Hips Don T Lie Quotes

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Achilles was looking at me. “Your hair never quite lies flat, here.” He touched my head, just behind my ear. “I don’t think I’ve ever told you how I like it.” My scalp prickled where his fingers had been. “You haven’t,” I said. “I should have.” His hand drifted down to the vee at the base of my throat, drew softly across the pulse. “What about this? Have I told you what I think of this, just here?” “No,” I said. “This surely then.” His hand moved across the muscles of my chest; my skin warmed beneath it. “Have I told you of this?” “That you have told me.” My breath caught a little as I spoke. “And what of this?” His hand lingered over my hips, drew down the line of my thigh. “Have I spoken of it?” “You have.” “And this? Surely I would not have forgotten this.” His cat’s smile. “Tell me I did not.” “You did not.” “There is this too.” His hand was ceaseless now. “I know I have told you of this.” I closed my eyes. “Tell me again,” I said.
Madeline Miller (The Song of Achilles)
We’re still going to be seeing each other,” he murmured. “And don’t even lie. I know that makes you happy, You told me you wanted me.” Hold your horses. “When?” “At the lake.” He slanted his headm and I should’ve pulled back. His lips curved knowingly against mine, and he let go of my wrist. “You said you wanted me.” Both of my hand were on his chest. They had a mind of their own. I claimed no responsibility for them. “I had a fever. Lost my mind.” “Whatever, Kitten.” Daemon gripped my hips, lifting me onto the edge of he desk with an ease that was disturbing. “I know better.
Jennifer L. Armentrout (Onyx (Lux, #2))
Pretty women wonder where my secret lies. I'm not cute or built to suit a fashion model's size But when I start to tell them, They think I'm telling lies. I say, It's in the reach of my arms The span of my hips, The stride of my step, The curl of my lips. I'm a woman Phenomenally. Phenomenal woman, That's me. I walk into a room Just as cool as you please, And to a man, The fellows stand or Fall down on their knees. Then they swarm around me, A hive of honey bees. I say, It's the fire in my eyes, And the flash of my teeth, The swing in my waist, And the joy in my feet. I'm a woman Phenomenally. Phenomenal woman, That's me. Men themselves have wondered What they see in me. They try so much But they can't touch My inner mystery. When I try to show them They say they still can't see. I say, It's in the arch of my back, The sun of my smile, The ride of my breasts, The grace of my style. I'm a woman Phenomenally. Phenomenal woman, That's me. Now you understand Just why my head's not bowed. I don't shout or jump about Or have to talk real loud. When you see me passing It ought to make you proud. I say, It's in the click of my heels, The bend of my hair, the palm of my hand, The need of my care, 'Cause I'm a woman Phenomenally. Phenomenal woman, That's me.
Maya Angelou (Phenomenal Woman: Four Poems Celebrating Women)
Best I ever had Hips don't lie You make me wanna *sssss* One more night Irreplaceable, yeah Crazy, we're crazy
Niall Horan
I opened the fire door to four lips none of which were mine kissing tightened my belt around my hips where your hands were missing and stepped out into the cold collar high under the slate grey sky the air was smoking and the streets were dry and I wasn't joking when I said Good Bye magazine quality men talking on the corner French, no less much less of them then us so why do I feel like something's been rearranged? you know, taken out of context I must seem so strange killed a cockroach so big it left a puddle of pus on the wall when you and I are lying in bed you don't seem so tall I'm singing now because my tear ducts are too tired and my brain is disconnected but my heart is wired I make such a good statistic someone should study me now somebody's got to be interested in how I feel just 'cause I'm here and I'm real oh, how I miss substituting the conclusion to confrontation with a kiss and oh, how I miss walking up to the edge and jumping in like I could feel the future on your skin I opened the fire door to four lips none of which were mine kissing I opened the fire door
Ani DiFranco
What are you doing here?" I whispered, smiling in the dark. "I had to see you," he breathed into my cheek as he wrapped his arms around me, pulling me down until we were lying side by side on the bed. "I have so much to tell you, Aspen." "Shhh, don't say a word. If anyone hears, there'll be hell to pay. Just let me look at you." And so I obeyed. I stayed there, quiet and still, while Aspen stared into my eyes. When he had his fill of that, he went to nuzzling his nose into my neck and hair. And then his hands were moving up and down the curve of my waist to my hip over and over and over. I heard his breathing get heavy, and something about that drew me in. His lips, hidden in my neck, started kissing me. I drew in sharp breaths. I couldn't help it. Aspen's lips traveled up my chin and covered my mouth, effectively silencing my gasps. I wrapped myself around him, our rushed grabbing and the humidity of the night covering us both in sweat. It was a stolen moment. Aspen's lips finally slowed, though I was nowhere near ready to stop. But we had to be smart. If we went any further, and there was ever evidence of it, we'd both be thrown in jail. Another reason everyone married young: Waiting is torture. "I should go," he whispered. "But I want you to stay." My lips were by his ears. I could smell his soap again. "America Singer, one day you will fall asleep in my arms every night. And you'll wake up to my kisses every morning. And them some." I bit my lip at the thought. "But now I have to go. We're pushing our luck." I sighed and loosened my grip. He was right. "I love you, America." "I love you, Aspen." These secret moments would be enough to get me through everything coming: Mom's disappointment when I wasn't chosen, the work I'd have to do to help Aspen save, the eruption that was coming when he asked Dad for my hand, and whatever struggles we'd go through once we were married. None of it mattered. Not if I had Aspen.
Kiera Cass (The Selection (The Selection, #1))
He leans his face next to my ear, his breath smelling of chocolate making me want him more. I moan, my body defying the warnings in my mind. “You can try and act like you don’t want me, that you have control,” he breathes into my ear as he thrusts his groin harder against me. He's still pulling my hair, making me arch my back. He slowly pulls his hips away and my ass thrusts itself against his groin trying to regain contact. The action takes me by surprise. Shadow lets out a vicious laugh. 'But your body can’t lie,' he nips my earlobe making me practically come on the spot, the pain shooting to my toes making them curl with pleasure, 'you have no power.'
M.N. Forgy (What Doesn't Destroy Us (The Devil's Dust, #1))
While waiting for Brenna to prepare the drink he did as directed and worked through their conversation. It would've gone faster had he not kept getting distracted by the sight of her moving with feminine efficiency mere meters away. The sway of her hips were-"Don't I ever want to lick a woman all up?" She squeaked, then swivelled to face him, bracing her hands on the counter behind her. "Not quite how I would've put it." Her tone was higher than normal. "But yeah." "You," he said quietly, no longer able to lie, "You tempt me." "Oh." Her breasts rose up as she took a deep, shuddering breath. "You've never let on." Yes, he had. If she ever saw the way he watched her when she wasn't looking, she'd be in no doubt as to the strength of his unacceptable reaction to her.
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
Don't even try to lie to me because the way your hips keep squirming will tell a very different story." "It's telling the story your fingers are writing.
Jennifer L. Armentrout (Fall of Ruin and Wrath (Awakening, #1))
Is that a no?" I said. "No. I mean.." He struggled for the smile again. "I'm just waiting for the punch line. Something about making it date so I need to pay. Or you expecting flowers. Or.." He trailed off. "There isn't a punch line," I said. I rose onto my knees and inched over, in front of him. Then I stopped about a foot away. "No punch line, Daniel," I said. "I'm asking if you'll go out with me." He didn't answer. Just reched out, his hand sliding between my hair and face, pulling me toward him and.. And he kissed me. His lips touched mine, tentatively, still unsure, and I eased closer, my arms going around his neck. He kissed me for real then, a long kiss that I felt in the bottom of my soul, a click, some deep part of me saying, "Yes, this is it." Even when the kiss broke off, it didn't end. It was like coming to the surface for a quick gasp of air, then plunging back down again, finding that sweet spot again, and holding onto it for as long as we could. Finally it tapered off, and we were lying on the picnic blanket, side by side, his hand on my hip, kissing slower now, with more breaks for air. until I said, "We should have done that sooner." He smiled, a lazy half smile, and he just looked at me for a moment, our gazes locked, lying there in drowsy happiness, before he said, "I think now's just fine." And he kissed me again, slower and softer now, as we rested there, eyes half closed. "So, about Saturday, did you ask me?" he said after a minute, "Because I'm pretty sure that means yo're paying." "Nope. You were imaging it. Considering how you eat, the meal bill is all yours. But I will spring for the movie. And bring you flowers." He chuckled. "Will you?" "Yep, a dozen pink roses, which you'll have to carry all night or risk offending me." "And what happens if I offend you?" "You don't get any more of this." I leaned in and kissed him again. And we stayed out there, on the blanket, as the sun fell, talking and kissing mostly, just being together. We had a long road ahead of us, and I knew it wasn't going to be easy. But I had everything I wanted-everything I needed-and I'd get through it just fine. We all would.
Kelley Armstrong (The Rising (Darkness Rising, #3))
He laughed again and showed Liam a t-shirt with a dancing heart-shaped toast and the words ‘Nothing say’s I love you quite like Coffee and Toast’. “Do they have one saying ‘Nothing says I love you quite like anal’?” Liam raised an eyebrow. “Huh?” Ryan just stared at him, unsure of what Liam meant. Liam pouted and moved his hands to the front of the garment, as if he were holding someone’s hips in place. “I don’t want my t-shirts to lie.” “Awww. You’re such an honest person.
K.A. Merikan (Special Needs: The Complete Story)
From the line, watching, three things are striking: (a) what on TV is a brisk crack is here a whooming roar that apparently is what a shotgun really sounds like; (b) trapshooting looks comparatively easy, because now the stocky older guy who's replaced the trim bearded guy at the rail is also blowing these little fluorescent plates away one after the other, so that a steady rain of lumpy orange crud is falling into the Nadir's wake; (c) a clay pigeon, when shot, undergoes a frighteningly familiar-looking midflight peripeteia -- erupting material, changing vector, and plummeting seaward in a corkscrewy way that all eerily recalls footage of the 1986 Challenger disaster. All the shooters who precede me seem to fire with a kind of casual scorn, and all get eight out of ten or above. But it turns out that, of these six guys, three have military-combat backgrounds, another two are L. L. Bean-model-type brothers who spend weeks every year hunting various fast-flying species with their "Papa" in southern Canada, and the last has got not only his own earmuffs, plus his own shotgun in a special crushed-velvet-lined case, but also his own trapshooting range in his backyard (31) in North Carolina. When it's finally my turn, the earmuffs they give me have somebody else's ear-oil on them and don't fit my head very well. The gun itself is shockingly heavy and stinks of what I'm told is cordite, small pubic spirals of which are still exiting the barrel from the Korea-vet who preceded me and is tied for first with 10/10. The two brothers are the only entrants even near my age; both got scores of 9/10 and are now appraising me coolly from identical prep-school-slouch positions against the starboard rail. The Greek NCOs seem extremely bored. I am handed the heavy gun and told to "be bracing a hip" against the aft rail and then to place the stock of the weapon against, no, not the shoulder of my hold-the-gun arm but the shoulder of my pull-the-trigger arm. (My initial error in this latter regard results in a severely distorted aim that makes the Greek by the catapult do a rather neat drop-and-roll.) Let's not spend a lot of time drawing this whole incident out. Let me simply say that, yes, my own trapshooting score was noticeably lower than the other entrants' scores, then simply make a few disinterested observations for the benefit of any novice contemplating trapshooting from a 7NC Megaship, and then we'll move on: (1) A certain level of displayed ineptitude with a firearm will cause everyone who knows anything about firearms to converge on you all at the same time with cautions and advice and handy tips. (2) A lot of the advice in (1) boils down to exhortations to "lead" the launched pigeon, but nobody explains whether this means that the gun's barrel should move across the sky with the pigeon or should instead sort of lie in static ambush along some point in the pigeon's projected path. (3) Whatever a "hair trigger" is, a shotgun does not have one. (4) If you've never fired a gun before, the urge to close your eyes at the precise moment of concussion is, for all practical purposes, irresistible. (5) The well-known "kick" of a fired shotgun is no misnomer; it knocks you back several steps with your arms pinwheeling wildly for balance, which when you're holding a still-loaded gun results in mass screaming and ducking and then on the next shot a conspicuous thinning of the crowd in the 9-Aft gallery above. Finally, (6), know that an unshot discus's movement against the vast lapis lazuli dome of the open ocean's sky is sun-like -- i.e., orange and parabolic and right-to-left -- and that its disappearance into the sea is edge-first and splashless and sad.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
You’re wearing that dress simply because you like it. You don’t dress to make men look at you — you hate men. But, your body is ridiculous and it happens anyway. You walk and your hips sway from side to side, but you don’t walk that way to get attention, it’s just the way you move — and everyone looks. Everyone. And when you listen to people speak, you unconsciously bite your lower lip and then let your teeth slide across it. And when you order wine at dinner, you play with the stem of your wine glass. You run your fingers up and down. You are sex and you don’t even know it. Which makes you even sexier. So, when I think dirty thoughts, forgive me. I’m just under your spell like everyone else.
Tarryn Fisher (Thief (Love Me with Lies, #3))
She felt him relax and his voice softened. “Is that what this is all about? You feel like you can’t talk to me anymore? We haven’t changed; we’re still the same people.” She slipped her hands beneath the front of his shirt, slowly running her fingertips over his chest and back down to his waist. He turned in her arms and smiled, but his grin was filled with mocking suspicion. “Are you trying to distract me, Violet Ambrose?” “I guess you’re smarter than you look,” she teased as he pushed her backward so that they both fell on her bed. “And you are not as funny as you think you are.” His mouth hovered over hers, his arms tightening, crushing her against him. Violet giggled and tried to squirm free, but Jay wouldn’t let her. He kissed her throat, his lips teasing her until it wasn’t his grip that made it hard for Violet to breathe. “Oh, and Violet,” he whispered against her ear, his breath tickling her cheek, “I’m still your best friend. Don’t ever forget it.” His words were fervent and touching. Violet tried to think of a response that made sense, something appropriate, but all she could manage was: “Please. Don’t stop.” She didn’t mind begging if it meant getting her way. Apparently that was enough to satisfy Jay, and he kissed her possessively. Thoroughly. Deeply. He eased her back until she was lying against the pillows, and she waited for him to stop, to tell her that they’d gone far enough for tonight. But she didn’t want him to. She wanted him to keep going. She wanted him to touch her, to kiss her, to explore her. Her body ached for it. She reached for him, clinging so tightly that her fingers hurt. Everything inside of her hurt. Jay settled over her, covering her with his body, reacting to her. Violet wrapped her legs around him, pulling his hip closer, telling him with her every movement that she wanted him, that she wanted this. Now. “Are you sure?” Jay asked into the warm breath between them, barely lifting his mouth from hers. She nodded, but when she tried to speak, her voice trembled. She hoped he didn’t read it wrong. “Of course I am.” She was nervous and terrified and thrilled all at the same time. He smiled against her mouth, still kissing her, and she melted into him, unable to stop her heart from thundering. He reached around for his wallet. “I have a condom.” His voice was rough. Violet smiled. She’d been waiting for this moment for far too long not to be prepared, but she was happy to hear that he’d been considering it seriously also. “Me too,” she told him, reaching into her nightstand drawer and pulling out a handful of them. “I knew you’d give in.” He groaned, his lips moving to her neck as he tugged at his shirt and pulled it over his head. Violet thought he was beautiful. He was right for her; he always had been. And as he slowly slid her shirt up, his fingertips stroking her bare skin and making goose bumps prickle in the wake of his touch, she wondered why it had taken them so long to get to this place.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
With her hands still fisted in his shirt, she gave a gentle tug until he bent enough that she could kiss him softly. And then not so softly. “What was that for?” he asked when she pulled free, his voice sexy low and gruff now. “For being the kind of guy who can admit he has emotions.” He cupped her face. “We don’t have to tell anyone, right?” She smiled. “It’ll be our secret.” But then her smile faded because she wasn’t good at secrets. Or maybe she was too good at them . . . “I’m not helpless,” she said. “I want you to know that.” “I do know it.” He paused, looking a little irritated again. “Mostly.” “Good,” she said. “Now that’s settled, you should know, the caveman thing you just pulled . . . it turned me on a little bit.” He slid her a look. “Yeah?” “Yeah.” Looking a little less like he was spoiling for a fight, his hands went to her hips and he pulled her in tighter. What the hell was she doing? Clearly, she wasn’t equipped to stay strong, and who could? The guy was just too damn potent. Too visceral. Testosterone and pheromones leaked off of him. She dropped her head to his chest. “Ugh. You’re being . . . you.” “Was that in English?” “This is all your fault.” “Nope. Definitely not English.” “You’re being all hot and sexy, dammit,” she said. She banged her head on his chest a few times. “And I can’t seem to . . . not notice said hotness and sexiness.” He smiled. “You want me again.” Again. Still . . . She tossed up her hands. “You wear your stupid sexiness on your sleeve and you don’t even know it.
