Planted Not Buried Quotes

Sometimes when you're in a dark place you think you've been buried, but you've actually been planted.

A doctor can bury his mistakes, but an architect can only advise his clients to plant vines.

Bury my bones in the midnight soil, plant them shallow and water them deep, and in my place will grow a feral rose, soft red petals hiding sharp white teeth.

Pitiful is the person who is afraid of taking risks. Perhaps this person will never be disappointed or disillusioned; perhaps she won’t suffer the way people do when they have a dream to follow. But when that person looks back – and at some point everyone looks back – she will hear her heart saying, “What have you done with the miracles that God planted in your days? What have you done with the talents God bestowed on you? You buried yourself in a cave because you were fearful of losing those talents. So this is your heritage; the certainty that you wasted your life.

When one is burying a dream, one might as well plant another dream.

Secrets are like plants. They can stay buried deep in the earth for a long time, but eventually they'll send up shoots and give themselves away. They have to. It's their nature. Just a tiny green stem at first. Which slowly, insidiously grows taller, stronger, unfolding itself, until there it is. A big fat secret, right in front of your face; a fully bloomed flower perfumed with the scent of deception.

...To be honest, I'd be the last person who should be doling out gardeinng advice. I don't have the patience for growing things. Yes, I realize there's nothing quite as satisfying as eating food that you've pulled up from the ground and that's why, at the height of the planting season, I bury cans of tomato soup in my backyard and dig them up in late spring.

Don't you think I ever wanted other things? Don't you think I had dreams and hopes? What about my life? What about me. Don't you think it ever crossed my mind to want to know other men? That I wanted to lay up somewhere and forget about my responsibilities? That I wanted someone to make me laugh so I could feel good? You not the only one who's got wants and needs. But I held on to you, Troy. I took all my feelings, my wants and needs, my dreams...and I buried them inside you. I planted myself inside you and waited to bloom. And it didn't take me no eighteen years to find out the soil was hard and rocky and it wasn't never gonna bloom.

What actually happens when you die is that your brain stops working and your body rots, like Rabbit did when he died and we buried him in the earth at the bottom of the garden. And all his molecules were broken down into other molecules and they went into the earth and were eaten by worms and went into the plants and if we go and dig in the same place in 10 years there will be nothing exept his skeleton left. And in 1,000 years even his skeleton will be gone. But that is all right because he is a part of the flowers and the apple tree and the hawthorn bush now.

We keep on burying our dead/ We keep on planting their bones in the ground/ But they won't grow/ The sun doesn't help/ The rain doesn't help.

Sometimes when you're in a dark place you think you've been buried but actually you've been planted.

There has always been a sliver of panic in him, deeply buried, when it comes to his daughter: a fear that he is no good as a father, that he is doing everything wrong. That he never quite understood the rules. All those Parisian mothers pushing buggies through the Jardin des Plantes or holding up cardigans in department stores—it seemed to him that those women nodded to each other as they passed, as though each possessed some secret knowledge that he did not. How do you ever know for certain that you are doing the right thing?

Sometimes life takes you into a dark place where you feel it's impossible to breathe. You think you've been buried, but don't give up, because if truth be told, you've actually been planted.

In May, when coyotes howl beneath an unnervingly large moon, taller plants, such as spiderworts and black-eyed Susans, begin to creep over the tinier blooms, stealing their light and water. The necks of the smaller flowers break and their petals flutter away, and before long they are buried underground. This is why the Osage Indians refer to May as the time of the flower-killing moon.

This is my life, I thought...I have excised the cancer from my past, cut it out; I have crossed the high plains, descended into the desert, traversed oceans, and planted my feet in new soil; I have been the apprentice, paid my dues, and have just become master of my ship. But when I look down, why do I see the ancient, tarred, mud-stained slippers that I buried at the start of the journey still stuck to my feet?

Sometimes it feels like life has buried us in the dirt, when in reality we've been planted with an opportunity to grow.

When they ask why we stayed together for so long I say, I don’t know. I just know that we cried at the exact same time in every movie. I know we blushed everyday for the first two years. I know I always stole the covers and she never woke me up. I know the exact look on her face, the first night she used my toothbrush. The next day, I brushed my teeth like thirtysome times, ‘cause I didn’t want to let her go. You have to understand when it hurt to love her, it hurt the way the light hurts your eyes in the middle of the night, but I had to see, even through the ruin, if what we were burying were seeds. There were so many plants in our house, you could rake the leaves even through that winter when I was trying to make angels in the snow of her cold shoulder. She was still leaving love notes in my suitcase; I’d always find them.

October Fullness” Little by little, and also in great leaps, life happened to me, and how insignificant this business is. These veins carried my blood, which I scarcely ever saw, I breathed the air of so many places without keeping a sample of any. In the end, everyone is aware of this: nobody keeps any of what he has, and life is only a borrowing of bones. The best thing was learning not to have too much either of sorrow or of joy, to hope for the chance of a last drop, to ask more from honey and from twilight. Perhaps it was my punishment. Perhaps I was condemned to be happy. Let it be known that nobody crossed my path without sharing my being. I plunged up to the neck into adversities that were not mine, into all the sufferings of others. It wasn’t a question of applause or profit. Much less. It was not being able to live or breathe in this shadow, the shadow of others like towers, like bitter trees that bury you, like cobblestones on the knees. Our own wounds heal with weeping, our own wounds heal with singing, but in our own doorway lie bleeding widows, Indians, poor men, fishermen. The miner’s child doesn’t know his father amidst all that suffering. So be it, but my business was the fullness of the spirit: a cry of pleasure choking you, a sigh from an uprooted plant, the sum of all action. It pleased me to grow with the morning, to bathe in the sun, in the great joy of sun, salt, sea-light and wave, and in that unwinding of the foam my heart began to move, growing in that essential spasm, and dying away as it seeped into the sand.

The physician can bury his mistakes, but the architect can only advise his client to plant vines — so they should go as far as possible from home to build their first buildings.

My eyelids are heavy as stone. But when I sleep, I'll have that dream again. I haven't wanted to tell you about it, until now. I'll be in the Separates, and I'll be digging with my bare hands. When I've made a hole deep enough to plant a tree, I'll place my fingers inside. I'll slip off the ring you gave me. It will catch the light and glint a rainbow of colors over my skin, but I will take my hands away, leaving it there. I'll sprinkle the earth back over it, and I will bury it. Back where it belongs. I'll rest against a tree's rough trunk. The sun will be setting, it's dazzling color threading through the sky, making my cheeks warm. Then I will wake up. Good-bye, Ty, Gemma

Fungi make worlds. They also unmake them. There are lots of ways to catch them in the act. When you cook mushroom soup, or just eat it. When you go out gathering mushrooms, or buy them. When you ferment alcohol, plant a plant, or just bury your hands in the soil; and whether you let a fungus into your mind, or marvel at the way that it might enter the mind of another. Whether you’re cured by a fungus, or watch it cure someone else; whether you build your home from fungi, or start growing mushrooms in your home, fungi will catch you in the act. If you’re alive, they already have.

Me: Remember, when burying a body, make sure to cover it with endangered plants so it’s illegal to dig up! Me: Make sure to follow me for more gardening tips!

This isn't how it should be, God. Thousands of graves marking thousands of lives--so much focus on death. Did the gravediggers spend their lives just serving the dead? How many Numbers ticked away for the sake of carving headstones no one would read? As I stare at this scene, I decide I don't want a headstone when I die. I don't even want to be buried. I want to disappear--save that chunk of earth for people to live on. This land I stand on is worthless now. No one can build a house here. No one can plant gardens or start a new village. Is that what the people buried beneath me would have wanted? Earth wasn't intended to hold only dead bodies. I stand. God, I need to live.

The plants themselves gave me a cure for that: They taught me to bury myself when I need to regain my strength. It is what they do—return to the ground, rest, and begin again.

Don't let your inner demons Take the best of your creeds. If God gives you lemons, You must plant the seeds. Do not be so self-absorbed That you can't see the tree. If you succumb to what's morbid You bury your chance to be free.

The more he went, the more it felt like Chaos was planted in his life. He just needed to figure out why. And those nameless dead people were his clue along with that note about letting the dead bury the dead.

I've been thinking more about perennial plants. About how sometimes life needs to go underground, bury itself deep to survive, and how maybe that's not a bad thing. It's just necessary. And that's okay." -Natalie

Don't let your inner demons Take the best of your creeds. If God gives you lemons, You must plant the seeds. Do not be so self-absorbed That you can't see the tree. If you succumb to the morbid You bury a chance to be free.

ROSE: I been standing with you! I been right here with you, Troy. I got a life, too. I gave eighteen years of my life to stand in the same spot with you. Don't you think I ever wanted other things? Don't you think I had dreams and hopes? What about my life? What about me. Don't you think it ever crossed my mind to want to know other men? That I wanted to lay up somewhere and forget about my responsibilities? That I wanted someone to make me laugh so I could feel good? You not the only one who's got wants and needs. But I held on to you, Troy. I took all my feelings, my wants and needs, my dreams...and I buried them inside you. I planted a seed and watched and prayed over it. I planted myself inside you and waited to bloom. And it didn't take me not eighteen years to find out the soil was hard and rocky and it wasn't never gonna bloom. But I held on to you. I held you tighter. You was my husband. I owed you everything I had. Every part of me I could find to give you. And upstairs in that room...with the darkness falling in on me...I gave everything I had to try and erase the doubt that you wasn't the fines man in the world. And wherever you was going...I wanted to be there with you. Cause you was my husband. Cause that's the only way I was gonna survive as your wife. You always taking about what you give...and what you don't have to give. But you take too. You take...and you don't even know nobody's giving!

She was hurt to find life made up of so many little things. At first she believed most faithfully that they had a deeper meaning and a coherent larger purpose; but after a while she saw to her dismay that the deeper and larger things were merely shadows cast by the small. So she buried the whole great treasure of winged dreams and iridescent shades under an oak-tree in the farthest corner of her heart, and planted a bush of wild roses over it. A small grave of dreams. Secretly and silently she buried them, a little ashamed, as a burglar might be who had long pursued some gleaming ruby necklace, and, having by infinite stealth and risk obtained it, found that it was red glass.

Our global civilization came at a huge cost. We needed a whole bunch of energy to build it, and we got that energy by burning fossil fuels, which came from dead plants and animals buried deep in the ground. We used up most of this fuel before you got here, and now it’s pretty much all gone. This means that we no longer have enough energy to keep our civilization running like it was before. So we’ve had to cut back. Big-time. We call this the Global Energy Crisis, and it’s been going on for a while now.

This is my life, I thought...I have exised the cancer from my past, cut it out; I have crossed the high plains, descended into the desert, traversed oceans, and planted my feet in new soil; I have been the apprentice, paid my dues, and have just become master of my ship. But when I look down, why do I see the ancient, tarred, mudstained slippers that I buried at the start of the journey still stuck to my feet?

In April, millions of tiny flowers spread over the blackjack hills and vast prairies in the Osage territory of Oklahoma. There are Johnny-jump-ups and spring beauties and little bluets. The Osage writer John Joseph Mathews observed that the galaxy of petals makes it look as if the “gods had left confetti.” In May, when coyotes howl beneath an unnervingly large moon, taller plants, such as spiderworts and black-eyed Susans, begin to creep over the tinier blooms, stealing their light and water. The necks of the smaller flowers break and their petals flutter away, and before long they are buried underground. This is why the Osage Indians refer to May as the time of the flower-killing moon.

When I tried to sing by myself, I felt sad and empty, for inevitably my father's favorite songs came to me, and before I got to "und auf den Wiesen blühen die Blümelein rot und blau" (and on the meadows bloom the little flowers red and blue), I had to hide and cry. He was buried somewhere in France, and I was sure no one had planted a flower on his resting place. Who would have, for a soldier who had fought for Hitler?

You have to take risks. We will only understand the miracle of life fully when we allow the unexpected to happen. Every day, God gives us the sun - and also one moment when we have the ability to change everything that makes us unhappy. Every day, we try to pretend that we haven't perceived that moment, that it doesn't exist - that today is the same as yesterday and will be the same as tomorrow. But if people really pay attention to their everyday lives, they will discover that magic moment. It may arrive in the instant when we are doing something mundane, like putting our front-door key in the lock; it may lie hidden in the quiet that follows the lunch hour or in the thousand and one things that all seem the same to us. But that moment exists - a moment when all the power of the stars becomes a part of us and enables us to perform miracles. Joy is sometimes a blessing, but it is often a conquest. Our magic moment helps us to change and sends us off in search of our dreams. Yes, we are going to suffer, we will have difficult times, and we will experience many disappointments - but all of these are transitory; it leaves no permanent mark. And one day we will look back with pride and faith at the journey we have taken. Pitiful is the person who is afraid of taking risks. Perhaps, this person would never be disappointed or disillusioned; perhaps she won't suffer the way people do when they have a dream to follow. But when the person looks back - she will never hear her heart saying 'What have you done with the miracles that God planted in your days? What have you done with the talents God has bestowed upon you? You buried yourself in a cave because you were fearful of losing those talents. So this is your heritage, the certainty that you wasted your life.' Pitiful are the people who must realize this. Because when they are finally able to believe in miracles, their life's magic moments will have already passed them by.

Burying and Planting The culmination of one love, one dream, one self, is the anonymous seed of the next. There is very little difference between burying and planting. For often, we need to put dead things to rest, so that new life can grow. And further, the thing put to rest—whether it be a loved one, a dream, or a false way of seeing—becomes the fertilizer for the life about to form. As the well-used thing joins with the earth, the old love fertilizes the new; the broken dream fertilizes the dream yet conceived; the painful way of being that strapped us to the world fertilizes the freer inner stance about to unfold. This is very helpful when considering the many forms of self we inhabit over a lifetime. One self carries us to the extent of its usefulness and dies. We are then forced to put that once beloved skin to rest, to join it with the ground of spirit from which it came, so it may fertilize the next skin of self that will carry us into tomorrow. There is always grief for what is lost and always surprise at what is to be born. But much of our pain in living comes from wearing a dead and useless skin, refusing to put it to rest, or from burying such things with the intent of hiding them rather than relinquishing them. For every new way of being, there is a failed attempt mulching beneath the tongue. For every sprig that breaks surface, there is an old stick stirring underground. For every moment of joy sprouting, there is a new moment of struggle taking root. We live, embrace, and put to rest our dearest things, including how we see ourselves, so we can resurrect our lives anew.

That Elizabeth-Jane Farfrae be not told of my death, or made to grieve on account of me. "& that I be not bury'd in consecrated ground. "& that no sexton be asked to toll the bell. "& that nobody is wished to see my dead body. "& that no mourners walk behind me at my funeral. "& that no flowers be planted on my grave, "& that no man remember me. "To this I put my name.

A person should be buried only half a meter, or two feet, below the surface. Then a tree should be planted there. He should be buried in a coffin that decays so that when you plant a tree on top the tree will take something out of his substance and change it into tree-substance. When you visit the grave you don’t visit a dead man, you visit a living being who was just transformed into a tree. You say, “This is my grandfather, the tree is growing well, fantastic.” You can develop a beautiful forest that will be more beautiful than a normal forest because the trees will have their roots in graves. It will be a park, a place for pleasure, a place to live, even a place to hunt.

New beginnings are often disguised as painful endings. Yet in these dark places, when we think that maybe we have been buried, actually, we have been planted.

A quiet but indomitable voice behind me said, “I believe this is my dance.” It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze. Kishan narrowed his eyes and said, “I believe it is the lady’s choice.” Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor. Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him. He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist. When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch. I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger. He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret. He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.” I nodded my head hesitantly. “First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.” He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.” I sucked in a deep breath. He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.” He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer. “Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.

For the rest of mankind to be with Christ means death, but for Christians it is a means of grace. Baptism is their assurance that they are "dead with Christ", "crucified with him", "buried with him", "planted together in the likeness of his death". All this creates in them the assurance that they will also live with him. "We with Christ"--for Christ is Emmanuel, "God with us." Only when we know Christ in this way is our being with him the source of grace.

And then it struck him what lay buried far down under the earth on which his feet were so firmly planted: the ominous rumbling of the deepest darkness, secret rivers that transported desire, slimy creatures writhing, the lair of earthquakes ready to transform whole cities into mounds of rubble. These, too, were helping to create the rhythm of the earth. He stopped dancing and, catching his breath, stared at the ground beneath his feet as though peering into a bottomless hole.

