Plays With Squirrels Quotes

It never ceases to amaze me the precious time we spend chasing the squirrels around our brains, playing out our dramas, worrying about unwanted facial hair, seeking adoration, justifying our actions, complaining about slow Internet connections, dissecting the lives of idiots, when we are sitting in the middle of a full-blown miracle that is happening right here, right now. We're on a planet that somehow knows how to rotate on its axis and follow a defined path while it hurtles through space! Our hearts beat! We can see! We have love, laughter, language, living rooms, computers, compassion, cars, fire, fingernails, flowers, music, medicine, mountains, muffins!

I KNOW THE WAY YOU CAN GET I know the way you can get When you have not had a drink of Love: Your face hardens, Your sweet muscles cramp. Children become concerned About a strange look that appears in your eyes Which even begins to worry your own mirror And nose. Squirrels and birds sense your sadness And call an important conference in a tall tree. They decide which secret code to chant To help your mind and soul. Even angels fear that brand of madness That arrays itself against the world And throws sharp stones and spears into The innocent And into one's self. O I know the way you can get If you have not been drinking Love: You might rip apart Every sentence your friends and teachers say, Looking for hidden clauses. You might weigh every word on a scale Like a dead fish. You might pull out a ruler to measure From every angle in your darkness The beautiful dimensions of a heart you once Trusted. I know the way you can get If you have not had a drink from Love's Hands. That is why all the Great Ones speak of The vital need To keep remembering God, So you will come to know and see Him As being so Playful And Wanting, Just Wanting to help. That is why Hafiz says: Bring your cup near me. For all I care about Is quenching your thirst for freedom! All a Sane man can ever care about Is giving Love!

She loved most being in the woods with the diffused light and the quiet there. Such a stillness, with just the pecking of ground birds and forest animals, the flutter of wings, the occasional skittering of squirrels playing up and down a tree. The silent, imperceptible unfurling of spring buds into blossom. She felt comfortable there. As if nothing could be unnatural in that place, within but apart from the world.

The only candidate I'd allow to play my music would be Bigfoot, and unless we're talking about foraging for squirrels, he's notoriously apolitical.

Through the metal bars of the jungle gym, she watches two gray squirrels chase each other around a tree. Around and around and around. So gratuitous.

To A Squirrel At Kyle-Na-No Come play with me; Why should you run Through the shaking tree As though I'd a gun To strike you dead? When all I would do Is to scratch your head And let you go.

I was thinking about a lot of things at that moment, really, and I mean a lot of things. Like the way squirrels in my front yard won't play with me. But more serious stuff too.

It never ceases to amaze me the precious time we spend chasing the squirrels around our brains, playing out our dramas, worrying about unwanted facial hair, seeking adoration, justifying our actions, complaining about slow Internet connections, dissecting the lives of idiots, when we are sitting in the middle of a full-blown miracle that is happening right here, right now.

I’m not a man, I can’t earn a living, buy new things for my family. I have acne and a small peter. I’m not a man. I don’t like football, boxing and cars. I like to express my feeling. I even like to put an arm around my friend’s shoulder. I’m not a man. I won’t play the role assigned to me- the role created by Madison Avenue, Playboy, Hollywood and Oliver Cromwell, Television does not dictate my behavior. I’m not a man. Once when I shot a squirrel I swore that I would never kill again. I gave up meat. The sight of blood makes me sick. I like flowers. I’m not a man. I went to prison resisting the draft. I do not fight when real men beat me up and call me queer. I dislike violence. I’m not a man. I have never raped a woman. I don’t hate blacks. I do not get emotional when the flag is waved. I do not think I should love America or leave it. I think I should laugh at it. I’m not a man. I have never had the clap. I’m not a man. Playboy is not my favorite magazine. I’m not a man. I cry when I’m unhappy. I’m not a man. I do not feel superior to women I’m not a man. I don’t wear a jockstrap. I’m not a man. I write poetry. I’m not a man. I meditate on peace and love. I’m not a man. I don’t want to destroy you

A boy, and a fox, and a crow, and two squirrels, and a new-born lamb, are coming to see me this morning. I want them brought upstairs as soon as they come," he said. “You are not to begin playing with the animals in the servants’ hall and keep them there. I want them here.

There was a bird in the oak tree to the east, the water on the property was higher, the sound of the creek was two percent louder, two squirrels were playing on the other side of the house… We should eat them. His wolf noticed everything. It was pretty Goddamn annoying during peacetime.

For a time neither the man nor the woman could speak. There was nothing in their humdrum, habit-smoothed tilling of the soil and washing of pots and pans to prepare them for a scene like this- a moonlight barn, a strange dead man, and that dead man;s son babbling of brooks and squirrels and playing jigs on a fiddle for a dirge. At last, however, Simeon found his voice.