Jill Shalvis (Sweet Little Lies (Heartbreaker Bay, #1))
The first thing I see when I wake, still on the couch in the hotel room, are the birds flying over her collarbone. Her shirt, retrieved from the floor in the middle of the night because of the cold, is pulled down on one side from where she’s lying on it. We have slept close to each other before, but this time feels different. Every other time we were there to comfort each other or to protect each other; this time we’re here just because we want to be--and because we fell asleep before we could go back to the dormitory. I stretch out my hand and touch my fingertips to her tattoos, and she opens her eyes. She wraps an arm around me and pulls herself across the cushions so she’s right up against me, warm and soft and pliable. “Morning,” I say. “Shh,” she says. “If you don’t acknowledge it, maybe it will go away.” I draw her toward me, my hand on her hip. Her eyes are wide, alert, despite just having opened. I kiss her cheek, then her jaw, then her throat, lingering there for a few seconds. Her hands tighten around my waist, and she sighs into my ear. My self-control is about to disappear in five, four, three… “Tobias,” she whispers, “I hate to say this, but…I think we have just a few things to do today.” “They can wait,” I say against her shoulder, and I kiss the first tattoo, slowly. “No, they can’t!” she says.
Veronica Roth (Allegiant (Divergent, #3))
Before she could say anything more, Sabella swung around at the sound of Noah’s Harley purring to life behind the garage. God. He was dressed in snug jeans and riding chaps. A snug dark T-shirt covered his upper body, conformed to it. And he was riding her way. “Is there anything sexier than a man in riding chaps riding a Harley?” Kira asked behind her. “It makes a woman simply want to melt.” And Sabella was melting. She watched as he pulled around the side of the garage then took the gravel road that led to the back of the house. The sound of the Harley purred closer, throbbing, building the excitement inside her. “I think it’s time for me to leave,” Kira said with a light laugh. “Don’t bother to see me out.” Sabella didn’t. She listened as the Harley drew into the graveled lot behind the house and moved to the back door. She opened it, stepping out on the back deck as he swung his legs over the cycle and strode toward her. That long-legged lean walk. It made her mouth water. Made her heart throb in her throat as hunger began to race through her. “The spa treated you well,” he announced as he paused at the bottom of the steps and stared back at her. “Feel like messing your hair up and going out this evening? We could have dinner in town. Ride around a little bit.” She hadn’t ridden on a motorcycle since she was a teenager. She glanced at the cycle, then back to Noah. “I’d need to change clothes.” His gaze flickered over her short jeans skirt, her T-shirt. “That would be a damned shame too,” he stated. “I have to say, Ms. Malone, you have some beautiful legs there.” No one had ever been as charming as Nathan. She remembered when they were dating, how he would just show up, out of the blue, driving that monster pickup of his and grinning like a rogue when he picked her up. He’d been the epitome of a bad boy, and he had been all hers. He was still all hers. “Bare legs and motorcycles don’t exactly go together,” she pointed out. He nodded soberly, though his eyes had a wicked glint to them. “This is a fact, beautiful. And pretty legs like that, we wouldn’t want to risk.” She leaned against the porch post and stared back at him. “I have a pickup, you know.” She propped one hand on her hip and stared back at him. “Really?” Was that avarice she saw glinting in his eyes, or for just the slightest second, pure, unadulterated joy at the mention of that damned pickup? He looked around. “I haven’t seen a pickup.” “It’s in the garage,” she told him carelessly. “A big black monster with bench seats. Four-by-four gas-guzzling alpha-male steel and chrome.” He grinned. He was so proud of that damned pickup. “Where did something so little come up with a truck that big?” he teased her then. She shrugged. “It belonged to my husband. Now, it belongs to me.” That last statement had his gaze sharpening. “You drive it?” “All the time,” she lied, tormenting him. “I don’t have to worry about pinging it now that my husband is gone. He didn’t like pings.” Did he swallow tighter? “It’s pinged then?” She snorted. “Not hardly. Do you want to drive the monster or question me about it? Or I could change into jeans and we could ride your cycle. Which is it?” Which was it? Noah stared back at her, barely able to contain his shock that she had kept the pickup. He knew for a fact there were times the payments on the house and garage had gone unpaid—his “death” benefits hadn’t been nearly enough—almost risking her loss of both during those first months of his “death.” Knowing she had held on to that damned truck filled him with more pleasure than he could express. Knowing she was going to let someone who wasn’t her husband drive it filled him with horror. The contradictor feelings clashed inside him, and he promised himself he was going to spank her for this.
Lora Leigh (Wild Card (Elite Ops, #1))
Addie was lying under a cotton sheet, and then he turned toward her and without his knowing she had drawn the sheet back and was lying naked on the bed in the low light of the bedside lamp. He stood looking at her. Don’t stand there, she said. You make me nervous. Don’t be, he said. You look lovely. I’m too heavy around the hips and stomach. This old body. I’m an old woman now. Well, old woman Moore. You’ve won me completely. You’re just right. You’re how you’re supposed to look. You’re not supposed to be some thirteen-year-old girl without any breasts and hips.
Kent Haruf (Our Souls at Night)
French said: “It’s like this with us, baby. We’re coppers and everybody hates our guts. And as if we didn’t have enough trouble, we have to have you. As if we didn’t get pushed around enough by the guys in the corner offices, the City Hall gang, the day chief, the night chief, the Chamber of Commerce, His Honor the Mayor in his paneled office four times as big as the three lousy rooms the whole homicide staff has to work out of. As if we didn’t have to handle one hundred and fourteen homicides last year out of three rooms that don’t have enough chairs for the whole duty squad to sit down in at once. We spend our lives turning over dirty underwear and sniffing rotten teeth. We go up dark stairways to get a gun punk with a skinful of hop and sometimes we don’t get all the way up, and our wives wait dinner that night and all the other nights. We don’t come home any more. And nights we do come home, we come home so goddam tired we can’t eat or sleep or even read the lies the papers print about us. So we lie awake in the dark in a cheap house on a cheap street and listen to the drunks down the block having fun. And just about the time we drop off the phone rings and we get up and start all over again. Nothing we do is right, not ever. Not once. If we get a confession, we beat it out of the guy, they say, and some shyster calls us Gestapo in court and sneers at us when we muddle our grammar. If we make a mistake they put us back in uniform on Skid Row and we spend the nice cool summer evenings picking drunks out of the gutter and being yelled at by whores and taking knives away from greaseballs in zoot suits. But all that ain’t enough to make us entirely happy. We got to have you.” He stopped and drew in his breath. His face glistened a little as if with sweat. He leaned forward from his hips. “We got to have you,” he repeated. “We got to have sharpers with private licenses hiding information and dodging around corners and stirring up dust for us to breathe in. We got to have you suppressing evidence and framing set-ups that wouldn’t fool a sick baby. You wouldn’t mind me calling you a goddam cheap double-crossing keyhole peeper, would you, baby?” “You want me to mind?” I asked him. He straightened up. “I’d love it,” he said. “In spades redoubled.
Raymond Chandler (The Little Sister (Philip Marlowe #5))
We can take our time later. I need to be inside you.” And I’m not lying. It’s as if I’ve been possessed by the way her pussy tasted, how pink and wet she is, how her eyes look at mine as if this need, this hunger that’s ravaging me is the same for her. “Fuck me,” I say and grab both her hips, slamming her wet cunt down onto my cock. In one moment, the universe changes. Her tight, slick core envelops me, and I feel everything, including that barrier I broke through without even knowing. But I don’t care that she’s probably in pain. This is a pleasure that knows no bounds.
Cassandra Robbins (Power)
We should break up,” she says. “I’m a disaster. I’ll fuck everything up. I always fuck it up.” Her voice is distressed and she looks like she’s on her way to hyperventilating. “And you’ll leave. Everyone leaves. And I don’t know what I’m doing.” “You can’t break up with me. We’re not dating,” I reply calmly and cross over to her, taking her hand so she’ll stop twisting the hell out of her hair. “Oh.” She exhales in an audible puff as she tilts her head back to look at me. She swallows. “I can’t?” “Nope.” “Then what are we doing? Why are you so nice to me? You’re always so freaking nice to me, Boyd. And attentive. And good in bed. And—” “We’re just Chloe-and-Boyding.” I cut her off before she gets any more worked up. “Chloe-and-Boyding?” “Yes,” I say then brush my lips along the shell of her ear. “Trust me, Chloe.” I give her a gentle push back, because I’m not above distracting her with sex. Not one bit. I lie on the bed beside her and pull her to me. “And you can’t go when there are so many fucks I haven’t given you yet, Chloe. I’d like to give you all the fucks.” “All the fucks?” The tension eases from her body and her eyes flare, but in excitement instead of panic. “All of them. The bossy fuck.” I slip my hand under the hem of her shirt and lift it up and over her head. “The rough fuck.” She lifts her hips as I grip the waistband of her leggings and tug. “The shower fuck.” She sucks in a breath at that and swallows. “So many fucks, Chloe.” I brush my lips against her ear. “The dirty talk fuck. The ass play fuck,” I whisper. “Do you want to miss any of those?” “No.” She shakes her head and flexes her hips against me, already looking to move this forward. “I want all the fucks.” “Good. Then we’re on the same page. Take off your bra.
Jana Aston (Trust (Cafe, #3))
The social codes are different, distinctly preppy, fraternity-sorority, hip, flip, fast-and-cute, nauseating, and artificial. I have no doubt that the majority of these people are interesting, likeable, intelligent people. Unfortunately, they've been taught not to show it. The problem lies in socializing. When these people socialize, they don a common "mask." They talk a certain way (hip, flip) act a certain way, do certain things, all of which have been defined as socially acceptable. By acting in such a way, one makes "friends." With time, friends use their masks less and less, and a true, deep friendship results.
Juan F. Thompson
Goddesses rather than male deities were the central focus in European religion from about 6500 BC to 3500 BC. Archaeologist, Marija Gimbutas[xxii], was one of the first scholars to recognise the significance of the fact that twenty times more female than male figurines have been excavated from European archaeological sites. The many engravings, reliefs and sculptures frequently de-emphasised facial features, while exaggerating gender characteristics such as breasts, buttocks, hips, and vulva. These female figurines had traditionally been seen by archaeologists as some sort of sexual fetishes, a projection of the current degraded view of feminine.
Kaalii Cargill (Don't Take It Lying Down: Life According to the Goddess)
Phenomenal Woman Pretty women wonder where my secret lies. I'm not cute or built to suit a fashion model's size But when I start to tell them, They think I'm telling lies. I say, It's in the reach of my arms, The span of my hips, The stride of my step, The curl of my lips. I'm a woman Phenomenally. Phenomenal woman, That's me. I walk into a room Just as cool as you please, And to a man, The fellows stand or Fall down on their knees. Then they swarm around me, A hive of honey bees. I say, It's the fire in my eyes, And the flash of my teeth, The swing in my waist, And the joy in my feet. I'm a woman Phenomenally. Phenomenal woman, That's me. Men themselves have wondered What they see in me. They try so much But they can't touch My inner mystery. When I try to show them, They say they still can't see. I say, It's in the arch of my back, The sun of my smile, The ride of my breasts, The grace of my style. I'm a woman Phenomenally. Phenomenal woman, That's me. Now you understand Just why my head's not bowed. I don't shout or jump about Or have to talk real loud. When you see me passing, It ought to make you proud. I say, It's in the click of my heels, The bend of my hair, The palm of my hand, The need for my care. 'Cause I'm a woman Phenomenally. Phenomenal woman, That's me.
Maya Angelou
Shocked, she uttered a hoarse protest and shifted beneath him, but he soothed her with his hands, stroking her legs and hips, resettling her on the mattress. "Lie still. You don't have to do anything, my love. Let me take care of you. Yes. You can touch me if you... mmm, yes..." He purred as he felt her trembling fingers touch his glistening hair, the back of his neck, the hard slope of his shoulders. He moved lower, his hair-roughened legs sliding along the insides of hers, and she realized that his face was just above the triangle of fiery red curls. Flooded with embarrassment, she automatically reached down to cover the private area with her hand. St. Vincent's erotic mouth lowered to her hip, and she felt him smile against her tender skin. "You shouldn't do that," he whispered. "When you hide something from me, I want it all the more. I'm afraid you're filling my head with the most lascivious ideas... you'd better take your hand away, sweet, or I might do something really depraved." As her shaking hand withdrew, he let one fingertip wander into the springy hair, delicately searching the cushiony softness. "That's right... obey your husband," he whispered wickedly, stroking farther, deeper, until he had separated the cluster of curls. "Especially in bed. How beautiful you are. Open your legs, my love. I'm going to touch inside you. No, don't be afraid. Will it help if I kiss you here? Be still for me..." Evie sobbed as his mouth searched through the triangle of brilliant red hair. His warm, ruthlessly patient tongue found the little peak half concealed beneath the vulnerable hood. His long, agile finger probed the entrance of her body, but he was momentarily dislodged as she jerked in surprise. Whispering reassurances against her swollen flesh, St. Vincent slid his finger inside her again, deeper this time. "Innocent darling," came his soft murmur, and his tongue tickled a place so excruciatingly sensitive that she quivered and moaned. At the same time, his finger stroked her inner softness with a languid rhythm.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Gentle hands, soft lips, and hot little breaths down my stomach. Pleasure, a thick syrup pouring over my limbs. My cock rose, growing heavy with desire. We were so new together, by all accounts, I should be panting madly, trying to take over. But I was slowly heating wax molding to her will. Emma palmed me through my briefs, and I grunted. I wanted them off, no barriers between us. As if she heard the silent demand, she kissed my nipple and slowly eased the briefs down. I lifted my butt to help her. My dick slapped against my belly as it was freed. Emma made a noise of appreciation and then wrapped her clever fingers around me. "Please," I whispered. My body was weak, but my need grew stronger, drowning out everything else. She complied, stroking, her lips on my lower abs, teasing along the V leading to my hips. "Em..." My plea broke off into a groan as her hot mouth enveloped me. There were no more words. I let her have me, do as she willed, and I was thankful for it. And it felt so good I could only lie there and take it, try not to thrust into her mouth like an animal. But she pulled free with a lewd pop and gazed up at me. Panting lightly, I stared back at her, ready to promise her anything, when she kissed my pulsing tip. "Go ahead," she said. "Fuck my mouth." I almost spilled right there. She sucked me deep once more, and a sound tore out of me that was part pained, part "Oh God, please don't ever stop." The woman was dismantling me in the best of ways. Waves of heat licked up over my skin as I pumped gently into her mouth, keeping my moves light because I didn't want to hurt her, and because denying myself was outright torture. Apparently, I was into that. She sucked me like I was dessert----all the while, her hand stroking steady circles on the tight, sensitive skin of my lower abs. It was that touch, the knowledge that she was doing this because she wanted to take care of me, that rushed me straight to the edge. My trembling hand touched the crown of her head. "Em. Baby, I'm gonna..." I gasped as she did something truly inspired with her tongue. "I'm gonna..." She pulled free with one last suck and surged up to kiss me, her hand wrapping around my aching dick and stroking it. Panting into her mouth, my kiss frantic and sloppy, I came with a shudder of pleasure. And all the tension, all the pain, dissolved like a sugar cube dropped into hot tea.
Kristen Callihan (Make It Sweet)
Magnus was always pleased to see Clary. “Hello, biscuit,” he said. Clary sidled over to the doorway and grinned up at him, a thousand gallons of trouble in a pint-size body. “Hi.” “What’s—” Magnus intended to discreetly ask what the hell was going on, but he was interrupted by Jace lying down full length on the floor again. Magnus looked down, somewhat distracted. “What are you doing?” “I’m stuffing crevices with bits of material,” said Jace. “It was Isabelle’s idea.” “I ripped up one of your shirts to do it,” Isabelle told him. “Not one of your nice shirts, obviously. One of the shirts that don’t suit you and which you shouldn’t wear again.” The world blurred briefly in front of Magnus’s eyes. “You did what?” Isabelle stared down at him from the stool where she was standing, her hands on her hips. “We’re childproofing the whole suite. If you could call this a suite. This whole Academy is a baby death trap. After we get finished here, we’re going to childproof your loft.
