Playing Harp Quotes

Oh God, the terrible tyranny of the majority. We all have our harps to play. And it's up to you to know with which ear you'll listen.

So many years I had spent as a child sifting his bright features for his thoughts, trying to glimpse among them one that bore my name. But he was a harp with only one string, and the note it played was himself. “You have always been the worst of my children,” he said. “Be sure to not dishonor me.” “I have a better idea. I will do as I please, and when you count your children, leave me out.

I am no king, and I am no lord, And I am no soldier at-arms," said he. "I'm none but a harper, and a very poor harper, That am come hither to wed with ye." "If you were a lord, you should be my lord, And the same if you were a thief," said she. "And if you are a harper, you shall be my harper, For it makes no matter to me, to me, For it makes no matter to me." "But what if it prove that I am no harper? That I lied for your love most monstrously?" "Why, then I'll teach you to play and sing, For I dearly love a good harp," said she.

But he was a harp with only one string, and the note it played was himself.

Where does music go when it’s not playing?—she asked herself. And disarmed she would answer: May they make a harp out of my nerves when I die.

When the Dark comes rising six shall turn it back; Three from the circle, three from the track; Wood, bronze, iron; Water, fire, stone; Five will return and one go alone. Iron for the birthday; bronze carried long; Wood from the burning; stone out of song; Fire in the candle ring; water from the thaw; Six signs the circle and the grail gone before. Fire on the mountain shall find the harp of gold Played to wake the sleepers, oldest of old. Power from the Green Witch, lost beneath the sea. All shall find the Light at last, silver on the tree.

We are all lonely and all seek a hand to hold in the darkness. It is not the harp, but the hand that plays it.

Hey Boo, I'm in this now, too, & I got a lot of experience playing assholes like they're fucking harps. You need backup, I got you. Stop trying to convince yourself that you're in this alone.

And Satan sighed and shook his head, played harp amongst the flames. ‘It’s Hell up there in Heaven too, for all that that is worth. Heaven is just a lie of mine to make it Hell on Earth.

The oak trees seemed as though they were playing instruments; here a gentle violin, over there two harps in harmony, flutes and other woodwinds joined the tree orchestra.

We all have our harps to play. And it's up to you now to know with which ear you'll listen.

A girl wearing a wicker chicken and playing the harp bopped me with a book about buns and then stuffed me under a piano.

The Violins waltzed. The Cellos and Basses provided accompaniment. The Violas mourned their fate, while the Concertmaster showed off. The Flutes did bird imitations…repeatedly, and the reed instruments had the good taste to admire my jacket. The Trumpets held a parade in honor of our great nation, while the French Horns waxed nostalgic about something or other. The Trombones had too much to drink. The Percussion beat the band, and the Tuba stayed home playing cards with his landlady, the Harp, taking sips of warm milk a blue little cup. “But the Composer is still dead.

I’m not an angel. I don’t live in heaven or play a golden harp or have heart-to-heart conversations with the Almighty.

Why should I be polished and improved like goods for sale? I might not even want to marry! And besides, I have many skills. I can read and write and play the flute and harp. Why should I change to please some man? If he doesn’t like me the way I am, then he can get some other girl for his wife.

There is no need to be worried by facetious people who try to make the Christian hope of ‘Heaven’ ridiculous by saying they do not want ‘to spend eternity playing harps’. The answer to such people is that if they cannot understand books written for grown-ups, they should not talk about them. All the scriptural imagery (harps, crowns, gold, etc.) is, of course, a merely symbolical attempt to express the inexpressible. Musical instruments are mentioned because for many people (not all) music is the thing known in the present life which most strongly suggests ecstasy and infinity. Crowns are mentioned to suggest the fact that those who are united with God in eternity share His splendour and power and joy. Gold is mentioned to suggest the timelessness of Heaven (gold does not rust) and the preciousness of it. People who take these symbols literally might as well think that when Christ told us to be like doves, He meant that we were to lay eggs.

The harp sounds at each passing breeze, but that does not mean the tune is masterfully played.

In fact, I take the view that God, in his infinite wisdom, didn't bother to spring for two joints - heaven and hell. They're the same place, but heaven is when you get everything you want and you meet Mummy and Daddy and your best friends and you all have a hug and a kiss and play your harps. Hell is the same place - no fire and brimstone - but they all pass by and don't see you. There's nothing, no recognition. You're waving, "It's me, your father," but you're invisible. You're on a cloud, you've got your harp, but you can't play with nobody because they don't see you. That's hell.

I stood on the edge of that abyss between man and beast and played my harp for you, checking each note, one by one, to see if it would reach you.

I'm not sure what happened now; it's all a blur. I haven't seen Antonio in over a week. He never came back to school. I never talked to him after that horrible day. I'm a zombie - I eat, go to school, and play the harp. I am a zombie harpist.

A gull on an invisible wire attached through space dragged. You carry the symbol of your frustration into eternity. Then the wings are bigger Father said only who can play a harp.

Part of a moon was falling down the west, Dragging the whole sky with it to the hills. Its light poured softly in her lap. She saw And spread her apron to it. She put out her hand Among the harp-like morning-glory strings, Taut with the dew from garden bed to eaves, As if she played unheard the tenderness That wrought on him beside her in the night.

...he was a harp with only one string, and the note it played was himself.

Lying on her side, the warm fire at her feet, Helen's laughter died away as Lucas suddenly went from tuning to playing. It was like an orchestra in an instrument. He played with both hands-not one hand picking and the other holding down strings-but with both hands so that it sounded like more than one guitar was playing. Sometimes he hit the strings to make them hum like a harp, and sometimes he hit the body of the guitar like a drum to add bass and keep time. It was the most fascinating thing Helen had ever watched, like Lucas had a dozen voices in his head, all singing the same song, and he'd figured a way to make them come out of ten fingers. Helen looked at his face and could tell why he loved it. It was like thinking for him, only this was a puzzle that he could share with her as he solved it. He'd walked into her head when he'd come to her world. And she'd walked into his when she finally heard him play. It was heaven.

