Platinum Hair Quotes

We've searched our database for all the quotes and captions related to Platinum Hair. Here they are! All 48 of them:

When I come back, the club is packed. There's hardly any standing room. Anna snagged a wooden bar stool, one of the few seats here. St. Clair stands close to her, facing her, and he smoothes the platinum stripe in her hair. She pulls him even closer by the top of his jeans, one finger tucked inside. It's an intimate gesture. I'm embarrassed to watch, but I can't look away. He kisses her slowly and deeply. They don't care that anyone could watch. Or maybe they've forgotten they aren't alone. When they break apart, Anna says something that makes him fall into silly, boyish laughter. For some reason, that's the moment that makes me turn away. Something about their love is painful.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
At a time when she was engaged to Stilton Cheesewright, I remember recording in the archives that she was tall and willowy with a terrific profile and luxuriant platinum blond-hair, the sort of girl who might, as far as looks were concerned, have been the star unit of the harem of one of the better-class sultans.
P.G. Wodehouse (Jeeves and the Tie That Binds (Jeeves, #14))
She was confronted by seven heads of platinum blonde hair and intense blue eyes. Hitler would be proud.
Jay Boyce (Siphon (A Touch of Power, #1))
Her long platinum blond hair fell in loose waves past her shoulders, with a few black peekaboo strands. She wore a black minidress and combat boots.
Jamie McGuire (Beautiful Oblivion (The Maddox Brothers, #1))
At seventeen, he has grown tall, towering over me, lithe and finely muscled. His hair catches the moonlight, warm gold threaded with platinum, bangs parting around small goat horns, eyes of shocking amber, and a constellation of freckles across his nose. He has a trickster's mouth and the swagger of someone used to people doing what he wanted.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
She was quite a doll. She wore a white belted raincoat, no hat, a well-cherished head of platinum hair, booties to match the raincoat, a folding plastic umbrella, a pair of blue-gray eyes that looked at me as if I had said a dirty word. I helped her off with her raincoat. She smelled very nice. She had a pair of legs - so far as I could determine - that were not painful to look at. She wore night sheer stockings. I stared at them rather intently, especially when she crossed her legs and held out a cigarette to be lighted
Raymond Chandler (Playback (Philip Marlowe, #7))
The one thing I know you can rely on in this world is the stupidity of the people within it.
Cathy Ace (The Corpse with the Platinum Hair (Cait Morgan #4))
the runway style. With her short hair freshly died platinum blonde she had to slay the scene in a black Crooks and Castle snapback, diamond stud earrings, gold collar necklace, red Crooks and Castle sweatshirt, Cartier gold men’s watch, black leather leggings, Saint Laurent suede peep-toe lace-up booties and a extra sickening red $7750 VBH Brera ostrich satchel bag.
Keisha Ervin (Material Girl 3: Secrets & Betrayals)
From the first time I set eyes on Marilyn, I thought she was just wonderful. On the silver screen, her lovely skin and platinum hair were luminescent and fantastic. I loved the fantasy of it. In the fifties, when I grew up. Marilyn was an enormous star, but there was such a double standard. The fact that she was such a hot number meant that many middle-class women looked down on her as a slut. And since the publicity machine behind her sold her as a sex idol, she wasn’t valued as a comedic actor or given credit for her talent. I never felt that way about her, obviously. I felt that Marilyn was also playing a character, the proverbial dumb blonde with the little-girl voice and big-girl body, and that there was a lot of smarts behind the act. My character in Blondie was partly a visual homage to Marilyn, and partly a statement about the good old double standard.
Debbie Harry (Face It)
She was quite a doll. She wore a white belted raincoat, no hat, a well-cherished head of platinum hair, booties to match the raincoat, a folding plastic umbrella, a pair of blue-gray eyes that looked at me as if I had said a dirty word.
