy and burning like it was someone else’s memory and not mine. And then I realized—I wasn’t the only one seeing it. Liam was seeing it, too. How, how, how? That wasn’t possible, was it? Memories flowed to me, not from me. But I felt him grow still, then pull back. And I knew, I knew by the look on his face, that he had seen it. Air filled my chest. “Oh my God, I’m sorry, I didn’t want—he—” Liam caught one of my wrists and pulled me back to him, his hands cupping my cheeks. I wondered which one of us was breathing harder as he brushed my hair from my face. I tried to squirm away, ashamed of what he’d seen, and afraid of what he’d think of me. When Liam spoke, it was in a measured, would-be-calm voice. “What did he do?” “Nothing—” “Don’t lie,” he begged. “Please don’t lie to me. I felt it…my whole body. God, it was like being turned to stone. You were scared—I felt it, you were scared!” His fingers came up and wove through my hair, bringing my face close to his again. “He…” I started. “He asked to see a memory, and I let him, but when I tried to move away…I couldn’t get out, I couldn’t move, and then I blacked out. I don’t know what he did, but it hurt—it hurt so much.” Liam pulled back and pressed his lips to my forehead. I felt the muscles in his arms strain, shake. “Go to the cabin.” He didn’t let me protest. “Start packing.” “Lee—” “I’m going to find Chubs,” he said. “And the three of us are getting the hell out of here. Tonight.” “We can’t,” I said. “You know we can’t.” But he was already crashing back through the dark path. “Lee!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
It’s hard to hold grudges against someone who can’t remember what they did to earn them.
Megan Collins (The Family Plot)
Her sweet smell drove my body higher as I nibbled on the edge of her earlobe. “I’m not stopping you. You plan. I’ll kiss.” Echo turned her head to look at me over her shoulder. My siren became a temptress with that seductive smile on her lips. A mistake on her part. I caressed her cheek and kissed those soft lips. I expected her to shy away. We’d been playing this game for over an hour: she plotted while I teased.Leaving for the summer was important to her and she was important to me. But instead of the quick peck I’d anticipated, she moved her lips against mine. A burning heat warmed my blood. It was a slow kiss at first—all I meant it to be, but then Echo touched me. Her hands on my face, in my hair. And then she angled her body to mine. Warmth, enticing pressure on all the right parts, and Echo’s lips on mine—fireworks. She became my world. Filling my senses so that all I felt and saw and tasted was her. Kisses and touches and whispered words of love and when my hand skimmed down the curve of her waist and paused on the hem of her jeans my body screamed to continue, but my mind knew it was time to stop. With a sigh, I moved my lips once more against hers before shifting and pulling her body to my side. “I’m in love with you.” Echo settled her head in the crook of my arm as her fingertips lazily touched my face. “I know. I love you, too.” “I’m sorry I didn’t say it sooner.” If I had, then maybe we never would have been apart. “It’s okay,” she murmured. “We’re together now and that’s all that matters.” I kissed her forehead and she snuggled closer to me. The world felt strange. For the first time in my life, I wasn’t fighting someone or something. My brothers were safe. Echo knew the truth. Soon, I’d be free from high school and foster care. Hopefully, I’d be admitted on late acceptance to college. Contentment and happiness were unfamiliar emotions, but ones I could learn to live with. “Do you mind?” she asked in a small voice that indicated nerves. “That we’re taking it slow?” “No.” And it was the truth. Everything in her life was in flux and she needed strong, steady and stable. Oddly, she found those three things in me. Who would ever have guessed I’d be the reliable sort? “Besides, taking it slow creates buildup. I like anticipation.” Her body rocked with silent giggles and my lips turned up. I loved making her happy.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
For some of the things that plagued the seventeenth-century New Englander we have modern-day explanations. For others we do not. We have believed in any number of things—the tooth fairy, cold fusion, the benefits of smoking, the free lunch—that turn out not to exist. We all subscribe to preposterous beliefs; we just don’t know yet which ones they are. We too have been known to prefer plot to truth; to deny the evidence before us in favor of the ideas behind us; to do insane things in the name of reason; to take that satisfying step from the righteous to the self-righteous; to drown our private guilts in a public well; to indulge in a little delusion. We have all believed that someone had nothing better to do than spend his day plotting against us. The seventeenth-century world appeared full of inexplicables, not unlike the automated, mind-reading, algorithmically enhanced modern one.
