Pleasures Of The Flesh Quotes

In life there are two things which are dependable. The pleasures of the flesh and the pleasures of literature.

All my life,” she said, “I have been told ‘go’ and ‘come.’ I am told how I will live, and I am told how I must die. I must be a man’s servant and a mare for his pleasure, or I must hide myself behind walls and surrender my flesh to a cold, silent god. I would walk into the jaws of hell itself, if it were a path of my own choosing. I would rather die tomorrow in the forest than live a hundred years of the life appointed me. Please. Please let me help you.

To others, the universe seems decent because decent people have gelded eyes. That is why they fear lewdness. They are never frightened by the crowing of a rooster or when strolling under a starry heaven. In general, people savor the "pleasures of the flesh" only on condition that they be insipid. But as of then, no doubt existed for me: I did not care for what is known as "pleasures of the flesh" because they really are insipid; I cared only for what is classified as "dirty." On the other hand, I was not even satisfied with the usual debauchery, because the only thing it dirties is debauchery itself, while, in some way or other, anything sublime and perfectly pure is left intact by it. My kind of debauchery soils not only my body and my thoughts, but also anything I may conceive in its course, that is to say, the vast starry universe, which merely serves as a backdrop.

To others, the universe seems decent because decent people have welded eyes. That is why they fear lewdness. They are never frightened by the crowing of a rooster or when strolling under a starry heaven. In general, people savor the "pleasures of the flesh" only on the condition that they may be insipid.

Once you are defiled, you can't get back your purity by any means, instead, you will only look for ways to be defiled over and over again.

...when we say we're looking for a spiritual adviser, we're really looking for someone to tell us what to do with our bodies. Decisions of the flesh. We forget to learn from pleasure as well as pain.

Men, dazed by pleasure, absent-mindedly sow their seed. Overcome by their orgasm, they fertilize us. They show up inside us and withdraw, leaving, concealed in our flesh, their ghost, like a lost object.

know that when I die somebody’s going to sell my flesh on the black market, one of my awful distant relatives. That’s why I smoke and drink, so I taste bitter and no one gets any pleasure out of my death.” She takes a quick drag and says, “Today I’m the butcher, tomorrow I might be the cattle.

Bondage is a pleasure of the mind just as much as it is of the flesh.

I hope that George doesn't internalize her scare tactics. I want to argue with her, tell her that "sins of the flesh" is just a control mechanism -- if you demonize a person's pleasure, then you can control his or her life. I can't say how many times this tool has been wielded against me, in a variety of forms. But I see no sin in a kiss. I only see sin in the condemnation.

God gave woman a clitoris--a small little bit of flesh with only one purpose--transcendent sexual pleasure. So how is it that some people believe God and sex shouldn't be in the same sentence?

It's possible, and I stress possible, that such a moment may never come: you may not fall in love, you may not be able to or you may not wish to give your whole life to anyone, and, like me, you may turn forty-five one day and realize that you're no longer young and you have never found a choir of cupids with lyres or a bed of white roses leading to the altar. The only revenge left for you then will be to steal from life the pleasure of firm and passionate flesh - a pleasure that evaporates faster than good intentions and is the nearest thing to heaven you will find in this stinking world where everything decays, beginning with beauty and ending with memory.

To others, the universe seems decent because decent people have gelded eyes. That is why they fear lewdness. They are never frightened by the crowing of a rooster or when strolling under a starry heaven. In general, people savour the “pleasures of the flesh” only on condition that they be insipid.

You, yesterday’s boy, to whom confusion came: Listen, lest you forget who you are. It was not pleasure you fell into. It was joy. You were called to be bridegroom, though the bride coming toward you is your shame. What chose you is the great desire. Now all flesh bares itself to you. On pious images pale cheeks blush with a strange fire. Your senses uncoil like snakes awakened by the beat of the tambourine. Then suddenly you’re left all alone with your body that can’t love you and your will that can’t save you. But now, like a whispering in dark streets, rumors of God run through your dark blood.

After all, the three of us were young. It wasn’t just about the pleasure of the flesh. No, it wasn’t that simple. The flesh is easy to satisfy. It’s the heart that is insatiable, the heart that needs to love, to despair, to burn with any kind of fire…That was what we wanted. To burn, to be consumed, to devour our days just as fire devours the forest.

Yet i say to you, do not rush to marriage for it is a deep and perfect thing. Test first, that you may be certain you are called to it by love, and not simply by pleasures of the flesh which will consume themselves and leave only ashes and misery

Passing stranger! You do not know how longingly I look upon you, You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,) I have somewhere surely lived a life of joy with you, All is recall’d as we flit by each other, fluid, affectionate, chaste, matured, You grew up with me, were a boy with me, or a girl with me, I ate with you, and slept with you—your body has become not yours only, nor left my body mine only, You give me the pleasure of your eyes, face, flesh, as we pass—you take of my back, breast, hands, in return, I am not to speak to you—I am to think of you when I sit alone, or wake at night alone, I am to wait—I do not doubt I am to meet you again, I am to see to it that I do not lose you.

In the medieval tradition, Beksinski seems to believe art to be a forewarning about the fragility of the flesh– whatever pleasures we know are doomed to perish– thus, his paintings manage to evoke at once the process of decay and the ongoing struggle for life. They hold within them a secret poetry, stained with blood and rust.

Infinite possibilities open to me at once. That's right, I'm no longer human. I've been set free from my broken body, that husk of flesh and bone that has been prepared all its existence to be used for the whims and pleasures of men.

There must be a glowing light above such houses. The joy they contain must escape in light through the stones of the walls and shine dimly into the darkness. It is impossible that this sacred festival of destiny should not send a celestial radiation to the infinite. Love is the sublime crucible in which is consummated the fusion of man and woman; the one being, the triple being, the final being-- the human trinity springs from it. This birth of two souls into one space must be an emotion for space. The lover is priest; the apprehensive maiden submits. Something of this joy goes to God. Where there really is marriage, that is to say, where there is love, the ideal is mingled with it. A nuptial bed makes a halo in the darkness. Were it given to the eye of the flesh to perceive the fearful and enchanting sights of the superior life, it is likely that we should see the forms of night, the winged stranger, the blue travelers of the invisible, bending, a throng of shadowy heads, over the luminous house, pleased, blessing, showing to one another the sweetly startled maiden bride and wearing the reflection of the human felicity on their divine countenances. If at that supreme hour, the wedded pair, bewildered with pleasure, and believing themselves alone, were to listen, they would hear in their room a rustling of confused wings. Perfect happiness implies the solidarity of the angels. That obscure little alcove has for its ceiling the whole heavens. When two mouths, made sacred by love, draw near to each other to create, it is impossible, that above that ineffable kiss there should not be a thrill in the immense mystery of the stars.

Every spirit passing through the world fingers the tangible and mars the mutable, and finally has come to look and not to buy. So shoes are worn and hassocks are sat upon and finally everything is left where it was and the spirit passes on, just as the wind in the orchard picks up the leaves from the ground as if there were no other pleasure in the world but brown leaves, as if it would deck, clothe, flesh itself in flourishes of dusty brown apple leaves, and then drops them all in a heap at the side of the house and goes on.

I am an Angel of the Light. You should not be touching my sweet, innocent flesh this way. I am a Vessel of Purity, undefiled by the pleasures of the flesh.

Consider the capacity of the human body for pleasure. Sometimes, it is pleasant to eat, to drink, to see, to touch, to smell, to hear, to make love. The mouth. The eyes. The fingertips, The nose. The ears. The genitals. Our voluptific faculties (if you will forgive me the coinage) are not exclusively concentrated here. The whole body is susceptible to pleasure, but in places there are wells from which it may be drawn up in greater quantity. But not inexhaustibly. How long is it possible to know pleasure? Rich Romans ate to satiety, and then purged their overburdened bellies and ate again. But they could not eat for ever. A rose is sweet, but the nose becomes habituated to its scent. And what of the most intense pleasures, the personality-annihilating ecstasies of sex? I am no longer a young man; even if I chose to discard my celibacy I would surely have lost my stamina, re-erecting in half-hours where once it was minutes. And yet if youth were restored to me fully, and I engaged again in what was once my greatest delight – to be fellated at stool by nymphet with mouth still blood-heavy from the necessary precautions – what then? What if my supply of anodontic premenstruals were never-ending, what then? Surely, in time, I should sicken of it. “Even if I were a woman, and could string orgasm on orgasm like beads on a necklace, in time I should sicken of it. Do you think Messalina, in that competition of hers with a courtesan, knew pleasure as much on the first occasion as the last? Impossible. “Yet consider. “Consider pain. “Give me a cubic centimeter of your flesh and I could give you pain that would swallow you as the ocean swallows a grain of salt. And you would always be ripe for it, from before the time of your birth to the moment of your death, we are always in season for the embrace of pain. To experience pain requires no intelligence, no maturity, no wisdom, no slow working of the hormones in the moist midnight of our innards. We are always ripe for it. All life is ripe for it. Always.

