Pleasant Thoughts Quotes

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I woke up thinking a very pleasant thought. There is lots left in the world to read.
Nicholson Baker (The Anthologist (The Paul Chowder Chronicles #1))
However mean your life is, meet it and live it; do not shun it and call it hard names. It is not so bad as you are. It looks poorest when you are richest. The fault-finder will find faults even in paradise. Love your life, poor as it is. You may perhaps have some pleasant, thrilling, glorious hours, even in a poorhouse. The setting sun is reflected from the windows of the almshouse as brightly as from the rich man's abode; the snow melts before its door as early in the spring. I do not see but a quiet mind may live as contentedly there, and have as cheering thoughts, as in a palace.
Henry David Thoreau (Walden)
You have never loved me. You have only thought it pleasant to be in love with me.
Henrik Ibsen (A Doll's House)
I'd like to add some beauty to life," said Anne dreamily. "I don't exactly want to make people KNOW more... though I know that IS the noblest ambition... but I'd love to make them have a pleasanter time because of me... to have some little joy or happy thought that would never have existed if I hadn't been born.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
Through the lack of attaching myself to words, my thoughts remain nebulous most of the time. They sketch vague, pleasant shapes and then are swallowed up; I forget them almost immediately.
Jean-Paul Sartre (Nausea)
If I shot an arrow and thought about an ass, would it surprise you that I hit Erik?' Stark asked me in a pleasant, nonchalant voice.
P.C. Cast (Tempted (House of Night, #6))
Found something?” “No, sorry. I thought I had, but, no, it turned out to be, uh… more floor.
Derek Landy (Skulduggery Pleasant (Skulduggery Pleasant, #1))
It was not often that she was alone like this and she did not like it. When she was alone she had to think and, these days, thoughts were not so pleasant.
Margaret Mitchell (Gone with the Wind)
I dislike the thought that some animal has been made miserable to feed me. If I am going to eat meat, I want it to be from an animal that has lived a pleasant, uncrowded life outdoors, on bountiful pasture, with good water nearby and trees for shade.
Wendell Berry (What Are People For?)
It was much pleasanter at home," thought poor Alice, "when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn't gone down the rabbit-hole--and yet--and yet--...
Lewis Carroll (Alice in Wonderland)
You have no idea about presents or what they mean. The last present you gave me was a stick.” “You wanted a weapon.” “It was a stick.” “It had a bow on it.” “It was a stick.” “I thought you liked the stick. You laughed.
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
It is so pleasant to come across people more stupid than ourselves. We love them at once for being so.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
That's a lovely idea, Diana,' said Anne enthusiastically. 'Living so that you beautify your name, even if it wasn't beautiful to begin with…making it stand in people's thoughts for something so lovely and pleasant that they never think of it by itself.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
However mean your life is, meet and live it; do not shun it and call it hard names. It is not so bad as you are. It looks poorest when you are richest. The fault-finder will find faults even in paradise. Love your life, poor as it is. You may perhaps have some pleasant, thrilling, glorious hours, even in a poorhouse. The setting sun is reflected from the windows of the almshouse as brightly as from the rich man’s abode; the snow melts before its doors as early in the spring. Cultivate property like a garden herb, like sage. Do not trouble yourself much to get new things, whether clothes or friends. Turn the old; return to them. Things do not change; we change. Sell your clothes and keep your thoughts… Superfluous wealth can buy superfluities only. Money is not required to buy one necessary of the soul.
Henry David Thoreau (Walden)
I suffered no pain, my hunger had taken the edge off; instead I felt pleasantly empty, untouched by everything around me and happy to be unseen by all. I put my legs up on the bench and leaned back, the best way to feel the true well-being of seclusion. There wasn't a cloud in my mind, nor did I feel any discomfort, and I hadn't a single unfulfilled desire or craving as far as my thought could reach. I lay with open eyes in a state of utter absence from myself and felt deliciously out of it.
Knut Hamsun (Hunger)
Talking about one's feelings defeats the purpose of having those feelings. Once you try to put the human experience into words, it becomes little more than a spectator sport. Everything must have a cause, and a name. Every random thought must have a root in something else.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
Optimist" is a word which here refers to a person, such as Phil, who thinks hopeful and pleasant thoughts about nearly everything. For instance, if an optimist had his left arm chewed off by an alligator, he might say, in a pleasant and hopeful voice, "Well, this isn't too bad. I don't have my left arm anymore, but at least nobody will ever ask me whether I am right-handed or left-handed," but most of us would say something more along the lines of "Aaaaah! My arm! My arm!
Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events, #4))
She looked up from closing it to find Jace watching her through hooded eyes. “And one last thing,” he said. He reached over and pulled the sparking pins out of her hair, so that it fell in warm heavy curls down her neck. The sensation of hair tickling her bare skin was unfamiliar and oddly pleasant. “Much better,” he said, and she thought this time that maybe his voice was uneven too.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
There are many things from which I might have derived good, by which I have not profited, I dare say,' returned the nephew. 'Christmas among the rest. But I am sure I have always thought of Christmas time, when it has come round—apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that—as a good time; a kind, forgiving, charitable, pleasant time; the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys. And therefore, uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it has done me good, and will do me good; and I say, God bless it!
Charles Dickens (A Christmas Carol)
Personally, I think knees should be kept for the eighth or ninth date, or the wedding day. As a nice surprise you know? 'oh, my darling, you have knees! I never would have thought
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
Can I just point something out?" Fletcher asked. "That is an awful plan. On a scale of one to ten - the Trojan War being a ten and General Custer verus all those Indians being a one - your plan is a zero. I don't think it is a plan at all. I think it's just a series of happenings that are, to be honest, unlikely to follow on from each other in the way in which everyone's probably hoping." "Do you have a better plan?" Valkyrie asked. "Of course not. I'm a man of action, not thought." Valkyrie nodded. "You're definitely not a man of thought." "Why are you in charge anyway? What do you know about organising something like this?" "I have faith," Tanith said. "As do I," said Ghastly. Valkyrie smiled at them gratefully. "So you think the plan will work?" "God, no," said Ghastly. "Sorry, Val," said Tanith
Derek Landy
The happiness of life is made up of minute fractions,—the little, soon-forgotten charities of a kiss, a smile, a kind look, a heartfelt compliment in the disguise of a playful raillery, and the countless other infinitesimals of pleasant thought and feeling.
Samuel Taylor Coleridge
The fault-finder will find faults even in paradise. Love your life, poor as it is. You may perhaps have some pleasant, thrilling, glorious hours, even in a poor-house. The setting sun is reflected from the windows of the alms-house as brightly as from the rich man's abode; the snow melts before its door as early in the spring. I do not see but a quiet mind may live as contentedly there, and have as cheering thoughts, as in a palace.
Henry David Thoreau (Walden)
Her father sagged as relief spread through him. “I thought something awful was happening.” She frowned. “Something awful was happening. It could have got stuck in my hair.
Derek Landy (Dark Days (Skulduggery Pleasant, #4))
If I shot an arrow and thought about an ass, would it surprise you that I hit Erik?" Stark asked me in a pleasant, nonchalant voice. "Wouldn't surprise me," Heath said.
Kristin Cast (Tempted (House of Night, #6))
The Torment turned his head to him, and frowned. "Who are you?" "I'm... sorry? It's me, it's Vaurien. Vaurien Scapegrace. I... built the cellar for you?" "Oh," the Torment said. "You. Why are you back? I thought you were dead. It would have been nice if you were dead
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
Simon kept pace beside Clary for a few moments without speaking before he said, “So what did I miss? Naked dancing ladies?” Clary thought of the male faerie‘s torn-open ribs and shuddered. “Nothing that pleasant.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
And how did little Tim behave?” asked Mrs Cratchit, when she had rallied Bob on his credulity and Bob had hugged his daughter to his heart’s content. “As good as gold,” said Bob, “and better. Somehow he gets thoughtful, sitting by himself so much, and thinks the strangest things you ever heard. He told me, coming home, that he hoped the people saw him in the church, because he was a cripple, and it might be pleasant to them to remember upon Christmas Day, who made lame beggars walk, and blind men see.