Talking is like playing on the harp; there is as much in laying the hand on the strings to stop their vibrations as in twanging them to bring out their music.

What do all men seek? I want to be happy. I would like a wife and sons one day. But I want them to grow in a land where there is hope for the future, where men do not take to the road. If that is a hopeless dream - and maybe it is - then I will sire no sons. I will wander, and play my harp, and weave my magick until the end.

You know, the usual story. Once upon a time I was playing my harp by a spring when a fairy appeared out of nowhere, handed me a Beretta Model 92, and told me to shoot the white rabbit over there for target practice.

Olympus is still a patriarchy. Zeus heads his royal household as jealously as Jehovah rules his harem of dull, harp-playing angels. Both are templates for order on earth, don’t you think?

But remember that the Captain belongs to the most dangerous enemy to truth and freedom, the solid unmoving cattle of the majority. Oh, God, the terrible tyranny of the majority. We all have our harps to play. And it’s up to you now to know with which ear you’ll listen.

When the Messiah comes, many will try to play their own songs on His harp. The results will be tragically dissonant. On the Messiah’s harp, you must play His own song — the song of His eternal glory with God; the song of His humiliation as a babe in a manger; the song of a life in sorrow, opposition and poverty on Earth; the song of His being whipped and crucified and buried; and finally the song of His resurrection, ascension and enthronement in heaven. “Then the harp will give a beautiful sound. His congregation will shine like a sun.

Men know how to read printed books; they do not know how to read the unprinted ones. They can play on a stringed harp, but not on a stringless one. Applying themselves to the superficial instead of the profound, how should they understand music or poetry?From the Saikontan, by Kojisei (circa 1600) cited in Haiku by Robert Blyth, circa 1947 Tokyo, p. 73.

There is no need to be worried by facetious people who try to make the Christian hope of ‘Heaven’ ridiculous by saying they do not want ‘to spend eternity playing harps’. The answer to such people is that if they cannot understand books written for grown-ups, they should not talk about them.

I have become intoxicated again. You are such a potent wine, my friend. To escape your withdrawal effects, tomorrow I will drink in excess. Alas, why make me love? I was aware, conscious, and sensible before. I am ill by cause of this illusion. The devil plays tricks on me more and more. I was a harp you immaculately plucked at will. Your score, the nightingale song within notes composed to imprison and bear me wings. Oh, if only they could hear how it sings! I am now beyond parched. My strings left untouched. You are no longer an oasis, my friend, but a mirage soon coming to an end.

He touches his thumb to my cheek and his wonderful vibrations tune through me like the strumming of a harp. “I love you, Skyla. In time you will feel the same.” I catch my breath and hold it, not sure how to respond. A part of me knows this is real. A part of me already has a very special place in my heart for Marshall. And although I’m terribly afraid to admit it, the thought of making love to him has been playing out in the recesses of my darkest fantasies for some time now. “Really?” His brows arch in amusement. Shit.

Where will I find you now that my heart is yours? Where should I search? I don’t know where to look. You fill my heart with desire and love, The perfume of the lotus, the grace of a dove. But then the dove flies far, far away, All that is left is a song for my harp strings to play. A voice in my memories like an angel of grace, Where can I find you? Do you know how I pray? Where will I find you now that my love belongs to you? Wherever your heart beats, I’m dreaming of you. Now and forever my love belongs to you… Now and forever my love belongs to you…

I take the view that God, in his infinite wisdom, didn't bother to spring for two joints - heaven and hell. They're the same place, but heaven is when you get everything you want and you meet Mommy and Daddy and your best friends and you all have a hug and a kiss and play your harps. Hell is the same place - no fire and brimstone - but they just all pass by and don't see you. There's nothing, no recognition. You're waving, "It's me, your father," but you're invisible. You're on a cloud, you've got your harp, but you can't play with nobody because they don't see you. That's hell.

I love people who play guitars on roofs!" said Rose, hopping along the pavement in one of her sudden happy moods. "Don't you?" "Never knew anyone else who did it!" "Don't you like Tom?" "Of course I do. But I don't know about all the other guitar-on-roof players! They might be really awful people, with just that one good thing about them. Playing guitars on roofs... or bagpipes... Or drums... Sarah would like that, and Saffy could have the bagpipes! Caddy could have a harp.... What about Mum?" "One of those gourds filled with beans!" said Rose at once. "And Daddy could have a grand piano. On a flat roof. With a balcony and pink flowers in pots around the edge! And I'll have a very loud trumpet! What about you?" "I'll just listen," said Indigo.

Brynne Tvarika Lakshmi Balamuralikrishna Rao was a lot of things. She was an amazing cook, and a fierce wrestler. She had an awful temper and once tried to crack a cinder block just by barreling into it headfirst. Granted, she got knocked out for an hour, but the cinder block definitely had a line through it, so that was pretty much a win. Brynne was even fairly decent at playing the harp, though she hated admitting that her uncles, Gunky and Funky, had signed her up for lessons on that instrument. But if there was one thing she was known for, it was never giving up. She absolutely, flat-out refused.

Ducks are a lot like lightning, I thought to myself as I played my electric guitar. Or was it a harp? I get those two farm tools mixed up.

When all things repose, do you alone Awake to hear the sweet harps play To Love before him on his way, And the night wind answering in antiphon Till night is overgone?