...each living creature is said to be alive and to be the same individual-- as for example someone is said to be the same person from when he is a child until he comes to be an old man. And yet, if he's called the same, that's despite the fact that he's never made up from the same things, but is always being renewed, and losing what he had before, whether it's hair, or flesh, or bones, or blood, in fact the whole body. And don't suppose that this is just true in the case of the body; in the case of the soul, too, its traits, habits, opinions, desires, pleasures, pains, fears-- none of these things is ever the same in any individual, but some are coming into existence, others passing away.

 We derive our greatest pleasures not from novelty but from familiarity.

And then they would watch her closely as the dark, coagulated masses took form before her eyes, became flesh and bone, became gradually human. For all their show of reluctance, she had a sense that they enjoyed introducing her to these horrors, as seducers took pleasure in the corruption of innocence.

I started out believing that life was made just so the world would have some way to think about itself, but that it had gone awry with humans because flesh, pinioned by misery, hangs on to it with pleasure.

What he felt, though, was the echo of her flesh, and the reverberations of their farewell, with all its doubts and pleasures.

The sins of the flesh are bad, but they are the least bad of all sins. All the worst pleasures are purely spiritual: the pleasure of putting other people in the wrong, of bossing and patronising and spoiling sport, and back-biting, the pleasures of power, of hatred.

Cyrano’s response is telling; consenting to eat only for fear that to refuse to do so might grieve the sweetmeat vendor, he takes a single grape, a glass of water, and half a macaroon. His abstemiousness with regard to the pleasures of the table extends symbolically to all pleasures of the flesh; a facet of his idealism, which leads him to prefer contemplation of the stars and the moon over more earthly and earthy delights, we will see as the play progresses that this tendency toward self-denial comes close to a philosophy of life—such that he manages to reach the end of the play and the end of his life without having conquered the object of his desire.

Husbands and wives, recognize that in marriage you have become one flesh. If you live for your private pleasure at the expense of your spouse, you are living against yourself and destroying your joy. But if you devote yourself with all your heart to the holy joy of your spouse, you will also be living for your joy and making a marriage after the image of Christ and His church.

He crashed over me like a wave and I was drowning. He shone so brightly and I was burning. Touched, by his hands and his body and his unintended mercies, I needed my distance back. Difficult, though, when my skin sang at his closeness and I blazed with wanting. I wanted to put my lips against his neck. I wanted to lick the sweat from where it would gather like glitter in the secret hollows of his flesh. I wanted him naked in my arms, like I'd had him in Brighton, but with not even darkness between us this time. I wanted to give him pleasure. Lavish him in it. Bedeck him with it, like pirate gold. Weave him a crown of my lost dreams. I wanted to kneel at his feet and suck his cock. I wanted him on his back, so I could look into his eyes while I fucked him.

Magical properties were attributed to it. Its brew was sipped on the steps of sacrificial temples; its ecstasies were fierce and terrible. Is this what he fears? Corruption by pleasure, the subtle transubstantiation of the flesh into a vessel for debauch?

I'm sorry." Her voice cracked. "McKenna-" "Not sorry enough." He pressed his wet face to hers, his mouth rubbing over her cheeks and chin in feverish, rough half kisses, as if he wanted to devour her. "Not nearly enough. You say you've had to live without your heart...how would you like to lose your soul as well? I've cursed every day I've had to live without you, and every night that I spent with another woman, wishing that it was you in my arms-" "NO-" she moaned. "Wishing," he continued fiercely, "for some way to stop the memories of you from eating away at me until there was nothing left inside. I've found no peace anywhere, not even in sleep. Not even in dreams..." He broke off and assaulted her with hungry, shuddering kisses. The taste of his tears, his mouth, made Aline disoriented and hot, her head reeling from shocks of pleasure. McKenna seemed possessed by a passion that bordered on violence, his lungs wracked with hard breaths, his hands tightening with a force that threatened to leave bruises on her tender flesh. "By God," he said with the vehemence of a man to whom entirely too much had happened, "In the past few days I've suffered the torments of the damned, and I've had enough!

Singing is my pleasure, but not in church, for the parson said the gargoyles must remain on the outside, not seek room in the choir stalls. So I sing inside the mountain of my flesh, and my voice is as slender as a reed and my voice has no lard in it. When I sing the dogs sit quiet and people who pass in the night stop their jabbering and discontent and think of other times, when they were happy. And I sing of other times, when I was happy, though I know that these are figments of my mind and nowhere I have been. But does it matter if the place cannot be mapped as long as I can still describe it?

The short and obscene sentence of Poseidonius about the rubbing together of two small pieces of flesh, which I have seen you copy in your exercise books with the application of a good schoolboy, does no more to define the phenomenon of love than the cord touched by the finger accounts for the infinite miracle of sounds. Such a dictum is less an insult to pleasure than to the flesh itself, that amazing instrument of muscles, blood, and skin, that red-tinged cloud whose lightning is the soul.

I am a battery hen. I live in a cage so small I cannot stretch my wings. I am forced to stand night and day on a sloping wire mesh floor that painfully cuts into my feet. The cage walls tear my feathers, forming blood blisters that never heal. The air is so full of ammonia that my lungs hurt and my eyes burn and I think I am going blind. As soon as I was born, a man grabbed me and sheared off part of my beak with a hot iron, and my little brothers were thrown into trash bags as useless alive. My mind is alert and my body is sensitive and I should have been richly feathered. In nature or even a farmyard I would have had sociable, cleansing dust baths with my flock mates, a need so strong that I perform 'vacuum' dust bathing on the wire floor of my cage. Free, I would have ranged my ancestral jungles and fields with my mates, devouring plants, earthworms, and insects from sunrise to dusk. I would have exercised my body and expressed my nature, and I would have given, and received, pleasure as a whole being. I am only a year old, but I am already a 'spent hen.' Humans, I wish I were dead, and soon I will be dead. Look for pieces of my wounded flesh wherever chicken pies and soups are sold.

A man, at least, is free; he can explore every passion, every land, overcome obstacles, taste the most distant pleasures. But a woman is continually thwarted. Inert and pliant at the same time, she must struggle against both the softness of her flesh and subjection to the law. Her will, like the veil tied to her hat by a string, flutters with every breeze; there is always some desire luring her on, some convention holding her back.

As summer neared, as the evening lengthened there came to the wakeful, the hopeful, walking the beach, stirring the pool, imaginations of the strangest kind- of flesh turned to atoms which drove before the wind, of stars flashing in their hearts, of outwardly the scattered parts of the vision within. In those mirrors, the minds of men, in those pools of uneasy water, in which cloud forever and shadows form, dreams persisted; and it was impossible to resist the strange intimation which every gull, flower, tree, man and woman, and the white earth itself seemed to declare (but if you questioned at once to withdraw) that good triumph, happiness prevails, order rules, or to resist the extra ordinary stimulus to range hither and thither in search of some absolute good, some crystal of intensity remote from the known pleasures and familiar virtues, something alien to the processes of domestic life, single, hard, bright, like a diamond in the sand which would render the possessor secure. Moreover softened and acquiescent, the spring with their bees humming and gnats dancing threw her cloud about her, veiled her eyes, averted her head, and among passing shadows and fights of small rain seemed to have taken upon her knowledge of the sorrows of mankind.

They had imagined too often and too much and so they had exhausted all their possibilities. When they embraced each other’s phantoms, each in his separate privacy has savoured the most refined of pleasures but, connoisseurs of unreality as they were, they could not bear the crude weight, the rank smell and the ripe taste of real flesh. It is always a dangerous experiment to act out a fantasy; they had undertaken the experiment rashly and had failed…

I used to think of my body as an instrument, of pleasure, or a means of transportation, or an implement for the accomplishment of my will. I could make it run, push buttons, of one sort or another, make things happen. There were limits but my body was nevertheless lithe, single, solid, one with me. Now the flesh arranges it self differently.

