Pity The Fool Quotes

Once you embrace your value, talents and strengths, it neutralizes when others think less of you.

[Myrnin to Claire about their costumes of Pierrot and Harlequin, respectively] "Don't they teach you anything in your schools?" "Not about this." "Pity. I suppose that's what comes of your main education flowing from Google.

Only fools pity survivors their scars and you should never kowtow to fools

He shook his head pityingly. “This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man's fortune for the night may turn upon one hand. But a man's whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.” “Not all men are destined for greatness,” I reminded him. “Are you sure, Fitz? Are you sure? What good is a life lived as if it made no difference at all to the great life of the world? A sadder thing I cannot imagine. Why should not a mother say to herself, if I raise this child aright, if I love and care for her, she shall live a life that brings joy to those about her, and thus I have changed the world? Why should not the farmer that plants a seed say to his neighbor, this seed I plant today will feed someone, and that is how I change the world today?” “This is philosophy, Fool. I have never had time to study such things.” “No, Fitz, this is life. And no one has time not to think of such things. Each creature in the world should consider this thing, every moment of the heart's beating. Otherwise, what is the point of arising each day?

What are you doing following me around the back streets of London, you little idiot?” Will demanded, giving her arm a light shake. Cecily’s eyes narrowed. “This morning it was cariad (note: Welsh endearment, like ‘darling’ or ‘love’), now it’s idiot.” “Oh, you’re using a Glamour rune. There’s one thing to declare, you are not afraid of anything when you live in the country. But this is London.” “I’m not afraid of London,” Cecily said defiantly. Will leaned closer, almost hissing in her ear *and said something very complicated in Welsh* She laughed. “No, it wouldn’t do you any good to tell me to go home. You are my brother, and I want to go with you.” Will blinked at her words. You are my brother, and I want to go with you. It was the sort of thing he was used to hearing Jem say. Although Cecily was unlike Jem in every other conceivable possible way, she did share one quality with him. Stubbornness. When Cecily said she wanted something, it did not express an idle desire, but an iron determination. “Do you even care where I’m going?” he said. “What if I were going to hell?” “I’ve always wanted to see hell,” Cecily said. “Doesn’t everyone?” “Most of us spend our time trying to stay out of it, Cecily. I’m going to an ifrit den, if you must know, to purchase drugs from vile, dissolute criminals. They may clap eyes on you, and decide to sell you.” “Wouldn’t you stop them?” “I suppose it would depend on whether they cut me a part of the profit.” She shook her head. “Jem is your parabatai,” she said. “He is your brother, given to you by the Clave, but I am your sister by blood. Why would you do anything for him, but you only want me to go home?” “How do you know the drugs are for Jem?” Will said. “I’m not an idiot, Will.” “No, more’s the pity. Jem- Jem is like the better part of me. I would not expect you to understand. I owe him. I owe him this.” “So what am I?” Cecily said. Will exhaled, too desperate to check himself. “You are my weakness.” “And Tessa is your heart,” she said, not angrily, but thoughtfully. “I am not fooled. As I told you, I’m not an idiot. And more’s the pity for you, although I suppose we all want things we can’t have.” “Oh,” said Will, “and what do you want?” “I want you to come home.” A strand of black hair was stuck to her cheek by the dampness, and Will fought the urge to pull her cloak closer about her, to make her safe as he had when she was a child. “The Institute is my home,” Will sighed, and leaned his head against the stone wall. “I can’t stand out her arguing with you all evening, Cecily. If you’re determined to follow me into hell, I can’t stop you.” “Finally,” she said provingly. “You’ve seen sense. I knew you would, you’re related to me.” Will fought the urge to shake her. “Are you ready?” She nodded, and he raised his hand to knock on the door.

I've fallen in love with you. I love you even now when you sit before me with the eyes of a wolf. So take pity upon the fool I have become. I forgot it was only a bargain between us.

Pretty, that's what you think this is? You think that's all she's capable of? You fool, she's done the impossible. She has explained everything there is to know about the world in less than the time it took for your eyes to filly focus, and do you realize that I will spend a lifetime trying to do the same never come close? This is an opus!, this is a triumph!, this is the meaning of life and you would think the answer would be satire, but it isn't, its Truth. She tomd the Truth like you could never dream of telling it, and I pity you, that you could see the inside of your own soul and reduce it like this, so pitylessly. So carelessly.

He could remember all about it now; the pitiful figure he must have cut; the absurd way in which he had gone and done the very thing he had so often agreed with himself in thinking would be the most foolish thing in the world; and had met with exactly the consequences which, in these wise moods, he had always foretold were certain to follow, if he ever did make such a fool of himself.

What do I fear? Myself? There’s none else by. Richard loves Richard; that is, I and I. Is there a murderer here? No. Yes, I am. Then fly! What, from myself? Great reason why: Lest I revenge. What, myself upon myself? Alack, I love myself. Wherefore? For any good That I myself have done unto myself? O, no! Alas, I rather hate myself For hateful deeds committed by myself. I am a villain. Yet I lie. I am not. Fool, of thyself speak well. Fool, do not flatter: My conscience hath a thousand several tongues, And every tongue brings in a several tale, And every tale condemns me for a villain. Perjury, perjury, in the highest degree; Murder, stern murder, in the direst degree; All several sins, all used in each degree, Throng to the bar, crying all, “Guilty! guilty!” I shall despair. There is no creature loves me, And if I die no soul will pity me. And wherefore should they, since that I myself Find in myself no pity to myself?

You'll do well, if you don't mire in self-pity. Self-pity only gets you more of the same. Don't waste time on it.

A man who loves money is a bastard, someone to be hated. A man who can't take care of it is a fool. You don't hate him, but you got to pity him.

Among wise men there is no place at all left for hatred. For no one except the greatest of fools would hate good men. And there is no reason at all for hating the bad. For just as weakness is a disease of the body, so wickedness is a disease of the mind. And if this is so, since we think of people who are sick in body as deserving sympathy rather than hatred, much more so do they deserve pity rather than blame who suffer an evil more severe than any physical illness.

After everything, you still want to believe that love prevails, that in the end there will be justice. That is an illusion, and I pity you.

I was the Fool and the Fool was me. He was the Catalyst and so was I. We were two halves of a whole, sundered and come together again. For an instant I knew him in his entirety, complete and magical, and then he was pulling apart from me, laughing, a bubble inside me, separate and unknowable, yet joined to me. "You do love me !" I was incredulous. He had never truly believed it before. "Before, it was words. I always feared it war born of pity. But you are truly my friend. This is knowing. This is feeling what you feel for me. So this is the Skill". For a moment he reveled in simple recognition.

Whether I am a fool or a villain I know not; but this is certain, I am also most deserving of pity—perhaps more than she. My soul has been spoiled by the world, my imagination is unquiet, my heart insatiate. To me everything is of little moment. I become as easily accustomed to grief as to joy, and my life grows emptier day by day.

The more pity that fools may not speak wisely what wise men do foolishly.

No, she thought, you are not going to catch me so cheaply; I do not understand words and will not accept them in trade for my feelings; this man is a parrot. I will tell him that I can never understand such a thing, that maudlin self-pity does not move directly at my heart; I will not make a fool of myself by encouraging him to mock me. “I understand, yes,” she said.