In order to possess "The Wonder-working Serpent," it is necessary, in the words of the Grimoire, "to buy an egg without haggling," which (by the way) indicates the class of person for and by whom the book was written. This egg is to be buried in a cemetery at midnight, and every morning at sunrise it must be watered with brandy. On the ninth day a spirit appears, and demands your purpose. You reply "I am watering my plant." This occurs on three successive days; at the midnight following the egg is dug up, and found to contain a serpent, with a cock's head. This amiable animal answers to the name of Ambrosiel. Carry it in your bosom, and your suit inevitably prospers.

What actually happens when you die is that your brain stops working and your body rots, like Rabbit did when he died and we buried him in the earth at the bottom of the garden. And all his molecules were broken down into other molecules and they went into the earth and were eaten by worms and went into the plants and if we go dig in the same place in 10 years there will be nothing except his skeleton left. And in 1,000 years even his skeleton will be gone. But that is all right because he is part of the flowers and the apple tree and the hawthorn bush now. When people die they are sometimes put into coffins which means that they don't mix with the earth for a very long time until the wood of the coffin rots. But Mother was cremated. This means that she was put into a coffin and burnt and ground up and turned into ash and smoke. I do not know what happens to the ash and I couldn't ask at the crematorium because I didn't go to the funeral. But the smoke goes out of the chimney and into the air and sometimes I look up into the sky and I think that there are molecules of Mother up there, or in clouds over Africa or the Antartic, or coming down as rain in rainforests in Brazil, or in snow somewhere.

Sometimes your garden surprises you. You don't remember planting strawberries or mint, but there it is, rising up in the middle of the carrot patch. Maybe the seeds blew in from the neighbor's garden. Or maybe they were buried in the dirt and you unearthed them when you tilled the soil. Or maybe you're reaping what you've sown. However it happened, you now have unexpected bounty. Accept it with gratitude.

I urge you to imagine the interlaced abundance if, throughout suburbia, every stockade fence, every chain-linked boundary, were to be buried in varied greenery and each of them and every hedge transformed into a hedgerow. I ask you, at least, to open the door to some first guest that your party might begin.

Everybody needs that one friend who just “gets” them. If I had called Tori and said, “Bring a shovel,” she wouldn’t have asked if we were planting roses or burying a no-good boyfriend, she’d just show up ready to dig.

The grey-eyed morn smiles on the frowning night, Chequering the eastern clouds with streaks of light, And flecked darkness like a drunkard reels From forth day's path and Titan's fiery wheels: Now, ere the sun advance his burning eye, The day to cheer and night's dank dew to dry, I must up-fill this osier cage of ours With baleful weeds and precious-juiced flowers. The earth that's nature's mother is her tomb; What is her burying grave that is her womb, And from her womb children of divers kind We sucking on her natural bosom find, Many for many virtues excellent, None but for some and yet all different. O, mickle is the powerful grace that lies In herbs, plants, stones, and their true qualities: For nought so vile that on the earth doth live But to the earth some special good doth give, Nor aught so good but strain'd from that fair use Revolts from true birth, stumbling on abuse: Virtue itself turns vice, being misapplied; And vice sometimes by action dignified. Within the infant rind of this small flower Poison hath residence and medicine power: For this, being smelt, with that part cheers each part; Being tasted, slays all senses with the heart. Two such opposed kings encamp them still In man as well as herbs, grace and rude will; And where the worser is predominant, Full soon the canker death eats up that plant.

I am the gorilla who feels his wings growing, a giddy gorilla in the centre of a satin-like emptiness; the night too grows like an electrical plant, shooting white-hot buds into velvet black space. I am the black space of the night in which the buds break with anguish, a starfish swimming on the frozen dew of the moon. I am the germ of a new insanity, a freak dressed in intelligible language, a sob that is buried like a splinter in the quick of the soul. I am dancing the very sane and lovely dance of the angelic gorilla. These are my brothers and sisters who are insane and unangelic. We are dancing in the hollow of the cup of nothingness. We are of one flesh, but separated like stars.

Water splashes and runs in a film across the glass floor suspended above the mosaics. The Hacı Kadın hamam is a typical post-Union fusion of architectures; Ottoman domes and niches built over some forgotten Byzantine palace, years and decades of trash blinding, gagging, burying the angel-eyed Greek faces in the mosaic floor; century upon century. That haunted face was only exposed to the light again when the builders tore down the cheap apartment blocks and discovered a wonder. But Istanbul is wonder upon wonder, sedimented wonder, metamorphic cross-bedded wonder. You can’t plant a row of beans without turning up some saint or Sufi. At some point every country realizes it must eat its history. Romans ate Greeks, Byzantines ate Romans, Ottomans ate Byzantines, Turks ate Ottomans. The EU eats everything. Again, the splash and run as Ferid Bey scoops warm water in a bronze bowl from the marble basin and pours it over his head.

She nearly stopped forever just outside Ashton, because she came to a tiny cottage buried in a garden. I could live there all alone, she thought, slowing the car to look down the winding garden path to the small blue front door with, perfectly, a white cat on the step. No one would ever find me there, either, behind all those roses, and just to make sure I would plant oleanders by the road. I will light a fire in the cool evenings and toast apples at my own hearth. I will raise white cats and sew white curtains for the windows and sometimes come out of my door to go to the store to buy cinnamon and tea and thread. People will come to me to have their fortunes told, and I will brew love potions for sad maidens; I will have a robin.

This is my life, I thought, as my taxi slogged through heavy traffic and inched through the tunnel to Logan Airport. I have excised the cancer from my past, cut it out; I have crossed the high plains, descended into the desert, traversed oceans, and planted my feet in new soil; I have been the apprentice, paid my dues, and just become the master of my ship. But when I look down, why do I see the ancient, tarred, mud-stained slippers that I buried at the start of the journey still stuck to my feet?

Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx

Ah, are you digging on my grave, My loved one? -- planting rue?" -- "No: yesterday he went to wed One of the brightest wealth has bred. 'It cannot hurt her now,' he said, 'That I should not be true.'" "Then who is digging on my grave, My nearest dearest kin?" -- "Ah, no: they sit and think, 'What use! What good will planting flowers produce? No tendance of her mound can loose Her spirit from Death's gin.'" "But someone digs upon my grave? My enemy? -- prodding sly?" -- "Nay: when she heard you had passed the Gate That shuts on all flesh soon or late, She thought you no more worth her hate, And cares not where you lie. "Then, who is digging on my grave? Say -- since I have not guessed!" -- "O it is I, my mistress dear, Your little dog, who still lives near, And much I hope my movements here Have not disturbed your rest?" "Ah yes! You dig upon my grave... Why flashed it not to me That one true heart was left behind! What feeling do we ever find To equal among human kind A dog's fidelity!" "Mistress, I dug upon your grave To bury a bone, in case I should be hungry near this spot When passing on my daily trot. I am sorry, but I quite forgot It was your resting place.

Her history welled up in her; things burned, things frozen, buried alive, a whole disordered catalogue of stories told or hidden. She alone could make sense of them. She alone could tell it as it was, for who else would remember? She would begin with the seeds of a starting place planted here in her revisiting, to tell of the mysterious normality of things, of their unexceptional symmetry, of uninterrupted rise and fall of days; of how one could wait, could waste as much time as there was between birth and burial waiting for things that never came.

When we buried him, we planted flowers on his grave, and every time I visited I saw that those flowers were my father, were made out of him. He was being born again into the earth, in a new form, and it wouldn't be long until all of his atoms were dispersed across the village, then the country, and then the world, carried off inside birds, growing into plants, and into butterflies. What was the garden, then, if not heaven, if not a place made up of everything that had been lost to us, if not an afterlife? After that, the whole world could be heaven to me.

And now at last authentic word I bring, Witnessed by every dead and living thing; Good tidings of great joy for you, for all: There is no God; no Fiend with names divine Made us and tortures us; if we must pine, It is to satiate no Being's gall. It was the dark delusion of a dream, That living Person conscious and supreme, Whom we must curse for cursing us with life; Whom we must curse because the life he gave Could not be buried in the quiet grave, Could not be killed by poison or the knife. This little life is all we must endure, The grave's most holy peace is ever sure, We fall asleep and never wake again; Nothing is of us but the mouldering flesh, Whose elements dissolve and merge afresh In earth, air, water, plants, and other men. We finish thus; and all our wretched race Shall finish with its cycle, and give place To other beings with their own time-doom: Infinite aeons ere our kind began; Infinite aeons after the last man Has joined the mammoth in earth's tomb and womb.

If someone drowned at sea 300 years ago, or they died elsewhere but their remains were disposed of in the ocean, they’d either start to decompose immediately or they’d get eaten by fish or other scavengers. Their bones would eventually sink down to the seabed and be slowly buried by marine silt or broken down further over the years, but the flesh would one way or another eventually become water, which would evaporate into clouds and then rain down upon the earth once again to become plants and flowers. The flowers in your garden could once have been Anne Bonny and Mary Read.

Survival is more than burying the damage, it is about befriending it - it is about being thankful for how, at a point in your life, it created graveyards within you. For when you look back, you will finally understand that it is nothing short of incredible, how you managed to emerge like wildflowers, from the cemeteries you held within your soul.

Scott, deaf and enchanted in the gallery, and the whole row of pretty heads at his side saw the concerted rush on Lymond: his assailants downed him without malice and eighteen stones of Molly planted themselves on his chest. “A throw!” said Molly, and Lymond, half buried, gave a choked whoop of laughter and raised a defeated hand in signal to Tammas.

Scattered across the hillside below Cork lay the buried dead, seeds whose planting had brought forth a crop of stone.

They tried to bury us, but they didn't know we were seeds.

Atticus’s human house plant. The one they buried alive behind the cabin for Zane.” “Oh, yeah,” Felix said. “I wonder how he’s doing?” “Atticus said he finally stopped screaming.

Being planted and being buried may feel similar—if not identical—but the intention leads to very different outcomes.

The dead are buried to be born again, and the cycles of the plant world become models for the myths and rituals of mankind.

Bury my bones in the midnight soil, plant them shallow and water them deep, and in my place will grow a feral rose, soft red petals hiding sharp white teeth.

In 1907, Haber was the first to obtain nitrogen, the main nutrient required for plant growth, directly from the air. In this way, from one day to the next, he addressed the scarcity of fertilizer that threatened to unleash an unprecedented global famine at the beginning of the twentieth century. Had it not been for Haber, hundreds of millions of people who until then had depended on natural fertilizers such as guano and saltpetre for their crops would have died from lack of nourishment. In prior centuries, Europe’s insatiable hunger had driven bands of Englishmen as far as Egypt to despoil the tombs of the ancient pharaohs, in search not of gold, jewels or antiquities, but of the nitrogen contained in the bones of the thousands of slaves buried along with the Nile pharaohs, as sacrificial victims, to serve them even after their deaths. The English tomb raiders had exhausted the reserves in continental Europe; they dug up more than three million human skeletons, along with the bones of hundreds of thousands of dead horses that soldiers had ridden in the battles of Austerlitz, Leipzig and Waterloo, sending them by ship to the port of Hull in the north of England, where they were ground in the bone mills of Yorkshire to fertilize the verdant fields of Albion.

That…be not told of my death, Or made to grieve on account of me, And that I be not buried in consecrated ground, And that no sexton be asked to toll the bell, And that nobody is wished to see my dead body, And that no mourners walk behind me at my funeral, And that no flowers be planted on my grave, And that no man remember me, To this I put my name. —Thomas Hardy

If someone drowned at sea a couple of hundred years ago they’d either start to decompose immediately or they’d get eaten by fish or other scavengers. The bones would eventually sink down to the seabed and either be slowly buried by marine silt or broken down further over the years, but the flesh would one way or another eventually become water, which would evaporate into clouds and then rain down upon the earth once again to become plants and flowers. The flowers in your garden could once have been famous pirates such as Blackbeard or Calico Jack.

If I longed for destruction it was merely that this eye might be extinguished. I longed for an earthquake, for some cataclysm of nature which would plunge the lighthouse into the sea. I wanted a metamorphosis, a change to fish, to leviathan, to destroyer. I wanted the earth to open up, to swallow everything in one engulfing yawn. I wanted to see the city buried fathoms deep in the bosom of the sea. I wanted to sit in a cave and read by candlelight. (I wanted that eye extinguished so that I might have a change to know my own body, my own desires. I wanted to be alone for a thousand years in order to reflect on what I had seen and heard - and in order to forget. I wanted something of the earth which was not of man's doing, something absolutely divorced from the human of which I was surfeited. I wanted something purely terrestrial and absolutely divested of idea. I wanted to feel the blood running back into my veins, even at the cost of annihilation. I wanted to shake the stone and the light out of my system. I wanted the dark fecundity of nature, the deep well of the womb, silence, or else the lapping of the black waters of death. I wanted to be that night which the remorseless eye illuminated, a night diapered with stars and trailing comets. To be of night, so frighteningly silent, so utterly incomprehensible and eloquent at the same time. Never more to speak or to listen or to think. To be englobed and encompassed and to encompass and to englobe at the same time. No more pity, no more tenderness. To be human only terrestrially, like a plant or a worm or a brook. To be decomposed, divested of light and stone, variable as the molecule, durable as the atom, heartless as the earth itself.

But I think I want to become part of Scotland when I die. In a coffin, you just turn to dust, so I would prefer to be buried in a wicker casket, or in a sheet like the Africans do, so that I actually become part of the earth. I would like a tree to be planted on top of me. And I told my wife Pamela a long time ago the epitaph that I want on my gravestone: Jesus Christ, is that the time already? Failing that, I would like an epitaph in writing so tiny that visitors would have to inch right next to my gravestone to read it. It would say: You're standing on my balls.

I plant a little notion of kindness so that at least it's there, this seedling buried inside them. Will it take root? Will it flower? Who knows? But either way, I've done my deed." -Mr. Browne

various Belgian policemen and security officers - nominally under the command of Tshombe but, in reality, following orders from Brussels - had, on the night of 17 January 1961, driven Lumumba from the villa where he had been taken to rendezvous with a firing squad of local Katangan soldiers about forty-five minutes’ drive from the airport. Lumumba, his face battered almost beyond recognition and his clothes spattered with blood, was made to stand against a large anthill illuminated by the headlights of two cars. He was then executed by firing squad and his body buried in a shallow grave. Fearful the grave might be discovered and turned into a shrine, the Belgians and their Katangan stooges later moved to erase all traces of the Congo’s elected leader. The day after the execution, the corpse was exhumed and driven deeper into the Katangan bush, where it was reburied in another shallow grave until arrangements could be made to get rid of it once and for all. Under cover of darkness on 22 January 1961 two Belgian brothers, with connections to the Belgian security forces, returned and exhumed the body for a second time. They used a hacksaw and an axe to dismember the decomposing corpse, before dissolving the remains in a 200-litre petrol drum filled with sulphuric acid taken from a nearby copper-processing plant. One of the brothers later admitted he used pliers to remove two of Lumumba’s teeth as souvenirs.

I had turned the earth in my garden the day before, planting the winter seeds to sleep and swell, to dream their buried birth. Now is the time when we reenter the womb of the world, dreaming the dreams of snow and silence.

Luther Burbank was born in a brick farmhouse in Lancaster Mass, he walked through the woods one winter crunching through the shinycrusted snow stumbling into a little dell where a warm spring was and found the grass green and weeds sprouting and skunk cabbage pushing up a potent thumb, He went home and sat by the stove and read Darwin Struggle for Existence Origin of Species Natural Selection that wasn't what they taught in church, so Luther Burbank ceased to believe moved to Lunenburg, found a seedball in a potato plant sowed the seed and cashed in on Darwin’s Natural Selection on Spencer and Huxley with the Burbank potato. Young man go west; Luther Burbank went to Santa Rosa full of his dream of green grass in winter ever- blooming flowers ever- bearing berries; Luther Burbank could cash in on Natural Selection Luther Burbank carried his apocalyptic dream of green grass in winter and seedless berries and stoneless plums and thornless roses brambles cactus— winters were bleak in that bleak brick farmhouse in bleak Massachusetts— out to sunny Santa Rosa; and he was a sunny old man where roses bloomed all year everblooming everbearing hybrids. America was hybrid America could cash in on Natural Selection. He was an infidel he believed in Darwin and Natural Selection and the influence of the mighty dead and a good firm shipper’s fruit suitable for canning. He was one of the grand old men until the churches and the congregations got wind that he was an infidel and believed in Darwin. Luther Burbank had never a thought of evil, selected improved hybrids for America those sunny years in Santa Rosa. But he brushed down a wasp’s nest that time; he wouldn’t give up Darwin and Natural Selection and they stung him and he died puzzled. They buried him under a cedartree. His favorite photograph was of a little tot standing beside a bed of hybrid everblooming double Shasta daisies with never a thought of evil And Mount Shasta in the background, used to be a volcano but they don’t have volcanos any more.