The body seems to feel beauty when exposed to it as it feels the campfire or sunshine, entering not by the eyes alone, but equally through all one's flesh like radiant heat, making a passionate ecstatic pleasure glow not explainable.

You must convince your readers that your characters are flesh and blood rather than words on dead skin, that their loves and hatreds and passions are as deep and present as the readers' own. Your task is to delight, to pleasure, to lift your reader to another sphere of being and then strand him there, floating above the earth and panting for more lines.

The flavour of that first kiss disappointed me, like fruit you taste for the first time. It's not in new things that we experience the greatest pleasure, but in habit.

On the street, men appeared to me like mad ghosts, old skeletons out of joint, whose bones, badly strung together, were falling to the pavement with a strange noise. I saw the necks turning on top of broken spinal columns, hanging upon disjointed clavicles, arms sundered from the trunks, the trunks themselves losing their shape. And all these scraps of human bodies, stripped of their flesh by death, were rushing upon one another, forever spurred on by a homicidal fever, forever driven by pleasure, and they were fighting over foul carrion.

You are impossibly cruel, Louis,’ Harry whispers, turning his body to face him so that they are nose-to-nose, heart-to-heart. Louis’ entire body is thrumming with too many emotions and too many desires and too many fears. 'You are cruel for making everything else seem dull. You are cruel for imprisoning me in your very touch—'—carefully, he brings the pads of his fingers to Louis’ cheekbones, swirls delicate patterns onto his flesh—'—for freeing me with your every word—'—his fingers slide to graze over Louis’ lips—'—and for bestowing upon me the most painful sense of longing that I’ve ever had the pleasure to suffer at the hands of. You have shown me color in a world of gray and you are cruel, Louis Tomlinson, for you take the color with you every moment that you’re not beside me. You are cruel because I will gladly suffer until the world has returned.

What I really devoured . . . was the truculence of my hosts' language: the syntax may have been brutally sloppy, but it was oh so warm in its juvenile authenticity. I feasted on their words, yes, the words flowing at that get-together of country brothers, the sort of words that, at times, delight one much more than the pleasures of the flesh. Words: repositories for singular realities which they transform into moments in an anthology, magicians that change the face of reality by adorning it with the right to become memorable, to be placed in a library of memories. Life exists only by virtue of the osmosis of words and facts, where the former encase the latter in ceremonial dress.

What precipices are sloth and pleasure! To do nothing is a sorry resolve to take; are you aware of that? To live in indolence on the goods of others, to be useless, that is to say, injurious! This leads straight to the depths of misery. Woe to the man who would be a parasite! He will become vermin! Ah, it does not please you to work! Ah, you have but one thought--to drink well, to eat well, and sleep well. You will drink water; you will eat black bread; you will sleep on a plank, with fetters riveted to your limbs, and you will feel their cold touch at night on your flesh!

But why, why all the hurt? Because, said Mr. Halloway. You need fuel, gas, someting to run a carnival on, don't you? Women live off gossip, and what's gossip but a swap of headaches, sour spit, arthritic bones, ruptured and mended flesh, indiscretions, storms of madness, calms after the storms? If some people didn't have something juicy to chew on, their choppers would prolapse, their souls with them. Multiply their pleasure at funerals, their chuckling through breakfast obituaries, add all the cat-fight marriages where folks spend careers ripping skin off each other and patching it back upside around, add quack doctors slicing persons to read their guts like tea leaves, then sewing them tight with fingerprinted thread, square the whole dynamite factory by ten quadrillion, and you got the black candlepower of this one carnival. All the meannesses we harbor, they borrow in redoubled spades. They're a billion times itchier for pain, sorrow, and sickness than the average man. We salt our lives with other people's sins. Our flesh to us tastes sweet. But the carnival doesn't care if it stinks by moonlight instead of sun, so long as it gorges on fear and pain. That's the fuel, the vapor that spins the carousel, the raw stuffs of terror, the excruciating agony of guilt, the scream from real or imagined wounds. The carnival sucks that gas, ignites it, and chugs along its way.

God might have given Adam another man to be his friend, to walk and talk and argue with if that was his pleasure. But Adam needed more than the companionship of the animals or the friendship of a man. He needed a helper, specially designed and prepared to fill that role. It was a woman God gave him, a woman, “meet,” fit, suitable, entirely appropriate for him, made of his very bones and flesh.

Well, yes, yes, to be enslaved to you is a pleasure. There is, there is pleasure in the ultimate degree of humiliation and insignificance!" I went on raving. "Devil knows, maybe there is in the knout, too, when the knout comes down on your back and tears your flesh to pieces...But maybe I want to try other pleasures as well.

How is it done? By not doing. By dreaming insistently. By performing our daily duties but living, simultaneously, in the imagination. Travelling far and wide, in the geography of our minds. Conquering like Caesar, amid the blaring trumpets of our reverie. Experiencing intense sexual pleasure, in the privacy of our fantasy. Feeling everything in every way, not in the flesh, which always tires, but in the imagination.

Dr. Murray made it clear to me before I left that a woman who enhoys the Act is as loose as a harlot. God gives pleasure in it only to husbands. Women are the source of evil and temptation, therefore women are to blame when men fall into fleshly error. It was Eve who seduced Adam, Eve who entered into league with the serpent, who was the Devil in disguise. So the only pleasure women are allowed is in their children.

But what do I love, when I love You? Not beauty of bodies, nor the fair harmony of time. Not the brightness of the light, so welcome to our eyes, Nor sweet melodies of varied songs, Nor the fragrant smell of flowers, and ointments and spices. Not manna and honey, nor the embrace of arms in fleshly pleasure. None of these I love when I love my God. Yet this love is a kind of light and melody and fragrance and meat and embrace. When I love my God, the light, melody, fragrance, meat, and embrace is experienced by my inner man. Love shines into my soul, where space cannot contain it. Love speaks with sound that does not fade into silence with time. Its smells are not dispersed in breath, and its tastes do not grow stale. Love clings, and its satisfaction does not break my connection to the experience. This is it which I love, when I love my God.

For his part he sensed with despair that he wouldn’t come, no matter how long they kept at it. But this activity made him happy, he could stand here all night and offer pleasure to this other human being, this creature of form and flesh crying like an anvil.

Then she felt herself, she said, to enter into the very bosom of God, where she was transformed into her Beloved, so completely that not all the temptations of the world, the flesh, and the devil could ever separate her from His love...She gave them a conviction that she could find no pleasure on earth except in the contemplation of the divine mercy.

He came to read; two or three books are lying open: history and poetry. But after just ten minutes of reading he lets them drop. There on the sofa he falls asleep. He truly is devoted to reading- but he is twenty-three years old, and very handsome. And just this afternoon, Eros surged within his perfect limbs and on his lips. Into his beautiful flesh came the heat of passion, and there was no foolish embarrassment about the form that pleasure took..

I was no longer skin and flesh and bones. I was only feeling and sensation and pleasure coursing through my body over and over again, wringing every last muscle of its power until I collapsed against Finn who held me up so I wouldn’t fall. But it was too late. I’d already fallen.

In so much firm, pleasure-loving flesh, we cannot find the merest trace of a moral nervous system. That explains the whole enigma of Casanova's subtle genius. Lucky man that he is, he has only sensuality, and lacks the first beginnings of a soul. Bound by no ties, having no fixed aim, restrained by no prudent considerations, he can move at a different tempo from his fellow mortals, who are burdened with moral scruples, who aim at an ethical goal, who are tied by notions of social responsibility. That is the secret of his unique impetus, of his incomparable energy.

Gabriel shuddered with obvious pleasure; Joey, half out of his body with the sensation, pumped in and out with terrible urgency. Forever wouldn’t have been long enough. When Gabriel seized, Joey left himself entirely, flesh overloaded with pleasure, spirit suspended between life and death. “Joey? Are you all right?” Drawing a deep breath, Joey opened his eyes. “Never better. You?” “’Twas sweet.” Gabriel smiled. “And I was thinking. Now that we’ve both had each other – that’s as good as taking vows, isn’t it?

Swelter, as soon as he saw who it was, stopped dead, and across his face little billows of flesh ran swiftly here and there until, as though they had determined to adhere to the same impulse, they swept up into both oceans of soft cheek, leaving between them a vacuum, a gaping segment like a slice cut from a melon. It was horrible. It was as though nature had lost control. As though the smile, as a concept, as a manifestation of pleasure, had been a mistake, for here on the face of Swelter the idea had been abused.