Raymond Chandler (Playback (Philip Marlowe, #7))
Julian’s not at the house in Bel Air, but there’s a note on the door saying that he might be at some house on King’s Road. Julian’s not at the house on King’s Road either, but some guy with braces and short platinum-blond hair and a bathing suit on lifting weights is in the backyard. He puts one of the weights down and lights a cigarette and asks me if I want a Quaalude. I ask him where Julian is. There’s a girl lying by the pool on a chaise longue, blond, drunk, and she says in a really tired voice, ‘Oh, Julian could be anywhere. Does he owe you money?’ The girl has brought a television outside and is watching some movie about cavemen. ‘No,’ I tell her. ‘Well, that’s good. He promised to pay for a gram of coke I got him.’ She shakes her head. ‘Nope. He never did.’ She shakes her head again, slowly, her voice thick, a bottle of gin, half-empty, by her side. The weightlifter with the braces on asks me if I want to buy a Temple of Doom bootleg cassette. I tell him no and then ask him to tell Julian that I stopped by. The weight-lifter nods his head like he doesn’t understand and the girl asks him if he got the backstage passes to the Missing Persons concert. He says, ‘Yeah, baby,’ and she jumps in the pool. Some caveman gets thrown off a cliff and I split.
Bret Easton Ellis (Less Than Zero)
The first thing I did was dye my hair back to a Barbie platinum. (I’m a natural blonde, if you don’t count hair color.)
Paris Hilton (Paris: The Memoir)
Project Princess Teeny feet rock layered double socks Popping side piping of many colored loose lace ups Racing toe keeps up with fancy free gear slick slide and just pressed recently weaved hair Jeans oversized belie her hips, back, thighs that have made guys sigh for milleni year Topped by an attractive jacket her suit’s not for flacking, flunkies, junkies or punk homies on the stroll. Her hands mobile thrones of today’s urban goddess Clinking rings link dragon fingers no need to be modest. One or two gap teeth coolin’ sport gold initials Doubt you get to her name just check from the side please chill. Multidimensional shrimp earrings frame her cinnamon face Crimson with a compliment if a comment hits the right place Don’t step to the plate with datelines from ‘88 Spare your simple, fragile feelings with the same sense that you came Color woman variation reworks the french twist with crinkle cut platinum frosted bangs from a spray can’s mist Never dissed, she insists: “No you can’t touch this.” And, if pissed, bedecked fists stop boys who must persist. She’s the one. Give her some. Under fire. Smoking gun. Of which songs are sung, raps are spun, bells are rung, rocked, pistols cocked, unwanted advances blocked, well stacked she’s jock. It’s all about you girl. You go on. Don’t you dare stop.
Tracie Morris (Intermission)
I examined the shapes and shades of her face, studying her. Each feature was its own inhabitable world. Her hair was the color of cream soda, or papyrus scrolls streaked with night light. Her eyebrows were the color of lions, lazy ones, dozing in sunlight or eating butter at night with their paws by lantern. Her eyes: icebergs for shipwrecking. Lashes: smoke and platinum. Her skin was the Virgin Mary, also very baby. Her nose: adorable, breathing. Upper lip: pink peony. Lower lip: rose. The teeth were trickier, but her inner mouth was easy—Valentine hearts and hell.
Melissa Broder (Milk Fed)
The Oakland chapter’s “bondsman” is a handsome middle-aged woman with platinum-blond hair named Dorothy Connors. She has a pine-paneled office, drives a white Cadillac and treats the Angels gently, like wayward children. “These boys are the backbone of the bail-bond business,” she says. “Ordinary customers come and go, but just like clockwork, the Angels come down to my office each week to make their payments. They really pay the overhead.
Hunter S. Thompson (Hell's Angels)
Her hair was so fair that it was white, the kind of platinum-blonde tresses that should have belonged to a long-dead movie starlet, her lips were painted crimson, and she looked to be somewhere between twenty-five and fifty.
Neil Gaiman (American Gods)
I had seen a photograph of Sara at two. In it, her hair is platinum and falls around her face in happy disarray. She is dressed in yellow. Babyhood clings to her still and in the sunlight she appears incandescent. She is golden and delicious, sweet as a lemon drop. But her father never asks to see her.