Invite Wonder What if you bowed before every dandelion you met and wrote love letters to squirrels and pigeons who crossed your path? What if scrubbing the dishes became an act of single reverence for the gift of being washed clean, and what if the rhythmic percussion of chopping carrots became the drumbeat of your dance? What if you stepped into the shower each morning only to be baptized anew and sent forth to serve the grocery bagger, the bank teller, and the bus driver through simple kindness? And what if the things that make your heart dizzy with delight were no longer stuffed into the basement of your being and allowed out to play in the lush and green fields? There are two ways to live in this world: As if everything were enchanted or nothing at all.

...he made an announcement to the nurse in his most Rajah-like manner. "A boy, and a fox, and a crow, and two squirrels, and a new-born lamb, are coming to see me this morning. I want them brought upstairs as soon as they come," he said. "You are not to begin playing with the animals in the servants' hall and keep them there. I want them here." The nurse gave a slight gasp and tried to conceal it with a cough.

reminds us of our own childhoods. It never hurts us to remember how small we felt then, and how we depended on the strength, knowledge, and wisdom of our elders to keep us safe. Let us teach our Children tolerance, and loving-kindness, and correct boundaries, as well as joyful laughter. As God contains all things good, He must also contain a sense of playfulness — a gift he has shared with Creatures other than ourselves, as witness the tricks Crows play, and the sportiveness of Squirrels, and the frolicking of Kittens.

Once upon a time there was a fish who lived in a deep lake all by himself. Every day the fish would watch with envy as a boy from the nearby village played with the animals on the land. The boy would run with the horses, wrestle with the dogs, and climb the trees with the squirrels. The fish wanted so badly to play with the boy, too, but he knew that as a fish it was impossible. One day a fairy flying high above the lake dropped her wand in the water. The fish, being the gentleman he was, retrieved the wand for the fairy. ‘As a reward for this kind gesture, I will grant you one wish,’ the fairy told the fish. He thought long but he didn’t think hard, for the fish knew which wish he wanted the fairy to grant him. ‘I want legs, just like all the animals on the land, so I, too, can play with the little boy from the village,’ the fish said. With one simple flick of her wand, the fairy magically turned the fish’s fins into legs and feet and he walked on land for the first time. The next day when the boy appeared, the fish happily showed him his new legs. The two became very good friends and every day they ran with the horses, wrestled with the dogs, and climbed trees with the squirrels. However, one day the little boy was playing too close to the edge of the lake and fell into the water. The fish ran to the edge of the lake and tried to save him, but he couldn’t go in the water without his fins. The little boy couldn’t swim, either, and drowned in the lake. The fish wished he had never wished for legs, because had he just stayed the normal fish God had intended him to be, the little boy would still be alive to this day. The

Strange game, this stating the obvious,” Suri said, shaking her head. She got up and joined Minna at the woodpile. “Pointless, but popular. Everyone plays it. You’re eating our bread. That isn’t your bed. You have a wolf. But as you can see, I’m getting the knack of it. Tura told me to blend in at villages, especially the dahls. She said people who live inside walls are crazy and can be dangerous. Touched animals are, too. Cursed by the gods, sort of like you, and even a tainted squirrel’s bite can make you that way.” “I merely meant, well…” Persephone hesitated. “I didn’t think you’d still be here.” Suri pointed at the treetops visible over the rear wall of the dahl where the gray spears had become a curtain of green. “Was waiting on the leaves.” Persephone laughed. “It’s been two weeks.” The mystic twisted her face, thinking hard. “You have two ears.” She smiled proudly. “I’m starting to see the fun of this. Using a part of what another person says makes it harder, doesn’t it? Probably gets more challenging late in winter when you’ve been sealed up for months— I assume you can’t repeat the same thing twice, right?

A story told me by Michael Barrie: Jesus and the Blessed Virgin go out to play golf. The Blessed Virgin is at the top of her form, drives and lands on the green. Jesus slices and lands in the bushes. A squirrel picks up the ball and runs off with it. A dog grab the squirrel, which still holds the ball in its mouth. An eagle swoops down, picks up the dog, squirrel and ball, and soars into the air. Out of a clear sky, lightning strikes the eagle, which drops the dog which drops the squirrel which drops the ball, right into the hole. The Blessed Virgin throws down her driver and exclaims indignantly, ‘Look, are you going to play golf or just fuck around?

For, rather than thinking of his death, I will be thinking of the story of his death, so much so that after his funeral Amy will ask, "Did I see you taking notes during the service?" There'll be no surprise in her voice. Rather, it will be the way you might playfully scold a squirrel: "Did you just jump up from the deck and completely empty that bird feeder?" The squirrel and me—it's in our nature, though maybe not forever. For our natures, I have just recently learned from my father, can change. Or maybe they're simply revealed, and the dear, cheerful man I saw that afternoon at Springmoor was there all along, smothered in layers of rage and impatience that burned away as he blazed into the homestretch.