My dad didn’t want to be buried, he wanted to be planted. So we dug a hole for his ashes on the bonfire hill and planted an oak tree there. My mother wants us to plant another tree over her ashes right next to it when it’s her turn

I passed out cigars to the men, and we lit them with a twig caught alight in the fire and passed the bottle around. Charley was doing most of the talking, telling a hunting story from the days of elk and bison, neither of which anyone in attendance except Charley had ever seen. He made them epic animals in his story, inhabitants of an old and better world not to come around again. He then told of his lost farmstead at the old mound village of Cowee, before one of the many disastrous treaties had driven him and his family west to Nantayale. At Cowee, he has been noted for his success with apple trees, which over the years he had planted at spots where his outhouses had stood. Apples grew on his trees huge as dreams of apples. That Cowee house was old, from the time when they still buried dead loved ones in the dirt floor.

I buried her like a pagan. I put deer bones in with her, for her journey; a blanket, for warmth; flowers, cedar fronds, stones from places we’d been, grouse feathers, a tidbit of raw venison hamburger, and a swatch of my own hair. A headstone, a footstone. I planted an aspen tree above the headstone, to give her shade, and to someday provide leaf-music in the breeze. It took a long time before I was worth a damn again. How to measure the eleven years of magic she brought to us? How, now, to say thank you? Too late, as usual, for these sorts of things.

Truth is a priceless treasure, but worthless if buried. Value simplicity. Pause to smell a rose, preferably planted by your hand, for it will smell sweeter. Toil builds character; heartache tests our fortitude. The key to happiness is forgiveness, forgiving ourselves most of all.

What is the difference between a squirrel burying acorns across the forest and humans planting potatoes across the globe? Who is master, and who is the servant? Is it the acorn's or potato's idea to be nutritious, or the creature that buries them? Evolution is not about design or will; it is the outcome of constant endeavors made by organisms that want to survive and better themselves. The collective result is intoxicatingly beautiful, rife with oddities, and surprisingly brilliant, yet no agent is in control. Evolution arises from the bottom up--so, too, does hope.

BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.

Firmly planted. Not fallen from on high: sprung up from below. Ochre, the color of burnt honey. The color of a sun buried a thousand years ago and dug up only yesterday. Fresh green and orange stripes running across its still-warm body. Circles, Greek frets: scattered traces of a lost alphabet? The belly of a woman heavy with child, the neck of a bird. If you cover and uncover its mouth with the palm of your hand, it answers you with a deep murmur, the sound of bubbling water welling up from its depths; if you tap its sides with your knuckles, it gives a tinkling laugh of little silver coins falling on stones. It has many tongues: it speaks of the language of clay and minerals, of air currents flowing between canyon walls, of washerwomen as they scrub, of angry skies, of rain. A vessel of baked clay: do not put it in a glass case alongside rare precious objects. It would look quite out of place. Its beauty is related to the liquid that it contains and to the thirst that it quenches. Its beauty is corporal: I see it, I touch it, I smell it, I hear it. If it is empty, It must be filled; if it is full, it must be emptied. I take it by the shaped handle as I would take a woman by the arm, I lift it up, I tip over a pitcher into which I pour milk or pulque - lunar liquids that open and close the doors of dawn and dark, waking a sleeping.

In April, millions of flowers spread over the blackjack hills and vast prairies in the Osage territory of Oklahoma. There are Johnny-jump-ups and spring beauties and little bluets. The Osage writer John Joseph Mathews observed that the galaxy of petals makes it look as if the " gods had left confetti". In May, when coyotes howl beneath an unnervingly large moon, taller plants, such as spiderworts, and black eyed Susans, begin to creep over the tinier blooms, stealing their light and water. The necks of the smaller flowers break and their petals flutter away, and before long they are buried underground. This is why the Osage Indians refer to May as the time of the flower-killing moon.

What currently prevents your dreams from becoming reality is buried trauma keeping you trapped in your past, shutting down your confidence and imagination. Sure, trauma occurs as major, life-altering events. But more often, “trauma” is planted in minor incidents and conversations that limit your view of who you are and what you can do, creating a fixed mindset.

She nearly stopped forever just outside Ashton, because she came to a tiny cottage buried in a garden. I could live there all alone, she thought, slowing the car to look down the winding garden path to the small blue front door with, perfectly, a white cat on the step. No one would ever find me there, either, behind all those roses, and just to make sure I would plant oleanders by the road. I will light a fire in the cool evenings and toast apples at my own hearth. I will raise white cats and sew white curtains for the windows and sometimes come out of my door to go to the store to buy cinnamon and tea and thread. People will come to me to have their fortunes told, and I will brew love potions for sad maidens; I will have a robin. . . .

Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it. "The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child. "'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs. "The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind. "That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love. "In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life.... "The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun. Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees: There was a child went forth every day And the first object he look'd upon, that object he became... The early lilacs became part of this child... And the song of the phoebe-bird... In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.

Now comes the fun part,” he whispered. His cold hands ran down my calves to my ankles, which he pressed against the side of the couch and into hard metal bands that snapped around them like shackles.  “What was that?” I asked, sitting up. He stood, his muscular frame leaning as he towered over me, his chest sliding over my spread legs.  “Those are to keep you where I want you,” Saxon whispered as his hands continued over my body, gliding or whispering over my abdomen, around my breasts, to my shoulders, and down my arms. The farther up my arms his fingers moved, the closer he came to my lips, to my neck. His fangs were fully exposed.  “Do you want to be mine?” Saxon asked, his nose trailing over my neck. He planted his lips against my jaw, the touch a burning cold. I shivered. “Do you want to be right where I want you?” “Yes,” I gasped, knowing that I did, no matter how terrifying the fact that I couldn't move was making me.  “Good,” Saxon whispered, his hands rough against my arm as he pressed my wrists against the sides of the couch and into the bands that instantly snapped together to lock me in place.  I made a sound that was half fear, half pleasure. As I re-balanced my weight trying to get away from the cold bands only to find that I was captured.  Held against the couch. Caught underneath the Vampire who smiled as he ripped my bra and panties from my soaked and wanting body in one quick motion. “You smell so good, Ivy,” Saxon said, running his nose down my neck and over my bare breasts where his tongue darted out to capture my nipple for a moment. I moaned and he continued down, his hands running down my sides, down my legs, as he inhaled the scent of my stomach.  The scent of my sex.  “My rose,” he murmured, burying his face between my legs, his cold tongue darting out to flick at my clit. I gasped at the contact, a thrill of pleasure shooting up my spine. My body convulsed as he nipped at the tiny nub of aroused flesh, my back attempting to arch, my hips working to press in to him, but I couldn’t move. Judging by the pricks of cold metal that was all up and down my legs and arms, he had bound me by more than my ankles and wrists. A split second of panic captured my breath. “Saxon,” I moaned, shifting as the pleasure began to overtake me.

We buried our pains alive but they didn't die. In fact, they grew, because we kept feeding them. We didn't mean to but we kept feeding them. And now they are digging their way north. I can feel it, rumbling beneath my soul. And all that's left is to wait for the earth to crack and we'll fall away and apart, until we no longer are you and me but the hardships we so innocently planted.

confetti.” In May, when coyotes howl beneath an unnervingly large moon, taller plants, such as spiderworts and black-eyed Susans, begin to creep over the tinier blooms, stealing their light and water. The necks of the smaller flowers break and their petals flutter away, and before long they are buried underground. This is why the Osage Indians refer to May as the time of the flower-killing moon.

(The potato’s cold tolerance spurred its embrace by European peasants. Not only did potatoes grow in places where other crops could not, the plant was an ally in smallholders’ ceaseless struggle against the economic and political elite. A farmer’s barnful of wheat, rye, or barley was a fat target for greedy landlords and marauding armies; buried in the soil, a crop of potatoes could not be easily seized.)

What do we mean by the lived truth of creation? We have to mean the world as it appears to men in a condition of relative unrepression; that is, as it would appear to creatures who assessed their true puniness in the face of the overwhelmingness and majesty of the universe, of the unspeakable miracle of even the single created object; as it probably appeared to the earliest men on the planet and to those extrasensitive types who have filled the roles of shaman, prophet, saint, poet, and artist. What is unique about their perception of reality is that it is alive to the panic inherent in creation: Sylvia Plath somewhere named God "King Panic." And Panic is fittingly King of the Grotesque. What are we to make of a creation in which the routine activity is for organisms to be tearing others apart with teeth of all types-biting, grinding flesh, plant stalks, bones between molars, pushing the pulp greedily down the gullet with delight, incorporating its essence into one's own organization, and then excreting with foul stench and gasses the residue. Everyone reaching out to incorporate others who are edible to him. The mosquitoes bloating themselves on blood, the maggots, the killerbees attacking with a fury and demonism, sharks continuing to tear and swallow while their own innards are being torn out-not to mention the daily dismemberment and slaughter in "natural" accidents of all types: the earthquake buries alive 70 thousand bodies in Peru, automobiles make a pyramid heap of over 50 thousand a year in the U.S. alone, a tidal wave washes over a quarter of a million in the Indian Ocean. Creation is a nightmare spectacular taking place on a planet that has been soaked for hundreds of millions of years in the blood of all its creatures. The soberest conclusion that we could make about what has actually been taking place on the planet for about three billion years is that it is being turned into a vast pit of fertilizer. But the sun distracts our attention, always baking the blood dry, making things grow over it, and with its warmth giving the hope that comes with the organism's comfort and expansiveness. "Questo sol m'arde, e questo m'innamore," as Michelangelo put it.

I walked out this evening to the bottom of the garden and smoked a cigarette. Last week I planted an acer in the furthest bed from the house, in honour of our new baby. The sapling is as tall as me and, by all accounts, it can grow forty feet tall. So, in thirty year's time, if we're still here I can come back and see this tree in its maturity. But the thought depresses me: in thirty years' time I'll be in my mid-sixties and I realize that these forward projections that you make, so unreflectingly, in your life are beginning to run out. Suppose I'd said in forty years' time? That would be pushing it, Fifty? I'll probably be gone by then. Sixty? Dead and buried, for sure. Thank Christ I didn't plant an oak. Is that a good definition of of marking the ageing watershed? That moment when you realize-quite rationally, quite unemotionally-that the world in the not-so-distant future will not contain you: that the trees you planted will continue growing but you will not be there to see them.

Life has come to a silent pause, The fear of Virus, the slowdown, Disconnecting me from moments, Heart has taken over the mind, Light now shines upon my eyes, Dreams blocked, the roads traversed, The break has broken the barrier, Me pondering, was I living my life? The days are same and so is night, The Sun, the Moon, and the stars, still rise in the east and set in the west, Trees, plants, flowers there as before, The sky, clouds rivers and oceans, Earth's precious treasures, no different, Change is in my perspective n priorities, Is it that I am learning to live my life. Monotonous tedium chores, Unpleasant hunger for wealth, Most of us are living dead, Body just awaits the soul to leave, To be buried or cremated, Waste of life and for what price, All material things cherished, Useless in our last flight. Time to fall in love with my life, Stop living for others, their expectations, I am again the owner of my choices, Not bothered to please others, Nor what they think about me, My dreams are alive and back, My treasurers are now my deeds, I have finally learnt to live!!!

But that’s where the bad news comes in. Our global civilization came at a huge cost. We needed a whole bunch of energy to build it, and we got that energy by burning fossil fuels, which came from dead plants and animals buried deep in the ground. We used up most of this fuel before you got here, and now it’s pretty much all gone. This means that we no longer have enough energy to keep our civilization running like it was before. So we’ve had to cut back. Big-time. We call this the Global Energy Crisis, and it’s been going on for a while now.

The journey of a thousands suns begins today. Some may question whether the journey is worth the sacrifice and danger. To them I say that no sacrifice is too dear and no danger too great to ensure the very survival of our human species. What will we find when we arrive at our new homes? That's an open question. For a century, deep-space probes have reported alien lifeforms, but thus far none of which we recognize as intelligent beings. Are we the only biological intelligence in the universe? Perhaps our definition of intelligence is too narrow, too specio-centric. For, are not trees intelligent, who know to shed their leaves at the end of summer? Are not turtles intelligent, who know when to bury themselves in mud under ice? Is not all life intelligent, that knows how to pass its vital essence to new generations? Because half of intelligence resides in the body, be it plant or animal. I now commend these brave colonists to the galaxy, to join their minds and bodies to the community of living beings they will encounter there, and to establish our rightful place among the stars.

Imagination, then, must be the flip side of memory, not so much a calling up as a calling forth. Yet imagination also relies on knowledge: on knowing what is—and is not—possible in this world of fact. Imagination plants the seed or buries the bulb knowing the seasons will shift, seeing, in the mind’s eye, April give way to August, the azalea to the rose, knowing that the red leaves of the maple will burnish in autumn, knowing that from this exact window, one can look down to the inlet where the moon’s reflection will be just another shimmering white blossom.

The arches themselves, strange, impressive, grotesque, form but a small and inessential part of the general beauty of this country. When we think of rock we usually think of stones, broken rock, buried under soil and plant life, but here all is exposed and naked, dominated by the monolithic formations of sandstone which stand above the surface of the ground and extend for miles, sometimes level, sometimes tilted or warped by pressures from below, carved by erosion and weathering into an intricate maze of glens, grottoes, fissures, passageways, and deep narrow canyons.

What actually happens when you die is that your brain stops working and your body rots, like when Rabbit did when he died and we buried him in the earth at the bottom of the garden. And all his molecules were broken down into other molecules and they went into the earth and were eaten by worms and went into the plants and if we go and dig in the same place in 10 years there will be nothing except his skeleton left. And in 1,000 years even his skeleton will be gone. But that is all right because he is a part of the flowers and the apple tree and the hawthorne bush now.

Valeriy Perevozchenko, the 38-year-old who witnessed the reactor valve-caps jumping up and down, was the first person of any authority to realise and accept what had really happened. He grabbed a radiometer rated for 1000 microroentgens - far higher than any normal reading. It went off the scale. Unbelievably, apart from one buried under rubble and another locked in a safe, there weren’t any devices for measuring anything higher at the plant, as the explosion had burnt out the powerful sensors around the building.132 Even standard safety equipment was locked up and inaccessible.133

Oh! to think that he should actually let her come as near to him as that! He knew nothing in the world would make her put out her hand toward him or startle him in the least tiniest way. He knew it because he was a real person—only nicer than any other person in the world. She was so happy that she scarcely dared to breathe. The flower-bed was not quite bare. It was bare of flowers because the perennial plants had been cut down for their winter rest, but there were tall shrubs and low ones which grew together at the back of the bed, and as the robin hopped about under them she saw him hop over a small pile of freshly turned up earth. He stopped on it to look for a worm. The earth had been turned up because a dog had been trying to dig up a mole and he had scratched quite a deep hole. Mary looked at it, not really knowing why the hole was there, and as she looked she saw something almost buried in the newly-turned soil. It was something like a ring of rusty iron or brass and when the robin flew up into a tree nearby she put out her hand and picked the ring up. It was more than a ring, however; it was an old key which looked as if it had been buried a long time.

Lucien was walking at my side. The only live things I had ever owned were lovely pricks, their roots buried in black moss. I cherished several such, and I wanted them in all the flower of their strength. These plants were my pride. Such was my fervor that their bearers themselves were amazed at their unwonted beauty. Nevertheless, each remained fastened, by a mysterious and solid base, to the male whose chief branch it was; he owned it more than I did. It was his. Some flies were buzzing around Lucien. My hand mentally made the gesture of chasing them away. This plant was going to belong to me.

Myrna looked at the thick snow in the yard. And thought of the poisonous plants buried there. Frozen, but not dead. Just waiting. Though the real threat, Myrna knew, didn’t come from the poison flowers. Those you could see. Those you knew about. And besides, they at least were pretty. No. The real danger in a garden came from the bindweed. That moved underground, then surfaced and took hold. Strangling plant after healthy plant. Killing them all, slowly. And for no apparent reason, except that it was its nature. And then it disappeared underground again. Yes, the real danger always came from the thing you couldn’t see.

All of us carry around countless bags of dusty old knickknacks dated from childhood: collected resentments, long lists of wounds of greater or lesser significance, glorified memories, absolute certainties that later turn out to be wrong. Humans are emotional pack rats. These bags define us. My baggage made me someone I did not want to be: a cringing girl, a sensitive plant, a needy greedy sort of thing. I began, at an early age, to try to rid myself of my bags. I began to construct a new role. I made a plan. When I was six, I wrote it down with my green calligraphy pen and buried it in the backyard. My plan: To get thin. To be great. To get out.

