Emperor Of Gladness Quotes

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Because to remember is to fill the present with the past, which meant that the cost of remembering anything, anything at all, is life itself. We murder ourselves, he thought, by remembering
Ocean Vuong (The Emperor of Gladness)
Once upon a time,” I began. “There was a little boy born in a little town. He was perfect, or so his mother thought. But one thing was different about him. He had a gold screw in his belly button. Just the head of it peeping out. “Now his mother was simply glad he had all his fingers and toes to count with. But as the boy grew up he realized not everyone had screws in their belly buttons, let alone gold ones. He asked his mother what it was for, but she didn’t know. Next he asked his father, but his father didn’t know. He asked his grandparents, but they didn’t know either. “That settled it for a while, but it kept nagging him. Finally, when he was old enough, he packed a bag and set out, hoping he could find someone who knew the truth of it. “He went from place to place, asking everyone who claimed to know something about anything. He asked midwives and physickers, but they couldn’t make heads or tails of it. The boy asked arcanists, tinkers, and old hermits living in the woods, but no one had ever seen anything like it. “He went to ask the Cealdim merchants, thinking if anyone would know about gold, it would be them. But the Cealdim merchants didn’t know. He went to the arcanists at the University, thinking if anyone would know about screws and their workings, they would. But the arcanists didn’t know. The boy followed the road over the Stormwal to ask the witch women of the Tahl, but none of them could give him an answer. “Eventually he went to the King of Vint, the richest king in the world. But the king didn’t know. He went to the Emperor of Atur, but even with all his power, the emperor didn’t know. He went to each of the small kingdoms, one by one, but no one could tell him anything. “Finally the boy went to the High King of Modeg, the wisest of all the kings in the world. The high king looked closely at the head of the golden screw peeping from the boy’s belly button. Then the high king made a gesture, and his seneschal brought out a pillow of golden silk. On that pillow was a golden box. The high king took a golden key from around his neck, opened the box, and inside was a golden screwdriver. “The high king took the screwdriver and motioned the boy to come closer. Trembling with excitement, the boy did. Then the high king took the golden screwdriver and put it in the boy’s belly button.” I paused to take a long drink of water. I could feel my small audience leaning toward me. “Then the high king carefully turned the golden screw. Once: Nothing. Twice: Nothing. Then he turned it the third time, and the boy’s ass fell off.” There was a moment of stunned silence. “What?” Hespe asked incredulously. “His ass fell off.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
The hardest thing in the world is to live only once. But it’s beautiful here, even the ghosts agree.
Ocean Vuong (The Emperor of Gladness)
Okay.” Hai nodded, but his mind was somewhere else. “Hey. Do you think a life you can’t remember is still a good life?” The question sounded almost silly aloud. “I mean, like—” “Yes,” said Sony. “Why’s that?” “Because someone else will remember it.
Ocean Vuong (The Emperor of Gladness)
What good is beauty, any beauty, if nobody wins?
Ocean Vuong (The Emperor of Gladness)
You see, carrots become bright orange because it’s so dark in the ground. They make their own light because the sun never reaches that far—like those fish in the ocean who glow from nothing? So when you eat it, you take in the carrot’s will to go upward. To heaven.
Ocean Vuong (The Emperor of Gladness)
the prisons and madhouses have locked them up, so you think you’re the only one out there losing your mind when in fact there are many like you, trapped in this supposedly free world of work and sleep and endless fucking cakes.
Ocean Vuong (The Emperor of Gladness)
He wanted too much of one feeling—and I guess his heart gave out because of it. I don’t think we’re made to hold too much of any one thing.
Ocean Vuong (The Emperor of Gladness)
It was one of those friendships that came on quick, like the heat on a July day, and long after midnight you could still feel its sticky film on your skin as you lie awake in your room, the fan blowing in what remained of the scorched hours, and realize for the first time in your peep of a life that no one is ever truly alone.
Ocean Vuong (The Emperor of Gladness)
How strange to feel something so close to mercy, whatever that was, and stranger still that it should be found in here of all places, at the end of a road of ruined houses by a toxic river. That among a pile of salvaged trash, he would come closest to all he ever wanted to be: a consciousness sitting under a light-bulb reading his days away, warm and alone, alone and yet, somehow, still somebody's son.
Ocean Vuong (The Emperor of Gladness)
To be alive and try to be a decent person, and not turn into anything big or grand, that's the hardest thing of all. You think being president is hard? Ha. Don't you see that every president becomes a millionaire after he leaves office? If you can be nobody, and stand on your own two feet for as long as I have, that's enough. Look at my girl, all that talent and for what, just to drown in Bud Light?" [...] "People don't know what's enough, Labas. That's their problem. They think they suffer, but they're really just bored. They don't eat enough carrots.
Ocean Vuong (The Emperor of Gladness)
Somebody goes ahead and dies and all of a sudden you become a box for them, he thought, you store these things that no one has ever seen and you go on living like that, your head a coffin to keep memories of the dead alive. But what do you do with that kind of box? Where do you put it down?
