Player Love Quotes

We've searched our database for all the quotes and captions related to Player Love. Here they are! All 100 of them:

A true gentleman is one that apologizes anyways, even though he has not offended a lady intentionally. He is in a class all of his own because he knows the value of a woman's heart.
Shannon L. Alder
I’m stuck babysitting turtle eggs while a volleyball player slash grease monkey slash aquarium volunteer tries to hit on me.” I’m not hitting on you,” he protested. No?” Believe me, you’d know if I was hitting on you. You wouldn’t be able to stop yourself from succumbing to my charms.
Nicholas Sparks (The Last Song)
If a man, who says he loves you, won’t tell you the details of a private conversation between him and another woman you can be sure he is not protecting your heart. He is protecting himself and the women he has feelings for. Wise women simply see things as they are, not as their low self-esteem allows.
Shannon L. Alder
Chasing a man is not winning. The only thing you win is the loss of your dignity. Confidence is knowing your value, instead of expecting a man’s love to provide you with value.
Shannon L. Alder
She was a genius on paper. But not a team player. She was quick to loathe others. But not against loving. She was a complicated equation that didn't need to be solved.
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
I heard you were a player , okay , lets play a game. We'll flirt, play fights, talk 24/7, say goodmorning and goodnight every day, give each other nicknames, hang out, talk on the phone for hours, take cute pictures together, make promises to each other and hold each other. And whoever falls in love first, loses.
Lyla Tyela Belikov
His hand was on my throat, and he was crushing me back with his body into the cold steel beam behind me. "Yes, I have loved, Ms. Lane, and although it‘s none of your business, I have lost. Many things. And no, I am not like any other player in this game and I will never be like V‘lane, and I get a hard-on a great deal more often than occasionally." He leaned fully against me and I gasped. "Sometimes it‘s over a spoiled little girl, not a woman at all. And yes, I trashed the bookstore when I couldn‘t find you. You‘ll have to choose a new bedroom, too. And I‘m sorry your pretty little world got all screwed up, but everybody‘s does, and you go on. It‘s how you go on that defines you." His hand relaxed on my throat. "And I am going to tattoo you, Ms. Lane, however and wherever I please.
Karen Marie Moning (Bloodfever (Fever, #2))
....finally I see that it’s never been me, just a blanket that keeps you warm. Easily tossed along when something flashier or someone prettier comes along. Your heart I held so carefully, I see, this was all just a game...
Coco J. Ginger
I am looking for the one I can’t fool.
Kamand Kojouri
A deceitful man will go as far as to trample all over a woman’s reputation and spirit, in order to prove to his ex-love that he was faithful. The irony, is he is still in love with his ex and the new woman in his life doesn’t even realize it.
Shannon L. Alder
I've apparently been the victim of growing up, which apparently happens to all of us at one point or another. It's been going on for quite some time now, without me knowing it. I've found that growing up can mean a lot of things. For me, it doesn't mean I should become somebody completely new and stop loving the things I used to love. It means I've just added more things to my list. Like for example, I'm still beyond obsessed with the winter season and I still start putting up strings of lights in September. I still love sparkles and grocery shopping and really old cats that are only nice to you half the time. I still love writing in my journal and wearing dresses all the time and staring at chandeliers. But some new things I've fallen in love with -- mismatched everything. Mismatched chairs, mismatched colors, mismatched personalities. I love spraying perfumes I used to wear when I was in high school. It brings me back to the days of trying to get a close parking spot at school, trying to get noticed by soccer players, and trying to figure out how to avoid doing or saying anything uncool, and wishing every minute of every day that one day maybe I'd get a chance to win a Grammy. Or something crazy and out of reach like that. ;) I love old buildings with the paint chipping off the walls and my dad's stories about college. I love the freedom of living alone, but I also love things that make me feel seven again. Back then naivety was the norm and skepticism was a foreign language, and I just think every once in a while you need fries and a chocolate milkshake and your mom. I love picking up a cookbook and closing my eyes and opening it to a random page, then attempting to make that recipe. I've loved my fans from the very first day, but they've said things and done things recently that make me feel like they're my friends -- more now than ever before. I'll never go a day without thinking about our memories together.
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
I have always, essentially, been waiting. Waiting to become something else, waiting to be that person I always thought I was on the verge of becoming, waiting for that life I thought I would have. In my head, I was always one step away. In high school, I was biding my time until I could become the college version of myself, the one my mind could see so clearly. In college, the post-college “adult” person was always looming in front of me, smarter, stronger, more organized. Then the married person, then the person I’d become when we have kids. For twenty years, literally, I have waited to become the thin version of myself, because that’s when life will really begin. And through all that waiting, here I am. My life is passing, day by day, and I am waiting for it to start. I am waiting for that time, that person, that event when my life will finally begin. I love movies about “The Big Moment” – the game or the performance or the wedding day or the record deal, the stories that split time with that key event, and everything is reframed, before it and after it, because it has changed everything. I have always wanted this movie-worthy event, something that will change everything and grab me out of this waiting game into the whirlwind in front of me. I cry and cry at these movies, because I am still waiting for my own big moment. I had visions of life as an adventure, a thing to be celebrated and experienced, but all I was doing was going to work and coming home, and that wasn’t what it looked like in the movies. John Lennon once said, “Life is what happens when you’re busy making other plans.” For me, life is what was happening while I was busy waiting for my big moment. I was ready for it and believed that the rest of my life would fade into the background, and that my big moment would carry me through life like a lifeboat. The Big Moment, unfortunately, is an urban myth. Some people have them, in a sense, when they win the Heisman or become the next American Idol. But even that football player or that singer is living a life made up of more than that one moment. Life is a collection of a million, billion moments, tiny little moments and choices, like a handful of luminous, glowing pearl. It takes so much time, and so much work, and those beads and moments are so small, and so much less fabulous and dramatic than the movies. But this is what I’m finding, in glimpses and flashes: this is it. This is it, in the best possible way. That thing I’m waiting for, that adventure, that move-score-worthy experience unfolding gracefully. This is it. Normal, daily life ticking by on our streets and sidewalks, in our houses and apartments, in our beds and at our dinner tables, in our dreams and prayers and fights and secrets – this pedestrian life is the most precious thing any of use will ever experience.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
Newsflash: it's not the guy who determines whether you're a sports fisher or a keeper-it's you. (Don't hate the player, hate the game.) When a man approaches you you're the one with total control over the situation-whether he can talk to you, buy you a drink, dance with you, get your number, take you home, see you again, all of that. We certainly want these things from you; that's why we talked to you in the first place. But it's you who decides if you're going to give us any of the things we want, and how, exactly, we're going to get them. Where you stand in our eyes is dictated by YOUR control over the situation. Every word you say, every move you make, every signal you give to a man will help him determine whether he should try to play you, be straight with you, or move on to the next woman to do a little more sport fishing.