When they first came back to Kabul, it distressed Laila that she didn’t know where the Taliban had buried Mariam. She wished she could visit Mariam’s grave, to sit with her awhile, leave a flower or two. But Laila sees now that it doesn’t matter. Mariam is never very far. She is here, in these walls they’ve repainted, in the trees they’ve planted, in the blankets that keep the children warm, in these pillows and books and pencils. She is in the children’s laughter. She is in the verses Aziza recites and in the prayers she mutters when she bows westward. But, mostly, Mariam is in Laila’s own heart, where she shines with the bursting radiance of a thousand suns.

Fireheart sprang forward and burst through the curtain of lichen. Tigerclaw and Bluestar were writhing on the floor of the den. Bluestar’s claws scored again and again across Tigerclaw’s shoulder, but the deputy’s greater weight kept her pinned down in the soft sand. Tigerclaw’s fangs were buried in her throat, and his powerful claws raked her back. “Traitor!” Fireheart yowled. He flung himself at Tigerclaw, slashing at his eyes. The deputy reared back, forced to release his grip on Bluestar’s throat. Fireheart felt his claws rip through the deputy’s ear, spraying blood into the air. Bluestar scrambled to the side of the den, looking half stunned. Fireheart could not tell how badly hurt she was. Pain lanced through him as Tigerclaw gashed his side with a blow from his powerful hindpaws. Fireheart’s paws skidded in the sand and he lost his balance, hitting the ground with Tigerclaw on top of him. The deputy’s amber eyes blazed into his. “Mousedung!” he hissed. “I’ll flay you, Fireheart. I’ve waited a long time for this.” Fireheart summoned every scrap of skill and strength he possessed. He knew Tigerclaw could kill him, but in spite of that he felt strangely free. The lies and the need for deceit were over. The secrets—Bluestar’s and Tigerclaw’s—were all out in the open. There was only the clean danger of battle. He aimed a blow at Tigerclaw’s throat, but the deputy swung his head to one side and Fireheart’s claws scraped harmlessly through thick tabby fur. But the blow had loosened Tigerclaw’s grip on him. Fireheart rolled away, narrowly avoiding a killing bite to his neck. “Kittypet!” Tigerclaw taunted, flexing his haunches to pounce again. “Come and find out how a real warrior fights.” He threw himself at Fireheart, but at the last moment Fireheart darted aside. As Tigerclaw tried to turn in the narrow den, his paws slipped on a splash of blood and he crashed awkwardly onto one side. At once Fireheart saw his chance. His claws sliced down to open a gash in Tigerclaw’s belly. Blood welled up, soaking into the deputy’s fur. He let out a high-pitched caterwaul. Fireheart pounced on him, raking claws across his belly again, and fastening his teeth into Tigerclaw’s neck. The deputy struggled vainly to free himself, his thrashing growing weaker as the blood flowed. Fireheart let go of his neck, planting one paw on Tigerclaw’s outstretched foreleg, and the other on his chest. “Bluestar!” he called. “Help me hold him down!” Bluestar was crouching behind him in her moss-lined nest. Blood trickled down her forehead, but that did not alarm Fireheart as much as the look in her eyes. They were a vague, cloudy blue, and she stared horror-struck in front of her as if she was witnessing the destruction

The scope was vast: Liquidators’ decontamination shifts ranged from a few minutes up to 10 hours a day, depending on exposure levels. First, they built one large and several small dams along river banks near the plant, to prevent rainfall from gathering up the radioactive dust and debris and washing it into the country’s most vital source of water.216 This gave them time to collect, remove and bury the same material that had been blown across the surrounding area. This included burying the Red Forest, which could not be burned because it would spread contaminated particles. Efforts to decontaminate the forest had failed because wind and rain would continually re-distribute radioactivity.217

Where normally it would take one man an hour to do a job, on Chernobyl’s rooftop it took 60 men. The work took two and a half weeks, and in most cases each man only went up once - though some went up to five times, and the scouts many more times even than that. Only around 10% of the clean up on the roof was accomplished by actual machines. The rest was done by 5,000 men who absorbed a combined 130,000 roentgens, according to Yuri Semiolenko, the Soviet official responsible for decontamination of the plant.236 Vladimir Shevchenko, a filmmaker from Kiev, died within a year of filming harrowing roof-top footage of the ruined reactor and Bio-robots entirely without protection. His cameras became so radioactive they had to be buried.

she did like the way Aristotle wrote about the world, the soul, the form of living creatures. He had such faith in their drive to flourish. And she remembered reading Aristotle’s argument about how any living being, even the most primitive organism, was animated by an idea of the good. Even the plant turned its face toward the sun. Even the tiniest ant sought food; the brainless worm sought soil. It was all so easy for living creatures—all except people, except people like her, who had a knack for seeking only that which made them miserable. All her life, it seemed, she had run headfirst in precisely the wrong directions. It was not for lack of opportunity. She knew very well where the sun shone, and yet was bound by impulse to bury herself in the dark.

There were two brothers and a sister. And they had heard from the sky, or from the winds, that Jesus Christ had been born and had grown to manhood. There were portents and dreams that told them about him. Finally the two brothers started for Jerusalem, leaving their sister at home in this place. And they arrived on the day of the crucifixion, so they only saw him dead. And these two brothers from this pass in the Georgian mountains were heartbroken, and they begged a piece of the body-cloth of Jesus, and they brought it home to their sister. She was grief-stricken by the crucifixion, and she clutched the cloth, and fell sick and died of sorrow, and her dead hand held the cloth against her heart. Then the brothers tried to release the cloth, but her hand held firm and they could not get it away from her. And so she was buried with the cloth still held in her hand. She was buried right in this place where the church now stands. And almost immediately a plant grew out of the grave and became a giant tree. After a number of years it was desired to build a church in this place to commemorate the event. And woodsmen came and tried to cut the tree, but their axes flew to pieces against its trunk. Everyone tried to cut the tree, and they couldn't make a dent in it. Finally two angels came and cut the tree, and the church was built over the spot. The dark woman pointed to a curious tent-like structure of clay inside the church, and this is where the grave was, she said, and this is where the tree stood. And under the clay tent undoubtedly was the body of the holy woman, still clutching the piece of the cloth that had been worn by Jesus.

Since our civilization is irreversibly dependent on electronics, abolition of EMR is out of the question. However, as a first step toward averting disaster, we must halt the introduction of new sources of electromagnetic energy while we investigate the biohazards of those we already have with a completeness and honesty that have so far been in short supply. New sources must be allowed only after their risks have been evaluated on the basis of the knowledge acquired in such a moratorium. 
With an adequately funded research program, the moratorium need last no more than five years, and the ensuing changes could almost certainly be performed without major economic trauma. It seems possible that a different power frequency—say 400 hertz instead of 60—might prove much safer. Burying power lines and providing them with grounded shields would reduce the electric fields around them, and magnetic shielding is also feasible. 
A major part of the safety changes would consist of energy-efficiency reforms that would benefit the economy in the long run. These new directions would have been taken years ago but for the opposition of power companies concerned with their short-term profits, and a government unwilling to challenge them. It is possible to redesign many appliances and communications devices so they use far less energy. The entire power supply could be decentralized by feeding electricity from renewable sources (wind, flowing water, sunlight, georhermal and ocean thermal energy conversion, and so forth) into local distribution nets. This would greatly decrease hazards by reducing the voltages and amperages required. Ultimately, most EMR hazards could be eliminated by the development of efficient photoelectric converters to be used as the primary power source at each point of consumption. The changeover would even pay for itself, as the loss factors of long-distance power transmission—not to mention the astronomical costs of building and decommissioning short-lived nuclear power plants—were eliminated. Safety need not imply giving up our beneficial machines. 
Obviously, given the present technomilitary control of society in most parts of the world, such sane efficiency will be immensely difficult to achieve. Nevertheless, we must try. Electromagnetic energy presents us with the same imperative as nuclear energy: Our survival depends on the ability of upright scientists and other people of goodwill to break the military-industrial death grip on our policy-making institutions.

We've taken it away too much, the funeral people take over. No. Let people bury their own." "Do you think it helps people to go through the process and be intimately involved?" "Yes of course, of course!" It's the most emphatic Steve has been about anything. "Keep the body at home, put it on the dining table, let the kids sleep under the table, paint the coffin, decorate it, eat. When my brother died we had fights over the coffin drinking whiskey. I remember one brother pounding Bill's coffin 'Oh you bastard!' It was our lives. We carried the coffin, we filled in the hole. I used to work in the garden as a boy with my father. And I dug the hole to put his plants in and filled in the hole. In the end we put Dad into the ground and I helped my brothers fill in the hole. We need to do it ourselves." "Why do you think it helps to have that involvement?" "It's our responsibility, it's not to help, it's enabling us to grieve, it's enabling us to go through it together. Otherwise it's taken away and whoosh - it's gone. And you can't grieve. You've got to feel, you've got to touch, you've got to be there." Steve is passionate. He reaches into his bag to pull out something to show me. It's an old yellowing newspaper clipping. The caption reads 'Devastation: a woman in despair at the site of the blasts near the Turkey-Syrian border'. The photograph is a woman, she has her arms open to the sky and she is wailing, her head thrown back. "I pray in front of that" Steve tells me as I look at it. "That's a wonderful photo of the pain of our world. I don't know if she's lost relatives or what's blown up. You have a substance to your life if you've felt pain, you've got understanding, that's where compassion is, it makes you a deeper richer human being.

A strong hand snared one buttock. Fionna emitted a sound of pleasure. Her thighs were open. Damp and waiting. But at the last instant, with another swift move that astounded her, he twisted so that she lay atop him. "Aidan." His name was half-stammer, half-plea. "I'm not sure how to... what to..." Both hands now clamped around her buttocks, he showed her what she needed to know. "There, sweet," he breathed, there's not much to it." One single, gliding move found him planted to the hilt inside her. Her eyes flew wide. "I think there is," she said faintly. And then there was no stopping it. Her fingers dug into his shoulders, she churned and thrust, with Aidan gasped and plunged. She buried her head against his throat. He arched his head and exploded inside her. When it was over, Fionna realized she still lay sprawled above him. It had been a heated, hasty- and unquestionably lusty- union.

The plea for ethical veganism, which rejects the treatment of birds and other animals as a food source or other commodity, is sometimes mistaken as a plea for dietary purity and elitism, as if formalistic food exercises and barren piety were the point of the desire to get the slaughterhouse out of one’s kitchen and one’s system. Abstractions such as 'vegetarianism' and 'veganism' mask the experiential and philosophical roots of a plant-based diet. They make the realities of 'food' animal production and consumption seem abstract and trivial, mere matters of ideological preference and consequence, or of individual taste, like selecting a shirt, or hair color. However, the decision that has led millions of people to stop eating other animals is not rooted in arid adherence to diet or dogma, but in the desire to eliminate the kinds of experiences that using animals for food confers upon beings with feelings. The philosophic vegetarian believes with Isaac Bashevis Singer that even if God or Nature sides with the killers, one is obliged to protest. The human commitment to harmony, justice, peace, and love is ironic as long as we continue to support the suffering and shame of the slaughterhouse and its satellite operations. Vegetarians do not eat animals, but, according to the traditional use of the term, they may choose to consume dairy products and eggs, in which case they are called lacto-ovo (milk and egg) vegetarians. In reality, the distinction between meat on the one hand and dairy products and eggs on the other is moot, as the production of milk and eggs involves as much cruelty and killing as meat production does: surplus cockerels and calves, as well as spent hens and cows, have been slaughtered, bludgeoned, drowned, ditched, and buried alive through the ages. Spent commercial dairy cows and laying hens endure agonizing days of pre-slaughter starvation and long trips to the slaughterhouse because of their low market value.

But that’s where the bad news comes in. Our global civilization came at a huge cost. We needed a whole bunch of energy to build it, and we got that energy by burning fossil fuels, which came from dead plants and animals buried deep in the ground. We used up most of this fuel before you got here, and now it’s pretty much all gone. This means that we no longer have enough energy to keep our civilization running like it was before. So we’ve had to cut back. Big-time. We call this the Global Energy Crisis, and it’s been going on for a while now. “Also, it turns out that burning all of those fossil fuels had some nasty side effects, like raising the temperature of our planet and screwing up the environment. So now the polar ice caps are melting, sea levels are rising, and the weather is all messed up. Plants and animals are dying off in record numbers, and lots of people are starving and homeless. And we’re still fighting wars with each other, mostly over the few resources we have left.

There's always been a sliver of panic in him, deeply buried, when it comes to his daughter. A fear that he is no good as a father, that he is doing everything wrong. That he never quite understood the rules. All those Parisian mothers pushing buggies through the Jardin des Plantes,or holding up cardigans in department stores, it seemed to him that those women nodded to each other as they passed, as though each possessed some secret knowledge that he did not. How do you ever know for certain that you are doing the right thing? There is pride too, though. Pride that he has done it alone, that his daughter is so curious, so resilient. There is the humility of being a father to someone so powerful, as if he were only a narrow conduit for another, greater thing. That's how it feels right now, he thinks, kneeling beside her, rinsing her hair, as though his love for his daughter will outstrip the limits of his body. The walls could fall away, even the whole city, and brightness of that feeling would not wane.

She knows she should feel excited about her acceptance to Emory and the promise of spring break. She should feel infinite and hopeful, like the growing earth around her. Like the sunlight, which stretches longer each day, asking for one more minute, one more oak tree to shimmer on. Like the late March mornings, which arrive carrying a gentle heat, rocking it back and forth over the pavement in the parking lot, letting it crawl forth over the grass and the tree roots, nurturing it while it is still nascent and tender, before it turns into swollen summer. But while the whole earth prepares for spring, Hannah feels a great anxiety in her heart, for something dangerous has grown in her, something she never planted or even wanted to plant. It’s there. She knows it’s there. If she’s truthful with herself, she’s probably known it all along. But now, as the days grow longer and the Garden District grows greener, she can actually see it. It has sprung up at last, and it refuses to be unseen. She tells herself it’s passing. It’s temporary. It’s intensified only because she’s a senior and all of her emotions are heightened. It’s innocent. It’s typical for a girl her age. It’s no more or less of a feeling than everyone else has had at 17. But deep down, deep below the topsoil of her heart, she knows it’s not. Still, she pushes it down inside of her, buries it as far as it can go, suffocates it in the space between her stomach and her heart. She tells herself that she is stronger, that she can fight it, that she has control. That no one else has to know. I can ignore it, she thinks. I can refuse to look at it. I can stomp on it every time it springs up within me. So she lies to herself that everything is normal. That she is normal. She carries herself through the end of the school week by refusing to acknowledge it. By refusing to align her heart with the growing sunlight and the nurturing heat and the flowering plants and the tall, proud trees. ‘You alright?’ Baker asks, when Hannah says goodbye to her after school on Friday. Hannah stomps, buries, suffocates, wishes for death. ‘Yeah,’ she says. ‘I’m good.

He leaned down and kissed her stomach, her hip bones, while his big hands held her in place. Then his mouth was on her, covering her, licking over her clit. She arched up, crying out as his tongue slid over her folds, making her mindless and crazy. She clutched the pillow, burying her head into the softness as he sucked and licked, nipping over her skin. She clamped her thighs around his head. Whimpered. He was going to drive her right over the edge. His tongue lapped over her clit. "Jack, stop," she said, her voice harsh and panting. "I'm going to... God... No... I want..." He didn't stop. Didn't ease up. He just pushed her harder. His tongue. It was magic. The condom packet slid off her stomach as she planted her feet and rocked into him. Giving up, surrendering to his will and determination. Everything that made Jack, Jack. She coiled tight and then she exploded. She bit her lip, stifling her moans as she rode out wave after wave of delicious sensation. She couldn't think, couldn't put together a sentence, but then he was on her, over her. His palm on her neck, his fingers on her jaw, twisting her face to meet his. His mouth covered hers. He tasted like sex. And lust. His grasp was tight on her jaw, and the way he kissed her, devoured her, sucked her right back under. It was a raw, dirty kiss that consumed her. Her fingers came up to where he held her, and she dug her nails into his wrists. He growled against her lips, biting her, sucking. And the kiss went on and on and on. He finally pulled away, grabbed the condom, and tore open the package. He tossed it onto her body again, ridding himself of his sweats, and then he was naked. And she could only gape at him. Her gaze wide. He had the best cock she'd ever seen in her life. Long and thick. A work of goddamn art. She reached for him, but he grabbed her wrist, shaking his head. "I can't wait, Chlo." He picked up the condom, threw the packet on the floor somewhere and rolled the condom down his hard shaft. She breathed out his name. "Jack." He leaned down, kissing her again, soft and sweet. His erection nudged between her legs. "Just let me inside.

