“
Often father and daughter look down on mother (woman) together. They exchange meaningful glances when she misses a point. They agree that she is not bright as they are, cannot reason as they do. This collusion does not save the daughter from the mother’s fate.
”
”
Bonnie Burstow (Radical Feminist Therapy: Working in the Context of Violence)
“
Hey, can I see that sword you were using?"
I showed him Riptide, and explained how it turned from a pen into a sword just by uncapping it.
"Cool! Does it ever run out of ink?"
"Um, well, I don't actually write with it."
"Are you really the son of Poseidon?"
"Well, yeah."
"Can you surf really well, then?"
I looked at Grover, who was trying hard not to laugh.
"Jeez, Nico," I said. "I've never really tried."
He went on asking questions. Did I fight a lot with Thalia, since she was a daughter of Zeus? (I didn't answer that one.) If Annabeth's mother was Athena, the goddess of wisdom, then why didn't Annabeth know better than to fall off a cliff? (I tried not to strangle Nico for asking that one.) Was Annabeth my girlfriend? (At this point, I was ready to stick the kid in a meat-flavored sack and throw him to the wolves.)
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
Once upon a time, an angel and a devil fell in love and dared to imagine a new way of living—one without massacres and torn throats and bonfires of the fallen, without revenants or bastard armies or children ripped from their mothers’ arms to take their turn in the killing and dying.
Once, the lovers lay entwined in the moon’s secret temple and dreamed of a world that was a like a jewel-box without a jewel—a paradise waiting for them to find it and fill it with their happiness.
This was not that world.
”
”
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
“
Curse this world for what it does to the mothers, for what it does to the daughters. Curse it for making us strong through loss and pain, our hearts torn from our chests again and again. Curse it for forcing us to endure.
”
”
Sabaa Tahir (A Reaper at the Gates (An Ember in the Ashes, #3))
“
The best love in the world, is the love of a man. The love of a man who came from your womb, the love of your son! I don't have a daughter, but maybe the love of a daughter is the best, too. I am first and foremost me, but right after that, I am a mother. The best thing that I can ever be, is me. But the best gift that I will ever have, is being a mother.
”
”
C. JoyBell C.
“
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.”
She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried.
And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.”
But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it.
I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away.
You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.
And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.
“Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.”
Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining.
Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
”
”
Sarah Kay
“
Of course mothers and daughters with strong personalities might see the world from very different points of view.
”
”
Katherine Howe (The Physick Book of Deliverance Dane (The Physick Book, #1))
“
Mother was comfort. Mother was home. A girl who lost her mother was suddenly a tiny boat on an angry ocean. Some boats eventually floated ashore. And some boats, like me, seemed to float farther and farther from land
”
”
Ruta Sepetys (Salt to the Sea)
“
You grew up too fast, baby."
Didn't always feel that way, especially this morning when I couldn't find my other flip-flop and I'd been, like, two seconds from kicking a fit.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
[...]Since then it’s been passed from mother to daughter, along with The Face.”
“The Face?” Lucas asked.
“That Launched a Thousand Ships,” Daphne said, repeating the title automatically. “It’s our curse.
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
Look, Mother, I am never going to be thin.
I'm Norwegian. If you wanted a thin daughter, you should not have married a man whose female ancestors carried cows home from the pasture
”
”
Jennifer Crusie (Bet Me)
“
How many mothers have prayed to see their sons, their daughters return from war only to realize the war has kept them, the world has poisoned them, and they’ll never be the same?
”
”
Pierce Brown (Morning Star (Red Rising, #3))
“
Why Not You?
Today, many will awaken with a fresh sense of inspiration. Why not you?
Today, many will open their eyes to the beauty that surrounds them. Why not you?
Today, many will choose to leave the ghost of yesterday behind and seize the immeasurable power of today. Why not you?
Today, many will break through the barriers of the past by looking at the blessings of the present. Why not you?
Today, for many the burden of self doubt and insecurity will be lifted by the security and confidence of empowerment. Why not you?
Today, many will rise above their believed limitations and make contact with their powerful innate strength. Why not you?
Today, many will choose to live in such a manner that they will be a positive role model for their children. Why not you?
Today, many will choose to free themselves from the personal imprisonment of their bad habits. Why not you?
Today, many will choose to live free of conditions and rules governing their own happiness. Why not you?
Today, many will find abundance in simplicity. Why not you?
Today, many will be confronted by difficult moral choices and they will choose to do what is right instead of what is beneficial. Why not you?
Today, many will decide to no longer sit back with a victim mentality, but to take charge of their lives and make positive changes. Why not you?
Today, many will take the action necessary to make a difference. Why not you?
Today, many will make the commitment to be a better mother, father, son, daughter, student, teacher, worker, boss, brother, sister, & so much more. Why not you?
Today is a new day!
Many will seize this day.
Many will live it to the fullest.
Why not you?
”
”
Steve Maraboli (Life, the Truth, and Being Free)
“
Thermodynamic miracles... events with odds against so astronomical they're effectively impossible, like oxygen spontaneously becoming gold. I long to observe such a thing.
And yet, in each human coupling, a thousand million sperm vie for a single egg. Multiply those odds by countless generations, against the odds of your ancestors being alive; meeting; siring this precise son; that exact daughter... Until your mother loves a man she has every reason to hate, and of that union, of the thousand million children competing for fertilization, it was you, only you, that emerged. To distill so specific a form from that chaos of improbability, like turning air to gold... that is the crowning unlikelihood. The thermodynamic miracle.
But...if me, my birth, if that's a thermodynamic miracle... I mean, you could say that about anybody in the world!.
Yes. Anybody in the world. ..But the world is so full of people, so crowded with these miracles that they become commonplace and we forget... I forget. We gaze continually at the world and it grows dull in our perceptions. Yet seen from the another's vantage point. As if new, it may still take our breath away. Come...dry your eyes. For you are life, rarer than a quark and unpredictable beyond the dreams of Heisenberg; the clay in which the forces that shape all things leave their fingerprints most clearly. Dry your eyes... and let's go home.
”
”
Alan Moore (Watchmen)
“
The mother in her believed that the love she had for her daughter was safe from the mayhem of her mind, because it lived in her heart.
”
”
Lisa Genova (Still Alice)
“
Please don't judge me too much until you are older and know more things. (Spoken from mother to daughter)
”
”
Ann Brashares (3 Willows: The Sisterhood Grows (Sisterhood, #4.5))
“
Mom loved my brother more. Not that she didn't love me - I felt the wash of her love every day, pouring over me, but it was a different kind, siphoned from a different, and tamer, body of water. I was her darling daughter; Joseph was her it.
”
”
Aimee Bender (The Particular Sadness of Lemon Cake)
“
Who ever he is, I agree with your mother," said Dad as he entered the kitchen. "Stay away from him. Stay away from them all until you're of marrying age. Once you reach a nice, mature fifty-four, gentlemen callers will be welcomed here.
”
”
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
“
I didn't get to grow up and pull away from her and bitch about her with my friends and confront her about the things I'd wished she'd done differently and then get older and understand that she had done the best she could and realize that what she had done was pretty damn good and take her fully back into my arms again. Her death had obliterated that. It had obliterated me. It had cut me short at the very heigh of my youthful arrogance. It had forced me to instantly grow up and forgive her every motherly fault at the same time that it kept me forever a child, my life both ended and begun in that premature place where we'd left off. She was my mother, but I was motherless. I was trapped by her, but utterly alone. She would always be the empty bowl that no one could full. I'd have to fill it myself again and again and again.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
The expression in her eyes was bitter as nightshade. 'You ask me about regret? Let me tell you a few things about regret, my darling. There is no end to it. You cannot find the beginning of the chain that brought us from there to here. Should you regret the whole chain, and the air between, or each link separately, as if you could uncouple them? Do you regret the beginning which ended so badly, or just the ending itself? I've given more thought to this question than you can begin to imagine.
”
”
Janet Fitch (White Oleander)
“
Karen was radiant in a beautiful blue gown. Even her mother, for once, had said so. “Not just pretty, honey—you reek of class. Like Princess Grace from Morocco,” she’d said, beaming at her daughter.
”
”
J.K. Franko (Killing Johnny Miracle)
“
And then it occurs to me. They are frightened. In me, they see their own daughters, just as ignorant, just as unmindful of all the truths and hopes they have brought to America. They see daughters who grow impatient when their mothers talk in Chinese, who think they are stupid when they explain things in fractured English. They see that joy and luck do not mean the same to their daughters, that to these closed American-born minds "joy luck" is not a word, it does not exist. They see daughters who will bear grandchildren born without any connecting hope passed from generation to generation.
”
”
Amy Tan (The Joy Luck Club)
“
Sometimes she would cry. I was so lonely, she'd say. You have no idea how lonely I was. And I had friends, I was a lucky one, but I was lonely anyway.
I admired my mother in some ways, although things between us were never easy. She expected too much from me, I felt. She expected me to vindicate her life for her, and the choices she'd made. I didn't want to live my life on her terms. I didn't want to be the model offspring, the incarnation of her ideas. We used to fight about that. I am not your justification for existence, I said her to once.
I want her back. I want everything back, the way it was. But there is no point to it, this wanting.
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
MOTHER IS WATER
I wish I could
Shower your head with flowers
And anoint your feet with my tears,
For I know I have caused you
So much heartache, frustration and despair –
Throughout my youthful years.
I wish I could give you
The remainder of my life
To add to yours,
Or simply erase
The lines on your face,
And mend all that has been torn.