Charles Dickens (A Christmas Carol)
If Thou Must Love Me If thou must love me, let it be for naught Except for love's sake only. Do not say, 'I love her for her smile—her look—her way Of speaking gently,—for a trick of thought That falls in well with mine, and certes brought A sense of pleasant ease on such a day'— For these things in themselves, Belovèd, may Be changed, or change for thee—and love, so wrought, May be unwrought so. Neither love me for Thine own dear pity's wiping my cheeks dry: A creature might forget to weep, who bore Thy comfort long, and lose thy love thereby! But love me for love's sake, that evermore Thou mayst love on, through love's eternity.
Elizabeth Barrett Browning (Sonnets from the Portuguese)
Mum said earlier what a lovely dress you’re wearing.” Beryl’s eyebrows wriggled like two tiny tapeworms. “This?” she said. “But I’ve had this for years.” It was a beige dress that would have looked better on an eighty year-old. Any eighty-year-old, man or woman. “I think you’ve really grown into it,” Valkyrie said. “I always thought it was a little shapeless.” Valkyrie resisted the urge to say that was what she meant.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
If you didn't do anything that wasn't good for you it would be a very dull life. What are you gonna do? Everything that is pleasant in life is dangerous. Have you noticed that? I'd like to find the bastard that thought that one up.
Lemmy Kilmister
That's brilliant." "I thought so. But I'm glad you agree. It will make this journey much more pleasant if you are impressed with my brilliance.
Sarah Beth Durst (Vessel)
For within livin structures defined by profit, by linear power, by institutional dehumanization, our feelings were not meant to survive. Kept around as unavoidable adjuncts or pleasant pastimes, our feelings were expected to kneel to thought as women were expected to kneel to men. But women have survived. As poets.
Audre Lorde (Sister Outsider: Essays and Speeches)
Stephanie could see the greed seep into the watery eyes of her father’s other brother, a horrible little man called Fergus, as he nodded sadly and spoke sombrely and pocketed the silverware when he thought no one was looking
Derek Landy (Skulduggery Pleasant (Skulduggery Pleasant, #1))
Bound souls. He had always thought the stories of men and women bound throughout all eternity by the strength of passion, either love or hate, were but pleasant tales for long winter’s nights. Bound souls, two sides of the same counter, together through all the lives of the souls, and forever before and afterward. But he recognized the woman just as surely as she recognized him, and he knew the tales were true.
Ann Marston (The Western King (Rune Blade, #2))
I feel as though, if I were to extend my hand just a little toward the pool where the ideas ferment, I could grab at the idea and pull it out of the pool and onto the floor where ideas must stand before the jury of the brain. There, it must present itself, still from the pool, and a bit shivery because new ideas are not given a towel to dry off with, towels being reserved for proven theories; new ideas are simply pulled and stood up, and asked to explain themselves - not a very pleasant thing really, which is why so many people go into the room where the pool is. The exercise is exhausting not to mention a bit difficult to watch, if you are at all a sympathetic creature. What was my idea, anyways?
Emilie Autumn (The Asylum for Wayward Victorian Girls)
Oh, Marilla, I thought I was happy before. Now I know that I just dreamed a pleasant dream of happiness. This is the reality.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
Ali wrinkled her forehead and cocked her head to the side. Clearly, she hadn't prepared herself for me to be pleasant. After a moment, her eyes narrowed. "What exactly did you and Lake did yesterday?" she asked, like we might have held up a gas station and gone on a crime spree across the country, all in the span of just a few hours. "We went to Mexico, had some tequila, eloped with a pair of drug smugglers, and took part-time jobs as exotic dancers. You know, same old, same old." Ali snorted. "I'm torn on stripper names. It's either going to be Lady Love or Wolfsbane Lane. Thoughts?" Ali threw a onesie at me. "Brat.
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
Under the stars,' she repeated. 'I never noticed the stars before. I always thought of them as great big diamonds that belonged to someone. Now they frighten me. They make me feel that it was all a dream, all my youth.' It was a dream,' said John quietly. 'Everybody's youth is a dream, a form of chemical madness.' How pleasant then to be insane!' So I'm told,' said John gloomily. 'I don't know any longer. At any rate, let us love for a while, for a year or so, you and me. That's a form of divine drunkenness that we can all try. There are only diamonds in the whole world, diamonds and perhaps the shabby gift of disillusion. Well, I have that last and I will make the usual nothing of it.
F. Scott Fitzgerald (The Diamond as Big as the Ritz, and Other Stories)
You’re quiet this evening,” he said. I pasted on a pleasant smile. “It’s been a long week. I’m just trying to relax.” And I was trying to avoid more drama. He was quiet for two or three minutes, during which the two of us stood there together, black-clad vampires moving around us. “I can tell something’s bothering—” We had sex and you bailed, I silently thought, and now your contrition is driving me crazy. “I was just enjoying the music.
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
Those only are happy (I thought) who have their minds fixed on some object other than their own happiness; on the happiness of others, on the improvement of mankind, even on some art or pursuit, followed not as a means, but as itself an ideal end. Aiming thus at something else, they find happiness by the way. The enjoyments of life (such was now my theory) are sufficient to make it a pleasant thing, when they are taken en passant, without being made a principal object. Once make them so, and they are immediately felt to be insufficient. They will not bear a scrutinizing examination. Ask yourself whether you are happy, and you cease to be so. The only chance is to treat, not happiness, but some end external to it, as the purpose of life. Let your self-consciousness, your scrutiny, your self-interrogation, exhaust themselves on that; and if otherwise fortunately circumstanced you will inhale happiness with the air you breathe, without dwelling on it or thinking about it, without either forestalling it in imagination, or putting it to flight by fatal questioning.
John Stuart Mill (Autobiography)
I was wondering how you were going to punish me for not confiding in you. Punishment, actually, is something I've thought about for a long time. What form of punishment would be enough for what I did? Imprisonment? Death? Something else? Something scarier? I could only think of so many horrible tortures before they stopped having meaning. But you' you've come up with a punishment I never considered. You're going to sulk me to death.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
I don't even bother looking for words. It flows in me, more or less quickly. I fix nothing, I let it go. Through the lack of attaching myself to words, my thoughts remain nebulous most of the time. They sketch vague, pleasant shapes and then are swallowed up: I forget them almost immediately.
Jean-Paul Sartre (Nausea)
We forget that the sweetest joys are found in the simplest acts: hugs, laughter, quiet observation, basic movements, holding hands, pleasant music, shared stories, a listening ear, an unhurried visit, and selfless service. It is sad we forget a truth so elementary.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
It's silly to be depressed by it. I mean one thinks of it like being alive in a box, one keeps forgetting to take into account the fact that one is dead, which should make all the difference, shouldn't it? I mean, you'd never know you were in a box would you?... Even taking into account the fact that you're dead, it isn't a pleasant thought. Especially if you're dead, really. Ask yourself, if I asked you straight off-- I'm going to stuff you in this box now would you rather be alive or dead? Naturally you'd prefer to be alive. Life in a box is better than no life at all.
Tom Stoppard (Rosencrantz and Guildenstern Are Dead)
When I heard about these lessons, I thought they would be a dreadful waste of my time. I pictured two very silly girls uninterested in any sort of instruction. But that describes neither Miss Gray nor yourself. I should tell you, I used to train younger Shadowhunters in Madrid. And there were quite a few of them who didn’t have the same native ability that you do. You’re a talented student, and it is my pleasure to teach you.” Sophie felt herself flush scarlet. “You cannot be serious.” “I am. I was pleasantly surprised the first time I came here and again so the next time and the next. I found that I was looking forward to it. In fact, it would be fair to say that since my return home, I have hated everything in London except these hours with you.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
The road now stretched across open country, and it occured to me - not by way of protest, not as a symbol, or anything like that, but merely as a novel experience - that since I had disregarded all laws of humanity, I might as well disregard the rules of traffic. So I crossed to the left side of the highway and checked the feeling, and the feeling was good. It was a pleasant diaphragmal melting, with elements of diffused tactility, all this enhanced by the thought that nothing could be nearer to the elimination of basic physical laws than deliberately driving on the wrong site of the road.