It is absurd to contend that … vice, ecstasy, and passion would become impossible if man and woman were concretely peers; the contradictions opposing flesh to spirit, instant to time, the vertigo of immanence to the appeal of transcendence, the absolute of pleasure to the nothingness of oblivion will never disappear;

Our society is much more alienated from the theology than it is from the philosophy of Christianity. As our religious beliefs have become less strong and our view of the life hereafter less clear, morality has become more concerned with the legitimacy of material needs and pleasures. This is the idea that I think the followers of Saint-Simon expressed by saying that the flesh must be rehabilitated. It is probably the same tendency that, for some time now, appears in the writings and in the doctrines of our moral philosophers.

In Port William, more than anyplace else I had been, this religion that scorned the beauty and goodness of this world was a puzzle to me. To begin with, I don’t think anybody believed it. I still don’t think so. Those world-condemning sermons were preached to people who, on Sunday mornings, would be wearing their prettiest clothes. Even the old widows in their dark dresses would be pleasing to look at. By dressing up on the one day when most of them had leisure to do it, they had signified their wish to present themselves to one another and to Heaven looking their best. The people who heard those sermons loved good crops, good gardens, good livestock and work animals and dogs; they loved flowers and the shade of trees, and laughter and music; some of them could make you a fair speech on the pleasures of a good drink of water or a patch of wild raspberries. While the wickedness of the flesh was preached from the pulpit, the young husbands and wives and the courting couples sat thigh to thigh, full of yearning and joy, and the old people thought of the beauty of the children. And when church was over they would go home to Heavenly dinners of fried chicken, it might be, and creamed new potatoes and hot biscuits and butter and cherry pie and sweet milk and buttermilk. And the preacher and his family would always be invited to eat with somebody and they would always go, and the preacher, having just foresworn on behalf of everybody the joys of the flesh, would eat with unconsecrated relish.

‎Our life is twofold; Sleep hath its own world, a boundary between the things misnamed Death and existence. Sleep hath its own world, and a wide realm of wild reality; and dreams in their development have breath, and tears, and tortures, and the touch of joy. They leave a weight upon our waking thoughts, they take a weight off our waking toils. They do divide our being; they become a portion of ourselves as of our time, and look like heralds of eternity. They pass like spirits of the past—they speak like sibyls of the future; they have power— the tyranny of pleasure and of pain. They make us what we were not—what they will, and shake us with the vision that’s gone by, the dread of vanished shadows—Are they so? Is not the past all shadow?—What are they? Creations of the mind?—The mind can make substances, and people planets of their own, with beings brighter than have been, and give a breath to forms which can outlive all flesh. I would recall a vision which I dreamed, perchance in sleep—for in itself a thought, a slumbering thought, is capable of years, and curdles a long life into one hour.

It happened on a Valentine night. Chris was an expert panther, a James Bond. Sarah was a lamb, a Virgin Mary. It was a night of mixed feelings and inner conflict. In her flesh she felt walking on liquid gold; but in her mind, heart and soul she could not help but hate herself for partaking of this “forbidden fruit” of pleasure. Not long was the thrill gone that her soul went sinking in the quick sands of condemnation, “did you have to do it?

I found out some time back that it’s idleness breeds all our virtues, our most bearable qualities – contemplation, equableness, laziness, letting other people alone, good digestion mental and physical: the wisdom to concentrate on fleshly pleasures — eating and evacuating and fornication and sitting in the sun — than which there is nothing better, nothing to match, nothing else in all this world but to live for the short time you are loaned breath, to be alive and know it

Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.

Joy. The joy of my joy. There through everything. A shocking sense of vitality and beauty present in both happiness and in the midst of pain. The only thing I can think to compare this experience to is the experience of an excellent story—reading a great novel, say, or watching a great movie. The scene before you might be a happy one or a sad one. You might feel uplifted or you might feel heartbroken or you might feel afraid. But whatever you feel, you’re still loving the story. Through prayer, I came to experience both pleasure and sorrow in something like that way. In God, the life of the flesh became the story of the spirit. I loved that story, no matter what. During

One of the main arguments that I make is that although almost everyone accepts that it is morally wrong to inflict “unnecessary” suffering and death on animals, 99% of the suffering and death that we inflict on animals can be justified only by our pleasure, amusement, or convenience. For example, the best justification that we have for killing the billions of nonhumans that we eat every year is that we enjoy the taste of animal flesh and animal products. This is not an acceptable justification if we take seriously, as we purport to, that it is wrong to inflict unnecessary suffering or death on animals, and it illustrates the confused thinking that I characterize as our “moral schizophrenia” when it comes to nonhumans. A follow-up question that I often get is: “What about vivisection? Surely that use of animals is not merely for our pleasure, is it?” Vivisection, Part One: The “Necessity” of Vivisection | Animal Rights: The Abolitionist Approach

I quit eating meat in 1976, the same year I turned fifteen, came out, and went to my first gay rights rally (not in that order). When I say that I 'came out,' I mean that I resolved to never lie about my love for women, never deliberately pass for straight, and never deny a lover by calling her 'him.' To do so, I felt, would be to betray not only the women I desired, but my deepest self. My decision to quit meat was equally simple. Somehow, through the confluence of midseventies influences, I knew that vegetarianism was a particularly healthy way to eat. One day, quite suddenly, I realized: If I didn't need to eat meat to stay alive, then eating meat was killing for pleasure. I couldn't live with myself, wouldn't be the nonviolent person I believed myself to be, if I killed other beings--beings who had their own desires--merely to satisfy my desire for the taste of their flesh. Looking back, I see that both decisions, coming out and quitting meat, are about the interplay of desire and integrity. Sometimes integrity means being true to your desires, and sometimes integrity requires you to refuse your desires. I also notice that both decisions were about bodies and consent. A primary tenet of gay liberation is that what consenting people do with each other's bodies is nobody else's business. And, of course, eating meat is something you do to somebody else's body without their consent.

Her body gripped him in rapturous spasms as she went over the edge, lost in the pulsing intensity of feeling. His breath caught, and then he made a sound low in his throat, a velvety growl, while the heat of his release spread inside her. They relaxed together slowly in the aftermath, their joined flesh resonant with deep twitches and throbs of pleasure. Cassandra sighed and purred as his hands coasted over her tired limbs. "I think I was begging," she admitted, "near the end." Tom pressed a soft laugh against the side of her throat, and kissed her flushed skin. "No, sweet. I'm sure that was me.

Some literary recommendations: James Salter’s erotic masterpiece, A Sport and a Pastime; Anais Nin’s collections of short stories Delta of Venus and Little Birds; the erotic novels Emanuelle by Emanuelle Arsan and Story of O by Pauline Réage; Harold Brodkey’s sexual saga “Innocence”—perhaps the greatest depiction of a session of cunnilingus ever penned; novels by Jerzy Kosinski such as Passion Play and Cockpit; Henry Miller’s Under the Roofs of Paris and Quiet Days in Clichy; My Secret Life by Anonymous and The Pure and the Impure by Colette; Nancy Friday’s anthology of fantasies, Secret Garden (filled with the correspondence of real people’s fantasies); stories from The Mammoth Book of Erotica or one of the many erotic anthologies edited by Susie Bright. For those with a taste for poetry, try Les Fleurs du Mal (Flowers of Evil) by Charles Baudelaire or Flesh Unlimited by Guillaume Apollinaire. And for those who like comic books (kinky ones, that is), try the extra-hot works of writer/illustrator Eric Stanton, who specializes in female-domination fantasies.

Intelligence is a disciple, wisdom is its master. Caution is a disciple, prudence is its master. Discernment is a disciple, intuition is its master. Truth is a disciple, reality is its master. Experience is a disciple, awareness is its master. Illumination is a disciple, enlightenment is its master. Desire is a disciple, pleasure is its master. Laughter is a disciple, joy is its master. Need is a disciple, want is its master. Prudence is a disciple, virtue is its master. Knowledge is a disciple, truth is its master. The heart is a disciple, the mind is its master. The mind is a disciple, the soul is its master. The body is a disciple, the flesh is its master. The soul is a disciple, the spirit is its master. The present is a disciple, the past is its master. The future is a disciple, the present is its master. The past is a disciple, eternity is its master. Mankind is a disciple, nature is its master. Eternity is a disciple, God is its master.