It was a girl playing a harp, like in an orchestra. It was in this tree at our campsite. And since it was breezy weather that weekend, the girl's arms were almost always turning.

Not like a heaven where you ride unicorns, play harps, and live in a mansion made of clouds. But yes. I believe in something with a capital S. Always have.

But he was a harp with only one string, and the note he played was himself.

King David is a wonderful example of a well-balanced man who was a warrior fighting battles on some days and a gentle, harp-playing composer on other days.

My soul is like a hidden orchestra; I do not know which instruments grind and play away inside of me, strings and harps, timbales and drums. I can only recognize myself as symphony.

It was almost a direct reversal of the old rules of conduct, under which a woman had to remain virginal or risk being cast out of society. Nowadays young women were apparently supposed to count being a sexual dynamo among their accomplishments—a far riskier avocation than embroidery or playing the harp. From damned if you do to damned if you don’t: the story of women’s lives

Lighthearted boys and girls were harvesting the grapes in woven baskets, while on a resonant harp a boy among them played a tune of longing, singing low with delicate voice a summer dirge. The others, breaking out in song for the joy of it, kept time together as they skipped along.

You've been playing on my sympathies as though they were harp strings. You-' 'What do you expect me to do?' he cut in. 'Play fair? With a woman who makes up her own rules as she goes along?' 'I expect you to take no for an answer!' He rose. 'I should like to know what you're afraid of.' 'Afraid?' Her voice climbed. 'Afraid? Of you?' 'The only reason I can think of for your rejecting an opportunity to run the world as you see fit is fear that you can't manage the man offering the opportunity.

Aristotle described virtue as a kind of craft, something to pursue just as one pursues the mastery of any profession or skill. “We become builders by building and we become harpists by playing the harp,” he writes. “Similarly, then, we become just by doing just actions, temperate by doing temperate actions, brave by doing brave actions.

I began to understand why some people could not bear the clamor of the sea. It has a mournful harping note sometimes, and the very persistence of it, that eternal roll and thunder and hiss, plays a jagged tune upon the nerves.

Afternoons, when the fossil sea was warm and motionless, and the wine trees stood stiff in the yard, and the little distant Martian bone town was all enclosed, and no one drifted out their doors, you could see Mr. K himself in his room, reading from a metal book with raised hieroglyphs over which he brushed his hand, as one might play a harp. And from the book, as his fingers stroked, a voice sang, a soft ancient voice, which told tales of when the sea was red steam on the shore and ancient men had carried clouds of metal insects and electric spiders into battle.

I'd rather be a superhero in hell, kicking all kinds of demon ass, than an angel in heaven, wafting around with a beatific smile on my face, playing a pansy harp all day. Dude, give me drums and bang cymbals! I like the crash and bang.

There is no need to be worried by facetious people who try to make the Christian hope of “Heaven” ridiculous by saying they do not want “to spend eternity playing harps.” The answer to such people is that if they cannot understand books written for grown-ups, they should not talk about them. All the scriptural imagery (harps, crowns, gold, etc.) is, of course, a merely symbolical attempt to express the inexpressible. Musical instruments are mentioned because for many people (not all) music is the thing known in the present life which most strongly suggests ecstasy and infinity. Crowns are mentioned to suggest the fact that those who are united with God in eternity share His splendour and power and joy. Gold is mentioned to suggest the timelessness of Heaven (gold does not rust) and the preciousness of it. People who take these symbols literally might as well think that when Christ told us to be like doves, He meant that we were to lay eggs.

There is only one condition in which we can imagine managers not needing subordinates, and masters not needing slaves. This condition would be that each instrument could do its own work, at the word of command or by intelligent anticipation, like the statues of Daedalus or the tripods made by Hephaestus, of which Homer relates that "Of their own motion they entered the conclave of Gods on Olympus", as if a shuttle should weave of itself, and a plectrum should do its own harp playing.

She [Mrs. Badger] was surrounded in the drawing-room by various objects, indicative of her painting a little, playing the piano a little, playing the guitar a little, playing the harp a little, singing a little, working a little, reading a little, writing poetry a little, and botanizing a little. She was a lady of about fifty, I should think, youthfully dressed, and of a very fine complexion. If I add to the little list of her accomplishments that she rouged a little, I do not mean that there was any harm in it.

Flushie did not seem to think the harp alive when it was taken out of the window and laid close to him. He examined it particularly, and is a philosophical dog. But I am sure that at first and while it was playing he thought so. In the same way he can’t bear me to look into a glass, because he thinks there is a little brown dog inside every looking glass, and he is jealous of its being so close to me. He used to tremble and bark at it, but now he is silently jealous, and contents himself with squeezing close, close to me and kissing me expressively.

Don’t worry about saving these songs! And if one of our instruments breaks, it doesn’t matter. We have fallen into the place where everything is music. The strumming and the flute notes rise into the atmosphere, and even if the whole world’s harps should burn up, there will still be hidden instruments playing

Well, did you know he's the best checker-player in this town? Why, down at the Landing when we were coming up, Atticus Finch could beat everybody on both sides of the river." "Miss Maudie, Jem and me beat him all the time." "It's about time you found out it's because he lets you. Did you know he can play a Jew's Harp?

Whatever we learn to do, we learn by actually doing it. People come to be builders, for instance, by building, and harp players by playing the harp. In the same way, by doing just acts, we come to be just. By doing self-controlled acts, we come to be self-controlled, and by doing brave acts, we come to be brave. (ARISTOTLE)

A singer was playing the high harp and reciting a ballad, but down at this end of the hall his voice could scarcely be heard above the roar of the fire,

7Even in the case of lifeless things that make sounds, such as the pipe or harp, how will anyone know what tune is being played unless there is a distinction in the notes?