Burial Cathy Linh Che There is the rain, the odor of fresh earth, and you, grandmother, in a box. I bury the distance, 22 years of not meeting you and your ruined hands. I bury your hair, parted to the side and pinned back, your áo dài of crushed velvet, the implements you used to farm, the stroke which claimed your right side, the land you gave up when you remarried, your grief over my grandfather's passing, the war that evaporated your father's leg, the war that crushed your bowls, your childhood home razed by the rutted wheels of an American tank— I bury it all. You learned that nothing stays in this life, not your daughter, not your uncle, not even the dignity of leaving this world with your pants on. The bed sores on your hips were clean and sunken in. What did I know, child who heard you speak only once, and when we met for the first time, tears watered the side of your face. I held your hand and said, bà ngoai, bà ngoai Ten years later, I returned. It rained on your gravesite. In the picture above your tomb, you looked just like my mother. We lit the joss sticks and planted them. We kept the encroaching grass at bay.

What actually happens when you die is your brain stops working and your body rots, like Rabbit did when he died and we buried him in the earth at the bottom of the garden. And all his molecules were broken down into other molecules and they went into the earth and were eaten by worms and went into the plants and if we go and dig in the same place in 10 years there will be nothing except his skeleton left. And in 1,000 years even his skeleton will be gone. But that is all right because he is a part of the flowers and the apple tree and the hawthorn bush now. When people die they are sometimes put into coffins, which mean that they don't mix with the earth for a very long time until the wood of the coffin rots. But Mother was cremated. This means she was put into a coffin and burned and ground up and turned into ash and smoke. I do not know what happens to the ash and I couldn't ask at the crematorium because I didn't go to the funeral. But the smoke goes out of the chimney and into the air and sometimes I look up into the sky and I think there are molecules of Mother up there, or in clouds over Africa or the Antarctic, or coming down as rain in the rain forests in Brazil, or in snow somewhere.

What if every dream you ever dreamt was a part of a dream that you're living? To my Smiling Soul, If there is one thing I have learnt over Time that stands solid and can pass the test of Time in every Universe then that is the Strength of our Soul when we live through the Smile of our Heart. It doesn't matter, how much time goes by, how many detours or losses fell on your path, as long as you stand your ground, as long as you don't let regret or failure to get the better of you, you win, you walk with slow but steady steps knowing there is someone watching over you, holding onto integrity and grace. You remember to bury your pain, your loss, your sorrow and plant a seed of Love instead with a Hope that someday, Somewhere in some corner of this Universe you will find your due, something that only He alone can give you, something that is yours, entirely yours. Until then, keep reminding the world that a Unicorn doesn't need to be a lion or a wolf in the wilderness of Life. - your Smiling Dream To every Dreamer, keep weaving that halo of dream for you never know where you might end up in the Smile of Time, because Life knows exactly the Dream that Life weaves around us. Love & Light, always - Debatrayee

The morning after / my death” The morning after my death we will sit in cafés but I will not be there I will not be * There was the great death of birds the moon was consumed with fire the stars were visible until noon. Green was the forest drenched with shadows the roads were serpentine A redwood tree stood alone with its lean and lit body unable to follow the cars that went by with frenzy a tree is always an immutable traveller. The moon darkened at dawn the mountain quivered with anticipation and the ocean was double-shaded: the blue of its surface with the blue of flowers mingled in horizontal water trails there was a breeze to witness the hour * The sun darkened at the fifth hour of the day the beach was covered with conversations pebbles started to pour into holes and waves came in like horses. * The moon darkened on Christmas eve angels ate lemons in illuminated churches there was a blue rug planted with stars above our heads lemonade and war news competed for our attention our breath was warmer than the hills. * There was a great slaughter of rocks of spring leaves of creeks the stars showed fully the last king of the Mountain gave battle and got killed. We lay on the grass covered dried blood with our bodies green blades swayed between our teeth. * We went out to sea a bank of whales was heading South a young man among us a hero tried to straddle one of the sea creatures his body emerged as a muddy pool as mud we waved goodbye to his remnants happy not to have to bury him in the early hours of the day We got drunk in a barroom the small town of Fairfax had just gone to bed cherry trees were bending under the weight of their flowers: they were involved in a ceremonial dance to which no one had ever been invited. * I know flowers to be funeral companions they make poisons and venoms and eat abandoned stone walls I know flowers shine stronger than the sun their eclipse means the end of times but I love flowers for their treachery their fragile bodies grace my imagination’s avenues without their presence my mind would be an unmarked grave. * We met a great storm at sea looked back at the rocking cliffs the sand was going under black birds were leaving the storm ate friends and foes alike water turned into salt for my wounds. * Flowers end in frozen patterns artificial gardens cover the floors we get up close to midnight search with powerful lights the tiniest shrubs on the meadows A stream desperately is running to the ocean The Spring Flowers Own & The Manifestations of the Voyage (The Post-Apollo Press, 1990)

Russia’s biggest transport helicopters flew around the clock dropping a special polymer resin to seal radioactive dust to the ground. This prevented the dust from being kicked up by vehicles and inhaled, giving troops time to dig up the topsoil for extraction and burial. Construction workers laid new roads throughout the zone, allowing vehicles to move around without spreading radioactive particles.218 At certain distance limits, decontamination points, manned by police, intersected these roads. They came armed with dosimeters and a special cleaning spray to hose down any passing trucks, cars or armoured vehicles. Among the more drastic clean-up measures was bulldozing and burying the most contaminated villages, some of which had to be reburied two or three times.219 The thousands of buildings that were spared this fate - including the entire city of Pripyat - were painstakingly sprayed clean with chemicals, while new asphalt was laid on the streets. At Chernobyl itself, all the topsoil and roads were replaced. In total, 300,000m³ of earth was dug up and buried in pits, which were then covered over with concrete. The work took months. To make matters worse, each time it rained within 100km of the plant, new spots of heavy contamination appeared, brought down from the radioactive clouds above.

I’ll tell you what,” she said, prepared to make a deal. “Let’s see how your ‘diplomacy’ would profit us. If you can give me a decent solution to a pretend situation, I’ll agree to have you accompany me instead of Shanks. Although, I don’t know how wise it is to leave a Viidun captain on the Kemeniroc in your absence.” Derian agreed to the test. “Okay, what’s your question?” She thought hard for a moment; her eyes scrunching in concentration, lips pulled down to one side. Then, as a crooked grin spread across her lips, she set up an imagined scenario. “Pretend we’re down on the planet with this King Wennergren when he graciously offers to walk us through his cherished garden. While we’re there he begs me to touch his favorite, award-winning flower, hoping my powers will make it thrive and blossom. But for some strange reason it doesn’t respond to me the way plants do on our world. Instead of thriving, the flower withers and dies right before his shocked and furious eyes. Now pretend he’s easily offended and has a horrible temper…” Derian cut it. “You have no idea what his temperament is like.” “I know. That’s not the point.” Her eyes scolded him for interrupting. “Just pretend that he becomes outraged by my actions, assuming that I purposefully destroyed his prized plant. The angry king orders both of us to be seized and thrown into his deep, dark, inescapable dungeon. But, somehow we manage to dodge his line of soldiers and run into a nearby congested jungle, hiding beneath the foliage from our determined pursuers. “Finally, pretend that we trudge along for hours, so deep within the trees that we begin to hear howling in the distance from dangerous, hungry beasts. They seem to sound off all around us. Every now and then we hear weapon’s fire as King Wennergren’s men fend off these wild animals. This only reminds us that the soldiers are still in pursuit. Far, far buried within the dark jungle we spot a clearing and head for it. Unfortunately, once we reach it we come across an entire pack of ferocious animals who begin to stalk us. So we turn around, only to face a line of soldiers from behind, pointing their weapons our direction. We’re surrounded by danger on both sides, Derian! Now, what do you do?” She looked at him, wide-eyed and expectant. “Eena, you have a terribly overactive imagination,” he said flatly. She rolled her eyes, then impatiently asked him again, “Well? What would you do?” “I’d stop pretending." She fell back in her chair, groaning. “You’re still not going.” “Try and stop me,” he dared. “You know I can,” she reminded him. He glared at her. “When the time comes, we’ll see.

Did It Ever Occur to You That Maybe You’re Falling in Love? BY AILISH HOPPER We buried the problem. We planted a tree over the problem. We regretted our actions toward the problem. We declined to comment on the problem. We carved a memorial to the problem, dedicated it. Forgot our handkerchief. We removed all “unnatural” ingredients, handcrafted a locally-grown tincture for the problem. But nobody bought it. We freshly-laundered, bleached, deodorized the problem. We built a wall around the problem, tagged it with pictures of children, birds in trees. We renamed the problem, and denounced those who used the old name. We wrote a law for the problem, but it died in committee. We drove the problem out with loud noises from homemade instruments. We marched, leafleted, sang hymns, linked arms with the problem, got dragged to jail, got spat on by the problem and let out. We elected an official who Finally Gets the problem. … We watched carefully for the problem, but our flashlight died. We had dreams of the problem. In which we could no longer recognize ourselves. We reformed. We transformed. Turned over a new leaf. Turned a corner, found ourselves near a scent that somehow reminded us of the problem, In ways we could never Put into words. That Little I-can’t-explain-it That makes it hard to think. That Rings like a siren inside.

I The calluses on his feet have grown the size of garlic: a bulb for each heel. His skin is thick under the layers of thinning tatters: of various fading colors, worn-out labels of clothes and pesticide bottles that buried him in debt when the lean season came. The shadow of his nose, the dark in his sun-browned face creases as he narrates his story. A flame dances between us as his wife tells of how her hands were viciously lashed when she tried to save their crops from being inundated: livelihoods eventually needed washing off by the stream. Even without the onset of drought, even without the coming of storms calluses grow enourmous, hands get bloodied and torn. What do we know about exploitation? Who planted the greedy plunderers in our land? Where are its roots, when do we pull out abuse by its foundations? What kind of calamity is this semi-feudalism? II. The streams are being muddied by footsteps rushing towards each front, to the fields where a new government is a seedling born. What law of the land, law of the heavens, raging miracle or pains of hunger brought us over to the side of the people? There is none that was written or told, none that was carved or sculpted. No book, no legend. We are here asking: What law? We who are mere drops in an unstoppable surge that comes. - Translation of Kerima Lorena Tariman’s “Salaysay at Kasaysayan” By ILANG-ILANG QUIJANO

The darkness was bewildering. Man requires light. Whoever buries himself in the opposite of day feels his heart contract. When the eye sees black, the heart sees trouble. In an eclipse in the night, in the sooty opacity, there is anxiety even for the stoutest of hearts. No one walks alone in the forest at night without trembling. Shadows and trees—two formidable densities. A chimerical reality appears in the indistinct depths. The inconceivable is outlined a few paces distant from you with a spectral clearness. One beholds floating, either in space or in one's own brain, one knows not what vague and intangible thing, like the dreams of sleeping flowers. There are fierce attitudes on the horizon. One inhales the effluvia of the great black void. One is afraid to glance behind him, yet desirous of doing so. The cavities of night, things grown haggard, taciturn profiles which vanish when one advances, obscure dishevelments, irritated tufts, livid pools, the lugubrious reflected in the funereal, the sepulchral immensity of silence, unknown but possible beings, bendings of mysterious branches, alarming torsos of trees, long handfuls of quivering plants,—against all this one has no protection. There is no hardihood which does not shudder and which does not feel the vicinity of anguish. One is conscious of something hideous, as though one's soul were becoming amalgamated with the darkness.

There, at the top of the stairs, was the world: acres and miles of open land, an arc of the planet, curving off and lighted in the distance under the morning sky. The building we had just passed through was, it turned out, only the entrance to an open dig, where Chinese archaeologists were in the years-long process of excavating a buried army of life-sized clay soldiers. I saw what looked like human bodies coming out of the earth. Straight trenches cut the bare soil into deep corridors or long pits. From the trench walls emerged an elbow here, a leg and foot there, a head and neck. Everything was the same color, the terra-cotta earth and the people: the color of plant pots. Seeing the broad earth under the open sky, and a patch of it sliced into deep corridors from which bodies emerge, surprises many people to tears. Who would not weep from shock? I seemed to see our lives from the aspect of eternity. I seemed long dead and looking down. For it is in our lifetimes alone that people can witness the unearthing of the deep-dwelling army of Emperor Qin—the seven thousand or the ten thousand soldiers, their real crossbows and swords, their horses and chariots, bared to the light for the first time in 2,200 years. “In the pictures of the old masters,” Max Picard wrote in The World of Silence, “people seem as though they had just come out of the opening in a wall; as if they had wriggled their way out with difficulty. They seem unsafe and hesitant because they have come out too far and still belong more to silence than themselves.

With the formed state having finished its course, high history also lays itself down weary to sleep. Man becomes a plant again, adhering to the soil, dumb and enduring. The timeless village and the "eternal" peasant reappear, begetting children and burying seed in Mother Earth—a busy, easily contented swarm, over which the tempest of soldier-emperors passingly blows. In the midst of the land lie the old world-cities, empty receptacles of an extinguished soul, in which a historyless mankind slowly nests itself. Men live from hand to mouth, with petty thrifts and petty fortunes, and endure. Masses are trampled on in the conflicts of the conquerors who contend for the power and the spoil of this world, but the survivors fill up the gaps with a primitive fertility and suffer on. And while in high places there is eternal alternance of victory and defeat, those in the depths pray, pray with that mighty piety of the Second Religiousness that has overcome all doubts forever. There, in the souls, world-peace, the peace of God, the bliss of grey-haired monks and hermits, is become actual—and there alone. It has awakened that depth in the endurance of suffering which the historical man in the thousand years of his development has never known. Only with the end of grand History does holy, still Being reappear. It is a drama noble in its aimlessness, noble and aimless as the course of the stars, the rotation of the earth, and alternance of land and sea, of ice and virgin forest upon its face. We may marvel at it or we may lament it—but so it is.

Every place held every memory of what it had once been. A plain that had been the bottom of a lake, the floor of a shallow sea, the lightless depths of a vast ocean. A hill that had been the peak of a young mountain, one of a chain of islands, the jagged fang of the earth buried in glacial ice. Dust that had been plants, sand that had been stone, stains that had been bone and flesh. Most memories, Kalyth understood, remain hidden, unseen and beneath the regard of flickering life. Yet, once the eyes were awakened, every memory was then unveiled, a fragment here, a hint there, a host of truths whispering of eternity. Such knowledge could crush a soul with its immensity, or drown it beneath a deluge of unbearable futility. As soon as the distinction was made, that separation of self from all the rest, from the entire world beyond-its ceaseless measure of time, its whimsical game with change played out in slow siege and in sudden catastrophe-then the self became an orphan, bereft all security, and face to face with a world now become at best a stranger, at worst an implacable, heartless foe. In arrogance we orphan ourselves, and then rail at the awful solitude we find on the road to death But how could one step back into the world? How could one learn to swim such currents? In self-proclamation, the soul decided what it was that lay within in opposition to all that lay beyond. Inside, outside, familiar, strange, that which is possessed, that which is coveted, all that is within grasp and all that is forever beyond reach. The distinction was a deep, vicious cut of a knife, severing tendons and muscles, arteries and nerves.

My very good sir,” said the little quarto, yawning most drearily in my face, “excuse my interrupting you, but I perceive you are rather given to prose. I would ask the fate of an author who was making some noise just as I left the world. His reputation, however, was considered quite temporary. The learned shook their heads at him, for he was a poor, half-educated varlet, that knew little of Latin, and nothing of Greek, and had been obliged to run the country for deer-stealing. I think his name was Shakespeare. I presume he soon sunk into oblivion.” “On the contrary,” said I, “it is owing to that very man that the literature of his period has experienced a duration beyond the ordinary term of English literature. There rise authors now and then who seem proof against the mutability of language because they have rooted themselves in the unchanging principles of human nature. They are like gigantic trees that we sometimes see on the banks of a stream, which by their vast and deep roots, penetrating through the mere surface and laying hold on the very foundations of the earth, preserve the soil around them from being swept away by the ever-flowing current, and hold up many a neighboring plant, and perhaps worthless weed, to perpetuity. Such is the case with Shakespeare, whom we behold defying the encroachments of time, retaining in modern use the language and literature of his day, and giving duration to many an indifferent author, merely from having flourished in his vicinity. But even he, I grieve to say, is gradually assuming the tint of age, and his whole form is overrun by a profusion of commentators, who, like clambering vines and creepers, almost bury the noble plant that upholds them.