But what is the philosophy of this generation? Not God is dead, that point was passed long ago. Perhaps it should be stated Death is God. This generation thinks – and this is its thought of thoughts – that nothing faithful, vulnerable, fragile can be durable or have any true power. Death waits for these things as a cement floor waits for a dropping light bulb. The brittle shell of glass loses its tiny vacuum with a burst, and that is that. And this is how we teach metaphysics on each other. "You think history is the history of loving hearts? You fool! Look at these millions of dead. Can you pity them, feel for them? You can nothing! There were too many. We burned them to ashes, we buried them with bulldozers. History is the history of cruelty, not love as soft men think.

Pity the fool who thinks the boundaries of his mortal mind are the boundaries of God the Almighty. Pity the ignorant who assume they can negotiate and settle debts with God. Do such people think God is a grocer who attempts to weigh our virtues and our wrongdoings on two separate scales? Is He a clerk meticulously writing down our sins in His accounting book so as to make us pay Him back someday? Is this their notion of Oneness?

I had become a kind of information magpie, gathering to myself all manner of shiny scraps of fact and hokum and books and art-history and politics and music and film, and developing, too, a certain skill in manipulating and arranging these pitiful shards so that they glittered and caught the light. Fool's gold, or priceless nuggets mined from my singular childhood's rich bohemian seam? I leave it to others to decide.

Now, therefore, I will sleep. I speak no comfort to you, for there is no comfort for such pain within the circles of the world. The uttermost choice is before you: to repent and go to the Havens and bear away into the West the memory of our days together that shall there be evergreen but never more than memory; or else to abide the Doom of Men." Nay, dear lord," she said, "that choice is long over. There is now no ship that would bear me hence, and I must indeed abide the Doom of Men, whether I will or I nill: the loss and the silence. But I say to you, King of the Numenoreans, not till now have I understood the tale of your people and their fall. As wicked fools I scorned them, but I pity them at last. For if this is indeed, as the Eldar say, the gift of the One to Men, it is bitter to receive." So it seems," he said. "But let us not be overthrown at the final test, who of old renounced the Shadow and the Ring. In sorrow we must go, but not in despair. Behold! we are not bound for ever to the circles of the world, and beyond them is more than memory.

The wise have pitied the fool that hath striven to give a life In the world of time and space among the bulks of actual things, To dream that was dreamed in the heart, and that only the heart could hold. Oh wise men, riddle me this: What if the dream come true?

I pity the fool that’ll end up marrying my sister.

As Jim Rohn put it to me, “Don’t let your learning lead to knowledge, or you’ll become a fool. Let your learning lead to action, and you can become wealthy. There’s nothing more pitiful than a guy who is smart and broke.

When at the typewriter I am no longer where I site but am away across the mountains, in ancient cities or on the Great Plains among the buffalo. Often I think of what pitiful fools are those who use mind-altering drugs to seek feelings they do not have, each drug taking a little more from what they have of mind, leaving them a little less. Give the brain encouragement from study, from thinking, from visualizing, and no drugs are needed.

Nick... I hope one day you find you a woman who loves you like my Melissa loved me. Whatever you do, boy, don't turn your back on her. If she says she needs you for something, don't matter how stupid it sounds or what deadline you got, you go to her and you do it. Screw work or whatever else. In the end, the only things that matter are the people in your life. The ones who make your life worth living and whose smiles light up your world. Don't ever push them aside for fair-weather friends. Everything else is just cheap window dressing that you can replace. But once them people are gone..." He winced. "You can't buy back time, Nick. Ever. It's the only thing in life you can't get more of, and it's the one thing that will mercilessly tear you up when it's gone. It takes pity on no soul and no heart. And all those fools who tell you it gets easier in time are lying dumb-asses. Losing someone you really love don't never get easier. You just go a few hours longer without breaking down. That's all... that's all. - Bubba

Damn me not I make a better fool. And there is nothing vaster, more beautiful, remote, unthinking (eternal rose-red sunrise on the surf—great rectitude of rocks) than man, inhuman man, At whom I look for a thousand light years from a seat near Scorpio, amazed and touched by his concern and pity for my plight, a simple star, Then trading shapes again. My wife is gone, my girl is gone, my books are loaned, my clothes are worn, I gave away a car; and all that happened years ago. Mind & matter, love & space are frail as foam on beer.

When I call him a fool, I mean it only in the sense that he was just as pitiful a creature as I was, and implying the sympathy of one fool for another.

So are you still like all the other fools? In this place piety lives when pity is dead, for who could be more wicked than that man who tries to bend divine will to his own!

Poor wretches! I rather pity their folly and indiscretion, than their loss of time and money; for these may be recovered by industry: but to be a fool born is a disease incurable.

I pity the fool!

Loving in truth, and fain in verse my love to show, That she (dear she) might take some pleasure of my pain; Pleasure might cause her read, reading might make her know; Knowledge might pity win, and pity grace obtain; I sought fit words to paint the blackest face of woe, Studying inventions fine, her wits to entertain; Oft turning others' leaves, to see if thence would flow Some fresh and fruitful showers upon my sunburnt brain. But words came halting forth, wanting invention's stay; Invention, nature's child, fled step-dame study's blows; And others' feet still seemed but strangers in my way. Thus great with child to speak, and helpless in my throes, Biting my truant pen, beating myself for spite, 'Fool,' said my muse to me; 'look in thy heart, and write.

You are different, Bee. It will make some parts of your life very difficult. But if you always fall back on your differences to explain everything you dislike about the world, you will fall into self-pity.

…I tell you that loneliness itself is the secret. It’s a secret you cannot tell anyone. Why? Because to confess your loneliness is to confess your failure as a human being. To confess would only cause others to pity and avoid you, afraid that what you have is catching. Your condition is caused by a lack of human relationship, and yet to admit to it only drives your possible rescuers farther away (while attracting cats). So you attempt to hide your loneliness in public, to behave, in fact, as though you have too many friends already, and thus you hope to attract people who will unwittingly save you. But it never works that way. Your condition is written all over your face, in the hunch of your shoulders, in the hollowness of your laugh. You fool no one. Believe me in this; I’ve tried all the tricks of the lonely man.

To see the infinite pity of this place, The mangled limb, the devastated face, The innocent sufferers smiling at the rod, A fool were tempted to deny his God. He sees, and shrinks; but if he look again, Lo, beauty springing from the breast of pain!— He marks the sisters on the painful shores, And even a fool is silent and adores.

He might have known that she would do this; she had never cared for him, she had made a fool of him from the beginning; she had no pity, she had no kindness, she had no charity. The only thing was to accept the inevitable. The pain he was suffering was horrible, he would sooner be dead than endure it; and the thought came to him that it would be better to finish with the whole thing: he might throw himself in the river or put his neck on a railway line; but he had no sooner set the thought into words than he rebelled against it. His reason told him that he would get over his unhappiness in time; if he tried with all his might he could forget her; and it would be grotesque to kill himself on account of a vulgar slut.