Ocean Vuong (The Emperor of Gladness)
Tell me, what is it you plan to do with your one wild and precious life?
Ocean Vuong (The Emperor of Gladness)
Words cast spells. You should know this as a writer. That's why it's called spelling, Labas.
Ocean Vuong (The Emperor of Gladness)
What you see might not always be what you feel. And what you feel may no longer be real.
Ocean Vuong (The Emperor of Gladness)
People aren’t so bad. They’re just wounded little kids trying to heal.
Ocean Vuong (The Emperor of Gladness)
Look, I have it too. It's just like the weather. Like clouds and rain and stuff. They go away. But some of us spend more time in London, you know? Or Seattle. You're just raining right now.
Ocean Vuong (The Emperor of Gladness)
Because to remember is to fill the present with the past, which meant that the cost of remembering anything, anything at all, is life itself. We murder ourselves, he thought, by remembering.
Ocean Vuong (The Emperor of Gladness)
The boys had this way of knowing what the other was thinking without ever using words. "Because it's like that when you're fourteen," he said. The superpower of being young is that you're closest to being nothing - which is also the same as being very old.
Ocean Vuong (The Emperor of Gladness)
How is it that we have become so certain that the sight of years, the summation of decades, should inflict such violence on the viewer - including family - that we have built entire fortresses to keep such bodies out of sight?
Ocean Vuong (The Emperor of Gladness)
You say I'm so smart, right? Cause I went to college and all that? Then listen to me." He put both hands on Sony's shoulders. "Most people are soft and scared. They're fucking mushy. We are a mushy species. You talk to anybody for more than half an hour and you realize everything they do is a sham to keep themselves from falling apart. From prison guards to teachers, to managers, psychiatrists, even fathers, anybody - even your stupid generals. People put on this facade of strength. They act like they have a purpose and a mission and their whole life is supposed to lead to this grand fucking thesis of who they are.
Ocean Vuong (The Emperor of Gladness)
I should've know all along that you were liggabit. (lgbt) Really? how so? he whispered. You ask so many damn questions. Normal boys don't ask so many questions.
Ocean Vuong (The Emperor of Gladness)
Words cast spells. You should know this as a writer. That’s why it’s called spelling, Labas.
Ocean Vuong (The Emperor of Gladness)
This is November, and heat from their wounds comes out as steam between their fingers.
Ocean Vuong (The Emperor of Gladness)
A thousand sons must have been where he was now and turned back from their horses, wagons, rickshaws, cyclos, buses, schooners, trains, even dusty sandaled feet.
Ocean Vuong (The Emperor of Gladness)
being normal; fucked up"Look, who we are, what everybody is. Fucked up is the most normal thing in the world. You're both fucked up and you're normal, got it?
Ocean Vuong (The Emperor of Gladness)
You lose the dead as the earth takes them, but the living you still have a say in. And so he said it. And so he lied.
Ocean Vuong (The Emperor of Gladness)
How easily a face is disfigured in the abstraction a pile of bodies so naturally makes.
Ocean Vuong (The Emperor of Gladness)
He was nineteen, in the midnight of his childhood and a lifetime from first light.
Ocean Vuong (The Emperor of Gladness)
People aren't so bad. They're just wounded little kids trying to heal. And that makes them tell each other stupid stories," he said softly.
Ocean Vuong (The Emperor of Gladness)
Hai considered this. Indeed, at what granular material moment did bread become cake? Or was it always cake, falsely named to amplify bread beyond its potential?
Ocean Vuong (The Emperor of Gladness)
How can I know what Marta knows? Some things belong to those who lived them.
Ocean Vuong (The Emperor of Gladness)
Listen here, this country," she lowered her voice, "was purposefully built on war. The reptilians shape-shift into politicians and celebrities, then use these puppets to start wars so they never run out of bad energy to consume. Don't you get it? War is fertilizer for their crops.
Ocean Vuong (The Emperor of Gladness)
Hey. Do you think a life you can’t remember is still a good life?” The question sounded almost silly aloud. “I mean, like—” “Yes,” said Sony. “Why’s that?” “Because someone else will remember it.
Ocean Vuong (The Emperor of Gladness)
With money I earned by myself, I gave my daughter a room just so she can read in peace for a day. And I sat there and watched her read, sipping a scotch from the bar. And I cried like a baby. And Lina, my little Lina, she said, 'Mama, why are you crying?' And I said, ' I know how God feels now.
Ocean Vuong (The Emperor of Gladness)
How strange to feel something so close to mercy, whatever that was, and stranger still that it should be found here of all places, at the end of a road of ruined house by a toxic river. That among a pile of salvaged trash, he would come closest to all he ever wanted to be: a consciousness sitting under a lightbulb reading his days away, warm and alone, alone and yet, somehow, still somebody's son.
Ocean Vuong (The Emperor of Gladness)
His voice dropped, gone was the soft, sweet lilt. Russia was eighteen but still had the raspy timbre of adolescence, the kind of voice that make you want to say yes even if he's just asking you the time.