Deborah Doucette (Raising Our Children's Children)
A woman with super long platinum blonde hair, a fake tan, injected bubble gum pink lips, and a large boob job came in. Phoebe showed her where to set up in front of us and we all sat patiently. "Hello, I’m Tandy" I almost rolled my eyes at her name, given her appearance. She placed a case on the coffee table in front of us, opened it, and pulled out rubber penises. I almost shot my drink out of my nose, again. "I will be instructing you on proper blow job technique." "Oh my God, Phoebe." I shouted at her. "Yeah," Viola clapped her hands and reached out to be the first to get a rubber practice penis.
Sadie Grubor (Save the Date (Modern Arrangements, #1))
At one of these, my Lolita was reading the chapter on “Dialogue” in Baker’s Dramatic Technique, and all was very quiet, and there was another girl with a very naked, porcelain-white neck and wonderful platinum hair, who sat in front reading too, absolutely lost to the world and interminably winding a soft curl around one finger, and I sat beside Dolly just behind that neck and that hair, and unbuttoned my overcoat and for sixty-five cents plus the permission to participate in the school play, had Dolly put her inky, chalky, red-knuckled hand under the desk. Oh, stupid and reckless of me, no doubt, but after the torture I had been subjected to, I simply had to take advantage of a combination that I knew would never occur again
Vladimir Nabokov (Lolita)
I wanted to be platinum blond. On our black-and-white television and at the theater where they screened technicolor movies, there was something about platinum hair that was so luminescent and exciting. In my time, Marilyn Monroe was the biggest platinum blond on the silver screen. She was so charismatic and the aura she cast was enormous. I identified with her strongly in ways I couldn’t easily articulate. As I grew up, the more I stood out physically in my family, the more I was drawn to people that I felt I related to in significant way. With Marilyn, I sensed a vulnerability and a particular kind of femaleness that I felt we shared. Marilyn struck me as someone who needed so much love. That was long before I discovered that Marilyn had been a foster child.
Debbie Harry (Face It)
That’s when I realized it. I liked this girl. A lot. I liked her super-moist double chocolate chip cupcakes. I liked how kind and patient she was with the guests, the way her forehead crinkled when she was thinking about a problem. I liked her low, soft voice and that long ribbon of platinum-blond hair. I liked the way she looked at the world, as if it were an okay place, where good things were actually possible. 
Anne Pfeffer (Girls Love Travis Walker)
Stockholm, May 1943 I am on a stake, thought eighteen-year-old Tatiana, waking up one cold summer morning. I cannot live like this anymore. She got up from the bed, washed, brushed her hair, collected her books and her few clothes, and then left the hotel room as clean as if she had not been in it for over two months. The white curtains blowing a breeze into the room were unrelenting. Inside herself was unrelenting. Over the desk there was an oval mirror. Before Tatiana tied up her hair she stared at her face. What stared back at her was a face she no longer recognized. Gone was the round baby shape; a gaunt oval remained over her drawn cheekbones and her high forehead and her squared jaw and her clenched lips. If she had dimples still, they did not show; it had been a long time since her mouth bared teeth or dimples. The scar on her cheek from the piece of the broken windshield had healed and was fading into a thin pink line. The freckles were fading too, but it was the eyes Tatiana recognized least of all. Her once twinkling green eyes set deep into the pale features looked as if they were the only ghastly crystal barriers between strangers and her soul. She couldn’t lift them to anyone. She could not lift them to herself. One look into the green sea, and it was clear what raged on behind the frail façade. Tatiana brushed her shoulder blade-length platinum hair. She didn’t hate her hair anymore. How could she, for Alexander had loved it so much. She would not think of it. She wanted to cut it all off, shear herself like a lamb before the slaughter, she wanted to cut her hair and take the whites out of her eyes and the teeth out of her mouth and tear the arteries out of her throat.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