Vladimir Nabokov (Lolita)
When you say to yourself, 'I am going to have a pleasant visit or a pleasant journey,' you are literally sending elements and forces ahead of your body that will arrange things to make your visit or journey pleasant....Our thoughts, or in other words, our state of mind, is ever at work 'fixing up' things good or bad in advance.
Prentice Mulford (Thoughts Are Things & the Real and the Unreal: The Collected New Thought Wisdom of Prentice Mulford and Charles Fillmore)
How wicked I was to wish that something dramatic would happen!' she thought. 'Oh, if we could only have those dear, monotonous, pleasant days back again! I would *never* grumble about them again.
L.M. Montgomery (Rilla of Ingleside (Anne of Green Gables, #8))
There is nothing passive about mindfulness. One might even say that it expresses a specific kind of passion—a passion for discerning what is subjectively real in every moment. It is a mode of cognition that is, above all, undistracted, accepting, and (ultimately) nonconceptual. Being mindful is not a matter of thinking more clearly about experience; it is the act of experiencing more clearly, including the arising of thoughts themselves. Mindfulness is a vivid awareness of whatever is appearing in one’s mind or body—thoughts, sensations, moods—without grasping at the pleasant or recoiling from the unpleasant.
Sam Harris (Waking Up: A Guide to Spirituality Without Religion)
Lines Written In Early Spring I heard a thousand blended notes, While in a grove I sate reclined, In that sweet mood when pleasant thoughts Bring sad thoughts to the mind. To her fair works did Nature link The human soul that through me ran; And much it grieved my heart to think What man has made of man. Through primrose tufts, in that green bower, The periwinkle trailed its wreaths; And 'tis my faith that every flower Enjoys the air it breathes. The birds around me hopped and played, Their thoughts I cannot measure:-- But the least motion which they made It seemed a thrill of pleasure. The budding twigs spread out their fan, To catch the breezy air; And I must think, do all I can, That there was pleasure there. If this belief from heaven be sent, If such be Nature's holy plan, Have I not reason to lament What man has made of man?
William Wordsworth
I ate and drank slowly as one should (cook fast, eat slowly) and without distractions such as (thank heavens) conversation or reading. Indeed eating is so pleasant one should even try to suppress thought. Of course reading and thinking are important but, my God, food is important too. How fortunate we are to be food-consuming animals. Every meal should be a treat and one ought to bless every day which brings with it a good digestion and the precious gift of hunger.
Iris Murdoch (The Sea, the Sea)
He said, “I know somebody you could kiss.” “Who?” She realized his eyes were amused. “Oh, wait.” He shrugged. He was maybe the only person Blue knew who could preserve the integrity of a shrug while lying down. “It’s not like you’re going to kill me. I mean, if you were curious.” She hadn’t thought she was curious. It hadn’t been an option, after all. Not being able to kiss someone was a lot like being poor. She tried not to dwell on the things she couldn’t have. But now— “Okay,” she said. “What?” “I said okay.” He blushed. Or rather, because he was dead, he became normal colored. “Uh.” He propped himself on an elbow. “Well.” She unburied her face from the pillow. “Just, like—” He leaned toward her. Blue felt a thrill for a half a second. No, more like a quarter second. Because after that she felt the too-firm pucker of his tense lips. His mouth mashed her lips until it met teeth. The entire thing was at once slimy and ticklish and hilarious. They both gasped an embarrassed laugh. Noah said, “Bah!” Blue considered wiping her mouth, but felt that would be rude. It was all fairly underwhelming. She said, “Well.” “Wait,” Noah replied, “waitwaitwait.” He pulled one of Blue’s hairs out of his mouth. “I wasn’t ready.” He shook out his hands as if Blue’s lips were a sporting event and cramping was a very real possibility. “Go,” Blue said. This time they only got within a breath of each other’s lips when they both began to laugh. She closed the distance and was rewarded with another kiss that felt a lot like kissing a dishwasher. “I’m doing something wrong?” she suggested. “Sometimes it’s better with tongue,” he replied dubiously. They regarded each other. Blue squinted, “Are you sure you’ve done this before?” “Hey!” he protested. “It’s weird for me, ‘cause it’s you.” “Well, it’s weird for me because it’s you.” “We can stop.” “Maybe we should.” Noah pushed himself up farther on his elbow and gazed at the ceiling vaguely. Finally, he dropped his eyes back to her. “You’ve seen, like, movies. Of kisses, right? Your lips need to be, like, wanting to be kissed.” Blue touched her mouth. “What are they doing now?” “Like, bracing themselves.” She pursed and unpursed her lips. She saw his point. “So imagine one of those,” Noah suggested. She sighed and sifted through her memories until she found one that would do. It wasn’t a movie kiss, however. It was the kiss the dreaming tree had showed her in Cabeswater. Her first and only kiss with Gansey, right before he died. She thought about his nice mouth when he smiled. About his pleasant eyes when he laughed. She closed her eyes. Placing an elbow on the other side of her head, Noah leaned close and kissed her once more. This time, it was more of a thought than a feeling, a soft heat that began at her mouth and unfurled through the rest of her. One of his cold hands slid behind her neck and he kissed her again, lips parted. It was not just a touch, an action. It was a simplification of both of them: They were no longer Noah Czerny and Blue Sargent. They were now just him and her. Not even that. They were only the time that they held between them.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Where am I?" Magnus croaked. "Nazca." "Oh, so we went on a little trip." "You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot." "Ah," said Magnus. "You were shouting some things." "What things?" "I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts." "Thank you for that interesting and enlightening information," Magnus croaked. "You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy." "Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim." "'Impressed' is not the word to use to describe how I felt last night, Magnus." "I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - " "Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua." "What did I do in Moquegua?" "You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky." "We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk." "I'm sure I must have been sobering up at that point," Magnus argued. "Magnus, you were trying to flirt with your own plate." "I'm a very open-minded sort of fellow!" "Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke." "So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - " Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
Cassandra Clare (The Bane Chronicles)
I went to Maui to stay a week and remained five. I never spent so pleasant a month before, or bade any place goodbye so regretfully. I have not once thought of business, or care or human toil or trouble or sorrow or weariness, and the memory of it will remain with me always.
Mark Twain
We're lucky Esme thought to add an extra room. No one was planning for Ness-Renesmee." I frowned at him, my thoughts channeled down a less pleasant path. "Not you too," I complained. "Sorry, love. I hear it in their thoughts all the time, you know. It's rubbing off on me. I sighed. My baby, the sea serpent. Maybe there was no help for it. Well, I wasn't giving in.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
Amy was looking around the sanctum in awe. "It's...beautiful!" The girl was modest and thoughtful. How bizarre. So rarely did Ian see these qualities in others–especially during the quest for the 39 Clues. Naturally, he had been taught to avoid these behaviors at all costs and never to consort with anyone who possessed them. They were distasteful–FLO, as Papa would say. For Losers Only. And Kabras never lost. Yet she fascinated him. Her joy in running up Alistair's tiny lawn, her awe at this piddling cubbyhole–it didn't seem possible to gain so much happiness from so little. This gave him a curious feeling he'd never quite experienced. Something like indigestion but quite a bit more pleasant. Ah well. Blame it on the ripped trousers, he thought. Humiliation softened the soul.
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
The God Wars had not been a pleasant time for Craftsmen and Craftswomen around the world. One day, you’re a simple thaumaturge, idly meddling in matters man was not meant to comprehend. The next, a collection of beings as old as humanity, with legions of followers, declare war on your “kind”, and neighbours who once thought you a harmless eccentric with a fondness for mystic sigils and foul unguents see you as an affront to Creation.
Max Gladstone (Three Parts Dead (Craft Sequence, #1))
I have always thought of Christmas time as a good time; a kind, forgiving, charitable, pleasant time; when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys.
Charles Dickens (A Christmas Carol)
The Kikuyu, when left to themselves, do not bury their dead, but leave them above ground for the hyenas and vultures to deal with. The custom had always appealed to me, I thought that it would be pleasant thing to be laid out to the sun and the stars, and to be so promptly, neatly, and openly picked and cleansed; to be made one with Nature and become a common component of a landscape.