Ocean Vuong (The Emperor of Gladness)
So on summer evenings, when summer finally came, and the full moon lit the fields so silver, you could squint and it would still look just like it did after snowfall. On those nights, Noah and I would run together through the tobacco, like this. And there was this mighty clear sky full of stars that made you stop and look up, you head empty as a ladle as you tried to locate yourself inside an immeasurable universe. And no one knows where you are and you feel, for a tiny second, that you have no parents, that they never existed at all, which is impossible and shameful to love, but I did. I loved that feeling.
Ocean Vuong (The Emperor of Gladness)
Everything else, what I do, what I've done, the goals and the promises, they're all, like, ghosts. For most people, their ghost is inside them, waiting to float out when they die. But my ghost is in pieces." He pointed with his chin at the scattered trees. "It's all over the place, caught in all the spots where I snagged myself.
Ocean Vuong (The Emperor of Gladness)
With him," he said, "it wasn't that I was happy — but that I was okay. And okay was even better than happy because I thought it had a better chance of lasting." He turned and was startled to find her staring right at him. "Okay is underrated.
Ocean Vuong (The Emperor of Gladness)
But where was she going? She was going to a place where freedom is promised yet made possible only by a contained egalitarian space fashioned with walls and locks, where measured nourishment is delivered each day through long corridors by staff born from a never-ending elsewhere who forgo watching their own children grow up in order to watch strangers grow old, all this to keep you alive so they can suck up money from your bank account while you’re warm, immobilized by tranquilizers, and satiated and numb, a body ripe for harvest even beyond ripening. She was heading to America after all. The truest version of it. The one where everyone pays to be here.
Ocean Vuong (The Emperor of Gladness)
Every generation says this of itself, but these were indeed bewildering and unprecedented times he lived in, a time before iPhones were everywhere, and people still looked up as they walked, their heads filled with self-generated thoughts floating up from deep pits in the subconscious.
Ocean Vuong (The Emperor of Gladness)
You will see those shriveled into their eighth or ninth decade bent in chairs or beds, left in the hallways for hours to stare, baffled, at the ceiling fan or a spot on the wall, some heads swiveling at each passing shadow, calling the name they once gave to a son or daughter, faces they haven't seen in months, years.
Ocean Vuong (The Emperor of Gladness)
He imagined all the boys he wanted to know lying sleepless in their cramped and cluttered rooms, the curling posters and chipped trophies, the endless cords to defunct video game consoles, all of it once the feeble altar of teenage triumphs, now the detritus of adolescence. He wavered through the blocks, searching each window for a face and, finding none, lent his face to the overcast sky, a bowl so emptied it was hard to imagine it held anything at all, let alone entire flocks of geese.
Ocean Vuong (The Emperor of Gladness)
If you aim for Gladness and miss, you'll find us. For we are called East Gladness. Gladness itself being no more, renamed to Millsap nearly a century ago after Tony Millsap, the boy who returned from the Great War with no limbs and became a hero--proof you could loose almost all of yourself in the country and still gain a whole town.
Ocean Vuong (The Emperor of Gladness)
fingers shaking, he zipped up his UPS jacket, the same jacket he had found hanging from a nail in Noah's barn the day of his funeral, having ridden his bike through mud-frosted roads to get there. Because Hai was not invited to see the coffin. Because to Noah's family he never existed. He was locked inside the head of the cold boy in the pine box.
Ocean Vuong (The Emperor of Gladness)
People don't know what's enough, Labas. That's their problem. They think they suffer, but they're really just bored. They don't enough carrots.
Ocean Vuong (The Emperor of Gladness)
He and Noah used to get two-dollar English muffins there after driving all night in Noah's truck with nowhere to go.
Ocean Vuong (The Emperor of Gladness)
I don't know if I've been a good mother, Labas, she said out of nowhere.
Ocean Vuong (The Emperor of Gladness)
chin, and you could tell there was a Boy Scout somewhere
Ocean Vuong (The Emperor of Gladness)
Even the beautiful mechanic, who Hai kept sneaking eyes at, pushed his plate of mashed potatoes aside to turn around, a smile eased across his lips.
Ocean Vuong (The Emperor of Gladness)
The folks who made up the crew were just like people anywhere else in New England. Weatherworn and perennially exhausted or pissed off or both.
Ocean Vuong (The Emperor of Gladness)
I wish I knew you when I was a girl, Granzia sighed.
Ocean Vuong (The Emperor of Gladness)
For some reason this reminded him of those emperor hogs, so named not to signify the act of ruling — but to feed the ruler with their lives.
Ocean Vuong (The Emperor of Gladness)
then stepped into the window’s light, where he saw that her face was someone else’s.
Ocean Vuong (The Emperor of Gladness)
You wanna be a writer and you want to jump off a bridge? That’s pretty much the same thing, no? A writer just takes longer to hit the water.
Ocean Vuong (The Emperor of Gladness)
When did he die, your husband?” “When does anybody die?” she shrugged. “When God says Well done.
