Matt Damon Quotes

Lana says J.P. makes Matt Damon from the Bourne movies look like Oliver from Hannah Montana

In these fast and fickle times, it’s nice to know that there are some things you can always count on: the enduring brilliance of the last page of The Great Gatsby; the near-religious harmonies of the Beach Boys’ “California Girls”; and the lifelong friendship of Matt Damon and Ben Affleck.

You wasted $150,000 on an education you coulda got for $1.50 in late fees at the public library.

This was very exciting. I'd never had two boys get into a fight over me before. The fact that one of the boys was my stepbrother, however, and held about as much romantic appeal for me as Max, the family dog, somewhat dampened my enthusiasm. And Michael wasn't much of a catch, either, when you actually thought about it, being a potential murderer and all. Oh, why did I have to have such a couple of losers fighting over me? Why couldn't Matt Damon and Ben Affleck fight over me? Now that would be truly excellent.

You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much.

What is your greatest regret? "Not staying in better touch with people who truly mattered to me before they died unexpectedly.

See? This was how he’d gotten me to fall in love with him. At times like this he made me feel like the most treasured woman in the world. “So you don’t remember doing this to me? Naked? In the shower? On the bed? On the floor?” With Matt Damon? Okay, how had the Sarah Silverman video gotten in my head, now of all times?

It's just better to be yourself than to try to be some version of what you think the other person wants.

All you need is twenty seconds of insane courage and I promise you something great will come of it.

Dear God in Heaven, I've been a good woman. When I die, all I want is Humphrey Bogart and Matt Damon feeding me grapes, all day long.

I would love to say that I wrote (Good Will Hunting). Here is the truth. In my obit it will say that I wrote it. People don't want to think those two cute guys wrote it. What happened was, they had the script. It was their script. They gave it to Rob [Reiner] to read, and there was a great deal of stuff in the script dealing with the F.B.I. trying to use Matt Damon for spy work because he was so brilliant in math. Rob said, "Get rid of it." They then sent them in to see me for a day - I met with them in New York - and all I said to them was, "Rob's right. Get rid of the F.B.I. stuff. Go with the family, go with Boston, go with all that wonderful stuff." And they did. I think people refuse to admit it because their careers have been so far from writing, and I think it's too bad. I'll tell you who wrote a marvelous script once, Sylvester Stallone. Rocky's a marvelous script. God, read it, it's wonderful. It's just got marvelous stuff. And then he stopped suddenly because it's easier being a movie star and making all that money than going in your pit and writing a script. But I did not write [Good Will Hunting], alas. I would not have written the "It's not your fault" scene. I'm going to assume that 148 percent of the people in this room have seen a therapist. I certainly have, for a long time. Hollywood always has this idea that it's this shrink with only one patient. I mean, that scene with Robin Williams gushing and Matt Damon and they're hugging, "It's not your fault, it's not your fault." I thought, Oh God, Freud is so agonized over this scene. But Hollywood tends to do that with therapists. (from 2003 WGA seminar)

Damon spoke without moving. “I’m not like you.” “You’re not as different from us as you want to think,” Matt said. “Look,” he added, an odd note of challenge in his voice, “I know you killed Mr. Tanner in self-defense, because you told me. And I know you didn’t come here to Fell’s Church because Bonnie’s spell dragged you here, because I sorted the hair and I didn’t make any mistakes. You’re more like us than you admit, Damon. The only thing I don’t know is why you didn’t go into Vickie’s house to help her.” Damon snapped, almost automatically, “Because I wasn’t invited!” Memory swept over Bonnie. Herself standing outside Vickie’s house, Damon standing beside her. Stefan’s voice: Vickie, invite me in. But no one had invited Damon. “But how did Klaus get in, then—?” she began, following her own thoughts. “That was Tyler’s job, I’m sure,” Damon said tersely. “What Tyler did for Klaus in return for learning how to reclaim his heritage. And he must have invited Klaus in before we ever started guarding the house—probably before Stefan and I came to Fell’s Church. Klaus was well prepared. That night he was in the house and the girl was dead before I knew what was happening.” “Why didn’t you call for Stefan?” Matt said. There was no accusation in his voice. It was a simple question. “Because there was nothing he could have done! I knew what you were dealing with as soon as I saw it. An Old One. Stefan would only have gotten himself killed—and the girl was past caring, anyway.” Bonnie heard the thread of coldness in his voice, and when Damon turned back to Stefan and Elena, his face had hardened. It was as if some decision had been made. “You see, I’m not like you,” he said. “It doesn’t matter.” Stefan had still not withdrawn his hand. Neither had Elena.

