Plague Knight Quotes

With The Dread, first kiss was the beginning. Second kiss was the end.

We are wooed, then mocked, plagued like Amfortas, King of the Grail Knights, by a wound refusing heal.

Ser Tomaso,” she said. “It is very likely we will all die.” “Or worse,” said Brown, the first words he’d said in days. Ser Tomaso made a brave face. “Perhaps,” he said. “But we will eat well.

It was great but intense to try to go back into a character’s mind, a mind that is filled with self-loathing and a mind that is male. It is fun to try to psychoanalyze why a character acts and feels the way he/she does, and doing it as a different gender lends itself to many challenges. My desire to delve into the male psyche comes from many years of being drawn to men that seem to have a darker side. But there is also light in them, and it is that duality and intensity that makes me feel alive. Thorne is very much that man as is my first male protagonist, Michael, from the Natalie’s Edge series. Each man, while plagued with a dark past and demons, has this glorious light within them, fighting noble causes. I picture them as true anti-heroes, like the likes of Batman, the Dark Knight.

Epistle to Miss Blount, On Her Leaving the Town, After the Coronation" As some fond virgin, whom her mother’s care Drags from the town to wholesome country air, Just when she learns to roll a melting eye, And hear a spark, yet think no danger nigh; From the dear man unwillingly she must sever, Yet takes one kiss before she parts for ever: Thus from the world fair Zephalinda flew, Saw others happy, and with sighs withdrew; Not that their pleasures caused her discontent, She sighed not that They stayed, but that She went. She went, to plain-work, and to purling brooks, Old-fashioned halls, dull aunts, and croaking rooks, She went from Opera, park, assembly, play, To morning walks, and prayers three hours a day; To pass her time ‘twixt reading and Bohea, To muse, and spill her solitary tea, Or o’er cold coffee trifle with the spoon, Count the slow clock, and dine exact at noon; Divert her eyes with pictures in the fire, Hum half a tune, tell stories to the squire; Up to her godly garret after seven, There starve and pray, for that’s the way to heaven. Some Squire, perhaps, you take a delight to rack; Whose game is Whisk, whose treat a toast in sack, Who visits with a gun, presents you birds, Then gives a smacking buss, and cries – No words! Or with his hound comes hollowing from the stable, Makes love with nods, and knees beneath a table; Whose laughs are hearty, tho’ his jests are coarse, And loves you best of all things – but his horse. In some fair evening, on your elbow laid, Your dream of triumphs in the rural shade; In pensive thought recall the fancied scene, See Coronations rise on every green; Before you pass th’ imaginary sights Of Lords, and Earls, and Dukes, and gartered Knights; While the spread fan o’ershades your closing eyes; Then give one flirt, and all the vision flies. Thus vanish scepters, coronets, and balls, And leave you in lone woods, or empty walls. So when your slave, at some dear, idle time, (Not plagued with headaches, or the want of rhyme) Stands in the streets, abstracted from the crew, And while he seems to study, thinks of you: Just when his fancy points your sprightly eyes, Or sees the blush of soft Parthenia rise, Gay pats my shoulder, and you vanish quite; Streets, chairs, and coxcombs rush upon my sight; Vexed to be still in town, I knit my brow, Look sour, and hum a tune – as you may now.

Lewis was a scholar and deeply spiritual man, so it is no surprise that all his characters have to face the complex nature of of the human condition. As a young boy, Lewis suffered from terrible nightmares...Reading fantasy helped Lewis deal with the fears that plagued him in real life. He believed that fantasy makes it easier for children to cope with their fears. In an essay in support of fantasy literature for children, he wrote, "Since it is so likely they will meet cruel enemies{in real life], let them at least have heard of brave knights and heroic courage.Otherwise you are making their destiny not brighter but darker." By writing about serious themes like distrust, pride, temptation, and greed in a fantastical environment , Lewis helps readers recognize these emotions and forces in their own lives.

ADVENTURERS AVAUNT! There is no greater plague upon the lands than the chartered adventurer. Crown-sanctioned mischief makers, brigands whose thefts, casual murders, rapine and pillage are excused where the same things done by a cobbler or a milkmaid would be answered with severings of hands or other appendages, plus brandings—or all of those and hanging or death by drawing between four horses. Yet there is no more necessary plague. Adventurers make even kings think twice about cruelly oppressing all who pass within reach, teach prudence to high priests and even rogue wizards, and are almost the only curb upon the numbers of dragons and other large and monstrous beasts. On the whole, I think the balance comes out about even. What makes us keep adventuring charters instead of burning them along with their bearers is the entertainment adventurers afford the populace. In hamlets and at waymoots, after one’s grumbled about the weather, taxes, the latest rumors of war and orc raids, and the all-too-paltry gossip about the indiscretions of royalty and nobility, there’s little else to talk about but the foolish escapades of adventurers. Thundaerlel Maurlatrimm Four Decades of Innkeeping published in the Year of the Highmantle