Ocean Vuong (The Emperor of Gladness)
Beyond the graveyard whose stones have lost their names to years, there’s a covered bridge laid over a dried-up brook whose memory of water never reached this century.
Ocean Vuong (The Emperor of Gladness)
the hardest thing in the world is to only live once. but it's beautiful here, even the ghosts agree.
Ocean Vuong (The Emperor of Gladness)
We live on the edges but die in the heart of the state. We pay taxes on every check to stand in the sinking banks of a river that becomes the morgue of our dreams.
Ocean Vuong (The Emperor of Gladness)
Because to remember is to fill the present with the past, which meant that the cost of remembering anything, anything at all, is lift itself. We murder ourselves, he though, by remembering.
Ocean Vuong (The Emperor of Gladness)
No one in his life knew he had such a friend until now, until Sergeant Pepper told her. Somebody goes ahead and dies and all of a sudden you become a box for them, he thought, you store these things that no one has ever seen and you go on living like that, your head a coffin to keep memories of the dead alive. But what do you do with that kind of box? Where do you put it down?
Ocean Vuong (The Emperor of Gladness)
*Beyond the graveyard whose stones have lost their names to years. *Windows blown out and wooden sign.... rubbed to braille by wind, *Plastic toys.... their primary colors now faded to Easter hues
Ocean Vuong
There was no shame, the boy thought, in losing yourself to something as natural as gravity—where one doesn’t jump but is pulled, blameless, toward the sea. If nothing else, this would hurt his mother least.
Ocean Vuong (The Emperor of Gladness)
Where "a home," like this one, is often a place to hide the aging body, the crepe-paper skin, the wounds weeping with yellow sap, anemic bruises that stay for weeks, bloodshot brown eyes. How is it that we have become so certain that the sight of years, the summation of decades, should inflict such violence on the viewer - including family - that we have built entire fortresses to keep such bodies out of sight?
Ocean Vuong (The Emperor of Gladness)
Later, while eating Wendy's french fries in Noah's truck bed, Hai read the first chapter aloud as Noah stared at the stars, the engine ticking beneath them as their heads buzzed from oxy and strawberry milkshakes.
Ocean Vuong (The Emperor of Gladness)
but where was she going? She was going to a place where freedom is promised yet made possible only by a contained egalitarian space fashioned with walls and locks, where measured nourishment is delivered each day through long corridors by staff born from a never-ending elsewhere who forgo watching their own children grow up in order to watch strangers grow old, all this to keep you alive so they can suck up money from your bank account while you're warm, immobilized by tranquilizers, and satiated and numb, a body ripe for harvest even beyond ripening. She was heading to America after all. The truest version of it. The one where everyone pays to be here.
Ocean Vuong (The Emperor of Gladness)
By the time he crossed King Philip's Bridge, he was delirious with want for everything unreachable. entire lifetimes seemed within his grasp, and producible within this one, then vaporized with his breath fogging over his head.
Ocean Vuong (The Emperor of Gladness)
delivered each day through long corridors by staff born from a never-ending elsewhere who forgo watching their own children grow up in order to watch strangers grow old, all this to keep you alive so they can suck up money from your bank account while you’re warm, immobilized by tranquilizers, and satiated and numb, a body ripe for harvest even beyond ripening. She was heading to America after all. The truest version of it. The one where everyone pays to be here.
Ocean Vuong (The Emperor of Gladness)
Mornings, when the light rinses this place the shade of oatmeal, they rise as mist over the rye across the tracks and stumble toward the black-spired pines searching for their names, names that no longer live in any living thing’s mouth.
Ocean Vuong (The Emperor of Gladness)
At one point Hai opened the window to let the spring in, and it seemed to lift everyone inside, their heads leaning back to relish the sweet-scented flourish. Only in springtime, it seemed, does gravity work backward here, the dandelion pollen rising in great squalls, the flower buds shooting up, further from the ground, as if pulled by the sky's sudden need for them, all of it under the crisp brilliance of April sunlight. Watching this, Hai felt himself displaced by a wild, untenable gratitude.
Ocean Vuong (The Emperor of Gladness)
How could he have told her then that he had dropped out because Noah had overdosed, like nearly a dozen kids from his high school class, on a bad batch of fent-dope, and that a boy whose face she'd never seen had become the boy whose face he couldn't forget?
Ocean Vuong (The Emperor of Gladness)
Hai realised, for the first time, in the smoky light that made Russia’s blue hair tinge silver with sweat, that the boy was handsome - but in the way that reveals itself only after you know a person for a while, the way a doorknob is polished to brilliance with use.
Ocean Vuong (The Emperor of Gladness)
These people, bound by nothing but toil in a tiny kitchen that was never truly a kitchen, paid just above minimum wage, their presence known to each other mostly through muscle memory, the shape of their bodies ingrained in the psyche from hours of periphery maneuvering through the narrow counters and back rooms of a fast-food joint designed by a corporate architect, so that they would come to know the sound of each other’s coughs and exhales better than those of their kin and loved ones. They, who owe each other nothing but time, the hours collectively shouldered into a shift so that they might finish on time, now brought to their knees in a forest to gather around a half-burnt headrest of a Nissan Maxima on a Tuesday in mid-April, their bodies finally touching, a mass of labor cobbled together by a boy’s hallowed loss—on the clock.