Stacy Schiff (The Witches: Salem, 1692)
This is all true, and yet not really an argument against ownership. It is easy to believe our own excuses, particularly if they’re good ones, but in a world of 7 billion people, there is always someone facing Y who is doing X. All of us have to assess the plot of life we are allotted every twenty-four hours and figure out how we can make the most of what we’ve been given.
Laura Vanderkam (Off the Clock: Feel Less Busy While Getting More Done)
Almost everyone can remember losing his or her virginity, and most writers can remember the first book he/she walked away from thinking, "I can do better that this. Hell, I am doing better than this!" What could be more encouraging to the struggling writer than to realize that his/her work is unquestionably better than that of someone who actually got paid for his/her stuff? Good writing on the other hand, teaches the learning writer about style, graceful narration, plot development, the creation of believable characters, and truth-telling. A novel like The Grapes of Wrath may fill a new writer with feelings of despair and good old-fashioned jealousy--"I'll never be able to write anything that good, not if I live to be a thousand"--but such feelings can also serve as a spur, goading the writer to work harder and aim higher. Being swept away by a combination of great story and great writing--of being flattened, in fact--is part of every writer's necessary formation. You cannot hope to sweep someone else away by the force of your writing until it has been done to you. So we read to experience the mediocre and the outright rotten; such experience helps us to recognize those things when they begin to creep into our own work, and to steer clear of them. We also read in order to measure ourselves against the good and the great, to get a sense of all that can be done. And we read in order to experience different styles.
Stephen King
I feel strongly against professionalism, against someone’s feeling he has to write a book every year to keep his name before the public. I see people processing themselves, torturing themselves, for that, rather than writing out of a compulsion some story from their own experience, their own feelings. That’s the way you should write, unless you are just practicing. I tell young writers to steal a plot or an idea or whatever, just to get going. See how a character comes out, how you fit it into your life . . . You see great writers doing it too.
Peter Taylor
As Joss showed up to start work on the new season, Barr gathered everyone on staff and made a speech about how the tabloids were obsessed with her and had sources among the crew feeding them details of her personal life. Joss, who had heard about tabloid drama and the staff conflicts, anticipated a speech that would bring everybody closer: “It’s us against the world, and dammit, we’ve got good work to do here, let’s all get it done.” Instead, Roseanne told the writers they had better keep their mouths shut or they would all be fired. It was a plot twist that he wasn’t expecting. “It made me realize … that every time somebody opens their mouth they have an opportunity to do one of two things— connect or divide. Some people inherently divide, and some people inherently connect,” Joss said. “Connecting is the most important thing, and actually an easy thing to do. I try to make a connection with someone every time I talk to them, even if I’m firing them…. People can be treated with respect. That is one of the most important things a show runner can do, is make everybody understand that we’re all involved, that we’re all on the same level.
Amy Pascale (Joss Whedon: The Biography)
Which reminds me that you’ve never said how you dueled at Needles against the city’s finest fighter and won.” It would be a mistake to tell him. It would defy the simplest rule of warfare: to hide one’s strengths and weaknesses for as long as possible. Yet Kestrel told Arin the story of how she had beaten Irex. Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?” She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give. “You’re not mine,” Arin said. And kissed her. Kestrel’s lips parted. This was real, yet not simple at all. He smelled of woodsmoke and sugar. Sweet beneath the burn. He tasted like the honey he’d licked off his fingers minutes before. Her heartbeat skidded, and it was she who leaned greedily into the kiss, she who slid one knee between his legs. Then his breath went ragged and the kiss grew dark and deep. He lifted her up onto the table so that her face was level with his, and as they kissed it seemed that words were hiding in the air around them, that they were invisible creatures that feathered against her and Arin, then nudged, and buzzed, and tugged. Speak, they said. Speak, the kiss answered. Love was on the tip of Kestrel’s tongue. But she couldn’t say that. How could she ever say that, after everything between them, after fifty keystones paid