But there was a cost to that surcease from pain, Fool. When you dull pain and hide it from yourself…” My words trickled away. I did not want to sound self-pitying. “You dull your joys as well.” He said it simply." p. 510 Fitz to the Fool

When a fool utters all kinds of insults against you in a social media group without even knowing you or without any worthwhile reason or provocation usually they are merely sad & pathetic attention seeking trolls who we should all feel sorry for. They don't deserve our anger. They deserve our pity.

I pity you, FOOL!

I am the child of this pitiful century the child that didn’t grow up The questions that burned my tongue have burned my wings I had learned how to walk then I unlearned I tired of the oases and of the camels greedy for ruins Stretched out in the middle of the road my head turned toward the Orient I await the caravan of fools

Shams of Tabriz Befuddled believer! If every Ramadan one fasts in the name of God and every Eid one sacrifices a sheep or a goat as an atonement for his sins, if all his life one strives to make pilgrimage to Mecca and five times a day kneels on a prayer rug but at the same time has no room for love in his heart, what is the use of all this trouble? Faith is only a word if there is no love at its center, so flaccid and lifeless, vague and hollow -- not anything you could truly feel. Pity the fool who thinks the boundaries of his mortal mind are the boundaries of God the Almighty. Pity the ignorant who assume they can negotiate and settle debts with God. Do such people think God is a grocer who attempts to weigh our virtues and wrongdoings on two separate scales? Is He a clerk meticulously writing down our sins in His accounting book so as to make us pay Him back someday? Is this their notion of Oneness?

I must indeed abide the Doom of Men whether I will or nill: the loss and the silence. But I say to you, King of the Numenoreans, not till now have I understood the tale of your people and their fall. As wicked fools I scorned them, but I pity them at last. For if this is indeed, as the Elves say, the gift of the One to Men, it is bitter to receive.

Only fools fail to recognize you, knowing no sleep but the shadow which you, taking pity, cast over us in the twilight before true night. They do not taste you in the golden flood of grapes, in the magic oil of the almond tree and the brown juice of the poppy. They do not know that it is you who hovers over a tender maiden’s bosom, making a heaven of her lap − never suspect that it is you who comes to them out of old stories, opening the doors to heaven and carrying the key to the dwellings of the blessed, a silent messenger of infinite mysteries.

Late in life, after his mother had died, his father cried at baptisms and funerals and sappy movies on TV, age stripping away a final protective layer. Now Henry could feel the same softening taking place inside him, a helpless grief for the past and boundless pity for the world, and that was right too. No fool like an old fool.

Understand that this is how it works with people like me. Self-pity is the sun around which we orbit, the great gravitational force that rules those of us for whom Things Didn’t Quite Turn Out. If we’re lucky, purpose (vengeance, absolution, cookies, not in that order) can keep us from falling in, from burning up, but we’re fooling ourselves if we ever think we’re going to break free. But that’s why God created Xanax.

Margie had known many men, most of them guilty, wounded in their vanity, or despairing, so that she had developed a contempt for her quarry as a professional hunter of vermin does. It was easy to move such men through their fears and their vanities. They ached so to be fooled that she no longer felt triumph--only a kind of disgusted pity.

And let those that play your clowns speak no more than is set down for them: for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too, though in the meantime some necessary question of the play be then to be considered: that’s villanous and shows a most pitiful ambition in the fool that uses it.

Patience had once counseled me that the best way to stop pitying myself was to do something for someone else.

Only fools pity survivors their scars and you should never kowtow to fools.

Don’t hide for anyone,” he stated, pushing my hair off my shoulder. “Only fools pity survivors their scars and you should never kowtow to fools.

I pity the fool who messes with my plywood shutters,

I pity the fool who sees perception as reality; you miss a lot of depth that way.

It isn't pretty, he wanted to say, it's lonely, it's desolate, it's a chilling portrait of vastness. How ignorant are you to look at this and diminish it to some kind of trinket, are you dead? It's the human condition! It's the entire universe itself! It's the depths of spacetime you utter fucking philistine and how dare you, how fucking dare you stand there and fail to weep? What kind of sad, unremarkable nothingness have you so callously lived that you can witness the splendor of her existence and not fall to your knees for having missed it, for having misunderstood it all this time? Pretty, that's what you think this is? You think that's all she's capable of? You fool, she's done the impossible. She has explained everything there is to know about the world in less than the time it took for your eyes to filly focus, and do you realize that I will spend a lifetime trying to do the same never come close? This is an opus!, this is a triumph!, this is the meaning of life and you would think the answer would be satire, but it isn't, its Truth. She told the Truth like you could never dream of telling it, and I pity you, that you could see the inside of your own soul and reduce it like this, so pitilessly. So carelessly. With the vacuous deficiency of, Oh, this is pretty.

A writer sets out to write science fiction but isn’t familiar with the genre, hasn’t read what’s been written. This is a fairly common situation, because science fiction is known to sell well but, as a subliterary genre, is not supposed to be worth study—what’s to learn? It doesn’t occur to the novice that a genre is a genre because it has a field and focus of its own; its appropriate and particular tools, rules, and techniques for handling the material; its traditions; and its experienced, appreciative readers—that it is, in fact, a literature. Ignoring all this, our novice is just about to reinvent the wheel, the space ship, the space alien, and the mad scientist, with cries of innocent wonder. The cries will not be echoed by the readers. Readers familiar with that genre have met the space ship, the alien, and the mad scientist before. They know more about them than the writer does. In the same way, critics who set out to talk about a fantasy novel without having read any fantasy since they were eight, and in ignorance of the history and extensive theory of fantasy literature, will make fools of themselves because they don’t know how to read the book. They have no contextual information to tell them what its tradition is, where it’s coming from, what it’s trying to do, what it does. This was liberally proved when the first Harry Potter book came out and a lot of literary reviewers ran around shrieking about the incredible originality of the book. This originality was an artifact of the reviewers’ blank ignorance of its genres (children’s fantasy and the British boarding-school story), plus the fact that they hadn’t read a fantasy since they were eight. It was pitiful. It was like watching some TV gourmet chef eat a piece of buttered toast and squeal, “But this is delicious! Unheard of! Where has it been all my life?

Why can’t I take you? Why is it so hard? You have the other half of my soul; with you I will be complete! So. Then. Why?” Crispin murmured clenching his fists. Oh, he pitied the fool who would be in his way once he returned to his domain. “Oh, what suffering will befall them in her place,” he smiled wickedly. ~Crispin~

She was a passionate reader, and she thought that reading was one of the noblest efforts of all; in contrast, she found writing to be a great waste of time—a childish self-indulgence, even messier than finger painting—but she admired reading, which she believed was an unselfish activity that provided information and inspiration. She must have thought it a pity that some poor fools had to waste their lives writing in order for us to have sufficient reading material. (page 236)

Self-pity is a gutter from which you will never arise. Do you know how hard I have worked to keep your head above the mud? But I was not the one who rescued you, you impossible fool. You were half-alive when I met you, a ruin of the man you could be. I have watched you claw your way back to life in the past months, taking an interest in your work, in your future. You have been the agent of your own resurrection, and you do not even see it. Have you no sense of your own gifts, of your own strengths? You are more blessed with natural abilities and native intelligence than any man I have ever met.