For next to God,
You are the fire
That has given light
To the flame in each of my eyes.
You are the fountain
That nourished my growth,
And from your chalice –
Gave me life.
Without the wetness of your love,
The fragrance of your water,
Or the trickling sounds of
Your voice,
I shall always feel
thirsty.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
I never got to be in the driver’s seat of my own life,” she’d wept to me once, in the days after she learned she was going to die. “I always did what someone else wanted me to do. I’ve always been someone’s daughter or mother or wife. I’ve never just been me.” “Oh, Mom,” was all I could say as I stroked her hand. I was too young to say anything else.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
wisdom is like a bottomless pond. You throw stones in and they sink into darkness and dissolve. Her eyes looking back do not reflect anything.
I think this to myself even though I love my daughter. She and I have shared the same body. There is a part of her mind that is a part of mine. But when she was born she sprang from me like a slippery fish, and has been swimming away ever since. All her life, I have watched her as though from another shore.
”
”
Amy Tan (The Joy Luck Club)
“
It turns out that Molly wasn't her mother's daughter in that respect. Charity was like the MacGuyver of the kitchen. She could whip up a five-course meal for twelve from an egg, two spaghetti noodles, some household chemicals, and a stick of chewing gum. Molly ...
Molly once burned my egg. My boiled egg. I don't know how.
”
”
Jim Butcher (Small Favor (The Dresden Files, #10))
“
My children have always existed at the deepest center of me, right there in the heart/hearth, but I struggled with the powerful demands of motherhood, chafing sometimes at the way they pulled me away from my separate life, not knowing how to balance them with my unwieldy need for solitude and creative expression.
”
”
Sue Monk Kidd (Traveling With Pomegranates: A Mother-Daughter Story)
“
The shoes always tell the story,' said the shoe poet.
'Not always,' I countered.
'Yes, always. Your boots, they are expensive, well made. That tells me that you come from a wealthy family. But the style is one made for and older woman. That tell me they probably belong to your mother. A mother sacrificed her boots for her daughter. That tells me you are loved, my dear. And your mother is not here, so that tells me that you are sad, my dear. The shoes tell the story.
”
”
Ruta Sepetys (Salt to the Sea)
“
Sometimes parents don't find what they're looking for it their child, so they plant seeds for what they'd like to grow there instead. I've witnessed this with the former hockey player who takes his son out to skate before he can even walk. Or in the mother who gave up her ballet dreams when she married, but now scrapes her daughter's hair into a bun and watched from the wings of the stage. We are not, as you'd expect, orchestrating their lives; we are not even trying for a second chance. We are hoping that if this one thing takes root, it might take up enough light and space to keep something else from developing in our children: the disappointment we've already lived.
”
”
Jodi Picoult (Vanishing Acts)
“
All of them with wounds that wouldn’t heal because no one acknowledged they were bleeding, and yet each of them needing the other to be near. And that—I realize—is how this story fits into my life. These generations of women, weaving a pattern into a lifelong garment, unconsciously handed down from mother to daughter to granddaughter to me.
”
”
Sally Field (In Pieces)
“
emptying out of my mother's belly
was my first act of disappearance
learning to shrink for a family
who likes their daughters invisible
was the second
the art of being empty
is simple
believe them when they say
you are nothing
repeat it to yourself
like a wish
i am nothing
i am nothing
i am nothing
so often
the only reason you know
you're still alive is from the
heaving of your chest
”
”
Rupi Kaur (milk and honey)
“
You’re not done with me entirely, human. I’m the mother of his daughter. (Artemis)
You’re right. You are Katra’s mother, poor her. But you’re wrong about one thing. (Tory)
And that is? (Artemis)
I’m no longer human. I’m the Atlantie Kedemonia Theony – the guardian of the Atlantean gods. And right now there’s only one of them walking about and to save him from one more bad memory created by you, I’d bathe in your entrails, bitch. As for Kat, she’s a big girl – I know, I used to live with her. She’ll survive the death of her mother. Trust me, I have firsthand experience with the subject. (Tory)
”
”
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
“
Sometimes I don't feel worthy but then I look at my reflection and see my daughter, mother and grandmother who are worthy of all things. That in itself says a lot about me.
”
”
Alexandra Elle (Words from a Wanderer)
“
But will I always love her? Does my love for her reside in my head or my heart? The scientist in her believed that emotion resulted from complex limbic brain circuitry that was for her, at this very moment, trapped in the trenches of a battle in which there would be no survivors. The mother in her believed that the love she hadd for her daughter was safe from the mayhem in her mind, because it lived in her heart.
”
”
Lisa Genova (Still Alice)
“
Sometimes being a supportive friend to her mother is the only way for the daughter to get positive strokes from Mom. The daughter may fall into the friend role willingly, not even realizing there is something terribly wrong with the arrangement until much later in life.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
Ego Tripping
I was born in the congo
I walked to the fertile crescent and built
the sphinx
I designed a pyramid so tough that a star
that only glows every one hundred years falls
into the center giving divine perfect light
I am bad
I sat on the throne
drinking nectar with allah
I got hot and sent an ice age to europe
to cool my thirst
My oldest daughter is nefertiti
the tears from my birth pains
created the nile
I am a beautiful woman
I gazed on the forest and burned
out the sahara desert
with a packet of goat's meat
and a change of clothes
I crossed it in two hours
I am a gazelle so swift
so swift you can't catch me
For a birthday present when he was three
I gave my son hannibal an elephant
He gave me rome for mother's day
My strength flows ever on
My son noah built new/ark and
I stood proudly at the helm
as we sailed on a soft summer day
I turned myself into myself and was
jesus
men intone my loving name
All praises All praises
I am the one who would save
I sowed diamonds in my back yard
My bowels deliver uranium
the filings from my fingernails are
semi-precious jewels
On a trip north
I caught a cold and blew
My nose giving oil to the arab world
I am so hip even my errors are correct
I sailed west to reach east and had to round off
the earth as I went
The hair from my head thinned and gold was laid
across three continents
I am so perfect so divine so ethereal so surreal
I cannot be comprehended except by my permission
I mean...I...can fly
like a bird in the sky...
”
”
Nikki Giovanni
“
We want thing we cannot have. We seek to reclaim a certain moment , sound, sensation. I want to hear my mother's voice. I want to see my children as children. Hands small, feet swift. Everything changes. Boy grown, father dead, daughter taller than me, weeping from a bad dream. Please stay forever, I say to the things I know. Don't go. Don't grow.
”
”
Patti Smith (M Train)
“
love. she liberated me to life, she continued to do that. and when she was in her final sickness i went out to san francisco and the doctor said she had 3 weeks to live, i asked her "would you come to north carolina?" she said yes. she had emphysema and lung cancer, i brought her to my home. she lived for a year and a half ..and when she was finally in extemis, she was on oxygen and fighting cancer for her life and i remembered her liberating me, and i said i hoped i would be able to liberate her, she deserved that from me. she deserved a great daughter and she got one. so in her last days, i said "i understand some people need permission to go… as i understand it you may have done what god put you here to do. you were a great worker, you must've been a great lover cause a lot of men and if I'm not wrong maybe a couple of woman risked their lives to love you. you were a piss poor mother of small children but a you were great mother of young adults, and if you need permission to go, i liberate you". and i went back to my house, and something said go back- i was in my pajamas, i jumped in my car and ran and the nurse said "she just gone". you see love liberates. it doesn't bind, love says i love you. i love you if you're in china, i love you if you're across town, i love you if you're in harlem, i love you. i would like to be near you, i would like to have your arms around me i would like to have your voice in my ear but thats not possible now, i love you so go. love liberates it doesn't hold. thats ego. love liberates.
”
”
Maya Angelou
“
And yet, in each human coupling, a thousand million sperm vie for a single egg.
Multiply those odds by countless generations, against the odds of your ancestors being alive; meeting; siring this precise son; that exact daughter… Until your mother loves a man she has every reason to hate, and of that union, of the thousand million children competing for fertilization, it was you, only you, that emerged. To distill so specific a form from that chaos of improbability, like turning air to gold… that is the crowning unlikelihood. The thermo-dynamic miracle.
”
”
Alan Moore (Watchmen)
“
From Alan Lightman's intricate 1993 novel Einstein's Dreams; set in Berne in 1905: With infinite life comes an infinite list of relatives. Grandparents never die, nor do great-grandparents, great-aunts...and so on, back through the generations, all alive and offering advice. Sons never escape from the shadows of their fathers. Nor do daughters of their mothers. No one ever comes into his own...Such is the cost of immortality. No person is whole. No person is free.
”
”
Christopher Hitchens (Mortality)
“
When someone asks you where you come from, the answer is your mother...When your mother's gone, you've lost your past. It's so much more than love. Even when there's no love, it's so much more than anything else in your life. I did love my mother, but I didn't know how much until she was gone.
”
”
Anna Quindlen (One True Thing)
“
But while I'd be their daughter, while I'd eat the roast and come home from dates and wash the dishes, I would also be myself. I would love my mother, but I'd never want to be her again. I would never be what someone else wanted me to be. I would never laugh at a joke I didn't think was funny. I would never tell another lie. I would be the truth-teller, starting today. That would be tough.
But I was tougher.
”
”
Judy Blundell (What I Saw and How I Lied)
“
birds
can't
fly away
when you
clip
one of
their wings.
you
weren't
satisfied
with just
clipping
one of
my wings.
you tore
both
out from
the root
to make sure
i could
never fly
anywhere
ever
again.