Karen Blixen (Out of Africa)
He slumped down into the pen, and the puppies immediately leapt on him. "Perhaps I'll see you later tonight." "If you're lucky," Celaena purred, and walked away. She smiled to herself as they strode through the castle. Eventully Nehemia turned to her. "Do you like him?" Celaena made a face. "Of course not. Why would I?" You converse easily. It seems as if you have...a connection." "A connection?" Celaena choked on the word. "I just enjoy teasing him." "It's not a crime if you consider him handsome. I'll admit I judged him wrong; I thought him to be a pompous, selfish idiot, but he's not so bad." "He's a Havilliard." "My mother was the daughter of a chief who sought to overthrow my grandfather." "We're both silly. It's nothing." "He seems to take great interest in you." Celaena's head whipped around, her eyes full of long-forgotten fury that made her belly ache and twist. "I would sooner cut out my own heart than love a Havilliard," she snarled. They completed their walk in silence, and when they parted ways, Celaena quickly wished Nehemia a pleasant evening before striding to her part of the castle.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Keep the body - or keep the mind, and it will keep the body! - in a constructive manner. That is, think the pleasant things, even when the outlook may be the darkest. Do not allow the little things that are hindrances make for irritating, or to hurt the feelings. For naturally the body is sensitive to feelings of others, through the overflow of those activities in the sympathetic system. But know that God is! Know that He protects those who put their trust in Him; that what is necessary will be supplied thee if ye will keep joyous, keep happy, keep in that way of constructive forces throughout!
Edgar Evans Cayce
I wouldn't mind a sister either." "Any chance of that happening?" "I can't see what would be in it for my parents. I mean, they have the perfect daughter already - what more could they want?" Tanith laughed, then tried to cover it up with a cough. "Found something?" Skulduggery asked from behind them. Tanith turned, looking serious. "No, sorry. I thought I had, but, no, it turned out to be, uh... more floor." Stephanie hugged herself, trying to stop her shoulders shaking from laughter.
Derek Landy
If he can't get to the clock, any idea how we deal with this lot?" "With great care," Donegan suggested. "How about we run off shout and they follow?" Said Gracious. "Then, just when they think they've caught us they fall into our trap." "OK," said Tanith. "And that trap would be?" "A big hole we'd dug earlier and covered with branches.' Tanith frowned. "I thought you were meant to be smart." Gracious frowned back at her. "Who told you that?" "Gracious is book smart," said Donegan. "He leaves the real world thinking to people like you and me and small dogs that he meets." "The innocent are often the wisest.
Derek Landy (Last Stand of Dead Men (Skulduggery Pleasant, #8))
Love walked in the door like a dusty cowboy, and I looked that cowboy dead in his eyes and said, “I thought I shot you.” And his eyes never blinked, wavered, or watered as he said, “You did. You shot me in the leg. But you can’t kill love that easily. And today you’re going to learn how deadly Love can be.” That was over four years ago, and I’m still alive. So that was his plan all along, to serve me up a super slow death. Sort of like torture, only imperceptible and more pleasant.
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
As reason returned to me, memory came with it, and I saw that even on the worst days, when I thought I was utterly and completely miserable, I was nevertheless, and nearly all the time, extremely happy. That gave me something to think about. The discovery was not a pleasant one. It seemed to me that I was losing a great deal. I asked myself, wasn't I sad, hadn't I felt my life breaking up? Yes, that had been true; but each minute, when I stayed without moving in a corner of the room, the cool of the night and the stability of the ground made me breathe and rest on gladness.
Maurice Blanchot (The Madness of the Day)
Darker thoughts crowded in during the deepest hours of the night when he woke listening to the secret mystifying sounds of the sleeping palace. Many nights, the king was there. Pleasant, irrelevant, and distracting, he eased Relius past nightmares and self-recrimination. Some nights he said nothing at all, just comforted with his presence. Other nights he related the events of his day, spewing out his insights and analyses of the Attolian court in a devastatingly funny critique.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
No matter what we do, each instant contains infinite choices. What we choose to think, to say or to hear creates what we feel in the present moment, it conditions the quality of our communication and in the end the quality of our everyday life. Beliefs and attitudes are made of thoughts. Negative thoughts can be changed and by doing so we create for ourselves more pleasant inner states and have a different impact on the people around us
Dorotea Brandin (Heart to heart(s) Communication @ work.Universal values of Buddhism to inspire open, compassionate and effective communication)
Perhaps this war will make it simpler for us to go back to some of the old ways we knew before we came over to this land and made the Big Money. Perhaps, even, we will remember how to make good bread again. It does not cost much. It is pleasant: one of those almost hypnotic businesses, like a dance from some ancient ceremony. It leaves you filled with peace, and the house filled with one of the world's sweetest smells. But it takes a lot of time. If you can find that, the rest is easy. And if you cannot rightly find it, make it, for probably there is no chiropractic treatment, no Yoga exercise, no hour of meditation in a music-throbbing chapel, that will leave you emptier of bad thoughts than this homely ceremony of making bread.
M.F.K. Fisher (How to Cook a Wolf)
These thoughts are depressing I know. They are depressing, I wish I was more cheerful, it is more pleasant, Also it is a duty, we should smile as well as submitting To the purpose of One Above who is experimenting With various mixtures of human character which goes best, All is interesting for him it is exciting, but not for us. There I go again. Smile, smile, and get some work to do Then you will be practically unconscious without positively having to go.
Stevie Smith (Collected Poems)
Julian tried to keep a pleasant smile on his face, though already it felt strained. He was uncomfortable with people who used the word blessed as a part of their everyday speech. The implication was that God was intervening in the minutiae of their lives, hanging around and helping them with their jobs or children or household chores as though He had nothing better to do. Maybe it was true, Julian thought wryly. Maybe that was why there were wars and murders and earthquakes and hurricanes. God was too busy helping real estate agents find new listings to deal with those other issues.
Bentley Little (The Haunted)
It is impossible to understand how millions and millions of people all obey a sickly collection of gentlemen that call themselves 'Government!' The word, I expect, frightens people. It is a form of planetary hypnosis, and very unhealthy." "It has been going on for years," I said. "And it only occurred to relatively few to disobey and make what they call revolutions. If they won their revolutions, which they occasionally did, they made more governments, sometimes more cruel and stupid than the last." "Men are very difficult to understand," said Carmella. "Let's hope they all freeze to death. I am sure it would be very pleasant and healthy for human beings to have no authority whatever. They would have to think for themselves, instead of always being told what to do and think by advertisements, cinemas, policemen, and parliaments.
Leonora Carrington (The Hearing Trumpet)
These thoughts were as familiar to her, and as comforting, as the precise configuration of her knees, their matching but competing, symmetrical and reversible, look. A second thought always followed the first, one mystery bred another: Was everyone else really as alive as she was? For example, did her sister really matter to herself, was she as valuable to herself as Briony was? Was being Cecilia just as vivid an affair as being Briony? Did her sister also have a real self concealed behind a breaking wave, and did she spend time thinking about it, with a finger held up to her face? Did everybody, including her father, Betty, Hardman? If the answer was yes, then the world, the social world, was unbearably complicated, with two billion voices, and everyone’s thoughts striving in equal importance and everyone’s claim on life as intense, and everyone thinking they were unique, when no one was. One could drown in irrelevance. But if the answer was no, then Briony was surrounded by machines, intelligent and pleasant enough on the outside, but lacking the bright and private inside feeling she had. This was sinister and lonely, as well as unlikely. For, though it offended her sense of order, she knew it was overwhelmingly probably that everyone else had thoughts like hers. She knew this, but only in a rather arid way; she didn’t really feel it.
Ian McEwan (Atonement)
Versatility is one of the few human traits which are universally intolerable. You may be good at Greek and good at painting and be popular. You may be good at Greek and good at sport, and be wildly popular. But try all three and you’re a mountebank. Nothing arouses suspicion quicker than genuine, all-round proficiency.” Kate thought. “It needs an extra gift for human relationships, of course; but that can be developed. It’s got to be, because stultified talent is surely the ultimate crime against mankind. Tell your paragons to develop it: with all those gifts it’s only right they should have one hurdle to cross.” “But that kind of thing needs co-operation from the other side,” said Lymond pleasantly. “No. Like Paris, they have three choices.” And he struck a gently derisive chord between each. “To be accomplished but ingratiating. To be accomplished but resented. Or to hide behind the more outré of their pursuits and be considered erratic but harmless.