St. John,” I said, “I think you are al­most wicked to talk so. I am dis­posed to be as con­tent as a queen, and you try to stir me up to rest­less­ness! To what end?” “To the end of turn­ing to profit the tal­ents which God has committed to your keep­ing; and of which He will surely one day de­mand a strict ac­count. Jane, I shall watch you closely and anx­iously—I warn you of that. And try to re­strain the dis­pro­por­tion­ate fervour with which you throw your­self into com­mon­place home pleasures. Don’t cling so tena­ciously to ties of the flesh; save your con­stancy and ar­dour for an ad­e­quate cause; for­bear to waste them on trite tran­sient ob­jects. Do you hear, Jane?” “Yes; just as if you were speak­ing Greek. I feel I have ad­e­quate cause to be happy, and I will be happy. Good­bye!

No one can successfully tell me that material things cannot bring happiness. For as the spirit is medicine to the bones; so is the happiness of the bones a medicine to the spirit. Without a soul, the body is dust; but without a body, the soul cannot fulfil destiny. Neither one is more important than the other; both are equally important. One will last longer than the other, yes, but while we are on this Earth, both are equally important. Surely money itself cannot make one happy; but it is what one does with money that makes one happy! If you do not know what to do with it, then it will not bring you happiness! But if you know what to do with it; there is no reason why it cannot bring you happiness. People think I am a very spiritual person; yes, this is true; but I have not achieved it through denial of the flesh. I have a new vision. I take pleasure in the pleasures of this world and I seek fulfilment in the answers of the spirit. I find happiness in the material and the physical things of this nature and I find joy in the connections I have with what is divine. Do I imagine myself on top of a mountain, detached from all the things I want to buy and to own? Never. My spirituality is not one of negative righteousness; my spirituality is one of the rose. It is whole and it is above as it is below.

...music does not express this or that particular and definite pleasure, this or that affliction, pain, sorrow, horror, gaiety, merriment, or peace of mind, but joy, pain, sorrow, horror, gaiety, merriment, peace of mind themselves, to a certain extent in the abstract, their essential nature, without any accessories, and so also without the motives for them. Nevertheless, we understand them perfectly in this extracted quintessence. Hence it arises that our imagination is so easily stirred by music, and tries to shape that invisible, yet vividly aroused, spirit-world that speaks to us directly, to clothe it with flesh and bone, and thus to embody it in an analogous example.

PASSING stranger! you do not know how longingly I look upon you, You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,) I have somewhere surely lived a life of joy with you, All is recall’d as we flit by each other, fluid, affectionate, chaste, matured, You grew up with me, were a boy with me, or a girl with me, 5 I ate with you, and slept with you—your body has become not yours only, nor left my body mine only, You give me the pleasure of your eyes, face, flesh, as we pass—you take of my beard, breast, hands, in return, I am not to speak to you—I am to think of you when I sit alone, or wake at night alone, I am to wait—I do not doubt I am to meet you again, I am to see to it that I do not lose you.

Now what we call "bourgeois," when regarded as an element always to be found in human life, is nothing else than the search for a balance. It is the striving after a mean between the countless extremes and opposites that arise in human conduct. If we take any one of these coupled opposites, such as piety and profligacy, the analogy is immediately comprehensible. It is open to a man to give himself up wholly to spiritual views, to seeking after God, to the ideal of saintliness. On the other hand, he can equally give himself up entirely to the life of instinct, to the lusts of the flesh, and so direct all his efforts to the attainment of momentary pleasures. The one path leads to the saint, to the martyrdom of the spirit and surrender to God. The other path leads to the profligate, to the martyrdom of the flesh, the surrender to corruption. Now it is between the two, in the middle of the road, that the bourgeois seeks to walk. He will never surrender himself either to lust or to asceticism. He will never be a martyr or agree to his own destruction. On the contrary, his ideal is not to give up but to maintain his own identity. He strives neither for the saintly nor its opposite. The absolute is his abhorrence. He may be ready to serve God, but not by giving up the fleshpots. He is ready to be virtuous, but likes to be easy and comfortable in this world as well. In short, his aim is to make a home for himself between two extremes in a temperate zone without violent storms and tempests; and in this he succeeds though it be at the cost of that intensity of life and feeling which an extreme life affords. A man cannot live intensely except at the cost of the self. Now the bourgeois treasures nothing more highly than the self (rudimentary as his may be). And so at the cost of intensity he achieves his own preservation and security. His harvest is a quiet mind which he prefers to being possessed by God, as he does comfort to pleasure, convenience to liberty, and a pleasant temperature to that deathly inner consuming fire. The bourgeois is consequently by nature a creature of weak impulses, anxious, fearful of giving himself away and easy to rule. Therefore, he has substituted majority for power, law for force, and the polling booth for responsibility.

The flesh,' as Saint Paul used the term, refers, ironically, not to our bodies but to fallen human nature. The 'carnal' spirit is the one that devours things for itself and refuses to make them an oblation to God. The carnal spirit is cruel, egocentric, avaricious, gluttonous, and lecherous, and as such us fevered, restless, and divided. The spiritual man, on the other hand, is alone the man who both knows what flesh is for and can enter into its amplitude. The lecher, for example, supposes that he knows more about love than the virgin or the continent man. He knows nothing. Only the virgin and the faithful spouse knows what love is about. The glutton supposes that he knows the pleasures of food, but the true knowledge of food is unavailable to his dribbling and surfeited jowls. The difference between the carnal man and the spiritual man is not physical. They may look alike and weigh the same. The different lies, rather, between one's being divided, snatching and grabbing at things, even nonphysical things like fame and power, or being whole and receiving all things as Adam was meant to receive them, in order to offer them as an oblation to their Giver.

His sculpture would have joy in it, try to capture the sense of fertility of Dionysus, the nature god, the power of the intoxicating drink that enabled a man to laugh and sing and forget for a while the sorrow of his earthly miseries. And then, perhaps, at the same time he could portray the decay that came with too much forgetfulness, that he saw all around him, when man surrendered his moral and spiritual values for the pleasures of the flesh. The Bacchus would be the central figure of his theme, a human being rather than a demigod; then there would be a child of about seven, sweet- faced, lovable, nibbling from a bunch of grapes. His composition would have death in it too; the tiger, who liked wine and was loved by Bacchus, with the deadest, dead skin and head conceivable

The boys asked themselves, naturally, if they could kill someone. Geraint had been brought up on tales of knights-at-arms and Icelandic warriors, but he did not imagine blood. Charles had disappointed his father by taking no pleasure in foxhunting or shooting. He rather thought he could not. Philip was not really listening to the conversation. He was looking at the juxtaposition of textures in the grass, the flowers, and the silks, and the very rapid colour changes that were taking place as the sky darkened. Browning and vanishing of red, efflorescence and deepening of blues. Tom imagines the thud and suck of a bomb, the flying stone and mortar, and could not quite imagine the crushing or burning of flesh. He thought of his own skull and his own ribs. Bone under skin and tendons. No one was safe

What are the butcherly delights of meat? These are not sensual but analytical. The satisfaction of scientific curiosity in dissection. A clinical pleasure in the precision with which the process of reducing the living, moving, vivid object to the dead status of thing is accomplished. The pleasure of watching the spectacle of the slaughter that derives from the knowledge one is disassociated from the spectacle; the bloody excitation of the audience in the abattoir, who watch the dramatic transformation act, from living flesh to dead meat, derives from the knowledge they are safe from the knife themselves. There is the technical pleasure of carving and the anticipatory pleasure of the prospect of eating the meat, of the assimilation of the dead stuff, after which it will be humanly transformed into flesh.

Holy Sonnets: Thou hast made me, and shall thy work decay?" Thou hast made me, and shall thy work decay? Repair me now, for now mine end doth haste, I run to death, and death meets me as fast, And all my pleasures are like yesterday; I dare not move my dim eyes any way, Despair behind, and death before doth cast Such terror, and my feebled flesh doth waste By sin in it, which it towards hell doth weigh. Only thou art above, and when towards thee By thy leave I can look, I rise again; But our old subtle foe so tempteth me, That not one hour I can myself sustain; Thy grace may wing me to prevent his art, And thou like adamant draw mine iron heart.