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
You are such a tease, Remy—you just love to lead every guy on. Don’t you? But you’re the one who’s going to get hurt. Logan is a player. Trust me, I know him and his kind.
Hope Worthington (Shifting Moon: Shifting Moon Saga, Book 1)
The number of chances you give someone doesn't tell the world how loving you are without telling them how desperate you are to believe they care as much as you. True love resides in the first chance, stupidity in the second, opportunists in the third and scoundrels in the fourth.
Shannon L. Alder
As we continued to talk, going through the motions of getting to know each other, I realized that we already did know each other, as well as any two people could. We’d known each other for years, in the most intimate way possible. We’d connected on a purely mental level. I understood her, trusted her, and loved her as a dear friend. None of that had changed, or could be changed by anything as inconsequential as her gender, or skin color, or sexual orientation.
Ernest Cline (Ready Player One (Ready Player One, #1))
She stabbed him with her wicked pretty knife, disrupted his simple life. She's a player, a heartbreaker, and now she breaks alone.
Coco J. Ginger
I will never stop grieving for my long-held wish for enduring love that does not reduce its major players to something less than they are.
Deborah Levy (The Cost of Living: A Working Autobiography)
Reductio ad absurdum, which Euclid loved so much, is one of a mathematician's finest weapons. It is a far finer gambit than any chess play: a chess player may offer the sacrifice of a pawn or even a piece, but a mathematician offers the game.
G.H. Hardy (A Mathematician's Apology)
I've been thinking lately about immortality. What it means to be remembered, what I want to be remembered for, certain questions concerning memory and fame. I love watching old movies. I watch the faces of long-dead actors on the screen, and I think about how they'll never truly die. I know that's a cliché but it happens to be true. Not just the famous ones who everyone knows, the Clark Gables, the Ava Gardners, but the bit players, the maid carrying the tray, the butler, the cowboys in the bar, the third girl from the left in the nightclub. They're all immortal to me. First we only want to be seen, but once we're seen, that's not enough anymore. After that, we want to be remembered.
Emily St. John Mandel (Station Eleven)
man is a frivolous and incongruous creature, and perhaps, like a chess player, loves the process of the game, not the end of it.
Fyodor Dostoevsky (Notes from the Underground)
Thunder only happens when it's raining. Players only love you when they're playing.
Jennifer Jabaley (Lipstick Apology)
In the end one loves one's desire and not what is desired.
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
My love for her was a heavy, pulsing, living thing, and it made me feel crazy, and anxious, and famished.
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
All other trades are contained in that of war. Is that why war endures? No. It endures because young men love it and old men love it in them. Those that fought, those that did not. That's your notion. The judge smiled. Men are born for games. Nothing else. Every child knows that play is nobler than work. He knows too that the worth or merit of a game is not inherent in the game itself but rather in the value of that which is put at hazard. Games of chance require a wager to have meaning at all. Games of sport involve the skill and strength of the opponents and the humiliation of defeat and the pride of victory are in themselves sufficient stake because they inhere in the worth of the principals and define them. But trial of chance or trial of worth all games aspire to the condition of war for here that which is wagered swallows up game, player, all.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Family was even a bigger word than I imagined, wide and without limitations, if you allowed it, defying easy definition. You had family that was supposed to be family and wasn't, family that wasn't family but was, halves becoming whole, wholes splitting into two; it was possible to lack whole, honest love and connection from family in lead roles, yet to be filled to abundance by the unexpected supporting players.
Deb Caletti (The Secret Life of Prince Charming)
What’s this?” “An apology, of sorts.” I made a moue, but slipped the lid from the top . . . and then my breath left me. Inside the box sat a baseball, its well-worn white leather marked by the signatures of every Cubs player from the team. It was just like the one I’d had—just like the one I’d told him about the night we made love.
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
Tennis is the only sport with love in the score, and that makes it the most romantic. I would be a player, but I wisely use the net to go fishing instead.
Jarod Kintz (This Book is Not for Sale)
I love you so fucking much, my naughty, sweet Plum.
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
Any game becomes important when you know and love the players.
W.P. Kinsella (Shoeless Joe)
I find myself thinking back to something I saw on the local news about a year ago. A teen football player had died in a car accident. The cameras showed all his friends after the funeral—these big hulking guys, all in tears, saying, “I loved him. We all loved him so much.” I started crying, too, and I wondered if these guys had told the football player they loved him while he was alive, or whether it was only with death that this strange word, love, could be used. I vowed then and there that I would never hesitate to speak up to the people I loved. They deserved to know they gave meaning to my life. They deserved to know I thought the world of them.
David Levithan (Boy Meets Boy)
The life of one we love is never lost. Its influence goes through every life it ever touched.
Katie Ashley (Don't Hate the Player...Hate the Game)
We ache with the yearning that turns half into whole and offer no excuses for the beauty of our souls.