You people, you read all the books, but you read all the wrong books.

Each of them had done their best. Matt was still his friend. For Meredith, maybe the day would come when she could look at him and not think “inhuman” — or at least not think it immediately and constantly. Maybe Bonnie, the moth, would be able to stay away from the unholy flame. Now, there was something to worry about. He could all too easily see Bonnie taking a walk on the very wild side with Damon. His brother had a soft spot for her already, she knew. But if either of them had a problem, he already knew what he had to do to find a plan for a solution. Just look up.

That’s what Harvard was like: thinking you’re pretty good at something, then meeting someone who is really good or even one of the best in the world. And that doesn’t mean they get good grades. A lot of the most famous alumni left without graduating because their work became more important than school. People like Bill Gates, Matt Damon, and Mark Zuckerberg. And you know who did graduate? The Unabomber, Ted Kaczynski. The point is: Never graduate from Harvard.

Most days I wish I never met you. Because then I could sleep at night. I wouldn't have to walk around with the knowledge that someone like you was out there. And I wouldn't have to watch you throw it all away.

Sean: …………And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my life apart. You're an orphan right? [Will nods] Sean: You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.

Не си понасял истинска загуба. Тя е възможна, само когато обичаш друг повече от себе си. Съмнявам се, че си се осмелявал толкова да обичаш някого.

Well, look, I have to go. Gotta' get up early and waste some more money on my overpriced education.

Ben Affleck! Are you sure I can’t talk you into Matt Damon? We could double-date

Matt Damon is running in suit. Nobody runs in suit like Matt Damon.

Two-thirds of American movies are extensions of commercials — they tell you how to feel and they tell you how to think — rather than letting you figure it out on your own," said Arkin, who has been acting since the 1960s and won the supporting actor Oscar for "Little Miss Sunshine." "Ben treats the audience like adults. He doesn't shove you into endless close-ups, and the music doesn't tell you what's going to happen next, which is something I hate in American movies.

Sean: Do you think you're alone? Will: What? Sean: Do you have a soul-mate? Will: Define that. Sean: Someone who challenges you in every way. Who takes you places, opens things up for you. A soul-mate. Will: Yeah. Shakespeare, Nietzsche, Frost, O'Connor, Chaucer, Pope, Kant… Sean: They're all dead. Will: Not to me, they're not. Sean: But you can't give back to them, Will. Will: Not without a heater and some serious smelling salts, no… Sean: That's what I'm saying, Will. You'll never have that kind of relationship in a world where you're afraid to take the first step because all you're seeing are the negative things that might happen ten miles down the road.

Because the noise in my brain was deafening. I had weirdness and thought and power in there somewhere, but the stop and wait and hide was so much louder. In theatre school I saw that of course this feeling was not unique, that my classmates and Matt Damon felt it, too.