Suicide. This is the exact opposite of last time, for this time I'm experiencing a kind of pleasure in life, in being alive, a pleasure in living that I've never experienced before, and I'm hopeful and confident that I can become someone with dignity. I know now why I couldn't change certain characteristics and certain things about myself, but it's not a problem anymore. Certain pathways I failed to open in the past have now opened. My whole self is radiating light. I see with clarity. I understand the cause and effect of the last year. What I had imagined I've now attained. It's as if I can see my life right in front of my eyes, and all I have to do is reach out and draw it in... Now I don't feel the acute pain I felt before; I feel enlightened, at peace. It's as if I've instantly found the secret of "Suffering", how to bear it and how to endure it... Yes, this time I've decided to kill myself not because I can't live with suffering and not because I don't enjoy being alive. I love life passionately, and my wish to die is a wish to live... Yes, I've chosen suicide. The endpoint of this process of "Forgiveness". Not to punish anyone or to protest a wrong. I've chosen suicide with a clarity I've never possessed before, with a rational resolve and sense of calm, in order to pursue the ultimate meaning of my life, act on my belief about the beauty between two people... I take complete responsibility for my life, and even if my physical body disappears upon death, I don't believe my spirit will disappear. As long as I have loved people fully, then I can be content fading into "Nothingness". If I'm using death to express my passion for life, then I still don't love her enough, don't love life enough. and I will reincarnate in a different form to love her and to be part of her life... So the death of my flesh really doesn't mean anything. Doesn't solve anything. Is this a tragedy? Will there be tragedy?

At a lunchtime reception for the diplomatic corps in Washington, given the day before the inauguration of Barack Obama as president, I was approached by a good-looking man who extended his hand. 'We once met many years ago,' he said. 'And you knew and befriended my father.' My mind emptied, as so often happens on such occasions. I had to inform him that he had the advantage of me. 'My name is Hector Timerman. I am the ambassador of Argentina.' In my above album of things that seem to make life pointful and worthwhile, and that even occasionally suggest, in Dr. King’s phrase as often cited by President Obama, that there could be a long arc in the moral universe that slowly, eventually bends toward justice, this would constitute an exceptional entry. It was also something more than a nudge to my memory. There was a time when the name of Jacobo Timerman, the kidnapped and tortured editor of the newspaper La Opinion in Buenos Aires, was a talismanic one. The mere mention of it was enough to elicit moans of obscene pleasure from every fascist south of the Rio Grande: finally in Argentina there was a strict ‘New Order’ that would stamp hard upon the international Communist-Jewish collusion. A little later, the mention of Timerman’s case was enough to derail the nomination of Ronald Reagan’s first nominee as undersecretary for human rights; a man who didn’t seem to have grasped the point that neo-Nazism was a problem for American values. And Timerman’s memoir, Prisoner without a Name, Cell without a Number, was the book above all that clothed in living, hurting flesh the necessarily abstract idea of the desaparecido: the disappeared one or, to invest it with the more sinister and grisly past participle with which it came into the world, the one who has been ‘disappeared.’ In the nuances of that past participle, many, many people vanished into a void that is still unimaginable. It became one of the keywords, along with escuadrone de la muerte or ‘death squads,’ of another arc, this time of radical evil, that spanned a whole subcontinent. Do you know why General Jorge Rafael Videla of Argentina was eventually sentenced? Well, do you? Because he sold the children of the tortured rape victims who were held in his private prison. I could italicize every second word in that last sentence without making it any more heart-stopping. And this subhuman character was boasted of, as a personal friend and genial host, even after he had been removed from the office he had defiled, by none other than Henry Kissinger. So there was an almost hygienic effect in meeting, in a new Washington, as an envoy of an elected government, the son of the brave man who had both survived and exposed the Videla tyranny.

I know it was personally right, it was divinely right, for those apostles to hear what Jesus said and to tarry for the Holy Spirit; however, it is not right now to tarry for the Holy Spirit. Then why do we not all receive the Holy Spirit, you ask? Because our bodies are not ready for it; our temples are not cleansed. When our temples are purified and our minds are put in order so that carnalities and fleshly desires and everything contrary to the Spirit have gone, then the Holy Spirit can take full charge. The Holy Spirit is not a manifestation of carnality. There are any number of people who never read the Word of God who could not be led away by the powers of Satan. But the power of the Holy Spirit is most lovely, divine in all its construction. It is a great refiner. It is full of life, but it is always divine—never natural. If you deal in the flesh after you are baptized in the Holy Spirit, you cease to go on. Beloved, I want to speak about something greater; something to lift your minds, elevate your thoughts, and bring you into divine ways; something that elevates you out of yourself and into God, out of the world and into a place where you know you have rest for your feet, where you cease from your own works (Heb. 4:10), and where God works in you mightily “to will and to do for His good pleasure” (Phil. 2:13). When I think about a river—a pure, holy, divine river—I say, “What can stand against its inrush?” Wherever it is—in a railway coach, in the street, or in a meeting—its power and flow will always be felt; it will always do its work. Jesus spoke about the Holy Spirit that was to be given. I want you to think about how God gave it, how its coming was manifested, and its reception and its outflow after it had come.

Images surround us; cavorting broadcast in the minds of others, we wear the motley tailored by their bad digestions, the shame and failure, plague pandemics and private indecencies, unpaid bills, and animal ecstasies remembered in hospital beds, our worst deeds and best intentions will not stay still, scolding, mocking, or merely chattering they assail each other, shocked at recognition. Sometimes simplicity serves, though even the static image of Saint John Baptist received prenatal attentions (six months along, leaping for joy in his mother's womb when she met Mary who had conceived the day before): once delivered he stands steady in a camel's hair loincloth at a ford in the river, morose, ascetic on locusts and honey, molesting passers-by, upbraiding the flesh on those who wear it with pleasure. And the Nazarene whom he baptized? Three years pass, in a humility past understanding: and then death, disappointed? unsuspecting? and the body left on earth, the one which was to rule the twelve tribes of Israel, and on earth, left crying out - My God, why dost thou shame me? Hopelessly ascendent in resurrection, the image is pegged on the wind by an epileptic tentmaker, his strong hands stretch the canvas of faith into a gaudy caravanserai, shelter for travelers wearied of the burning sand, lured by forgetfulness striped crimson and gold, triple-tiered, visible from afar, redolent of the east, and level and wide the sun crashes the fist of reality into that desert where the truth still walks barefoot.

Martin had a period of relishing the Boston thug-writer George V. Higgins, author of The Friends of Eddie Coyle. Higgins’s characters had an infectious way of saying ‘inna’ and ‘onna,’ so Martin would say, for example, ‘I think this lunch should be onna Hitch’ or ‘I heard he wasn’t that useful inna sack.’ Simple pleasures you may say, but linguistic sinew is acquired in this fashion and he would not dump a trope until he had chewed all the flesh and pulp of it and was left only with pith and pips. Thus there arrived a day when Park Lane played host to a fancy new American hotel with the no less fancy name of ‘The Inn on The Park’ and he suggested a high-priced cocktail there for no better reason than that he could instruct the cab driver to ‘park inna Inn onna Park.’ This near-palindrome (as I now think of it) gave us much innocent pleasure.

Dropping to his knees before her, he loved her, worshiped her with his mouth, kissing her stomach, her hips, her thighs, and finally reaching her moist, intimate center. She cried out his name and he knew she was shocked at his behavior, but he didn't care. He devoured her, holding her tightly against his mouth as he drank her. Alternating between swirls of his tongue and long, languid licks, he let her moans and sighs be his guide to pleasuring her. Her body shook and he knew she was close. He quickened his movements. He slid his hands from her bottom around to her waist, and to her rib cage. Reaching her breasts, he plucked at her nipples while he suckled the tiny nubbin of flesh hidden in her folds. She screamed. And he continued his sweet torture until her knees buckled. He caught her to him. Holding her close he carried her to his bed, his cock so fiendishly hard he thought he'd go mad if he didn't take her at that moment. In a stunningly short amount of time, he rid himself of his clothes and joined her on the bed. Her legs spread for him and he sank himself between her thighs. Her limbs shaking, Charlotte wrapped her legs around his waist and eagerly met her husband's lips for a kiss. His body was simply magnificent, she thought, running her hands down his muscled back, over the hard muscles of his arms and chest.