Ocean Vuong (The Emperor of Gladness)
No one in his life knew he had such a friend until now, until Sergeant Pepper told here. Somebody goes ahead and dies and all of a sudden you become a box for them, he thought, you store these things that no one has ever seen and you go on living like that, your head a coffin to keep memories of the dead alive.
Ocean Vuong (The Emperor of Gladness)
Because to remember is to fill the present with the past, which meant that the cost of remembering anything, anything at all, is life itself. We murder ourselves, he thought, by remembering. The idea made him sick. And without knowledge of his own legs moving beneath him, he crossed the hall to his bedroom, fished the contact lens case from his jacket pocket, and, having been sober for forty-seven days, tossed the Perc and codeines back in one gulp, then returned to where Grazina lay slumped in the jeep. “Good night,” he said, but then saw her lips moving. “What’s that?” He crouched down. “I said…” She swallowed and blinked. “We made it.” “We made it?” he asked.
Ocean Vuong (The Emperor of Gladness)
So my pleasure in addressing you will keep pace with the joy in my heart at the glad news of the complete conversion of your people. ‘I have sent some small presents, which will not appear small to you, since you will receive them with the blessing of the blessed Apostle Peter. May Almighty God continue to perfect you in His grace, prolong your life for many years, and after this life receive you among the citizens of your heavenly home. May the grace of heaven preserve Your Majesty in safety. ‘Dated the twenty-second day of June, in the nineteenth year of our most pious lord and Emperor Maurice Tiberius Augustus, and the eighteenth after his Consulship: the fourth indiction.
Bede (Ecclesiastical History of the English People: with Bede's Letter to Egbert and Cuthbert's Letter on the Death of Bede)
After Bà ngoại died, his mother’s light dimmed, and seeing her shriveled in the corner of the couch, her head down and lit blue by her Game Boy, playing endless Tetris day after day, her hair thinning, he figured he had to do something. You lose the dead as the earth takes them, but the living you still have a say in. And so he said it. And so he lied.
Ocean Vuong (The Emperor of Gladness)
And there was this might clear sky full of stars that made you stop and look up, your head empty as a ladle as you tried to locate yourself inside an immeasurable universe. And no one knows where you are and you feel, for a tiny second, that you have no parents, that they never existed at all, which is impossible and shameful to love, but I did. I loved that feeling.
Ocean Vuong (The Emperor of Gladness)
Every generation says this of itself, but these were indeed bewildering times he lived in, a time before iPhones were everywhere, and people still looked up as they walked, their heads filled with self-generated thoughts floating up from deep pits in the subconscious. A time when you still knocked on each other’s doors, and if you wanted to talk to somebody, you had to call them on a landline, listen
Ocean Vuong (The Emperor of Gladness)
It's a town where high school kids, having nowhere to go on Friday nights, park their stepfathers' trucks in the unlit edges of the Walmart parking lot, drinking Smirnoff out of Poland Spring bottles and blasting Weezer and Lil Wayne until they look down one night to find a baby in their arms and realize they're thirtysomething and the Walmart hasn't changed except for its logo, brighter now, lending a bluish glow to their time-gaunt faces.
Ocean Vuong (The Emperor of Gladness)
You know what my favorite kind of light is?" Hai said after a while, chewing and staring at the Sgt. Pepper's sign. "What kind?" said BJ. "The one that comes from a microwave left open in a dark room." "Say again?" BJ looked at him over her pizza. "I can't explain it. But it's the kind of light that makes you think about people. You feel both lost but also at peace with everything, and it makes you want to call somebody on the phone for no reason.
Ocean Vuong (The Emperor of Gladness)
We are the blur in the windows of your trains and minivans, your Greyhounds, our faces mangled by wind and speed like castaway Munch paintings. The only things we share with the city are the ambulances, being close enough to Hartford for them to come fetch us when we’re near dead or rattling away on steel gurneys without next of kin. We live on the edges but die in the heart of the state. We pay taxes on every check to stand on the sinking banks of a river that becomes the morgue of our dreams.
Ocean Vuong (The Emperor of Gladness)
It’s a root. And roots prevent you from getting the blues.” She picked one from the bowl; it gleamed under the kitchen light. “You see, carrots become bright orange because it’s so dark in the ground. They make their own light because the sun never reaches that far— like those fish in the ocean who glow from nothing? So when you eat it, you take in the carrot’s will to go upward. To heaven.” She tucked the carrot back in the bowl, gently, as if it were a tiny person. “Ever heard of a rabbit jumping off a bridge?” she winked. “Of course not. That’s because they have the light in them.