into the auctioneer's hand, after hours of Kestrel secretly wondering what it would sound like if Arin sang while she played, after wrists bound together and the crack of her knee under a boot and Arin confessing in the carriage on Firstwinter night. It had felt like a confession. But it wasn’t. He had said nothing of the plot. Even if he had, it still would have been too late, with everything to his advantage. Kestrel remembered again her promise to Jess. If she didn’t leave this house now, she would betray herself. She would give herself to someone whose Firstwinter kiss had led her to believe she was all that he wanted, when he had hoped to flip the world so that he was at its top and she was at its bottom. Kestrel pulled away. Arin was apologizing. He was asking what he had done wrong. His face was flushed, mouth swollen. He was saying something about how maybe it was too soon, but that they could have a life here. Together. “My soul is yours,” he said. “You know that it is.” She lifted a hand, as much to block his face from her sight as to stop those words. She walked out of the kitchen. It took all of her pride not to run.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Father will bury us with both hands. He boasts of me to his so-called friends, telling them I’m the next queen of this kingdom. I don’t think he’s ever paid so much attention to me before, and even now, it is minuscule, not for my own benefit. He pretends to love me now because of another, because of Tibe. Only when someone else sees worth in me does he condescend to do the same. Because of her father, she dreamed of a Queenstrial she did not win, of being cast aside and returned to the old estate. Once there, she was made to sleep in the family tomb, beside the still, bare body of her uncle. When the corpse twitched, hands reaching for her throat, she would wake, drenched in sweat, unable to sleep for the rest of the night. Julian and Sara think me weak, fragile, a porcelain doll who will shatter if touched, she wrote. Worst of all, I’m beginning to believe them. Am I really so frail? So useless? Surely I can be of some help somehow, if Julian would only ask? Are Jessamine’s lessons the best I can do? What am I becoming in this place? I doubt I even remember how to replace a lightbulb. I am not someone I recognize. Is this what growing up means? Because of Julian, she dreamed of being in a beautiful room. But every door was locked, every window shut, with nothing and no one to keep her company. Not even books. Nothing to upset her. And always, the room would become a birdcage with gilded bars. It would shrink and shrink until it cut her skin, waking her up. I am not the monster the gossips think me to be. I’ve done nothing, manipulated no one. I haven’t even attempted to use my ability in months, since Julian has no more time to teach me. But they don’t believe that. I see how they look at me, even the whispers of House Merandus. Even Elara. I have not heard her in my head since the banquet, when her sneers drove me to Tibe. Perhaps that taught her better than to meddle. Or maybe she is afraid of looking into my eyes and hearing my voice, as if I’m some kind of match for her razored whispers. I am not, of course. I am hopelessly undefended against people like her. Perhaps I should thank whoever started the rumor. It keeps predators like her from making me prey. Because of Elara, she dreamed of ice-blue eyes following her every move, watching as she donned a crown. People bowed under her gaze and sneered when she turned away, plotting against their newly made queen. They feared her and hated her in equal measure, each one a wolf waiting for her to be revealed as a lamb. She sang in the dream, a wordless song that did nothing but double their bloodlust. Sometimes they killed her, sometimes they ignored her, sometimes they put her in a cell. All three wrenched her from sleep. Today Tibe said he loves me, that he wants to marry me. I do not believe him. Why would he want such a thing? I am no one of consequence. No great beauty or intellect, no strength or power to aid his reign. I bring nothing to him but worry and weight. He needs someone strong at his side, a person who laughs at the gossips and overcomes her own doubts. Tibe is as weak as I am, a lonely boy without a path of his own. I will only make things worse. I will only bring him pain. How can I do that? Because of Tibe, she dreamed of leaving court for good. Like Julian wanted to do, to keep Sara from staying behind. The locations varied with the changing nights. She ran to Delphie or Harbor Bay or Piedmont or even the Lakelands, each one painted in shades of black and gray. Shadow cities to swallow her up and hide her from the prince and the crown he offered. But they frightened her too. And they were always empty, even of ghosts. In these dreams, she ended up alone. From these dreams, she woke quietly, in the morning, with dried tears and an aching heart.