Cassandra Clare (Tales from the Shadowhunter Academy)
Not much time had passed when he opened his eyes to find her standing over him. “Umm,” she said nervously. “Can you…? This is awkward. I’m still very squeamish about a man even seeing me on the treadmill, but could you share the bed, in your clothes, and manage not to do anything? I mean, even in your sleep?” “I’m okay right here, Brie. Don’t worry about me.” “I’m not worried about… I just thought, that couch isn’t big enough. And there’s a bed in the loft, but I just don’t want you way up there. And I… Could you lie beside me on the bed without—” “I’m not going to try anything with you, Brie. I know you can’t handle that.” “I don’t think I can sleep unless you’re…closer,” she said very softly. “Aw, honey…” “Then come on,” she said, turning back to the bedroom. He didn’t move for a moment, thinking. It didn’t take long. He wanted to be next to her, but he didn’t have to be. But if she needed him, he was there. He stood and got rid of his belt because of the big buckle, but everything else stayed on. And he went to the bedroom. She was curled up under the covers, her back facing out, leaving him room. So he lay down on the bed on top of the covers, giving her that security. “Okay?” he asked. “Okay,” she murmured. It wasn’t a big bed, just a double, and it was impossible to keep a lot of space between them. He curved around her back, spooning her, his face against her hair, his wrist resting over her hip. “Okay?” he asked. “Okay,” she murmured. He nestled in, his cheek against the fragrant silkiness of all that loose hair, his body wrapped around hers, though separated by layers of clothes and quilts, and it was a long, long time before he found sleep. By her even breathing, Mike knew she rested comfortably and that made him feel good. When he woke in the morning, she had turned in her sleep and lay in the crook of his arm, snuggled up close to him, her lips parted slightly, her breath soft and warm against his cheek. And he thought, Oh damn, she’s right—this is going to just break the hell out of my heart. *
Robyn Carr (Whispering Rock (Virgin River, #3))
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
Veronica Roth (Insurgent (Divergent, #2))
What happened to him?” Dom came up beside them. “Jane shot him.” “She missed his privates by only a couple of inches,” Victor said in an admiring voice. “A pity she didn’t hit them.” Nancy darted past Jane to stare down at Samuel with her hands planted on her hips. Then, to Jane’s shock, she kicked him in the ribs. “That’s for lying to me.” She kicked him in the knee. “And that’s for kidnapping me.” “Nancy, darling--” he choked out. “Don’t you ‘darling’ me, you worm!” She ground her heel into his wounded leg. “You held a pistol to my head, you disgusting, reprehensible--” “Enough,” Victor said, pulling Nancy away from Samuel. “I think he’s got the point.” “You bitch!” Samuel cried after her. “I could have made you a rich woman! We could have had the whole thing, you frigid little--” Jane kicked him herself. As a choked howl escaped him, she glared down at him. “Now, you listen to me, Samuel Barlow. Next time you come near my family, I’ll make sure I hit your privates! And furthermore--” “Perhaps you should take the ladies home,” Victor told Dom, “while we bring the three scoundrels to the magistrate’s and have them held until charges can be brought. I begin to think they’ll be safer with me and Tristan than with the ladies.” Dom chuckled. “I believe you’re right.” He slipped an arm about Jane’s waist to pull her away from Samuel. “Come on, sweeting, time to go.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Twirling on the sand, she quotes Emma Goldman to him in a song. “If I can’t dance, I don’t want to be in your revolution.” He steps up. Come on, Gia, he says, be in my revolution. She is barefoot on the sand. Where are her stockings? She hasn’t taken them off; they’re not lying in a heap nearby. When his open palm goes around her waist, he can’t feel her corset, he feels velvet and under it the curve of her natural waist and lower back. Suddenly he has three left feet and, usually such a capable dancer, can’t move backward or forward. She steps on his awkward toes a few times, laughs, and they trip and fall to their knees on the sand. What’s gotten into you, Harry, she says. I can’t imagine, he says, his eyes roaming wildly over her flushed and eager face. Both his hands are entwining the narrow space from which her hips begin. It’s late afternoon on the wide Hampton beach; it’s gray and foggy when he kisses her. He’s never kissed Sicilian lips before, only Bostonian. There is a boiling ocean of contrast between the two. Boston girls were born and raised on soil that was frozen from October to April and breathed through perfectly colored mouths that took in chill winds and fog from the stormy harbor. But his Sicilian queen has roamed the Mediterranean meadows and her abundant lips breathed in fearsome fire from Typhonic volcanoes. He kisses her as if they are alone at night—as if she is already his. His arms wrap around her back and press her to him. They become suspended, he floats like a phantom around her in the moist air. He won’t let her go, he can’t.
Paullina Simons (Children of Liberty (The Bronze Horseman, #0.5))
I push my eye farther into the crack, smushing my cheek. The door rattles. Her arm freezes. The needle stops. Instantly, her shadow fills the room, a mountain on the wall. “Leidah?” I hold my breath. No hiding in the wood-box this time. Before I even have time to pull my eye away, the door opens. My mother's face, like the moon in the dark hallway. She squints and takes a step toward me. “Lei-lee?” I want to tell her I’ve had a nightmare about the Sisters, that I can’t sleep with all this whispering and worrying from her—and what are you sewing in the dark, Mamma? I try to move my lips, but I have no mouth. My tongue is gone; my nose is gone. I don’t have a face anymore. It has happened again. I am lying on my back, flatter than bread. My mother’s bare feet slap against my skin, across my belly, my chest. She digs her heel in, at my throat that isn’t there. I can see her head turning toward her bedroom. Snores crawl under the closed door. The door to my room is open, but she can’t see my bed from where she stands, can’t see that my bed is empty. She nods to herself: everything as it should be. Her foot grinds into my chin. The door to the sewing room closes behind her. I struggle to sit up. I wiggle my hips and jiggle my legs. It is no use. I am stuck, pressed flat into the grain of wood under me. But it’s not under me. It is me. I have become the floor. I know it’s true, even as I tell myself I am dreaming, that I am still in bed under the covers. My blood whirls inside the wood knots, spinning and rushing, sucking me down and down. The nicks of boot prints stomp and kick at my bones, like a bruise. I feel the clunk of one board to the next, like bumps of a wheel over stone. And then I am all of it, every knot, grain, and sliver, running down the hall, whooshing like a river, ever so fast, over the edge and down a waterfall, rushing from room to room. I pour myself under and over and through, feeling objects brush against me as I pass by. Bookshelves, bedposts, Pappa’s slippers, a fallen dressing gown, the stubby ends of an old chair. A mouse hiding inside a hole in the wall. Mor’s needle bobbing up and down. How is this possible? I am so wide, I can see both Mor and Far at the same time, even though they are in different rooms, one wide awake, the other fast asleep. I feel my father’s breath easily, sinking through the bed into me, while Mor’s breath fights against me, against the floor. In and out, each breath swimming away, away, at the speed of her needle, up up up in out in out outoutout—let me out, get me out, I want out. That’s what Mamma is thinking, and I hear it, loud and clear. I strain my ears against the wood to get back into my own body. Nothing happens. I try again, but this time push hard with my arms that aren’t there. Nothing at all. I stop and sink, letting go, giving myself into the floor. Seven, soon to be eight… it’s time, time’s up, time to go. The needle is singing, as sure as stitches on a seam. I am inside the thread, inside her head. Mamma is ticking—onetwothreefourfivesix— Seven. Seven what? And why is it time to go? Don’t leave me, Mamma. I beg her feet, her knees, her hips, her chest, her heart, my begging spreading like a big squid into the very skin of her. It’s then that I feel it. Something is happening to Mamma. Something neither Pappa nor I have noticed. She is becoming dust. She is drier than the wood I have become. - Becoming Leidah Quoted by copying text from the epub version using BlueFire e-reader.
Michelle Grierson (Becoming Leidah)
He rested on his back, loosening his hold on me, and I turned over so I was lying on my side, facing him. I rested a hand on his chest, and his eyes watched mine until his hand found my own. I murmured, “I don’t regret that.” He hooked his finger around mine. “Really?” I nodded. I couldn’t, not anymore. Not after we made out in my closet, then my bed, and after I was practically begging him for it at the bar. I croaked, “I touched your bulge.” He started laughing, curving more into me. “You did.” “It was the most momentous and memorable part of the night.” I was grinning. He lifted his head. “Really?” He wasn’t. I nodded. “For sure. I became the definition of a wanton hussy.” He started laughing again. I kept going, “I can imagine all the stories that start with, ‘The day she touched my bulge’, or ‘The day I touched his bulge,’ ‘The moment my hand felt his jeans, and his dick swelled underneath’, or even . . .” I was laughing now, “‘I laid my hands on him, right over his jeans, and he rose up. He answered my call. I called out, Come forth, hard penis, and answer milady’s beckoning. My hips call upon your touch. You must heed and give forth plentiful of your pleasure.’” He continued laughing, wrapping his arms around me, and somehow he had curled his entire body around mine again. I was lying on my back once more, and he stopped, lifting his head from my neck. He gazed down at me, shifting to rise up on his elbow. He caught some hairs and tucked them behind my ear, letting his hand linger there, holding me gently. He grew serious. “I want to keep doing this.” I rested my hand over his on my face. “Fucking me from behind?” He grinned and then sobered. “No. This, whatever it is. We don’t need to put words to it, if you don’t want to.” I groaned. “Please, don’t. I tend to get bitchy when words are applied to situations
Tijan (Hate to Love You)
Alexander carried her into the house and kicked the door closed behind them. Inside was shadowy like a dream. They needed a kerosene lamp. Forgot to buy one. Tomorrow they’d have to get one in Lazarevo. “Now what?” she said, rubbing her cheek against his. “I see you’ve made the bed. Very thoughtful.” His stubble was already growing in from this morning. “I do what I can.” He carried her to the bed he had made for them above the stove, stepped onto the hearth, and set her down, opening her legs and standing between them, nuzzling his head in her chest. He lifted her dress. All Tatiana wanted to do was watch him, but desire kept gluing her eyes shut. “Aren’t you going to come up here?” she asked. “Not yet,” he said. “Lie back. Like this.” Pulling off her panties, Alexander brought her hips to his face. For a moment all Tatiana heard was his rapid breathing. Reaching down, she touched his head. “Shura?” His eyes on her, his hands on her, his breath on her were weakening her. His fingers stroked her. “All this underneath your white dress with red roses…” Alexander whispered. “Look at you…” He kissed her softly. “Tania, you are such a lovely girl.” She felt his warm, wet lips on her. His hair and stubble rubbed against the insides of her thighs. It was too much. The burn and the melt were near-instant. She was still quaking with aftershocks when Alexander climbed onto the bed, placing his soothing hand on her trembling lower stomach. “Dear God, Alexander,” she said breathlessly. “What are you doing to me?” “You’re unbelievable.” “I am?” Tatiana murmured, nudging him downward. “Please?…Again?” She glanced at him and closed her eyes when she saw his grin. “What?” She smiled herself. “Unlike you, I don’t need a rest period.” Her hands clasped his head. “Tatia…you’re very blonde…have I mentioned how much I love that?” She moaned in a whisper; his mouth, his tongue felt so tenderly, exceedingly arousing. “Oh, Shura…” “Yes?” Tatiana couldn’t ask for a moment, unable to stop her soft exultation. “What did you think the first time you saw me in this dress?” “What did I think?” She moaned. “I thought—Can you hear me?” “Oh, yes…” “I thought—” “Oh, Shura…” “If there is a God, I thought…Please someday let me make love to this girl while she wears that dress.” “Oh…” “Tatiasha…isn’t it nice to know there is a God?” “Oh, yes, Shura, yes…
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Their eyes met. For a split second she caught a glimpse of heat in his eyes. Then Jake banked the flame and broke out of her embrace. Marnie felt a hot blush rise from her toes to her nose. It took a moment for her eyes to focus and her brain to function. Bewildered, she looked up to find him watching her. His heavy-lidded eyes held a strange desperation as he reached back and unhooked the vice of her ankles from around his wiast. Her legs dropped. Her heels thumped against the cabinet. Beneath his hawklike gaze she felt stripped bare and vulnerable. He studied her face, seeming to see more than her features. He seemed to delve into her mind, to touch things deep and frightening—parts of herself Marnie was still exploring. The muscles in his jaw knotted and unknotted. After a moment he stepped back and casually, but with difficulty, adjusted his jeans Heat flooded her cheeks. Legs splayed, nipples peaked to his clinical gaze, she’d never experienced such acute embarrassment in her life. Her breath hitched as she jumped off the counter, tugging her top down and her pants up. At a loss for hers, she half laughed. “I have absolutely no idea what to say.” Which was a reasonable start, she guessed. It was rare for her to be speechless. But then, this was a day of firsts. “I told you you weren’t my type.” The brass button on his jeans closed like the clasp of a miser’s purse. Other than a faint flush on the ridge of his cheekbones and what looked like a painful erection, he seemed totally unaffected by what had just happened. She stared at him. “Not your t—What do you call what just happened?” Marnie was confused. It was out of character for her to be sexually aggressive. But now that she’d done it, she wasn’t sorry. “What part of ‘I don’t want you’ didn’t you understand?” He’d wanted her. He might lie about it, but his body had been honest. He was as hard as petrified wood. “Then what”—she pointed—“is that?” He ignored the bulge in his jeans. “Just because I have it doesn’t mean I intend to use it.” Marnie stepped forward and touched his arm. He jerked away from her as if she’d used a cattle prod. “Was it something I said?” she asked quietly, dropping her hand to her side. “Look, I have a tendency to sort of speak without running the words through my brain first. But I know I didn’t give out mixed signals just now. I wanted to make love with you. It was very good. No, darn it, it was excellent. So if you have some sort of medical condition, let’s talk about i—” He moved backward, almost tripping over Duchess sprawled on the floor. The dog rose to hover anxiously between them. Jake’s eyes turned as he said, “I do not have a medical condition.” Marnie backed up—mentally as well as physically. Her hip bumped the counter. “Good.” He scowled and swore under his breath. “That is good, isn’t it?” she asked tentatively.
Cherry Adair (Kiss and Tell (T-FLAC, #2; Wright Family, #1))
He watched her pace toward him. She stopped just short of his chair and looked down at him. Her loose hair slipped over her shoulder. “I remember something. I’m not sure if it happened or not. Will you tell me?” “Yes,” he whispered. “I remember lying with you on the lawn of the imperial palace’s spring garden.” He shifted. Lamplight pulsed over his face. He shook his head. “I remember finding you in your suite.” This memory was coming to her now. It had a similar flavor as the last one. “I promised to tell you my secrets. You held a book. Or kindling? You were making a fire.” “That didn’t happen.” “I kissed you.” She touched the hollow at the base of his neck. His pulse was wild. “Not then,” he said finally. “But I have before.” There was a rush of images. It was as if the melody she’d imagined while lying in the dark had been dunked in the green liquor. All the cold stops gained heat and ran together. It was easy to remember Arin, especially now. Her hand slid to his chest. The cotton of his shirt was hot. “Your kitchens. A table. Honey and flour.” His heart slammed against her palm. “Yes.” “A carriage.” “Yes.” “A balcony.” Breath escaped him like a laugh. “Almost.” “I remember falling asleep in your bed when you weren’t here.” He pulled back slightly, searched her face. “That didn’t happen.” “Yes it did.” His mouth parted, but he didn’t speak. The blacks of his eyes were bright. She wondered what it would be like to give her body what it wanted. It knew something she didn’t. Her heart sped, her blood was lush in her veins. “The first day,” she said. “Last summer. Your hair was a mess. I wanted to sweep it back and make you meet my eyes. I wanted to see you.” His chest rose and fell beneath her hand. “I don’t know. I can’t--I don’t know what you wanted.” “I never said?” “No.” She lowered her mouth to his. She tasted him: the raw burn of liquor on his tongue. She felt him swallow, heard the low, dry sound of it. He pulled her down to him, tangled his hands in her hair, sucked the breath from her lips. She became uncertain whose breath was whose. He kissed her back, fingertips fanning across her face, then gone, nowhere. Then: a light touch along the curve of her hip, just barely. A stone skipping the surface of the water. “Strange,” he murmured into her mouth. She wasn’t listening. She was rippling, the sensation spreading wide. Stone on water, dimpled pockets of pressure. The wait for the stone to finally drop down. Suddenly she knew--or thought she knew--what he found strange as he traced where a dagger should have been. To see a part of her missing. She felt her missing pieces, the stark gaps. She was arrested by the thought (it pierced her, sharp and surreal) that she had become transparent, that if he touched her again his hand would go right through her, into air, into the empty spaces of who she was now.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
He had a rough idea where he was going, since Rylann had previously mentioned that she lived in Roscoe Village. At the stoplight at Belmont Avenue, he pulled out his cell phone and scrolled through his contacts. The beauty of text messaging, he realized, was in its simplicity. He didn’t have to try to explain things, nor did he have to attempt to parse through all the banter in an attempt to figure out what she might be thinking. Instead, he could keep things short and sweet. I’D LIKE TO SEE YOU. He hit send. To kill time while he waited for her response, he drove in the direction of his sister’s wine shop, figuring he could always drop in and harass Jordan about something. This time, however, she beat him to the punch. “So who’s the brunette bombshell?” Jordan asked as soon as he walked into the shop and took a seat at the main bar. Damn. He’d forgotten about the stupid Scene and Heard column. Kyle helped himself to a cracker and some Brie cheese sitting on the bar. “I’m going to say…Angelina Jolie. Actually, no—Megan Fox.” “Megan Fox is, like, twenty-five.” “And this is a problem why, exactly?” Jordan slapped his hand as he reached for more crackers. “Those are for customers.” She put her hand on her hip. “You know, after reading the Scene and Heard column, I’d kind of hoped it was Rylann they were talking about. And that maybe, just maybe, my ne’er-do-well twin had decided to stop playing around and finally pursue a woman of quality.” He stole another cracker. “Now, that would be something.” She shook her head. “Why do I bother? You know, one day you’re going to wake up and…” Kyle’s cell phone buzzed, and he tuned out the rest of Jordan’s lecture—he could probably repeat the whole thing word for word by now—as he checked the incoming message. It was from Rylann, her response as short and sweet as his original text. 3418 CORNELIA, #3. He had her address. With a smile, he looked up and interrupted his sister. “That’s great, Jordo. Hey, by any chance do you have any bottles of that India Ink cabernet lying around?” She stopped midrant and stared at him. “I’m sure I do. Why, what made you think of that?” Then her face broke into a wide grin. “Wait a second…that was the wine Rylann talked about when she was here. She said it was one of her favorites.” “Did she? Funny coincidence.” Jordan put her hand over her heart. “Oh my God, you’re trying to impress her. That is so cute.” “Don’t be ridiculous,” Kyle scoffed. “I just thought, since I’ve heard such good things about the wine, that I would give it a shot.” Jordan gave him a look, cutting through all the bullshit. “Kyle. She’s going to love it.” Okay, whatever. Maybe he was trying to impress Rylann a little. “You don’t think it’s too much? Like I’m trying too hard?” Jordan put her hand over her heart again. “Oh. It’s like watching Bambi take his first steps.” “Jordo…” he growled warningly. With a smile, she put her hand on his shoulder and squeezed affectionately. “It’s perfect. Trust me.