towheads, the older one only slightly darker. He was looking at a picture of Anders with his arms around his wife and in that photo they were not much older than children themselves. There were pictures of birds, too, a group of prairie chickens standing in a field, an eastern bluebird so vibrant it appeared to have been Photoshopped. Anders took a lot of pictures of birds. Karen pulled off her hat and pushed her straight pale hair behind her ears. The flush that had been in her cheeks from the momentary burst of cold had faded. “This isn’t good news, right?” she said, twisting the rings on her finger, the modest diamond and the platinum band. “I’m glad to see you but I can’t imagine you’re just dropping by to say hello.” And for a split second Marina felt the slightest surge of relief. Of course she would know. Even if she hadn’t heard she would know in that way a soul knows. Marina wanted so badly to put her arms around Karen then,
Ann Patchett (State of Wonder)
Imagine you're sitting having dinner in a restaurant. At some point during the meal, your companion leans over and whispers that they've spotted Lady Gaga eating at the table opposite. Before having a look for yourself, you'll no doubt have some sense of how much you believe your friends theory. You'll take into account all of your prior knowledge: perhaps the quality of the establishment, the distance you are from Gaga's home in Malibu, your friend's eyesight. That sort of thing. If pushed, it's a belief that you could put a number on. A probability of sorts. As you turn to look at the woman, you'll automatically use each piece of evidence in front of you to update your belief in your friend's hypothesis Perhaps the platinum-blonde hair is consistent with what you would expect from Gaga, so your belief goes up. But the fact that she's sitting on her own with no bodyguards isn't, so your belief goes down. The point is, each new observations adds to your overall assessment. This is all Bayes' theorem does: offers a systematic way to update your belief in a hypothesis on the basis of the evidence. It accepts that you can't ever be completely certain about the theory you are considering, but allows you to make a best guess from the information available. So, once you realize the woman at the table opposite is wearing a dress made of meat -- a fashion choice that you're unlikely to chance up on in the non-Gaga population -- that might be enough to tip your belief over the threshold and lead you to conclude that it is indeed Lady Gaga in the restaurant. But Bayes' theorem isn't just an equation for the way humans already make decisions. It's much more important that that. To quote Sharon Bertsch McGrayne, author of The Theory That Would Not Die: 'Bayes runs counter to the deeply held conviction that modern science requires objectivity and precision. By providing a mechanism to measure your belief in something, Bayes allows you to draw sensible conclusions from sketchy observations, from messy, incomplete and approximate data -- even from ignorance.
Hannah Fry (Hello World: Being Human in the Age of Algorithms)
How to describe the woman? Silky hair, velvety lips. No, it won’t do, I’m using fabrics, constructing a doll. How about coppery hair, or golden locks of hair, or platinum blonde? No, now I’m doing some kind of industrial metallurgy with precious metals; in addition to everything else, the woman sounds like a commodity. And what’s “locks of hair” supposed to mean? Lock, some kind of bondage? No, strike it out. Ruby lips, pearly white teeth, brilliant smile. No, now I’m making the woman out of precious stones, and out of clichés. Almond-shaped eyes, hazel-colored eyes, pear-shaped waist, apple-red cheeks, lips like the bud of a moist flower, peachy fuzz on her upper lip. Now I’m making up a woman out of fruits, plants. She strode like a gazelle. Her snaky waist coiled and uncoiled. Now I’m demeaning the woman, making her into an animal. On the other hand, you can call a woman a goddess. Aphrodite, Venus, or at least a demi-god, angelic beauty. But these terms were all invariably overused, clichés. In addition, if you call a woman Aphrodite, it might seem like an oblique way of saying that the woman is overweight.