Through the substance of human flesh flows life. Life is more than matter. Religions that attempt to keep the body sacred while denying the Creator's hand are in the same boat as skeptics who try to protect life while saying it is nothing more than matter. All the desacralizing that has engulfed our culture lies in this very struggle to understand the place and sacredness of the body. The right to every individual life, even the one still in the mother's womb; the pleasure and consummation of sexual delights, reserved for the sanctity of marriage; the injunction against suicide; the care and protection of one's health; the injunction against killing; and the command to love others more than we love ourselves and to work for their good-all of these flow from the fact that this body is a dwelling place for God. Our world would be a different place if we comprehended this sobering privilege. Having lost this truth, what we are left with? Pornography and the cruel degradation of men, women, and children; death in the womb in the name of personal rights; the breakdown of the family for myriad reasons; the profanation of sex in our entertainment industry; violence in unprecedented proportions. One can only weep for the bleeding and loss. In losing the high value that God has placed on the body, we are in free fall, at the mercy of greed, cruelty, and lust.

Billos ran. He tore down the shore, bounded up on the rock, and dove into the air. The warm water engulfed him. A boiling heat knocked the wind from his lungs. The shock alone might kill him. But it was pleasure that surged through his body, not pain. The sensations coursed through his bones in great unrelenting waves. Elyon. How he was certain, he did not know. But he knew. Elyon was in this lake with him. Billos opened his eyes. Gold light drifted by. He lost all sense of direction. The water pressed in on every inch of his body, as intense as any acid, but one that burned with pleasure instead of pain. He sank into the water, opened his mouth and laughed. He wanted more, much more. He wanted to suck the water in and drink it. Without thinking, he did just that. The liquid hit his lungs. Billos pulled up, panicked. He tried to hack the water from his lungs, but inhaled more instead. No pain. He carefully sucked more water and breathed it out slowly. Then again, deep and hard. Out with a soft whoosh. He was breathing the water! Billos shrieked with laughter. He swam into the lake, deeper and deeper. The power contained in this lake was far greater than anything he'd ever imagined. "I made this, Billos." Billos whipped his body around, searching for the words' source. "Elyon?" His voice was muffled, hardly a voice at all. "Do you like it?" "Yes!" Billos said. He might have spoken; he might have shouted--he didn't know. He only knew that his whole body screamed it. Billos looked around. "Elyon?" "Why do you doubt me, Billos?" In that single moment the full weight of Billos's foolishness crashed on him like a sledgehammer. "I see you, Billos." "I made you." "I love you." The words crashed over him, reaching into the deepest folds of his flesh, caressing each hidden synapse, flowing through every vein, as though he had been given a transfusion. "I choose you, Billos." Billos began to weep. The feeling was more intense than any pain he had ever felt. The current pulled at him, tugging him up through the colors. His body trembled with pleasure. He wanted to speak, to yell, to tell the whole world that he was the most fortunate person in the universe. That he was loved by Elyon. Elyon himself. "Never leave me, Billos." "Never! I will never leave you." The current pushed him through the water and then above the surface not ten meters from the shore. He stood on the sandy bottom. For a moment he had such clarity of mind that he was sure he could understand the very fabric of space if he put his mind to it. He was chosen. He was loved.

Now comes the fun part,” he whispered. His cold hands ran down my calves to my ankles, which he pressed against the side of the couch and into hard metal bands that snapped around them like shackles.  “What was that?” I asked, sitting up. He stood, his muscular frame leaning as he towered over me, his chest sliding over my spread legs.  “Those are to keep you where I want you,” Saxon whispered as his hands continued over my body, gliding or whispering over my abdomen, around my breasts, to my shoulders, and down my arms. The farther up my arms his fingers moved, the closer he came to my lips, to my neck. His fangs were fully exposed.  “Do you want to be mine?” Saxon asked, his nose trailing over my neck. He planted his lips against my jaw, the touch a burning cold. I shivered. “Do you want to be right where I want you?” “Yes,” I gasped, knowing that I did, no matter how terrifying the fact that I couldn't move was making me.  “Good,” Saxon whispered, his hands rough against my arm as he pressed my wrists against the sides of the couch and into the bands that instantly snapped together to lock me in place.  I made a sound that was half fear, half pleasure. As I re-balanced my weight trying to get away from the cold bands only to find that I was captured.  Held against the couch. Caught underneath the Vampire who smiled as he ripped my bra and panties from my soaked and wanting body in one quick motion. “You smell so good, Ivy,” Saxon said, running his nose down my neck and over my bare breasts where his tongue darted out to capture my nipple for a moment. I moaned and he continued down, his hands running down my sides, down my legs, as he inhaled the scent of my stomach.  The scent of my sex.  “My rose,” he murmured, burying his face between my legs, his cold tongue darting out to flick at my clit. I gasped at the contact, a thrill of pleasure shooting up my spine. My body convulsed as he nipped at the tiny nub of aroused flesh, my back attempting to arch, my hips working to press in to him, but I couldn’t move. Judging by the pricks of cold metal that was all up and down my legs and arms, he had bound me by more than my ankles and wrists. A split second of panic captured my breath. “Saxon,” I moaned, shifting as the pleasure began to overtake me.

Watch," he whispered hoarsely. "Watch me make love to you." No power in the heavens could have made her look away as he withdrew- all the way so that she saw the passionate sheen of her body's juices glazing his rod. Her eyes widened. Coarse dark hair mingled with soft, chestnut curls, a sight that was incredibly erotic. Even more erotic was when he plunged again, gliding deeper this time, harder. She couldn't tear her gaze away. She was both amazed and stunned at the way male joined female, feeling the walls of her passage yield- soft tender flesh clinging tight and wanton to hard male steel.Everything inside her went wild. Every part of her was melting, every fiber of her being. With a helpless little moan she caught the sides of his head. She wanted to tell him how wonderful he made her feel. But the power of words had once again deserted her. The pleasure was climbing, spiraling high and fast, taking her by storm. Unable to hold back, her hands slipped to his shoulders. She clutched at him; sensation gathered there, in the very center of her body, the place he possessed so fully. Had she surrendered? Or had he? she wondered vaguely. Eyes closed, she flung her head back. Release was close. She could feel it coming, shivering throughout her body. His head dropped low. He kissed the arch of her throat. "Fionna," he said, his tone almost raw. "Fionna!" Her nails bit into his shoulders. The walls of her channel contracted around him, again and again and again, sending spasms of release hurtling through them both.

She was a mimicry of a façade fashioned from the half-truths of her life. She was a beautiful abomination, patched together from the most pristine and terrible parts she could find. She was a black crystal of many cuts and facets whose dark glow suffocated and entranced those it washed over. There was a pointlessness in her eyes and apathy in her stature, and further in, past the symphonies of nightmarish screams was a blinding light. All the capability she could ever ask for kept in a place she would never reach. She chose the ice rather than the fire, shivering and hard with heat sparse, for while a flicker can exist in freeze's cold, it's heat will not radiate, no matter how bold. She took my face in hands that would make ice seem warm and whispered a blizzard into my ear, a cascading song of fear after fear. The lies she spilled, mixed with regrets and appeal, were cloaked in the inferno of her rage, the anger, the only thing that really made her real. This was her one semblance of life, a bottomless and endless void of proportions vast with a calamity of fusion and fission streaking through, a mindless hue, an emotion with a face, a darling of her race. The cracks spew darkness from within her ever so pale skin. They congregated on her curves and flesh in black and churning rivers and streams. They flooded every dip with blackness. They filled every hollow with unstable curiosity, this is her release, this is when she is free. The faces of deceit always laugh, they never wallow for their lies are a pleasure tool, her insides are contorted in laughter the same way, just as slick, just as cruel. A crude combination of fascination, of animation, of the darkest demons of them all. She was poetry written in pen, scratched and scribbled again and again. Ink splattered across the page, and within those scrawled words, those small, sharp incisions, an image can be seen, and you're left to wonder what, in the end, this all could mean...