- mother & daughter
”
”
Amanda Lovelace (The Princess Saves Herself in This One (Women Are Some Kind of Magic, #1))
“
The old man spoke of nothing but shoes. He spoke of them with such love and emotion that a woman in our group had crowned him “the shoe poet.” The woman disappeared a day later but the nickname survived. “The shoes always tell the story,” said the shoe poet. “Not always,” I countered. “Yes, always. Your boots, they are expensive, well made. That tells me that you come from a wealthy family. But the style is one made for an older woman. That tells me they probably belonged to your mother. A mother sacrificed her boots for her daughter. That tells me you are loved, my dear. And your mother is not here, so that tells me that you are sad, my dear. The shoes tell the story.” I paused in the center of the frozen road and watched the stubby old cobbler shuffle ahead of me. The shoe poet was right. Mother had sacrificed for me.
”
”
Ruta Sepetys (Salt to the Sea)
“
You would think a person could only die once. You would think you would only find you sister's lifeless body once. You would think you would only have to watch your mother's reaction once after finding out her only daughter is dead.
Once is so far from accurate.
It happens repeatedly.
Every single time I close my eyes I see Les's eyes. Every time my mother looks at me, she's watching me tell her that her daughter is dead for the second time. For the third time. For the thousandth time. Every time I take a breath or blink or speak, I experience her death all over again. I don't sit here and wonder if the fact that she's dead will ever sink in. I sit here and wonder when I'll stop having to watch her die.
”
”
Colleen Hoover (Losing Hope (Hopeless, #2))
“
I want to tell him that it's just a stupid car, but bits of me are scattered all over town; the graveyard, school, Cassie's room, the motel, and standing in from of the sink in my mother's kitchen. It takes too much energy to gather all the bits together, so I just sit there and watch him implode.
”
”
Laurie Halse Anderson (Wintergirls)
“
Once upon a time, an angel and a devil fell in love and dared to imagine a new way of living—one without massacres and torn throats and bonfires of the fallen, without revenants or bastard armies or children ripped from their mothers’ arms to take their turn in the killing and dying.
This was not that world.
”
”
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
“
When a mother loses a daughter, she grieves over the future that her daughter will never have, but she can take solace in memories of close-knit days. But when your daughter runs away, it is the fond memories that have been laid to rest; and your daughter's future, alive and well, recedes from you like a wave drawing out to sea.
”
”
Amor Towles (Rules of Civility)
“
I cling to the Milan women's understanding of these literary heroines as mothers. I wish I had learned to read them in this way years ago--with the same complicated, ambivalent, essential freedom that a daughter feels when she looks at her mother, understanding her as a figure that she simultaneously resists and depends on; a figure that she uses, cruelly and lovingly and gratefully, as the base from which to become something more.
”
”
Jia Tolentino (Trick Mirror: Reflections on Self-Delusion)
“
Destiny. To believe that a life is meant for a single purpose, one must also believe in a common fate. Father to daughter, brother to sister, mother to child. Blood ties can be as unyielding as they are eternal. But it is our bonds of choice that truly light the road we travel. Love versus hatred. Loyalty against betrayal. A person's true destiny can only be revealed at the end of his journey, and the story I have to tell is far from over.
”
”
Emily Thorne
“
Young girls today are very mistaken to be thinking that their sense of self-worth and their acknowledgment of their beauty depends on whether a man will give that to them or not. Such naïveté! And so what will happen when the man changes his mind about her? Tells her she's not beautiful enough? That she's not good enough? Cheats on her? Leaves her? Then what happens? She will lose all her self-worth, she will think she is not good enough, she is not beautiful enough, because all of those feelings depended on the man in the first place! And along with the loss of the man, it will all be lost as well! Mothers, teach your daughters better. It pains me to see such naive innocence right under my nose! Such naïveté does no good for any girl. It is better for a girl to be worldly-wise and have street-smarts! That's what a girl needs to have in life! Not wide-eyed delusional innocence! The sense of self-worth and acknowledgment of being beautiful must not come from a man, it must come from inside the woman herself, men will come and men will go and their coming and going must not take an effect on the woman's sense of worth and beauty.
”
”
C. JoyBell C.
“
It’s easier for me to make sense of it that way than it is for me to face the other way—reality. And yet, those evil spirits that were unleashed—be they fake entities from a stupid carnival ride, or cruel malevolencies from dark spiritual chasms of our universe—have stayed with me all these years
”
”
Tim Cummings (Orphans)
“
From her thighs, she gives you life
And how you treat she who gives you life
Shows how much you value the life given to you by the Creator.
And from seed to dust
There is ONE soul above all others --
That you must always show patience, respect, and trust
And this woman is your mother.
And when your soul departs your body
And your deeds are weighed against the feather
There is only one soul who can save yours
And this woman is your mother.
And when the heart of the universe
Asks her hair and mind,
Whether you were gentle and kind to her
Her heart will be forced to remain silent
And her hair will speak freely as a separate entity,
Very much like the seaweed in the sea --
It will reveal all that it has heard and seen.
This woman whose heart has seen yours,
First before anybody else in the world,
And whose womb had opened the door
For your eyes to experience light and more --
Is your very own MOTHER.
So, no matter whether your mother has been cruel,
Manipulative, abusive, mentally sick, or simply childish
How you treat her is the ultimate test.
If she misguides you, forgive her and show her the right way
With simple wisdom, gentleness, and kindness.
And always remember,
That the queen in the Creator's kingdom,
Who sits on the throne of all existence,
Is exactly the same as in yours.
And her name is,
THE DIVINE MOTHER.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
I hold my daughter in my arms and thank God for bringing her to me. If the standard route for creating a family had worked for me, I wouldn't have met this child. I needed to know her. I needed to be her mother. I know now why all those events happened. Or didn't happen. So I could meet this little girl. She is, in every way, my daughter. I am carrying my Funny Gift from God and all is good.
”
”
Nia Vardalos (Instant Mom)
“
It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been.
The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it.
Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire.
Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie.
With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand.
They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
”
”
David Mitchell (The Thousand Autumns of Jacob de Zoet)
“
When were were cast out of Paradise, we lost part of our soul forever. As part of our punishment, we were cursed never to learn to love again. Instead, we were bound to a destiny that was set from the beginning. Azrael and I never chose each other; the choice was made for us. We never knew anything else.
The ring you hold is part of my soul that your mother helped me recover. It was she who saved us from the Dark and led us back to the Light. As her daughter, you too are an Angel of Light. The fire does not harm you. I lost the ring during the crisis in Rome. But now it has been returned to me.
This ring has been blessed by Gabrielle herself.
I have never given this ring, my soul, to anyone. Azrael has never had any part in this.
This is the only part of myself that is truly mine, and now it is yours.
”
”
Melissa de la Cruz (Bloody Valentine (Blue Bloods, #5.5))
“
Actually, Justina, I didn't just ring you to chat about what an undead murderer I was...right, degenerate whore as well. Did I ever tell you my mum was one? No? Oh, blimey, I come from a long line of whores, in fact..."
I sucked in a breath as Bones divulged yet another tidbit about his past to my mother, who must be frothing at the mouth by now.
"...called to give you the good news. I asked your daughter to marry me and she accepted. Congratulations, I will officially be your son-in-law. Now, do you want me to call you Mum straightaway, or wait until after the wedding?"
I flew through the air in a dive that finally tackled him, wrenching the phone away. Bones was laughing so hard, he had to breathe to get it all out.
"Mom? Are you there? Mom...?"
"You might want to give her a moment, Kitten. I believe she fainted.
”
”
Jeaniene Frost (At Grave's End (Night Huntress, #3))
“
My mother did not want to go to America: this much I knew. I knew it by the way she became distracted and impatient with my sister, by the way she stopped tucking us into bed at night. I knew it from watching her feet, which began to shuffle after my father announced the move, as though they threw down invisible roots that needed to be pulled out with each step.
”
”
Catherine Chung (Forgotten Country)
“
I want to set the example my mother set for me: a strong female role model who faces challenges takes risks and conquers fears. I want my children to know that as women they can do whatever they dream as long as they believe in themselves. More than anything it is my responsibility to instill in my daughters the knowledge that they can have a family and everything else too.
”
”
Mireya Mayor (Pink Boots and a Machete: My Journey from NFL Cheerleader to National Geographic Explorer)
“
Somehow she’d ended up in bed with the man mothers warn their daughters to stay away from. The kind of man fathers go after with a shotgun, their sobbing daughters trailing behind them in a wedding dress. She should have stayed away, because now that she knew what all the fuss was about, she would never be satisfied with anything less. He’d blindsided her, ruined her, and addicted her in one single evening.
”
”
Tessa Bailey (Officer off Limits (Line of Duty, #3))
“
The way Mom saw it, women should let menfolk do the work because it made them feel more manly. That notion only made sense if you had a strong man willing to step up and get things done, and between Dad's gimp, Buster's elaborate excuses, and Apache's tendency to disappear, it was often up to me to keep the place from falling apart. But even when everyone was pitching in, we never got out from under all the work. I loved that ranch, though sometimes it did seem that instead of us owning the place, the place owned us.