Twas brillig, and a mortal's tones Did stretch a day beyond the braced; A princess slain, dead to her bones, A word distraught, a knight disgraced. Portentia, Queen of Wonderland, A crown of grief upon her soul, Vowed to repay the world of man, With mother's tears and pain untold. Addison, keeper of the realm, Now plagued with guilt from duties failed, Swears to uphold his Lady's whelms, Unyielding faith, but conscience veiled. And so, they two a war will wage, The Black Queen and her trusted Knight, For all to know a mother's rage And all to feel her daughter's plight, While sibling girls of white and red align against their mother's will. They share her pain, their sister dead, But they would not innocents kill. The Queen's defeat is at their hands. They strip her of her powers black, then bind her to the Nightmares' lands and split her crown and all it lacks. Behold the Heart! Behold the Eye! For here the Black Queen's power sleeps. Leave them to rest, and by and by The world will mend the broken deep. For if these artifacts awake, Surely then, too, the Queen shall rise. And all will suffer in her wake Beneath the blood-soaked screaming skies. Beware the Heart! Beware the Eye! Beware the Blade so Black! He left it dead, and with its head He went galumphing back.

No one likes when the fat girl talks about how miserable she is or how upset it makes her to be made fun of.  How much she wishes she was thin.  Because deep down…the attractive, slim people are judging you for putting yourself in the position you’re in.  Their mind is firing off thoughts like, ‘If she’s so unhappy, she should do something about it.’ Or— ‘If she would stop being lazy and work out and eat right, she’d lose the weight.’ And my new favorite, ‘She should try the new keto diet or get that lap band surgery.’  Maybe fat people don’t want to go on a new fad diet or have surgery.  Maybe going to the gym gives fat people an anxiety attack and causes them to give up before they even start…because half the people there are looking at us like we’re a fish out of water. While the other half are wondering how long we’ll last before we give up and head for the nearest McDonald’s.  Maybe fat people just want to be accepted…flaws and all.  Just like the rest of society. And maybe, just maybe—people should stop judging us.  Because every fat person will tell you…no one judges us harder than we judge ourselves.  We know exactly what that mirror is reflecting.  Every extra pound we shouldn’t have.  Every tear we’ve secretly shed in frustration and sadness.  Every diet we’ve tried, but ultimately failed at.  Every fear and insecurity plaguing us.  Every expectation we’ll never measure up to.  And it sucks.

The Song of Roland is one of the earliest works of French literature. It is an epic poem about Charlemagne's foray into Spain to battle the Saracen king Marsilla. Fearing defeat, Marsilla agrees to convert to Christianity and reward Charlemagne with treasure if the French ruler withdraws from Iberia. Charlemagne agrees and leads his army north. His rearguard is led by Roland, Charlemagne's greatest knight. Charlemagne and Roland are betrayed by the latter's own stepfather, Ganelon, who informs Marsilla how to ambush the rearguard in the Pyrenees mountain passes.

Not my enemy! Not my problem. (Red Knight)

I have not danced the waltz in several years, and what memories I have of it are few and dim. Perhaps you’d take pity on a lame soldier and see whether he can recall it?” He expected her to laugh. On his bad days he was lame, and most days he was at least unsound, as an old horse might be unsound. He had not danced the waltz since being injured, had never hoped to again because it required grace, balance, and a little derring-do. Also a willing partner. Louisa put her bare hand in his and rose. “The pleasure would be mine.” Her lips quirked as she stood, but she didn’t drop his hand. “You must not allow me to lead.” He’d watched a hundred couples dancing a hundred waltzes, and had enjoyed the dance himself when it was first becoming popular on the Continent. The steps were simple. What was not simple at all was the feel of Louisa Windham, matter-of-factly stepping quite close, clasping his palm to her own. “I like to just listen for a moment,” she said, “to feel the music inside, feel the way it wants to move you, to lift your steps and infuse you with lightness.” She slipped in closer, so close her hair tickled Joseph’s jaw. Her hand settled on his shoulder, and he felt her swaying minutely as the orchestra launched into the opening bars. She moved with the rhythm of the music, let it shift her even as she stood virtually in his embrace. What he felt inside was a marvelous sense of privilege, to be holding Louisa Windham close to his body, to have the warm, female shape of her there beneath his hands. Her scent, clean and a little spicy, was sweeter when she was this close. She wasn’t as tall in his embrace as she was in his imagination. Against his body, she fit… perfectly. And with the sense of privilege and wonder, there lurked a current of arousal. Louisa Windham was lovely, dear, smart, and brave, but she was also a grown woman whom Joseph had found desirable from the moment he’d laid eyes on her. He waited until the phrasing felt right, closed his fingers gently around hers, then moved off with his partner. She shifted with him, the embodiment of grace, as weightless as sunshine, as fluid as laughter. “You lead well,” she whispered, her eyes half closed. “You’re a natural.” He was a man plagued by a bad knee and a questionable hip, but with Louisa Windham for a partner and the music of an eighteen-piece orchestra to buoy him, Joseph Carrington danced. The longer they moved together, the better they danced. Louisa let him lead, let him guide her this way and that, let him decide how much sweep to give the turns and how closely to enfold her. She gave herself up to the music, and thus a little to him, as well, and yet, she anchored him too. Dancing with a woman who enjoyed the waltz this much gave a man some bodily confidence. He brought her closer, wonderfully closer, and realized what gave him such joy was not simply the physical pleasure of holding her but the warmth in his heart generated by her trust. She was dancing with a lame soldier, with a pig farmer, and enjoying it. All too soon, the music wound to a sweet final cadence, but Louisa did not sink into the closing curtsy. She instead stood in the circle of Joseph’s arms and dropped her forehead to his shoulder. “Sir Joseph, thank you.” What