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved. Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said. Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe. The ragged sound cut through the apartment again. “What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air. Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape. “I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand. “I thought we were clear that night was for sleeping.” Ronan shrugged. “Perhaps for you.” “Not tonight. Your pterodactyl woke me. Why is it making that sound?” In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex. “Well, this is not going to do,” he said. “You’re going to have to make it stop.” “She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.” “Can’t you keep her downstairs?” In reply, Ronan half-lifted the little bird toward him. “You tell me.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
A 'Bummel', I explained, I should describe as a journey, long or short, without an end; the only thing regulating it being the necessity of getting back within a given time to the point from which one started. Sometimes it is through busy streets, and sometimes through the fields and lanes; sometimes we can be spared for a few hours, and sometimes for a few days. But long or short, but here or there, our thoughts are ever on the running of the sand. We nod and smile to many as we pass; with some we stop and talk awhile; and with a few we walk a little way. We have been much interested, and often a little tired. But on the whole we have had a pleasant time, and are sorry when 'tis over.
Jerome K. Jerome (Three Men on the Bummel)
I was only going to say," said Scrooge's nephew, "that the consequence of his taking a dislike to us, and not making merry with us, is, as I think, that he loses some pleasant moments, which could do him no harm. I am sure he loses pleasanter companions than he can find in his own thoughts, either in his mouldy old office or his dusty chambers. I mean to give him the same chance every year, whether he likes it or not, for I pity him. He may rail at Christmas till he dies, but he can't help thinking better of it—I defy him—if he finds me going there in good temper, year after year, and saying, 'Uncle Scrooge, how are you?' If it only puts him in the vein to leave his poor clerk fifty pounds, that's something.
Charles Dickens (A Christmas Carol)
Here was intellectual life, he thought, and here was beauty, warm and wonderful as he had never dreamed it could be. He forgot himself and stared at her with hungry eyes. Here was something to live for, to win to, to fight for—ay, and die for. The books were true. There were such women in the world. She was one of them. She lent wings to his imagination, and great, luminous canvases spread themselves before him whereon loomed vague, gigantic figures of love and romance, and of heroic deeds for woman’s sake—for a pale woman, a flower of gold. And through the swaying, palpitant vision, as through a fairy mirage, he stared at the real woman, sitting there and talking of literature and art. He listened as well, but he stared, unconscious of the fixity of his gaze or of the fact that all that was essentially masculine in his nature was shining in his eyes. But she, who knew little of the world of men, being a woman, was keenly aware of his burning eyes. She had never had men look at her in such fashion, and it embarrassed her. She stumbled and halted in her utterance. The thread of argument slipped from her. He frightened her, and at the same time it was strangely pleasant to be so looked upon. Her training warned her of peril and of wrong, subtle, mysterious, luring; while her instincts rang clarion-voiced through her being, impelling her to hurdle caste and place and gain to this traveller from another world, to this uncouth young fellow with lacerated hands and a line of raw red caused by the unaccustomed linen at his throat, who, all too evidently, was soiled and tainted by ungracious existence. She was clean, and her cleanness revolted; but she was woman, and she was just beginning to learn the paradox of woman.
Jack London (Martin Eden)
Gilbert had finally made up his mind that he was going to be a doctor. "It's a splendid profession," he said enthusiastically. "A fellow has to fight something all through life. . .didn't somebody once define man as a fighting animal?. . .and I want to fight disease and pain and ignorance. . .which are all members one of another. I want to do my share of honest, real work in the world, Anne. . . add a little to the sum of human knowledge that all the good men have been accumulating since it began. The folks who lived before me have done so much for me that I want to show my gratitude by doing something for the folks who will live after me. It seems to me that is the only way a fellow can get square with his obligations to the race." "I'd like to add some beauty to life," said Anne dreamily. "I don't exactly want to make people know more. . .though I know that is the noblest ambition. . .but I'd love to make them have a pleasanter time because of me. . .to have some little joy or happy thought that would never have existed if I hadn't been born." "I think you're fulfilling that ambition every day," said Gilbert admiringly. And he was right. Anne was one of the children of light by birthright. After she had passed through a life with a smile or a word thrown across it like a gleam of sunshine the owner of that life saw it, for the time being at least, as hopeful and lovely and of good report.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
A man in a topiary maze cannot judge of the twistings and turnings, and which avenue might lead him to the heart; while one who stands above, on some pleasant prospect, looking down upon the labyrinth, is reduced to watching the bewildered circumnavigations of the tiny victim through obvious coils - as the gods, perhaps, looked down on besieged and blood-sprayed Troy from the safety of their couches, and thought mortals weak and foolish while they themselves reclined in comfort, and had only to snap to call Ganymade to theeir side with nectar decanted. So I, now, with the vantage of my years, am sensible of my foolishness, my blindness, as a child. I cannot think of my blunders without a shriveling of the inward parts - not merely the disiccation attendant on shame, but also the aggravation of remorse that I did not demand explanation, that I did not sooner take my mother by the hand, and- I do not know what I regret. I sit with my pen, and cannot find an end to that sentence.
M.T. Anderson (The Pox Party (The Astonishing Life of Octavian Nothing, Traitor to the Nation, #1))
In the morning when thou risest unwillingly, let this thought be present,—I am rising to the work of a human being. Why then am I dissatisfied if I am going to do the things for which I exist and for which I was brought into the world? Or have I been made for this, to lie in the bed-clothes and keep myself warm?—But this is more pleasant.—Dost thou exist then to take thy pleasure, and not at all for action or exertion? Dost thou not see the little plants, the little birds, the ants, the spiders, the bees working together to put in order their several parts of the universe? And art thou unwilling to do the work of a human being, and dost thou not make haste to do that which, is according to thy nature? But it is necessary to take rest also.—It is necessary. However, Nature has fixed bounds to this too: she has fixed bounds to eating and drinking, and yet thou goest beyond these bounds, beyond what is sufficient; yet in thy acts it is not so, but thou stoppest short of what thou canst do. So thou lovest not thyself, for if thou didst, thou wouldst love thy nature and her will. But those who love their several arts exhaust themselves in working at them unwashed and without food; but thou valuest thy own nature less than the turner values the turning art, or the dancer the dancing art, or the lover of money values his money, or the vain-glorious man his little glory. And such men, when they have a violent affection to a thing, choose neither to eat nor to sleep rather than to perfect the things which they care for. But are the acts which concern society more vile in thy eyes and less worthy of thy labor?
Marcus Aurelius (Meditations)
I was born in a village in the northeast, and it wasn’t until I was quite big that I saw my first train. I climbed up and down the station bridge, quite unaware that its function was to permit people to cross from one track to another. I was convinced that the bridge had been provided to lend an exotic touch and to make the station premises a place of pleasant diversity, like some foreign playground. I remained under this delusion for quite a long time, and it was for me a very refined amusement indeed to climb up and down the bridge. I thought that it was one of the most elegant services provided by the railways. When later I discovered that the bridge was nothing more than a utilitarian device, I lost all interest in it. Again, when as a child I saw photographs of subway trains in picture books, it never occurred to me that they had been invented out of practical necessity; I could only suppose that riding underground instead of on the surface must be a novel and delightful pastime. I have been sickly ever since I was a child and have frequently been confined to bed. How often as I lay there I used to think what uninspired decorations sheets and pillow cases make. It wasn’t until I was about twenty that I realized that they actually served a practical purpose, and this revelation of human dullness stirred dark depression in me.