”
”
Jeannette Walls (Half Broke Horses)
“
I was her daughter, but more. I was Karen, Cheryl, Leif. Karen Cheryl Leif. KarenCherylLeif. Our names blurred into one in my mother’s mouth all my life. She whispered it and hollered it, hissed it and crooned it. We were her kids, her comrades, the end of her and the beginning. We took turns riding shotgun with her in the car. “Do I love you this much?” she’d ask us, holding her hands six inches apart. “No,” we’d say, with sly smiles. “Do I love you this much?” she’d ask again, and on and on and on, each time moving her hands farther apart. But she would never get there, no matter how wide she stretched her arms. The amount that she loved us was beyond her reach. It could not be quantified or contained. It was the ten thousand named things in the Tao Te Ching’s universe and then ten thousand more. Her love was full-throated and all-encompassing and unadorned. Every day she blew through her entire reserve.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
MY MOTHER GETS DRESSED
It is impossible for my mother to do even
the simplest things for herself anymore
so we do it together,
get her dressed.
I choose the clothes without
zippers or buckles or straps,
clothes that are simple
but elegant, and easy to get into.
Otherwise, it's just like every other day.
After bathing, getting dressed.
The stockings go on first.
This time, it's the new ones,
the special ones with opaque black triangles
that she's never worn before,
bought just two weeks ago
at her favorite department store.
We start with the heavy, careful stuff of the right toes
into the stocking tip
then a smooth yank past the knob of her ankle
and over her cool, smooth calf
then the other toe
cool ankle, smooth calf
up the legs
and the pantyhose is coaxed to her waist.
You're doing great, Mom,
I tell her
as we ease her body
against mine, rest her whole weight against me
to slide her black dress
with the black empire collar
over her head
struggle her fingers through the dark tunnel of the sleeve.
I reach from the outside
deep into the dark for her hand,
grasp where I can't see for her touch.
You've got to help me a little here, Mom
I tell her
then her fingertips touch mine
and we work her fingers through the sleeve's mouth
together, then we rest, her weight against me
before threading the other fingers, wrist, forearm, elbow, bicep
and now over the head.
I gentle the black dress over her breasts,
thighs, bring her makeup to her,
put some color on her skin.
Green for her eyes.
Coral for her lips.
I get her black hat.
She's ready for her company.
I tell the two women in simple, elegant suits
waiting outside the bedroom, come in.
They tell me, She's beautiful.
Yes, she is, I tell them.
I leave as they carefully
zip her into
the black body bag.
Three days later,
I dream a large, green
suitcase arrives.
When I unzip it,
my mother is inside.
Her dress matches
her eyeshadow, which matches
the suitcase
perfectly. She's wearing
coral lipstick.
"I'm here," she says, smiling delightedly, waving
and I wake up.
Four days later, she comes home
in a plastic black box
that is heavier than it looks.
In the middle of a meadow,
I learn a naked
more than naked.
I learn a new way to hug
as I tighten my fist
around her body,
my hand filled with her ashes
and the small stones of bones.
I squeeze her tight
then open my hand
and release her
into the smallest, hottest sun,
a dandelion screaming yellow at the sky.
”
”
Daphne Gottlieb (Final Girl)
“
Prime Minister: Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion's starting to make out that we live in a world of hatred and greed, but I don't see that. It seems to me that love is everywhere. Often it's not particularly dignified or newsworthy, but it's always there - fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, as far as I know none of the phone calls from the people on board were messages of hate or revenge - they were all messages of love. If you look for it, I've got a sneaking suspision love actually is all around.
”
”
Richard Curtis
“
No guinea of earned money should go to rebuilding the college on the old plan just as certainly none could be spent upon building a college upon a new plan: therefore the guinea should be earmarked "Rags. Petrol. Matches." And this note should be attached to it. "Take this guinea and with it burn the college to the ground. Set fire to the old hypocrisies. Let the light of the burning building scare the nightingales and incarnadine the willows. And let the daughters of educated men dance round the fire and heap armful upon armful of dead leaves upon the flames. And let their mothers lean from the upper windows and cry, "Let it blaze! Let it blaze! For we have done with this 'education!
”
”
Virginia Woolf (Three Guineas)
“
We fall into the great continuing circle of dancers. Some leave the floor, tired but giddy; others have only just arrived. They are eager to wear their new status as ladies, to be paraded about and lauded until they see themselves with new eyes. The fathers beam at their daughters, thinking them perfect flowers in need of their protection, while the mothers watch from the margins, certain this moment is their doing. We create illusions we need to go on. And one day, when they no longer dazzle or comfort, we tear them down, brick by glittering brick, until we are left with nothing but the bright light of honesty. The light is liberating. Necessary. Terrifying. We stand naked and emptied before it. Adn when it is too much for our eyes to take, we build a new illusion to shield us from its relentless truth.
But the girls! Their eyes glow with the fever dream of all they might become. They tell themselves this is the beginning of everything. And who am I to say it isn't?
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
{Calpurnia)"My mother…she’s desperate for a daughter she can dress like a porcelain doll. Sadly, I shall never be such a child. How I long for my sister to come out and distract the countess from my person."
He joined her on the bench, asking, "How old is your sister?"
"Eight," she said, mournfully.
"Ah. Not ideal."
"An understatement." She looked up at the star-filled sky. "No, I shall be long on the shelf by the time she makes her debut."
"What makes you so certain you’re shelf-bound?"
She cast him a sidelong glance. "While I appreciate your chivalry, my lord, your feigned ignorance insults us both." When he failed to reply, she stared down at her hands, and replied, "My choices are rather limited."
"How so?"
"I seem able to have my pick of the impoverished, the aged, and the deadly dull.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
As a mother I see the future in the present. Every little thing she does or says makes me form a hypothesis of how she will see life and treat others in 20 years. So I plan for how amazing she will be now. Instead of living my life I have to live hers. Some may not understand how important it is to be a parent. How present, efficient, selfless, and imaginative you must be. But I do. I only pray that this little face is stronger than I am and more successful for this world and the next. I chase her butterflies. She was created from scratch and presented as a gift from God. She will never roam free, unattended and unloved.
”
”
Kimberley Alecia Smith
“
Each person held aloft a single lit candle—the city’s traditional way to express its appreciation for that year’s peace prize winner. It was a magical sight, as if a pool of stars had descended from the sky; and as Michelle and I leaned out to wave, the night air brisk on our cheeks, the crowd cheering wildly, I couldn’t help but think about the daily fighting that continued to consume Iraq and Afghanistan and all the cruelty and suffering and injustice that my administration had barely even begun to deal with. The idea that I, or any one person, could bring order to such chaos seemed laughable; on some level, the crowds below were cheering an illusion. And yet, in the flickering of those candles, I saw something else. I saw an expression of the spirit of millions of people around the world: the U.S. soldier manning a post in Kandahar, the mother in Iran teaching her daughter to read, the Russian pro-democracy activist mustering his courage for an upcoming demonstration—all those who refused to give up on the idea that life could be better, and that whatever the risks and hardships, they had a role to play.
Whatever you do won’t be enough, I heard their voices say.
Try anyway.
”
”
Barack Obama (A Promised Land)
“
I like how you call homosexuality an abomination."
"I don't say homosexuality's an abomination, Mr. President, the bible does."
"Yes it does. Leviticus-"
"18:22"
"Chapter in verse. I wanted to ask you a couple questions while I had you here. I'm interested in selling my youngest daughter into slavery as sanctioned in exodus 21:7. She's a Georgetown sophomore, speaks fluent Italian, always cleared the table when it was her turn. What would a good price for her be? While thinking about that can I ask another? My chief of staff, Leo Mcgary,insists on working on the sabbath. Exodus 35:2 clearly says he should be put to death. Am I morally obligated to kill him myself or is it ok to call the police? Here's one that's really important, cause we've got a lot of sports fans in this town. Touching the skin of a dead pig makes one unclean, Leviticus 11:7. If they promise to wear gloves, can the Washington Red Skins still play football? Can Notre Dame? Can West Point? does the whole town really have to be together to stone my brother John for planting different crops side by side? Can I burn my mother in a small family gathering for wearing garments made from two different threads?
”
”
Aaron Sorkin
“
Women have always been healers. They were the unlicensed doctors and anatomists. They were abortionists, nurses and counselors. They were the pharmacists, cultivating healing herbs, and exchanging the secrets of their uses. They were midwives, traveling from home to home and village to village. For centuries women were doctors without degrees, barred from books and lectures, learning from each other, and passing on experience from neighbor to neighbor and mother to daughter. They were called “wise women” by the people, witches or charlatans by the authorities. Medicine is part of our heritage as women, our history, our birthright.
”
”
Barbara Ehrenreich (Witches, Midwives and Nurses: A History of Women Healers)
“
I know how it feels, dear one. As if your heart were torn in two. I feel your pain.”
I took a deep breath. Another.
“Finbar?”
“I know how it feels. As if you will never be whole again.”
I reached inside my dress, where I wore two cords about my neck. One held my wedding ring; the other the amulet that had once been my mother’s. I left the one, and took off the other. “This is yours. Take it back. Take it back, it was to you she gave it.”
I slipped the cord over his head, and the little carven stone with its ash tree sign lay on his breast. He had grown painfully thin.
“Show me the other. The other talisman you wear.”
Slowly I took out the carven ring, and lifted it on my palm for my brother to see.
“He made this for you? Him with the golden hair, and the eyes that devour”?
“Not him. Another.” Images were strong in my mind; Red with his arm around me like a shield; Red cutting up and apple; Red kicking a sword from a man’s hand, and catching it in his own; Red barefoot on the sand with the sea around his ankles.
“You risked much, to give your love to such a one.”
I stared at him. “Love?”
“Did you not know, until now, when you must say goodbye?