Sean: Yeah? You got a lady now? Will: Yeah, I went on a date last week. Sean: How'd it go? Will: Fine. Sean: Well, are you going out again? Will: I don't know. Sean: Why not? Will: Haven't called her. Sean: Jesus Christ, you are an amateur. Will: I know what I'm doing. She's different from the other girls I met. We have a really good time. She's smart, beautiful, fun... Sean: So Christ, call her up. Will: Why? So I can realize she's not so smart. That she's boring. You don't get it. Right now she's perfect, I don't want to ruin that. Sean: And right now you're perfect too. Maybe you don't want to ruin that. Well, I think that's a great philosophy Will, that way you can go through your entire life without ever having to really know anybody. My wife used to turn the alarm clock off in her sleep. I was late for work all the time because in the middle of the night she'd roll over and turn the damn thing off. Eventually I got a second clock and put it under my side of the bed, but it got to where she was gettin' to that one too. She was afraid of the dark, so the closet light was on all night. Thing kept me up half the night. Eventually I'd fall asleep, out of sheer exhaustion and not wake up when I was supposed to cause she'd have already gotten to my alarms. My wife's been dead two years, Will. And when I think about her, those are the things I think about most. Little idiosyncrasies that only I knew about. Those made her my wife. And she had the goods on me too. Little things I do out of habit. People call these things imperfections Will. It's just who we are. And we get to choose who we're going to let into out weird little worlds. You're not perfect. And let me save you the suspense, this girl you met isn't either. The question is, whether or not you're perfect for each other. You can know everything in the world, but the only way you're findin' that one out is by giving it a shot. You sure won't get the answer from an old fucker like me. And even if I did know, I wouldn't tell you. Will: Why not? You told me every other fuckin' thing. You talk more than any shrink I ever met. Sean: I teach this shit, I didn't say I knew how to do it. Will: You ever think about gettin' remarried? Sean: My wife's dead. Will: Hence, the word remarried. Sean: My wife's dead. Will: Well I think that's a wonderful philosophy, Sean. That way you can go through the rest of your life without having to really know anyone. Sean: Time's up.

Babe.” I turn to Damon. Did he just call me— “You weren’t answering to your name. Matt’s gone. You wanna …?” He tips his head in the direction of Noah’s front door. I scramble to my feet so fast everyone finds it comical, but I don’t care. Damon and I will be back at my apartment in twenty minutes—tops.

Morgan: How fuckin' retarded do you have to be to get shit-canned from that job? How hard is it to push a fuckin' broom? Chuckie: You got fired from pushing a broom, you little bitch. Morgan: Yah, that was different. Management was restructurin'. Billy: Yah, restructurin' the amount of retards they had workin' for them.

You're just a boy. You don't have the faintest idea what you're talking about. You've never been out of Boston. So if I asked you about art you could give me the skinny on every art book ever written...Michelangelo? You know a lot about him I bet. Life's work, criticisms, political aspirations. But you couldn't tell me what it smells like in the Sistine Chapel. You've never stood there and looked up at that beautiful ceiling. And if I asked you about women I'm sure you could give me a syllabus of your personal favorites, and maybe you've been laid a few times too. But you couldn't tell me how it feels to wake up next to a woman and be truly happy. If I asked you about war you could refer me to a bevy of fictional and non-fictional material, but you've never been in one. You've never held your best friend's head in your lap and watched him draw his last breath, looking to you for help. And if I asked you about love I'd get a sonnet, but you've never looked at a woman and been truly vulnerable. Known that someone could kill you with a look. That someone could rescue you from grief. That God had put an angel on Earth just for you. And you wouldn't know how it felt to be her angel. To have the love be there for her forever. Through anything, through cancer. You wouldn't know about sleeping sitting up in a hospital room for two months holding her hand and not leaving because the doctors could see in your eyes that the term "visiting hours" didn't apply to you. And you wouldn't know about real loss, because that only occurs when you lose something you love more than yourself, and you've never dared to love anything that much. I look at you and I don't see an intelligent confident man, I don't see a peer, and I don't see my equal. I see a boy.