Julie James (About That Night (FBI/US Attorney, #3))
Irony in postwar art and culture started out the same way youthful rebellion did. It was difficult and painful, and productive—a grim diagnosis of a long-denied disease. The assumptions behind early postmodern irony, on the other hand, were still frankly idealistic: it was assumed that etiology and diagnosis pointed toward cure, that a revelation of imprisonment led to freedom. So then how have irony, irreverence, and rebellion come to be not liberating but enfeebling in the culture today’s avant-garde tries to write about? One clue’s to be found in the fact that irony is still around, bigger than ever after 30 long years as the dominant mode of hip expression. It’s not a rhetorical mode that wears well. As Hyde (whom I pretty obviously like) puts it, “Irony has only emergency use. Carried over time, it is the voice of the trapped who have come to enjoy their cage.” 32 This is because irony, entertaining as it is, serves an almost exclusively negative function. It’s critical and destructive, a ground-clearing. Surely this is the way our postmodern fathers saw it. But irony’s singularly unuseful when it comes to constructing anything to replace the hypocrisies it debunks. This is why Hyde seems right about persistent irony being tiresome. It is unmeaty. Even gifted ironists work best in sound bites. I find gifted ironists sort of wickedly fun to listen to at parties, but I always walk away feeling like I’ve had several radical surgical procedures. And as for actually driving cross-country with a gifted ironist, or sitting through a 300 page novel full of nothing but trendy sardonic exhaustion, one ends up feeling not only empty but somehow… oppressed. Think, for a moment, of Third World rebels and coups. Third World rebels are great at exposing and overthrowing corrupt hypocritical regimes, but they seem noticeably less great at the mundane, non-negative task of then establishing a superior governing alternative. Victorious rebels, in fact, seem best at using their tough, cynical rebel-skills to avoid being rebelled against themselves—in other words, they just become better tyrants. And make no mistake: irony tyrannizes us. The reason why our pervasive cultural irony is at once so powerful and so unsatisfying is that an ironist is impossible to pin down. All U.S. irony is based on an implicit “I don’t really mean what I’m saying.” So what does irony as a cultural norm mean to say? That it’s impossible to mean what you say? That maybe it’s too bad it’s impossible, but wake up and smell the coffee already? Most likely, I think, today’s irony ends up saying: “How totally banal of you to ask what I really mean.” Anyone with the heretical gall to ask an ironist what he actually stands for ends up looking like an hysteric or a prig. And herein lies the oppressiveness of institutionalized irony, the too-successful rebel: the ability to interdict the question without attending to its subject is, when exercised, tyranny. It is the new junta, using the very tool that exposed its enemy to insulate itself.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
Did you just take something off?” I ask the darkness. “Sam,” she scolds. I roll onto my side to face her. “What was it?” I whisper. “Nothing,” she hisses back. But I can hear laughter in her voice and I love it. “You took your shorts off, didn’t you?” I say quietly. “Maybe.” “You did.” I wait a beat. Just long enough for silence to settle around the room. “Do you know what that means?” “It means you should shut up and go to sleep.” She giggles. God, that’s a pretty sound. She’s quiet for a second. “What does it mean?” she suddenly asks. “It means your naked thighs are pressed against my sheets.” I groan. I’m turning myself on. Or she’s turning me on. “Sam,” she warns. But she’s laughing, too. She’s so far away from me that I imagine she’s going to roll right off the bed. “You’re awfully far away.” “There’s a reason for that,” she whispers. “What is it?” I whisper back. “Because I have this awful feeling that you’re going to break my heart,” she says. No stutter, so she must have found something to tap on. But I kind of would prefer to think she didn’t. “I don’t plan to hurt you.” God, she might as well have stabbed me in the gut. “No one plans to hurt anyone else. It just happens. Even to good people. So I’m trying not to let myself like you.” “You like me?” “I like you a lot. Too much.” “You like me,” I sing-song in a playful voice. “Sam,” she says on a heavy breath. “What?” “Don’t hurt me, okay?” I can hear the quiver in her voice and tension radiates off of her even from across the bed. It’s like a wire pulled taut. I reach out a hand and feel for her stomach. When I find it, I lift the edge of her shirt and lay my palm on her hip. She squeals when I roll her over and pull her to me. “Sam!” she cries. I adjust her until her bottom is cradled by my thighs. The scent of her hair tickles my nose, so I brush it out of my face, pushing it down between us. It’s silky smooth and she smells so damn good. “Um, Sam…” I nuzzle my face into the nape of her neck and press a kiss to her shoulder. “What?” “You promised to stay on your side of the bed.” “I am on my side of the bed.” She chuckles. “Go to sleep.” She wiggles her bottom in my lap, and I have to pull back a little and adjust my junk. “Um…” “That’s just my dick. I told you he likes you. He’ll give up in a minute. Go to sleep.” My head is lying on my bicep and I feel her turn her head ever so slightly and press a kiss against the tender skin of my inner arm. Damn, that feels good. My hand creeps up a little. This is the first time I’ve touched her naked stomach, and my fingertips are a little greedy. Her hand covers mine and holds it flat against her belly. “Sorry,” I whisper. She doesn’t say anything. She just holds my hand there against her skin, wrapped in hers. After a couple of minutes, she goes soft in my arms. I realize in that moment that I am in serious trouble. Like the awful, terrible, no good, very bad kind. Because I think I’m in love with her. No. I don’t think it. I know it. What I don’t know is whether or not she’s capable of loving me back.
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
He gripped the sides of her body carefully, keeping her in place as he parted her with his tongue and stroked the sides of the soft furrow. Entranced by the vulnerable shaper of her, he lapped at the edges of softly unfurled lips and tickled them lightly. The delicate flesh was unbelievably hot, almost steaming. He blew a stream of cooling air over it, and relished the sound of her moan. Gently he licked up through the center, a long glide through silk and salty female dampness. She squirmed, her thighs spreading as he explored her with flicks and soft jabs. The slower he went, the more agitated she became. He paused to rest the flat of his tongue on the little pearl of her clitoris to feel its frantic throbbing, and she jerked and struggled to a half-sitting position. Pausing, Keir lifted his head. "What is it, muirninn?" Red-faced, gasping, she tried to pull him over her. "Make love to me." "'Tis what I'm doing," he said, and dove back down. "No- Keir- I meant now, right now-" She quivered as he chuckled into the dark patch of curls. "What are you laughing at?" she asked. "At you, my wee impatient bully." She looked torn between indignation and begging. "But I'm ready," she said plaintively. Keir tried to enter her with two fingers, but the tight, tender muscle resisted. "You're no' ready," he mocked gently. "Weesht now, and lie back. 'Tis one time you won't be having your way." He nuzzled between her thighs and sank his tongue deep into the heat and honey of her. She jerked at the feel of it, but he made a soothing sound and took more of the intimate flavor he needed, had to have, would never stop wanting. Moving back up to the little bud where all sensation centered, he sucked at it lightly until she was gasping and shaking all over. He tried to work two fingers inside her again, and this time they were accepted, her depths clenching and relaxing repeatedly. As he stroked her with his tongue, he found a rhythm that sent a hard quiver through her. He kept the pace steady and unhurried, making her work for it, making her writhe and arch and beg, and it was even better than he'd imagined, having her so wild beneath him, hearing her sweet little wanton noises. There was a suspended moment as it all caught up to her... she arched as taut as a drawn bow... caught her breath... and began to shudder endlessly. A deep and primal satisfaction filled him at the sounds of her pleasure, and the sweet pulsing around his fingers. He drew out the feeling, patiently licking every twitch and tremor until at last she subsided and went limp beneath him. Even then, he couldn't stop. It felt too good. He kept lapping gently, loving the salty, silky wetness of her. Her weak voice floated down to him... "Oh, God... I don't think... Keir, I can't..." He nibbled and teased, breathing hotly against the tender core. "Put your legs over my shoulders," he whispered. In a moment, she obeyed. He could feel the trembling in her thighs. A satisfied smile flicked across his mouth, and he pressed her hips upward to a new angle. Soon he'd have her begging again, he thought, and lowered his head with a soft growl of enjoyment.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
I’ll let you off your leash, but you have to show some manners. No humping, no pissing on anything man made, and keep the crotch greetings exclusive to your four-legged fury friends. Got it?” Swarley nods because I’ve made him part human over the past few months and I’m pretty sure I saw him roll his eyes at me too. Guess I’d better start getting used to sassiness and eye rolling … read that on a parenting blog too. Note to self. Find more positive bloggers that paint the picture of parenthood with rainbows, fairies, and pixie dust. “Sydney?” I turn. “Hey, Dane!” He bends down to let his dogs off their leashes. “Gosh, I didn’t think you’d be back. How was Paris?” Which part? The view of the ceiling from the couch or the drain from the top of the toilet? “Great!” Extremely sugarcoated … maybe teetering on an outright lie. “So how long are you staying?” He rests his hands on his hips. Dane is adorable. I’m sure grown men don’t like to be called adorable; hell, I didn’t like it when Lautner said it to me, but Dane is just that. Tall, dark, and admittedly handsome with a boyish grin that makes me want to take him home, bake him cookies, and pour him a tall glass of milk. “I’m not sure. Trevor and Elizabeth just moved to San Diego and I’m staying at their house until it sells or until I find something else.” He cocks his head to the side. “Yet, they left Swarley?” Turning my gaze to look for the wild pooch, I shake my head. “Their condo association doesn’t allow large pets. They’ve been looking for a new home for him, but for now I have him.” “You two have come a long way since the first day you showed up at my office.” Clasping my hands behind my back, I look down and kick at the dirt. “Yeah, you’re right. As of lately, I’ve considered taking him myself. But until I know where I’m going to end up, offering it would be a little premature if not irresponsible.” “Grad school with a dog. You’d have to find some place to live that allows pets.” My faces wrinkles as I peek up at him. “I’m not going to grad school, at least not for a while. Something’s kind of come up.” “Oh?” Dane’s hands shift from his hips to crossing over his chest as he widens his stance. I blow out a long breath, scrubbing my hands over my face. My fingers trace my eyebrows as I meet his eyes again. “I’m … pregnant.” Dane’s eye are going to pop out of his head and the dogs will be chasing them if he opens them any wider. “I’m sorr—or congrat—or—” I smile because his adorableness doubles when he gets all nervous and starts stuttering. “It’s congratulations now … ‘I’m sorry’ was last month.” He nods in slow motion. “So you came back for Lautner?” “No … well, yes, but that backfired on me. He’s … moved on.” “Moved on? Are you serious? From … you?” I shrug, bobbing my head up and down. “Well … he’s a fuc—a freaking idiot.” As much pain as this conversation brings me, I still manage to let a giggle escape with an accompanying smile. “You’re right. He is a fucafreaking idiot.” Dane grins. “Especially because he’s with Claire.” His eyes go wide again. “Dr. Brown?” I nod. “Dr. Fucafreaking Brown.” Dane mouths WOW! “Exactly.