He stumbled, almost fell, and decided to sit down, with his back against the tunnel wall, his feet resting against the opposite wall. Roaring out of the morass of pity, terror, happiness, joy, sadness, elation that he had inherited - shooting forth from this void, the single sharp thought: She does not love me. It was almost more than he could take. But he was not the kind of person to fold, to crack, to be broken, and so instead, in those moments after the realization, he bent - and bent, and kept on bending beneath the pressure of this new and terrible knowledge. Soon he would bend into a totally new shape altogether. He welcomed that. He wanted that. Maybe the new thing he would become would no longer hurt, would no longer fear, would no longer look back down into the void and wonder what was left of him. She did not love him. It made him laugh as he sat there -- great belly laughs that doubled him over in the dust, where he lay for a long moment, recovering. It was funny beyond bearing. He had fought through a dozen terrors all for love of her. And she did not love him. He felt like a character in a holovid - the jester, the clown, the fool.

But still I was curious to know what sort of an explanation she would have given me—or would give now, if I pressed her for it—how much she would confess, and how she would endeavour to excuse herself. I longed to know what to despise, and what to admire in her; how much to pity, and how much to hate;—and, what was more, I would know. I would see her once more, and fairly satisfy myself in what light to regard her, before we parted. Lost to me she was, for ever, of course; but still I could not bear to think that we had parted, for the last time, with so much unkindness and misery on both sides. That last look of hers had sunk into my heart; I could not forget it. But what a fool I was! Had she not deceived me, injured me—blighted my happiness for life? ‘Well, I’ll see her, however,’ was my concluding resolve, ‘but not to-day: to-day and to-night she may think upon her sins, and be as miserable as she will: to-morrow I will see her once again, and know something more about her. The interview may be serviceable to her, or it may not. At any rate, it will give a breath of excitement to the life she has doomed to stagnation, and may calm with certainty some agitating thoughts.

Oh, mention it! If I storm, you have the art of weeping." "Mr. Rochester, I must leave you." "For how long, Jane? For a few minutes, while you smooth your hair — which is somewhat dishevelled; and bathe your face — which looks feverish?" "I must leave Adele and Thornfield. I must part with you for my whole life: I must begin a new existence among strange faces and strange scenes." "Of course: I told you you should. I pass over the madness about parting from me. You mean you must become a part of me. As to the new existence, it is all right: you shall yet be my wife: I am not married. You shall be Mrs. Rochester — both virtually and nominally. I shall keep only to you so long as you and I live. You shall go to a place I have in the south of France: a whitewashed villa on the shores of the Mediterranean. There you shall live a happy, and guarded, and most innocent life. Never fear that I wish to lure you into error — to make you my mistress. Why did you shake your head? Jane, you must be reasonable, or in truth I shall again become frantic." His voice and hand quivered: his large nostrils dilated; his eye blazed: still I dared to speak. "Sir, your wife is living: that is a fact acknowledged this morning by yourself. If I lived with you as you desire, I should then be your mistress: to say otherwise is sophistical — is false." "Jane, I am not a gentle-tempered man — you forget that: I am not long-enduring; I am not cool and dispassionate. Out of pity to me and yourself, put your finger on my pulse, feel how it throbs, and — beware!" He bared his wrist, and offered it to me: the blood was forsaking his cheek and lips, they were growing livid; I was distressed on all hands. To agitate him thus deeply, by a resistance he so abhorred, was cruel: to yield was out of the question. I did what human beings do instinctively when they are driven to utter extremity — looked for aid to one higher than man: the words "God help me!" burst involuntarily from my lips. "I am a fool!" cried Mr. Rochester suddenly. "I keep telling her I am not married, and do not explain to her why. I forget she knows nothing of the character of that woman, or of the circumstances attending my infernal union with her. Oh, I am certain Jane will agree with me in opinion, when she knows all that I know! Just put your hand in mine, Janet — that I may have the evidence of touch as well as sight, to prove you are near me — and I will in a few words show you the real state of the case. Can you listen to me?" "Yes, sir; for hours if you will.

You think history is the history of loving hearts? You fool! Look at these millions of dead. Can you pity them, feel for them? You can nothing! There were too many. We burned them to ashes, we buried them with bulldozers. History is the history of cruelty, not love as soft men think. We have experimented with every human capacity to see which is strong and admirable and have shown that none is. There is only practicality. If the old God exists, he must be a murderer. But the one true god is Death. This is how it is - without cowardly illustrations.

People might feel sorry for a man who's fallen on hard times, but when an entire nation is poor, the rest of the world assumes that all its people must be brainless, lazy, dirty, clumsy fools. Instead of pity, the people provoke laughter. It's all a joke: their culture, their customs, their practices. In time the rest of the world may, some of them, begin to feel ashamed for having thought this way, and when they look around and see immigrants from that poor country mopping their floors and doing all the other lowest paying jobs, naturally they worry about what might happen if these workers one day rose up against them. So, to keep things sweet, they start taking an interest in the immigrants' culture and sometimes even pretend they think of them as equals.

Yes,' Montriveau went on in an unsteady voice, 'this Catholic faith to which you wish to convert me is a lie that men make for themselves; hope is a lie at the expense of the future; pride, a lie between us and our fellows; and pity, and prudence, and terror are cunning lies. And now my happiness is to be one more lying delusion; I am expected to delude myself, to be willing to give gold coin for silver to the end. If you can so easily dispense with my visits; if you confess me neither as your friend nor your love, you do not care for me! And I, poor fool that I am, tell myself this, and know it, and love you!

Don’t spoil it,” he said quietly. “Turn me loose, you fool! Turn me loose! It’s Ashley!” He did not relax his grip. “After all, he’s her husband, ain’t he?” Will asked calmly and, looking down at him in a confusion of joy and impotent fury, Scarlett saw in the quiet depths of his eyes understanding and pity.

but whoever exercises the art of divination, is a fool; if indeed he chance to show disagreeable things, he is rendered hateful to those to whom he may prophesy; but speaking falsely to his employers from motives of pity, he is unjust as touching the Gods.—Phœbus alone should speak in oracles to men, who fears nobody.

Here's a night pities neither wise men nor fools.

..it would be a real pity to die when I’d finally put tabs on who had gotten me into this mess—

Fools. Do they pity Kanna? But Kanna cannot feel a thing, be it pain, fear or sorrow. She cannot even understand the reason for your pity."- Naraku

man who loves money is a bastard, someone to be hated. A man who can’t take care of it is a fool. You don’t hate him, but you got to pity him.

In truth, it made me pity him, and see him as a fool.

You're a peasant and a fool and I want my sword." "You're an enemy of art and I pity your ignorance.

You'll do well, if you don't mire in self-pity. Self-pity only gets you more of the same.

The more pity that fools may not speak wisely what wise men do foolishly. a

You must first value an individuals opinion before they can insult you. Otherwise you are no more than a dramatic fool using a perceived insult to garner the favors and pity of others.

All the way home, his wound pulsing with every hearbeat, he had cursed himself for a fool. How could he think she loved him? He had never been loved in his life, save perhaps by Erik and the other men who had served with him across the sea, and that was the love of comrades. He had never known the love of women, just their embrace. Twice he had found tears running down his face...