Aberjhani (Songs from the Black Skylark zPed Music Player)
Man is a rope stretched between the animal and the Superman--a rope over an abyss. A dangerous crossing, a dangerous wayfaring, a dangerous looking-back, a dangerous trembling and halting. What is great in man is that he is a bridge and not a goal: what is lovable in man is that he is an OVER-GOING and a DOWN-GOING. I love those that know not how to live except as down-goers, for they are the over-goers. I love the great despisers, because they are the great adorers, and arrows of longing for the other shore. I love those who do not first seek a reason beyond the stars for going down and being sacrifices, but sacrifice themselves to the earth, that the earth of the Superman may hereafter arrive. I love him who lives in order to know, and seeks to know in order that the Superman may hereafter live. Thus seeks he his own down-going. I love him who labors and invents, that he may build the house for the Superman, and prepare for him earth, animal, and plant: for thus seeks he his own down-going. I love him who loves his virtue: for virtue is the will to down-going, and an arrow of longing. I love him who reserves no share of spirit for himself, but wants to be wholly the spirit of his virtue: thus walks he as spirit over the bridge. I love him who makes his virtue his inclination and destiny: thus, for the sake of his virtue, he is willing to live on, or live no more. I love him who desires not too many virtues. One virtue is more of a virtue than two, because it is more of a knot for one's destiny to cling to. I love him whose soul is lavish, who wants no thanks and does not give back: for he always bestows, and desires not to keep for himself. I love him who is ashamed when the dice fall in his favor, and who then asks: "Am I a dishonest player?"--for he is willing to succumb. I love him who scatters golden words in advance of his deeds, and always does more than he promises: for he seeks his own down-going. I love him who justifies the future ones, and redeems the past ones: for he is willing to succumb through the present ones. I love him who chastens his God, because he loves his God: for he must succumb through the wrath of his God. I love him whose soul is deep even in the wounding, and may succumb through a small matter: thus goes he willingly over the bridge. I love him whose soul is so overfull that he forgets himself, and all things that are in him: thus all things become his down-going. I love him who is of a free spirit and a free heart: thus is his head only the bowels of his heart; his heart, however, causes his down-going. I love all who are like heavy drops falling one by one out of the dark cloud that lowers over man: they herald the coming of the lightning, and succumb as heralds. Lo, I am a herald of the lightning, and a heavy drop out of the cloud: the lightning, however, is the SUPERMAN.--
Friedrich Nietzsche (Thus Spoke Zarathustra)
Don’t forget this moment. Don’t forget the absolute truth in the way you feel right now. I love you and I’m not going to stop.
Cambria Hebert (#Player (Hashtag, #3))
A POCKET-SIZED GIRL He keeps me in his pocket for a rainy day; he swears I'm not an object as he yo-yo's me away. A friend is what we'll call it, but my friend, he does not know, each time it rains I love him— so to his pocket, I must go. He thinks he's being clever, but I am not a fool; his love ain't worth a penny, so to my heart I must be cruel.
Coco J. Ginger
That look, that tenderness in her eyes, made me realize for the first time what was happening to me: I was falling in love.
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
You desire to LIVE "according to Nature"? Oh, you noble Stoics, what fraud of words! Imagine to yourselves a being like Nature, boundlessly extravagant, boundlessly indifferent, without purpose or consideration, without pity or justice, at once fruitful and barren and uncertain: imagine to yourselves INDIFFERENCE as a power—how COULD you live in accordance with such indifference? To live—is not that just endeavouring to be otherwise than this Nature? Is not living valuing, preferring, being unjust, being limited, endeavouring to be different? And granted that your imperative, "living according to Nature," means actually the same as "living according to life"—how could you do DIFFERENTLY? Why should you make a principle out of what you yourselves are, and must be? In reality, however, it is quite otherwise with you: while you pretend to read with rapture the canon of your law in Nature, you want something quite the contrary, you extraordinary stage-players and self-deluders! In your pride you wish to dictate your morals and ideals to Nature, to Nature herself, and to incorporate them therein; you insist that it shall be Nature "according to the Stoa," and would like everything to be made after your own image, as a vast, eternal glorification and generalism of Stoicism! With all your love for truth, you have forced yourselves so long, so persistently, and with such hypnotic rigidity to see Nature FALSELY, that is to say, Stoically, that you are no longer able to see it otherwise—and to crown all, some unfathomable superciliousness gives you the Bedlamite hope that BECAUSE you are able to tyrannize over yourselves—Stoicism is self-tyranny—Nature will also allow herself to be tyrannized over: is not the Stoic a PART of Nature?... But this is an old and everlasting story: what happened in old times with the Stoics still happens today, as soon as ever a philosophy begins to believe in itself. It always creates the world in its own image; it cannot do otherwise; philosophy is this tyrannical impulse itself, the most spiritual Will to Power, the will to "creation of the world," the will to the causa prima.
Friedrich Nietzsche (Beyond Good and Evil)
Seek a man that doesn't ask you to prove your love. Seek a man that will prove God's love.
Shannon L. Alder
She wasn't his girlfriend. She was his bubblegum girl--only fun until she lost her flavor.
Jenny Rosen (Cheater, Faker, Troublemaker)
In my experience, commitment leads to expectations, and expectations lead to lies, and hurt, and disappointment-stuff I'd rather not experience, or force others to experience.
Ali Hazelwood (Check & Mate)
If it were true love, he would never make you sacrifice your dignity to be with him. He would respect you and treat you as if you were sacred to his heart. If he loved you as dearly as he professes to love Christ, then he would never let anyone that loved him suffer or lower their self worth to be with him. True love is compassion, respect and honorable acts that prove love.
Shannon L. Alder
I think it was Donald Mainstock, the great amateur squash player who pointed out how lovely I was. Until that time I think it was safe to say that I had never really been aware of my own timeless brand of loveliness. But his words smote me, because of course you see, I am lovely in a fluffy moist kind of way and who would have it otherwise? I walk, and let’s be splendid about this, in a highly accented cloud of gorgeousness that isn't far short of being, quite simply terrific. The secret of smooth almost shiny loveliness, of the order of which we are discussing, in this simple, frank, creamy sort of way, doesn't reside in oils, unguents, balms, ointments, creams, astringents, milks, moisturizers, liniments, lubricants, embrocations or balsams, to be rather divine for just one noble moment, it resides, and I mean this in a pink slightly special way, in ones attitude of mind. To be gorgeous, and high and true and fine and fluffy and moist and sticky and lovely, all you have to do is believe that one is gorgeous and high and true and fine and fluffy and moist and sticky and lovely. And I believe it of myself, tremulously at first and then with rousing heat and passion, because, stopping off for a second to be super again, I’m so often told it. That’s the secret really.
Stephen Fry (A Bit of Fry & Laurie)
Oh, hello," Dr. M says, shaking Balder's hand. "Wonderful costume. I'm a bit of a role player myself on the weekends. Tell me, where did you get the helmet?" It was forged in the North, blessed by the hands of Odin, given to me by my mother, Frigg," Balder answers. Lovely. I got mine on the Internet.