Josip Novakovich (Shopping for a Better Country)
How much are you asking for it?" "It is a durable and dependable storage device. Many of my customers appreciate items that are incognito. With the size and craftsmanship involved, the price should be eighty platinum, but I am only asking for sixty," Vuitton said. Hugo winced. He didn’t have that much. He said, "That might be reasonable for a ring with ten cubic feet of easily accessible space, but this is eight separate storage spaces. That really limits its usefulness. I was thinking twenty-five would be much more reasonable." "I am afraid reason has left you then. I couldn’t part with it for anything less than fifty," the impundulu said haughtily as sparks of lightning danced across his hair. "Ah, I understand. It must have some sentimental value to you. I couldn’t pay more than thirty for it, since I am not a sentimental man," Hugo said. "Storage items never lose value. You can buy this today and your grandson will thank you for it a hundred years from now. Why not pay the forty-five platinum now and invest in your future?" he replied. "My grandson will need to eat. Let me keep five plat for him and I will give you the forty," Hugo said with a smile. "You drive a hard bargain, honored customer. Forty will suffice
Adam Sampson (Final Prestige (The Mage of Shimmer Mountain, #3))
A throat cleared. “Earth to Arik. Come in, boss.” With brows drawn, Arik glared at his beta. “What?” “I was asking what had your boxers in a knot.” “You know I go commando.” “Usually, but something obviously has your panties in a twist. Spill.” Oh, he spilled all right. Arik yanked off the hat and flung it against the wall and then swiveled his chair to get it over with. Indrawn breath. A snicker. A full-on guffaw. Arik swirled again and tossed deadly visual daggers at his second. “I fail to see the humor in my butchered mane.” “Dude. Have you seen it? It is bad. What did you do to piss Dominic off? Seduce one of his daughters?” “Actually one of his granddaughters did this to me!” He couldn’t help the incredulous note. The effrontery of the act still got to him. A thump and a shake of the wall as Hayder hit it, his shoulders shaking with laughter. “A girl did that to you?” His beta convulsed with mirth, not at all daunted by Arik’s glower and tapping fingers. “This is not amusing.” “Oh, come on, dude. Of all the people to have a hair mishap, you are the worst.” “I look like an idiot.” “Only because you didn’t let her finish hacking the rest off.” His fingers froze as he took his gaze off the screen for a moment to address the travesty. “Cut off my mane?” Was his beta delusional? “Well, yeah. You know, to even it out so it doesn’t show.” A growl rumbled forth, more beast than man, his lion not at all on board with any more trimming. “Okay, if you’re not keen on that, then what about a hair weave? Maybe we could get you a platinum one, or pink for contrast since you’re being such a prissy princess about it.” That did it. A lion could take only so much. Arik dove over his desk and tackled his beta. Over they went with a thump and a tangle of limbs. As he was slamming Hayder’s head off the floor, snarling, “Take it back!” to his beta’s chortled, “We’ll get your nails done while they’re weaving,” Leo strode in. A giant of a man, he didn’t even have to strain as he grabbed them each by a shoulder and yanked them apart. But he didn’t stop there. He slammed their heads together before shoving them down. Arik and Hayder sat on the carpeted floor, nursing robin’s eggs, united in their glare for the pride’s omega, also known as the peacemaker. Of course, Leo’s version of peace wasn’t always gentle, which was why he was perfect for the pride. The behemoth with the mellow outlook on life took a seat in a chair, which groaned ominously. “You do know that the staff two floors down can hear the pair of you acting like ill-behaved cubs.” “He started it!” Arik stabbed a finger at his beta. He had no problem assigning blame. Delegation was something an alpha did well. Hayder didn’t even deny his guilt. “I did. But can you blame me? He was pissing and moaning about this precious mane. All I did was offer a solution, and he took offense.” “I assume we’re talking about the missing chunk of hair on our esteemed leader’s head?” Leo shook his neatly trimmed dark crown. “I keep telling you that vanity is your weakness.” “And chocolate chip ice cream is yours. We all have our vices,” Arik grumbled as he heaved himself off the floor and into his leather-padded seat— with built-in heating pad and massager because a man in his position did enjoy his luxuries. “My vice is beautiful women,” Hayder announced with a grin, adopting a lounging pose on the floor. Felines were king when it came to acting as if embarrassing positions weren’t accidental at all. “Don’t talk to me about women right now. I’m still angry at the one who did this.” “I think I’m missing a key point,” Leo stated. It didn’t take long to bring Leo up to speed. To his credit, the pride omega didn’t laugh— long.