Victoria Aveyard (Queen Song (Red Queen, #0.1))
shelves; hundreds of narrow rows. Hermione took out a list of subjects and titles she had decided to search while Ron strode off down a row of books and started pulling them off the shelves at random. Harry wandered over to the Restricted Section. He had been wondering for a while if Flamel wasn’t somewhere in there. Unfortunately, you needed a specially signed note from one of the teachers to look in any of the restricted books, and he knew he’d never get one. These were the books containing powerful Dark Magic never taught at Hogwarts, and only read by older students studying advanced Defense Against the Dark Arts. “What are you looking for, boy?” “Nothing,” said Harry. Madam Pince the librarian brandished a feather duster at him. “You’d better get out, then. Go on — out!” Wishing he’d been a bit quicker at thinking up some story, Harry left the library. He, Ron, and Hermione had already agreed they’d better not ask Madam Pince where they could find Flamel. They were sure she’d be able to tell them, but they couldn’t risk Snape hearing what they were up to. Harry waited outside in the corridor to see if the other two had found anything, but he wasn’t very hopeful. They had been looking for two weeks, after all, but as they only had odd moments between lessons it wasn’t surprising they’d found nothing. What they really needed was a nice long search without Madam Pince breathing down their necks. Five minutes later, Ron and Hermione joined him, shaking their heads. They went off to lunch. “You will keep looking while I’m away, won’t you?” said Hermione. “And send me an owl if you find anything.” “And you could ask your parents if they know who Flamel is,” said Ron. “It’d be safe to ask them.” “Very safe, as they’re both dentists,” said Hermione. Once the holidays had started, Ron and Harry were having too good a time to think much about Flamel. They had the dormitory to themselves and the common room was far emptier than usual, so they were able to get the good armchairs by the fire. They sat by the hour eating anything they could spear on a toasting fork — bread, English muffins, marshmallows — and plotting ways of getting Malfoy expelled, which were fun to talk about even if they wouldn’t work. Ron also started teaching Harry wizard chess. This was exactly like Muggle chess except that the figures were alive, which made it a lot like directing troops in battle. Ron’s set was very old and battered. Like everything else he owned, it had once belonged to someone else in his family — in this case, his grandfather. However, old chessmen weren’t a drawback at all. Ron knew them so well he never had trouble getting them to do what he wanted. Harry played with chessmen Seamus Finnigan had lent him, and they didn’t
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter #1))
His features were Middle Eastern, his eyes haunted but also defiant. They were all defiant, Gray had found. When he looked at someone like al-Omari, Gray couldn’t help but think of a Dostoyevsky creation, the displaced outsider, brooding, plotting and methodically stroking a weapon of anarchy. It was the face of a fanatic, of one possessed by a deranged evil. It was the same type of person who’d taken away forever the two people Gray had loved most in the world. Though al-Omari was thousands of miles away in a facility only a very few people even knew existed, the picture and sound were crystal clear thanks to the satellite downlink. Through his headset he asked al-Omari a question in English. The man promptly answered in Arabic and then smiled triumphantly. In flawless Arabic Gray said, “Mr. al-Omari, I am fluent in Arabic and can actually speak it better than you. I know that you lived in England for years and that you speak English better than you do Arabic. I strongly suggest that we communicate in that language so there is absolutely no misunderstanding between us.” Al-Omari’s smile faded, and he sat straighter in his chair. Gray explained his proposal. Al-Omari was to become a spy for the United States, infiltrating one of the deadliest terrorist organizations operating in the Middle East. The man promptly refused. Gray persisted and al-Omari refused yet again, adding that “I have no idea what you’re talking about.” “There are currently ninety-three terrorist organizations in the world as recognized by the U.S. State Department, most of them originating in the Middle East,” Gray responded. “You have confirmed membership in at least three of them. In addition, you were found with forged passports, structural plans to the Woodrow Wilson Bridge and bomb-making material. Now you’re going to work for us, or it will become distinctly unpleasant.” Al-Omari smiled and leaned toward the camera. “I was interrogated years ago in Jordan by your CIA and your military and your FBI, your so-called Tiger Teams. They sent females in wearing only their underwear. They wiped their menstrual blood on me, or at least what they called their menstrual blood, so I was unclean and could not perform my prayers. They rubbed their bodies against me, offered me sex if I talk. I say no to them and I am beaten afterward.” He sat back. “I have been threatened with rape, and they say I will get AIDS from it and die. I do not care. True followers of Muhammad do not fear death as you Christians do. It is your greatest weakness and will lead to your total destruction. Islam will triumph. It is written in the Qur’an. Islam will rule the world.