June Afternoon" Didn't I tell you everything is possible in this deja vu? Try the river boat, the carousel, feed the pigeons, Bar-B-Q. Look at all the people, happy faces all around. Smiling, throwing kisses, busy making lazy sounds It's a bright June afternoon, it never gets dark. Wah-wah! Here comes the sun. Get your green, green tambourine, let's play in the park. Wah-wah! Here comes the sun Some folks are on blankets, slowly daydreaming and reaching for their food. Let's go buy an ice-cream and a magazine with an attitude and put on a cassette, we can pretend that you're a star cos life's so very simple just like la-la-la It's a bright June afternoon... There's a painter painting his masterpiece. There are some squirrels jumping in the trees, There's a wide-eyed boy with a red balloon. All my life I've longed for this afternoon.

Jolly Marchers by Maisie Aletha Smikle Dam Dam Didley Doe Dee Daw Didley Doe Dee Dam Doe Fa So La Ti Doe Animals in a row Prancing as they go Jiggling and Wiggling Tails and head bobbing Mice on drums Elephants on flute Zebras blare the trumpets Squirrels blow trombones Skunks get funky on clarinets Bees on violins Hogs on guitar Parrots and crickets sing Aha Aha Vultures cheer Mosquitoes twirl Wings clapping and flapping Heads go up and down bobbing Marching and skanking Rocking and bobbing Wiggling and singing Dee Daw Didley Doe This is not a circus There are no clowns There is not a palace There are no crowns On and on they go Monkeys in tow Tigers in bow Onlookers stare and glow Donkey takes the podium As conductor of the band Waving his marching wand The band comes to a stand Mule takes a stool And sits in the cool They have reached the bend Where the march ends The ants were nesting So they missed the fest Some got on tambourines And insist they must join in The ants jiggle and wiggle Some play the fiddle Dancing and singing Didley Dam Didley Doe

The mice which haunted my house were not the common ones, which are said to have been introduced into the country, but a wild native kind not found in the village. I sent one to a distinguished naturalist, and it interested him much. When I was building, one of these had its nest underneath the house, and before I had laid the second floor, and swept out the shavings, would come out regularly at lunch time and pick up the crumbs at my feet. It probably had never seen a man before; and it soon became quite familiar, and would run over my shoes and up my clothes. It could readily ascend the sides of the room by short impulses, like a squirrel, which it resembled in its motions. At length, as I leaned with my elbow on the bench one day, it ran up my clothes, and along my sleeve, and round and round the paper which held my dinner, while I kept the latter close, and dodged and played at bopeep with it; and when at last I held still a piece of cheese between my thumb and finger, it came and nibbled it, sitting in my hand, and afterward cleaned its face and paws, like a fly, and walked away.

Around the glade this pair of woodland nymphs danced. He swept her in a waltz to a duet that was sometimes off tune, sometimes rent with giggling and laughter as they made their own music. A breathless Erienne fell to a sun-dappled hummock of deep, soft moss, and laughing for the pure thrill of the day, she spread her arms, creating a comely yellow-hued flower on the dark green sward while seeming every bit as fragile as a blossom to the man who watched her. With bliss-bedazzled eyes, she gazed through the treetops overhead where swaying branches, bedecked in the first bright green of spring, caressed the underbellies of the freshlet zephyrs, and the fleecy white clouds raced like frolicking sheep across an azure lea. Small birds played courting games, and the earlier ones tended nests with single-minded perseverance. A sprightly squirrel leapt across the spaces, and a larger one followed, bemused at the sudden coyness of his mate. Christopher came to Erienne and sank to his knees on the thick, soft carpet, then bracing his hands on either side of her, slowly lowered himself until his chest touched her bosom. For a long moment he kissed those blushing lips that opened to him and welcomed him with an eagerness that belied the once-cool maid. Then he lifted her arm and lay beside her, keeping her hand in his as he shared her viewpoint of the day. They whispered sweet inanities, talked of dreams, hopes, and other things, as lovers are wont to do. Erienne turned on her side and taking care to keep her hand in the warm nest, ran her other fingers through his tousled hair. “You need a shearing, milord,” she teased. He rolled his head until he could look up into those amethyst eyes. “And does my lady see me as an innocent lamb ready to be clipped?” At her doubtful gaze, he questioned further. “Or rather a lusting, long-maned beast? A zealous suitor come to seduce you?” Erienne’s eyes brightened, and she nodded quickly to his inquiry. “A love-smitten swain? A silver-armored knight upon a white horse charging down to rescue you?” “Aye, all of that,” she agreed through a giggle. She came to her knees and grasped his shirt front with both hands. “All of that and more.” She bent to place a honeyed kiss upon his lips, then sitting back, spoke huskily. “I see you as my husband, as the father of my child, as my succor against the storm, protector of my home, and lord of yonder manse. But most of all, I see you as the love of my life.” -Erienne & Christopher