”
”
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
“
We are all women you assure me? Then I may tell you that the very next words I read were these – ‘Chloe liked Olivia …’ Do not start. Do not blush. Let us admit in the privacy of our own society that these things sometimes happen. Sometimes women do like women. ‘Chloe liked Olivia,’ I read. And then it struck me how immense a change was there. Chloe liked Olivia perhaps for the first time in literature. Cleopatra did not like Octavia. And how completely Antony and Cleopatra would have been altered had she done so! As it is, I thought, letting my mind, I am afraid, wander a little from Life’s Adventure, the whole thing is simplified, conventionalized, if one dared say it, absurdly. Cleopatra’s only feeling about Octavia is one of jealousy. Is she taller than I am? How does she do her hair? The play, perhaps, required no more. But how interesting it would have been if the relationship between the two women had been more complicated. All these relationships between women, I thought, rapidly recalling the splendid gallery of fictitious women, are too simple. So much has been left out, unattempted. And I tried to remember any case in the course of my reading where two women are represented as friends. There is an attempt at it in Diana of the Crossways. They are confidantes, of course, in Racine and the Greek tragedies. They are now and then mothers and daughters. But almost without exception they are shown in their relation to men.
”
”
Virginia Woolf (A Room of One’s Own)
“
When a stranger on the street makes a sexual comment, he is making a private assessment of me public. And though I’ve never been seriously worried that I would be attacked, it does make me feel unguarded, unprotected.
Regardless of his motive, the stranger on the street makes an assumption based on my physique: He presumes I might be receptive to his unpoetic, unsolicited comments. (Would he allow a friend to say “Nice tits” to his mother? His sister? His daughter?) And although I should know better, I, too, equate my body with my soul and the result, at least sometimes, is a deep shame of both.
Rape is a thousand times worse: The ultimate theft of self-control, it often leads to a breakdown in the victim’s sense of self-worth. Girls who are molested, for instance, often go on to engage in risky behavior—having intercourse at an early age, not using contraception, smoking, drinking, and doing drugs. This behavior, it seems to me, is at least in part because their self-perception as autonomous, worthy human beings in control of their environment has been taken from them.
”
”
Leora Tanenbaum (Slut!: Growing Up Female with a Bad Reputation)
“
No, dear, but speaking of Father reminded me how much I miss him, how much I owe him, and how faithfully I should watch and work to keep his little daughters safe and good for him.
Yet you told him to go, Mother, and didn’t cry when he went, and never complain now, or seem as if you needed any help, said Jo, wondering.
I gave my best to the country I love, and kept my tears till he was gone. Why should I complain, when we both have merely done our duty and will surely be the happier for it in the end? If I don’t seem to need help, it is because I have a better friend, even than Father, to comfort and sustain me. My child, the troubles and temptations of your life are beginning and may be many, but you can overcome and outlive them all if you learn to feel the strength and tenderness of your Heavenly Father as you do that of your earthly one. The more you love and trust Him, and the less you will depend on human power and wisdom. His love and care never tire or change, can never be taken from you, but my become the source of lifelong peace, happiness, and strength. Believe this heartily, and go to God with all your little cares, and hopes, and sins, and sorrows, as freely and confidingly as you come to your mother.
”
”
Louisa May Alcott (Little Women)
“
I returned from the village. The house seemed unbearably dull. But I bore it. "There is no escape from loneliness and separation...." I told myself often. "Wife, child, brothers, parents, friends.... We come together only to go apart again. It is one continuous movement. They move away from us as we move away from them. The law of life can't be avoided. The law comes into operation the moment we detach ourselves from our mother's womb. All struggle and misery in life is due to our attempt to arrest this law or get away from it or in allowing ourselves to be hurt by it. The fact must be recognized. A profound unmitigated loneliness is the only truth of life. All else is false. My mother got away from her parents, my sisters from our house, I and my brother away from each other, my wife was torn away from me, my daughter is going away with my mother, my father has gone away from his father, my earliest friends - where are they? They scatter apart like the droplets of a waterspray. The law of life. No sense in battling against it...." Thus I reconciled myself to this separation with less struggle than before.
”
”
R.K. Narayan (The English Teacher)
“
The only dream I ever had was the dream of New York itself, and for me, from the minute I touched down in this city, that was enough. It became the best teacher I ever had. If your mother is anything like mine, after all, there are a lot of important things she probably didn't teach you: how to use a vibrator; how to go to a loan shark and pull a loan at 17 percent that's due in thirty days; how to hire your first divorce attorney; what to look for in a doula (a birth coach) should you find yourself alone and pregnant. My mother never taught me how to date three people at the same time or how to interview a nanny or what to wear in an ashram in India or how to meditate. She also failed to mention crotchless underwear, how to make my first down payment on an apartment, the benefits of renting verses owning, and the difference between a slant-6 engine and a V-8 (in case I wanted to get a muscle car), not to mention how to employ a team of people to help me with my life, from trainers to hair colorists to nutritionists to shrinks. (Luckily, New York became one of many other moms I am to have in my lifetime.) So many mothers say they want their daughters to be independent, but what they really hope is that they'll find a well-compensated banker or lawyer and settle down between the ages of twenty-five and twenty-eight in Greenwich, Darien, or That Town, USA, to raise babies, do the grocery shopping, and work out in relative comfort for the rest of their lives. I know this because I employ their daughters. They raise us to think they want us to have careers, and they send us to college, but even they don't really believe women can be autonomous and take care of themselves.
”
”
Kelly Cutrone (If You Have to Cry, Go Outside: And Other Things Your Mother Never Told You)
“
Sorry I overheard that, but I'm glad he's staying," Luke's sister said. "Not just because he'll be near me but because it gives him a chance to get over you."
Jocelyn sounded defensive. "Amatis-"
"It's been a long time, Jocelyn," Amatis said. "If you don't love him, you ought to let him go."
Jocelyn was silent. Clary wished she could see her mother's expression- did she looked sad? Angry? Resigned?
Amatis gave a little gasp. "Unless- you do love him?"
"Amatis, I can't-"
"You do! you do!" There was a sharp sound, as if Amatis had clapped her hands together. "I knew you did! I always knew it!"
"It doesn't matter." Jocelyn sounded tired. "It wouldn't be fair to Luke."
"I don't want to hear it." There was a rustling noise, and Jocelyn made a sound of protest. Clary wondered if Amatis had actually grabbed hold of her mother. "If you love him, you go right now and tell him. Right now, before he goes to the Council."
"But they want him to be their Council member! And he wants to-"
"All Lucian wants," said Amatis firmly, "is you. You and Clary. That's all he ever wanted. Now go."
Before Clary had a chance to move, Jocelyn dashed out into the hallway. She headed toward the door- and saw Clary, flattened against the wall. Halting, she opened her mouth in surprise.
"Clary!" She sounded as if she were trying to make her voice bright and cheerful, and failed miserably. "I didn't realize you were here."
Clary stepped away from the wall, grabbed hold of the doorknob, and threw the door wide open. Bright sunlight poured into the hall. Jocelyn stood blinking in the harsh illumination, her eyes on her daughter.
"If you don't go after Luke," Clary said, enunciating very clearly, "I, personally, will kill you."
For a moment Jocelyn looked astonished. Then she smiled. "Well," she said, "if you put it like that."
A moment later she was out of the house, hurrying down the canal path toward the Accords Hall. Clary shut the door behind her and leaned against it.
Amatis, emerging from the living room, darted past her to lean on the window sill, glancing aniously out through the pane. "Do you think she'll catch him before he gets to the Hall?"
"My mom's spent her whole life chasing me around," Clary said. "She moves fast.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
And so these refined parents rejected their five-year-old girl to all kinds of torture. They beat her, kicked her, flogged her, for no reason that they themselves knew of. The child’s whole body was covered in bruises. Eventually they devised a new refinement. Under the pretext that the child dirtied her bed (as though a five-year-old deep in her angelic sleep could be punished for that), they forced her to eat excrement, smearing it all over her face. And it was the mother that did it! And that woman would lock her daughter up in the outhouse until morning and she did so even on the coldest nights, when it was freezing. Just imagine the woman being able to sleep with the child’s cries coming from that outhouse! Imagine that little creature, unable to even understand what is happening to her, beating her sore little chest with her tiny fist, weeping hot, unresentful, meek tears, and begging ‘gentle Jesus’ to help her…
...let’s assume that you were called upon to build the edifice of human destiny so that men would finally be happy and would find peace and tranquility. If you knew that, only to attain this, you would have to torture just one single creature, let’s say the little girl who beat her chest so desperately in the outhouse, and that on her unavenged tears you could build that edifice, would you agree to do it?
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
And yet, they hesitated. The knowledge that they might never see each other again, that some of them—maybe all of them—might not survive this night hung heavy in the air. A gambler, a convict, a wayward son, a lost Grisha, a Suli girl who had become a killer, a boy from the Barrel who had become something worse.
Inej looked at her strange crew, barefoot and shivering in their soot-stained prison uniforms, their features limned by the golden light of the dome, softened by the mist that hung in the air.
What bound them together? Greed? Desperation? Was it just the knowledge that if one or all of them disappeared tonight, no one would come looking? Inej’s mother and father might still shed tears for the daughter they’d lost, but if Inej died tonight, there would be no one to grieve for the girl she was now. She had no family, no parents or siblings, only people to fight beside. Maybe that was something to be grateful for, too.