Take you with her, pitiful changeling!' I exclaimed. 'YOU marry? Why, the man is mad! or he thinks us fools, every one. And do you imagine that beautiful young lady, that healthy, hearty girl, will tie herself to a little perishing monkey like you? Are you cherishing the notion that anybody, let alone Miss Catherine Linton, would have you for a husband? You want whipping for bringing us in here at all, with your dastardly puling tricks: and - don't look so silly, now! I've a very good mind to shake you severely, for your contemptible treachery, and your imbecile conceit.

Don’t let your learning lead to knowledge, or you’ll become a fool. Let your learning lead to action, and you can become wealthy. There’s nothing more pitiful than a guy who is smart and broke.

Such a pity … so unfair that you, Cursebreaker, received what all those fools no doubt begged for. Immortality, eternal youth … What would Lord Rhysand have done if you had aged while he did not?

It is rather pitiful how obvious it is, and usually how simple it can be, for one to be blunt and critical, all the while fooling oneself into thinking that it makes him look sharp and analytical.

Nay, 'twill be this hour ere I have done weeping. All the kind of the Launces have this very fault. I have received my proportion, like the prodigious son, and am going with Sir Proteus to the Imperial's court. I think Crab, my dog, be the sourest-natured dog that lives. My mother weeping, my father wailing, my sister crying, our maid howling, our cat wringing her hands, and all our house in a great perplexity, yet did not this cruel-hearted cur shed one tear. He is a stone, a very pebble stone, and has no more pity in him than a dog. A Jew would have wept to have seen our parting. Why, my grandam, having no eyes, look you, wept herself blind at my parting. Nay, I'll show you the manner of it. This shoe is my father. No, this left shoe is my father. No, no, this left shoe is my mother. Nay, that cannot be so neither. Yes, it is so, it is so -- it hath the worser sole. This shoe with the hole in it is my mother, and this my father. A vengeance on't! There 'tis. Now, sir, this staff is my sister, for, look you, she is as white as a lily and as small as a wand. This hat is Nan, our maid. I am the dog. No, the dog is himself, and I am the dog -- O, the dog is me, and I am myself. Ay, so, so. Now come I to my father: 'Father, your blessing.' Now should not the shoe speak a word for weeping. Now should I kiss my father -- well, he weeps on. Now come I to my mother. O, that she could speak now like a wood woman! Well, I kiss her -- why, there 'tis: here's my mother's breath up and down. Now come I to my sister; mark the moan she makes. Now the dog all this while sheds not a tear nor speaks a word!

The Active Life If an expert does not have some problem to vex him, he is unhappy! If a philosopher's teaching is never attacked, she pines away! If critics have no one on whom to exercise their spite, they are unhappy. All such people are prisoners in the world of objects. He who wants followers, seeks political power. She who wants reputation, holds an office. The strong man looks for weights to lift. The brave woman looks for an emergency in which she can show bravery. The swordsman wants a battle in which he can swing his sword. People past their prime prefer a dignified retirement, in which they may seem profound. People experienced in law seek difficult cases to extend the application of the laws. Liturgists and musicians like festivals in which they parade their ceremonious talents. The benevolent, the dutiful, are always looking for chances to display virtue. Where would the gardener be if there were no more weeds? What would become of business without a market of fools? Where would the masses be if there were no pretext for getting jammed together and making noise? What would become of labor if there were no superfluous objects to be made? Produce! Get results! Make money! Make friends! Make changes! Or you will die of despair! Those who are caught in the machinery of power take no joy except in activity and change--the whirring of the machine! Whenever an occasion for action presents itself, they are compelled to act; they cannot help themselves. They are inexorably moved, like the ma- chine of which they are a part. Prisoners in the world of objects, they have no choice but to submit to the demands of matter! They are pressed down and crushed by external forces, fashion, the mar- ket, events, public opinion. Never in a whole lifetime do they re- cover their right mind! The active life! What a pity!

Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue. But if you mouth it, as many of our players do, I had as lief the town crier spoke my lines. Nor do not saw the air too much with your hand, thus, by use all gently, for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness. O, it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who for the most part are capable of nothing but inexplicable dumb shows and noise. I would have such a fellow whipped for o'erdoing Termagant. It out-herods Herod. Pray you avoid it. Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature. For anything so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as 'twere, the mirror up to nature, to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone, or come tardy off, though it make the unskillful laugh, cannot but make the judicious grieve, the censure of the which one must in your allowance o'erweigh a whole theatre of others. O, there be players that I have seen play, and heard others praise, and that highly (not to speak profanely), that neither having th' accent of Christians, nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of Nature's journeymen had made men, and not made them well, they imitated humanity so abominably. Reform it altogether! And let those that play your clowns speak no more than is set down for them, for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too, though in the mean time some necessary question of the play be then to be considered. That's villainous and shows a most pitiful ambition in the fool that uses it. Go make you ready.

I have always desired you, as you (pitiful fool) desired me. The difference is that I am the stronger. I think they will give you to me now; or a bit of you. Love you? Why, yes. As dainty a morsel as ever I grew fat on.

Has it never occurred to you that that miserable clown may have a soul–a living, struggling human soul, tied down into that crooked hulk of a body and forced to slave for it? You that are so tender-hearted to everything–you that pity the body in its fool’s dress and bells–have you never thought of the wretched soul that has not even motley to cover its horrible nakedness? Think of it shivering with cold, stilled with shame and misery, before all those people–feeling their jeers that cut like a whip–their laughter, that burns like red-hot iron on the bare flesh! Think of it looking round–so helpless before them all–for the mountains that will not fall on it–for the rocks that have not the heart to cover it–envying the rats that can creep into some hole in the earth and hide; and remember that a soul is dumb–it has no voice to cry out–it must endure, and endure, and endure.

Lupin was wearing an odd expression as he looked at Harry: it was close to pitying. ‘You think I’m a fool?’ demanded Harry. ‘No, I think you’re like James,’ said Lupin, ‘who would have regarded it as the height of dishonour to mistrust his friends.

There's not much to say about loneliness, for it's not a broad subject. Any child, alone in her room, can journey across its entire breadth, from border to border, in an hour. Though not broad, our subject is deep. Loneliness is deeper than the ocean. But here, too, there is no mystery. Our intrepid child is liable to fall quickly to the very bottom without even trying. And since the depths of loneliness cannot sustain human life, the child will swim to the surface again in short order, no worse for wear. Some of us, though, can bring breathing aids down with us for longer stays: imaginary friends, drugs and alcohol, mind-numbing entertainment, hobbies, ironclad routine, and pets. (Pets are some of the best enablers of loneliness, your own cuddlesome Murphy notwithstanding.) With the help of these aids, a poor sap can survive the airless depths of loneliness long enough to experience its true horror -- duration. Did you know, Myren Vole, that when presented with the same odor (even my own) for a duration of only several minutes, the olfactory nerves become habituated -- as my daughter used to say -- to it and cease transmitting its signal to the brain? Likewise, most pain loses its edge in time. Time heals all -- as they say. Even the loss of a loved one, perhaps life's most wrenching pain, is blunted in time. It recedes into the background where it can be borne with lesser pains. Not so our friend loneliness, which grows only more keen and insistent with each passing hour. Loneliness is as needle sharp now as it was an hour ago, or last week. But if loneliness is the wound, what's so secret about it? I submit to you, Myren Vole, that the most painful death of all is suffocation by loneliness. And by the time I started on my portrait of Jean, I was ten years into it (with another five to go). It is from that vantage point that I tell you that loneliness itself is the secret. It's a secret you cannot tell anyone. Why? Because to confess your loneliness is to confess your failure as a human being. To confess would only cause others to pity and avoid you, afraid that what you have is catching. Your condition is caused by a lack of human relationship, and yet to admit to it only drives your possible rescuers farther away (while attracting cats). So you attempt to hide your loneliness in public, to behave, in fact, as though you have too many friends already, and thus you hope to attract people who will unwittingly save you. But it never works that way. Your condition is written all over your face, in the hunch of your shoulders, in the hollowness of your laugh. You fool no one. Believe me in this; I've tried all the tricks of the lonely man.