Unchopping a Tree. Start with the leaves, the small twigs, and the nests that have been shaken, ripped, or broken off by the fall; these must be gathered and attached once again to their respective places. It is not arduous work, unless major limbs have been smashed or mutilated. If the fall was carefully and correctly planned, the chances of anything of the kind happening will have been reduced. Again, much depends upon the size, age, shape, and species of the tree. Still, you will be lucky if you can get through this stages without having to use machinery. Even in the best of circumstances it is a labor that will make you wish often that you had won the favor of the universe of ants, the empire of mice, or at least a local tribe of squirrels, and could enlist their labors and their talents. But no, they leave you to it. They have learned, with time. This is men's work. It goes without saying that if the tree was hollow in whole or in part, and contained old nests of bird or mammal or insect, or hoards of nuts or such structures as wasps or bees build for their survival, the contents will have to repaired where necessary, and reassembled, insofar as possible, in their original order, including the shells of nuts already opened. With spider's webs you must simply do the best you can. We do not have the spider's weaving equipment, nor any substitute for the leaf's living bond with its point of attachment and nourishment. It is even harder to simulate the latter when the leaves have once become dry — as they are bound to do, for this is not the labor of a moment. Also it hardly needs saying that this the time fro repairing any neighboring trees or bushes or other growth that might have been damaged by the fall. The same rules apply. Where neighboring trees were of the same species it is difficult not to waste time conveying a detached leaf back to the wrong tree. Practice, practice. Put your hope in that. Now the tackle must be put into place, or the scaffolding, depending on the surroundings and the dimension of the tree. It is ticklish work. Almost always it involves, in itself, further damage to the area, which will have to be corrected later. But, as you've heard, it can't be helped. And care now is likely to save you considerable trouble later. Be careful to grind nothing into the ground. At last the time comes for the erecting of the trunk. By now it will scarcely be necessary to remind you of the delicacy of this huge skeleton. Every motion of the tackle, every slightly upward heave of the trunk, the branches, their elaborately reassembled panoply of leaves (now dead) will draw from you an involuntary gasp. You will watch for a lead or a twig to be snapped off yet again. You will listen for the nuts to shift in the hollow limb and you will hear whether they are indeed falling into place or are spilling in disorder — in which case, or in the event of anything else of the kind — operations will have to cease, of course, while you correct the matter. The raising itself is no small enterprise, from the moment when the chains tighten around the old bandages until the boles hands vertical above the stump, splinter above splinter. How the final straightening of the splinters themselves can take place (the preliminary work is best done while the wood is still green and soft, but at times when the splinters are not badly twisted most of the straightening is left until now, when the torn ends are face to face with each other). When the splinters are perfectly complementary the appropriate fixative is applied. Again we have no duplicate of the original substance. Ours is extremely strong, but it is rigid. It is limited to surfaces, and there is no play in it. However the core is not the part of the trunk that conducted life from the roots up to the branches and back again. It was relatively inert. The fixative for this part is not the same as the one for the outer layers and the bark, and if either of these is involved

I'm only a ‘Miss,’” she informed him, having listened to their discussion of the peerage. “But when I marry a prince someday, I'll be ‘Princess Rose,’ and then you may call me ‘Your Highness.’” Bronson laughed, his tension seeming to dispel. “You're already a princess,” he said, scooping the little girl up and setting her on his knee. Caught by surprise, Rose let out a squealing laugh. “No, I'm not! I don't have a crown!” Bronson appeared to take the point seriously. “What kind of crown would you like, Princess Rose?” “Well, let me think…” Rose screwed up her small face in deep concentration. “Silver?” Bronson prompted. “Gold? With colored stones, or pearls?” “Rose does not need a crown,” Holly intervened with a touch of alarm, realizing that Bronson was more than ready to purchase some ostentatious headpiece for the child. “Back to play, Rose—unless you would care to take an afternoon nap, in which case I'll ring for Maude.” “Oh, no, I don't want a nap,” the little girl said, immediately sliding from Bronson's knee. “May I have another cake, Mama?” Holly smiled fondly and shook her head. “No, you may not. You'll spoil your dinner.” “Oh, Mama, can't I have just one more? One of the little ones?” “I've just said no, Rose. Now please play quietly while Mr. Bronson and I finish our discussion.” Obeying reluctantly, Rose glanced back at Bronson. “Why is your nose crooked, Mr. Bronson?” “Rose,” Holly reproved sharply. “You know very well that we never make observations about a person's appearance.” However, Bronson answered the child with a grin. “I ran into something once.” “A door?” The child guessed. “A wall?” “A hard left hook.” “Oh.” Rose stared at him contemplatively. “What does that mean?” “It's a fighting term.” “Fighting is bad,” the little girl said firmly. “Very, very bad.” “Yes, I know.” Lowering his head, Bronson tried to look chastened, but his air of repentance was far from convincing. “Rose,” Holly said in a warning tone. “There'll be no further interruptions, I hope.” “No, Mama.” Obediently the child returned to her play area. As she walked behind Bronson's chair, he surreptitiously handed her another cake. Grabbing the tidbit, Rose hurried to the corner like a furtive squirrel.