It was Jesper who spoke first. “No mourners,” he said with a grin. “No funerals,” they replied in unison. Even Matthias muttered the words softly.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
The Fallen
It was the night
a comet with its silver tail
fell through darkness
to earth's eroded field,
the night I found
the wolf,
starved in metal trap,
teeth broken
from pain's hard bite,
its belly swollen with unborn young.
In our astronomy
the Great Wolf
lived in the sky.
It was the mother of all women
and howled her daughter's names
into the winds of night.
But the new people,
whatever stepped inside their shadow,
they would kill,
whatever crossed their path,
they came to fear.
In their science,
Wolf as not the mother.
Wolf was not wind.
They did not learn healing
from her song.
In their stories
Wolf was the devil, falling
down an empty,
shrinking universe,
God's Lucifer
with yellow eyes
that had seen their failings
and knew that they could kill the earth,
that they would kill each other.
That night
I threw the fallen stone back to sky
and falling stars
and watched it all come down
to ruined earth again.
Sky would not take back
what it had done.
That night, sky was a wilderness so close
the eerie light of heaven
and storming hands of sun
reached down the swollen belly
and dried up nipples of a hungry world.
That night,
I saw the trapper's shadow
and it had four legs.
”
”
Linda Hogan
“
Woman's fear of the female Self, of the experience of the numinous archetypal Feminine, becomes comprehensible when we get a glimpse - or even only a hint – of the profound otherness of female selfhood as contrasted to male selfhood. Precisely that element which, in his fear of the Feminine, the male experiences as the hole, abyss, void, and nothingness turns into something positive for the woman without, however, losing these same characteristics. Here the archetypal Feminine is experienced not as illusion and as maya but rather as unfathomable reality and as life in which above and below, spiritual and physical, are not pitted against each other; reality as eternity is creative and, at the same time, is grounded in primeval nothingness. Hence as daughter the woman experiences herself as belonging to the female spiritual figure Sophia, the highest wisdom, while at the same time she is actualizing her connection with the musty, sultry, bloody depths of swamp-mother Earth. However, in this sort of Self-discovery woman necessarily comes to see herself as different from what presents itself to men -as, for example, spirit and father, but often also as the patriarchal godhead and his ethics. The basic phenomenon - that the human being is born of woman and reared by her during the crucial developmental phases - is expressed in woman as a sense of connectedness with all living things, a sense not yet sufficiently realized, and one that men, and especially the patriarchal male, absolutely lack to the extent women have it.
To experience herself as so fundamentally different from the dominant patriarchal values understandably fills the woman with fear until she arrives at that point in her own development where, through experience and love that binds the opposites, she can clearly see the totality of humanity as a unity of masculine and feminine aspects of the Self.
”
”
Erich Neumann (The Fear of the Feminine and Other Essays on Feminine Psychology)
“
The character of Moses, as stated in the Bible, is the most horrid that can be imagined. If those accounts be true, he was the wretch that first began and carried on wars on the score or on the pretence of religion; and under that mask, or that infatuation, committed the most unexampled atrocities that are to be found in the history of any nation. Of which I will state only one instance:
When the Jewish army returned from one of their plundering and murdering excursions, the account goes on as follows (Numbers xxxi. 13): 'And Moses, and Eleazar the priest, and all the princes of the congregation, went forth to meet them without the camp; and Moses was wroth with the officers of the host, with the captains over thousands, and captains over hundreds, which came from the battle; and Moses said unto them, 'Have ye saved all the women alive?' behold, these caused the children of Israel, through the counsel of Balaam, to commit trespass against the Lord in the matter of Peor, and there was a plague among the congregation of the Lord. Now therefore, 'kill every male among the little ones, and kill every woman that hath known a man by lying with him; but all the women- children that have not known a man by lying with him, keep alive for Yourselves.'
Among the detestable villains that in any period of the world have disgraced the name of man, it is impossible to find a greater than Moses, if this account be true. Here is an order to butcher the boys, to massacre the mothers, and debauch the daughters.
Let any mother put herself in the situation of those mothers, one child murdered, another destined to violation, and herself in the hands of an executioner: let any daughter put herself in the situation of those daughters, destined as a prey to the murderers of a mother and a brother, and what will be their feelings?
In short, the matters contained in this chapter, as well as in many other parts of the Bible, are too horrid for humanity to read, or for decency to hear.
”
”
Thomas Paine (The Age of Reason)
“
The knowledge that she would never be loved in return acted upon her ideas as a tide acts upon cliffs. Her religious beliefs went first, for all she could ask of a god, or of immortality, was the gift of a place where daughters love their mothers; the other attributes of Heaven you could have for a song. Next she lost her belief in the sincerity of those about her. She secretly refused to believe that anyone (herself excepted) loved anyone. All families lived in a wasteful atmosphere of custom and kissed one another with secret indifference. She saw that the people of this world moved about in an armor of egotism, drunk with self-gazing, athirst for compliments, hearing little of what was said to them, unmoved by the accidents that befell their closest friends, in dread of all appeals that might interrupt their long communion with their own desires. These were the sons and daughters of Adam from Cathay to Peru. And when on the balcony her thoughts reached this turn, her mouth would contract with shame for she knew that she too sinned and that though her love for her daughter was vast enough to include all the colors of love, it was not without a shade of tyranny: she loved her daughter not for her daughter's sake, but for her own. She longed to free herself from this ignoble bond; but the passion was too fierce to cope with.
”
”
Thornton Wilder (The Bridge of San Luis Rey)
“
Well, my dear sisters, the gospel is the good news that can free us from guilt. We know that Jesus experienced the totality of mortal existence in Gethsemane. It's our faith that he experienced everything- absolutely everything. Sometimes we don't think through the implications of that belief. We talk in great generalities about the sins of all humankind, about the suffering of the entire human family. But we don't experience pain in generalities. We experience it individually. That means he knows what it felt like when your mother died of cancer- how it was for your mother, how it still is for you. He knows what it felt like to lose the student body election. He knows that moment when the brakes locked and the car started to skid. He experienced the slave ship sailing from Ghana toward Virginia. He experienced the gas chambers at Dachau. He experienced Napalm in Vietnam. He knows about drug addiction and alcoholism.
Let me go further. There is nothing you have experienced as a woman that he does not also know and recognize. On a profound level, he understands the hunger to hold your baby that sustains you through pregnancy. He understands both the physical pain of giving birth and the immense joy. He knows about PMS and cramps and menopause. He understands about rape and infertility and abortion. His last recorded words to his disciples were, "And, lo, I am with you always, even unto the end of the world." (Matthew 28:20) He understands your mother-pain when your five-year-old leaves for kindergarten, when a bully picks on your fifth-grader, when your daughter calls to say that the new baby has Down syndrome. He knows your mother-rage when a trusted babysitter sexually abuses your two-year-old, when someone gives your thirteen-year-old drugs, when someone seduces your seventeen-year-old. He knows the pain you live with when you come home to a quiet apartment where the only children are visitors, when you hear that your former husband and his new wife were sealed in the temple last week, when your fiftieth wedding anniversary rolls around and your husband has been dead for two years. He knows all that. He's been there. He's been lower than all that. He's not waiting for us to be perfect. Perfect people don't need a Savior. He came to save his people in their imperfections. He is the Lord of the living, and the living make mistakes. He's not embarrassed by us, angry at us, or shocked. He wants us in our brokenness, in our unhappiness, in our guilt and our grief.
You know that people who live above a certain latitude and experience very long winter nights can become depressed and even suicidal, because something in our bodies requires whole spectrum light for a certain number of hours a day. Our spiritual requirement for light is just as desperate and as deep as our physical need for light. Jesus is the light of the world. We know that this world is a dark place sometimes, but we need not walk in darkness. The people who sit in darkness have seen a great light, and the people who walk in darkness can have a bright companion. We need him, and He is ready to come to us, if we'll open the door and let him.
”
”
Chieko N. Okazaki
“
Dr. Bone Specialist came in, made me stand up and hobble across the room, checked my reflexes, and then made me lie down on the table. He bent my right knee this way and that, up and down, all the way out to the side and in. Then he did the same with my left leg. He ordered X rays then started to leave the room. I panicked. I MUST GET DRUGS.
"What can I take for the pain?" I asked him before he got out the door.
"You can take some over the counter ibuprofen," he suggested. "But I wouldn't take more than nine a day."
I choked. Nine a day? I'd been popping forty. Nine a day? Like hell. I couldn't even go to the bathroom on my own, I hadn't slept in three weeks, and my normally sunny cheery disposition had turned into that of a very rabid dog. If I didn't get good drugs and get them now, it was straight to Shooter's World and then Walgreens pharmacy for me.
"I don't think you understand," I explained. "I can't go to work. I have spent the last four days with my mother who is addicted to QVC, watching jewelry shows, doll shows and make-up shows. I almost ordered a beef-jerky maker! Give me something, or I'm going to use your calf muscles to make the first batch!"
Without further ado, he hastily scribbled out a prescription for some codeine and was gone. I was happy.
My mother, however, had lost the ability to speak.
”
”
Laurie Notaro (The Idiot Girls' Action-Adventure Club: True Tales from a Magnificent and Clumsy Life)
“
Once to swim I sought the sea-side,
There to sport among the billows;
With the stone of many colors
Sank poor Aino to the bottom
Of the deep and boundless blue-sea,
Like a pretty son-bird, perished.
Never come a-fishing, father,
To the borders of these waters,
Never during all thy life-time,
As thou lovest daughter Aino.
Mother dear, I sought the sea-side,
There to sport among the billows;
With the stone of many colors,
Sank poor Aino to the bottom
Of the deep and boundless blue-sea,
Like a pretty song-bird perished.