Well, Jane Eyre, and are you a good child?” Impossible to reply to this in the affirmative: my little world held a contrary opinion: I was silent. Mrs. Reed answered for me by an expressive shake of the head, adding soon, “Perhaps the less said on that subject the better, Mr. Brocklehurst.” “Sorry indeed to hear it! she and I must have some talk;” and bending from the perpendicular, he installed his person in the arm-chair opposite Mrs. Reed’s. “Come here,” he said. I stepped across the rug; he placed me square and straight before him. What a face he had, now that it was almost on a level with mine! what a great nose! and what a mouth! and what large prominent teeth! “No sight so sad as that of a naughty child,” he began, “especially a naughty little girl. Do you know where the wicked go after death?” “They go to hell,” was my ready and orthodox answer. “And what is hell? Can you tell me that?” “A pit full of fire.” “And should you like to fall into that pit, and to be burning there for ever?” “No, sir.” “What must you do to avoid it?” I deliberated a moment; my answer, when it did come, was objectionable: “I must keep in good health, and not die.” “How can you keep in good health? Children younger than you die daily. I buried a little child of five years old only a day or two since,—a good little child, whose soul is now in heaven. It is to be feared the same could not be said of you were you to be called hence.” Not being in a condition to remove his doubt, I only cast my eyes down on the two large feet planted on the rug, and sighed, wishing myself far enough away. “I hope that sigh is from the heart, and that you repent of ever having been the occasion of discomfort to your excellent benefactress.

... in sunshine both space and time expand where was I? coming alive on my birthday breaking to pieces on the rainbow islands and who is she? a girl today staying and straying on the rainbow islands from a sunlit sea see mountaintop to mountaintop arising hear the crackle of rocks in the bright light that falls everywhere into place forget your knees to the breathlessness of peaks and find them again by some pebbles … seize me, release me, leave me everywhere in space to be dispersing and the colors of the wind parade on the windswept way of the senses… crunching over the rough-country cliffs a cold drizzle begins— inhale huge drafts of water in the air sizzle to the sprinkling feeling of drizzle on skin watch the surf pour to crevices it has worn, hold— and back out the black rock pushing … whisk her, brisker, drop her swifter over the crags like swift rains and the rainclouds and the fierce winds howl after the raging of the waves… and to know every foot of the land that holds you— and, with soiled-brown hands, set against the green of the land and blue of the sky sign the earth in gentle, rolling lines loose with your tines the living, pulsing root of a carrot plant bury the plants in their beds to live and bury me insensibly over the earth from your open, rolling cart lying on rock, drifting with the clouds — the only constant is constant change— ripples of flame, patterns in the waves — paradise and creation are only sensations— spearing reef-fish, inflating with the stars — and heaven and earth forever simultaneous! and the wheeling colors celebrate on their way without a destination wandering islands roam until they die— with footsteps wrapt and dwelling in whatever kind of weather we live our lives with the space to be free find in our eyes horizons on horizons

saw nothing finer or more moving in Russia than Tolstoy’s grave. That illustrious place of pilgrimage lies out of the way, alone in the middle of the woods. A narrow footpath leads to the mound, nothing but a rectangle of soil raised above ground level, with no one guarding or keeping watch on it, only two huge trees casting their shade. Leo Tolstoy planted those trees himself, so his granddaughter told me beside his grave. When he and his brother Nikolai were boys, they had heard one of the village women say that a place where you planted trees would be a happy one. So they planted two saplings, partly as a kind of game. Only later did the old man remember that promise of happiness, and then he expressed a wish to be buried under the trees he had planted. And his wish was carried out. In its heart-rending simplicity, his grave is the most impressive place of burial in the world. Just a small rectangular mound in the woods with trees overhead, no cross, no tombstone, no inscription. The great man who suffered more than anyone from his own famous name and reputation lies buried there, nameless, like a vagabond who happened to be found nearby or an unknown soldier. No one is forbidden to visit his last resting place; the flimsy wooden fence around it is not kept locked. Nothing guards that restless man’s final rest but human respect for him. While curious sightseers usually throng around the magnificence of a tomb, the compelling simplicity of this place banishes any desire to gape. The wind rushes like the word of God over the nameless grave, and no other voice is heard. You could pass the place without knowing any more than that someone is buried here, a Russian lying in Russian earth. Napoleon’s tomb beneath the marble dome of Les Invalides, Goethe’s in the grand-ducal vault at Weimar, the tombs in Westminster Abbey are none of them as moving as this silent and movingly anonymous grave somewhere in the woods, with only the wind whispering around it, uttering no word or message of its own.

Heartened up by this story, I began to draw upon his more comprehensive knowledge as to the ages of the pictures and as to certain of the stories connected with them, upon which I was not clear; and I likewise inquired into the causes of the decadence of the present age, in which the most refined arts had perished, and among them painting, which had not left even the faintest trace of itself behind. "Greed of money," he replied, "has brought about these unaccountable changes. In the good old times, when virtue was her own reward, the fine arts flourished, and there was the keenest rivalry among men for fear that anything which could be of benefit to future generations should remain long undiscovered. Then it was that Democritus expressed the juices of all plants and spent his whole life in experiments, in order that no curative property should lurk unknown in stone or shrub. That he might understand the movements of heaven and the stars, Eudoxus grew old upon the summit of a lofty mountain: three times did Chrysippus purge his brain with hellebore, that his faculties might be equal to invention. Turn to the sculptors if you will; Lysippus perished from hunger while in profound meditation upon the lines of a single statue, and Myron, who almost embodied the souls of men and beasts in bronze, could not find an heir. And we, sodden with wine and women, cannot even appreciate the arts already practiced, we only criticise the past! We learn only vice, and teach it, too. What has become of logic? of astronomy? Where is the exquisite road to wisdom? Who even goes into a temple to make a vow, that he may achieve eloquence or bathe in the fountain of wisdom? And they do not pray for good health and a sound mind; before they even set foot upon the threshold of the temple, one promises a gift if only he may bury a rich relative; another, if he can but dig up a treasure, and still another, if he is permitted to amass thirty millions of sesterces in safety! The Senate itself, the exponent of all that should be right and just, is in the habit of promising a thousand pounds of gold to the capitol, and that no one may question the propriety of praying for money, it even decorates Jupiter himself with spoils'. Do not hesitate, therefore, at expressing your surprise at the deterioration of painting, since, by all the gods and men alike, a lump of gold is held to be more beautiful than anything ever created by those crazy little Greek fellows, Apelles and Phydias!

True to being the firstborn, Caraline's magic was louder and warmer. It thrived in her cooking, when she folded it into dough and steeped it in broth. Rowan didn't know how hibiscus rolls could soften an argument, or why rosemary bread helped someone remember things that had long ago started to fade, but somehow they did. Caraline called it comfort, but Rowan knew it was enchantment. Saoirse could coax flowers to bloom out of season and lure herbs to grow even in the heaviest clay soil. Her teas did more than soothe. Rowan had seen them ease fevers, quiet grief, and silence nightmares. Saoirse didn't call it magic, but Rowan had always felt it in the way a room calmed when she entered. She carried stillness like a cloak. And then there was Rowan. She didn't brew curative tinctures or bake healing breads. Her magic, such as it was, served no purpose. It didn't look like theirs. In fact, it didn't look like anything. Her eyes, green like clover and threaded with gold, drew stares she couldn't explain. And her hair, with a single streak of impossible red, practically glowed in the moonlight. She tried to hide it, oh, how she tried. She used to bleach to turn it Marilyn Monroe blonde, but it didn't work. She dyed it every shade of brown, then black, thinking she could bury the flame. But it never lasted. The ruby streak always returned, a mark she couldn't shake. People always looked at her a second too long, as if they could sense something inexplicable about her. Sometimes she even felt it too. But most of the time she felt like the odd one out with her sisters. Saoirse had a head of red hair and her eyes were dark like pine needles. Unlike Rowan, she didn't long for friends. All she needed were her plants, herbs, and whatever flower she held at any given moment, plus the apothecary she always created wherever they lived. And, of course, the swallows, which she could make behave. Caraline's hair was the color of midnight, which set off the flecks of amber in her eyes. She was the opposite of both Rowan and Saoirse. Friendships with women she could do without, but the attention she got from men? That practically fed her soul. At every new place they went, Caraline had herself a new beau within days. And Rowan had her red streak. But it wasn't just her hair. It wasn't just her eyes. Worse were the unexpected tastes that bloomed on her tongue whenever she was around people. Her magic stirred, and it was as if she could taste their emotions and who they were, deep down inside.

You’re probably wondering what happened before you got here. An awful lot of stuff, actually. Once we evolved into humans, things got pretty interesting. We figured out how to grow food and domesticate animals so we didn’t have to spend all of our time hunting. Our tribes got much bigger, and we spread across the entire planet like an unstoppable virus. Then, after fighting a bunch of wars with each other over land, resources, and our made-up gods, we eventually got all of our tribes organized into a ‘global civilization.’ But, honestly, it wasn’t all that organized, or civilized, and we continued to fight a lot of wars with each other. But we also figured out how to do science, which helped us develop technology. For a bunch of hairless apes, we’ve actually managed to invent some pretty incredible things. Computers. Medicine. Lasers. Microwave ovens. Artificial hearts. Atomic bombs. We even sent a few guys to the moon and brought them back. We also created a global communications network that lets us all talk to each other, all around the world, all the time. Pretty impressive, right? “But that’s where the bad news comes in. Our global civilization came at a huge cost. We needed a whole bunch of energy to build it, and we got that energy by burning fossil fuels, which came from dead plants and animals buried deep in the ground. We used up most of this fuel before you got here, and now it’s pretty much all gone. This means that we no longer have enough energy to keep our civilization running like it was before. So we’ve had to cut back. Big-time. We call this the Global Energy Crisis, and it’s been going on for a while now. “Also, it turns out that burning all of those fossil fuels had some nasty side effects, like raising the temperature of our planet and screwing up the environment. So now the polar ice caps are melting, sea levels are rising, and the weather is all messed up. Plants and animals are dying off in record numbers, and lots of people are starving and homeless. And we’re still fighting wars with each other, mostly over the few resources we have left. “Basically, kid, what this all means is that life is a lot tougher than it used to be, in the Good Old Days, back before you were born. Things used to be awesome, but now they’re kinda terrifying. To be honest, the future doesn’t look too bright. You were born at a pretty crappy time in history. And it looks like things are only gonna get worse from here on out. Human civilization is in ‘decline.’ Some people even say it’s ‘collapsing.’ “You’re probably wondering what’s going to happen to you. That’s easy. The same thing is going to happen to you that has happened to every other human being who has ever lived. You’re going to die. We all die. That’s just how it is.

James Allen poetically explains that the dream is the magical realm out of which newly created life emerges. Buried within you is an unlimited capacity for creation, what Allen calls a waking angel that’s anxious to plant seedlings to fulfill your dreams and your destiny. I simply

They reached the garden, and Beryl turned to him. “Is it safe for him to play on his own here?” “Define safe.” “No dog-eating plants, he can’t open the doors and run away, that sort of thing.” “I can disable to the motion-sensing feature on the entrance,” Zylar said, doing so as he offered. “And there are no aggressive botanical lifeforms cultivated here. Those are contained in the secure greeneries.” Beryl’s eyes widened. “You’re growing attack petunias somewhere?” “I don’t understand.” “Never mind.” She knelt and put her hands on Snaps’s face, so the fur-person had to look at her. “Don’t eat anything in here. You understand? It might make you sick.” “Eat nothing. Smell everything. I got it!” Snaps said. “Can I dig?” “It’s probably fine. Just don’t hurt the plants.” She pulled the cord off him, setting him free to explore, while Zylar tried to understand why Snaps wanted to dig. “I have nothing to bury,” Snaps said sadly, then he bounded off.

about the rest of the

She bent over the table and proceeded to tip the pitcher over each plate and spill a thick white goo over everything. It covered the turkey and the yams and puddled all over each plate. Roughly the texture of heavy whipping cream. Decker couldn’t, by god, tell what that was supposed to be. “What is that?” he asked. “Gravy?” Stung, Araceli backed away from the table and clutched the pitcher to her heart. “Is los mash potatoes!” she cried and ran to the kitchen in humiliation. They could hear her crying in there. Dexter rose. “God. Damn. It,” he announced. “Look here. This is my country. This is my country. We been here, working this land, forever. We made our lives here. We planted crops here. We had our children and - and we buried our loved ones here. Right here! Is it too goddamned much to ask that somebody pay the slightest fucking attention to our traditions and history and stop wrecking everything? Could you learn the language? Could you cook a simple meal that anybody from here would recognize as real food? Am I asking too much?” He was red in the face and shaking. He was embarrassed about the whole thing - ashamed of his comment to Araceli, ashamed to have shown his emotions, ashamed that he had tears in the corners of his eyes. Outbursts were simply not the West Linden way. Reverend Visser just stared at his own hands with his head bowed. Juan fingered the arrowhead, spun it around and around with one finger. He didn’t want to eat the goopy mash potatoes either. “Yeah, Jefe. That’s what Geronimo said.

my heart grieves for the one who could have told me stories of sweetgrass. All my life I have felt that loss. What was stolen at Carlisle has been a knot of sorrow I’ve carried like a stone buried in my heart.

So recently as twenty-five years ago, the blood was allowed to run into the river, and men were paid five dollars a load to cart the heads, feet, and other wasted material upon the prairie and there bury it in pits and trenches. Today, a large packing plant depends largely for its profit on the intelligent utilization of those so-called waste materials. The large packing establishments of today manipulate their own horns, hoofs, bones, sinews, hide-trimmings, etc. •

In the wild lore of witches—those scraps that Achamian had encountered, anyway—great trees were as much living souls as they were conduits of power. One hundred years to awake, the maxim went. One hundred years for the spark of sentience to catch and burn as a slow and often resentful flame. Trees begrudged the quick, the old witches believed. They hated as only the perpetually confused could hate. And when they rooted across blooded ground, their slow-creaking souls took on the shape of the souls lost. Even after a thousand years, after innumerable punitive burnings, the Thousand Temples had been unable to stamp out the ancient practice of tree-burial. Among the Ainoni, in particular, caste-noble mothers buried rather than burned their children, so they might plant a gold-leaf sycamore upon the grave—and so create a place where they could sit with the presence of their lost child … Or as the Shrial Priests claimed, the diabolical simulacrum of that presence. For his part, Achamian did not know what to believe. All he knew was that the Mop was no ordinary forest and that the encircling trees were no ordinary trees. Crypts, Pokwas had called them. A legion of sounds washed through the night.

My teacher explained that maize was unfamiliar to the Pilgrims and that Tisquantum had demonstrated the proper maize-planting technique—sticking the seed in little heaps of dirt, accompanied by beans and squash that would later twine themselves up the tall stalks. And he told the Pilgrims to fertilize the soil by burying fish alongside the maize seeds, a traditional native technique for producing a bountiful harvest. Following this advice, my teacher said, the colonists grew so much maize that it became the centerpiece of the first Thanksgiving. In our slipshod fashion, we students took notes.

​When you grow up, who or what do you want to be? Out on the road, Jack came across a man who said he’d buy his cow for a handful of magic beans. Five, to be precise. He said if Jack ran back home and buried them in his garden, a plant would grow there. A plant so tall it would make friends with the sky. But what if Jack took those magic beans and planted them inside himself, instead? Swallowed them down so they were hidden away inside him. Growing, growing, glowing. ​

If someone leaves you in the dirt, plant a seed and grow. Bury them in their own emotional void.

If tears are the children of sorrow, then I now carry a barren womb. For my children lived and died as the cities fell. As the sun and stars were torn out by thick darkness fathered by bombs that proved too weak. As men and children were devoured by unimaginable creatures. Blood ran down the streets like rivers, bodies carried away. I was a little girl, then. Thirteen. A fertile land for agony to plant its twisted seed. If tears are children, then I birthed and buried a generation in days.

You will honour your six-month contract mister, and if you die while honouring your contract I will bury you in the garden and plant a rose tree on top of you, but you will honour your contract

When I die, I’ll come back             an oakleaf hydrangea— Something bigger             than I was when we began. When you die             I want you to be a boy so I can take you in             on some decrepit path pretending the wind running through             somehow belongs to you. When you bury me             watch out: I’ll spread. And you’ll recognize my autumnal red             psychic flames burning near your split rail fence.             I was what you chose to plant to absorb the emptiness             left from other things. Tasha Cotter, “Hydrangea,” Dialogist: Quartertly Poetry & Art (v.1, no. 3)

Future humans, living in a coastal megalopolis in Baffin Island in the Canadian Arctic, might similarly marvel at the strange ancient culture 5,000 years ago that was fully aware that it was sacrificing the prospects of civilization and the welfare of the living world to satisfy its hunger for burning ancient plants and sea life buried in the rocks. But this far underestimates the eventual legacy of humanity.

For now, I'm in the dark... But I'm planted... not buried!