All day long the red squirrels came and went, and afforded me much entertainment by their manoeuvres. One would approach at first warily through the shrub-oaks, running over the snow crust by fits and starts like a leaf blown by the wind, now a few paces this way, with wonderful speed and waste of energy, making inconceivable haste with his “trotters,” as if it were for a wager, and now as many paces that way, but never getting on more than half a rod at a time; and then suddenly pausing with a ludicrous expression and a gratuitous somerset, as if all the eyes in the universe were fixed on him,—for all the motions of a squirrel, even in the most solitary recesses of the forest, imply spectators as much as those of a dancing girl,—wasting more time in delay and circumspection than would have sufficed to walk the whole distance,—I never saw one walk,— and then suddenly, before you could say Jack Robinson, he would be in the top of a young pitch-pine, winding up his clock and chiding all imaginary spectators, soliloquizing and talking to all the universe at the same time,—for no reason that I could ever detect, or he himself was aware of, I suspect. At length he would reach the corn, and selecting a suitable ear, frisk about in the same uncertain trigonometrical way to the top-most stick of my wood-pile, before my window, where he looked me in the face, and there sit for hours, supplying himself with a new ear from time to time, nibbling at first voraciously and throwing the half-naked cobs about; till at length he grew more dainty still and played with his food, tasting only the inside of the kernel, and the ear, which was held balanced over the stick by one paw, slipped from his careless grasp and fell to the ground, when he would look over at it with a ludicrous expression of uncertainty, as if suspecting that it had life, with a mind not made up whether to get it again, or a new one, or be off; now thinking of corn, then listening to hear what was in the wind. So the little impudent fellow would waste many an ear in a forenoon; till at last, seizing some longer and plumper one, considerably bigger than himself, and skilfully balancing it, he would set out with it to the woods, like a tiger with a buffalo, by the same zig-zag course and frequent pauses, scratching along with it as if it were too heavy for him and falling all the while, making its fall a diagonal between a perpendicular and horizontal, being determined to put it through at any rate;—a singularly frivolous and whimsical fellow;—and so he would get off with it to where he lived, perhaps carry it to the top of a pine tree forty or fifty rods distant, and I would afterwards find the cobs strewn about the woods in various directions.

He brings the cigarette butt to his mouth and lights up. He breathes in, and coughs; a rattling helicopter with a broken blade crashing into a herd of trombone playing sheep falling off a cliff into a DIY shop with a discount on spanners.

Do jungle animals understand the true nature of the trees among which they have their daily being? In the parent-forest, amid those mighty trunks, we shelter and play; but whether the trees are healthy or corroded, whether they harbour demons or good spirites, we cannot say. Nor do we know the greatest secret of all: that one day we, too, will become as arboreal as they. And the trees, whose leaves we eat, whose bark we gnaw, remember sadly that they were animals once, they climbed like squirrels and bounded like deer, until one day they paused, and their legs grew down into the earth and stuck there, spreading, and vegetation sprouted from their swaying heads. They remember this as a fact; but the lived reality of their fauna years, the how-it-felt of that chaotic freedom is beyond recapture. They remember it as a rustle in their leaves.

Oh, good sir,” said Bottom. “I knew as soon as I saw your fool’s motley you would bring skill and grand disaster to our play.

You don't know what to do with the jam jar, the chicken stink, the sinister mountain fog that is everywhere, but the adults pretend to ignore when you are in the room. It seems the only thing you can do is listen for it. You hear it in the four measures of Vivaldi's "Winter" that you can still remember from Sarah and the Squirrel, and once you make the connection between the music and mountain fog you play the notes over and over again inside your head. You paw up the trash-strewn ravine. The sky is low and gray, the color of the cinder blocks the men in your town manufacture from ash and dust. The dirt-filled strawberry jam jar is in your denim coat pocket. Vivaldi is in your head. The music you hear is like the blaze-orange clothing the men wear on the mountainsides while deer hunting in autumn. The music is like a bulletproof vest, a coiled copperhead, a rabies shot. The music is both a warning and a talisman. The music tells you things: You're not imagining this. Better children than you die in the snow for no reason. The music says: What's hidden beneath this picture of strawberry jam? The music says: This isn't a Disney movie. Death doesn't just take the wicked villain. Look at that dirt in the jar. It will take you. It will take everyone, and everyone, and everyone. The music says: What you feel is real. Follow me. Run.

Then I got the idea of the portable diathermy machine. I rented one, took it on the bus going home that night. There sat all the tired commuters with their wrist radios, talking to their wives, saying, 'Now I'm at Forty-third, now I'm at Forty-fourth, here I am at Forty-ninth, now turning at Sixty-first.' One husband cursing, 'Well, get out of that bar, damn it, and get home and get dinner started, I'm at Seventieth!' And the transit-system radio playing 'Tales from the Vienna Woods,' a canary singing words about a first-rate wheat cereal. Then—I switched on my diathermy! Static! Interference! All wives cut off from husbands grousing about a hard day at the office. All husbands cut off from wives who had just seen their children break a window! The 'Vienna Woods' chopped down, the canary mangled! Silence! A terrible, unexpected silence. The bus inhabitants faced with having to converse with each other. Panic! Sheer, animal panic!" "The police seized you?" "The bus had to stop. After all, the music was being scrambled, husbands and wives were out of touch with reality. Pandemonium, riot, and chaos. Squirrels chattering in cages! A trouble unit arrived, triangulated on me instantly, had me reprimanded, fined, and home, minus my diathermy machine, in jig time.