Ocean Vuong (The Emperor of Gladness)
The boy wasn't beautiful. Not even handsome in this gentle, dusky light. It was only that they were the same age, and that they worked there, shoulder touching through the steaming, aching hours, passing cigarettes back and forth in this lot, the filter's taste changing: slick and slightly sweeter from the blue Gatorade Russia sipped through his shift. Can camaraderie - the bond of working in unison - be eno0ught to make you want to put your mouth to a kid with a busted face, to find him somehow more complete despite his unrecognizable beauty, the smell of his armpits seeping through his work polo, that garlicky, vinegary scent of humanness canceling the drugstore deodorant he wore to hide it? Yes, Hai realized now - it was.
Ocean Vuong (The Emperor of Gladness)
Hai shook his head and wiped his mouth of chicken grease. "The chicken's amazing, that's all." Which was partly true. He took another bite as the faces around him warped into watery colors and felt granted into a realm much greater than his sad, little life, which made his troubles seem suddenly ethereal and elsewhere. He not only had a position in the company - but the company had no idea what his past looked like because none of that mattered. He had become an employee and thus had obtained an eternal present, manifested only by his functional existence on the time care. He had no history because one was not required of him, and having no history also meant having no sadness. Instead he was part of a workforce that fed people. He was America's fuel. And he was burning to be used, to be useful.
Ocean Vuong (The Emperor of Gladness)
The division of Europe into a number of independent states, connected, however, with each other by the general resemblance of religion, language, and manners, is productive of the most beneficial consequences to the liberty of mankind. A modern tyrant, who should find no resistance either in his own breast, or in his people, would soon experience a gentle restraint from the example of his equals, the dread of present censure, the advice of his allies, and the apprehension of his enemies. The object of his displeasure, escaping from the narrow limits of his dominions, would easily obtain, in a happier climate, a secure refuge, a new fortune adequate to his merit, the freedom of complaint, and perhaps the means of revenge. But the empire of the Romans filled the world, and when the empire fell into the hands of a single person, the world became a safe and dreary prison for his enemies. The slave of Imperial despotism, whether he was condemned to drag his gilded chain in rome and the senate, or to were out a life of exile on the barren rock of Seriphus, or the frozen bank of the Danube, expected his fate in silent despair. To resist was fatal, and it was impossible to fly. On every side he was encompassed with a vast extent of sea and land, which he could never hope to traverse without being discovered, seized, and restored to his irritated master. Beyond the frontiers, his anxious view could discover nothing, except the ocean, inhospitable deserts, hostile tribes of barbarians, of fierce manners and unknown language, or dependent kings, who would gladly purchase the emperor's protection by the sacrifice of an obnoxious fugitive. "Wherever you are," said Cicero to the exiled Marcellus, "remember that you are equally within the power of the conqueror.
Edward Gibbon (Decline and Fall of the Roman Empire)
There’s my girl,” he said. “On her feet already. You’ll be a military officer in no time with an attitude like that.” Kestrel sat. She gave him a slight, ironic smile. He returned it. “What I meant to say is that I’m glad you’re better, and that I’m sorry I can’t go to the Firstwinter ball.” It was good that she was already sitting. “Why would you want to go to a ball?” “I thought I would take you.” She stared. “It occurred to me that I have never danced with my daughter,” he said. “And it would have been a wise move.” A wise move. A show of force, then. A reminder of the respect due to the general’s family. Quietly, Kestrel said, “You’ve heard the rumors.” He raised a hand, palm flat and facing her. “Father--” “Stop.” “It’s not true. I--” “We will not have this discussion.” His hand lifted to block his eyes, then fell. “Kestrel, I’m not here for that. I’m here to tell you that I’m leaving. The emperor is sending me east to fight the barbarians.” It wasn’t the first time in Kestrel’s memory that her father had been sent to war, but the fear she felt was always the same, always keen. “For how long?” “As long as it takes. I leave the morning of the ball with my regiment.” “The entire regiment?” He caught the tone in her voice. He sighed. “Yes.” “That means there will be no soldiers in the city or its surroundings. If there’s a problem--” “The city guard will be here. The emperor feels they can deal with any problem, at least until a force arrives from the capital.” “Then the emperor is a fool. The captain of the city guard isn’t up to the task. You yourself said that the new captain is nothing but a bungler, someone who got the position because he’s the governor’s toady--” “Kestrel.” His voice was quelling. “I’ve already expressed my reservations to the emperor. But he gave me orders. It’s my duty to follow them.” Kestrel studied her fingers, the way they wove together. She didn’t say Come back safely, and he didn’t say I always have. She said what a Valorian should. “Fight well.” “I will.” He was halfway to the door when he glanced back and said, “I’m trusting you to do what’s right while I’m gone.” Which meant that he didn’t trust her--not quite.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
From these dimensions emerge the alternative identity and lifestyle or practices of these followers of Jesus: 1. Instead of looking to Abraham, Enoch, Moses, Baruch, Ezra, and Solomon, or to the synagogue's leadership, or to imperial ideology for revelations about acceptable teaching and praxis, this community looks to Jesus to manifest God's will. 2. Instead of commitment to the emperor as head of the empire, this community is to follow Jesus crucified by the empire (chs. 26-27). 3. Instead of embracing Pax Romana, this community encounters, proclaims and prays for God's empire (4:17; 6:10; 12:28; 24-25). 4. Instead of understanding the emperor as manifesting the will of the gods, this community finds God's saving presence and will manifested in Jesus, Emmanuel (1:23; passim; 18:20; 28:20). 5. Instead of gladly embracing imperial power, this community is to critique kingship and leadership (ch. 2; 14:1-12; 20:20-28; 27). 6. Instead of supporting imperial power as the sustainer of order, this community sides with the prophetic tradition (John the Baptist, ch. 3) in calling it to account.