Libba Bray
...I know I’ve broken all the rules of all the games, that all the great players and best love calculators recommend that you play, if you want to make someone like you a lot. But that’s okay, because I give up. I’ve got my coffee sitting in my San Francisco cup, I’ve got Kona island and a working beating heart that’s not cold, hard, or numb—very workable and capable of loving, breaking, mending and repeating. So that’s just what I’ll do. Because I’m too tired. Too tired uping all nighting wasting my precious timing wishing it was your heart pumping, wanting me— like I used to want you.
Coco J. Ginger
Love isn't shit. It's not worth a damn thing. But time, attention, priority... those things are real, and until a man gives you those, don't give him the time of day, beautiful.
Sara Cate (Eyes on Me (Salacious Players Club, #2))
The fact that the person who you are sleeping with is also sleeping with another person or other people does not necessarily mean that he or she does not love you. And the fact that you are the only person who someone is sleeping with does not necessarily mean that he or she loves you.
Mokokoma Mokhonoana
Even in the game there lurks a lack of freedom; even in a game is a trap for the players.
Milan Kundera (Laughable Loves)
We told each other what movies we were currently watching and what books we were reading.
Ernest Cline (Ready Player One (Ready Player One, #1))
Whenever you keep score in love, you lose.
Kamand Kojouri
The rhythm of her conversation. The perfection of her creation. The sex she slipped into my coffee. The way she felt when she first saw me. Hate to love and love to hate her. Like a broken record player. Back and forth and here and gone and on and on and on and on...
Maroon 5 (Maroon 5 - Songs About Jane)
Is there anything as incredible as the love story of your own parents? Anything as hard to grasp as the fact that those two over-the-hill players, permanently on the disabled list, were once in the starting lineup? It's impossible to imagine my father, who in my experience was aroused mainly by the lowering of interest rates, suffering the acute, adolescent passions of the flesh.
Jeffrey Eugenides (Middlesex)
Princess, the contents of your shoe closet would break the budgets of a lot of third world countries - Jake Malone
Mackenzie Crowne (To Win Her Love (Players, #1))
Oh, God. He's a sex whisperer." Gracie Gable
Mackenzie Crowne (To Win Her Love (Players, #1))
The key to a happy, strong, and fulfilling marriage? Marry a Team Player. - Strong by Kailin Gow
Kailin Gow
When love becomes toxic, it’s not love anymore.
Sara Cate (Praise (Salacious Players Club, #1))
I love you. How much? More than the ocean is large. More than a shark loves human limbs. More than Gavin loves his reflection. More than baseball players love steroids. More than chocolate, more than wine and way, way more than anchovies. More than yesterday, but less than tomorrow. .... How much? I type. This much. It's his voice.
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
I’m grinning like the town idiot. And now is not the time to be grinning like the town idiot, not when I’m buck naked in a room full of showering dudes and my girlfriend is glaring daggers at me. But I’m so happy to see her that I can’t control my facial muscles. My eyes eat up the sight of her. Her gorgeous face. Dark hair pulled back in a ponytail with a pink hair thingie. Infuriated green eyes. She’s so damn hot when she’s mad at me. “It’s nice to see you too, baby,” I answer cheerfully. “How was your break?” “Don’t you baby me. And don’t ask about my break because you don’t deserve to know about it!” Hannah glowers at me, then shifts her attention to the three hockey players in the neighboring stalls. “For the love of Pete, would you guys just rinse off and skedaddle already? I’m trying to yell at your captain.” I choke back a laugh, which ends up spilling out when my teammates snap to attention like they’ve been issued a command by a drill sergeant. Showers turn off and towels come out, and a moment later, Hannah and I are alone.
Elle Kennedy (The Deal (Off-Campus, #1))
It is worth noting that the main players in the recomposition project are women—scientists, anthropologists, lawyers, architects. Educated women, who have the privilege to devote their efforts to righting a wrong. They’ve given prominent space in their professional careers to changing the current system of death. Katrina noted that “humans are so focused on preventing aging and decay—it’s become an obsession. And for those who have been socialized female, that pressure is relentless. So decomposition becomes a radical act. It’s a way to say, ‘I love and accept myself.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
Got just enough room to be a friend of yours. Oh I hope you got room to be a friend of mine.
Aberjhani (Songs from the Black Skylark zPed Music Player)
I was so lost in love with this girl.
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
I was in love with her. I could feel it, deep in the soft, chewy caramel center of my being. And
Ernest Cline (Ready Player One)
When you can accept the worst aspects of your teammates because you love the collective, that’s when you’re a team player.
Fredrik Backman (Beartown (Beartown, #1))
I love you, Bridget. I’m pretty sure you feel the same way about me, and screw the whole dating thing. Let’s get married.
J. Lynn (Tempting the Player (Gamble Brothers, #2))
Everyone who loves pro basketball assumes it's a little fixed. We all think the annual draft lottery is probably rigged, we all accept that the league aggressively wants big market teams to advance deep into the playoffs, and we all concede that certain marquee players are going to get preferential treatment for no valid reason. The outcomes of games aren't predeteremined or scripted but there are definitely dark forces who play with our reality. There are faceless puppet masters who pull strings and manipulate the purity of justice. It's not necessarily a full-on conspiracy, but it's certainly not fair. And that's why the NBA remains the only game that matters: Pro basketball is exactly like life.
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
It was the dream itself enchanted me: Character isolated by a deed To engross the present and dominate memory. Players and painted stage took all my love, And not those things that they were emblems of. [from "The Circus Animals' Desertion"]
W.B. Yeats
I want to protect you. I want to spoil you. I want to have children with you and spoil them too. I want to grow old with you. And at the end of our lives, you will have no doubt you were loved and adored by me for every second.
Kresley Cole (The Player (The Game Maker, #3))
By not saying “I” before “love you,” he’s making it more casual. Seriously, “love you” and “I love you” are different. Same team, different players. “Love you” isn’t as forward or aggressive as “I love you.” “Love you” can slip up on you, sure, but it doesn’t make an in-your-face slam dunk. More like a nice jump shot.
Angie Thomas (The Hate U Give)
Cats have a sort of game they play when they meet. A player alternates between watching the strange cat and ignoring her, grooming or examining everything around herself - a dead leaf, a cloud - with complete absorption. It is almost accidental how the two cats approach, a sidelong step and then the sitting again. This often ends in a flurry of spitting and slashing claws, too fast to see clearly, and then one or the other (or both) of the cats leap out of range. The game can have one exchange or many - and is not so different from the first meetings of women.