Will: Do you ever wonder what your life would be like if you never met your wife? Sean: What? Do I wonder if I'd be better off if I never met my wife? No, that's okay. It's an important question. 'Cause you'll have your bad times, which wake you up to the good stuff you weren't paying attention to. And you can fail, as long as you're trying hard. But there's nothing worse than regret. Will: You don't regret meetin' your wife? Sean: Why? Because of the pain I feel now? I have regrets Will, but I don't regret a single day I spent with her. Will: When did you know she was the one? Sean: October 21, 1975. Game six of the World Series. Biggest game in Red Sox history. Me and my friends slept out on the sidewalk all night to get tickets. We were sitting in a bar waiting for the game to start and in walks this girl. What a game that was. Tie game in the bottom of the tenth inning, in steps Carlton Fisk, hit a long fly ball down the left field line. Thirty-five thousand fans on their feet, screamin' at the ball to stay fair. Fisk is runnin' up the baseline, wavin' at the ball like a madman. It hits the foul pole, home run. Thirty-five thousand people went crazy. And I wasn't one of them. Will: Where were you? Sean: I was havin' a drink with my future wife. Will: You missed Pudge Fisk's home run to have a drink with a woman you had never met? Sean: That's right. Will: So wait a minute. The Red Sox haven't won a World Series since nineteen eighteen, you slept out for tickets, games gonna start in twenty minutes, in walks a girl you never seen before, and you give your ticket away? Sean: You should have seen this girl. She lit up the room. Will: I don't care if Helen of Troy walked into that bar! That's game six of the World Series! And what kind of friends are these? They let you get away with that? Sean: I just slid my ticket across the table and said "sorry fellas, I gotta go see about a girl." Will: "I gotta go see about a girl"? What did they say? Sean: They could see that I meant it. Will: You're kiddin' me. Sean: No Will, I'm not kiddin' you. If I had gone to see that game I'd be in here talkin' about a girl I saw at a bar twenty years ago. And how I always regretted not goin' over there and talkin' to her. I don't regret the eighteen years we were married. I don't regret givin' up counseling for six years when she got sick. I don't regret being by her side for the last two years when things got real bad. And I sure as Hell don't regret missing that damn game. Will: Would have been nice to catch that game though. Sean: Well hell, I didn't know Pudge was gonna hit the home run.

Skylar: There was this Irish guy, walking down the beach one day. And he comes across a bottle, and this Genie pops out. The genie turns to the Irishman and says "You've released me from my prison, so I'll grant you three wishes." The Irish guy thinks for a minute and says "What I really want is a pint of Guiness that never empties." And POOF! A bottle appears. He slams it down, and lo and behold it fills back up again. Well, the Irish guy can't believe it. He drinks it again, and again BOOM! It fills back up. So, while the Irish guy is marveling at his good fortune, the Genie is getting impatient, because it's hot and he wants to get on with his freedom. He says "Let's go, you have two more wishes." The Irish guy slams his drink again, it fills back up, he's still amazed. The Genie can't take it anymore. He says "Buddy, I'm boiling out here. What are your other two wishes?" The Irish guy looks at his drink, looks at the Genie and says... "I guess I'll have two more of these.

Chuckie: My Uncle Marty. Will knows him. That guy fuckin' drinks like you've never seen! One night he was drivin' back to his house on I-93. Statie pulls him over. All: Oh shit. Chuckie: Guy's tryin' to walk the line but he can't even fuckin' stand up, and so my uncle's gonna spend a night in jail. Just then there's this fuckin' BOOM like fifty yards down the road. Some guy's car hit a tree. Morgan: Some other guy? Chuckie: Yeah, he was probably drunker than my Uncle, who fuckin' knows? So the cop goes "Stay here" And he goes runnin' down the highway to deal with the other crash. So, my Uncle Marty's standin' on the side of the road for a little while, and he's so fuckin' lit, that he forgets what he's waitin' for. So he goes, "Fuck it." He gets in his car and drives home. Morgan: Holy shit. Chuckie: So in the morning, there's a knock on the door it's the Statie. So my Uncle's like, "Is there a problem?" And the Statie's like "I pulled you over and you took off." And my Uncle's like "I never seen you before in my life, I been home all night with my kids." And Statie's like "Let me get in your garage!" So he's like "All right, fine." He takes around the garage and opens the door and the Statie's cruiser is in my Uncle's garage. All: No way! You're kiddin'! Chuckie: No, he was so hammered that he drove the police cruiser home. Fuckin' lights and everything! Morgan: Did your Uncle get arrested? Chuckie: The fuckin' Trooper was so embarrassed he didn't do anything. The fuckin' guy had been drivin' around in my Uncle's car all night lookin' for the house.