Warren Carter (Matthew and the Margins: A Sociopolitical and Religious Reading: A Socio-Political and Religious Reading / Warren Carter. (Bible and Liberation))
More dangerous than anything else in the minds of sober authorities was Miintzer's vision of a level society where emperor, king, pope, bishops, and other officials in a social and economic hierarchy gave way to pure democracy where all Christians were equal in the sight of God and one another, a universal society of love and kinship. Those who refused to lower themselves from their commanding heights would be pulled down by force of arms.'" Muntzer's appeal to the poor brought an immediate and enthusiastic response-and fear and hatred from many who saw in him a harbinger of revolution, although, as in the French Revolution much later, some of the wealthy heard him gladly and were ready to throw in their lot with him. Mentzer seemed to go from peak to peak of certainty and fanaticism. He began organizing recruits for the great apocalyptic war that would inaugurate the thousand-year kingdom of Christ. In March 1524 he preached a fierce sermon, using as a text Deuteronomy 7:5, "Ye shall destroy their altars, and break down their images, and cut down their groves, and burn their graven images with fire." His followers rushed out to set fire to the Mallerbach Chapel near Allstedt, where a picture of the Virgin was said to have miraculous powers to cure the sick.
Richard Marius (Martin Luther: The Christian between God and Death)
The always suspicious Tiberius was given an enormous fish and promptly beat the fisherman about the face with it. The fisherman, in thoughtless simplicity, responded with the comment that he was glad he hadn’t given the emperor the oversize lobster he had also collected.
Elizabeth Speller (Following Hadrian: A Second-Century Journey through the Roman Empire)
The blade was unsheathed. It had two cutting edges. The crossguard was short, meant to protect a much smaller hand than Arin’s, and was hooked in the Valorian style. Everything about the dagger was Valorian. The courtiers buzzed. His face. Who did it? That blade. Whose it it? That’s a lady’s dagger. How did he get it? Stole it, maybe. Or…could it have been a gift? Arin almost heard the whispered words. “Your welcome has been so much more than I could expect,” Arin said. The emperor smiled a little. His eyes didn’t leave Arin’s hand on the dagger’s hilt. Arin was glad. He thought that the emperor was quite pleased with his son’s engagement to the military’s favorite daughter. The marriage would make General Trajan part of the imperial family…and would renew the soldiers’ loyalty to the emperor. But there were those rumors. Even the minting of an engagement coin hadn’t laid them to rest. It was the first time that Arin thought of the rumors about him and Kestrel coldly. He thought about them as something he could use. Yes, Arin bargained that if he lifted his hand to reveal the hilt and seal of Kestrel’s dagger, it would be recognized. Courtiers would gasp. Arin could make rumor look real. A Valorian always wore her dagger, except in the bath or bed. Whether the courtiers judged it a theft or gift, they would think very hard about how close Arin must have been to Kestrel in order to take her blade.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Once upon a time,” I began. “There was a little boy born in a little town. He was perfect, or so his mother thought. But one thing was different about him. He had a gold screw in his belly button. Just the head of it peeping out. “Now his mother was simply glad he had all his fingers and toes to count with. But as the boy grew up he realized not everyone had screws in their belly buttons, let alone gold ones. He asked his mother what it was for, but she didn’t know. Next he asked his father, but his father didn’t know. He asked his grandparents, but they didn’t know either. “That settled it for a while, but it kept nagging him. Finally, when he was old enough, he packed a bag and set out, hoping he could find someone who knew the truth of it. “He went from place to place, asking everyone who claimed to know something about anything. He asked midwives and physickers, but they couldn’t make heads or tails of it. The boy asked arcanists, tinkers, and old hermits living in the woods, but no one had ever seen anything like it. “He went to ask the Cealdim merchants, thinking if anyone would know about gold, it would be them. But the Cealdim merchants didn’t know. He went to the arcanists at the University, thinking if anyone would know about screws and their workings, they would. But the arcanists didn’t know. The boy followed the road over the Stormwal to ask the witch women of the Tahl, but none of them could give him an answer. “Eventually he went to the King of Vint, the richest king in the world. But the king didn’t know. He went to the Emperor of Atur, but even with all his power, the emperor didn’t know. He went to each of the small kingdoms, one by one, but no one could tell him anything. “Finally the boy went to the High King of Modeg, the wisest of all the kings in the world. The high king looked closely at the head of the golden screw peeping from the boy’s belly button. Then the high king made a gesture, and his seneschal brought out a pillow of golden silk. On that pillow was a golden box. The high king took a golden key from around his neck, opened the box, and inside was a golden screwdriver. “The high king took the screwdriver and motioned the boy to come closer. Trembling with excitement, the boy did. Then the high king took the golden screwdriver and put it in the boy’s belly button.” I paused to take a long drink of water. I could feel my small audience leaning toward me. “Then the high king carefully turned the golden screw. Once: Nothing. Twice: Nothing. Then he turned it the third time, and the boy’s ass fell off.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
Ouyang realized his hand was clenched around his chopsticks. He laid them down and said, “If that’s the case—my lord, why not ask the Prince of Henan if I can come with you to the Spring Hunt?” Esen looked up with delight. “Really? I will, gladly. The only reason I haven’t already is because I thought you’d never come. I know how much you hate smiling and making conversation.” “I suppose I should take my own advice. If the Great Khan knows your name, perhaps he should also know mine.” “This pleases me. Truly.” Esen attacked the steamed ginseng chicken with renewed vigor, smiling. The residence’s doors banged and slammed as if by angry ghosts, and Ouyang felt his ancestors’ eyes upon him as he ate with the son of his family’s murderer, the person he held dearest in all the world.