It never ceases to amaze me the precious time we spend chasing the squirrels around our brains, playing out our dramas, worrying about unwanted facial hair, seeking adoration, justifying our actions, complaining about slow Internet connections, dissecting the lives of idiots, when we are sitting in the middle of a full-blown miracle that is happening right here, right now. We’re on a planet that somehow knows how to rotate on its axis and follow a defined path while it hurtles through space! Our hearts beat! We can see! We have love, laughter, language, living rooms, computers, compassion, cars, fire, fingernails, flowers, music, medicine, mountains, muffins! We live in a limitless Universe overflowing with miracles! The fact that we aren’t stumbling around in an inconsolable state of sobbing awe is appalling. The Universe must be like, what more do I have to do to wake these bitches up? Make water, their most precious resource, rain down from the sky?

Two small squirrel monkeys seemed to be trapped in their own private Samuel Beckett play, caught in a web made of equal parts dependence and loathing.

Kahnawake August 1704 Temperature 75 degrees By summer, Kahnawake children had stopped wearing clothing. Mercy could not get over the sight of hundreds of naked children playing tag, or hide-and-seek, or competing in footraces. The boys--naked!--went into the woods to shoot squirrels and rabbits and partridge. They used bow and arrow, since their fathers did not like them using guns yet. Even the six- and seven-year-olds had excellent aim. Joseph didn’t go entirely bare, being a little too old, but wore a breechclout, a small square of deerskin in back and another square in front, laced on a slender cord. The boys played constantly. They were stalking, shooting, running, chasing, aiming, fishing, swimming--they never sat down. The men, however, mainly rested. They liked to smoke and talk, and when they were showing a son or nephew or captive how to feather an arrow or find ducks, they did it slowly and sometimes forgot about it in the middle. A Puritan must rise before dawn and never take his ease. Puritans believed in working hard. But for an Indian man, working hard was something to do for an hour or a week. After he killed the moose or fought the battle, an Indian took his ease. Hunting men and animals were dangerous; he deserved rest afterward, and besides, he had to prepare himself to do it again. A Deerfield man didn’t risk much plowing a field. A Kahnawake man risked everything going into a cave to rouse a sleeping bear.

Shelly looked around the jamb again as though whatever animal that had been terrorizing her had a weapon. “That doesn’t look like typical rat shit. You may be right. This needs to be handled right now. You’re a lesbian, get in there and do battle.” “What does being gay have to do with trapping a squirrel?” “Two women live together, who kills the vermin?” Shelly asked with a hand on her hip. “The pest control people, that’s who.” “Butch up and get your ass in there. I won’t tell anyone if you scream like a five-year-old girl.” “I’m a femme lesbian, which puts me in the same class as you.” Ryann pointed to her face. “Note the makeup. Besides, you were the one who always played in the dirt and rode horses.” “There weren’t any squirrels in that dirt with me! I’ll pick up a bug or a frog, I even handled a grass snake once, but I do not deal with rodents.” Ryann leaned against the doorjamb and stared into the room. “It’s most likely under the couch. Where’s Grant?” “After-school detention for piercing his and the noses of his friends with pushpins.” Ryann stared at her in horror. “What is wrong with your kids?

Just about every kid in America wished they could be Kyle Keeley. Especially when he zoomed across their TV screens as a flaming squirrel in a holiday commercial for Squirrel Squad Six, the hysterically crazy new Lemoncello video game. Kyle’s friends Akimi Hughes and Sierra Russell were also in that commercial. They thumbed controllers and tried to blast Kyle out of the sky. He dodged every rubber band, coconut custard pie, mud clod, and wadded-up sock ball they flung his way. It was awesome. In the commercial for Mr. Lemoncello’s See Ya, Wouldn’t Want to Be Ya board game, Kyle starred as the yellow pawn. His head became the bubble tip at the top of the playing piece. Kyle’s buddy Miguel Fernandez was the green pawn. Kyle and Miguel slid around the life-size game like hockey pucks. When Miguel landed on the same square as Kyle, that meant Kyle’s pawn had to be bumped back to the starting line. “See ya!” shouted Miguel. “Wouldn’t want to be ya!” Kyle was yanked up off the ground by a hidden cable and hurled backward, soaring above the board. It was also awesome. But Kyle’s absolute favorite starring role was in the commercial for Mr. Lemoncello’s You Seriously Can’t Say That game, where the object was to get your teammates to guess the word on your card without using any of the forbidden words listed on the same card. Akimi, Sierra, Miguel, and the perpetually perky Haley Daley sat on a circular couch and played the guessers. Kyle stood in front of them as the clue giver. “Salsa,” said Kyle. “Nachos!” said Akimi. A buzzer sounded. Akimi’s guess was wrong. Kyle tried again. “Horseradish sauce!” “Something nobody ever eats,” said Haley. Another buzzer. Kyle goofed up and said one of the forbidden words: “Ketchup!