Jewel E. Ann (Undeniably You)
She didn’t want to be empty, didn’t want to vanish. She wanted to be whole. She said, “I want to remember you.” An emotion flared in his face. He braced her hips, tugged her closer. His lids were heavy, eyes dark. His mouth was a wet gleam. She didn’t recognize his expression. It was new. She leaned in and drank the newness of him. Their kiss turned savage. She made it so. She felt his teeth, reveled in the sure knowledge that it had never been like this between them. Yet at the same time, she felt each kiss they’d shared before, felt them live inside this one. His mouth left hers, rasping down her neck. He buried his face in her skin. She sought his mouth and found that he tasted different now. She was tasting the taste of her skin on his mouth. Coppery. She dipped her tongue into it again. “Kestrel.” She didn’t answer him. “This is a bad idea.” “No,” she said. “It isn’t.” He pulled away, closed his eyes, and dropped his head to press his brow against her belly. She felt rich with the words he muttered against her nightdress. His mouth burned through the cloth. His chair scraped back. He no longer touched her. “Not like this.” “Yes. Exactly like this.” She tried to find the words to express how this helped, how he somehow mapped the country of herself, showed the ridges, the rise and valley of her very being. “Kestrel, I think that you’re…using me a little.” She stopped, unpleasantly startled. It occurred to her that what he’d said was another version of what she’d been struggling to say. “It’s not, ah, a hardship.” He gave a rueful smile. “It’s not that I don’t want--” She’d never heard him stammer. Even with her untrustworthy memory, she knew this. You’re easy to know, she wanted to say. Memories of him came quickly. It didn’t hurt, not as much as she’d feared before, on the tundra, or in his empty bed. At least, it didn’t hurt anymore. It was better. Better than…other things. A faceless horror. A monster. Inside her. It thickened, grew into a featureless, blunt shape. She wouldn’t touch it. She’d go nowhere near it. Arin had been right, that day when he’d suggested that there was something too horrible for her to remember. “It’s not enough,” he said. It took her a moment to realize he was continuing his refusal and not responding to her thoughts, which were so loud in her head that she felt as if she’d shouted them. She said, “What would be enough?” Color mounted on his face. “You can tell me,” she said. “Ah,” he said. “Well. Me.” “I don’t understand.” “I want…you to want me.” “I do.” He pushed a hand through his rough hair. “I don’t mean this.” He gestured between them, his hand flipping from her to him. “I…” He struggled, knuckled his eyes, and let the words come. “I want you to be mine, wholly mine, your heart, too. I want you to feel the same way.” Her stomach sank. She’d sworn to herself not to lie to him. He read her answer in her eyes. He dimmed, and said nothing either. But he brushed hair from her face, lifting away strands that had caught in her eyelashes and between her lips. His fingertip painted a slow line over her lower lip. She felt it down her spine, in her belly. Then his hand fell away, and she felt alone.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Luna left, too, with a cheery, “Thanks for the morning entertainment. That provided a better jolt than a cup of espresso.” Then it was just Arabella, her brother, and the really, really big man, who had just turned his gaze on her. Given his threats and violent solution, Arabella should have been quaking. At the very least staring at her toes lest she incur his wrath. But the gentlest blue eyes caught hers, and his tone was soft and soothing when he addressed her. “You must be Arabella. I’m Leo, the pride’s omega.” “More like enforcer,” Jeoff muttered, still rubbing his head. “If you behave, then I don’t have to resort to my methods.” “He started it,” Jeoff accused, pointing at finger at Hayder, who emerged from the bedroom clad in low-hipped jeans that hugged his corded thighs and a soft T-shirt that clung to his chest. “Hey, it’s not my fault you jumped to the wrong conclusion when I answered the door.” “What else was I to think? You’re in my sister’s condo wearing only a rag.” “Protecting her.” “The same way you protected her last night when you took her out and flaunted her?” “I took her to dinner.” “What the hell do you mean you took her out to dinner? You put my baby sister in danger.” “She wasn’t in danger.” “They snatched her off the street!” “And I got her back.” The men glared at each, toe-to-toe, bodies bristling. Leo, who’d seated himself on a stool by the kitchen island, cleared his throat. “Don’t make me get off this stool.” The tension remained, but the impending violence moved down a few notches. Seeming satisfied, Leo turned to her. “Coffee?” He addressed that to Arabella, holding out a cup he’d brewed from the machine on the counter. With a wary look at both Hayder and her brother, she went toward him but then almost scalded herself when Hayder barked, “Baby, where are your pants?” Oh yeah. She peeked down at her bare legs. To his credit, Leo didn’t, but he did smile. “How about I add some sugar and milk to this while you find some pants? You look like you need something sweet.” She couldn’t help but return his smile. “Yes, please.” Still ignoring the other two men, she stepped past them to the bedroom, where she scrounged in a drawer for pants. As she dressed, she listened to the arguing. “She’s leaving with me.” Her brother hadn’t relented. Neither did Hayder. “Wrong. Arabella isn’t going anywhere.” Ouch. She knew her brother wouldn’t like that. She was right. “Excuse me? You don’t get a say. She’s my sister, my responsibility. I’m taking her.” Arabella stepped back into the living room. “What of the danger though, Jeoff? The pack is in town, and they’re looking for me.” “We’ll figure something out.” “We already have. She’ll stay here with me where she’s safe.” Hayder crossed his arms over his impressive chest, looking much too determined— and sexy. A certain brother wasn’t impressed. “As safe as she was last night?” Hayder rolled his eyes. “Oh please. What part of ‘we had the situation under control’ can you not grasp? Leo, tell the wolf that Arabella was never in any danger.” “I don’t lie to my friends,” Leo said as he re-handed Arabella her coffee. She took a sip of the hot brew and sighed as she listened to the arguing. When Leo patted the stool beside him, she hopped on. For such a big man, he offered a strangely calming effect. On her at least. Hayder and Jeoff, on the other hand, just couldn’t stem their tirade. “I was wrong to stick her here. So you can forget I asked.” “Too late. She’s part of the pride now.” “She’s a wolf, or have you forgotten? She belongs with her own kind.” Jeoff crooked his finger at her and inclined his head to the door. Arabella didn’t move, more because Hayder’s next words froze her. “She belongs with me. Arabella is my mate.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
I’m T. Thorne Rose and I did it hard Til I wound up dyin in the Zen schoolyard Can’t you see it’s more important here to use your brain Than to poison up your body killin other people’s pain Yes, it’s Other People’s Pain, That’s a trick you might have missed So let your Sister Rosie hip you to this little twist The news, the Blues, the pain, the strain, the lies we’ve heard since birth Are only true if we, ourselves, think that’s what life is worth But when you realize that we are all Queens and Kings You’ll drop the death, take a deep breath, and hear life when it sings Don’t get lost and washed away like a teardrop in the rain No abuse of any kind has ever come to any gain Sister T. Thorn Rose from the group Goldensealed
Doug "Ten" Rose
In her hurry, though, she’d forgotten to grab her pajamas, which was a dilemma. She could either go out and get them and return to the bathroom to change, or she could go out there and put them on. If Sean didn’t like it, he didn’t have to watch. After leaving the bathroom, she turned off the overhead light in the bedroom, but it didn’t do much good. The night was clear, the moon was bright, and she knew she was all too visible when she undid her jeans and shimmied them down over her hips. “What the hell are you doing?” “Changing into my pajamas.” “You always do that in the bathroom.” His voice was low and rough, but she noticed he didn’t look away. “I forgot them, and there’s no point in going back in there.” She kicked off the jeans and was going to pull on the shorts before changing shirts, but then she remembered his stupid answers to the stupid questions in that game and changed her mind. “The point is that you don’t do it in front of me.” “Oh, did you forget? Being watched turns me on.” And she pulled her T-shirt over her head. She had to bite down on a surprised yelp once she was free of it because suddenly Sean was standing in front of her, wearing nothing but blue boxer briefs and a scowl. “You said I had no imagination.” “And having no imagination is so much worse than your best friend’s family thinking you’re an exhibitionist.” “And we’re not ever going to talk about the other thing you said. Ever.” He was crowding her personal space, so she put her hands on his chest to push him back, but he caught her wrists. Standing there with her palms pressed against his naked skin, she could feel his heart beating at a quickened pace that matched her own and she knew she had two choices. Walk away or end up in bed with him. She leaned her body a little closer and splayed her fingers across his chest. “Which thing aren’t we talking about? The fast-food-joint bathroom or—” “Don’t push me too far, Emma. It’s been a long time for me.” “How long?” “Too damn long.” He lifted her hands from his chest, but didn’t let go of her wrists. “And I never even got to scope out the dating situation here before you showed up at my door with this half-assed scheme.” “And since we… You haven’t…” “The last thing I need is to get caught cheating on a woman I can’t tell anybody I’m not really in a relationship with.” His gaze dropped from her face to her lacy white bra and he sighed. “You’re killing me.” “Lying awake on the couch every night, wondering what it would be like to slide into bed with you has been killing me for two weeks.” “Yeah.” He let go of her wrists and slid his hands up the back of her neck and into her hair. “I’ve thought about that, too. A lot. Pretty much constantly, actually.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
I’m not who you think I am. I’m an actor. Just like all of you. I’m improvising, shooting from the hip. It’s all a lie. I’m a lie. You’re a lie. The lights—they don’t lie. But when they shine, they only tell half the story.
Chris DiCroce (Burning Man)
Do you want to marry me?' "Yes." "Do you want to have kids with me?" "Someday." "Do you ever miss taking your pill?" "Never." His grey eyes turned silver and the heat in them warmedmy body. "Bed. Now. We're never using condoms again." "Pancakes." I argued miserably. He turned off the skillet, put the batter in the fridge, and pointedin the direction of his bedroom. "We'll make them later. Go." "But-" "Woman, I just found out that you've been on the Pill this whole time. Right now I'm struggling not to spank the heck out of you. Last time I'm going to tell you." He leaned in close and ordered gruffly, "Bed, Rachel. Now." .... I'd barely made it two steps when his hand came down across my butt, which was still covered in his shirt. "Woah!" I yelled, and covered myself with my hands as I turned to face him. "Ow! That hurt, you jerk!" "Don't lie, Sour Patch, you enjoyed it." When he lifted me up, I automatically wrapped my legs around his hips and let me walk me back to the bedroom. "And you're going to get another one for making me take you to the bed.
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
In a voice that rasped with frustration as well as tender amusement, Hunter said, “You have such a great want for me that we must hurry, yes?” Her spine snapped taut, and she leaned her head back to look at him. He met her gaze with a lazy smile, trying not to think about how her nipples grazed his skin, how torturous it was to feel her hips pressing forward against him. Working one hand loose, he carefully brushed the tears from her cheeks. Giving a low chuckle, which he punctuated with a defeated sigh, he said, “Blue Eyes, we have many nights to lie with one another. Forever, yes? Until we die and rot.” “Until death do we part,” she amended. “Ah, yes, until death do we part.” He shrugged one shoulder. “A very long time, yes? If I strike such fear into your heart that we must be quick, it is wisdom to wait. It is enough that you will lie beside me. That I can put my hand upon you.” Her expression went from wary distrust to incredulity. “And do nothing?” Hunter shared her sentiments. It was the most boisa idea he had ever come up with. Never had he ached quite so sharply with wanting a woman. “You would like to do something? You say it and we will do it.” Hoping to make her feel less self-conscious about her nakedness, he tugged a fur over them and loosened his arm around her, allowing her some room to get comfortable. “Make a story for me, yes? About my Loh-rhett-ah when she was small like Blackbird.” She stared at him, clearly unable to believe he meant it. He forced a yawn, and from the look that crossed her small face, he knew he hadn’t been very convincing. “You’re not sleepy,” she accused. “Ka, no,” he admitted. “I make a lie, yes? To make you easy? My heart is laid upon the ground when you are afraid. Let us be glad, eh? Make me a story.” “Hunter, I don’t have a stitch of clothes on,” she squeaked. One of his dark eyebrows flicked upward. “You must have clothes to make stories?
Catherine Anderson (Comanche Moon (Comanche, #1))
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
Veronica Roth
Are you going to explain to me why the fuck you’re doing this? Huh? Fucking tell me, River!” I arch a brow, unimpressed. “Last time I checked, I don’t have to answer a goddamn thing if I don’t want to. And oh, I almost forgot to tell you.” I snapped my fingers at him, shooting him the gun signal with a filthy smile. “I fucked your ex-girlfriend.” “You’re lying.” I chuckle and shake my head. “She’s got a freckle here” —I point right above my hip—“and a freckle right here,” I say, pointing to my left inner thigh next, upwards close to my center. Anyone could’ve seen the freckle on her hip, but the freckle on her thigh? I would’ve had to see her naked for that one.
H.D. Carlton (Shallow River)
He walked me backwards through my bedroom, steering me with one hand on my hip and the other at my waist, until the backs of my knees hit my mattress. "Lie down," he murmured. It was dark in my room, but there was enough light from the hallway, enough moonlight streaming in from my bedroom window, that I could see him clearly, broad shoulders silhouetted against the darkness. "I want to touch you." I complied, eager for the same thing, then closed my eyes, expecting to feel the mattress dip when he got in bed with me. Instead, I heard him kneel beside the bed. Felt his hands wrap around each of my ankles. "What---?" I began. Then yelped as he tugged me towards the edge of the mattress. "I want to see you let go," he explained, hands snaking beneath my skirt to tug at the edge of my underwear. "And I want it to be because of me. I want you to fall apart on my tongue, feel your legs quivering beside my ears as you shout my name." He drew my underwear down my legs and threw them over his shoulder. Then he shoved my skirt up to my waist. "I want to taste you. Everywhere. So badly." "Reggie," I whimpered. I shivered as he pulled my legs over his shoulders, tilted my hips up with his hands. I was splayed open for him, naked and vulnerable, heart thundering so loudly that surely he must be able to hear it. His mouth was just a hairsbreadth away from where I ached for him. I could feel each shaky exhalation of breath against my core. His beautiful, expressive eyes met mine. "You want this. Don't you." He closed his eyes, rubbing his cheek against the inside of my thigh. The delicious scratch of his stubble pulled a groan from me before I realized it had happened. "I can smell how much you want me." I whined, wriggling in his grip. "Reggie, please." I could tell he needed verbal confirmation from me that I wanted to be with him like this. But if I didn't have his mouth on me immediately, I was going to lose my mind. "I want this. I want you. Please." His mouth quirked up into a half smile. His eyes darkened. "As my lady commands." Then his mouth was right there, electric, flooding me with sensations I could scarcely remember feeling before and couldn't name. He was relentless as he devoured me, sucking my clit into his mouth a moment before laving it with the achingly soft flat of his tongue. I tried to cry out but couldn't, made mindless by pleasure and pure desperate need as I lay helpless on the bed before him, held together only by the determined way he worked me and the vise grip he had on my hips. My breathing was way too fast and growing shallow, my chest heaving, my blood pounding in my veins as he teased and drew out my pleasure.
Jenna Levine (My Vampire Plus-One (My Vampires, #2))
He went after her. Wendy Darling. If he finds her first, I will strip the flesh from his bones. I sling the glass back and drink down the liquor. The burn of the alcohol helps hold the spark of anger at bay. The Captain is gone and now I need a plan. No sense losing my goddamn mind like a stupid little shit. “How long ago?” I ask Smee. She cocks out a hip, arms still crossed. “Tell me what you’d do to him if you found him first?” “Does it really matter if I tell you the truth or a lie? I don’t know if you’d believe either.” 
Nikki St. Crowe (The Fae Princes (Vicious Lost Boys, #4))
Yeah, well, don’t beat yourself up over it.” She hip bumped me. “I didn’t catch on either.” “You were too busy leading the villagers’ pitchfork brigade.” “No pitchforks were involved.” She spread her hands. “I’m more of a trial-by-flame-thrower kind of girl.” I rolled my eyes and kept walking.
Hailey Edwards (Lie Down with Dogs (Black Dog, #2))
Wiggling my breasts against his back, I waited for the groan. Cooper glanced back at me and frowned. “I need to start wearing sweatpants or else you’ll kill me.” “I don’t understand,” I said, batting my eyes innocently. “Are you talking about this?” Wiggling my breasts against him again, I jumped when his hands went to my bare thighs. Stroking from my hips to knees, Cooper gave me a grin. “I’m getting you naked this weekend. Even if I have to lie, cheat, and steal, I’m hitting a homerun with you, baby.” “Sure, whatever. Can we leave now?” “Temptress.” “Dickhead.” “Beauty.” “Stud.” “A stud that needs sweatpants.” “If it’s such a hassle, maybe we shouldn’t fool around at my place?” Cooper just laughed while pulling away from school. He was laughing again when he parked at the curb next to my apartment building. “What’s so funny?” “Nothing. When I don’t get enough oxygen to my brain, it gives me the giggles.” Now, I was laughing as we walked to the front door. “My mom might be home.” “I’ll be sure to feel you up silently then.” Grinning, I unlocked the door and pushed it open to find the air conditioner running high. “My mom sometimes gets overheated.” “Lady issues. Check. No more info is necessary or desired.” Shutting the door, I turned down the air conditioner before finding two sodas in the refrigerator. “I need a shower.” Cooper stared at me with a pained expression. “Sweatpants.” Laughing, I left him to my crappy cable. After a quick shower, I changed into a loose tank top and shorts. Feeling daring, I chose to wear panties, but no bra. Returning to the living room, I found Cooper stretched out with his legs over the coffee table and his arms spread out along the back of the couch. He looked large and menacing then he glanced at me and grinned. “Would now be a bad time to mention I’m horny?” he asked as I opened my soda and joined him on the couch. “If I never again heard a single thing about you being horny, I’d still be well informed.
Bijou Hunter (Damaged and the Beast (Damaged, #1))
Come on, baby,” I urged, lying back again. “Fuck my mouth.” He whimpered, then moved a bit closer. I reached under his legs and grabbed his ass, pulling him forward. “I don’t want to choke you,” he worried. “But what a way to go, right? Get in my mouth already.” On a moan, Josh pushed forward, the salty tip of him pressing between my lips, over my tongue. “Mmm,” I groaned. Perhaps Josh had been right to worry about making noise when Maggie and Daniel were home. I loved the sounds we made together. It would be a crime to silence them. And I loved the taste of his skin. Opening wide, I sucked him down. Above me, Josh grabbed the headboard and dropped his head back. I could see every ripple as his abs tightened in excitement. His lean, strong arms tensed when I gave him a good suck. He was in heaven, and it was me who had put him there. He pulled back a bit, and I released him, kissing the tip, tonguing the sensitive place under the head. “Fuck my mouth, baby. I can take it.” Josh panted above me. “Don’t know if I can last more than two minutes, anyway.” “Give it to me. I want to drink you down.” “Whew.” He squeezed his eyes shut. “Make that one minute, if you’re going to say things like that.” I yanked on his hips, pulling him into my mouth again. Breathing deeply, Josh began to ride my mouth in short, deliberate thrusts. I could feel how close he was, and just thinking about it made me want to come, too. I dropped one of Josh’s hips so I could grab my own aching dick in one hand. He began a keening moan, low in his chest. His hips became jerky, the movement unfocused. “Oh, Caleb,” he sobbed.
Sarina Bowen (Goodbye Paradise (Hello Goodbye, #1))
Wriggling out of his grasp she braced herself on his shoulders and tried to stand. Next thing she knew, he had her around the legs and took her down to the mattress in some sort of super-fast ninja move. She screamed and laughed, and he was laughing every bit as hard as he came down on top of her. And, oh God, his laughter was a sweet and sexy rumble that lit her up inside. “You fight dirty, Easy,” she said around her chuckles. “I haven’t had this much fun in so long.” She caressed his face with her fingers. “Me neither. Between overloading on classes and my epilepsy, I often feel like a little old lady trapped in the body of a twenty-year-old. All I need is some cats.” “Cats are awesome,” he said. “When I was a kid, I used to sneak stray cats into the house, just for a night or two. I’d keep them in my room and bring up bowls of milk and cans of tuna for them.” “Aw, you were a sweet little boy, weren’t you?” she asked, loving how he was opening up to her. The closeness, the sharing, the way his big body was lying on her legs and hips, leading him to prop his head up on her lower stomach—both her heart and her body reacted. “Maybe for about five minutes.” He winked. “Mostly, I was a hell-raiser. Growing up, we didn’t live in the best neighborhood. Drug dealers on the corner, gang activity trying to pull in even the younger kids, crack house one block over. All that. Trouble wasn’t hard to find.” He shrugged. “Army straightened me out, though.” “Well, we lived in a nice neighborhood growing up and here my father was the freaking drug dealer on the corner. Or close enough, anyway.” Jenna stared at the ceiling and shook her head. “Sorry, I didn’t mean to get serious.” His thumb stroked along her side, sliding the cotton of her borrowed shirt against her skin in a way that almost tickled. “Don’t apologize. Our histories are what they are, you know?” She nodded and gave him a little smile. “Yeah.” Shifting off her, Easy stretched out alongside her and propped his head up on his arm. “I’m thirty, Jenna,” he said out of nowhere. And he was telling her this because? He thought their age difference was too great? He thought she was too young? He was worried she would think he was too old? Probably D) all of the above. Thing was, all she saw when she looked at Easy was a guy she really freaking liked. One who’d saved her life, helped make her sister safe, and gave her a sense of security she hadn’t felt in years. He was hot as hell, easy to talk to, and one of the kindest guys she’d ever known. Maybe some of that was because he was older. Who knew? “And I need to know this because?” she asked, resting her head on her arm. The muscles of his shoulders lifted into a shrug, but his face was contemplative. “Because there’s clearly something going on between us.” Heat rushed across her body. She held up a hand, and he laced his fingers between hers. “When I look at you, I don’t see a bunch of differences, Easy.” “What do you see then?” Warmth flooded into Jenna’s cheeks, and she chuckled. He’d said that she was beautiful, after all, so why couldn’t she give him a compliment in return? “A really hot guy I’d like to get to know more.” A smug smile slipped onto his face, and she might’ve rolled her eyes if it weren’t so damn sexy. “Really hot, huh?” “Well, kinda hot, anyway.” “Nuh-uh,” he said, tugging her hand to his chest. “Can’t take it back now.” Cheeks burning and big smile threatening, she rolled onto her side to face him. They lay there, side by side, her chest almost touching his, looking at each other. Tension and desire and anticipation crackled in the space between them, making it hard to breathe. “What do you see when you look at me?” she whispered, half-afraid to ask but even more curious to hear what he’d say. Did he mostly see someone who was too young for him? Or a needy girl he had to save and babysit?