Osamu Dazai (No Longer Human)
An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")
Cornell Woolrich (Angels of Darkness)
I think it's degrading of you, Flora,' cried Mrs Smiling at breakfast. 'Do you truly mean that you don't ever want to work at anything?' Her friend replied after some thought: 'Well, when I am fifty-three or so I would like to write a novel as good as "Persuasion", but with a modern setting, of course. For the next thirty years or so I shall be collecting material for it. If anyone asks me what I work at, I shall say "Collecting material." No one can object to that. Besides, I shall be.' Mrs Smiling drank some coffee in silent disapproval. 'If you ask me,' continued Flora, 'I think I have much in common with Miss Austen. She liked everything to be tidy and pleasant and comfortable around her, and so do I. You see Mary,' - and here Flora began to grow earnest and to wave one finger about - 'unless everything is tidy and pleasant and comfortable all about one, people cannot even begin to enjoy life. I cannot endure messes.
Stella Gibbons (Cold Comfort Farm)
[speaking of a friend named Lavendar Lewis] 'I think her parents gave her the only right and fitting name that could possibly be given her,' said Anne. 'If they had been so blind as to name her Elizabeth or Nellie or Muriel she must have been called Lavendar just the same, I think. It's so suggestive of sweetness and old-fashioned graces and "silk attire." Now, my name just smacks of bread and butter, patchwork and chores.' 'Oh, I don't think so,' said Diana. 'Anne seems to me real stately and like a queen. But I'd like Kerenhappuch if it happened to be your name. I think people make their names nice or ugly just by what they are themselves. I can't bear Josie or Gertie for names now but before I knew the Pye girls I thought them real pretty.' 'That's a lovely idea, Diana,' said Anne enthusiastically. 'Living so that you beautify your name, even if it wasn't beautiful to begin with...making it stand in people's thoughts for something so lovely and pleasant that they never think of it by itself. Thank you, Diana.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
He thought of nothing, wished for nothing, but not to be left behind the peasants, and to do his work as well as possible. He heard nothing but the swish of scythes, and saw before him Tit's upright figure mowing away, the crescent-shaped curve of the cut grass, the grass and flower heads slowly and rhythmically falling before the blade of his scythe, and ahead of him the end of the row, where would come the rest. Suddenly, in the midst of his toil, without understanding what it was or whence it came, he felt a pleasant sensation of chill on his hot, moist shoulders. He glanced at the sky in the interval for whetting the scythes. A heavy, lowering storm cloud had blown up, and big raindrops were falling. Some of the peasants went to their coats and put them on; others--just like Levin himself--merely shrugged their shoulders, enjoying the pleasant coolness of it. Another row, and yet another row, followed--long rows and short rows, with good grass and with poor grass. Levin lost all sense of time, and could not have told whether it was late or early now. A change began to come over his work, which gave him immense satisfaction. In the midst of his toil there were moments during which he forgot what he was doing, and it came all easy to him, and at those same moments his row was almost as smooth and well cut as Tit's. But so soon as he recollected what he was doing, and began trying to do better, he was at once conscious of all the difficulty of his task, and the row was badly mown.
Leo Tolstoy (Anna Karenina)
impure thoughts of every kind crystallize into enervating and confusing habits, which solidify into distracting and adverse circumstances: thoughts of fear, doubt, and indecision crystallize into weak, unmanly, and irresolute habits, which solidify into circumstances of failure, indigence, and slavish dependence: lazy thoughts crystallize into habits of uncleanliness and dishonesty, which solidify into circumstances of foulness and beggary: hateful and condemnatory thoughts crystallize into habits of accusation and violence, which solidify into circumstances of injury and persecution: selfish thoughts of all kinds crystallize into habits of self-seeking, which solidify into circumstances more or less distressing. On the other hand, beautiful thoughts of all kinds crystallize into habits of grace and kindliness, which solidify into genial and sunny circumstances: pure thoughts crystallize into habits of temperance and self-control, which solidify into circumstances of repose and peace: thoughts of courage, self-reliance, and decision crystallize into manly habits, which solidify into circumstances of success, plenty, and freedom: energetic thoughts crystallize into habits of cleanliness and industry, which solidify into circumstances of pleasantness: gentle and forgiving thoughts crystallize into habits of gentleness, which solidify into protective and preservative circumstances: loving and unselfish thoughts crystallize into habits of self-forgetfulness for others, which solidify into circumstances of sure and abiding prosperity and true riches.
James Allen (As a Man Thinketh)
Christmas time! That man must be a misanthrope indeed, in whose breast something like a jovial feeling is not roused—in whose mind some pleasant associations are not awakened—by the recurrence of Christmas. There are people who will tell you that Christmas is not to them what it used to be; that each succeeding Christmas has found some cherished hope, or happy prospect, of the year before, dimmed or passed away; that the present only serves to remind them of reduced circumstances and straitened incomes—of the feasts they once bestowed on hollow friends, and of the cold looks that meet them now, in adversity and misfortune. Never heed such dismal reminiscences. There are few men who have lived long enough in the world who cannot call up such thoughts any day of the year. Then do not select the merriest of the three hundred and sixty-five for your doleful recollections, but draw your chair nearer the blazing fire—fill the glass and send round the song—and if your room be smaller than it was a dozen years ago, or if your glass be filled with reeking punch, instead of sparkling wine, put a good face on the matter, and empty it offhand, and fill another, and troll off the old ditty you used to sing, and thank God it’s no worse.
Charles Dickens (Sketches by Boz (Penguin Classics))
Ingenious philosophers tell you, perhaps, that the great work of the steam-engine is to create leisure for mankind. Do not believe them: it only creates a vacuum for eager thought to rush in. Even idleness is eager now—eager for amusement; prone to excursion-trains, art museums, periodical literature, and exciting novels; prone even to scientific theorizing and cursory peeps through microscopes. Old Leisure was quite a different personage. He only read one newspaper, innocent of leaders, and was free from that periodicity of sensations which we call post-time. He was a contemplative, rather stout gentleman, of excellent digestion; of quiet perceptions, undiseased by hypothesis; happy in his inability to know the causes of things, preferring the things themselves. He lived chiefly in the country, among pleasant seats and homesteads, and was fond of sauntering by the fruit-tree wall and scenting the apricots when they were warmed by the morning sunshine, or of sheltering himself under the orchard boughs at noon, when the summer pears were falling. He knew nothing of weekday services, and thought none the worse of the Sunday sermon if it allowed him to sleep from the text to the blessing; liking the afternoon service best, because the prayers were the shortest, and not ashamed to say so; for he had an easy, jolly conscience, broad-backed like himself, and able to carry a great deal of beer or port-wine, not being made squeamish by doubts and qualms and lofty aspirations.
George Eliot (Adam Bede)
You frequently state, and in your letter you imply, that I have developed a completely one-sided outlook and look at everything in terms of science. Obviously my method of thought and reasoning is influenced by a scientific training – if that were not so my scientific training will have been a waste and a failure. But you look at science (or at least talk of it) as some sort of demoralizing invention of man, something apart from real life, and which must be cautiously guarded and kept separate from everyday existence. But science and everyday life cannot and should not be separated. Science, for me, gives a partial explanation of life. In so far as it goes, it is based on fact, experience and experiment. Your theories are those which you and many other people find easiest and pleasantest to believe, but so far as I can see, they have no foundation other than they leaf to a pleasanter view of life (and an exaggerated idea of our own importance)... I agree that faith is essential to success in life (success of any sort) but I do not accept your definition of faith, i.e. belief in life after death. In my view, all that is necessary for faith is the belief that by doing our best we shall come nearer to success and that success in our aims (the improvement of the lot of mankind, present and future) is worth attaining. Anyone able to believe in all that religion implies obviously must have such faith, but I maintain that faith in this world is perfectly possible without faith in another world… It has just occurred to me that you may raise the question of the creator. A creator of what? ... I see no reason to believe that a creator of protoplasm or primeval matter, if such there be, has any reason to be interested in our significant race in a tiny corner of the universe, and still less in us, as still more significant individuals. Again, I see no reason why the belief that we are insignificant or fortuitous should lessen our faith – as I have defined it.