Kij Johnson (Fudoki (Love/War/Death, #2))
Before long, billions of people around the world were working and playing in the OASIS every day. Some of them met, fell in love, and got married without ever setting foot on the same continent. The lines of distinction between a person’s real identity and that of their avatar began to blur. It was the dawn of new era, one where most of the human race now spent all of their free time inside a videogame.
Ernest Cline (Ready Player One (Ready Player One, #1))
That was what made the story so epic: the player, the hero, had to suffer mightily en route to his final triumph. Schwartz knew that people loved to suffer, as long as the suffering made sense. Everybody suffered. The key was to choose the form of your suffering. Most people couldn't do this alone; they needed a coach. A good coach made you suffer in a way that suited you. A bad coach made everyone suffer in the same way, and so was more like a torturer.
Chad Harbach (The Art of Fielding)
Violinists wear the imprint on their necks with pride For they are the players of harmony. Pilgrims, too, wear the imprint on their foreheads with pride For they are the conductors of unity. And Lovers? Why, they are made humble by the imprint on their hearts For they are merely the instruments of rhapsody.
Kamand Kojouri
This may be crazy, but what the hell, right?" He reached into his pocket and pulled out a small black box, and Bridget felt faint as he cracked it open. An emerald set in a silver band winked up at her. "I love you, Bridget. I'm pretty sure you feel the same way about me, and screw the whole dating thing. Let's get married.
J. Lynn (Tempting the Player (Gamble Brothers, #2))
There is a great new work before us, which is to replace with true knowledge the ignorance that has destroyed human minds. We will construct unity in a world [which] has been brutally torn apart by false divisions of race, religion, gender, nationality, and age. We will heal with unconditional love those souls whose hearts have been disfigured by hatred and loneliness.
Aberjhani (Songs from the Black Skylark zPed Music Player)
Some people define themselves by railing against all of the things they hate, while explaining why everyone else should hate it too. But not me. I prefer to lead with my love—to define myself through joyous yawps of admiration, instead of cynical declarations of disdain.
Ernest Cline (Ready Player Two (Ready Player One, #2))
Saint took a seat at the main faro table at the Society club. “What the devil is a ladies' political tea?” Tristan Carroway, Viscount Dare, finished placing his wager, then sat back, reaching for his glass of port. “Do I look like a dictionary?” “You're domesticated.” Saint motioned for a glass of his own, despite unfriendly looks from the tables' other players. “What is it?” “I'm not domesticated; I'm in love. You should try it. Does wonders for your outlook on life.” “I'll take your word for it, thank you.
Suzanne Enoch (London's Perfect Scoundrel (Lessons in Love, #2))
Some men know the exact amount of money in their bank accounts,” she continued. “Other men know how many miles are on their car and how many more miles it’ll handle. Other men know the batting average of their favorite baseball player and more other men know the exact sum Uncle Sam has screwed ’em. Your father knows no such figures. The only numbers Landon Carpenter has in his head are the numbers of stars in the sky on the days his children were born. I don’t know about you, but I would say that a man who has skies in his head full of the stars of his children, is a man who deserves his child’s love. Especially from the child with the most stars.
Tiffany McDaniel (Betty)
David drives back to Björnstad. Sits in the car and cries in anger. He is ashamed. He is disgusted. With himself. For an entire hockey life he has trained a boy, loved him like a son, been loved back as a father. There is no player as loyal as Benji. No bigger heart than his. How many times has David hugged number sixteen after a game and told him that? "You are the bravest bastard I know, Benji." The bravest bastard I know. " And after all those hours in locker rooms, all those nights in the bus, all the conversations and blood, sweat and tears, the boy didn't dare tell his coach his greatest secret. It's a betrayal, David knows it's a terrible betrayal. There is no other way to explain how much a grown man must have failed for such a warrior of a boy to make him think his coach would be less proud of him if he was gay. David hates himself for not being better than his father. For that is a son's job.
Fredrik Backman (Beartown (Beartown, #1))
It was a relief so enormous it wrung the air from my lungs, and I deepened the kiss, wondering whether she could feel from my touch that I had just put a name to what we were doing—making love—or if she simply tasted her sex on my tongue, and didn’t understand that my entire world had just spun free of its programmed orbit.
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
So it hadn’t been wrong or dishonest of her to say no this morning, when he asked if she hated him, any more than it had been wrong or dishonest to serve him the elaborate breakfast and to show the elaborate interest in his work, and to kiss him goodbye. The kiss, for that matter, had been exactly right—a perfectly fair, friendly kiss, a kiss for a boy you’d just met at a party, a boy who’d danced with you and made you laugh and walked you home afterwards, talking about himself all the way. The only real mistake, the only wrong and dishonest thing, was ever to have seen him as anything more than that. Oh, for a month or two, just for fun, it might be all right to play a game like that with a boy; but all these years! And all because, in a sentimentally lonely time long ago, she had found it easy and agreeable to believe whatever this one particular boy felt like saying, and to repay him for that pleasure by telling easy, agreeable lies of her own, until each was saying what the other most wanted to hear—until he was saying “I love you” and she was saying “Really, I mean it; you’re the most interesting person I’ve ever met.” What a subtle, treacherous thing it was to let yourself go that way! Because once you’d started it was terribly difficult to stop; soon you were saying “I’m sorry, of course you’re right,” and “Whatever you think is best,” and “You’re the most wonderful and valuable thing in the world,” and the next thing you knew all honesty, all truth, was as far away and glimmering, as hopelessly unattainable as the world of the golden people. Then you discovered you were working at life the way the Laurel Players worked at The Petrified Forest, or the way Steve Kovick worked at his drums—earnest and sloppy and full of pretension and all wrong; you found you were saying yes when you meant no, and “We’ve got to be together on this thing” when you meant the very opposite; then you were breathing gasoline as if it were flowers and abandoning yourself to a delirium of love under the weight of a clumsy, grunting, red-faced man you didn’t even like—Shep Campbell!—and then you were face to face, in total darkness, with the knowledge that you didn’t know who you were. (p.416-7)
Richard Yates (Revolutionary Road)