Everything God does and everything God calls us to only make sense from the perspective of eternity. If there is no end to the story, believers are a bunch of fools who need to be pitied. There is no reason for what we have tried to do. But there is a final chapter! God has opened it up so that we could look in and then look back to our lives with understanding and hope.

Europeans eventually took to coffee with a passion. Pope Clement VIII, who died in 1605, supposedly tasted the Muslim drink at the behest of his priests, who wanted him to ban it. “Why, this Satan’s drink is so delicious,” he reputedly exclaimed, “that it would be a pity to let the infidels have exclusive use of it. We shall fool Satan by baptizing it and making it a truly Christian beverage.

let not thy sword skip one: Pity not honour'd age for his white beard; He is an usurer: strike me the counterfeit matron; It is her habit only that is honest, Herself's a bawd: let not the virgin's cheek Make soft thy trenchant sword; for those milk-paps, That through the window-bars bore at men's eyes, Are not within the leaf of pity writ, But set them down horrible traitors: spare not the babe, Whose dimpled smiles from fools exhaust their mercy; Think it a bastard, whom the oracle Hath doubtfully pronounced thy throat shall cut, And mince it sans remorse: swear against objects; Put armour on thine ears and on thine eyes; Whose proof, nor yells of mothers, maids, nor babes, Nor sight of priests in holy vestments bleeding, Shall pierce a jot. There's gold to pay soldiers: Make large confusion; and, thy fury spent, Confounded be thyself! Speak not, be gone.

Christian missions to India imply that India is a land of heathens, and, therefore, stands on the same level with the Andaman or the Fiji Islands. That a country which has been recognised in all ages the world over as the mother of all religions and the cradle of civilisation should be considered as pagan, shows how much ignorance prevails in Christendom. Since the Parliament of Religions, I have been studying Christian institutions, and I have also studied the way in which the Christian ministers and the missionaries are manufactured in this country, and have learned to pity them. We must not blame them too severely, because their education is too narrow to make them broad-minded. I grant that they are good-hearted, that they are good husbands and often fathers of large families, but generally they are very ignorant, especially of the history of civilisation and of the philosophy of religion of India. Most of them do not even know the history of ancient India. We know that in this age of competition, centralisation, and monopoly, very many people are forced out of business. The English say, 'The fool of the family goes into the Church'; so that when a youth is unable to make a living, he takes to missionary work, goes to India, and helps to introduce among the Hindus the doctrines of his church, which have long since been exploded by science.

whether it's the bitter treasury of folk wisdom or sweet adages and dicta, whether it's the dust of the bedamned or the dismay of the beloved, the sacks of bums or Judas's sums, whether it's movement from or standing by, the lies of the defrauded or the truths of the defamed, whether war or peace, whether stages or studios, taints or torments, whether darkness or light, hatred or pity, in life and beyond it—whether it's any of these, or anything else, you have to make good sense of it.

court circles too. Melbourne was now fully aware of the rift, even though the duchess had begged Victoria not to tell him, but did nothing to bridge it. Victoria started to pity her depressed mother. It was a fool’s mission, but the loyal duchess continued to try to rehabilitate Conroy. In November, she asked Victoria to allow him to come to the Guildhall banquet. If Victoria did not like him, then she asked her to “at least forgive, and do not exclude and mark him and his family.” She continued: “The

Reason. Ah, Lady Soul, says Reason, you have two laws, your own and ours; ours for belief and yours for love; and therefore you say to us what you please, and so you have called those whom we nurture7 fools and asses. The Soul. The men whom I call asses, says this Soul, seek God in creatures, through worshipping in churches, in paradises they create, in the words of men and in their writings. Ah, truly, says this Soul, in such men Benjamin is not born, for Rachel still lives8 in them; and Rachel must die at Benjamin’s birth, and till Rachel is dead Benjamin cannot be born. It seems to beginners that men such as these, who seek God in this way, up hill and down dale, think that God is subject to his sacraments and to his works. Alas, they suffer such trials that it is pitiful, 9 and they will go on suffering them, says the Soul, so long as they maintain this way of life and such practices. But those men spend their time well and profitably who do not worship God only in temples and in churches, 10 but worship him everywhere11 through union with the divine will.

And now at last the Earth was dead. The final pitiful survivor had perished. All the teeming billions; the slow aeons; the empires and civilizations of mankind were summed up in this poor twisted form—and how titanically meaningless it had all been! Now indeed had come an end and climax to all the efforts of humanity—how monstrous and incredible a climax in the eyes of those poor complacent fools in the prosperous days! Not ever again would the planet know the thunderous tramping of human millions—or even the crawling of lizards and the buzz of insects, for they, too, had gone. Now was come the reign of sapless branches and endless fields of tough grasses. Earth, like its cold, imperturbable moon, was given over to silence and blackness forever. The stars whirled on; the whole careless plan would continue for infinities unknown. This trivial end of a negligible episode mattered not to distant nebulae or to suns newborn, flourishing, and dying. The race of man, too puny and momentary to have a real function or purpose, was as if it had never existed. To such a conclusion the aeons of its farcically toilsome evolution had led.

Years ago a friend of mine and I used to frequent a market in Baltimore where we would eat oysters and drink Very Large Beers from 32-ounce Styrofoam cups. One of the regulars there had the worst toupee in the world, a comical little wig taped in place on the top of his head. Looking at this man and drinking our VLBs, we developed the concept of the Soul Toupee. Each of us has a Soul Toupee. The Soul Toupee is that thing about ourselves we are most deeply embarrassed by and like to think we have cunningly concealed from the world, but which is, in fact, pitifully obvious to everybody who knows us. Contemplating one’s own Soul Toupee is not an exercise for the fainthearted. Most of the time other people don’t even get why our Soul Toupee is any big deal or a cause of such evident deep shame to us, but they can tell that it is because of our inept, transparent efforts to cover it up, which only call more attention to it and to our self-consciousness about it, and so they gently pretend not to notice it. Meanwhile we’re standing there with our little rigid spongelike square of hair pasted on our heads thinking: Heh—got ’em all fooled!

A man goes to knowledge as he goes to war, wide-awake, with fear, with respect, and with absolute assurance. Going to knowledge or going to war in any other manner is a mistake, and whoever makes it will live to regret his steps." I asked him why was it so and he said that when a man has fulfilled those four requisites there are no mistakes for which he will have to account; under such conditions his acts lose the blundering quality of a fool’s acts. If such a man fails, or suffers a defeat, he will have lost only a battle, and there will be no pitiful regrets over that.