The men of the shop were discussing the great issues of the day. They’d done Brexit, they’d covered Russian interference in western politics, they’d stuck a foot in the toxic mud of the decline of the UK’s foreign policy into moral repugnance, they’d trawled through the septic wasteland of the narcissistic infantilism of Donald Trump, they’d cast a doleful eye over the concentration camps and the genocide of the Uighurs, they’d buried their heads in the sands of the desertification of planet earth, they’d planted a flag in the other habitable worlds of the galaxy, and now they were talking about bagels.

The spiritual legacy of that missionary couple was so great that more than a century after they died, the enemy was still mad about the way they lived. He was still mad someone had come and planted the gospel flag on "his" territory. Still mad that he had lost even one inch of ground, even one heart that would now spend eternity in heaven. 'How dare they!' More than a hundred years after they died, people pointed to the place where their bones were buried and said, 'Those were Christian people." Dear reader, if Satan is till mad one hundred years after you die about the way you lived your life and the witness you were for Christ, that's a mark of high honor, an amazing spiritual legacy! (pages 265-66)

Today I begin a new life. Today I shed my old skin which hath, too long, suffered the bruises of failure and the wounds of mediocrity. Today I am born anew and my birthplace is a vineyard where there is fruit for all. Today I will pluck grapes of wisdom from the tallest and fullest vines in the vineyard, for these were planted by the wisest of my profession who have come before me, generation upon generation. Today I will savor the taste of grapes from these vines and verily I will swallow the seed of success buried in each and new life will sprout within me. The career I have chosen is laden with opportunity yet it is fraught with heartbreak and despair and the bodies of those who have failed, were they piled one atop another, would cast a shadow down upon all the pyramids of the earth. Yet I will not fail, as the others, for in my hands I now hold the charts which will guide me through perilous waters to shores which only yesterday seemed but a dream. Failure no longer will be my payment for struggle. Just as nature made no provision for my body to tolerate pain neither has it made any provision for my life to suffer failure. Failure, like pain, is alien to my life. In the past I accepted it as I accepted pain. Now I reject it and I am prepared for wisdom and principles which will guide me out of the shadows into the sunlight of wealth, position, and happiness far beyond my most extravagant dreams until even the golden apples in the Garden of Hesperides will seem no more than my just reward. Time teaches all things to him who lives forever but I have not the luxury of eternity. Yet, within my allotted time I must practice the art of patience for nature acts never in haste. To create the olive, king of all trees, a hundred years is required. An onion plant is old in nine weeks. I have lived as an onion plant.

Grown now, I know what it’s like to bury things, and I understand my parents’ hope for reconciliation was not in vain, but their hope had a way of prioritizing expedience. Rather than exhume the bodies of their own hard histories, they planted flowers in the graveyard and waited for rain. The rain would fall, and the flowers would grow, but it would always be a cemetery garden. A space more haunted than beautiful, where side by side with our collection of ghosts, my sister and I would come of age.

It’s okay to laugh at yourself as you do the things God has called you to do. Take some risks. Face-plant. Laugh about it. But it is not okay to bury the talents and gifts God has given you or to hold back because of fear.

I can't lose you," he said, planting his hands on the balcony behind her, trapping her against him. "I almost did, do you know that? Because I couldn't fucking get my mind right to heal you. I have held men and women and children to me as they bled like you bled. I have had my face sprayed with their blood. I have had them beg for their life—a life I could not extend or heal or gift because I cannot fight their fate. But you—you did not beg for life. You were not even desperate for it. You were at peace." "Because I was thinking about you," she seethed, and Hades went cold. "I wasn't thinking about life or death or anything but how much I loved you, and I wanted to say it, but I couldn't..." His throat felt full and his mouth quivered. He drew her against him and buried his head in the crook of her neck, hiding his face as he shook and shed tears. He hated this feeling that racked his body, hated that he had not been able to remain composed for her, but this had been too much. Too great of a wound. He drew comfort from her, and when he was calm, he straightened, still holding her close.

Humus is the greasy black rot in the forest floor sandwiched between the fresh litter from fallen needles and dying plants above and the mineral soil weathered from bedrock below. Humus is the product of plant decay. It’s where the dead plants and bugs and voles are buried. Nature’s compost. Trees love to root in the humus, not so much above or below it, because there they can access the bounty of nutrients.

Clover and Jotter’s names are still remembered in the botany and river running communities. A hedgehog cactus with pink flowers and dense spines that grows in New Mexico is named Clover’s cactus (Sclerocactus cloverae); it’s now under consideration for endangered species protection. River rafters in Cataract Canyon, rediscovering places once buried beneath Lake Powell and now revealed by drought, informally call two side canyons Clover Canyon and Jotter Canyon, in a stretch of river known as Botany Aisle. Scientists raft the Grand Canyon every year, carrying a plant guide shaped in part by Clover and Jotter’s findings. Their story matters. It adds to the unfolding record of how life, human and nonhuman, finds ways to flourish even in the most unlikely of circumstances. Like others before them, Elzada Clover and Lois Jotter valued their curiosity about the world more than their presumed place within it. They go ahead and, like stars reflected on the river, show the way.

The Solvay waste beds: how very fitting a venue for our fears. What we ought to be afraid of isn’t in the haunts, but under them. Land buried under sixty feet of industrial waste, trickling toxins into the sacred waters of the Onondaga and the home of half a million people

tragedy befell her when she died giving birth to her twins, Flint and Sapling. Heartbroken, Skywoman buried her beloved daughter in the earth. Her final gifts, our most revered plants, grew from her body. The strawberry arose from her heart. In Potawatomi, the strawberry is ode min, the heart berry. We recognize them as the leaders of the berries, the first to bear fruit.

First practice not letting people know who you are—keep your philosophy to yourself for a bit. In just the manner that fruit is produced—the seed buried for a season, hidden, growing gradually so it may come to full maturity. But if the grain sprouts before the stalk is fully developed, it will never ripen. . . . That is the kind of plant you are, displaying fruit too soon, and the winter will kill you.” —EPICTETUS

In the eastern Atlantic forest of Bahia, Brazil, on the sandy, mossy ground beside the off-grid house of a single amateur botanist, grows an inch-tall plant with reddish stems ending in tiny dart-shaped flowers. The flowers are white with bright pink tips, like a fountain pen dipped in ink. The whole plant emerges only during the rainy season, springing up within weeks of the persistent wetness that begins in March and dying back entirely by its end in November. Within a month the little dart-flowers open, get pollinated, and disappear, having done their part. Capsules of fruit appear in their place, holding the seeds of the next generation. The usual course of events. But then something unusual happens: the fruit-tipped stems begin to bend toward the earth, genuflecting, craning like slender necks bent in deference. The fruits and the earth connect. The stems keep bending. They push down until the capsule is buried in the soft moss. The plant, Spigelia genuflexa, has planted its own seeds.

Well, it’s no secret that life at Arsia Base was rough. Always will be rough, or at least until someone gets around to terraforming Mars, which is wild-eyed fantasy if you ask me. But even if you disregard the sandstorms and scarcity of water, the extremes of heat and cold and… well, just the utter barrenness of that world, it’s still a hell of a place to live for any extended period of time. I guess the worst part was the isolation. When I was station manager we had about fifty men and women living in close quarters in a cluster of fifteen habitats, buried just under the ground. Most of these folks worked either for Skycorp or the Japanese firm Uchu-Hiko, manufacturing propellant from Martian hydrocarbons in the soil which was later boosted up to the Deimos fuel depot, or were conducting basic research for NASA or NASDA. The minority of us were support personnel, like myself, keeping the place operational. A lot of us had signed on for Mars work for the chance to explore another planet, but once you got there you found yourself spending most of your time doing stuff that was not so much different than if you had volunteered to live underground in Death Valley for two years. For the men working the electrolysis plant, it was a particularly hard, dirty job—working ten- or twelve-hour shifts, coming back to the base to eat and collapse, then getting up to do it all over again. The researchers didn’t have it much easier because their sponsoring companies or governments had gone to considerable expense to send them to Mars and they had to produce a lifetime’s worth of work during their two years or risk losing their jobs and reputations.

p. 371 – 372 Living in a paradise of magnificent meadows and forests abundant with wild game, berries, and nuts, the Utes were self-supporting and could have existed entirely without the provisions doled out to them by their agents at Los Pinos and White River. In 1875 agent F. F. Bond at Los Pinos replied to a request for a census of his Utes: “A count is quite impossible. You might as well try to count a swarm of bees when on the wing. They travel all over the country like the deer which they hunt.” Agent E. H. Danforth at White River estimated that about nine hundred Utes used his agency as a headquarters, but he admitted that he had no luck in inducing them to settle down in the valley around the agency. At both places, the Utes humoured their agents by keeping small beef herds and planting a few rows of corn, potatoes, and turnips, but there was no real need for any of these pursuits. The beginning of the end of freedom upon their own reservation came in the spring of 1878, when a new agent reported for duty at White River. The agent’s name was Nathan C. Meeker, former poet, novelist, newspaper correspondent, and organizer of cooperative agrarian colonies. Most of Meeker’s ventures failed, and although he sought the agency position because he needed the money, he was possessed of a missionary fervor and sincerely believed that it was his duty as a member of a superior race to “elevate and enlighten” the Utes. As he phrased it, he was determined to bring them out of savagery through the pastoral stage to the barbaric, and finally to “the enlightened, scientific, and religious stage.” Meeker was confident he could accomplish all this in “five, ten, or twenty years.” In his humourless and overbearing way, Meeker set out systematically to destroy everything the Utes cherished, to make them over into his image, as he believed he had been made in God’s image.

End corporate welfare—including hidden subsidies. We explained in earlier chapters how the government too often, rather than helping people who need assistance, spends its valuable money helping corporations, through corporate welfare. Many of the subsidies are buried in the tax code. While all the loopholes, exceptions, exemptions, and preferences reduce the progressivity of the tax system and distort incentives, this is especially true of corporate welfare. Corporations that can’t make it on their own should come to an end. Their workers may need assistance moving to another occupation, but that’s a matter far different from corporate welfare. Much of corporate welfare is far from transparent—perhaps because if citizens really knew how much they were giving away, they would not allow it. Beyond the corporate welfare embedded in the tax code is that embedded in cheap credit and government loan guarantees. Among the most dangerous forms of corporate welfare are ones that limit liability for the damage the industries can cause—whether it’s limited liability for nuclear power plants or for the environmental damage of the oil industry. Not bearing the full cost of one’s action is an implicit subsidy, so all those industries that impose, for instance, environmental costs on others are, in effect, being subsidized. Like so many of the other reforms discussed in this section, these would have a triple benefit: a more efficient economy, fewer of the excesses at the top, improved well-being for the rest of the economy. Legal

Don't push it." Cormac said as he looked back to Burrom. "You'll go under again one day, and I'll find out where you're buried and plant a goddamn park bench right over your ass." "You wouldn't!" "With a colorful flower box full of daises right beside it.

Sandy escarpments rose up on the left and forested mesas hugged the right until we dropped off a hill and headed into the Rifle valley. The river was wider here, with waves shimmering white in the sun. What were once hay fields in the flat floodplains were now natural gas pads, pipe yards, compressor stations, and gas plants. One of the latter spewed a flame sixty feet into the air. Closer to town, the cattle pastures I’d known as a kid were buried forever under asphalt and pavement, with houses and apartment complexes built on top. I

The infamous Fray Nicolás de Ovando y Cáceres, who had sniveled around the Royal Court wanting to become a favorite of the pious Queen Isabella, was appointed Governor of the Indies, replacing Francisco de Bobadilla, the man who had been responsible for sending Columbus from Hispaniola, back to Spain in irons. Prior to his appointment Fray Nicolás de Ovando had been a Spanish soldier, coming from a noble family, and was a Knight of the Order of Alcántara. On February 13, 1502, Fray Nicolás sailed from Spain with a record breaking fleet of thirty ships. Since Columbus’ discovery of the islands in the Caribbean, the number of Spanish ships that ventured west across the Atlantic had consistently increased. For reasons of safety in numbers, the ships usually made the transit in convoys, carrying nobility, public servants and conquistadors on the larger galleons that had a crew of 180 to 200. On these ships a total of 40 to 50 passengers had their own cabins midship. These ships carried paintings, finished furniture, fabric and, of course, gold on the return trip. The smaller vessels including the popular caravels had a crew of only 30, but carried as many people as they could fit in the cargo holds. Normally they would carry about 100 lesser public servants, soldiers, and settlers, along with farm animals and equipment, seeds, plant cuttings and diverse manufactured goods. For those that went before, European goods reminded them of home and were in great demand. Normally the ships would sail south along the sandy coast of the Sahara until they reached the Canary Islands, where they would stop for potable water and provisions before heading west with the trade winds. Even on a good voyage, they could count on burying a third of these adventurous at sea. Life was harsh and six to eight weeks out of sight of land, always took its toll! In all it is estimated that 30,500 colonists made that treacherous voyage over time. Most of them had been intentionally selected to promote Spanish interests and culture in the New World. Queen Isabella wanted to introduce Christianity into the West Indies, improve the islands economically and proliferate the Spanish and Christian influences in the region.

Pink passes by me with a wicked look on his face. He walks over to where Elle is sitting, and before she can protest, he scoops her up out of her stool, dips her back dramatically like something from an old movie, and plants a kiss right on her lips. After a moment, he breaks the kiss, sets her back down on the stool, and walks away. “Asshole,” Elle mumbles as she touches her lips, and her cheeks turn bright red. “As much as you keep mentioning your ass, Prinzessin, I can see that’s going to need attention first,” Pink says, not looking back as he walks out the door. I look over to see Elle’s mouth drop open and her cheeks burn even brighter, so I leave her and a laughing Zoey alone in the apartment. When we get outside, I talk to my guys posted outside as a precaution, then Pink and I head to my truck. “You sure you want to keep digging that grave?” I ask, looking over as Pink gets in the truck. “As long as I end up buried inside her, I’m good.

As the floodwaters advanced during the global Flood, humans would have fled to higher ground, swam, or held on to floating debris for as long as possible. Also, human corpses tend to bloat and therefore float on the water’s surface. Hence, it makes sense that very few, if any, humans would be buried by sediment. Instead, they would have rotted and decayed without fossilization. It is expected that marine creatures and plants were the first things buried and fossilized, since they are at a lower elevation and couldn’t escape the sediment and water. When we look at the fossil record, statistically we find: 95% of all fossils were marine organisms. 95% of the remaining 5% were algae, plants/trees. 95% of the remaining 0.25% were invertebrates, including insects. The remaining 0.0125% were vertebrates, mostly fish.

Baptism pictures how we were co-buried together with Christ in his death; then it powerfully illustrates how in God’s mind we were co-raised with Christ into a new lifestyle. (Hos 6:2) 6:5  We were like seeds planted together in the same soil, to be co-quickened to life. If we were included in his death we are equally included in his resurrection.

Plant transplants outside according to the spacing the fully grown plants will need. Pay attention to the depth of the hole, and ensure that you don’t bury the stem in the soil (except in special cases—see Growing Tip on the following page). Take the temperature of the soil to make sure it is warm enough. (The soil should be at least 60 to 65 degrees F for planting warm-weather vegetables such as tomatoes or peppers.) Before planting any transplants outside, prepare them by hardening them off. GROWING TIP Tomato plants should be planted deep. Strip off all but the top four sets of leaves. Plant the entire rest of the plant below the soil line. Tomato plants will grow roots from the stem, making them stronger and healthier. Hardening off before Planting out Vegetable transplants grown inside a greenhouse (or your house) need to be hardened off (acclimated to the change in temperature and light) before they’re planted outside. Even if you buy plants that were sitting outside at a garden center, it’s a good idea to harden them off before planting. For all you know, the plants were taken from the greenhouse, loaded on a truck, and brought to the garden center on the same day you saw them sitting outside. How to Harden Off Transplants 1. Place plants in a sheltered location such as a porch or patio for the day, and bring them in at night. Do this for three or four days. 2. Next, leave them outside all day in the protected location. Do this for about a week. Don’t forget to water while you’re doing this! 3. Finally, move the plants from the sheltered location (the porch or patio) to a more exposed location (the front sidewalk or driveway). Leave them there for three or four days. 4. Wait for a cloudy day (if possible) and plant your plants in the garden. Planting out on a cloudy day will lower the stress that the plants experience.