David Baldacci (The Camel Club (Camel Club, #1))
You!” she snarled, her glower intended for Narian. He walked unflinchingly toward her, keeping me close to his side. “You knew of this plot! Confess the part you have played and I will perhaps spare your life.” Narian put a hand on my shoulder, telling me to stay where I was, then took a few steps closer to the woman who had been like a mother to him. I stood frozen, waiting along with her to hear his answer. What was going on? What had Narian done? “I am not a part of this,” he declared. Nantilam quickly closed the remaining distance between them. She was infuriated, her green eyes flaring as vividly as the flames outside. “But you know more than you have told me.” Her voice was low, dangerous, rumbling with anger. “I know that the Hytanicans’s first rebellion was meant to distract us, and that those captured willingly sacrificed their lives. I know that right now, the men you wanted to execute are waging one last fight to reclaim their kingdom.” My head was spinning, both at the news and at my own idiocy. How could I have failed to see this? How could I not have known it would happen? I had chosen to be blind, even when Narian had all but begged me to come to Cokyri with him. I hadn’t wanted to see it. But the clues had been there. Now people were dying in Hytanica. Someone, probably London, had set the fires here in Cokyri to hinder the arrival of messengers from the province with word of the revolt and to forestall the High Priestess from sending reinforcements. We were trapped and helpless, able only to imagine the battle taking place on the other side of the river. “I knew something was amiss,” the High Priestess simmered. “I knew it the moment I saw Alera with you. You’re a traitor, Narian.” He shook his head, his expression hard. “I am no traitor. I did everything you asked of me. I conquered Hytanica for you and the Overlord, I administered the province as you wanted for months, and I did not plot against you.” Narian’s voice dropped to a fierce whisper. “I am not to blame for what is happening today--for giving the Hytanicans a fair chance at retaking what is rightfully theirs. My only sin is that I did not try to stop them.” Nantilam scrutinized him for what seemed an eternity. “I listened to you,” she vehemently said at last. “I loved you, and I trusted you, and I fought not to lose you after my brother’s death.” “You never trusted me,” Narian contradicted, interrupting whatever else she had intended to say. “And with good reason. You believe the only way to repay a betrayal if with a betrayal. You betrayed me in the worst way imaginable. You lied to me my entire life, trained me and used me as a weapon, never telling me the real reason I was of value to you.” His blue eyes flashed, their sapphire brilliance rivaling the ever-changing emerald sparks in hers. “But I will no longer be manipulated for your causes, and I will not become another warlord. You can consider yourself repaid.
Cayla Kluver (Sacrifice (Legacy, #3))
Prepare for what, Landon?” Imani asked, hardening her stare. “What’re you worried about? Talk to me.” “I don’t want to lose you,” I whispered, pushing some curls off her forehead. “Landon,” Imani said, smiling, “you’re never going to lose me. Not to anyone.” “You don’t know that,” I said, my insecurities talking. “You might find someone—” Before I could finish my sentence, Imani grasped the sides of my face and pressed her lips to mine, kissing me deeply. “Stop it,” she said breathily against my mouth. “You’re mine. I’m not letting you go, no matter what. And if I go to a college in another state, then I’ll bring you and all of Poison with me. We can plot the fall of Redwood from afar.” “You promise?” I asked. “Pinkie,” she said, holding out her pinkie. I wrapped mine around hers, and she squeezed. “Landon Caddell, I promise to bring you on all my college adventures, so you can slam your fist into any frat boy’s face who tries to hit on me.” Lips curling into a smile, I pulled her back down toward me and kissed her softly.
Emilia Rose (Poison (Bad Boys of Redwood Academy, #2))
The paranoic has specific persecutors. Someone is against him. There is a plot on foot to steal his brains. [...] The person I am describing feels at this phase persecuted by reality itself. The world as it is, and other people as they are, are the dangers. [...] This detachment of the self means that the self is never revealed directly in the individual's expressions and actions, nor does it experience anything spontaneously or immediately. The self's relationship to the other is always at one remove. The direct and immediate transactions between the individual, the other, and the world, even in such basic respects as perceiving and acting, all come to be meaningless, futile, and false. One can represent the alternative state of affairs schematically as shown opposite.