Never mix thy bread, dear mother,
With the blue-sea's foam and waters,
Never during all thy life-time,
As thou lovest daughter Aino.
Brother dear, I sought the sea-side,
There to sport among the billows;
With the stone of many colors
Sank poor Aino to the bottom
Of the deep and boundless blue-sea,
Like a pretty song-bird perished.
Never bring thy prancing war-horse,
Never bring thy royal racer,
Never bring thy steeds to water,
To the borders of the blue-sea,
Never during all thy life-time,
As thou lovest sister Aino.
Sister dear, I sought the sea-side,
There to sport among the billows;
With the stone of many colors
Sank poor Aino to the bottom
Of the deep and boundless blue-sea,
Like a pretty song-bird perished.
Never come to lave thine eyelids
In this rolling wave and sea-foam,
Never during all thy life-time,
As thou lovest sister Aino.
All the waters in the blue-sea
Shall be blood of Aino's body;
All the fish that swim these waters
Shall be Aino's flesh forever;
All the willows on the sea-side
Shall be Aino's ribs hereafter;
All the sea-grass on the margin
Will have grown from Aino's tresses.
”
”
Elias Lönnrot (The Kalevala)
“
There was a scrape and crunch of shoes, then a small, smooth hand slid toward her. But it was not Chaol or Sam or Nehemia who lay across from her, watching her with those sad turquoise eyes. Her cheek against the moss, the young princess she had been—Aelin Galathynius—reached a hand for her. “Get up,” she said softly. Celaena shook her head. Aelin strained for her, bridging that rift in the foundation of the world. “Get up.” A promise—a promise for a better life, a better world. The Valg princes paused. She had wasted her life, wasted Marion’s sacrifice. Those slaves had been butchered because she had failed—because she had not been there in time. “Get up,” someone said beyond the young princess. Sam. Sam, standing just beyond where she could see, smiling faintly. “Get up,” said another voice—a woman’s. Nehemia. “Get up.” Two voices together—her mother and father, faces grave but eyes bright. Her uncle was beside them, the crown of Terrasen on his silver hair. “Get up,” he told her gently. One by one, like shadows emerging from the mist, they appeared. The faces of the people she had loved with her heart of wildfire. And then there was Lady Marion, smiling beside her husband. “Get up,” she whispered, her voice full of that hope for the world, and for the daughter she would never seen again.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Dear Deborah,
Words do not come easily for so many men. We are taught to be strong, to provide, to put away our emotions. A father can work his way through his days and never see that his years are going by. If I could go back in time, I would say some things to that young father as he holds, somewhat uncertainly, his daughter for the very first time. These are the things I would say:
When you hear the first whimper in the night, go to the nursery leaving your wife sleeping. Rock in a chair, walk the floor, sing a lullaby so that she will know a man can be gentle.
When Mother is away for the evening, come home from work, do the babysitting. Learn to cook a hotdog or a pot of spaghetti, so that your daughter will know a man can serve another's needs.
When she performs in school plays or dances in recitals, arrive early, sit in the front seat, devote your full attention. Clap the loudest, so that she will know a man can have eyes only for her.
When she asks for a tree house, don't just build it, but build it with her. Sit high among the branches and talk about clouds, and caterpillars, and leaves. Ask her about her dreams and wait for her answers, so that she will know a man can listen.
When you pass by her door as she dresses for a date, tell her she is beautiful. Take her on a date yourself. Open doors, buy flowers, look her in the eye, so that she will know a man can respect her.
When she moves away from home, send a card, write a note, call on the phone. If something reminds you of her, take a minute to tell her, so that she will know a man can think of her even when she is away.
Tell her you love her, so that she will know a man can say the words.
If you hurt her, apologize, so that she will know a man can admit that he's wrong.
These seem like such small things, such a fraction of time in the course of two lives. But a thread does not require much space. It can be too fine for the eye to see, yet, it is the very thing that binds, that takes pieces and laces them into a whole.
Without it, there are tatters.
It is never too late for a man to learn to stitch, to begin mending.
These are the things I would tell that young father, if I could.
A daughter grown up quickly. There isn't time to waste.
I love you,
Dad
”
”
Lisa Wingate (Dandelion Summer (Blue Sky Hill #4))
“
He is a demon, Clarissa,” said Valentine, still in the same soft voice. “A demon with a man’s face. I know how deceptive such monsters can be. Remember, I spared him once myself.”
“Monster?” echoed Clary. She thought of Luke, Luke pushing her on the swings when she was five years old, higher, always higher; Luke at her graduation from middle school, camera clicking away like a proud father’s; Luke sorting through each box of books as it arrived at his store, looking for anything she might like and putting it aside. Luke lifting her up to pull apples down from the trees near his farmhouse. Luke, whose place as her father this man was trying to take. “Luke isn’t a monster,” she said in a voice that matched Valentine’s, steel for steel. “Or a murderer. You are.”
“Clary!” It was Jace.
Clary ignored him. Her eyes were fixed on her father’s cold black ones. “You murdered your wife’s parents, not in battle but in cold blood,” she said. “And I bet you murdered Michael Wayland and his little boy, too. Threw their bones in with my grandparents’ so that my mother would think you and Jace were dead. Put your necklace around Michael Wayland’s neck before you burned him so everyone would think those bones were yours. After all your talk about the untainted blood of the Clave — you didn’t care at all about their blood or their innocence when you killed them, did you? Slaughtering old people and children in cold blood, that’s monstrous.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
I was sent forth from the power,
and I have come to those who reflect upon me,
and I have been found among those who seek after me.
Look upon me, you who reflect upon me,
and you hearers, hear me.
You who are waiting for me, take me to yourselves.
And do not banish me from your sight.
And do not make your voice hate me, nor your hearing.
Do not be ignorant of me anywhere or any time. Be on your guard!
Do not be ignorant of me.
For I am the first and the last.
I am the honored one and the scorned one.
I am the whore and the holy one.
I am the wife and the virgin.
I am and the daughter.
I am the members of my mother.
I am the barren one
and many are her sons.
I am she whose wedding is great,
and I have not taken a husband.
I am the midwife and she who does not bear.
I am the solace of my labor pains.
I am the bride and the bridegroom,
and it is my husband who begot me.
I am the mother of my father
and the sister of my husband
and he is my offspring.
I am the slave of him who prepared me.
I am the ruler of my offspring.
But he is the one who begot me before the time on a birthday.
And he is my offspring in (due) time,
and my power is from him.
I am the staff of his power in his youth,
and he is the rod of my old age.
And whatever he wills happens to me.
I am the silence that is incomprehensible
and the idea whose remembrance is frequent.
I am the voice whose sound is manifold
and the word whose appearance is multiple.
I am the utterance of my name.
-The Thunder, Perfect Mind
”
”
George W. MacRae
“
Hi there, cutie."
Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi."
"You want to go inside for a drink? It's on me."
Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet.
The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford.
And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him.
In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship.
Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams.
And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone.
So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it...
The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life.
If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children.
Everything would change. All the lives that would have been saved would be lost.
And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried.
Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night."
She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours."
Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her...
And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion.
His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny.
His fate...
"Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
The thing about being barren is that you’re not allowed to get away from it. Not when you’re in your thirties. My friends were having children, friends of friends were having children, pregnancy and birth and first birthday parties were everywhere. I was asked about it all the time. My mother, our friends, colleagues at work. When was it going to be my turn? At some point our childlessness became an acceptable topic of Sunday-lunch conversation, not just between Tom and me, but more generally. What we were trying, what we should be doing, do you really think you should be having a second glass of wine? I was still young, there was still plenty of time, but failure cloaked me like a mantle, it overwhelmed me, dragged me under, and I gave up hope. At the time, I resented the fact that it was always seen as my fault, that I was the one letting the side down. But as the speed with which he managed to impregnate Anna demonstrates, there was never any problem with Tom’s virility. I was wrong to suggest that we should share the blame; it was all down to me. Lara, my best friend since university, had two children in two years: a boy first and then a girl. I didn’t like them. I didn’t want to hear anything about them. I didn’t want to be near them. Lara stopped speaking to me after a while. There was a girl at work who told me—casually, as though she were talking about an appendectomy or a wisdom-tooth extraction—that she’d recently had an abortion, a medical one, and it was so much less traumatic than the surgical one she’d had when she was at university. I couldn’t speak to her after that, I could barely look at her. Things became awkward in the office; people noticed. Tom didn’t feel the way I did. It wasn’t his failure, for starters, and in any case, he didn’t need a child like I did. He wanted to be a dad, he really did—I’m sure he daydreamed about kicking a football around in the garden with his son, or carrying his daughter on his shoulders in the park. But he thought our lives could be great without children, too. “We’re happy,” he used to say to me. “Why can’t we just go on being happy?” He became frustrated with me. He never understood that it’s possible to miss what you’ve never had, to mourn for it.