You know being and ex serviceman and a Disabled Gulf War Veteran. You could play Taps on a Jews Harp and I'd still cry

If my words did glow with the gold of sunshine And my tunes were played on the harp unstrung

Let thy love play upon my voice and rest on my silence. Let it pass through my heart into all my movements. Let thy love like stars shine in the darkness of my sleep and dawn in my awakening. Let it burn in the flame of my desires And flow in all currents of my own love. Let me carry thy love in my life as a harp does its music, and give it back to thee at last with my life.

Silence. Montag sat like a carved white stone. The echo of the final hammer on his skull died slowly away into the black cavern where Faber waited for the echoes to subside. And then when the startled dust had settled down about Montag's mind, Faber began, softly, "All right, he's had his say. You must take it in. I'll say my say, too, in the next hours. And you'll take it in. And you'll try to judge them and make your decisions as to which way to jump, or fall. But I want it to be your decision, not mine, and not the Captain's. But remember that the Captain belongs to the most dangerous enemy to truth and freedom, the solid unmoving cattle of the majority. We all have our harps to play. And it's up to you now to know with which ear you'll listen.

I may not be able to play a harp again, or sing for the clan,” he said. “But I have found that this is my song. This is my music.” And he framed her face in his hands. “Months ago, I told you that I was a verse inspired by your chorus. I thought I knew what those words meant then, but now I fully understand the depth and the breadth of them. I want to write a ballad with you, not in notes but in our choices, in the simplicity and the routine of our life together. In waking up at your side every sunrise and falling asleep entwined with you every sunset. In kneeling beside you in the kail yard and leading a clan and overseeing trade and eating at our parents’ tables. In making mistakes, because I know that I’ll make them, and then restitution, because I’m better than I once ever hoped to be when I’m with you.” Adaira turned her face to kiss his palm, where his scar from their blood vow still shone. When she looked at him again, there were tears in her eyes. “What do you think, Heiress?” Jack whispered, because he was suddenly desperate to know her thoughts. To know what she was feeling. Adaira leaned forward, brushing his lips with hers. “I think that I want to make such music with you until my last day when the isle takes my bones. I think you are the song I was longing for, waiting for. And I will always be thankful that you returned to me.

Music had always had the ability to help ease my suffering. I sang a great deal at home. I sang to myself and to Lord Imery. Sometimes, I played the harp to accompany myself. Learning such a graceful instrument had filled my heart with pride. I loved the feeling of adding something beautiful to a room. I looked down at my shaking hands. There were no melodies left in those withered fingers.

Bur remember that the Captain belongs to the most dangerous enemy of truth and freedom, the solid unmoving cattle of the majority. Oh, God, the terrible tyranny of the majority. We all have our harps to play.

His eyes were discs of ignited gold, but I did not look away. 'If I do this thing,' he said, 'it is the last I will ever do for you. Do not come begging again.' 'Father,' I said, 'I never will. I leave this place tomorrow.' He would not ask where, he would not even wonder. So many years I had spent as a child sifting his bright features for his thoughts, trying to glimpse among them one that bore my name. But he was a harp with only one string, and the note it played was himself. 'You have always been the worst of my children,' he said. 'Be sure you do not dishonour me.' 'I have a better idea. I will do as I please, and when you count your children, leave me out.' His body was rigid with wrath. He looked as though he had swallowed a stone, and it choked him. 'Give mother my greetings,' I said. His jaw bit down and he was gone.

If I do this thing,” he said, “it is the last I will ever do for you. Do not come begging again.” “Father,” I said, “I never will. I leave this place tomorrow.” He would not ask where, he would not even wonder. So many years I had spent as a child sifting his bright features for his thoughts, trying to glimpse among them one that bore my name. But he was a harp with only one string, and the note it played was himself.

They had a house of crystal pillars on the planet Mars by the edge of an empty sea, and every morning you could see Mrs. K eating the golden fruits that grew from the crystal walls, or cleaning the house with handfuls of magnetic dust which, taking all dirt with it, blew away on the hot wind. Afternoons, when the fossil sea was warm and motionless, and the wine trees stood stiff in the yard, and the little distant Martian bone town was all enclosed, and no one drifted out their doors, you could see Mr. K himself in his room, reading from a metal book with raised hieroglyphs over which he brushed his hand, as one might play a harp.

My mother understood the fundamental facts about me. She knew that I would always prefer to eat with a tiny spoon rather than a regular one, that I was an excellent Thing Finder because I was always looking down at the sidewalk, that I wanted to recite spells, live in a nutshell, play a gold harp. That I had a house in my head that was far away. But it did not seem plausible, yet, that she and her pain had actually produced me.

I began to understand why some people could not bear the clamour of the sea. It has a mournful harping note sometimes, and the very persistence of it, that eternal roll and thunder and hiss, plays a jagged tune upon the nerves.