I’M LOSING FAITH IN MY FAVORITE COUNTRY Throughout my life, the United States has been my favorite country, save and except for Canada, where I was born, raised, educated, and still live for six months each year. As a child growing up in Waterloo, Ontario, Canada, I aggressively bought and saved baseball cards of American and National League players, spent hours watching snowy images of American baseball and football games on black and white television and longed for the day when I could travel to that great country. Every Saturday afternoon, me and the boys would pay twelve cents to go the show and watch U.S. made movies, and particularly, the Superman serial. Then I got my chance. My father, who worked for B.F. Goodrich, took my brother and me to watch the Cleveland Indians play baseball in the Mistake on the Lake in Cleveland. At last I had made it to the big time. I thought it was an amazing stadium and it was certainly not a mistake. Amazingly, the Americans thought we were Americans. I loved the United States, and everything about the country: its people, its movies, its comic books, its sports, and a great deal more. The country was alive and growing. No, exploding. It was the golden age of life, liberty, and the pursuit of happiness. The American dream was alive and well, but demanded hard work, honesty, and frugality. Everyone understood that. Even the politicians. Then everything changed. Partly because of its proximity to the United States and a shared heritage, Canadians also aspired to what was commonly referred to as the American dream. I fall neatly into that category. For as long as I can remember I wanted a better life, but because I was born with a cardboard spoon in my mouth, and wasn’t a member of the golden gene club, I knew I would have to make it the old fashioned way: work hard and save. After university graduation I spent the first half of my career working for the two largest oil companies in the world: Exxon and Royal Dutch Shell. The second half was spent with one of the smallest oil companies in the world: my own. Then I sold my company and retired into obscurity. In my case obscurity was spending summers in our cottage on Lake Rosseau in Muskoka, Ontario, and winters in our home in Port St. Lucie, Florida. My wife, Ann, and I, (and our three sons when they can find the time), have been enjoying that “obscurity” for a long time. During that long time we have been fortunate to meet and befriend a large number of Americans, many from Tom Brokaw’s “Greatest Generation.” One was a military policeman in Tokyo in 1945. After a very successful business carer in the U.S. he’s retired and living the dream. Another American friend, also a member of the “Greatest Generation”, survived The Battle of the Bulge and lived to drink Hitler’s booze at Berchtesgaden in 1945. He too is happily retired and living the dream. Both of these individuals got to where they are by working hard, saving, and living within their means. Both also remember when their Federal Government did the same thing. One of my younger American friends recently sent me a You Tube video, featuring an impassioned speech by Marco Rubio, Republican senator from Florida. In the speech, Rubio blasts the spending habits of his Federal Government and deeply laments his country’s future. He is outraged that the U.S. Government spends three hundred billion dollars, each and every month. He is even more outraged that one hundred and twenty billion of that three hundred billion dollars is borrowed. In other words, Rubio states that for every dollar the U.S. Government spends, forty cents is borrowed. I don’t blame him for being upset. If I had run my business using that arithmetic, I would be in the soup kitchens. If individual American families had applied that arithmetic to their finances, none of them would be in a position to pay a thin dime of taxes.
Stephen Douglass
I sat on the bench outside of class today and talked to Jon. I read to him from my journal, it was the part about the accordian player I was watching on the street last weekend. He said that an accordian is such a perfect metaphor for Love, because you are always opening, and closing, shifting, and getting air, and that's how the music happens. True.
Sabrina Ward Harrison (The True and the Questions: A Journal)
Absurdly, I haven't yet got around to saying that football is a wonderful sport, but of course it is. Goals have a rarity value that points and runs and sets do not, and so there will always be that thrill, the thrill of seeing someone do something that can only be done three or four times in a whole game if you are lucky, not at all if you are not. And I love the pace of it, its lack of formula; and I love the way that small men can destroy big men … in a way that they can’t in other contact sports, and the way that t he best team does not necessarily win. And there’s the athleticism …, and the way that strength and intelligence have to combine. It allows players to look beautiful and balletic in a way that some sports do not: a perfectly-timed diving header, or a perfectly-struck volley, allow the body to achieve a poise and grace that some sportsmen can never exhibit.
Nick Hornby (Fever Pitch)
Oh, come on, what’s the matter with Romeo and Juliet?” Megan took the movie from my grasp to put it in the DVD player. “Do you want a list?” I didn’t wait for an answer. “Romeo’s whining about a girl one day, in love with Juliet the next. He has the decency to marry her but then they go back to her parent’s house? I mean, what kind of asinine plan is that? Come on, their families hate each other! If you’re going to sneak away and get married, just sneak away! It’s like watching the girl in a horror movie walk up the dark attic stairs. She totally deserves whatever she gets at the top.” "Are you saying they deserved to die?
Jolene Perry (The Next Door Boys (Next Door Boys, #1))
Sometimes a strikeout means that the slugger’s girlfriend just ran off with the UPS driver. Sometimes a muffed ground ball means that the shortstop’s baby daughter has a pain in her head that won’t go away. And handicapping is for amateur golfers, not ballplayers. Pitchers don’t ease off on the cleanup hitter because of the lumps just discovered in his wife’s breast. Baseball is not life. It is a fiction, a metaphor. And a ballplayer is a man who agrees to uphold that metaphor as though lives were at stake. Perhaps they are. I cherish a theory I once heard propounded by G.Q. Durham that professional baseball is inherently antiwar. The most overlooked cause of war, his theory runs, is that it’s so damned interesting. It takes hard effort, skill, love and a little luck to make times of peace consistently interesting. About all it takes to make war interesting is a life. The appeal of trying to kill others without being killed yourself, according to Gale, is that it brings suspense, terror, honor, disgrace, rage, tragedy, treachery and occasionally even heroism within range of guys who, in times of peace, might lead lives of unmitigated blandness. But baseball, he says, is one activity that is able to generate suspense and excitement on a national scale, just like war. And baseball can only be played in peace. Hence G.Q.’s thesis that pro ball-players—little as some of them may want to hear it—are basically just a bunch of unusually well-coordinated guys working hard and artfully to prevent wars, by making peace more interesting.
David James Duncan
Effective leaders almost never need to yell. The leader will have created an environment where disappointing him causes his people to be disappointed in themselves. Guilt and affection are far more powerful motivators than fear. The great coaches of team sports are almost always people who simply need to say, in a quiet voice, “That wasn’t our best, now was it?” and his players melt. They love this man, know he loves them, and will work tirelessly not to disappoint him. People are drawn to this kind of leader, as I was drawn all those years ago to Harry Howell, the grocer. A leader who screams at his employees or belittles them will not attract and retain great talent over the long term.