Chocolate. I hope you enjoyed the story. Click here and start reading my next book today! Behind the scenes with Lyndsey Growing, and of course eating, fresh picked strawberries is one of my all-time favorites. The nice thing about growing your own strawberries is that if you plant ever-bearing varieties in the spring, you could be harvesting your own juicy delicious fruit later in the summer. With the June-bearing varieties,

Now that you’re my wife, I only need one more thing to be complete.” “What’s that?” she asked breathlessly. He pulled back, and began plucking pins from her hair, releasing the waves from the chignon. “What the hell does A.J. stand for?” Laughter filled the room. “Didn’t you look at the marriage license?” “I was too blinded by love. So?” “You aren’t going to believe it.” “Try me,” he said, as the last pin fell to the floor. He buried his hands in her hair, shaking it out around her shoulders. “The first is Arlington.” “Not bad. Better than a lot of other words that start with A.” His smile was warm. She cast him a dry look. “It was the city I was born in.” “Makes it easy to remember.” “The other is Juniper.” He froze in disbelief. “You’re named after a bush?” “It’s a damn nice planting, a hearty shrub.” Devlin was laughing as he said, “And the connection is . . .” “I think I might have been conceived under one.” “That’s adventurous.” “I haven’t asked a lot of questions.” “I can see why.

POSSIBILITY -“All things are possible to those who believe. -“The scripture declares that without hope people perish, but with hope they not only survive but also prosper.” -“People place limitations upon themselves, because they think they know who they are. Imagine, what greatness the world will discover if they knew what they can become.” -“If we understand the power we have to call things into being, then our minds will become our laboratory for creative possibilities and the universe will be the marketplace for our resources.” -“The only limitations we have are those we place upon ourselves due our lack of knowledge of our greatest gift… the power to use our mind, and the negative stories we tell ourselves.” -“As long as you keep dreaming ideas will continue to flow.” - Sekou Obadias – Author of “SOGANUTU” – A book of life’s Maxims POSITIVE THINKING -“Positive thinking can change body energy, suppress negative thoughts, and creates a positive outlook on life.” -“Studies have shown that positive thinking helps with stress management and can even improve physical health.” -“Positive thinking does not mean, you bury your head in the sand and ignore life's unpleasant situations. What it does means is, you approach unpleasantness with a more positive and productive attitude.” - Sekou Obadias – Author of “SOGANUTU” – A book of life’s Maxims -“The power of positive thinking can give life to your dreams and change your destiny. The first step to happiness and self-assuredness, is making the decision to be so. “People are just as happy as they make up their minds to be”. Abraham Lincoln -“One of the greatest barriers to positive thinking is a negative attitude which comprises of the following: anger, doubt, hate, fear, worry, resentment, selfishness, pessimism, distrust, feeling of needy, loneliness and frustration.” -“When it comes to Positive thinking, the mind can be compared to a garden… In a garden, weeds will grow continuously without effort.” They will never stop growing so, you have to work non-stop to control them. Good productive plants however, will require continuous focus, effort, time and energy in order to achieve a good harvest. Likewise, you will never be able to stop negative thoughts from entering your mind, but you will have to learn to control and replace them. Positive thoughts on the other hand, are like good productive plants. In order for them to enter, and take root in your mind, you have to make deliberate and not stop efforts.” - Sekou Obadias – Author of “SOGANUTU” – A book of life’s Maxims

And then, as if a challenge, said: ''When I were a lad, father and mother used to tell us that on Christmas Eve, at midnight, the cattle would kneel in their stalls.'' He aimed a sudden forefinger at me. ''Now that were old Christmas Eve, mind. January the fifth. And on Christmas Day, January the sixth, the white thorn, the Holy Thorn of Glastonbury, flowered. The thorn planted by the man who buried Christ. Joseph of Arimathea. Come here to bring the good news. Yes!

What I found in the form is that shorter works inspire far more immersion than the time it takes to read them. The work is but a seed. Planted, the central element of the speculative fiction is left to grow. The impact of a great short story happens days and often years later. Rather than have the author hand every answer on a silver platter, she buries it and allows your mind and your life experiences to handle the rest.   There

They were hardly fit for life, much less the forests. And yet they would likely defile the lakes, ravage the forests, and plant their desert wheat. These were the people of the colored forest gone amuck. The walking dead. Better buried at the base of a cliff than

The use of the coins in the beginning<” he said. “Do you know what happened to the coins originally?” She thought about it for a long moment, as she tightened her lips. “Well, the priests did not want the blood money back. I believe that priests took the Shekels and bought the land where Judas hung himself. I had heard that they turned it into a burial place for foreigners. So the money was put to good use.” Sam’s eyes sparkled with excitement. “That’s good news!” Achava continued, “There was a field used for the extraction of potter’s clay. It was useless for planting, but it was perfect for burials.” “Potter’s Field,” Sam added. “Would Judas have been considered a foreigner in his own country?” “Possibly!” She exclaimed. “After his betrayal of Jesus, he was an outcast and therefore considered a foreigner!” “Then there is a strong possibility that he was buried in Potter’s Field,” Sam said, confidently.

During one session, the therapist returned from a trip to the rest room to find that another dog had dug a hole in a potted plant and buried Mancha.

The hills of waste are the topographic inverse of the open pit mines— the largest open pit mines in New York State, still unreclaimed— where the limestone rocks were quarried, the earth gouged out in one place to bury the ground in another. If time could run backward, like a film in reverse, we would see this mess reassemble itself into lush green hills and moss-covered ledges of limestone. The streams would run back up the hills to the springs and the salt would stay glittering in underground rooms.

Romney was proving an inept candidate—incapable of connecting with voters, inspiring conservatives, or restraining himself from planting his penny loafers in his piehole—was no surprise. What troubled them more was that Mitt was winning only by burying his rivals in an avalanche of money and manure.

I had turned the earth in my garden the day before, planting the winter seeds to sleep and swell, to dream their buried birth.

The dark came down on All Hallows’ Eve. We went to sleep to the sound of howling wind and pelting rain, and woke on the Feast of All Saints to whiteness and large soft flakes falling down and down in absolute silence. There is no more perfect stillness than the solitude in the heart of a snowstorm. This is the thin time, when the beloved dead draw near. The world turns inward, and the chilling air grows thick with dreams and mystery. The sky goes from a sharp clear cold where a million stars burn bright and close, to the gray-pink cloud that enfolds the earth with the promise of snow. I took one of Bree’s matches from its box and lit it, thrilling to the tiny leap of instant flame, and bent to put it to the kindling. Snow was falling, and winter had come; the season of fire. Candles and hearth fire, that lovely, leaping paradox, that destruction contained but never tamed, held at a safe distance to warm and enchant, but always, still, with that small sense of danger. The smell of roasting pumpkins was thick and sweet in the air. Having ruled the night with fire, the jack-o’-lanterns went now to a more peaceful fate as pies and compost, to join the gentle rest of the earth before renewal. I had turned the earth in my garden the day before, planting the winter seeds to sleep and swell, to dream their buried birth. Now is the time when we reenter the womb of the world, dreaming the dreams of snow and silence. Waking to the shock of frozen lakes under waning moonlight and the cold sun burning low and blue in the branches of the ice-cased trees, returning from our brief and necessary labors to food and story, to the warmth of firelight in the dark. Around a fire, in the dark, all truths can be told, and heard, in safety. I pulled on my woolen stockings, thick petticoats, my warmest shawl, and went down to poke up the kitchen fire. I stood watching wisps of steam rise from the fragrant cauldron, and felt myself turn inward. The world could go away, and we would heal.

The more he went, the more it felt like Chaos was planted in his life. He just needed to figure out why. And those nameless dead people were his clue along with that note about letting the dead bury the dead. Wasn’t that scriptural? He quickly searched it and got chills at finding it was. Luke 9:60.

In the traditional descriptions of the progress of meditation, beginning practice always involves coming to terms with the unwanted, unexplored, and disturbing aspects of our being. Although we try any number of supposedly therapeutic maneuvers, say the ancient Buddhist psychological texts, there is but one method of successfully working with such material—by wisely seeing it. As Suzuki Roshi, the first Zen master of the San Francisco Zen Center, put it in a talk entitled “Mind Weeds”: We say, “Pulling out the weeds we give nourishment to the plant.” We pull the weeds and bury them near the plant to give it nourishment. So even though you have some difficulty in your practice, even though you have some waves while you are sitting, those waves themselves will help you. So you should not be bothered by your mind. You should rather be grateful for the weeds, because eventually they will enrich your practice. If you have some experience of how the weeds in your mind change into mental nourishment, your practice will make remarkable progress. You will feel the progress. You will feel how they change into self-nourishment. . . . This is how we practice Zen.11

Thursday My parents took me to “The Woking Dead” Chinese restaurant to celebrate me winning the science fair. “We’re so proud of you, son,” Dad said. “You’re a chip off the old block.” “Maybe he can work with you at the Nuclear Waste Plant for the summer,” Mom said. “That way he’ll be able to develop his scientific talent.” I just tried to bury my sorrow in my Zombie egg roll. “So, son,” Dad said. “I just put another non-refundable deposit for another week at camp for you. I don’t know how we’re going to afford it. But you’re worth it.” “Maybe we should send him to science camp too, this summer,” Mom said. I threw up my egg roll. “Wow, look how excited he is,” Mom said.

Josefina had grown up hearing tales of treasures hidden by thieves, gold mines with secret entrances, jars of coins buried by old men afraid of being robbed. She’d always enjoyed these legends, shared by good storytellers when shadows were long and imaginations ran high. She’d never heard of anyone actually finding lost treasure. But she’d never seen a map marked with landmarks and strange sketches, either. Josefina tried to push the image of the map from her mind so that she could go to sleep, but it was no use. Finally, afraid she might wake her sisters, she got up. Wrapping her rebozo around her shoulders against the cool night breeze, she tiptoed out of the sala. She lit a candle and crept to the storeroom where she and Teresita kept their remedios and dyes. Josefina loved the musty-spicy smells of the plant bundles hanging from poles overhead. She loved seeing bins and gourds and baskets filled with supplies that might help ward off illness or cure disease. Sitting on a banco, she savored the peaceful stillness. She could feel her muscles relaxing. Soon she would be ready for sleep. Then an unexpected sound jerked Josefina upright. The candle fell to the hard earthen floor and snuffed out. In the sudden darkness, Josefina strained to hear the sound that had disturbed her. There it was again! A faint crying sound. Was one of her sisters awake? Was Francisca in the courtyard, weeping for Ramón? Josefina cocked her head, but when she heard the sound again, she was sure it came from outside the house. Josefina stepped closer to the window, carefully avoiding a basket of pumpkin stems. Pressing a palm against the wall, she held her breath. And the sound came again, drifting through the open window above her head—a woman’s sob, low and full of anguish. Josefina’s bones turned to ice. Only one woman roamed at night, weeping and wailing: the ghost, La Llorona!

Your failures are not embarrassments to be buried. Rather, they are seeds to be planted.

But for those that ripen and are then harvested within a short window, such as beets or spinach, make sure to plant them in grids that will be accessible for replanting—don’t bury them in the middle squares where it will be more difficult to replant.

When the universe was very young, in the first moments after the Big Bang, powerful charged electrons began to pour out of the swirling furnace that filled empty space. Many became part of simple hydrogen atoms that tumbled through the cosmos and ended up within huge stars. In their long sojourn within the stars, and then even more when the stars blasted apart, multitudes of those simple atoms were squeezed together with such force that larger atoms were created. Metals such as copper, iron, and silver were born. For eons these metals, too, floated through space. In time they fell toward a new solar system, and became part of ore deposits on the North American continent. They were joined by metal atoms that had been created in other distant starbursts. Hidden deep inside each atom, as the ore lay buried, powerful electron charges remained. Mountains rose and fell. Giant reptiles hunted in fern forests; ecosystems changed, and giant mammals hunted in coniferous and broad-leaf forests. Small groups of arrow-using humans arrived from Asia; thousands of years later, more humans arrived, on giant floating vessels from Europe and Africa. There were cruel frontier wars, and new settlements arose. The soil was turned over for planting, and probed for metal ore. The hidden electron charges, unchanged for billions of years, were about to be released.

If it feels like you’re being buried, remember you’re only being planted.

The POUM leaders were handed over to NKVD operatives and taken to a secret prison in Madrid, a church in the Calle Atocha. Nin was separated from his comrades and driven to Alcalá de Henares, where he was interrogated from 18 to 21 June. Despite the tortures he was subjected to by Orlov and his men, Nin refused to confess to the falsified accusations of passing artillery targets to the enemy. He was then moved to a summer house outside the city which belonged to Constancia de la Mora, the wife of Hidalgo de Cisneros and tortured to death. A grotesque example of Stalinist play-acting then took place. A group of German volunteers from the International Brigades in uniforms without insignia, pretending to be members of the Gestapo, charged into the house to make it look as if they had come to Nin’s rescue. ‘Evidence’ of their presence was then planted, including German documents, Falangist badges and nationalist banknotes. Nin, after being killed by Orlov’s men, was buried in the vicinity. When graffiti appeared on walls demanding ‘Where is Nin?’ communists would scribble underneath ‘In Salamanca or in Berlin’. The official Party line, published in Mundo Obrero, claimed that Nin had been liberated by Falangists and was in Burgos.

And so about a hundred million years ago plants stumbled on a way - actually a few thousand different ways - of getting animals to carry them, and their genes, here and there. This was the evolutionary watershed associated with the advent of the angiosperms, an extraordinary new class of plants that made showy flowers and formed large seeds that other species were induced to disseminate. Plants began evolving burrs that attach to animal fur like Velcro, flowers that seduce honeybees in order to powder their thighs with pollen, and acorns that squirrels obligingly taxi from one forest to another, bury, and then, just often enough, forget to eat. Even evolution evolves. About ten thousand years ago the world witnessed a second flowering of plant diversity that we would come to call, somewhat self-centeredly, 'the invention of agriculture.' A group of angiosperms refined their basic put-the-animals-to-work strategy to take advantage of one particular animal that had evolved not only to move freely around the earth, but to think and trade complicated thoughts. These plants hit on a remarkably clever strategy: getting us to move and think for them. Now came edible grasses (such as wheat and corn) that incited humans to cut down vast forests to make more room for them; flowers whose beauty would transfix whole cultures; plants so compelling and useful and tasty they would inspire human beings to seed, transport, extol, and even write books about them. [...] That's why it makes just as much sense to think of agriculture as something the grasses did to people as a way to conquer the trees.

because she had no clue how to cope with the present or the future. ‘He lived in a fantasy world at times ‒ “always looking for excitement”, I used to say. More exciting things than we could give him. No surprise to me that he became a policeman.’ She managed a laugh. ‘He could be a little fibber, though. For the first two weeks he was with you, he told us he’d got shift work in a local pub.’ Penny could see that Maggie had taken this the wrong way. ‘Oh – he was never ashamed of you! He wanted to keep you all to himself, Maggie. That’s what it was . . . Look at him now. My beautiful boy walking beside my beautiful man one last time.’ Music began to play from inside the chapel and Penny’s grip on Maggie’s arm tightened. The five burly men and Ridley stepped up to the back doors of the hearse and formed two lines of three, opposite each other. The funeral director pulled the coffin far enough out for everyone to take up position on either side. Manoeuvring the weighty box up onto everyone’s shoulders was a jittery affair, but they all soon settled. The funeral director then led the way inside. Jack walked directly behind his dad. It took twenty minutes for everyone to file into the crematorium and find their seats.

Carbon atoms are found in most of the millions of naturally occurring molecules that scientists have cataloged. Chief among these are the molecules of life. The physical structures and chemical machinery of all living things on our planet are made of molecules that are largely carbon. Fossil fuels come from living microbes and plants that were buried hundreds of millions of years ago, so coal and petroleum and natural gas, most plastics, and many other industrial chemicals, including solvents and lubricants, are mainly carbon. It’s also thanks to carbon that there are so many smells in the air for us to enjoy.

This sessile lifestyle means any given tree must find everything it needs, and must defend itself, while remaining fixed in place. It follows that a highly developed sensory repertoire is required to locate food and identify threats. And so, a tree smells and tastes—they sense and respond to chemicals in the air or on their bodies. A tree sees—they react differently to various wavelengths of light as well as to shadow. A tree touches—a vine or a root knows when it encounters a solid object. And trees hear; the sound of a caterpillar chomping a leaf primes the tree’s genetic machinery to produce defence chemicals. Tree roots seek out the water flowing through buried pipes, which suggests that plants somehow hear the sound of flowing water.

They buried him in the afternoon. Pip and Josh would plant sunflowers over his grave in the spring, because they were golden and happy, just like him.

A long-lived overstory can dominate the forest for generations, setting the ecological conditions for its own thriving while suppressing others by exploiting all the resources with a self-serving dominance. But, all the while it sets the stage for what happens next and something always happens that is more powerful than that over story: a fire, a windstorm, a disease. Eventually, the old forest is disrupted and replaced by the understory, by the buried seedbank that has been readying itself for this moment of transformation and renewal. A whole new ecosystem rises to replace that which no longer works in a changed world.