He kept moving, not reclining on his side of the bed but shifting and rocking the mattress as he maneuvered himself to Louisa’s side. “Hello, Husband.” She was on her back. He was plastered against the length of her, a particular part of him prodding her hip. “Greetings, Wife, and as much as I admire the embroidery on your nightgown, I will wish that article of clothing farewell without a pang—at your earliest convenience.” She covered her face with both hands. “Must you sound so merry?” “A merry season is upon us.” He peeled her hands away and kissed her nose. “‘Oh why does that eclipsing hand of thine deny the sunshine of the Sun’s enlivening eye?’” “You have that Wilmot fellow on the brain.” “No, I do not. I have something else entirely—someone else—on my brain.” He spoke gently, but there was happiness for him in what he contemplated. Louisa could hear it in his voice. “Joseph, there are things we must discuss.” He untied the top bow of her nightgown. “We can discuss them naked.” A second bow came free. “We can discuss them tomorrow.” A third, a fourth. “We can discuss them naked tomorrow, but, Louisa, you are my lawfully wedded wife, and the time has come for me to pleasure you to the utmost, which I am enthusiastically willing to do.” Those were not lines penned by any long-dead earl. More of Louisa’s bows came undone, until there were no more bows to undo. Joseph pulled the covers up around her shoulders and slid a hand across her bare belly. “I did not feel the cold in Surrey, Louisa, not as long as I thought of what these moments with you might hold.” God in heaven. “Joseph, what am I supposed to do?” He shifted back to regard her, his dark brows drawing down. “You do whatever you please, with one exception.” He kissed her collarbone, a sweet little tasting that might have involved the tip of his tongue. “You do not think your way through this, Louisa Carrington. A plague on me if you’re able to cling to ratiocination at such a time. You put your prodigious mind with all its thoughts, languages, ciphering, and blasphemy aside, and let the damned thing rest while I love you.” The

The Knights Hospitaller, along with a ragtag group of around two thousand soldiers drawn from Spain, Italy, Greece, and Sicily, held the island for four months,

The Knights of Malta have issued a statement saying they ‘provide shelter, care, and solace in this dark time of crisis and war as they have before.

plague was. Besides, she was more interested in her new dolly.

The girl's abilities are subdued by hexagrammatic chains. She is blanked by Obsidian Knight Voi. If she were a vessel of the Emperor's will, neither of these things would affect her.

No, because someone killed off all the damn wolves so now there is a damn bunny plague that arrives every spring...

She slipped her hands into her apron pockets and stood very still, the sunlight warming her skin, glistening upon her bright, reddish-gold hair. She tensed her body tightly, trying to get rid of the well-hidden tension that plagued her, then forced her shoulders to relax and took deliberate pleasure in gazing upon the vase of dried hydrangeas that she had arranged just yesterday. The flowers graced the center of the table. Beside them lay the elegant silk purses she was sewing as Christmas gifts for a few of her London friends, and her delicate japanning tools, perched well out of Harry's reach. Her latest piece, an intricate jewel box, sat in a middle stage of completion. All of her hobbies ran in an artistic vein, but in her heart, she knew in a sense they were merely distractions, her way of trying to burn off her restlessness.

I can die?” Hayley squeaked. “We can all die,” he said with a shrug. She pursed her lips at that. No shit, everyone can die, it’s that opposite part of living. But… “How likely is the dying part? Like…plague rips apart a village, or knock your head on a rock and maybe bleed from your eyeballs certain death?” “That,” the knight returned to his march through the masses, “depends entirely upon you.

CAPITALISTS ARE HANGED by the rope they sell their enemies. Mystics who help formulate great religious movements writhe in sexual torment over impure thoughts a shoe salesman leaves behind with adolescence. A Crusader knight in search of the True Cross returns to Marseilles from Palestine with a trunkful of Saracen robes, inside of which is a plague-infested mouse. My experience had been, like George Orwell’s, that human beings are possessed of much more courage and self-sacrifice than we give them credit for, and when the final test comes, they usually go