Just about every kid in America wished they could be Kyle Keeley. Especially when he zoomed across their TV screens as a flaming squirrel in a holiday commercial for Squirrel Squad Six, the hysterically crazy new Lemoncello video game. Kyle’s friends Akimi Hughes and Sierra Russell were also in that commercial. They thumbed controllers and tried to blast Kyle out of the sky. He dodged every rubber band, coconut custard pie, mud clod, and wadded-up sock ball they flung his way. It was awesome. In the commercial for Mr. Lemoncello’s See Ya, Wouldn’t Want to Be Ya board game, Kyle starred as the yellow pawn. His head became the bubble tip at the top of the playing piece. Kyle’s buddy Miguel Fernandez was the green pawn. Kyle and Miguel slid around the life-size game like hockey pucks. When Miguel landed on the same square as Kyle, that meant Kyle’s pawn had to be bumped back to the starting line. “See ya!” shouted Miguel. “Wouldn’t want to be ya!” Kyle was yanked up off the ground by a hidden cable and hurled backward, soaring above the board. It was also awesome. But Kyle’s absolute favorite starring role was in the commercial for Mr. Lemoncello’s You Seriously Can’t Say That game, where the object was to get your teammates to guess the word on your card without using any of the forbidden words listed on the same card. Akimi, Sierra, Miguel, and the perpetually perky Haley Daley sat on a circular couch and played the guessers. Kyle stood in front of them as the clue giver. “Salsa,” said Kyle. “Nachos!” said Akimi. A buzzer sounded. Akimi’s guess was wrong. Kyle tried again. “Horseradish sauce!” “Something nobody ever eats,” said Haley. Another buzzer. Kyle goofed up and said one of the forbidden words: “Ketchup!” SPLAT! Fifty gallons of syrupy, goopy tomato sauce slimed him from above. It oozed down his face and dribbled off his ears. Everybody laughed. So Kyle, who loved being the class clown almost as much as he loved playing (and winning) Mr. Lemoncello’s wacky games, went ahead and read the whole list of banned words as quickly as he could. “Mustard-mayonnaise-pickle-relish.” SQUOOSH! He was drenched by buckets of yellow glop, white sludge, and chunky green gunk. The slop slid along his sleeves, trickled into his pants, and puddled on the floor. His four friends busted a gut laughing at Kyle, who was soaked in more “condiments” (the word on his card) than a mile-

I watched the squirrels play today. And it seemed that they knew nothing other than to be what they were created to be. And with the space to think of nothing else, they could not have been anything more.

Oh, and you continued to play your dirty laundry game, where you admitted to feeling bad about sneaking into Ronak’s room and filling his boots with squirrel shit,

They turn on short-range telemetry kits, and we approach through the clear-cut. The black soil is deformed into thigh-high welts from earth-moving equipment. Pings from the radio collars tell them that the male is south of the female, who is farther up the wood line. Because the male wolf and the yearlings will often sit the pups while the female goes off to hunt or rest elsewhere, the biologists must choose which wolf’s signal to focus upon. This morning, they can’t decide which wolf might be with the pups. Chris whispers a game plan to Ryan. “I’m going to walk up on the male,” Chris says. “You walk farther up and get a bead on the female. Wait a few minutes before you go in - give me some time to find him first because the wind will wash your scent south right back on top of him, okay? If the pups aren’t with him, I’ll just keep moving north toward her and find you.” Ryan nods his agreement, and Chris slips into the woods. The density of the vegetation encloses around him within a few feet from the tree line. Chris, having spent twenty-five years using telemetry to track wolves, can interpret the pings like most people read road signs. His body melts behind thick vines, woody growth, and an abundance of wax myrtle bushes that crowd the understory. Ryan and I walk north along the clear-cut. He listens for the female, holding his telemetry antennae high. He waves the unit this way and that, searching the radio wave for the best strength. It begins raining. He paces up and down a fifty-foot stretch of the tree line. Where the female wolf’s signal is the strongest, he scratches a large X in the dark muck with his boot heel. We wait in the light drizzle. Minutes tick by. Finally, Ryan motions for me to follow him into the woods. We creep deliberately, slowly, and I plant each step where he does. After about ten yards, he drops onto his hands and knees and crawls beneath a cluster of thorny devil’s walking sticks. I trail him as if playing a silent game of follow the leader. We pause here and there to let the wolf confuse our sounds with a foraging squirrel. He uses vine clippers to snip through several large branches obscuring our way. Soon, Ryan pulls the cable from his antennae and shows me that he can hear her with just the receiver box. We are close. I try not to breathe. She is within thirty feet. Then the pinging in his headphones tells him she is running. We don’t hear or even see her flush. It is like tracking a ghost.