”
”
Paula Hawkins (The Girl on the Train)
“
Because I questioned myself and my sanity and what I was doing wrong in this situation. Because of course I feared that I might be overreacting, overemotional, oversensitive, weak, playing victim, crying wolf, blowing things out of proportion, making things up. Because generations of women have heard that they’re irrational, melodramatic, neurotic, hysterical, hormonal, psycho, fragile, and bossy. Because girls are coached out of the womb to be nonconfrontational, solicitous, deferential, demure, nurturing, to be tuned in to others, and to shrink and shut up. Because speaking up for myself was not how I learned English. Because I’m fluent in Apology, in Question Mark, in Giggle, in Bowing Down, in Self-Sacrifice. Because slightly more than half of the population is regularly told that what happens doesn’t or that it isn’t the big deal we’re making it into. Because your mothers, sisters, and daughters are routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied, harassed, threatened, punished, propositioned, and groped, and challenged on what they say. Because when a woman challenges a man, then the facts are automatically in dispute, as is the speaker, and the speaker’s license to speak. Because as women we are told to view and value ourselves in terms of how men view and value us, which is to say, for our sexuality and agreeability. Because it was drilled in until it turned subconscious and became unbearable need: don’t make it about you; put yourself second or last; disregard your feelings but not another’s; disbelieve your perceptions whenever the opportunity presents itself; run and rerun everything by yourself before verbalizing it—put it in perspective, interrogate it: Do you sound nuts? Does this make you look bad? Are you holding his interest? Are you being considerate? Fair? Sweet? Because stifling trauma is just good manners. Because when others serially talk down to you, assume authority over you, try to talk you out of your own feelings and tell you who you are; when you’re not taken seriously or listened to in countless daily interactions—then you may learn to accept it, to expect it, to agree with the critics and the haters and the beloveds, and to sign off on it with total silence. Because they’re coming from a good place. Because everywhere from late-night TV talk shows to thought-leading periodicals to Hollywood to Silicon Valley to Wall Street to Congress and the current administration, women are drastically underrepresented or absent, missing from the popular imagination and public heart. Because although I questioned myself, I didn’t question who controls the narrative, the show, the engineering, or the fantasy, nor to whom it’s catered. Because to mention certain things, like “patriarchy,” is to be dubbed a “feminazi,” which discourages its mention, and whatever goes unmentioned gets a pass, a pass that condones what it isn’t nice to mention, lest we come off as reactionary or shrill.
”
”
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
“
...while epic fantasy is based on the fairy tale of the just war, that’s not one you’ll find in Grimm or Disney, and most will never recognize the shape of it. I think the fantasy genre pitches its tent in the medieval campground for the very reason that we even bother to write stories about things that never happened in the first place: because it says something subtle and true about our own world, something it is difficult to say straight out, with a straight face. Something you need tools to say, you need cheat codes for the human brain--a candy princess or a sugar-coated unicorn to wash down the sour taste of how bad things can really get.
See, I think our culture has a slash running through the middle of it, too. Past/Future, Conservative/Liberal, Online/Offline. Virgin/Whore. And yes: Classical/Medieval. I think we’re torn between the Classical Narrative of Self and the Medieval Narrative of Self, between the choice of Achilles and Keep Calm and Carry On.
The Classical internal monologue goes like this: do anything, anything, only don’t be forgotten. Yes, this one sacrificed his daughter on a slab at Aulis, that one married his mother and tore out his eyes, and oh that guy ate his kids in a pie. But you remember their names, don’t you? So it’s all good in the end. Give a Greek soul a choice between a short life full of glory and a name echoing down the halls of time and a long, gentle life full of children and a quiet sort of virtue, and he’ll always go down in flames. That’s what the Iliad is all about, and the Odyssey too. When you get to Hades, you gotta have a story to tell, because the rest of eternity is just forgetting and hoping some mortal shows up on a quest and lets you drink blood from a bowl so you can remember who you were for one hour.
And every bit of cultural narrative in America says that we are all Odysseus, we are all Agamemnon, all Atreus, all Achilles. That we as a nation made that choice and chose glory and personal valor, and woe betide any inconvenient “other people” who get in our way. We tell the tales around the campfire of men who came from nothing to run dotcom empires, of a million dollars made overnight, of an actress marrying a prince from Monaco, of athletes and stars and artists and cowboys and gangsters and bootleggers and talk show hosts who hitched up their bootstraps and bent the world to their will. Whose names you all know. And we say: that can be each and every one of us and if it isn’t, it’s your fault. You didn’t have the excellence for it. You didn’t work hard enough. The story wasn’t about you, and the only good stories are the kind that have big, unignorable, undeniable heroes.
”
”
Catherynne M. Valente
“
Many people in this room have an Etsy store where they create unique, unreplicable artifacts or useful items to be sold on a small scale, in a common marketplace where their friends meet and barter. I and many of my friends own more than one spinning wheel. We grow our food again. We make pickles and jams on private, individual scales, when many of our mothers forgot those skills if they ever knew them. We come to conventions, we create small communities of support and distributed skills--when one of us needs help, our village steps in. It’s only that our village is no longer physical, but connected by DSL instead of roads. But look at how we organize our tribes--bloggers preside over large estates, kings and queens whose spouses’ virtues are oft-lauded but whose faces are rarely seen. They have moderators to protect them, to be their knights, a nobility of active commenters and big name fans, a peasantry of regular readers, and vandals starting the occasional flame war just to watch the fields burn. Other villages are more commune-like, sharing out resources on forums or aggregate sites, providing wise women to be consulted, rabbis or priests to explain the world, makers and smiths to fashion magical objects. Groups of performers, acrobats and actors and singers of songs are traveling the roads once more, entertaining for a brief evening in a living room or a wheatfield, known by word of mouth and secret signal. Separate from official government, we create our own hierarchies, laws, and mores, as well as our own folklore and secret history. Even my own guilt about having failed as an academic is quite the crisis of filial piety--you see, my mother is a professor. I have not carried on the family trade.
We dwell within a system so large and widespread, so disorganized and unconcerned for anyone but its most privileged and luxurious members, that our powerlessness, when we can summon up the courage to actually face it, is staggering. So we do not face it. We tell ourselves we are Achilles when we have much more in common with the cathedral-worker, laboring anonymously so that the next generation can see some incremental progress. We lack, of course, a Great Work to point to and say: my grandmother made that window; I worked upon the door. Though, I would submit that perhaps the Internet, as an object, as an aggregate entity, is the cathedral we build word by word and image by image, window by window and portal by portal, to stand taller for our children, if only by a little, than it does for us. For most of us are Lancelots, not Galahads. We may see the Grail of a good Classical life, but never touch it. That is for our sons, or their daughters, or further off.
And if our villages are online, the real world becomes that dark wood on the edge of civilization, a place of danger and experience, of magic and blood, a place to make one’s name or find death by bear. And here, there be monsters.
”
”
Catherynne M. Valente
“
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him.
I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!"
"I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.”
He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable.
"There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests.
I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough.
Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere.
"Letha? Where are you at?”
My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon.
Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze.
"Have you ever been with anyone before?" he asked wonderingly.
I shook my head.
"How did you ... I never imagined you doing that...”
"I learn fast.”
He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...”
"Tonight," I agreed.
He backed away then, eyes still smoldering. "I love you. You are my life.”
"I love you too." I smiled and watched him go.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
“
Consider the genesis of a single-celled embryo produced by the fertilization of an egg by a sperm. The genetic material of this embryo comes from two sources: paternal genes (from sperm) and maternal genes (from eggs). But the cellular material of the embryo comes exclusively from the egg; the sperm is no more than a glorified delivery vehicle for male DNA—a genome equipped with a hyperactive tail. Aside from proteins, ribosomes, nutrients, and membranes, the egg also supplies the embryo with specialized structures called mitochondria. These mitochondria are the energy-producing factories of the cell; they are so anatomically discrete and so specialized in their function that cell biologists call them “organelles”—i.e., mini-organs resident within cells. Mitochondria, recall, carry a small, independent genome that resides within the mitochondrion itself—not in the cell’s nucleus, where the twenty-three pairs of chromosomes (and the 21,000-odd human genes) can be found. The exclusively female origin of all the mitochondria in an embryo has an important consequence. All humans—male or female—must have inherited their mitochondria from their mothers, who inherited their mitochondria from their mothers, and so forth, in an unbroken line of female ancestry stretching indefinitely into the past. (A woman also carries the mitochondrial genomes of all her future descendants in her cells; ironically, if there is such a thing as a “homunculus,” then it is exclusively female in origin—technically, a “femunculus”?) Now imagine an ancient tribe of two hundred women, each of whom bears one child. If the child happens to be a daughter, the woman dutifully passes her mitochondria to the next generation, and, through her daughter’s daughter, to a third generation. But if she has only a son and no daughter, the woman’s mitochondrial lineage wanders into a genetic blind alley and becomes extinct (since sperm do not pass their mitochondria to the embryo, sons cannot pass their mitochondrial genomes to their children). Over the course of the tribe’s evolution, tens of thousands of such mitochondrial lineages will land on lineal dead ends by chance, and be snuffed out. And here is the crux: if the founding population of a species is small enough, and if enough time has passed, the number of surviving maternal lineages will keep shrinking, and shrinking further, until only a few are left. If half of the two hundred women in our tribe have sons, and only sons, then one hundred mitochondrial lineages will dash against the glass pane of male-only heredity and vanish in the next generation. Another half will dead-end into male children in the second generation, and so forth. By the end of several generations, all the descendants of the tribe, male or female, might track their mitochondrial ancestry to just a few women. For modern humans, that number has reached one: each of us can trace our mitochondrial lineage to a single human female who existed in Africa about two hundred thousand years ago. She is the common mother of our species. We do not know what she looked like, although her closest modern-day relatives are women of the San tribe from Botswana or Namibia. I find the idea of such a founding mother endlessly mesmerizing. In human genetics, she is known by a beautiful name—Mitochondrial Eve.
”
”
Siddhartha Mukherjee (The Gene: An Intimate History)