Rosalind Franklin
Will father be there?" she asked. John turned to her in astonishment. Your father is dead," he replied somberly. "Why should he go to Hades? You have it confused with another place that was abolished long ago." After supper they folded up the table-cloth and spread their blankets for the night. What a dream it was," Kismine sighed, gazing up at the stars. "How strange it seems to be here with one dress and a penniless fianc_! Under the stars," she repeated. "I never noticed the stars before. I always thought of them as great big diamonds that belonged to some one. Now they frighten me. They make me feel that it was all a dream, all my youth." It was a dream," said John quietly. "Everybody's youth is a dream, a form of chemical madness." How pleasant then to be insane!" So I'm told," said John gloomily. "I don't know any longer. At any rate, let us love for a while, for a year or so, you and me. That's a form of divine drunkenness that we can all try. There are only diamonds in the whole world, diamonds and perhaps the shabby gift of disillusion. Well, I have that last and I will make the usual nothing of it." He shivered. "Turn up your coat collar, little girl, the night's full of chill and you'll get pneumonia. His was a great sin who first invented consciousness. Let us lose it for a few hours." So wrapping himself in his blanket he fell off to sleep.
F. Scott Fitzgerald (The Short Stories)
Archer's necklace thing may have spared us the crushing headache and loss of breath, but it didn't make the landing any more graceful. We were tossed into a thick copse of trees as we came out of the blackness, and I immediately tripped over a huge exposed root, scraping my elbow on a branch as I went down. Unfortunately, since the necklace was looped around both our necks, that meant Archer fell too. On top of me. In another lifetime,that might have been kind of pleasant. And yeah, he still smelled nice, and as I grabbed his shoulders to push him away, I remembered that he was a lot stronger than his thin frame would suggest. But none of that mattered. I didn't get to notice those things about him anymore. The ground I was lying on was muddy, and I had a feeling I'd be pulling leaves and twigs out of my hair for all eternity. "Get off of me!" I mumbled against his collarbone, shoving at him. He rolled over onto his back, his sword clanging against a rock or exposed root, but thanks to the necklace, that just pulled me half on top of him. "And here I thought you were playing hard to get," he whispered. Moonlight glinted in his eyes, and he sounded a little out of breath. I told myself it was just from the fall. I thwacked his chest with the palm of my hand, then ducked my head underneath the necklace. Once I was free, I scooted away from him. "Let me guess," I hissed, nodding at the chain. "Something else you stole from Hex Hall." He pushed himself to his feet. "Guilty." "Where the heck was I while you were playing Grand Theft Cellar?" "I only took a few things, and most of those I grabbed during those last few weeks when you weren't talking to me.
Rachel Hawkins (Demonglass (Hex Hall, #2))
In Him we have . . . the forgiveness of sins . . . —Ephesians 1:7 Beware of the pleasant view of the fatherhood of God: God is so kind and loving that of course He will forgive us. That thought, based solely on emotion, cannot be found anywhere in the New Testament. The only basis on which God can forgive us is the tremendous tragedy of the Cross of Christ. To base our forgiveness on any other ground is unconscious blasphemy. The only ground on which God can forgive our sin and reinstate us to His favor is through the Cross of Christ. There is no other way! Forgiveness, which is so easy for us to accept, cost the agony at Calvary. We should never take the forgiveness of sin, the gift of the Holy Spirit, and our sanctification in simple faith, and then forget the enormous cost to God that made all of this ours. Forgiveness is the divine miracle of grace. The cost to God was the Cross of Christ. To forgive sin, while remaining a holy God, this price had to be paid. Never accept a view of the fatherhood of God if it blots out the atonement. The revealed truth of God is that without the atonement He cannot forgive— He would contradict His nature if He did. The only way we can be forgiven is by being brought back to God through the atonement of the Cross. God’s forgiveness is possible only in the supernatural realm. Compared with the miracle of the forgiveness of sin, the experience of sanctification is small. Sanctification is simply the wonderful expression or evidence of the forgiveness of sins in a human life. But the thing that awakens the deepest fountain of gratitude in a human being is that God has forgiven his sin. Paul never got away from this. Once you realize all that it cost God to forgive you, you will be held as in a vise, constrained by the love of God.
Oswald Chambers (My Utmost for His Highest)
You are not really dying,” he said, the oddest tone to his voice, “are you?”Jem nodded. “So they tell me.”“I am sorry,” Will said.“No,” Jem said softly. He drew his jacket aside and took a knife from the belt at his waist.“Don’t be ordinary like that. Don’t say you’re sorry. Say you’ll train with me.” He held out the knife to Will, hilt rst. Charlotte held her breath, afraid to move. She feltas if she were watching something very important happen, though she could not have saidwhat.Will reached out and took the knife, his eyes never leaving Jem’s face. His fingers brushedthe other boy’s as he took the weapon from him. It was the rst time, Charlotte thought,that she had ever seen him touch any other person willingly.“I’ll train with you,” he said. Jem, Will’s parabatai, treated her with the distant sweet kindness reserved for the littlesisters of one’s friends, but he would always side with Will. Kindly, but rmly, he put Willabove everything else in the world.Well, nearly everything. She had been most struck by Jem when she rst came to theInstitute—he had an unearthly, unusual beauty, with his silvery hair and eyes and delicate features. He looked like a prince in a fairy-tale book, and she might have considered developing an attachment to him, were it not so absolutely clear that he was entirely inlove with Tessa Gray. His eyes followed her where she went, and his voice changed when hespoke to her. Cecily had once heard her mother say in amusement that one of theirneighbors’ boys looked at a girl as if she were “the only star in the sky” and that was theway Jem looked at Tessa.Cecily didn’t resent it: Tessa was pleasant and kind to her, if a little shy, and with herface always stuck in a book, like Will. If that was the sort of girl Jem wanted, she and henever would have suited—and the longer she remained at the Institute, the more sherealized how awkward it would have made things with Will. He was ferociously protectiveof Jem, and he would have watched her constantly in case she ever distressed or hurt him inany way. No—she was far better out of the whole thing.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Impatiently I waited for evening, when I might summon you to my presence. An unusual– to me– a perfectly new character, I suspected was yours; I desired to search it deeper, and know it better. You entered the room with a look and air at once shy and independent; you were quaintly dress– much as you are now. I made you talk; ere long I found you full of strange contrasts. Your garb and manner were restricted by rule; your air was often diffident, and altogether that of one refined by nature, but absolutely unused to society, and a good deal afraid of making herself disadvantageously conspicuous by some solecism or blunder; yet, when addressed, you lifted a keen, a daring, and a glowing eye to your interlocutor’s face; there was penetration and power in each glance you gave; when plied by close questions, you found ready and round answers. Very soon you seemed to get used to me – I believe you felt the existence of sympathy between you and your grim and cross master, Jane; for it was astonishing to see how quickly a certain pleasant ease tranquilized your manner; snarl as I would, you showed no surprise, fear, annoyance, or displeasure, at my moroseness; you watched me, and now and then smiled at me with a simple yet sagacious grace I cannot describe. I was at once content and stimulated with what I saw; I liked what I had seen, and wished to see more. Yet, for a long time, I treated you distantly, and sought your company rarely, I was an intellectual epicure, and wished to prolong the gratification of making this novel and piquant acquaintance; besides, I was for a while troubled with a haunting fear that if I handled the flower freely its bloom would fade – the sweet charm of freshness would leave it. I did not then know that it was no transitory blossom, but rather the radiant resemblance of one, cut in an indestructible gem. Moreover, I wished to see whether you would seek me if I shunned you – but you did not; you kept in the school-room as still as your own desk and easel; if by chance I met you, you passed me as soon, and with as little token of recognition, as was consistent with respect. Your habitual expression in those days, Jane, was a thoughtful look; not despondent, fro you were not sickly; but not buoyant, for you had little hope, and no actual pleasure. I wondered what you thought of me– or if you ever thought of me; to find this out, I resumed my notice of you. There was something glad in your glance, and genial in your manner, when you conversed; I saw you had a social heart; it was the silent school-room– it was the tedium of your life that made you mournful. I permitted myself the delight of being kind to you; kindness stirred emotion soon; your face became soft in expression, your tones gentle; I liked my name pronounced by your lips in a grateful, happy accent. I used to enjoy a chance meeting with you, Jane, at this time; there was a curious hesitation in your manner; you glanced at me with a slight trouble– a hovering doubt; you did not know what my caprice might be– whether I was going to play the master, and be stern– or the friend, and be benignant. I was now too fond of you often to stimulate the first whim; and, when I stretched my hand out cordially, such bloom, and light, and bliss, rose to your young, wistful features, I had much ado often to avoid straining you then and there to my heart.