Eve Langlais (When an Alpha Purrs (A Lion's Pride, #1))
She had clothed herself, even at near-midnight, and brushed her platinum hair. “Where’s Mark?” His father eyed him tiredly. “He’s gone.” His mother kneaded the fabric of the chair in both her hands. “Oh, you have to tell him, Peter. You can’t just say that.” “All right.” His father stared straight ahead for another long moment, precisely into nothing
James Webb (Fields of Fire)
In the living room Goodrich’s father sat in a large chair across from the sofa, motionless. He appeared very tired. His mother stood nervously behind the chair, obviously dreading his entrance into the room. She had clothed herself, even at near-midnight, and brushed her platinum hair. “Where’s Mark?” His father eyed him tiredly. “He’s gone.” His mother kneaded the fabric of the chair in both her hands. “Oh, you have to tell him, Peter. You can’t just say that.” “All right.” His father stared straight ahead for another long moment, precisely into nothing with
James Webb (Fields of Fire)
Jane was tall, angular, and wore her short platinum hair sculpted into various unlikely permutations, from angry spikes to soft finger waves, all of which played counterpoint to the tailored men’s suits she wore when she worked at the bank, making her appear either fiercely pretty, or frightfully confused. Right now she wore a houndstooth tweed Savile Row suit she’d inherited from Charlie, waistcoat with watch chain, and a pair of eight-inch patent-leather red pumps the same shade as her bow tie. She might have been the result of a time-travel accident where Doctor Who parts were woven into the warp with those of a robot stripper.
Christopher Moore (Secondhand Souls (Grim Reaper, #2))
Sebastien recognized the rangy, beaky man within. He was perhaps thirty-three, thirty-five. His eyes were lined with kohl, his cheeks rouged, his forehead pale with powder. But he wore a dark worsted suit, a good waistcoat crossed with a platinum chair, and his hair was cropped quite short and oiled back from a razor-line part. He moved painfully, as if he had been sitting for too long and he stretched against the stiffness of his muscles.
Elizabeth Bear (New Amsterdam (New Amsterdam, #1))
Midway through the jury selection, juror expert Jo ’Ellan Dimitrius was brought in to help the defense. She had a long, thin face, intense dark eyes, and bouffant platinum hair. Richard often conferred with her.
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
Her lips were lacquered red as the rubies waved through her hair like frozen blood, and diamonds set in platinum glittered in her ears and on her wrists and at her throat, cold as a frost-hardened dew.
Elizabeth Bear (Blood and Iron (Promethean Age, #1))
Thus to this day, Europe’s elite discourse often depicts America not as proletarian, which at least to leftist Europeans has the connotation of authenticity, but rather as commodified, commercial, vulgar—values that exude inauthenticity, plasticity, and heteronomy. European elites’ image of America as “Las Vegas,” “Disneyland,” basically as “white trash”—or what the British call “chav”— has a distinguished pedigree: gaudy jewelry, expensive-but-tacky clothes, garish makeup, platinum blond hair, tattoos, vulgar demeanor, in short inauthentic and kitschy glitter best captured by the term “uncouth.” This disparaging image of America cultivated by European elites was also linked to how the young United States embodied modern capitalism hostile to an aristocratic order.
Andrei S. Markovits (Uncouth Nation: Why Europe Dislikes America (The Public Square Book 5))
J.A. Hanson had undeniable charisma. She was black with natural hair, dyed platinum, gathered in a pouf on top of her head. And she wore thick-rimmed white glasses to boot. J.A. made nerdiness glamorous. And not in some posery Tumblr way where girls played first-person shooters in their underpants to be attractive to guys.
Mary H.K. Choi (Emergency Contact)
My mind emptied of thought, my lips parting. She floated just above the ground, delicate bare feet pointed to the sand. Her hair was long and black, tendrils of night floating around her as if carried by an ever-present breeze. Stars glinted in its darkness—no, not just stars, but every infinite shade of the sky. Dappled streaks of distant worlds. Purples and blues of galaxies. It was nearly to her knees, a curtain of night around her. Her skin was ice-white, her eyes midnight-black. Her naked body looked to have been dipped in melted silver, a thousand shades of platinum playing across every dip of her form. Shadows caressed her curves with dancing fragments of darkness. Her mouth was bright red. As she smiled, a drop of blood dripped down her elegant pointed chin.