We which were Ovids five books, now are three, For these before the rest preferreth he: If reading five thou plainst of tediousnesse, Two tane away, thy labor will be lesse: With Muse upreard I meant to sing of armes, Choosing a subject fit for feirse alarmes: Both verses were alike till Love (men say) Began to smile and tooke one foote away. Rash boy, who gave thee power to change a line? We are the Muses prophets, none of thine. What if thy Mother take Dianas bowe, Shall Dian fanne when love begins to glowe? In wooddie groves ist meete that Ceres Raigne, And quiver bearing Dian till the plaine: Who'le set the faire treste sunne in battell ray, While Mars doth take the Aonian harpe to play? Great are thy kingdomes, over strong and large, Ambitious Imp, why seekst thou further charge? Are all things thine? the Muses Tempe thine? Then scarse can Phoebus say, this harpe is mine. When in this workes first verse I trod aloft, Love slackt my Muse, and made my numbers soft. I have no mistris, nor no favorit, Being fittest matter for a wanton wit, Thus I complaind, but Love unlockt his quiver, Tooke out the shaft, ordaind my hart to shiver: And bent his sinewy bow upon his knee, Saying, Poet heers a worke beseeming thee. Oh woe is me, he never shootes but hits, I burne, love in my idle bosome sits. Let my first verse be sixe, my last five feete, Fare well sterne warre, for blunter Poets meete. Elegian Muse, that warblest amorous laies, Girt my shine browe with sea banke mirtle praise. -- P. Ovidii Nasonis Amorum Liber Primus ELEGIA 1 (Quemadmodum a Cupidine, pro bellis amores scribere coactus sit)

Churces crack me up. They're like money, a conspiracy of faith. Like everyone agreed to believe not only is there a God, but he comes down and checks on folks, so long as they hang in certain places, put up altars, burn lots of candles and incense, and perform sit-stand-kneel and other wacky rituals that'd make a coven of witches look not OCD. Then to further complicate it, some folks perform rituals, subset A, and others folks perform rituals, subset B, C,or D, and so on into an infinity of denominations, and call themselves different things then deny everyone's elses right to heaven if they're not performing the same rituals. Dude. Weird. I figure if there is a God, he or she isn't paying attention to what we build or if follow some elaborate rules, but copping a ride on our shoulders, watching what we do every day.Seing if we took this great big adventure called life and did anything interesting with it. I figure that the folks that are the most interesting get to go to heaven. I mean, if I was God, that's who I would want there with me. I also figure being eternally happy would be eternally boring so I try not to be too interesting, even though it's hard for me. I would rather be a superhero in hell, kicking all kinds of demon ass, than an angel in heaven, waiting around with a beatific smile on my face, playing a pansy harp all day.

There is no need to be worried by facetious people who try to make the Christian hope of ‘Heaven’ ridiculous by saying they do not want ‘to spend eternity playing harps’. The answer to such people is that if they cannot understand books written for grown-ups, they should not talk about them. All the scriptural imagery (harps, crowns, gold, etc.) is, of course, a merely symbolical attempt to express the inexpressible... People who take these symbols literally might as well think that when Christ told us to be like doves, He meant that we were to lay eggs.

She played a great deal better than either of the Miss Musgroves; but having no voice, no knowledge of the harp, and no fond parents to sit by and fancy themselves delighted, her performance was little thought of, only out of civility, or to refresh the others, as she was well aware. She knew that when she played she was giving pleasure only to herself; but this was no new sensation: excepting one short period of her life, she had never, since the age of fourteen, never since the loss of her dear mother, know the happiness of being listened to, or encouraged by any just appreciation or real taste. In music she had been always used to feel alone in the world; and Mr. and Mrs. Musgrove's fond partiality for their own daughters' performance, and total indifference to any other person's, gave her much more pleasure for their sakes, than mortification for her own.

Some rude and rough stones were taken out of Nero’s palace; some that were servants to the most abominable tyrant, and the greatest monster of mankind; one that set Rome on fire, and played on his harp while the flames were crackling about the city; ripped up his mother’s belly to see the place where he lay; would any of the civiller sort of mankind be attendants upon such a devil? Yet some of this monster’s servants became saints. Phil. 4:22. "All the saints salute you, chiefly they that are of Caesar’s household.” To hear of saints in Nero’s family, is as great a prodigy as to hear of saints in hell.

They waited. And waited. And waited some more. Still nothing happened. She turned to Evan and looped her arms round his neck. "I think we might have to kiss. Aurora started them [The Harps] playing with her human boyfriend. I bet hey didn't just hold hands." Suddenly he looked just like the boys at school, impish and foxy. He out his arms tight around her neck. "Or maybe we have to do something more?" She laughed. "You wish." Their faces were inches apart. Little sparks of static were flashing and clicking between them. "I want to kiss you, just in case," he said. So he did, right there beneath the hard in the weird purple light, with their hair standing out like dandelion's. Her first true kiss. Strange. Soft. Sweet. And pretty painful because of the sparks that flew between their lips and zapped of their teeth. And the next moment they were hugging and kissing and almost falling over, until they bumped up against the harp. And this time it didn't ripple beneath them, it gave way." Page 272

I figure if there is a God, he or she isn’t paying attention to what we build or if we follow some elaborate rules, but copping a ride on our shoulders, watching what we do every day. Seeing if we took this great big adventure called life and did anything interesting with it. I figure the folks that are the most interesting get to go to heaven. I mean, if I was God, that’s who I’d want there with me. I also figure being eternally happy would be eternally boring so I try not to be too interesting, even though it’s hard for me. I’d rather be a superhero in hell, kicking all kinds of demon ass, than an angel in heaven, wafting around with a beatific smile on my face, playing a pansy harp all day. Dude, give me drums and big cymbals! I like the crash and bang.

From every enjoyment I was, of course, excluded: my share of the gaiety consisted […] in listening to the sound of the piano or the harp played below, to the passing to and fro of the butler and footman, to the jingling of glass and china as refreshments were handed, to the broken hum of conversation as the drawing-room door opened and closed.  When tired of this occupation, I would retire from the stairhead to the solitary and silent nursery […]. I then sat with my doll on my knee, till the fire got low, glancing round occasionally to make sure that nothing worse than myself haunted the shadowy room; and when the embers sank to a dull red, I undressed hastily, tugging at knots and strings as I best might, and sought shelter from cold and darkness in my crib.