Charlotte Brontë (Jane Eyre)
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright-- And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done-- "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying over head-- There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: "If this were only cleared away," They said, "it WOULD be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear. "O Oysters, come and walk with us!" The Walrus did beseech. "A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each." The eldest Oyster looked at him. But never a word he said: The eldest Oyster winked his eye, And shook his heavy head-- Meaning to say he did not choose To leave the oyster-bed. But four young oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing-wax-- Of cabbages--and kings-- And why the sea is boiling hot-- And whether pigs have wings." "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter. They thanked him much for that. "A loaf of bread," the Walrus said, "Is what we chiefly need: Pepper and vinegar besides Are very good indeed-- Now if you're ready Oysters dear, We can begin to feed." "But not on us!" the Oysters cried, Turning a little blue, "After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said "Do you admire the view? "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice: I wish you were not quite so deaf-- I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said. "I deeply sympathize." With sobs and tears he sorted out Those of the largest size. Holding his pocket handkerchief Before his streaming eyes. "O Oysters," said the Carpenter. "You've had a pleasant run! Shall we be trotting home again?" But answer came there none-- And that was scarcely odd, because They'd eaten every one.
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
Halt glared at his friend as the whistling continued. 'I had hoped that your new sense of responsibly would put an end to that painful shrieking noise you make between your lips' he said. Crowley smiled. It was a beautiful day and he was feeling at peace with the world. And that meant he was more than ready to tease Halt 'It's a jaunty song' 'What's jaunty about it?' Halt asked, grim faced. Crowley made an uncertain gesture as he sought for an answer to that question. 'I suppose it's the subject matter' he said eventually. 'It's a very cheerful song. Would you like me to sing it for you?' 'N-' Halt began but he was too late, as Crowley began to sing. He had a pleasant tenor voice, in fact, and his rendering of the song was quite good. But to Halt it was as attractive as a rusty barn door squeaking. 'A blacksmith from Palladio, he met a lovely lady-o' 'Whoa! Whoa!' Halt said 'He met a lovely lady-o?' Halt repeated sarcastically 'What in the name of all that's holy is a lady-o?' 'It's a lady' Crowley told him patiently. 'Then why not sing 'he met a lovely lady'?' Halt wanted to know. Crowley frowned as if the answer was blatantly obvious. "Because he's from Palladio, as the song says. It's a city on the continent, in the southern part of Toscana.' 'And people there have lady-o's, instead of ladies?' Asked Halt 'No. They have ladies, like everyone else. But 'lady' doesn't rhyme with Palladio, does it? I could hardly sing, 'A blacksmith from Palladio, he met his lovely lady', could I?' 'It would make more sense if you did' Halt insisted 'But it wouldn't rhyme' Crowley told him. 'Would that be so bad?' 'Yes! A song has to rhyme or it isn't a proper song. It has to be lady-o. It's called poetic license.' 'It's poetic license to make up a word that doesn't exist and which, by the way, sound extremely silly?' Halt asked. Crowley shook his head 'No. It's poetic license to make sure that the two lines rhyme with each other' Halt thought for a few seconds, his eyes knitted close together. Then inspiration struck him. 'Well then couldn't you sing 'A blacksmith from Palladio, he met a lovely lady, so...'?' 'So what?' Crowley challenged Halt made and uncertain gesture with his hands as he sought more inspiration. Then he replied. 'He met a lovely lady, so...he asked her for her hand and gave her a leg of lamb.' 'A leg of lamb? Why would she want a leg of lamb?' Crowley demanded Halt shrugged 'Maybe she was hungry
John Flanagan (The Tournament at Gorlan (Ranger’s Apprentice: The Early Years, #1))
The Humbug whistled gaily at his work, for he was never as happy as when he had a job which required no thinking at all. After what seemed like days, he had dug a hole scarcely large enough for his thumb. Tock shuffled steadily back and forth with the dropper in his teeth, but the full well was still almost as full as when he began, and Milo's new pile of sand was hardly a pile at all. "How very strange," said Milo, without stopping for a moment. "I've been working steadily all this time, and I don't feel the slightest bit tired or hungry. I could go right on the same way forever." "Perhaps you will," the man agreed with a yawn (at least it sounded like a yawn). "Well, I wish I knew how long it was going to take," Milo whispered as the dog went by again. "Why not use your magic staff and find out?" replied Tock as clearly as anyone could with an eye dropper in his mouth. Milo took the shiny pencil from his pocket and quickly calculated that, at the rate they were working, it would take each of them eight hundred and thirty-seven years to finish. "Pardon me," he said, tugging at the man's sleeve and holding the sheet of figures up for him to see, "but it's going to take eight hundred and thirty-seven years to do these jobs." "Is that so?" replied the man, without even turning around. "Well, you'd better get on with it then." "But it hardly seems worth while," said Milo softly. "WORTH WHILE!" the man roared indignantly. "All I meant was that perhaps it isn't too important," Milo repeated, trying not to be impolite. "Of course it's not important," he snarled angrily. "I wouldn't have asked you to do it if I thought it was important." And now, as he turned to face them, he didn't seem quite so pleasant. "Then why bother?" asked Tock, whose alarm suddenly began to ring. "Because, my young friends," he muttered sourly, "what could be more important than doing unimportant things? If you stop to do enough of them, you'll never get to where you're going." He punctuated his last remark with a villainous laugh. "Then you must -----" gasped Milo. "Quite correct!" he shrieked triumphantly. "I am the Terrible Trivium, demon of petty tasks and worthless jobs, ogre of wasted effort, and monster of habit.
Norton Juster (The Phantom Tollbooth)
To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
William Cullen Bryant (Thanatopsis)
A man opposite me shifted his feet, accidentally brushing his foot against mine. It was a gentle touch, barely noticeable, but the man immediately reached out to touch my knee and then his own chest with the fingertips of his right hand, in the Indian gesture of apology for an unintended offence. In the carriage and the corridor beyond, the other passengers were similarly respectful, sharing, and solicitous with one another. At first, on that first journey out of the city into India, I found such sudden politeness infuriating after the violent scramble to board the train. It seemed hypocritical for them to show such deferential concern over a nudge with a foot when, minutes before, they'd all but pushed one another out of the windows. Now, long years and many journeys after that first ride on a crowded rural train, I know that the scrambled fighting and courteous deference were both expressions of the one philosophy: the doctrine of necessity. The amount of force and violence necessary to board the train, for example, was no less and no more than the amount of politeness and consideration necessary to ensure that the cramped journey was as pleasant as possible afterwards. What is necessary! That was the unspoken but implied and unavoidable question everywhere in India. When I understood that, a great many of the characteristically perplexing aspects of public life became comprehensible: from the acceptance of sprawling slums by city authorities, to the freedom that cows had to roam at random in the midst of traffic; from the toleration of beggars on the streets, to the concatenate complexity of the bureaucracies; and from the gorgeous, unashamed escapism of Bollywood movies, to the accommodation of hundreds of thousands of refugees from Tibet, Iran, Afghanistan, Africa, and Bangladesh, in a country that was already too crowded with sorrows and needs of its own. The real hypocrisy, I came to realise, was in the eyes and minds and criticisms of those who came from lands of plenty, where none had to fight for a seat on a train. Even on that first train ride, I knew in my heart that Didier had been right when he'd compared India and its billion souls to France. I had an intuition, echoing his thought, that if there were a billion Frenchmen or Australians or Americans living in such a small space, the fighting to board the train would be much more, and the courtesy afterwards much less. And in truth, the politeness and consideration shown by the peasant farmers, travelling salesmen, itinerant workers, and returning sons and fathers and husbands did make for an agreeable journey, despite the cramped conditions and relentlessly increasing heat. Every available centimetre of seating space was occupied, even to the sturdy metal luggage racks over our heads. The men in the corridor took turns to sit or squat on a section of floor that had been set aside and cleaned for the purpose. Every man felt the press of at least two other bodies against his own. Yet there wasn't a single display of grouchiness or bad temper
Gregory David Roberts