I’m going to guess that in our seventeen years together, Joe and I have eaten an average of at least one meal out a week—plus at least one or two weeks a year when we are on vacation and we get to enjoy twenty-one restaurant meals. Using this rough calculation, I have heard my husband utter that exact line approximately one thousand four hundred times. If I didn’t madly love the man, or I had years of bitter resentment born of unmet needs and unheard desires festering in me, I can see where this might make me want to stick something sharp into his eye socket and twist it around a few dozen times for good measure. But I do and I don’t, respectively, so his attempted joke is actually endearing. It’s one of his things that I’d miss tragically if it went away. It would be that “Yeah, I hated it” line—not his dashing good looks or prowess with power tools or skills on the basketball court or anything else the rest of the world can plainly see—that I’d get most choked up on if I were delivering his eulogy today. There was a breakthrough, pivotal scene in the epically good movie Good Will Hunting, where Robin Williams plays a therapist reminiscing about his dead wife with his patient (Matt Damon). “She used to fart in her sleep,” Williams tells the clueless Damon character during an otherwise unproductive therapy session. “One night it was so loud it woke the dog up . . . She’s been dead two years, and that’s the shit I remember . . . little things like that, those are the things I miss the most. Those little idiosyncrasies that only I knew about; that’s what made her my wife. People call these things imperfections, but they’re not. No, that’s the good stuff.” That.

But what actually happened was, first, Horkman and I had to climb down our side of the ravine, which was hard because those guns are a lot heavier than they look, plus it was really steep. We both kept dropping the guns and falling down, so we ended up mostly sliding on our butts, which took a while. The Cubans tried to keep cheering, but after a while they realized they’d better pace themselves. Like every twenty seconds or so, one of them would go, “YI-YI-YI!” But you could tell they were losing the mood. Plus—I’m just going to come right out and say this—I had to take a shit. I mean, bad. Which is something that never happens in the movies. You never see Rambo take a shit. You never see whatshisname, the guy in those Bourne movies, Matt Damon, when he and his co-star hot babe are fleeing through some foreign city and he’s killing enemy agents with kung fu, speaking nine languages, hot-wiring a car and driving like a stuntman, etc., you never hear him say to the babe, “Geez, I’m sorry, but even though those enemy agents are, like, twenty yards behind us shooting at us, I need to make a pit stop, because if I don’t get to a toilet right now I’m going to turn this car into a septic tank.” That’s the way I felt, when Horkman and I got to the bottom of the ravine. I had a cramp in my gut like I was about to give birth to a walrus. I had no choice but to drop my pants right then and there. “What are you doing?” Horkman said. “What does it look like I’m doing?” I said. “You can’t at least go behind something?” he said. “Go behind what, asshole?” I said, because (a) there was nothing to go behind, and (b) Horkman is an asshole. “I don’t believe this,” said Horkman. He walked about ten yards and sat down on a rock, facing away. Thanks a lot, douchenozzle. So there I was, squatting, and I don’t want to get too specific here, but it was a severe firehose situation. I was splattering the gravel big-time, plus there was a certain amount of gas noise, plus you had the natural echo in the ravine. I don’t think this was what the Cubans were expecting in the way of military leadership. I could hear them up there talking about me, and then one of them went “YI-YI-YI!” definitely sarcastically, and then they were all laughing. Assholes. Like they never had diarrhea in a ravine. I firehosed for I would say a good three

Do you know what makes a human being decent? Fear. And therein lies the problem. None of you has anything left to fear anymore.