Laura Kaye (Hard to Hold on To (Hard Ink, #2.5))
This Blue Coat’s woman?” he demanded, gesturing toward Lily. Caleb shook his head. “She’s her own woman. Just ask her.” Lily’s heart was jammed into her throat. She had an urge to go for the rifle again, but this time it was Caleb she wanted to shoot. “He lies,” she said quickly, trying to make sign language. “I am too his woman!” The Indian looked back at his followers, and they all laughed. Lily thought she saw a hint of a grin curve Caleb’s lips as well but decided she must have imagined it. “You trade woman for two horses?” Caleb lifted one hand to his chin, considering. “Maybe. I’ve got to be honest with you. She’s a lot of trouble, this woman.” Lily’s terror was exceeded only by her wrath. “Caleb!” The Indian squinted at Lily and then made an abrupt, peevish gesture with the fingers of one hand. “He wants you to get down from the buggy so he can have a good look at you,” Caleb said quietly. “I don’t care what he wants,” Lily replied, folding her trembling hands in her lap and squaring her shoulders. The Indian shouted something. “He’s losing his patience,” Caleb warned, quite unnecessarily. Lily scrambled down from the buggy and stood a few feet from it while the Indian rode around her several times on his pony, making thoughtful grunting noises. Annoyance was beginning to overrule Lily’s better judgment. “This is my land,” she blurted out all of a sudden, “and I’m inviting you and your friends to get off it! Right now!” The Indian reined in his pony, staring at Lily in amazement. “You heard me!” she said, advancing on him, her hands poised on her hips. At that, Caleb came up behind her, and his arms closed around her like the sides of a giant manacle. His breath rushed past her ear. “Shut up!” Lily subsided, watching rage gather in the Indians’ faces like clouds in a stormy sky. “Caleb,” she said, “you’ve got to save me.” “Save you? If they raise their offer to three horses, you’ll be braiding your hair and wearing buckskin by nightfall.” The Indians were consulting with one another, casting occasional measuring glances in Lily’s direction. She was feeling desperate again. “All right, then, but remember, if I go, your child goes with me.” “You said you were bleeding.” Lily’s face colored. “You needn’t be so explicit. And I lied.” “Two horses,” Caleb bid in a cheerful, ringing voice. The Indians looked interested. “I’ll marry you!” Lily added breathlessly. “Promise?” “I promise.” “When?” “At Christmas.” “Not good enough.” “Next month, then.” “Today.” Lily assessed the Indians again, imagined herself carrying firewood for miles, doing wash in a stream, battling fleas in a tepee, being dragged to a pallet by a brave. “Today,” Lily conceded. The man in the best calico shirt rode forward again. “No trade,” he said angrily. “Blue Coat right—woman much trouble!” Caleb laughed. “Much, much trouble,” he agreed. “This Indian land,” the savage further insisted. With that, he gave a blood-curdling shriek, and he and his friends bolted off toward the hillside again. Lily turned to face Caleb. “I lied,” she said bluntly. “I have no intention of marrying you.” He brought his nose within an inch of hers. “You’re going back on your word?” “Yes,” Lily answered, turning away to climb back into the buggy. “I was trying to save myself. I would have said anything.” Caleb caught her by the arm and wrenched her around to face him. “And there’s no baby?” Lily lowered her eyes. “There’s no baby.” “I should have taken the two horses when they were offered to me,” Caleb grumbled, practically hurling her into the buggy. Lily
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
He tips my face up with a gentle finger under my chin. “Can I kiss you?” I shake my head, but his lips are so close to mine that I can feel his breath. “Why not?” he asks. I push to the edge of the couch, because I really need to get away from him. If not, I’m going to let him kiss me. And I’m not going to want to stop. But when I move to get up, he wraps an arm around my waist and hauls me back onto his lap. I freeze, because my weight is on his good leg. “S-stop. I’m g-going to h-hurt you.” I don’t have anywhere to tap. He says softly but firmly, “I’ll let you know if it hurts.” With a gentle push of his hand in the center of my back, he brings me down to lie on his front, and my breasts squash against his hard chest muscles. God, I don’t think there’s anything soft about him. He palms my hip and hitches me closer and higher, bringing my lips to his. “A-all of my w-weight is on y-you,” I stammer. I close my eyes and take a breath. “I know, and it’s kind of awesome.” He smiles. “And so is hearing you talk.” “W-we’ve b-been t-talking all night.” “Not the same,” he whispers. “I’ll take what I can get, but I’d rather have you, exactly like this. Except naked, maybe.” He chuckles. I’m already naked. He just doesn’t realize it. I put my hands against his chest so I can push back, but he takes my fingers, threads them with his, palm to palm, and holds tight. “Kiss me.” I shake my head. “C’mon,” he teases. I want to kiss him. I want to kiss him so bad. “You know you want to.” He grins. I’ve kissed him before. Hell, I’ve passed him a condom before. But we never went any further. “You’ve never kissed me. You know that?” He lays his head back against the couch and looks at me from beneath lowered lashes. “I h-have so,” I sputter. “Nope,” he corrects me. “It was always me kissing you.” I’m certain I’ve kissed him before. “Kiss me,” he says again. He jostles me with a bump of his leg beneath my bottom. “Don’t make me beg.” He laughs, but it’s not funny. I
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
Wake up! Stop—fuck! Wake up!” “Stop, please! Get off me!” I screamed, and thrashed wildly. Another curse came from him when I connected with his face again. “Wake up!” My eyes flew open and blinked quickly against the blinding light in the room to find Taylor directly above me. He’d grabbed at my arms to pin my wrists down above my head, the other was pressing down on my hips to keep me from bucking against him. “Get off me,” I pleaded hoarsely. Taylor’s form blurred as tears gathered in my eyes, and eventually fell. When I could see him again, I noticed his dark eyes fixed on my chest, a look of horror on his face. Slowly, his eyes went up to where my arms were being held down. They widened marginally, and bounced back and forth a few times before coming down to rest on my face. “Please let me go.” His face morphed into an expression I didn’t understand as he released me and sat back on the ground. I quickly pulled at the large shirt I was wearing to cover my chest. The V-neck collar wasn’t deep and usually hid the scarred MINE; but I knew with it being stretched down, he’d seen it just then. “I’m sorry,” he said, his voice gruff. “You were screaming this time, and I—I just . . . I don’t know. I’m sorry.” “This time? W-what do you mean this time?” “I hear you beg me to stop. Every. Night. The same words you screamed when I took you and kept you from escaping. I won’t hurt you,” he assured me. “I know you don’t believe me, but all I want to do is keep you safe.” My
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
I was less than a row away when he grabbed my arm and dug his fingers right into a pressure point. “I would love to know why my cousin is beginning to question me.” “Let go of me or I’ll scream.” “Scream and I’ll kill someone you love.” I turned to finally look up at Blake’s cold blue eyes. “W-what did you say?” “Exactly what you thought you heard. Now, let’s go.” I dug my feet into the ground and tried to walk toward my car. “No! Let me go.” “For shit’s sake, Rachel,” he growled, and leaned close so it looked like we were hugging, “don’t be difficult or I’ll make good on my promise.” From the tone of his voice, I had no doubt he would. “Please, just let me go home, how did you even know I was here?” Blake blew out an annoyed breath and dug his fingers into the pressure point harder before walking us toward his car. “Candice called me this morning screaming at me. Demanding to know what I did that would make you go drop all of your classes today. I was already on campus, so I’ve just been waiting for you.” Wait. Does that mean she believed me? Hope and an ache for the friendship Candice and I had always had blossomed in my chest but was quickly replaced by fear when Blake put me in his car and lifted his shirt just enough to show me the gun holstered to his hip. “Run, Rachel. I dare you.”   M
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
You can't stop there. Why must I drag every word out of you? If you go back to grunting, I'll pinch you." Since he wasn't wearing a shirt, she had an ample expanse of skin to choose from. Cade grunted when she picked a small piece of his back just below his armpit, and he punished her with his mouth. They were on the bed and laughing before either of them knew it. "I knew you could laugh if you wanted." Lily wiggled free of Cade's hold and sat up. She wore no more than her chemise and a blanket, and the blanket was slipping from her shoulders. In the firelight Cade could see the shadow between her breasts, She wasn't large, but well-rounded. He liked to think that his child added to that fullness. It gave him a feeling of belonging, something he hadn't known in a very long time. "Indians don't laugh," Cade told her solemnly. She didn't even give him a warning. Diving at him, Lily feathered her fingers beneath his arms and tickled until Cade was rolling with laughter as well as his attempt to hold her off without harming her. "Cry uncle," she demanded, wiggling one hand loose from his grasp to tickle his ribs. "Tio," he laughed, turning her over and trapping her spread-eagled against the robes. "It's a good thing for you that Juanita has taught me some Spanish," Lily informed him with gravity, "or I should have to continue tickling you unmercifully." Since he held her completely helpless, this was a lie of magnificent proportions, and Cade nearly doubled up with laughter at her audacity. He couldn't remember ever feeling this way, not even as a boy. He caught her in his arms and rolled over and began to lavish her with kisses. "Stop that, Cade, before you break something," Lily admonished, struggling for a position a little more dignified than sprawling across his chest. As much as she enjoyed what this would lead to, there were other things here to consider, and she wasn't the kind to give up easily. Cade instantly let her go and stared up at her worriedly. "Am I hurting you?" With a lift of her eyebrows, Lily studied Cade's rather awesome chest, down to the place where his buckskins covered his hips. "I was more concerned about you. I don't wish to wear you out too soon." Cade gave a bark of laughter and grabbed her hair, tugging her down to lie curled against his side. "If I don't nip your boldness at once, you will become impossible. You do understand I don't intend for you to be my boss lady anymore?" "Not that I ever was," Lily said, unperturbed.
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
Her pace was slow, and after a moment, she glimpsed him. Iain straightened in the water, unable to stop his smile. Well, now. Wasn’t this an interesting dilemma? “You have me at a disadvantage, a chara.” He took a few steps closer, unable to resist teasing her. Now the water was at his waistline, and Rose put up her hands. “Stop,” she commanded. “I didn’t realize you were here. There’s no need to . . . leave the water.” Her face held a lovely blush, and he rather wanted to see what she would do now. “I’ll just go now.” Oh, no. He wasn’t about to let this opportunity escape. “I had just finished swimming,” he said. “If you’d like to take your turn, the water is all yours. Though, I must say, it’s a bit cold now.” “I wasn’t planning to swim.” He took another step closer, and this time, the water grazed his hip bones. Rose scrunched her eyes shut. “No, you needn’t come any farther.” He rather wondered if she would sneak a glimpse if he were to leave the lake. He took another step forward, baring a bit more of himself. When she didn’t respond, he guessed that she was indeed hiding her eyes. “I do need my clothes,” he pointed out. “And they are on the shore at the moment. I’ll go and fetch them.” This time, he strode out of the water, fully bared. God almighty, it was cold. He watched Rose closely as he continued toward his clothes, but she kept both hands covering her eyes. He couldn’t be certain, but it almost looked as if there was a slight space between her fingers. Was is possible that she was staring at him? “Are you enjoying the view, a chara?” he asked as he reached for his smallclothes and trousers. “I am not looking at you.” “So you say.” He smiled to himself as he dressed. When he was half-clothed, he returned toward her horse. Aye, he could have finished putting on his shirt and the remainder of his clothing, but he wanted to see her reaction, to tease her a little more. “You can look now.” She did, and promptly shut her eyes again. “You are not dressed, Lord Ashton.” “All the important bits are. And it’s not as if you haven’t seen me in this state before.” She let out a groan. “Really, now. Must you behave in such a villainous manner?” “I would only be a villain if I pulled you from that horse and threw you in the lake.” He had no intention of doing so, but the slight gasp she emitted made it clear that she wasn’t quite so certain. “Don’t you dare.” He approached the horse while her eyes were still closed and reached up, pulling her down to stand before him. Rose squealed, and tried to fight him, but he held her steady. “Now, a chara, I wouldn’t do such a thing to you.” “You took me off the horse.” “So I did. You were wanting to walk, were you not?” He kept her standing, knowing full well that his body was still wet from the lake. “Your skin is freezing,” she pointed out. “The water was too cold.” “It’s England. It will never get warm,” he felt compelled to remind her. And he was accustomed to swimming in frigid water, for it wasn’t at all warm in Ireland, either. But the longer he held her waist, the more she had an effect upon him. Her eyes remained closed, her lips slightly parted. Her reddish-brown hair was caught up in a pretty green bonnet, and she wore a riding habit that revealed the dip in her waist and the curve of her hips. Iain kept his arms around her, enjoying the temptation before him. There was no denying that Lady Rose was a stunningly beautiful woman, one he wanted to touch. Not yours, he warned himself. But she wasn’t fighting his hands upon her waist. And although she gave a slight shiver, she didn’t seem frightened of him. “I’m not going to harm you, Lady Rose,” he reminded her. “You can open your eyes.” After a moment, she did. “I cannot believe you were swimming naked in the lake. Did you think no one would come along?” He shrugged. “I don’t suppose I cared if anyone did.
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
God, how I love you, Rose.” He tasted the salt of her tears, but he wouldn’t let her go. “Does this mean you’re going to marry me?” he murmured. “Yes.” She kissed him again, and he wished he had a ring to give her. “And whether you’re the Earl of Ashton or Lord of the Ashes doesn’t matter. You’re the man who stood by me and taught me to walk again. I love you.” He reached below her hips and lifted her up, smiling at her. “I will find a way to give you the life you’ve dreamed of, Rose. Even if it means we have to live apart for a while.” Her expression turned wary. “We are not living apart, Iain.” “You’re daft if you think I’m taking you back to a place where there is no food.” Slowly, he lowered her back to stand before him. He couldn’t stop touching her, and he rubbed the small of her back. “We will argue about it later. But I do have news that may affect my dowry. Evangeline said that her father will help us sort through our finances and set them straight. We don’t know how much money my mother gave away, but—” At that, Iain’s smile broadened. “Actually, I did learn what she did with the rents.” He’d spent the morning with Cain Sinclair, and it was then that he’d discovered the truth. “Apparently, she didn’t give the money to an Irishman. It was a Scotsman. She gave the rents over to Sinclair a month ago, so he could invest them for her. They made a fine profit for you and your family.” Rose shook her head and a laugh escaped her. “So I do have a dowry, after all. Not that it matters anymore.” He leaned to kiss her again, and added, “You could be penniless, and I wouldn’t care, Rose. I’m marrying you because I love you. Because you make me want to become a better man. And because I cannot be living without you.” She leaned in and rested her nose against his. “I love you, Iain. Earl or not.” “I’ll be the earl in name,” he agreed. “There will be a great deal of work before I can restore Ashton. But with you at my side, I think we can manage it.” He stroked his thumb against her palm, and she let out a soft sigh. Then he came up behind her and drew both arms around her waist. Her body nestled against his, in the most natural feeling in the world. “You are the bride I’m meant to have. Ever since you threatened me with a rake.” She let out a soft laugh. “You’re fortunate that I didn’t use it against you.” He
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
I sit down next to him, and he pulls me to his side. Then he lies down so that I’m draped across him. My hip is tucked between him and the back of the couch. “I don’t want to go home yet,” he says quietly. He pulls my head down to his chest, and I press my face against it. His hand settles on the back of my head, and he starts to stroke down the length of my hair. “Then don’t go,” I say quietly. He doesn’t. He just threads his fingers into my hair and drags them down my back, over and over, until my eyelids grow heavy and I fall asleep on his chest. I wake up the next morning tucked into my own bed, the covers pulled up to my chin. I sit up and look around. Beside me on the pillow is a note. I open it up and read. Are you in love with me yet?