R.D.Laing (The Divided Self( An Existential Study in Sanity and Madness)[DIVIDED SELF REV/E][Paperback])
They know that the hair in the gun lock was planted, Hyacinth. They know someone is plotting against them. Emperor Strephon will be searching for the conspirators, and we must seem innocent.” Hyacinth laughed, a great expansive laugh. “Honey, they’re always looking for men,” she said, shaking her head. “Men always do. How do you think I’ve been in a man’s business so long? Not even the Firedrinkers think to look for women in relation to serious business, and a lot of ‘em are women themselves. Trust me, no one has the slightest idea that it’s two poor, weak women who threw the wrench into their works.
Sara A. Mueller (The Bone Orchard)
It’s easy to judge the wars today and say they clearly did not deliver the peace or the change we had hoped for. But… how many more Americans, or our allies, would have died in embassies, in airplanes, in towers, in subways, in hotels, or on the streets if we hadn’t eliminated terrorists like Saleh Nabhan, or the countless others who were plotting against us? We may never know, but I take some consolation in believing that somewhere out there is a world leader, or a brilliant scientist, or a lifesaving doctor, or a renowned artist, or a loving mother or father—someone who will bring about real change in the world, someone who is alive today because my men did their job.
Admiral William H. McRaven (Sea Stories: My Life in Special Operations)
Did I bring Adam and Sabrina together or did the fact that I got a new girlfriend do that? I was asking the wrong questions. There were so many of them playing mind games that I had to try different angles to find answers. It seemed like Adam was manipulating Martina with an idea of Sabrina and the club. But how could Adam do that if Sabrina and Ruan already knew each other most likely, working for Adam? How could Adam paint two different pictures of Sabrina to Ruan and Martina? Mabye couldn't convince Ruan of any wrongdoing; perhaps he wanted to warn me or Martina, and his arm broke for certain reason. Or was Sabrina playing the same role that Adam painted about her to Martina? Was Adam paying Sabrina to play this game while also trying to sell registration apps to clubs downtown? It seemed like it was a cover up. What was the prize besides the club and the marijuana grow? Who wanted to kill me and why were all these people daring to mess with me? How did they form a group against me? Who or what made them a criminal group? Who was their real leader? Who did they think was the leader, Adam? He was afraid of me. Then who, Sabrina? She wasn't afraid of me, but she wouldn't step over me in my life, my job, or my career unless she had an open field and open goal. Why did she do that? Why did Adam invite her to such strange games? What was the fun? What was the joke? What was the reason why these people thought they were bullying me and wouldn’t get slapped? Why was it my impression that everyone was laughing at me? I felt like Adam didn't have the courage, and his father was not their leader either. I felt like their leader was much less intelligent than Adam or Ferran. I felt like they were being manipulated by someone much less intelligent, or they were acting like that for some reason, or they didn't seem to be hiding how stupid of a leader they had, who wanted to kill me personally, as if the rest of them were just bystanders eating popcorn while I plotted to do the same with Martina once we thought they had taken away my club and the Camorra would take it away from them anyhow. Did Nico say the word “Camorra” to try and scare me? Who told Nico that I knew about the Camorra and what they were up to? Adam, Nico and Martina were aware that the Camorra were one of my clients. Who could have seen Roberto Saviano's book “Gomorrah” in Cantabria, Urgell, and Radas which I bought in the last days of 2011? All of them. I do not know the exact number of particular books that have influenced these events thus far.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
I was wondering why Adam had called Sabrina “crazy bitch” in front of me and Martina? Why would he do that when he knew I would not like to hear it? Did I bring Adam and Sabrina together or did the fact that I got a new girlfriend do that? I was asking the wrong questions. There were so many of them playing mind games that I had to try different angles to find answers. It seemed like Adam was manipulating Martina with an idea of Sabrina and the club. But how could Adam do that if Sabrina and Ruan already knew each other most likely, working for Adam? How could Adam paint two different pictures of Sabrina to Ruan and Martina? Maybe couldn't convince Ruan of any wrongdoing; perhaps he wanted to warn me or Martina, and his arm broke for certain reason. Or was Sabrina playing the same role that Adam painted about her to Martina? Was Adam paying Sabrina to play this game while also trying to sell registration apps to clubs downtown? It seemed like it was a cover up. What was the prize besides the club and the