There's a point at 7,000 RPM... where everything fades. The machine becomes weightless. Just disappears. And all that's left is a body moving through space and time. 7,000 RPM. That's where you meet it. You feel it coming. It creeps up on you, close in your ear. Asks you a question. The only question that matters. Who are you?

Morgan: How fuckin' retarded do you have to be to get shit-canned from that job? How hard is it to push a fuckin' broom? Chuckie: You got fired from pushing a broom, you little bitch. Morgan: Yah, that was different. Management was restructurin'. Billy: Yah, restructurin' the amount of retards they had workin' for them.

What is the typical spy? To start with, they think that they are on a mission to save the world. The worlds of Matt Damon and Daniel Craig are slick, fast-paced and sexy. Their suits never crinkle, women always say yes, and their cars shoot missiles. Real-life spy sagas unfold with far less panache. Overseas research has shown intelligence agents at the CIA to be often college graduates with low-value degrees; they are outsiders or loners, they have family or friends in the intelligence or armed services, they can't work with money and love firearms. Much of a spy's work these days is sifting through data.

In this way DNA Dreams brings to life the dystopian nightmare we encounter in the 1997 film Gattaca, in which the main character Vincent, played by Ethan Hawke, narrates: “I belonged to a new underclass, no longer determined by social status or the color of your skin. No, we have discrimination down to a science.”46 As in so much science fiction, the Whiteness of the main protagonist is telling. Not only does it deflect attention away from the fact that, in the present, many people already live a version of the dystopia represented in the film in future tense. The “unbearable Whiteness” of sci-fi expresses itself in the anxiety underlying so many dystopian visions that, if we keep going down this road, “We’re next.”47 Whether it’s Keanu Reeves in The Matrix, Matt Damon in Elysium, Chris Evans in Snowpiercer – all characters whose Whiteness, maleness, straightness, and (let’s just admit) cuteness would land them at the top of the present social order – they all find themselves in a fictional future among the downtrodden. Viewers, in turn, are compelled to identify with the future oppression of subordinated White people without necessarily feeling concern for the “old” underclasses in our midst.

there are times when the truth won’t let us go. Sure, I can avoid other people’s scrutiny by telling my bullshit side of the story over and over to anyone who will listen. But I know the truth. And sometimes it all catches up with me at night as I lie in bed — in that not-quite-awake and not-quite-asleep place. In those moments, my ego is turned off, perhaps for the only time all day. In that consciousness-minus-ego state, the truth fights past the layers of food and entertainment and all the other distractions I shovel on top of it and, unbidden, crawls its way back up into my thoughts. “Does everyone have these moments?” I wondered aloud to Caitlin. Perhaps some feel their errors in life aren’t bad enough to fret over, or perhaps they’ve built enough protective layers around their ego that they have successfully avoided feeling shamed by their secrets altogether. But like Matt Damon’s character in the film Good Will Hunting, if they were confronted with limitless and repetitive grace, like that offered by the counselor Robin Williams played, they’d eventually crack. Not because they should, but because we all do. Right? Because we are all burdened by the ugly things we’ve done and continue to do.