The rhododendron, growing every minute somewhere in Alpine meadows, are far happier than we, for they know neither love, nor hate, nor the Perillo slipper system, and they don't even die, since all nature, excepting man, is one undying, indestructible whole. If one tree somewhere in the forest perishes from old age, before dying, it gives the wind so many seeds, and so many new trees grow up around it on the land, near and far, that the wold tree, especially the rhododendron doesn't mind dying. [...] Only man minds and feels bitter, and burdened as he is with egotistical pity for himself.

Women, though they do not seem to know it themselves, like far better to obey than to be obeyed. They pretend to be our equals, but they know jolly well themselves that they are not – luckily for them, for if they were our equals we should like them far less. I think on the whole much better of women than of men, but I do not tell it to them. They have far more courage, they face disease and death much better than we do, they have more pity and less vanity. Their instinct is on the whole a safer guide through their life than our intelligence, they do not make fools of themselves as often as we do.

Wooster!’ he cried, emitting an animal snarl. ‘I didn’t come here to talk about my head, I came to talk about Wooster, the slithery serpent who slinks behind chaps’ backs, stealing fellows’ girls from them. Wooster the home-wrecker! Wooster the snake in the grass from whom no woman is safe! Wooster the modern Don what’s-his-name! You’ve been conducting a clandestine intrigue with him right along. You thought you were fooling me, didn’t you? You thought I didn’t see through your pitiful … your pitiful … Dammit, what’s the word? … your pitiful … No, it’s gone.’ ‘I wish you would follow its excellent example.

Cat!” Rhett shook her. “Stop that. The cat’s not important. Where are the stables, Scarlett? We need horses.” “Oh, you fool,” said Scarlett. Her strained voice was heavy with loving pity. “You don’t know what you’re saying. Let me go. I’ve got to find Cat—Katie O’Hara, called Cat. She’s your daughter.” Rhett’s hands closed painfully on Scarlett’s arms. “What the devil are you talking about?” He looked down into her face, but he couldn’t make out her expression in the darkness. “Answer me, Scarlett,” he demanded, and he shook her. “Let go of me, damn you! There’s no time for explanations now. Cat must be here someplace, but it’s dark, and she’s all alone. Let go, Rhett, and ask your questions later. All that isn’t important now.” Scarlett tried to break free, but he was too strong. “It’s important to me.” His voice was rough with urgency. “All right, all right. It happened when we went sailing and the storm came. You remember. I found out I was pregnant in Savannah, but you hadn’t come for me, and I was angry, so I didn’t tell you right away. How was I to know you would be married to Anne before you could hear about the baby?” “Oh, dear God,” Rhett groaned, and he released Scarlett. “Where is she?” he said. “We’ve got to find her.” “We

It isn’t pretty, he wanted to say, it’s lonely, it’s desolate, it’s a chilling portrait of vastness. How ignorant are you to look at this and diminish it to some kind of trinket, are you dead? It’s the human condition! It’s the entire universe itself! It’s the depths of spacetime you utter fucking philistine and how dare you, how fucking dare you stand there and fail to weep? What kind of sad, unremarkable nothingness have you so callously lived that you can witness the splendor of her existence and not fall to your knees for having missed it, for having misunderstood it all this time? Pretty, that’s what you think this is? You think that’s all she’s capable of? You fool, she’s done the impossible. She has explained everything there is to know about the world in less than the time it took for your eyes to fully focus, and do you realize that I will spend a lifetime trying to do the same and never come close? This is an opus!, this is a triumph!, this is the meaning of life and you would think the answer would be satire, but it isn’t, it’s Truth. She told the Truth like you could never dream of telling it, and I pity you, that you could see the inside of your own soul and reduce it like this, so pitilessly. So carelessly. With the vacuous deficiency of, Oh, this is pretty.

And now I will tell a fable for princes who themselves understand. Thus said the hawk to the nightingale with speckled neck, while he carried her high up among the clouds, gripped fast in his talons, and she, pierced by his crooked talons, cried pitifully. To her he spoke disdainfully: “Miserable thing, why do you cry out? One far stronger than you now holds you fast, and you must go wherever I take you, songstress as you are. And if I please, I will make my meal of you, or let you go. He is a fool who tries to withstand the stronger, for he does not get the mastery and suffers pain besides his shame.” So said the swiftly flying hawk, the long-winged bird.

Only a fool says in his heart There is no Creator, no King of kings, Only mules would dare to bray These lethal mutterings. Over darkened minds as these The Darkness bears full sway, Fruitless, yet, bearing fruit, In their fell, destructive way. Sterile, though proliferate, A filthy progeny sees the day, When Evil, Thought and Action mate: Breeding sin, rebels and decay. The blackest deeds and foul ideals, Multiply throughout the earth, Through deadened, lifeless, braying souls, The Darkness labours and gives birth. Taking the Lord’s abundant gifts And rotting them to the core, They dress their dish and serve it out Foul seeds to infect thousands more. ‘The Tree of Life is dead!’ they cry, ‘And that of Knowledge not enough, Let us glut on the ashen apples Of Sodom and Gomorrah.’ Have pity on Thy children, Lord, Left sorrowing on this earth, While fools and all their kindred Cast shadows with their murk, And to the dwindling wise, They toss their heads and wryly smirk. The world daily grinds to dust Virtue’s fair unicorns, Rather, it would now beget Vice’s mutant manticores. Wisdom crushed, our joy is gone, Buried under anxious fears For lost rights and freedoms, We shed many bitter tears. Death is life, Life is no more, Humanity buried in a tomb, In a fatal prenatal world Where tiny flowers Are ripped from the womb, Discarded, thrown away, Inconvenient lives That barely bloomed. Our elders fare no better, Their wisdom unwanted by and by, Boarded out to end their days, And forsaken are left to die. Only the youthful and the useful, In this capital age prosper and fly. Yet, they too are quickly strangled, Before their future plans are met, Professions legally pre-enslaved Held bound by mounting student debt. Our leaders all harangue for peace Yet perpetrate the horror, Of economic greed shored up Through manufactured war. Our armies now welter In foreign civilian gore. How many of our kin are slain For hollow martial honour? As if we could forget, ignore, The scourge of nuclear power, Alas, victors are rarely tried For their woeful crimes of war. Hope and pray we never see A repeat of Hiroshima. No more! Crimes are legion, The deeds of devil-spawn! What has happened to the souls Your Divine Image was minted on? They are now recast: Crooked coins of Caesar and The Whore of Babylon. How often mankind shuts its ears To Your music celestial, Mankind would rather march To the anthems of Hell. If humanity cannot be reclaimed By Your Mercy and great Love Deservedly we should be struck By Vengeance from above. Many dread the Final Day, And the Crack of Doom For others the Apocalypse Will never come too soon. ‘Lift up your heads, be glad’, Fools shall bray no more For at last the Master comes To thresh His threshing floor.