So many years I had spent as a child sifting his bright features for his thoughts, trying to glimpse among them one that bore my name. But he was a harp with only one string, and the note it played was himself. “You have always been the worst of my children,” he said. “Be sure to not dishonour me.” “I have a better idea. I will do as I please, and when you count your children, leave me out.

That night, after we'd had our tea, Kevin and I went bird-watching. Not the usual sort, plodding round the fields with great binoculars round your neck (though I did take my work binoculars). No, we go up in the big trees in the wood, where the birds live. Right to the tops we go, where the branches sway and swing like a comfy bed, and you can look along the green billows of the tree-tops. In spring, we take the eggs out of the nests, handling them gentle, like, and putting them back afterwards of course. An' getting away quickly, so the hen-bird can come back and sit on them again. That's a wonder of life to me; to hold a speckled egg in the palm of your hand, and think what a marvellous thing it's going to become, a bird that flies and feeds and takes its chance with the cats, and breeds its own young and dies back into the dust in the end. Why does anyone need those crazy Christian dreams of Heaven, wi' angels playin' their harps on fleecy clouds, when they can have a wood at sunset, when you can look down from a low branch and see young rabbits playing, or even young foxes tumbling over and over and squeaking when they nip each other with their sharp little teeth?

… in these new days and in these new pages a philosophical tradition of the spontaneity of speculation kind has been rekindled on the sacred isle of Éire, regardless of its creative custodian never having been taught how to freely speculate, how to profoundly question, and how to playfully define. Spontaneity of speculation being synonymous with the philosophical-poetic, the philosophical-poetic with the rural philosopher-poet, and by roundelay the rural philosopher-poet thee with the spontaneity of speculation be. And by the way of the rural what may we say? A philosopher-poet of illimitable space we say. Iohannes Scottus Ériugena the metaphor of old salutes you; salutes your lyrical ear and your skilful strumming of the rippling harp. (Source: Hearing in the Write, Canto 19, Ivy-muffled)

My name is Carana, now get on or by Davalar I’ll leave you here.” He jumped up and slowly floated down onto the horse behind her, slowly sliding his arms around her waist as a lover might. “So do I hold on to you...here?” “Have you ever tried playing the harp without fingers? “Can’t say that I have, although there was this one time in Alrin when I only had one hand so...” “Oh gods above what have I got myself into

The Grand Canyon is a land of song. Mountains of music swell in the rivers, hills of music billow in the creeks, and meadows of music murmur in the rills that ripple over the rocks. Altogether it is a symphony of multitudinous melodies. All this is the music of waters. The adamant foundations of the earth have been wrought into a sublime harp, upon which the clouds of the heavens play with mighty tempests or with gentle showers.

It dawned on her in that moment that what she had loved so much when she heard the harp’s music and then began to play in the midst of the storm was this sense or suggestion of a place, a world without such rules. A place where boundaries simply did not exist, but living things moved freely, in a limitless space, and yet were still connected to everything in much the same way the harp’s music enveloped all the people in the music room last night. Page: 159 - 160

I quietly walk to my room, and keeping the door open, I pick up my cello settling it between my knees. The tips of my left hand press down on the fingerboard, while my right hand saws the bow across the strings. The notes hit the air and I shut my eyes, urging them to find their target. I want them to surround my mom and her dad, but I also want the notes to glue them together, reattach their bond. I know it can happen, and so when my calluses become useless, I keep playing. When my arm protests with fatigue, I keep playing. I keep playing because I believe.

Surely an instrument is neither male nor female—they’re just things that make sound—strings and bows, brass and wood, mallets and cymbals and drumskins and little metal triangles. And yet all you have to do is look around at these musicians to see the way that even sound is gendered. In the middle of the orchestra is the brass section—tubas, trombones, trumpets, French horn, every last one of them played by boys. It’s not all that different in the woodwinds—where the boys play bassoons and clarinets, but all the flutes are played by girls. The strings are even more ridiculous—the deeper the instrument, the more likely it is to be played by a boy. So all the basses? Boys. Most of the cellos? Boys. The violas split half and half. All but one of the violins? Girls. Then there’s the harp, which I guess federal law requires be played by a girl. And the percussion and kettle drums, which are usually played by boys. How weird is this? Most of us decided to play our instruments in third grade, a bunch of little kids who made our choices without even thinking about them. But even at eight years old, we were already running the gender maze that the world had set for us, without even realizing it.

Urgency threaded her voice as she offered her hand. It was gloved, but I could feel the warmth of it still, and thrilled to her touch before seeing that she regretted the gesture. She recoiled, and put the hand in her pocket. At the time, I thought she regretted touching me because a show of kindness could compromise her standing with colleagues like Elma. Years later, I would realize her sorrow arose from taking care of the children that Uncle claimed for his own. It must have been like stringing a harp for someone who played his harp with a knife, or binding a book for someone whose idea of reading was feeding pages to a fire.

I made it when I was young, by my standards, after years of playing on various harps. I shaped its pieces out of Ymris oak beside night fires in far, lonely places where I heard no man’s voice but my own. I carved on each piece the shapes of leaves, flowers, birds I saw in my wanderings. In An, I searched three months for strings for it. I found them finally; sold my horse for them. They were strung to the broken harp of Ustin of Aum, who died of sorrow over the conquering of Aum. Its strings were tuned to his sorrow, and its wood was split like his heart. I strung my harp with them, matching note for note in the restringing. And then I returned them to my joy.” Morgon

A story is told about David as a young boy in King Saul’s court. He asked permission to play on a beautiful harp that was sitting unused in the throne room. King Saul said: “It’s useless. I have been cheated. I paid a great deal for that harp because it was spoken of highly. But the best harpists have tried it, and it was painful to hear the ugly sounds it produced. It’s the worst harp that you could imagine.” David persisted; and because the king loved him greatly, he granted David permission to play it. The music was so beautiful that all the court wept. They had been moved to the depths of their hearts. “How is it,” demanded King Saul, “that so many tried to play this harp, and only you succeeded?” David replied, “All the others tried to play their own songs, and the harp refused to yield to their wishes. I played to the harp its own song. You saw its joy when I reminded it of the days when it was a young tree in the forest. I told it about sunbeams playing in its branches, about chirping birds and about lovers embracing each other in its shadow. The harp was glad to remember those days. “I told the story of the evil men who came and cut down the innocent tree. It was a sad day. Its life as a tree had finished. However, I told the harp that death cannot triumph over life. The tree has died as a tree, but its wood has become a harp, which can sing forever the glories of the eternal God. And the harp, which had wept when I told about her death, now rejoiced.