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
You’ve been spending a great deal of time with my sister, Lord Ashton. I hope you realize that the servants are gossiping.” He sent Rose a conspiratorial look. “Are they? I suppose they think I am intent upon debauchery and ruining your sister.” “Indeed.” Lily planted her hands upon her hips and waited for him to offer an excuse. “I told her that I was teaching you about London,” Rose interjected. “She can’t seem to understand why I wouldn’t do so in a drawing room with chaperones present.” He turned to Lily and met her gaze evenly. “Your sister is lying.” “I am not.” “Yes, you are. You know full well that not only am I forcing you to kiss me, but we are committing fornication in broad daylight. Which would not be proper in the drawing room.” He lifted his own eyebrow and shot Lily a dark smile. At that, Rose stood up and glared at him. Her knees were shaking, but she would not stand back and listen to this. Already her face was crimson at his insinuation. “Lily, don’t you dare believe his lies!” “Why? It’s only now becoming interesting.” But the faint smile on Lily’s mouth revealed that she didn’t believe him at all. “You are a wretch, when we’ve done no such thing.” He only winked, and puckered his lips. She couldn’t believe his audacity. “If I had a rake right now, I would beat you senseless with it.” “It’s a good thing you don’t.” He smiled again at Lily and said, “The truth is, I am teaching your sister to walk.” His confession deflated her spirits. Why would he tell her sister that when she wanted it to remain a secret? How could he ruin her surprise? “She’s made very little progress and has fallen several times,” he continued. “She did not want to alarm any of you. Especially the servants, who would accuse me of trying to harm her.” Some of her anger dissipated, for he’d not mentioned her steps at all. “Rose, no.” Lily urged her to sit back on the bench. “You’re going to hurt yourself. You’ve stood, and that in itself is a tremendous accomplishment. But walking?” “We have made an agreement,” Rose said. “Lord Ashton has promised to catch me before I fall on my face. And I, in return, am teaching him about the complexity of forks.” Lord Ashton joined in, nodding in agreement. “They are quite impossible. Why anyone would need three forks at any meal is wasteful, indeed. It’s grateful I am that your sister is helping me to navigate cutlery.” Lily glanced at Rose and then back at Lord Ashton. “Well. That’s not quite what I was expecting.” “And
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
Ashton took her hand, resting his other palm against her waist. He moved in a slow tempo, giving her time to pick up each foot in the dance step. But every time he attempted to turn her, her feet seemed to tangle together. “I’m so clumsy,” she apologized. “My feet won’t move the way I want them to.” She lacked the physical ability to keep the rhythm, and it heightened her frustration. “I don’t even know what I was thinking. No one waltzes this slowly.” He didn’t deny it, but his hand pressed lightly at her waist, turning her once more. “You knew it wouldn’t be easy.” “You’re right. And besides that, I only took my first steps a week ago. It could take months before I’m nimble enough to dance.” In answer to that, the earl lifted her up and held her body aloft while he spun her in the waltz step. The sudden motion caught her unawares, and she began to laugh. “You cannot lift me up in a ballroom, Lord Ashton. Please put me down.” Her cheeks were flushed with embarrassment, though the Irishman didn’t seem to care. He stopped spinning her, but held her up a moment longer. “Iain,” he corrected. But he did not set her down just yet. He kept his arms beneath her hips, and Rose was caught up in his green eyes. He stared at her with unveiled interest, and his dark hair framed a chiseled face. She could half-imagine him carrying her across the garden and laying her down against the grass before he kissed her again. The thought brought her attention back to his firm mouth. She had enjoyed his kiss, and it had soothed her pride to know that she’d kindled his interest. It had been so long since she’d seen Thomas, she didn’t know what remained between them. But it felt good to have a man watching her as if he wanted her. “Iain,” she murmured. He brought her down, but the entire time, her body was pressed close to his. She kept her arms upon his shoulders a moment longer before she took slow, limping steps back to the garden bench. Why did she allow her imagination to trespass into thoughts of what could never be? He needed an heiress who would return with him to Ireland. Not a woman like her. They were friends, and that was all.
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
Don’t come out from under unless you hear my voice. Understand?” Karen’s eyes were full of tears but she nodded and slid beneath the Gremlin. I’d purchased it from some guy who’d been using it as a dune buggy, so the tires were oversized. She’d never have made it under the car if they hadn’t been. I ran in the opposite direction, waving my arms to catch the attention of the alien piloting the saucer. It worked all too well. I ran faster than I’d ever run. Bodies were scattered throughout the park, some of them with arms and legs cut off by the beam. I turned back to check on the saucer’s location, because the machines were deadly silent. When I did I tripped over something and went sprawling. Scrambling to my feet, I saw that it was a young girl, perhaps eleven or twelve. Long brown hair, and a pretty face. She’d been cut in half by the beam. Her legs and hips, and the singed waist of her pretty Easter dress, lay about five yards behind her upper torso. I was about to run when big, beautiful but terrified eyes suddenly opened and shocked me. She looked up at me. “Help me,” she begged softly. Fear of remaining with her to die was overwhelming, but I discovered my humanity was stronger. I took her hand in mine and squeezed it. Somehow I managed a smile, watching in apprehension as the saucer circled for another pass. “It’s going to be okay, sweetheart,” I lied. “My name’s Tom, and I’m right here. I won’t leave you.” I felt a slight pressure against my grip. “Ginny,” she whispered. Then her grip loosened, and her eyes closed forever. The saucer was too close. I’d never escape it. I resigned myself to dying, proud that at least when I’d been tested, I’d chosen compassion over fear. As it swooped toward me, my last thoughts were of Karen. I took a deep breath and stood; I wanted to meet death with eyes wide open, in one last act of human defiance. — (Saturday's Children)
Bobby Underwood (Saturday's Children)
Saffron, how are you?" Logan asks and he sounds genuinely interested. How am I? Small talk, right. I rest my hip on the table and give my back to Logan as I look down at his date. "Would you think it odd for a man to come to a small town and proceed to not speak to you for six months?" Her perfect lips form a grin. "Everyone or just me specifically?" "You, specifically." Her eyes light with humor. "Yes, that is odd." "Odder still for that man to then take you to bed and blow your mind with sex for almost twenty-four hours before ditching you and then staying off the radar for a week?" The humor has left her gaze now, but she answers anyway. "Indeed." "So what would you think when that same man shows up at your place of employment with a beautiful woman and attempts to engage you in small talk?" Her eyes leave mine for Logan's, but I don't miss the emotion in her gaze. She's mad. "Exactly." I turn and give Logan my full attention. "So how am I, Logan?" I pull out the chair next to him and sit down. "I could pretend to be a cool, sophisticated woman and lie to you and say I'm fabulous, but that just isn't me. What I am is hurt and more than a little pissed, so the idea of making small talk with you is repugnant to me, unless that talk is centered on what I'd like to do to you. For example, I'd love to reach for that dull butter knife and stick it in your eye, giving it a hard turn just for good measure. The idea of strapping you to a man-sized lobster trap and throwing you into the ocean holds a great deal of appeal, as does the thought of running your ass over with my car, repeatedly. I could sit here all day making small talk about that, or you could just shut up and order some goddamn lunch.
L.A. Fiore (Waiting for the One (Harrington, Maine, #1))
I’ll give you a kiss as a reward,” he murmurs, his voice deep and seductive. I put my hands on my hips, hating how alluring that sounds. “That’s pretty special,” I retort. “You never told me why you won’t kiss me.” His hazel eyes dance down my profile, wetting his lips before returning to my own. “I don’t kiss anyone. I’ve never met a woman who deserves that intimacy from me.” “Until now,” I tack on. “You’re saying you’ll kiss me if I get on that boat?” He pauses, then says, “Si.” “You’re lying,” I respond, narrowing my eyes. “Only one way to find out,” he says dryly. “You think a kiss from you equals getting in a shark cage?” I question with a scoff. “Si,” he responds readily. Confidently. “Fine. But if I die, make sure it’s before a shark eats me.
H.D. Carlton (Does It Hurt?)
turn my face around, looking over my shoulder at him running his hand along my hip, tracing the jagged scar there. “What’s this from?” I don’t have to completely lie. “Glass. It cut into me that night, dug so deep that they couldn’t remove it right away for fear of me losing even more blood—too much blood. My blood painted the streets that night.
S.T. Abby (Sidetracked (Mindf*ck, #2))
The bond, of course, shared every needy beat of my heart with Devin--- his answer through the bond was immediate and primal. It hit me as a wave, knocking my feet out from under me. I grabbed his arm tighter to keep from falling over. He took a shaky breath while his eyes roamed over me. His eyes met mine and I felt the rush of heat between my legs. "You need to let me go, darling, before we start something I intend to finish." My eyes met Devin's and darted away. "I can't take it anymore. I know this the path we were on before... before. And this wasn't how I pictured us getting here, but I want this. That is, if you do too?" He closed the distance and wrapped his arms around me. The air left me in a rush as he lifted me off my feet and took me to the foot of the bed. Falling on my back, I was caged in his arms as he leaned forward. "Now, don't you feel ridiculous asking?" His low voice was playful as he looked down at me, hungry and fierce. The heat between us was an inferno, and we were teetering on the edge of it. I knew it, he knew it, and whoever made the next move would break the dam and it would all come rushing out. Of the things I wanted to do, I picked one at random as I snaked a hand around his neck, gently pulling the tie on his hair as it fell forward. That did it. He leaned down, kissing my collarbone and making his way up my neck, peppering in heated words as he went. "Feel free to touch, darling. It's all yours." He nipped at my ear and a thrilling shiver ran down my spine. A sound escaped me that only proved to spur Devin on. His hand moved to my hip, squeezing, and brushing the skin above my leggings with his thumb, leaving a trail of inferno in its wake.
Sabrina Blackburry (Dirty Lying Faeries (The Enchanted Fates, #1))
The truth is that most people probably don’t know. They don’t know that socialism—especially this new, hip version of it that’s being pushed by the Democrats—is all just a bunch of nice-sounding lies. They’re happy to buy the rosy picture that the current Democrat Party is pushing. When Democrats tell them that what they’re proposing isn’t “real socialism,” they’re happy to go along with that, too. But socialism has been lurking on the left of the US political system for decades, spreading like a crack in the foundation a few inches every election cycle.
Donald Trump Jr. (Triggered: How the Left Thrives on Hate and Wants to Silence Us)
Ten stories of stair climbing later, you knock on her door. And there she is. Now your heart aches. Now your pulse beats strong and fast. You wrap your arms around her and kick the door closed. You are home. You lift her to your hips and carry her to bed. You don't talk because you need her lips on your lips. You don't breathe because you need her breath in your lungs. You rip off her clothes because you need her skin on your skin. She has awakened something inside you---- something wild and forever. When it is over---- and it is many hours before you both collapse from exhaustion, because you are a stallion in bed---- you lie under the sheets and hold her in your arms.
Sara Desai (To Have and to Heist)
Even though I don't believe in a god, I still feel I am in touch with something beyond myself. Sometimes it's an occurence timed with such ingenuity it feels cosmic. Like the gift of the piano. Other times, it's a sense of profound connection. One morning my cat settled on the pillow just above my head. It's always my desire for her to do this, but most often she does not; she lies between my legs, or on my hip, and after some minutes I feel the need to move, and she slopes away. But that particular morning she settled and inched her face forward until her cheek rested on my own. It felt like a connection beyond offering her the soft warmth of my body, a cosy place for her to nap. It felt like she was giving herself to me for my comfort alone, letting me lean on her. I felt the friendship of a cat and it touched me. Even though I could easily rathionalise the comfort out of it, I let it be taken as I needed to in that moment. My soul needs signs and symbols, not logic.
Amy Key (Arrangements in Blue: Notes on Loving and Living Alone)
Shh,” I murmur, taking care to keep my voice low. “It is only a dream. You’re safe. I’ve got you.” [...] "A dream,” she repeats, pupils dilated as she stares up at me. She licks her lips, and I follow the movement with my eyes, a heat pulsing low at the base of my spine. “It was just a dream.” I nod, trying to angle my hips away from her in a futile attempt to hide my thickening cock. But her body is pressed close to mine, tucked beside me under my and Jadi’s wool traveling blankets. I see the moment she realizes, my preternatural vision able to take in the details of her shock. I see the way her pale eyes go wide, cheeks flushing pink. Hear her breath hitch in surprise. I feel my own cheeks heat in response, a flush of shame tightening in my chest. Shame at how much I want her. At how I’ve treated her. Shame at how jealously I guarded Jadi’s affections. At the way I cruelly tried to drive him away from her. “Asterion?” My name is barely a whisper on her lips, but she doesn’t pull away from me. Instead, her thigh presses against my hardening length. Almost like she’s seeking me out. But of course, that can’t be right. No woman would seek me out. Not after the way I’ve treated her. “Yes?” My voice catches in my throat, but I don’t dare look away. “Do you – are you…” her voice trails off, but she keeps her eyes locked on mine. Guilt tightens its hold behind my ribs, but I nod. There’s no point in denying it. No point in lying to her. Not when she can feel the proof of my attraction to her pressing against her. “I’m sorry,” I grit out, pulling my hand away from her face. “I don’t mean to… Please, just ignore it.” I roll away until I’m lying on my back, my erection almost painful as it pushes against the weight of the blankets. “Because of Jadi?” she asks, her voice thready and uncertain. I furrow my brow, glaring with irritation into the darkness. “Jadi? What does Jadi have to do with it?” “I mean – just that you and Jadi are together. Lovers? I not know word,” she babbles. “And I know that. Respect that. I not want come between you and Jadi. At party, he asked if he could court me,” she confesses. “I sorry if I…” I cut her off with a frustrated hiss, hating myself even more for this proof of how I’ve hurt Jadi. How successfully I have pushed her away from him. “You have nothing to apologize for,” I grind out. “Jadi has every right to court you. Every right. The only one who could deny him that is you.” “But you and Jadi…” “Are lovers? Intertwined as closely as two threads woven into the same cloth? Yes.” I bark out a bitter, mirthless laugh. “Which makes my treatment of him – of you – even worse.” The words are spilling out now, like water into the hull of a ship once the wood has cracked. Now that I’ve started, there is no stopping it. “I’ve known for moon cycles that he cares for you, and I hurt him for it. I was cruel to him and tried to chase you away. Because I was afraid you would steal him away from me, and he’s all I have. He’s everything to me. He’s my heart. My heart.” I clutch my fist against my chest in emphasis, still staring at the ceiling, not daring to turn and meet her eyes with my own. “I was jealous, and it was wrong, and now the gods are probably laughing at me. Because I want you. I want you. After trying to drive Jadi away from you, now I want you for myself. But I don’t deserve you. Not after the way I’ve treated you. And even then, even if I hadn’t…” [...] “I want you too.” Her words are no more than a whisper, and I tense, my first instinct to dismiss them the moment I register what she’s said. “I want you. And Jadi,” she admits, and there’s a raw vulnerability in those simple words that I don’t understand. “I shouldn’t, should I? Want you both, I mean? Like that?” I roll to my side to stare at her in disbelief.
Elisha Kemp (Burn the Stars (Dying Gods, #2))
Let me ask you something,” I counter, hands on my hips. “What does it feel like to lose? Because that's what this is about. You lost, and you can't handle it. Just like you can't handle the idea of him moving on with somebody younger than you.” I look over at the list of doctors in the building. “You’re right about one thing. Men like to keep their women young, so maybe you should head over to the dermatologist. You'll give yourself more wrinkles if you keep worrying about things that don’t include you.
J.L. Beck (Empire of Lies)
Figure 4 Stretch A Figure 4 stretch lengthens muscles in the back of the hip, such as the piriformis muscle. Bringing circulation to this area of the body and releasing tension in the piriformis helps the iliacus because it keeps the Villains from tugging against it. Releasing tension in this area also helps to reduce pressure on the sciatic nerve, which can get pressed upon when the piriformis is tight. Figure 4 stretch for the hip rotators with hands or using the wall Lie on your back and cross one leg over the other so that your ankle is resting on your opposite knee. At this point, you have two options: one is to bring your hands behind your opposite knee and bring your knee up towards your chest until you feel a stretch. Alternatively, you can place that same foot on the wall. Both methods are effective; however, putting your foot up on the wall can also help facilitate relaxation because you’re not having to strain the upper body by pulling with your hand. You should feel a stretch in the back of the hip and leg. If you feel any groin or knee pain, stop. With this stretch you want to change the behavior of the muscle, different than just warming up a muscle. Therefore, hold this stretch for longer than normal, three to five minutes on each side. If you stop feeling the stretch either pull a little bit further or stop. It’s not working if you don’t feel it in the right place. One repetition per day is all that is needed. Doing this on both sides is ideal. Don’t forget to realign the pelvis after doing all of your stretches and exercises.