marijuana grow? Who wanted to kill me and why were all these people daring to mess with me? How did they form a group against me? Who or what made them a criminal group? Who was their real leader? Who did they think was the leader, Adam? He was afraid of me. Then who, Sabrina? She wasn't afraid of me, but she wouldn't step over me in my life, my job, or my career unless she had an open field and open goal. Why did she do that? Why did Adam invite her to such strange games? What was the fun? What was the joke? What was the reason why these people thought they were bullying me and wouldn’t get slapped? Why was it my impression that everyone was laughing at me? I felt like Adam didn't have the courage, and his father was not their leader either. I felt like their leader was much less intelligent than Adam or Ferran. I felt like they were being manipulated by someone much less intelligent, or they were acting like that for some reason, or they didn't seem to be hiding how stupid of a leader they had, who wanted to kill me personally, as if the rest of them were just bystanders eating popcorn while I plotted to do the same with Martina once we thought they had taken away my club and the Camorra would take it away from them anyhow. Did Nico say the word “Camorra” to try and scare me? Who told Nico that I knew about the Camorra and what they were up to? Adam, Nico and Martina were aware that the Camorra were one of my clients. Who could have seen Roberto Saviano's book “Gomorrah” in Cantabria, Urgell, and Radas which I bought in the last days of 2011? All of them. I do not know the exact number of particular books that have influenced these events thus far.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
How are they doing this?” Shea asked, leaning against the side of a building. She was out of breath and beginning to think there might not be a way out of this.   Braden shook his head. “They must have more men out here.”   “How many people missed head count?” Shea asked.   “Ten.”   She dropped her head back and looked up at the inky darkness. Only small patches of a starry night sky could be seen. Ten. He might as well have said a hundred.   “We’re making a lot of noise. Eventually Caden and the rest of the men will hear and come investigating,” Braden said.   Shea preferred not to rely on ifs and shoulds. There was no guarantee they’d hear all this racket, and even if they did, chances were Shea and Braden would be dead long before then.   “You shouldn’t have run off and called attention to yourself.” Disapproval colored Braden’s tone.   Shea shot him dark look. “I’m sorry. When someone threatens to kill me, I tend to try to remove myself from the situation.”   “I never intended to kill you.”   Shea scoffed, letting the sound speak for her.   “I didn’t. I just said at one time I had planned to kill you. You know, before. It’s been a while since I’ve actively plotted your death.”   Shea opened her mouth with a sharp retort but was prevented from speaking as a horse and rider clattered around the corner, torch held aloft. Seeing them, he called over his should, “Here, I’ve found them.”   “Time to go.
T.A. White (Mist's Edge (The Broken Lands, #2))
I thought the only threat against us came from the rogue noblemen who are plotting a revolt under our very noses. Not the Aveyonian commoners you've spent weeks assuring us are content, happy even." Bastien eyed her as though seeing her in a new light. "Threats can take many forms, madame. It would not be prudent in times like these to invite them into your home." "If we are willing to open our doors to the rich, then we must also be willing to open our doors to the poor. You speak as though wealth precludes someone from committing a crime, and that has not been true in my experience." "I think I speak for everyone, the king included, when I say you are perhaps not thinking clearly." "And I speak for myself alone when I say you're wrong. Do you forget that I am a commoner? That I grew up in a poor village with the very people you seek to malign? I do not fear them in the same way I fear a rich man who believes justice is a fluid concept and that innocence can be bought." She let them sit with what she had said for a few moments before continuing. "I called this meeting as a courtesy. This is how I envision the salon, and I believe it will be beneficial for all the people of our kingdom. You still get the prestige-raising, economy-boosting aspects, only now the doors are open for everyone. If you cannot abide by that, then I suggest you remain in your estates for the duration." If she had ruffled the feathers of the advisers before, it was nothing compared to how they viewed her now. "All in favor of the amendment to the salon?" They mutely assented with barely raised hands, but it was enough. In a way, it seemed they almost feared her. No one protested or voiced any concerns, and the meeting ended in near silence. She would take their unease over their disdain. She thought perhaps it was time for men like them to fear what a woman could do.
Emma Theriault (Rebel Rose (The Queen's Council, #1))