Shelley Parker-Chan (She Who Became the Sun (The Radiant Emperor, #1))
She had a hole in her, a thirsty place that gladly drank attention, compliments and praise.
Ijen Kim (The Sunset Emperor)
What I say is my business. How you react to it is your business To ascertain someone’s true character, don't listen to what they say, look at what they do The more intelligent you are, the more of an individual you are (same with creativity). Memory is the prison and imagination the key that frees us from our prejudice and preconceptions Attention addiction is the most pernicious of addictions. People will destroy themselves and the lives of others around them, just to get or keep attention focused on them and their need for its drug like dependency Sensitive people are more present than the insensitive, which is why the former jump at the sound of a pin dropping and the latter, not even to a ton weight falling beside them What you admire you mourn the passing of. What you despise, you are glad to see the back of Memory and perception depends upon silence and stillness as forgetting depends upon noise and motion (concentration / dispersal of energy and attention) Reality is not open to discussion. It is not something that changes with your opinion. It works how it works because that is how it works. The laws of reality are the laws of reality and that is it. If seeing is believing, is hearing deceiving (Being told the Emperor has got new clothes, versus seeing he hasn’t)? Stillness and silence is about staying present in the present. Noise and motion is abandonment (moving away from your position in time and space). Discovery is live, that is of the present. Memory is of the dead past (a recording). The first is always a surprise to you, the second is not. People mistake where consciousness is directed as being consciousness itself, which it isn’t If we think that we can't solve a problem, we want to eradicate it instead (stop it dead). If we can find a solution, we want to pat ourselves on the back for our creativity or understanding (keeping life / existence moving on, instead of it grinding to a halt). Culture, habit is that which reinforces our sense of identity Concentration is control because you are being present Thinking is an individual task, it is not a discussion with others, which is an exchange of ideas (other people’s thoughts) You will never understand a problem and resolve it, without exploring it and in depth. To some, yesterday is the nightmare and tomorrow the dream, to others it is the reverse Everything seems crazy until you understand it, when it instantly makes sense, even if you you still don’t think it’s sensible
Tony Sandy
The authors who gathered around my magazine New Worlds shared my feelings that through literary SF we could regenerate Anglophone fiction. I am glad to say this experiment largely succeeded, so that most of our best-known literary writers employ techniques which we were responsible for developing. The latest Thomas Pynchon novel, Against the Day, as well as work by Martin Amis, Salman Rushdie, Don DeLillo, Brett Easton Ellis and many, many other writers contains methods first developed in New Worlds. We were all, of course, part of the general zeitgeist which was also influenced by non-European fiction and created what some came to call "magic realism." --Michael Moorcock, Introduction to the Taiwan Edition of Elric
Michael Moorcock (Elric in the Dream Realms (Chronicles of the Last Emperor of Melniboné, #5))
He was nineteen, in the midnight of his childhood and a lifetime from first light. He had not been forgiven and neither are you.
Ocean Vuong (The Emperor of Gladness)
It was only when he glimpsed, between the rail ties, the river swirling so massive below, a place you could slip cleanly into, that something in him both jolted and withered at once.
Ocean Vuong (The Emperor of Gladness)
The Emperor was unreasonably partial to his eldest son; he would have been glad to have had the barons and peers demand Charlot for their only sovereign; but that prince was so infamous, for his falsehood and cruelty, that the council strenuously opposed the Emperor’s proposal of abdicating, and implored him to continue to hold a sceptre which he wielded with so much glory.
Thomas Bulfinch (Bulfinch's Mythology: All Volumes)