Christine Koth (Tight Hip, Twisted Core: The Key To Unresolved Pain)
**Important** This exercise is done on only one side. You must first decide which side of the body has the tightest iliacus and is rotated forward. Use the “QUIZ” to determine your tightest side. You only do this exercise on the tightest side. Do not switch to the other side to balance yourself. We are actually creating balance by only doing this exercise on the side that is out of balance. If you don’t know what side is tightest, then skip this exercise. On the Back Realign the pelvis on your back Lie down on your back and bring both knees up towards your chest so both feet are off the ground. Place your hand behind the knee of the side that is tightest (determined with the “QUIZ”). Squeeze your hand with your calf by bending your knee. At the same time, push against your hand, without moving, as if you’re pushing your foot down towards the ground. Your hand will be resisting the pressure of your leg pressing against you. You don’t need to press your hardest; a mild to moderate amount of pressure is just fine. The other leg is just up off the ground and not doing anything. It’s important to keep it up off the ground so that it doesn’t accidentally push into the ground or cheat in some way. There is no motion with this exercise, just pushing. Push against your hand so that your foot is trying to touch the ground but not moving. Hold the push for two seconds, or one deep breath, and then relax. Repeat this push ten times. After those ten repetitions, your pelvis should be in better alignment. In Standing
Christine Koth (Tight Hip, Twisted Core: The Key To Unresolved Pain)
Can I have your sperm?” “Umm, no,” says my very handsome friend. He’s standing in the doorway of his stunning Upper East Side townhouse, wearing a completely bewildered expression. Who can blame him? It’s 10 p.m. and I’m in my pajamas, my bunned-up hair hanging askew off my head. “Before you say no, hear me out––” “No,” he repeats as if I haven’t just given him instructions. He eyeballs my pjs with the pigs with wings pattern on them. A joke gift Delia bought me when she told me she sleeps naked and I said I would do that when pigs fly. They’re very comfy. “Are you in your pajamas?” “Yes.” I push past him to get inside. “I’m prepared to assume all cost,” I rush to say, my voice high and marked with desperation. “You know my financial situation. You know I don’t need help in that regard. And you can participate as little or as much as you want in raising our child––” “Slow down, Stella––” “Jeff said no...” I walk directly into his living room and come to an abrupt stop. Stacks of cardboard boxes are everywhere. “Are you moving?” “Yes.” Ethan brushes a hand over his gorgeous face. “Where’s this coming from?” “I want a baby and the gays said I was too structured. And we’re friends, right? We respect each other, right?” “Wait? What gays?” “The architect, and the professor of economics at Columbia. Keep up, will you.” Ethan chuckles and I glare back. This wasn’t supposed to be this hard. And it’s poking at all my sore spots. “I really liked the professor. He’s the one that said I was too structured. The architect said he found a more geographically suitable candidate, but I’m pretty sure he was lying because I would’ve moved uptown if that was the only issue.” “Okay––” he says, taking a deep breath, his hands on his hips. “You want a baby.” “Yes.” “So go to a sperm bank.” “Too anonymous.” “I’m not giving you my sperm, Stella. I’m moving to Los Angeles in less than two weeks and I’m getting married. I don’t think she’d be too keen on me handing over my sperm.” Stunned, I rock back on my heels. “What?! To who?” “To a woman I’m in love with.” He smiles then, the sweetest of smiles, and I know he’s serious. “Camilla’s friend.” At my blank response he continues, “The actress––we haven’t talked in months.” “I called.” “To tell me my investments are up thirteen percent.” “You’re up fourteen for the year now. And you said you were too busy for a drink.” “You canceled the last time.” Totally dejected, I slump down on the armrest of his couch. “You were the last name on my list.” I can’t keep the disappointment out of my voice. I’m so bummed I may start to cry and I am not a crier. Ethan chuckles softly. “Wow, thanks.” “You know what I mean.” “Why not a sperm bank?” “I want my kid to know his or her father. I don’t want to tell them I bought their father.
P. Dangelico (Baby Maker (It Takes Two, #1))
I sit on hard chairs — soft ones spread the hips. Unlike Oscar Levant, who said he never stood when he could sit and never sat when he could lie down, I stand and walk as much as I can. I don’t think any of us walk enough, especially those of us who have desk work to do. When the work is done, the day is gone, and we take the shortest (sitting-down) route home. A walk before bedtime is the best cure for insomnia as well as a way of getting a little more exercise.
Joan Crawford (My Way of Life)
I scooch my body over so I’m on the bed, and we’re head to toe. She’s lying next to me. “Sixty-nine,” I say with a smirk. “Oh. I’ve never done that.” “Hop on. Don’t be shy.” She doesn’t hesitate, and the next thing I know, my tongue is on her again and my cock is taken in by her magical mouth. I love the weight of her tits on my abs as she bobs up and down on me. I wrap my arms around her waist, and as much as I want to see what she’s doing that is making me feel so amazing, I love how I can make her wiggle in this position. Her body shudders again, and I wonder if she’s coming. I damn well hope so. I feel some combination of her hands, mouth, and tongue on me as she slides up and down, slick hands on my rock-hard erection. I gyrate up and down a little, rocking my hips into her. Our bodies press together in an explosion of sixty-nine heat and sweat and sex. For a moment, I pull her hands behind her back, forcing her to sit up and on my face. She’s hesitant at first, but I think my enthusiasm overrides any shyness she might have, and she’s twisting into me as she comes again. I know because she tells me, even though her words are barely a whimper at this point. She lifts her body up and off me, then kneels between my legs and pushes her hair behind her head. “D, tell me how you want me to finish you,” she says as she runs her hand up and down on my cock. I bite my lip. “I’d be lying if I said I didn’t want to fuck your tits.” “Well, I’m glad you’re not lying.” She looks down. “Fuck these things? And how would you do that?” I narrow my eyes. “You’ve never done that?” She shakes her head. “Never.” “So I get to take your boobs’ V card?” I exclaim. “Let’s not make a big deal out of it.” She lies down on her back and I position my legs on either side, straddling her upper body. I slide my cock between her breasts, and just enjoy the beautiful view for a moment. When I lean back with one arm for balance, I find myself fondling her clit again—instinct—but she grabs my arm. “Nah-ah. This is about you, now. This is about D.” Grabbing my cock, she pulls me toward her face and leans forward at the same time, then takes me to the back of her throat, leaving me nice and slick. She puts my cock between her tits and then presses them together. “You like that?” she asks, and I nod vigorously. “Very much,” I grit out. “Good. I like watching you do it.” Her eyes flicker with excitement and that turns me on even more. I press her boobs together myself and she grabs hold of my ass and slides her hands around my hips. It’s so damn hot and this is goddamn reckless abandon, and I feel like I can do anything sexually with this woman, like I’m free and she’s my toy and I’m hers, too. I pump my cock between her tits again and she lets out a moan that puts me over the edge. “Gonna come,” I growl. “Where should I come.” “My tits, baby,” she says throatily, and next thing I know I spurt ropes all over her breasts and neck. By some miracle, none gets on her face. When it’s all over, both of our hearts are racing. She looks down at her chest, and then up at me. “Wow.” “I would say sorry, but that would be a lie.” She touches a tiny bit of the liquid with her finger and taps her tongue. “You taste good, actually. I mean, I already tasted you before.” I laugh as I unstraddle her and go grab a towel. “I’ll let you taste me as much as you want, babe. By the way, let me just say you kind of look hot as hell right now.” “Thanks.” I wipe her off, wipe myself off, and then lean down to kiss her. I envisioned a peck, but it ends up being a long, lingering kiss that promises more. She takes my hand and I stand there for a minute, next to her.
Mickey Miller (Hate Mates (Forever You, #1))
If you like wearing slim skirts, there’s nothing uglier than having two additional bulges just below where the hips naturally curve. And of course if you have them you can’t possibly wear pants. The first three exercises, all done from the same starting position, are good for the buttocks as well as the outside of the thighs. They should be done as often as possible, on both sides, and as long as possible for the quickest results. 1. Lie on your side with one arm stretched out under your head. Bring the knee of the upper leg slowly up to your chest, and slowly back into position again. Do this a few times (to dreamy music) and then roll over and do it with the other leg. 2. In the same position on your side, raise the upper leg and move it forward and back as far as you comfortably can. Roll over and do this with the other leg. 3. Raise the top leg and raise the bottom leg up to meet it. Slowly lower the bottom leg, and then the top one. 4. For the inside of the thighs, lie on your back with your knees up, feet flat on the floor, and a small rubber ball between your knees. Squeeze the ball, and hold it with all the muscle pressure you can. 5. Kneel, with your knees apart, and try to bring the knees together. But don’t let them move. Pull until you feel the tug on the inside thigh muscles and hold it as long as you comfortably can – or a little longer. 6. Now sit on the floor, and press the soles of your feet together. Press your knees down, to either side, as far as you can. Keep pressing till it hurts. 7. The simple old ballet warm-up of kicking will wake up the thigh muscles all around. Put one hand on a sturdy chair or railing and, HOLDING YOURSELF ABSOLUTELY ERECT and keeping both legs straight, kick forward as high as you can, several times. Then kick out to the side, making sure your body is straight as a ramrod. Then kick straight back. Do the same thing with the other leg. You may not get very high kicks the first day or two, but you’ll be surprised at the way you can gain an inch in altitude each time until you’re making a pretty good showing.
Joan Crawford (My Way of Life)
For a second, I’m too shocked to react. I don’t know why; this thing has been lurking between us for weeks, never dormant, always present. But she’s been wary, pushing me away, and I didn’t expect this. My surprise lasts almost no time at all. Just a second’s worth of her lips against mine, her hands, warm against the cool, bare skin of my shoulders. My last intelligent thought is that I’m not letting this go to waste, and then I’m kissing her back. Wrapping my arm around her, bringing her close so that her body lies flush against mine. My free hand tangles in her dark hair, wrapping it around my fingers, following it up to her scalp, the line of her ear. She tastes so good—sweet, like an apple. Her hands slide down my chest, leaving a trail of heat, coming to rest on my hips. Tina shifts her weight and then straddles me. My nerves light up at that, sparking with desire. Fuck, I want her. She’s wearing jeans. I’m wearing jeans. Doesn’t matter that there’s layers of thick denim between us; my body still recognizes the feel of hips pressing against my pelvis. The friction of fabric is rough against my cock, but it’s everything I could have asked for. Her hands rise again, sliding up my chest to rest against my shoulders. She kisses me like she’s been thinking of this as long as I have, like this kiss has been building from the first day we saw each other. She kisses me like there’s no space between us. And there isn’t—not much. I’m not trying to escalate things. I’m not even really thinking about it. But when she smoothes her palm down my chest, my hand creeps up by her side, sliding up until I find the fabric of her bra. Under other circumstances, I might rip it off. But I don’t want to freak her out. I cup her breast in the palm of my hand. She gasps instantly. I was already hard; with that, I find myself turning to stone. Needing, wanting, stone. If I’m stone, she’s fire. Her hips grind into me as my thumb finds her nipple. My lips graze her neck. My tongue darts out and traces down her collarbone. I can’t even remember why I ever thought it was cold in here. It’s a fucking furnace. I pull her close. She’s so fucking responsive. It’s hot beyond belief to watch her go up in flames on top of me, to watch how the smallest touch, the slightest pressure in the right place, gets her going. I don’t have much of a thought process, but it goes something like yes, yes, more now. And she must be thinking the same thing—thank God—because she takes her shirt off. She’s wearing a simple white cotton bra, no padding, and her nipples poke through. I lean forward and catch one in my mouth. She likes it. She grinds against me. Her fingers clench on my shoulders, gripping tight, so fucking tight. I find her other breast—small enough that I can palm it with one hand, so that my fingers can explore every last inch. She’s letting out little moans that seem to go straight to my dick. “You,” I growl out, “have awesome tits.” She freezes on top of me. And then, seconds later, she pulls away. “Don’t.” She reaches for her shirt. “Don’t lie to me. I have nonexistent boobs.” I run my finger over her nipple. “Yeah? What’s this, then?” She shivers. “You have awesome tits,” I repeat. “I love touching them. Licking. Sucking. It makes me fucking wild to be able to drive you crazy like this. Tits are a fucking gift for sexual pleasure. So never tell me you have nonexistent boobs again. I think I just proved otherwise.” She draws in a deep breath. Her eyes meet mine. She looks almost shattered.
Courtney Milan (Trade Me (Cyclone, #1))
For a second, I’m too shocked to react. I don’t know why; this thing has been lurking between us for weeks, never dormant, always present. But she’s been wary, pushing me away, and I didn’t expect this. My surprise lasts almost no time at all. Just a second’s worth of her lips against mine, her hands, warm against the cool, bare skin of my shoulders. My last intelligent thought is that I’m not letting this go to waste, and then I’m kissing her back. Wrapping my arm around her, bringing her close so that her body lies flush against mine. My free hand tangles in her dark hair, wrapping it around my fingers, following it up to her scalp, the line of her ear. She tastes so good—sweet, like an apple. Her hands slide down my chest, leaving a trail of heat, coming to rest on my hips. Tina shifts her weight and then straddles me. My nerves light up at that, sparking with desire. Fuck, I want her. She’s wearing jeans. I’m wearing jeans. Doesn’t matter that there’s layers of thick denim between us; my body still recognizes the feel of hips pressing against my pelvis. The friction of fabric is rough against my cock, but it’s everything I could have asked for. Her hands rise again, sliding up my chest to rest against my shoulders. She kisses me like she’s been thinking of this as long as I have, like this kiss has been building from the first day we saw each other. She kisses me like there’s no space between us. And there isn’t—not much. I’m not trying to escalate things. I’m not even really thinking about it. But when she smoothes her palm down my chest, my hand creeps up by her side, sliding up until I find the fabric of her bra. Under other circumstances, I might rip it off. But I don’t want to freak her out. I cup her breast in the palm of my hand. She gasps instantly. I was already hard; with that, I find myself turning to stone. Needing, wanting, stone. If I’m stone, she’s fire. Her hips grind into me as my thumb finds her nipple. My lips graze her neck. My tongue darts out and traces down her collarbone. I can’t even remember why I ever thought it was cold in here. It’s a fucking furnace. I pull her close. She’s so fucking responsive. It’s hot beyond belief to watch her go up in flames on top of me, to watch how the smallest touch, the slightest pressure in the right place, gets her going. I don’t have much of a thought process, but it goes something like yes, yes, more now. And she must be thinking the same thing—thank God—because she takes her shirt off. She’s wearing a simple white cotton bra, no padding, and her nipples poke through. I lean forward and catch one in my mouth. She likes it. She grinds against me. Her fingers clench on my shoulders, gripping tight, so fucking tight. I find her other breast—small enough that I can palm it with one hand, so that my fingers can explore every last inch. She’s letting out little moans that seem to go straight to my dick. “You,” I growl out, “have awesome tits.” She freezes on top of me. And then, seconds later, she pulls away. “Don’t.” She reaches for her shirt. “Don’t lie to me. I have nonexistent boobs.” I run my finger over her nipple. “Yeah? What’s this, then?” She shivers. “You have awesome tits,” I repeat. “I love touching them. Licking. Sucking. It makes me fucking wild to be able to drive you crazy like this. Tits are a fucking gift for sexual pleasure. So never tell me you have nonexistent boobs again. I think I just proved otherwise.” She draws in a deep breath. Her eyes meet mine. She looks almost shattered.
Courtney Milan (Trade Me (Cyclone, #1))
As her eyes adjusted to the dark, she peered over the edge of the bed at her husband. When he rolled to one side and then the other and finally settled for lying on his back, she arched an eyebrow. “Comfortable?” He made that Scottish harrumph sound. “Come on up here,” she said, patting the bed. “I promise to keep my hands to myself.” He made no response. Fine. Be that way. She scooted out of bed and unabashedly stretched out alongside her tall Highlander. The burgundy kilt did nothing to disguise the hardness of the floor, and her hip protested when she turned on her side to face him. “What are ye doing, lass?” His voice was so soft and close in the darkness, it made her shiver. She forgot all about the hard floor. “I always imagined that once I got married, I’d finally know what it was like to spend the night in a man’s arms. Will you hold me, so I can feel what that’s like? I won’t ask for more than that. Just hold me.” He rolled to face her and touched her cheek. “Ah, lass,” he sighed. “How can I deny you when you ask so sweetly? If ’tis holding ye want, holding you shall get. But the floor is no place for you and your bairn. Up in the bed with you.” “It’s no place for a married man, either,” she said, smiling at her small victory. He sighed again, a sound heavy with sentiment she could only guess at. She climbed under the blankets and held them up for him, but he was taking his sweet time. “Are you coming?” “Aye, lass. Just donning my plaid.” She bit back a huff of frustration. She determined to enjoy what little affection he would give her and didn’t want to push her luck by asking for more. Her hormones would have to learn patience; this was going to be a painfully slow seduction. When Darcy slipped into bed, bare-chested, but wrapped in layers of wool from the waist down, she cuddled into his open arms. All her frustration drained away as he gathered her in and the heat of his chest turned her into a melty puddle of contentment. She nestled her nose into the tuft of hair between his mounded pectorals and inhaled his scent of saddle leather and faint, masculine musk. Beneath her closed eyelids, her eyes rolled back in her head with bliss.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))