You wasted $150,000 on an education you could have got for a buck fifty in late charges at the public library. —MATT DAMON AS WILL HUNTING, GOOD WILL HUNTING

So I took another look at Genesis …” “You know Genesis?” “And Nehemiah, Ezra, Proverbs, Lamentations—one of my favorites, hilarious subtext, but I can’t read it on airplanes, where people get upset with laughing fits. The whole book’s a classic.” “You read the whole Bible?” “Couple times. And you know how in Genesis, Lot’s the only good guy in the twin cities, Sodom and Gomorrah. These two male angels come to stay with him. Apparently they’re lookers. Think Matt Damon and Ben Affleck in Dogma. And these people from his street bang on Lot’s door, wanting him to let the houseguests out so they can have gay sex. Now Lot’s always been an accommodating neighbor, but this ain’t no potluck dinner. They argue back and forth, going nowhere. So, finally, in an attempt to show that sex with girls is much more fun and convert them to heterosexuality, Lot offers to turn over his two underage, virgin daughters for gang rape.” “It doesn’t say that!” “Let me see your Bible.” Serge executed a perfect sword drill, finding chapter nineteen in seconds. He turned the book around, slid it back across the table and tapped verse eight. Three youths crowded over the page. “It does say that. But how can it be?” “Because God blessed us with curiosity. Read it with an open mind and you realize it’s actually a brilliant satire on homophobia. Think as an individual: The Lord doesn’t want a train pulled on little kids. It’s like reading Swift’s Modest Proposal and thinking he really wants to eat babies. What the Bible’s trying to say is we’re all his children. But if you take Lot’s story literally, well, nice family values, eh? But that’s just my interpretation, which I’m now questioning. I could be way off.” The youths got up and went over to their pastor. “I think we’ve been wrong about gay people …” “… They’re fellow children of God.

We now have a Government and an Adjustment Bureau operating parallel to one another. I experienced it first hand. See Example: The Adjustment Bureau (2011) starring Matt Damon and Emily Blunt.

Matt Damon is running in suit. Nobody runs in suit like Matt Damon. I wanted to see this.

Some viewed Chinese investors as the latest “dumb money” to hit Hollywood. It is no doubt true that financing movies is not the smartest way for any investor, from anywhere in the world, to earn the best returns. Others had a different theory—that some wealthy Chinese individuals and businesses were seeking to get their money out of China, where an autocratic government could still steal anyone’s wealth at any time, for any reason. Certainly Hollywood had long been a destination for legal money laundering. But those who worked most closely with the Chinese knew that the biggest reason for these investments was a form of reverse-colonialism. After more than a decade as a place for Hollywood to make money, China wanted to turn the tables. The United States had already proved the power of pop culture to help establish a nation’s global dominance. Now China wanted to do the same. The Beijing government considered art and culture to be a form of “soft power,” whereby it could extend influence around the world without the use of weapons. Over the past few years, locally produced Chinese films had become more successful at the box office there. But most were culturally specific comedies and love stories that didn’t translate anywhere else. China had yet to produce a global blockbuster. And with box-office growth in that country slowing in 2016 and early 2017, hits that resonated internationally would be critical if the Communist nation was to grow its movie business and use it to become the kind of global power it wanted to be. So Chinese companies, with the backing of the government, started investing in Hollywood, with a mission to learn how experienced hands there made blockbusters that thrived worldwide. Within a few years, they figured, China would learn how to do that without anyone’s help. “Working with a company like Universal will help us elevate our skill set in moviemaking,” the head of the Chinese entertainment company Perfect World Pictures said, while investing $250 million in a slate of upcoming films from the American studio. Getting there wouldn’t be easy. One of the highest-profile efforts to produce a worldwide hit out of China was The Great Wall, starring Matt Damon and made by Wanda’s Legendary Pictures. The $150 million film, about a war against monsters set on the Chinese historic landmark, grossed an underwhelming $171 million and a disastrous $45 million in the United States. Then, to create another obstacle, Chinese government currency controls established in early 2017 slowed, at least temporarily, the flow of money from China into Hollywood. But by then it was too late to turn back. As seemed to always be true when it came to Hollywood’s relationship with China, the Americans had no choice but to keep playing along. Nobody else was willing to pour billions of dollars into the struggling movie business in the mid-2010s, particularly for original or lower-budget productions.