It never ceases to amaze me the precious time we spend chasing the squirrels around our brains, playing out our dramas, worrying about unwanted facial hair, seeking adoration, justifying our actions, complaining about slow Internet connections, dissecting the lives of idiots, when we are sitting in the middle of a full-blown miracle that is happening right here, right now. We’re on a planet that somehow knows how to rotate on its axis and follow a defined path while it hurtles through space! Our hearts beat! We can see! We have love, laughter, language, living rooms, computers, compassion, cars, fire, fingernails, flowers, music, medicine, mountains, muffins! We live in a limitless Universe overflowing with miracles!

And since Mr and Mrs Morland were happy for her to rough and tumble around with her siblings, Catherine spent her days rampaging with dirt-stained dresses and knotty unbrushed hair. I am not too sure that one could beat Catherine in a game of cricket. She climbed trees faster than a startled squirrel, always yawned her way through schoolwork or piano lessons, and if she ever occasionally showed an interest in picking flowers, it was usually only because her mother had told her not to. Curiosity and mischief ran through her veins, but, despite all this, she was a kind, well-natured child with a good heart. By the time Catherine turned 15, the scruffy wildling who once rolled down hills and hid at bathtime had started to slowly vanish before everyone's eyes. Her mother had given birth to another six children by then, and though Catherine still loved to chase and play ball with her nine brothers and sisters, she was showing signs of turning into a ... a... POLITE YOUNG WOMAN

Only children, I thought, can play and talk together without this self-imposed constraint. And even children’s eyes are quick to note the difference between a patched sweater and a squirrel muff. They recognize the outward symbols and are more wary than we guess. I found myself wondering when I had first been made aware of the invisible barriers that are so much more formidable than those of brick and stone and barbed wire.

The Rooster taught me to wake up early and be a leader. The Butterfly encouraged me to allow a period of struggles to develop strong and look beautiful. The Squirrel showed me to be alert and fast all the time. The Dog influenced me to give up my life for my best friend. The Cat told me to exercise every day. Otherwise, I will be lazy and crazy. The Fox illustrated me to be subtle and keep my place organized and neat. The Snake demonstrated to me to hold my peace even if I am capable of attack, harm, or kill. The Monkey stimulated me to be vocal and communicate. The Tiger cultivated me to be active and fast. The Lion cultured me not to be lazy especially if I have strength and power that could be used. The Eagle was my sample for patience, beauty, courage, bravery, honor, pride, grace, and determination. The Rat skilled me to find my way out no matter what or how long it takes. The Chameleon revealed to me the ability to change my color for beauty and protection. The Fish display to live in peace even if I have to live a short life. The Delphin enhanced me to be the source of kindness, peace, harmony, and protection. The Shark enthused me to live as active and restful as I can be. The Octopus exhibited me to be silent and intelligent. The Elephant experienced me with the value of cooperation and family. To care for others and respect elders. The Pig indicated to me to act smart, clean, and shameless. The Panda appears to me as life is full of white and black times but my thick fur will enable me to survive. The Kangaroo enthused me to live with pride even if I am unable to walk backward. The Penguin influenced me to never underestimate a person. The Deer reveals the ability to sense the presence of hunters before they sense you. The Turtle brightened me to realize that I will get there no matter how long it takes me while having a shell of protection above me. The Rabbit reassured me to allow myself to be playful and silly. The Bat proved to me that I can fly even in darkness. The Alligator/crocodile alerted me that threat exists. The Ant moved me to be organized, active, and social with others. The Bee educated me to be the source of honey and cure for others. The Horse my best intelligent friend with who I bond. Trained me to recover fast from tough conditions. The Whale prompted me to take care of my young ones and show them life abilities. The Crab/Lobster enlightened me not to follow them when they make resolutions depending on previous undesirable events.

As Qwilleran approached it a squirrel ran up a tree, looked down at him, and scolded.

A white-handed gibbon was draped limply across our walkway, either asleep or dead or someplace in between. Two small squirrel monkeys seemed to be trapped in their own private Samuel Beckett play, caught in a web made of equal parts dependence and loathing. In ironic proximity, two other squirrel monkeys were getting along very, very well by the looks of it. A

She knew her mom just wanted to protect her, and she generally preferred staying in and playing on her laptop anyway, but the maternal protectiveness was really inconvenient when she was needed to take down a Hydra cell operating out of the local mall.

My aunt, the downer. “Binding a child of the Koorgahn. A dangerous game you’re playing, squirrel.” “I was trying to save her. She was dying of loupism.” “Yes, they are susceptible. Wolves, horses, and birds of prey, those are her things.

wondering why Nicholas Hilliard wasn’t more famous. That he painted most of his portraits the size of turkey eggs seemed to have disqualified him from the greatness we bestow on less gifted artists. This would have shocked Hilliard because during his prime, paintings “in little” were held to be among the most elevated of art forms. At the height of his powers, when he was the court painter to Elizabeth I—who famously told him to leave out the shadows—only nobles were deemed worthy of the liquefied silver leaf he anointed on the backs of playing cards with stoat-toothed tools and squirrel-hair brushes. He painted by turning a blind eye to blemish and transforming his sitters into ruffled gods and goddesses, all of which made Hilliard quite sought after at court.