James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)
One of life's primal situations; the game of hide and seek. Oh, the delicious thrill of hiding while the others come looking for you, the delicious terror of being discovered, but what panic when, after a long search, the others abandon you! You mustn't hide too well. You mustn't be too good at the game. The player must never be bigger than the game itself. It's like making a joke which is so subtle that it goes unnoticed and you are reduced to explaining it. Can we draw some other lesson from this? There exists, between people in love, a kind of capital held by each. This is not just a stock of affects or pleasure, but also the possibility of playing double or quits with the share you hold in the other's heart. One of the strategies can be to sacrifice it at just the right moment and be the first to say: 'I'm not playing any more', since you then collect all the stakes.
Jean Baudrillard (Cool Memories)
The theatre is a tragic place, full of endings and partings and heartbreak. You dedicate yourself passionately to something, to a project, to people, to a family, you think of nothing else for weeks and months, then suddenly it's over, it's perpetual destruction, perpetual divorce, perpetual adieu. It's like éternel retour, it's a koan. It's like falling in love and being smashed over and over again.’ 'You do, then, fall in love.’ 'Only with fictions, I love players, but actors are so ephemeral. And then there’s waiting for the perfect part, and being offered it the day after you've committed yourself to something utterly rotten. The remorse, and the envy and the jealousy. An old actor told me if I wanted to stay in the trade I had better kill off envy and jealousy at the start.
Iris Murdoch (The Green Knight)
I am one beautiful and powerful son of a bitch,' he told himself. 'Smart as a whip, respected, prosperous, beloved and valuable. I have the right to be healthy, happy and rich, for I am the baddest player in this arena or any other. I love myself more than I love money and pretty women and fine clothes. I love myself more than I love neat gardens and healthy babies and a good gospel choir. I love myself as I love The Law. I love myself in error and in correctness, waking or sleeping, sneezing, tipsy, or fabulously brilliant I love myself doing the books or sitting down to a good game of poker. I love myself making love expertly, or tenderly and shyly, or clumsily and inept. I love myself as I love The Master's Mind,' he continued his litany, having long ago stumbled upon the prime principle as a player--that self-love produces the gods and the gods are genius. It took genius to run the Southwest Community Infirmary. So he made the rounds of his hospital the way he used to make the rounds of his houses to keep the tops spinning, reciting declarations of self-love.
Toni Cade Bambara (The Salt Eaters)
And then also, again, still, what are those boundaries, if they’re not baselines, that contain and direct its infinite expansion inward, that make tennis like chess on the run, beautiful and infinitely dense? The true opponent, the enfolding boundary, is the player himself. Always and only the self out there, on court, to be met, fought, brought to the table to hammer out terms. The competing boy on the net’s other side: he is not the foe: he is more the partner in the dance. He is the what is the word excuse or occasion for meeting the self. As you are his occasion. Tennis’s beauty’s infinite roots are self-competitive. You compete with your own limits to transcend the self in imagination and execution. Disappear inside the game: break through limits: transcend: improve: win. Which is why tennis is an essentially tragic enterprise… You seek to vanquish and transcend the limited self whose limits make the game possible in the first place. It is tragic and sad and chaotic and lovely. All life is the same, as citizens of the human State: the animating limits are within, to be killed and mourned, over and over again…Mario thinks hard again. He’s trying to think of how to articulate something like: But then is battling and vanquishing the self the same as destroying yourself? Is that like saying life is pro-death? … And then but so what’s the difference between tennis and suicide, life and death, the game and its own end?
David Foster Wallace (Infinite Jest)
Nothing special about me, we've all got our own sacred place, but to access it, your mission must be pure and your aim true. Just a little thought of trying to use it for a power tool, a career move, and the process becomes corrupted. You gotta go for the joy, the pain, the adventure, the search, the journey to love. I learned that from Kurt Vonnegut. You have to be willing to dedicate your life to that journey, not as a means to an end, but just as an opportunity to trip the fuck out. Ya gotta suspend all self-judgement, and embrace all. The reward is the journey itself. And that's how I became the bass player I'm still trying to be. Just exploring for a sense of purpose.
Flea (Acid for the Children)
KEEPER . . . Never gives in easily, and the standards/requirements start the moment you open your mouth. See, she understands her power and wields it like a samurai sword. She commands—not demands—respect, just by the way she carries herself. You can walk up to her and give her your best game, and while she may be impressed by what you say, that’s no guarantee that she’s going to let the conversation go any further, much less give you her phone number and agree to give you some of her valuable time. Men automatically know from the moment she opens her mouth that if they want her, they’ll have to get in line with her standards and requirements, or keep it moving because she’s done with the games and isn’t interested in playing. But she will also send all the signals that she is capable of being loyal to a man and taking good care of him, appreciative of what he’s bringing to the relationship, and ready for love—true, long-lasting love.   Newsflash: it’s not the guy who determines whether you’re a sports fish or a keeper—it’s you. (Don’t hate the player, hate the game.) When a man approaches
Steve Harvey (Act Like a Lady, Think Like a Man, Expanded Edition: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
Men of our generation often disappear once they’ve got a woman to say ‘I love you’ back to them, because it’s almost like they’ve completed a game. Because they’re the first boys who grew up glued to their PlayStations and Game Boys, they weren’t conditioned to develop any sense of honour and duty in adolescence the way our fathers were. PlayStations replaced parenting. They were taught to look for fun, complete the fun, then get to the next level, switch players or try a new game. They need maximum stimulation all the time. ‘I love you’ is the relationship equivalent of Level 17 of Tomb Raider 2 for a lot of millennial men.
Dolly Alderton (Ghosts)
i wanted to take your hand and run with you together toward ourselves down the street to your street i wanted to laugh aloud and skip the notes past the marquee advertising “women in love” past the record shop with “The Spirit In The Dark” past the smoke shop past the park and no parking today signs past the people watching me in my blue velvet and i don’t remember what you wore but only that i didn’t want anything to be wearing you i wanted to give myself to the cyclone that is your arms and let you in the eye of my hurricane and know the calm before and some fall evening after the cocktails and the very expensive and very bad steak served with day-old baked potatoes after the second cup of coffee taken while listening to the rejected violin player maybe some fall evening when the taxis have passed you by and that light sort of rain that occasionally falls in new york begins you’ll take a thought and laugh aloud the notes carrying all the way over to me and we’ll run again together toward each other yes?