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
Diana’s gorgeous, with wide-set eyes, platinum-blond hair, and a sassy mouth. She’s a little shorter than I usually like, barely over five feet, five-two if we’re being generous. A pint-sized hottie with a big personality. Although it seems like a major part of that personality involves busting the balls of yours truly.
Elle Kennedy (The Dixon Rule (Campus Diaries, #2))
The elder couple were stunning in their elegance, floating forward as if carried on air. The elder man had tan skin and dark blond hair, lightly touched with grey, pulled into a single plait. The woman seemed otherworldly with her fair complexion and platinum tresses that fell in a silken sheet to the curve of her waist. Both had angular features that accentuated their cold, cunning eyes. I noted how they offered only a subtle dip of their chin as they approached.
Penn Cole (Glow of the Everflame (Kindred's Curse, #2))
All Hugh had to do now was convince the owner of the castle to let him share it. He’d gotten a glimpse of her as he rode in. Her hair was completely white. Not pale blond or bleached platinum, white. Her hazel eyes were sharp, and she looked at him like she saw a wolf at her door. He wasn’t a wolf. He was something much worse, but he needed her defendable castle and her delicious bread.
Ilona Andrews (Iron and Magic (The Iron Covenant, #1))
I need to get out of here. And then my eyes halt on the frame that’s casually hanging against a tree, and my limbs freeze. Because it’s him. The guy with platinum hair and an angelic smile.
Lola Malone (Crown of Disguise)
Her regularly squared and french-tipped nails were dangerously chipped and jagged, and she touched her platinum hair so often that it had started to look like the kinked bristles of an overused toothbrush.
G.M.T. Schuilling (The Watchmaker's Doctor)
I am now transfixed by this vintage sex-siren, who must be seventy if she’s a day. She is a woman who looks as though she is starring in a movie of her own life, and loving every minute of it. She is dazzling. Her long, platinum-blonde hair is twisted into a sexily dishevelled chignon, she wears several strings of pearls and even more make-up than Roni. Her eyes are heavily lined in black, her foundation could support a small bungalow, and her lips are painted into a perfect red pout. But somehow, on this woman, the effect is less lady of the night and more old-school Hollywood glamour.
Ruth Hogan (The Wisdom of Sally Red Shoes)
He wrapped his arms around her. “Have I told you today how happy I am that you gave up the good fight and moved back in with me?” “Not today,” she said, sucking in his sex-and-sin scent. “But last night you mentioned it quite a few times.” She’d tried for six weeks to live by herself in the apartment over Gracie’s garage, thinking she needed to experience life on her own before living with Mitch. She’d hated every minute of it. When she’d taken to sneaking into the farmhouse and crawling into bed with him in the middle of the night, he’d finally put his foot down. She sighed. Contentment had her curling deeper into his embrace. She didn’t care if it was wrong: Mitch and this farmhouse made her happy. “Maddie,” he said, his voice catching in a way that had her lifting her chin. “You know I love you.” “I know. I love you too.” His fingers brushed a lock of hair behind her chin. “Come with me.” He clasped her hand and led her into the bedroom before motioning her to the bed. She sat, and he walked over to the antique dresser and took a box out of the dresser. He walked back to the bed and sat down next to her. “I wanted to give this to you tonight, but then I saw you standing in the doorway and I knew I couldn’t wait.” Maddie looked at the box, it was wooden, etched with an intricate fleur-de-lis design on it and words in another language. “What is it?” “It was my grandmother’s. They bought it on their honeymoon. It’s French. It says, ‘There is only one happiness in life: to love and be loved.’” “It’s beautiful.” That he would give her something so treasured brought the threat of tears to her eyes. He handed it to her. “Open it.” She took the box and suddenly her heart started to pound. She lifted the lid and gasped, blinking as her vision blurred. Mitch grasped her left hand. “I know it’s only been three months, but in my family, meeting the night your car breaks down is a sign of a long, happy marriage.” Maddie couldn’t take her eyes off the ring. It was a gorgeous, simple