She had no will of her own now, no consecutive thought, no power of concentration; she was being dashed and hurtled into a chaos that blinded her, some bottomless pit, some sweet, appalling nothingness. [...] Papa who played her on a thousand strings, she dancing to his tune like a doll on wires - Papa who harped at her and would not let her be. He was cruel, he was relentless, he was like some oppressive, suffocating power that stifled her and could not be warded off; he gave her all these bewildering sounds and sensations without causing so that she was like a child stuffed with sweets cloying and rich; they were rammed down her throat and into her belly, filling her, exhausting her, making her a drum of excitement and anguish and emotion that was gripping in its savage intensity. It was too much for her, too strong. She felt as though she were a dry stack in a deep wood, and he had put a match to her and was watching her burn.

A feeling of slow motion came upon me then, and parts of my bike scratched against bits of my body. Slimy seaweed tangled around my ankles and my shoes slipped off my feet. My arms and legs were dragged in different directions as if there was an underwater force making me dance to a morbid tune. I felt light. I felt slow. I felt fast - all in quick succession, but I couldn't think of anything except the quite relaxing idea that soon everything was going to be over. I was alone. All around the wet rocks were silent and slimy. I couldn't feel any pleasure or any purpose. My decision seemed to make a terrible kind of sense My panic had gone. I was finished making decisions. I didn't think I'd ever have any more to make. I'm not exactly sure what I'd been hoping for next. Brightness and song possibly. Beautiful music perhaps, say a harp or something playing in the distance and warmth to soothe my numb, frozen, sopping, scraped body. I definitely wasn't expecting what happened next.

But in Hebrew scripture David is not just the “sweet singer of Israel,” the chiseled poet who plays a harp and composes the Psalms. After he makes his name by killing Goliath, David recruits a gang of guerrillas, extorts wealth from his fellow citizens at swordpoint, and fights as a mercenary for the Philistines. These achievements make Saul jealous: the women in his court are singing, “Saul has killed by the thousands, but David by the tens of thousands.” So Saul plots to have him assassinated.19 David narrowly escapes before staging a successful coup. When David becomes king, he keeps up his hard-earned reputation for killing by the tens of thousands. After his general Joab “wasted the country of the children of Ammon,” David “brought out the people that were in it, and cut them with saws, and with harrows of iron, and with axes.” 20 Finally he manages to do something that God considers immoral: he orders a census. To punish David for this lapse, God kills seventy thousand of his citizens.

GIVE ME THE SONGS OF A NATION” Sing for joy to God our strength; shout aloud to the God of Jacob! Begin the music, strike the timbrel, play the melodious harp and lyre. Psalm 81:1–2 Let these two quotations wash over you:           “I am the art in your arthouses, the ideas in your institutions, the laws in your land, the message in your movies, the thoughts of your teachers, the values your kids value. I affect you. Do you affect me?”—Culture And also this one, from the fifth-century BC Greek musician Damon of Athens:           Give me the songs of a nation, and it matters not who writes its laws. I wish more of us—especially our politicians—realized that ideas have consequences in the real world. When we embrace certain ideals in our movies and songs (sex without restraint, for example, which happened during the “free love” 1970s), it affects our culture in ways that rules and regulations can’t undo. SWEET FREEDOM IN Action Today, don’t let movies, songs, and the arts be dominated by liberals. Instead, arm your Christian children and grandkids with a solid worldview and encourage them to enter these areas boldly and with excellence.

Keep a clear conscience. Contentment is the manna that is laid up in the ark of a good conscience: O take heed of indulging any sin! it is as natural for guilt to breed disquiet, as for putrid matter to breed vermin. Sin lies as Jonah in the ship, it raiseth a tempest. If dust or motes be gotten into the eye, they make the eye water, and cause a soreness in it; if the eye be clear, then it is free from that soreness; if sin be gotten into the conscience, which is as the eye of the soul, then grief and disquiet breed there; but keep the eye of conscience clear, and all is well. What Solomon saith of a good stomach, I may say of a good conscience, "to the hungry soul every bitter thing is sweet:"Pr. 27. 7 so to a good conscience every bitter thing is sweet; it can pick contentment out of the cross. A good conscience turns the waters of Marah into wine. Would you have a quiet heart? Get a smiling conscience. I wonder not to hear Paul say he was in every state content, when he could make that triumph, "I have lived in all good conscience to this day." When once a man's reckonings are clear, it must needs let in abundance of contentment into the heart. Good conscience can suck contentment out of the bitterest drug, under slanders; "our rejoicing is this, the testimony of our conscience."2 Cor. 1. 12 In case of imprisonment, Paul had his prison songs, and could play the sweet lessons of contentment, when his feet were in the stocks.Ac. 16. 25 Augustine calls it "the paradise of a good conscience;" and if it be so, then in prison we may be in paradise. When the times are troublesome, a good conscience makes a calm. If conscience be clear, what though the days be cloudy? is it not a contentment to have a friend always by to speak a good word for us? Such a friend is conscience. A good conscience, as David's harp, drives away the evil spirit of discontent. When thoughts begin to arise, and the heart is disquieted, conscience saith to a man, as the king did to Nehemiah, "why is thy countenance sad?" so saith conscience, hast not thou the seed of God in thee? art not thou an heir of the promise? hast not thou a treasure that thou canst never be plundered of? why is thy countenance sad? O keep conscience clear, and you shall never want contentment! For a man to keep the pipes of his body, the veins and arteries, free from colds and obstructions, is the best way to maintain health: so, to keep conscience clear, and to preserve it from the obstructions of guilt, is the best way to maintain contentment. First, conscience is pure, and then peaceable.