From my college courses and my reading I knew the various names that came at the end of a line of questions or were placed as periods to bafflement: the First Cause, the First Mover, the Life Force, the Universal Mind, the First Principle, the Unmoved Mover, even Providence. I too had used those names in arguing with others, and with myself, trying to explain the world to myself. And now I saw that those names explained nothing. They were of no more use than Evolution or Natural Selection or Nature or The Big Bang of these later days. All such names do is catch us within the length and breadth of our own thoughts and our own bewilderment. Though I knew the temptation of simple reason, to know nothing that can't be proved, still I supposed that those were not the right names. I imagined that the right name might be Father, and I imagined all that that name would imply: the love, the compassion, the taking offense, the disappointment, the anger, the bearing of wounds, the weeping of tears, the forgiveness, the suffering unto death. If love could force my own thoughts over the edge of the world and out of time, then could I not see how even divine omnipotence might by the force of its own love be swayed down into the world? Could I not see how it might, because it could know its creatures only by compassion, put on mortal flesh, become a man, and walk among us, assume our nature and our fate, suffer our faults and our death? Yes. I could imagine a Father who is yet like a mother hen spreading her wings before the storm or in the dusk before the dark night for the little ones of Port William to come in under, some of whom do, and some do not. I could imagine Port William riding its humble wave through time under the sky, its little flames of wakefulness lighting and going out, its lives passing through birth, pleasure, sufferning, and death. I could imagine God looking down upon it, its lives living by His spirit, breathing by His breath, knowing by His light, but each life living also (inescapably) by its own will--His own body given to be broken.

The Dream Lord Byron Our life is twofold; Sleep hath its own world, A boundary between the things misnamed Death and existence: Sleep hath its own world, And a wide realm of wild reality, And dreams in their development have breath, And tears, and tortures, and the touch of joy; They leave a weight upon our waking thoughts, They take a weight from off waking toils, They do divide our being; they become A portion of ourselves as of our time, And look like heralds of eternity; They pass like spirits of the past -they speak Like sibyls of the future; they have power - The tyranny of pleasure and of pain; They make us what we were not -what they will, And shake us with the vision that's gone by, The dread of vanished shadows -Are they so? Is not the past all shadow? -What are they? Creations of the mind? -The mind can make Substances, and people planets of its own With beings brighter than have been, and give A breath to forms which can outlive all flesh. I would recall a vision which I dreamed Perchance in sleep -for in itself a thought, A slumbering thought, is capable of years, And curdles a long life into one hour. ---------- Il sogno Lord Byron Duplice è la nostra vita: il Sonno ha il suo proprio mondo, un confine tra le cose chiamate impropriamente morte e esistenza: il Sonno ha il proprio mondo, e un vasto reame di sfrenata realtà; e nel loro svolgersi i sogni hanno respiro, e lacrime e tormenti e sfiorano la gioia; lasciano un peso sui nostri pensieri da svegli, tolgono un peso dalle nostre fatiche da svegli, dividono il nostro essere; diventano parte di noi stessi e del nostro tempo, e sembrano gli araldi dell'eternità; passano come fantasmi del passato, parlano come Sibille dell'avvenire; hanno potere - la tirannia del piacere e del dolore; ci rendono ciò che non fummo, secondo il loro volere, e ci scuotono con dissolte visioni, col terrore di svanite ombre. Ma sono veramente così? Non è forse tutto un'ombra il passato? Cosa sono? Creazioni della mente? La mente sa creare sostanza, e popolare pianeti, di sua fattura, di esseri più splendenti di quelli mai esistiti, e dare respiro e forma che sopravvivono alla carne. Vorrei richiamare una visione che ho sognato forse nel sonno, poiché in sé un pensiero, un pensiero assopito, racchiude anni, e in un'ora condensa una lunga vita.

My dearest Lydia I do not wish to disturb your thoughts with sad tidings, and yet to do otherwise than write to you at this time with an honest heart would give cause for you to reproach me in years to come, years when you will live and breathe the warm air while I rest beneath the turf, and the very thought of such reproach grieves my heavy heart as it prepares to beat its last. For I am fading, and henceforth you will not hear word of this frail shell whom once you graced with friendship, except, perhaps, through another's report or distant memory. Whether our encounter in this life has brought me more joy than pain is a question that once I asked myself, but now see as a thing of no concern. My love for you is not to be judged by degrees of pleasure. It is not of the world of matter to be placed on the scale or weighed in the balance. Our flesh, the deeds we commit and things we created may be subject to the measure, but not a love like this. Joy and pain are but the distant resonance, while my love for you is the present song; they are but patterns of dust caught on the edge of the morning light, while my love is the blazing sun that illuminates them. My love abides, my love existed before we met, and my love will continue as the centuries roll by when we and our story are shades forgotten. But my love must perforce now return to its cave, to its sleeping state, whence it emerged that morning long ago by the water's edge, when our eyes met and the spirit took wing. And so farewell in this life, most beautiful of beings, song of my soul, my sunlight, my love. Do not judge me by the deeds of my body, which is frail, finite and blemished. Remember me instead as the soul of all that you cherish, for that I truly aspire to be, and I shall live and shine with you perpetually, in an everlasting embrace. Your devoted friend Godwin Tudor

A throbbing ache started to grow in her womb. She wanted more, wanted something... "Rothbury, please," she begged. "Please." And then his fingers were there, delving inside, spreading her moisture up and down and around her opening. Her hips circled and dipped along with his movements. She moaned, saying his name. He groaned, panting along with her. Expertly, he handled her. Rhythmically, sweetly, he tortured her. "Open my trousers," he breathed. She complied. Soon he was freed, his hardness jutting upward, seeking her heat. "Look at me," he bit out through his teeth. As if through a haze, she met his heated, intense gaze. "This is the only time in my life I will ever hurt you." Her brow scrunched and it was on the tip of her tongue to ask him just what exactly he meant, when the tip of his manhood pulsed at the opening of her center. "Hold on," he said, his voice strained. Charlotte gripped his shoulders. Rothbury gripped her hips. Lifting her, he hesitated for a moment. "Do you want it?" She nodded and made some sort of noise, half whimper and half the word "yes." He bent his head to suckle one of her breasts again. For long moments, he held her poised above him as he toyed with her nipples, flicking, lapping, and gently running the bottom row of his teeth against them. When she started to wriggle, he impaled her in one smooth, swift motion. She cried out, nearly surging off of him. "Shh. Shh." He kissed her eyelids, the apples of her cheeks. "Only this time, my angel. Only this time it hurts." He kept very still, waiting for some sort of response from her, she imagined. Where there was once only pleasure, she now felt a stabbing pain. It seemed to radiate around his arousal. Her breathing slowed. This couldn't be it. There had to be more... And then she felt a sort of tickling. She looked down at their joined bodies to find Rothbury using his thumb to flick quickly against a tiny nubbin of flesh hidden in her folds. It felt... wonderful. Like magic, her hips began to move of their own accord. Her breathing increased and the throbbing, damp pleasure returned. She rocked against him. "There you are, Charlotte," he murmured against her throat. "Better?" She nodded shakily, tiny shivers shimmering down her upper body as he nipped at her earlobe. His large hands held her backside tightly against him, controlling, rolling her with him in a primal rhythm.

Marketa really desired, with both her body and her senses, the women she considered Karel's mistresses. And she also desired them with her head: fulfilling the prophecy of her old math teacher, she wanted - at least to the limits of the disastrous contract - to show herself enterprising and playful, and to astonish Karel. But as soon as she found herself naked with them on the wide daybed, the sensual wanderings immediately vanished from her mind, and seeing her husband was enough to return her to her role, the role of the better one, the one who is wronged, Even when she was with Eva, whom she loved very much and of whom she was not jealous, the presence of the man she loved too well weighed heavily on her, stifling the pleasure of the senses. The moment she removed his head from the body, she felt the strange and intoxicating touch of freedom. That anonymity of the body was a suddenly discovered paradise. With an odd delight, she expelled her wounded and too vigilant soul and was transformed into a simple body without past or memory, but all the more eager and receptive. She tenderly caressed Eva's face, while the headless body moved vigorously on top of her. But here the headless body interrupted his movements and, in a voice that reminded her unpleasantly of Karel's, uttered unbelievably idiotic words: "I'm Bobby Fischer! I'm Bobby Fischer!" It was like being awakened from a dream. And just then, as she lay snuggled against Eva (as the awakening sleeper snuggles against his pillow to hide from the dim first light of day), Eva had asked her, "All right?" and she had consented with a sign, pressing her lips against Eva's. She had always loved her, but today for the first time sh loved her with all her senses, for herself, for her body, and for her skin, becoming intoxicated with this fleshly love as with a sudden revelation. Afterward, while they lay side by side on their stomachs, with their buttocks slightly raised, Marketa could feel on her skin that the infinitely efficient body was again fixing its eyes on hers and at any moment was going to start again making love to them. She tried to ignore the voice talking about seeing beautiful Mrs. Nora, tried simply to be a body hearing nothing while lying pressed between a very soft-skinned girlfriend and some headless man.