platinum band with two small emerald stones flanking what had to be a three-carat rectangular diamond. She looked at Mitch. “Maddie Donovan, will you please marry me?” “Yes.” She kissed him, a soft, slow, drugging kiss filled with hope and promises. There was no hesitation. Not a seed of worry or shred of doubt. Her heart belonged to only one man, and he was right in front of her. “It would be my honor.” He slipped the ring on her finger. “My grandma would be thrilled that you have her ring.” “It’s hers?” It sparkled in the sunlight. It looked important on her hand. “It’s been in the family vault since she died. My mom sent it a couple of weeks ago. She’s been a little pushy about the whole thing. I think she’s worried I’ll do something to screw it up and she’ll lose the best daughter-in-law ever.” Maddie laughed. “I love her, too.” He ran his finger over the platinum band. “I changed the side stones to emeralds because they match your eyes. Do you think I made the right choice?” She put her hands on the sides of his face. “It is the most gorgeous ring I have ever laid eyes on. I love it. I love you. You know I’d take you with a plastic ring from Wal-Mart.” “I know.” She kissed him. “But I’m not going to lie: this is a kick-ass ring.” He grinned. “You know, I think that’s what my grandma used to say.” “She was obviously a smart woman.” “For the record, don’t even think about running.” Mitch pushed her back on the bed and captured her beneath him. “I will hunt you down to the ends of the earth and bring you back where you belong.” She reached for him, this man who’d been her salvation. “I will run down the aisle to meet you.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
The voice was thick and had mileage on it. Her platinum-blond hair was pulled tight in a clasp engraved with the initials W.W. The woman’s eyes, lined in charcoal, had wrinkles fringing out from the corners. Her lips were scarlet, but not bloody. She was pretty once.
Ruta Sepetys (Out of the Easy)
Were all chains fancy like this one?” Ashley asked. Mrs. Wilmington was delighted to elaborate. “Oh no, they could be made of many different materials.” Etienne’s body tensed. Miranda felt the quick catch of his muscles…the slide of his hands up her back…as he slowly gripped her shoulders. And she knew the realization had struck both of them at the exact same time. “They could be gold-filled or platinum,” Mrs. Wilmington rattled on. “Or expensive leather, or studded with precious stones. But some were much plainer--a ribbon, or a common strap. Even string. Oh, and some women even wove them out of their hair.” The silence was sudden and stifling. Five bodies held together by an undercurrent of shock. Mrs. Wilmington was clueless about the response she’d just caused. She tapped again on the window glass. “Yes, indeed,” she said, “that was the truest devotion. To have a watch chain woven from your sweetheart’s hair.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
Chikusho, I thought. This was the famous Imogen Kato, right here! She saw me and glanced down at the magazine I'd been looking at while waiting for my meeting with Chloe, open to the photo spread- of her. God, how embarrassing. I closed the magazine abruptly. It was definitely the same girl, although now her hair was platinum blond with dark roots instead of a mixture of auburn with honey and green apple-colored streaks. Beneath her plaid uniform skirt, she wore deep purple-and-blue-and-silver leggings that had prints of galloping gray unicorns, and over her blouse was a worn-out, oversize, cream-colored cardigan sweater with the belt tied to the side instead of center. Apparently, the uniform dress code was not that strict at this school.
Rachel Cohn (My Almost Flawless Tokyo Dream Life)
I know a girl Her name is Alice She's a part time model And an Oxford Scholar She wears her hair in Platinum plats down her back She'll start to stutter if you make her nervous And if she's got a face for the world And she's getting bigger everyday that she works So if you ask me do I know someone for the job Yeah I know a girl I know a girl
The Preatures
Wake ‘n’ Bake Corpse Reviver Got that nasty hangover from dropping it like it’s hot at the club a li’l too long last night? Well then, Tha Dogg’s got this hair of the dogg to get you back up and at ‘em. The money ain’t sitting around waiting; you need to get up, get out, and get something.
Snoop Dogg (From Crook to Cook: Platinum Recipes from Tha Boss Dogg's Kitchen)