Nikki Giovanni
You may not see every single piece of the puzzle that creates your life — you may not see every move the grand chess player makes — but know, He is in complete control of the game board. Sometimes certain pieces are moved or knocked over to make room for new ones. Other times, things happen because of the world we live in. But everything, in the end, will always turn out for good. It’s a nice promise, isn’t it? To know that there’s a reason for it all? A reason for your cancer — maybe by having cancer you’ve saved the lives of three of your best friends. Had you not been sick, would you have met them? Had you not been sick, would you have found the love of your life? Maybe it’s not in the perfection of life that things make sense, but in the chaos.
Rachel Van Dyken (Ruin (Ruin, #1))
I love people who play guitars on roofs!" said Rose, hopping along the pavement in one of her sudden happy moods. "Don't you?" "Never knew anyone else who did it!" "Don't you like Tom?" "Of course I do. But I don't know about all the other guitar-on-roof players! They might be really awful people, with just that one good thing about them. Playing guitars on roofs... or bagpipes... Or drums... Sarah would like that, and Saffy could have the bagpipes! Caddy could have a harp.... What about Mum?" "One of those gourds filled with beans!" said Rose at once. "And Daddy could have a grand piano. On a flat roof. With a balcony and pink flowers in pots around the edge! And I'll have a very loud trumpet! What about you?" "I'll just listen," said Indigo.
Hilary McKay (Indigo's Star (Casson Family, #2))
The true opponent, the enfolding boundary, is the player himself. Always and only the self out there, on court, to be met, fought, brought to the table to hammer out terms. The competing boy on the net’s other side: he is not the foe: he is more the partner in the dance. He is the what is the word excuse or occasion for meeting the self. As you are his occasion. Tennis’s beauty’s infinite roots are self-competitive. You compete with your own limits to transcend the self in imagination and execution. Disappear inside the game: break through limits: transcend: improve: win. Which is why tennis is an essentially tragic enterprise, to improve and grow as a serious junior, with ambitions. You seek to vanquish and transcend the limited self whose limits make the game possible in the first place. It is tragic and sad and chaotic and lovely. All life is the same, as citizens of the human State: the animating limits are within, to be killed and mourned, over and over again.
David Foster Wallace
But man is a frivolous and incongruous creature, and perhaps, like a chess player, loves the process of the game, not the end of it. And who knows (there is no saying with certainty), perhaps the only goal on earth to which mankind is striving lies in this incessant process of attaining, in other words, in life itself, and not in the thing to be attained, which must always be expressed as a formula, as positive as twice two makes four, and such positiveness is not life, gentlemen, but is the beginning of death. Anyway, man has always been afraid of this mathematical certainty, and I am afraid of it now. Granted that man does nothing but seek that mathematical certainty, he traverses oceans, sacrifices his life in the quest, but to succeed, really to find it, dreads, I assure you. He feels that when he has found it there will be nothing for him to look for. When workmen have finished their work they do at least receive their pay, they go to the tavern, then they are taken to the police-station–and there is occupation for a week. But where can man go? Anyway, one can observe a certain awkwardness about him when he has attained such objects. He loves the process of attaining, but does not quite like to have attained, and that, of course, is very absurd. In fact, man is a comical creature; there seems to be a kind of jest in it all. But yet mathematical certainty is after all, something insufferable. Twice two makes four seems to me simply a piece of insolence. Twice two makes four is a pert coxcomb who stands with arms akimbo barring your path and spitting. I admit that twice two makes four is an excellent thing, but if we are to give everything its due, twice two makes five is sometimes a very charming thing too.
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
Thereforeonyourjourneybesuretotakegoldencupsfull of the sweet drink oflife, red wine, and give it to dead matter, so that it can win life back The dead matter will change into black serpents. Do not be frightened, the serpents will immediately put out the sun of your days, and a night with wonderful will-o'-the-wisps will come over YOU. 140 Take pains to waken the dead. Dig deep mines and throw in sacrificial gifts, so that they reach the dead. Reflect in good heart upon evil, this is the way to the ascent. But before the ascent, everything is night and Hell. . What do you think of the essence of Hell? Hell is when the depths come to you with all that you no longer are or are not yet capable of Hell is when you can no longer attain what you could attain. Hell is when you must thinlc and feel and do everything that you know you do not want. Hell is when you know that your havingtoisalsoawantingto,andthatyouyourselfareresponsible for it. Hell is when you know that everything serious that you have planned with yourself is also laughable, that everything fine is also brutal, that everything good is also bad, that everything high is also low, and that everything pleasant is also shameful. But the deepest Hell is when you realize that Hell is also no Hell, but a cheerful Heaven, not a Heaven in itself, but in this respect a Heaven, and in that respect a Hell. That is the ambiguity of the God: he is born from a dark ambiguity and rises to a bright ambiguity. Unequivocalness is simplicityandleadstodeath.141Butambiguityisthewayoflife.142 If the left foot does not move, then the right one does, and you move. The God wills this.143 You say: the Christian God is unequivocal, he is 10ve.l44 But what is more ambiguous than love? Love is the way of life, but your love is only on the way oflife ifyou have a left and a right. Nothing is easier than to play at ambiguity and nothing is more difficult than living ambiguity. He who plays is a child; his God is old and dies. He who lives is awakened; his God is young and goes on. He who plays hides from the inner death. He who lives feels the going onward and immortality. So leave the play to the players. Let fall what wants to fall; if you stop it, it will sweep you away. There is a true love that does not concern itself with neighbors.
C.G. Jung
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building. Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked. “Have you seen Aiden?” “Aiden?” Were there really that many Aidens? “Graves.” “Can I ask what you need him for?” I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.” It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal. Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did. I couldn’t help but crack a little smile at his grumpiness. “Ready?” He did his form of a nod, a tip of his chin. I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably. He glared down at me. “What are you smiling at?” I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.” He mouthed ‘sunshine’ as his gaze strayed to the ceiling. We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked. He eyed me as he buckled in, and I slanted him a look. “What?” With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out. All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me. When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned. “For me?” I asked like an idiot. He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.” Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
Mariana Zapata (The Wall of Winnipeg and Me)