But why . . . you've said Lestat shouldn't have made you start with people. Did you mean . . . do you mean for you it was an aesthetic choice, not a moral one?’ ’Had you asked me then, I would have told you it was aesthetic, that I wished to understand death in stages. That the death of an animal yielded such pleasure and experience to me that I had only begun to understand it, and wished to save the experience of human death for my mature understanding. But it was moral. Because all aesthetic decisions are moral, really.’ ‘I don’t understand,’ said the boy. ‘I thought aesthetic decisions could be completely immoral. What about the cliché of the artist who leaves his wife and children so he can paint? Or Nero playing the harp while Rome burned?’ ‘Both were moral decisions. Both served a higher good, in the mind of the artist. The conflict lies between the morals of the artist and the morals of society, not between aesthetics and morality. But often this isn’t understood; and here comes the waste, the tragedy. An artist, stealing paints from a store, for example, imagines himself to have made an inevitable but immoral decision, and then he sees himself as fallen from grace; what follows is despair and petty irresponsibility, as if morality were a great glass world which can be utterly shattered by one act. But this was not my great concern then. I did not know these things then. I believed I killed animals for aesthetic reasons only, and I hedged against the great moral question of whether or not by my very nature I was damned.

Are you going to help me up?” Adaira unwound her matted braid and laughed again. “Do you think I was born yesterday?” She gave him a terrible idea. He almost smiled. “Then will you at least take my harp? It’s going to warp now, after all this time in the water.” He held up his instrument, and Adaira studied it. Jack concealed his glee as she reached forward to take hold of his harp. As soon as her fingers closed over the frame, he pulled. Adaira let out a shriek as she tumbled into the sea, just over his head. He couldn’t resist it; a broad grin spread across his face as Adaira spluttered to the surface. “You will soon pay for that,” she said, wiping water from her eyes. “Old menace.” “I have no doubt,” he replied in a droll tone. “What will it be, heiress? Tar and feathers? The stocks? My firstborn son?” She stared at him a moment, pearls of water on her long lashes. The sea lapped at their shoulders, and Jack could feel her fingers brush his as they both waded in the roll of the waves. “I can think of something far worse.” But she smiled as she said it, and he had never seen such a smile on her face before. Or maybe he had once, long ago when they were children. She was making him remember those old days. Days spent in the sea and caves. Nights spent roaming the wild places, the thistle patches and glens and the rocks on the coast. She was making him remember what it felt like to belong on isle. To belong to the east. She wanted him to stay and play for their clan, and Jack was beginning to think that maybe he should seize that opportunity, even if it stole his health, song by song. Just for a year. A full passing of seasons. Long enough to see her rise as laird. He drew a tendril of golden algae from her hair and begrudgingly acknowledged it then. He disliked her a little less than yesterday. And that could only bring him trouble.

Sylphid was beginning to play professionally, and she was subbing as second harpist in the orchestra at Radio City Music Hall. She was called pretty regularly, once or twice a week, and she’d also got a job playing at a fancy restaurant in the East Sixties on Friday night. Ira would drive her from the Village up to the restaurant with her harp and then go and pick her and the harp up when she finished. He had the station wagon, and he’d pull up in front of the house and go inside and have to carry it down the stairs. The harp is in its felt cover, and Ira puts one hand on the column and one hand in the sound hole at the back and he lifts it up, lays the harp on a mattress they keep in the station wagon, and drives Sylphid and the harp uptown to the restaurant. At the restaurant he takes the harp out of the car and, big radio star that he is, he carries it inside. At ten-thirty, when the restaurant is finished serving dinner and Sylphid’s ready to come back to the Village, he goes around to pick her up and the whole operation is repeated. Every Friday. He hated the physical imposition that it was—those things weigh about eighty pounds—but he did it. I remember that in the hospital, when he had cracked up, he said to me, ‘She married me to carry her daughter’s harp! That’s why the woman married me! To haul that fucking harp!’ “On those Friday night trips, Ira found he could talk to Sylphid in ways he couldn’t when Eve was around. He’d ask her about being a movie star’s child. He’d say to her, ‘When you were a little girl, when did it dawn on you that something was up, that this wasn’t the way everyone grew up?’ She told him it was when the tour buses went up and down their street in Beverly Hills. She said she never saw her parents’ movies until she was a teenager. Her parents were trying to keep her normal and so they downplayed those movies around the house. Even the rich kid’s life in Beverly Hills with the other movie stars’ kids seemed normal enough until the tour buses stopped in front of her house and she could hear the tour guide saying, ‘This is Carlton Pennington’s house, where he lives with his wife, Eve Frame.’ “She told him about the production that birthday parties were for the movie stars’ kids—clowns, magicians, ponies, puppet shows, and every child attended by a nanny in a white nurse’s uniform. At the dining table, behind every child would be a nanny. The Penningtons had their own screening room and they ran movies. Kids would come over. Fifteen, twenty kids.