The only sound to break the silence was that of Hagrid hiccupping from behind his handkerchief. Harry glanced at Hagrid, who had just risked his own life to save Harry’s—Hagrid, whom he loved, whom he trusted, who had once been tricked into giving Voldemort crucial information in exchange for a dragon’s egg. . . . “No,” Harry said aloud, and they all looked at him, surprised: The firewhisky seemed to have amplified his voice. “I mean . . . if somebody made a mistake,” Harry went on, “and let something slip, I know they didn’t mean to do it. It’s not their fault,” he repeated, again a little louder than he would usually have spoken. “We’ve got to trust each other. I trust all of you, I don’t think anyone in this room would ever sell me to Voldemort.” More silence followed his words. They were all looking at him; Harry felt a little hot again, and drank some more firewhisky for something to do. As he drank, he thought of Mad-Eye. Mad-Eye had always been scathing about Dumbledore’s willingness to trust people. “Well said, Harry,” said Fred unexpectedly. “Yeah, ’ear, ’ear,” said George, with half a glance at Fred, the corner of whose mouth twitched. Lupin was wearing an odd expression as he looked at Harry. It was close to pitying. “You think I’m a fool?” demanded Harry. “No, I think you’re like James,” said Lupin, “who would have regarded it as the height of dishonor to mistrust his friends.

has knocked about a good deal out here,” yet he had somehow avoided being battered and chipped in the process. This last affair, however, made me seriously uneasy, because if his exquisite sensibilities were to go the length of involving him in pot-house shindies, he would lose his name of an inoffensive, if aggravating, fool, and acquire that of a common loafer. For all my confidence in him I could not help reflecting that in such cases from the name to the thing itself is but a step. I suppose you will understand that by that time I could not think of washing my hands of him. I took him away from Bankok in my ship, and we had a longish passage. It was pitiful to see how he shrank within himself.

To One in Bedlam With delicate, mad hands, behind his sordid bars, Surely he hath his posies, which they tear and twine; Those scentless wisps of straw, that miserably line His strait, caged universe, whereat the dull world stares, Pedant and pitiful. O, how his rapt gaze wars With their stupidity! Know they what dreams divine Lift his long, laughing reveries like enchaunted wine, And make his melancholy germane to the stars? O, lamentable brother! if those pity thee, Am I not fain of all thy lone eyes promise me; Half a fool's kingdom, far from men who sow and reap, All their days, vanity? Better than mortal flowers, Thy moon-kissed roses seem: better than love or sleep, The star-crowned solitude of thine oblivious hours

That accounts for his crying so. Poor creature!” ”Well--you must do the sticking--there's no help for it. I'll showyou how. Or I'll do it myself--I think I could. Though as it issuch a big pig I had rather Challow had done it. However, his basketo' knives and things have been already sent on here, and we can use'em.” ”Of course you shan't do it,” said Jude. ”I'll do it, since it mustbe done.” He went out to the sty, shovelled away the snow for the space of acouple of yards or more, and placed the stool in front, with theknives and ropes at hand. A robin peered down at the preparationsfrom the nearest tree, and, not liking the sinister look of thescene, flew away, though hungry. By this time Arabella had joinedher husband, and Jude, rope in hand, got into the sty, and noosed theaffrighted animal, who, beginning with a squeak of surprise, rose torepeated cries of rage. Arabella opened the sty-door, and togetherthey hoisted the victim on to the stool, legs upward, and while Judeheld him Arabella bound him down, looping the cord over his legs tokeep him from struggling. The animal's note changed its quality. It was not now rage, but thecry of despair; long-drawn, slow and hopeless. ”Upon my soul I would sooner have gone without the pig than have hadthis to do!” said Jude. ”A creature I have fed with my own hands.” ”Don't be such a tender-hearted fool! There's the sticking-knife--the one with the point. Now whatever you do, don't stick un toodeep.” ”I'll stick him effectually, so as to make short work of it. That'sthe chief thing.” ”You must not!” she cried. ”The meat must be well bled, and to dothat he must die slow. We shall lose a shilling a score if the meatis red and bloody! Just touch the vein, that's all. I was broughtup to it, and I know. Every good butcher keeps un bleeding long.He ought to be eight or ten minutes dying, at least.” ”He shall not be half a minute if I can help it, however the meat maylook,” said Jude determinedly. Scraping the bristles from the pig'supturned throat, as he had seen the butchers do, he slit the fat;then plunged in the knife with all his might. ”'Od damn it all!” she cried, ”that ever I should say it! You'veover-stuck un! And I telling you all the time--” ”Do be quiet, Arabella, and have a little pity on the creature!

True; but he pretends to too much wit, which annoys me. He is always upon stilts, and, in all his conversations, one sees him labouring to say smart things. Since he took it into his head to be clever, he is so difficult to please that nothing suits his taste. He must needs find mistakes in everything that one writes, and thinks that to bestow praise does not become a wit, that to find fault shows learning, that only fools admire and laugh, and that, by not approving of anything in the works of our time, he is superior to all other people. Even in conversations he finds something to cavil at, the subjects are too trivial for his condescension; and, with arms crossed on his breast, he looks down from the height of his intellect with pity on what everyone says.

I am a puny part of the great whole. Yes; but all animals condemned to live, All sentient things, born by the same stern law, Suffer like me, and like me also die. The vulture fastens on his timid prey, And stabs with bloody beak the quivering limbs: All’s well, it seems, for it. But in a while An eagle tears the vulture into shreds; The eagle is transfixed by shafts of man; The man, prone in the dust of battlefields, Mingling his blood with dying fellow men, Becomes in turn the food of ravenous birds. Thus the whole world in every member groans, All born for torment and for mutual death. And o’er this ghastly chaos you would say The ills of each make up the good of all! What blessedness! And as, with quaking voice, Mortal and pitiful ye cry, “All’s well,” The universe belies you, and your heart Refutes a hundred times your mind’s conceit. . . . What is the verdict of the vastest mind? Silence: the book of fate is closed to us. Man is a stranger to his own research; He knows not whence he comes, nor whither goes. Tormented atoms in a bed of mud, Devoured by death, a mockery of fate; But thinking atoms, whose far-seeing eyes, Guided by thoughts, have measured the faint stars. Our being mingles with the infinite; Ourselves we never see, or come to know. This world, this theatre of pride and wrong, Swarms with sick fools who talk of happiness. . . . Once did I sing, in less lugubrious tone, The sunny ways of pleasure’s general rule; The times have changed, and, taught by growing age, And sharing of the frailty of mankind, Seeking a light amid the deepening gloom, I can but suffer, and will not repine.50

Benedick sat down on a bench. He would write a love poem to Beatrice. The god of love… He made up a melody for his first line and hummed it. That sits above… He tried to develop the tune. And knows me… Hmmm. And knows me… How pitiful I deserve… He laughed to himself and gave up. How pitiful he deserved in singing, he meant. As for loving, well… Leander, who swam the Hellispont for love, Troilus, who used a go-between, and all the other famous lovers who fill the pages of poetry, were never as smitten by love as he had been. No, he couldn’t express it in verse. He had tried, but he couldn’t find a word that rhymed with ‘lady’, except ‘baby’, which was a silly rhyme. For ‘scorn’, ‘horn’. He laughed. That was a hard rhyme! For ‘school’, ‘fool’: that was a nonsense rhyme. Very bad rhyming. No, he wasn’t born under a rhyming star. He couldn’t woo with poetry.

Has it never occurred to you that that miserable clown may have a soul–a living, struggling human soul, tied down into that crooked hulk of a body and forced to slave for it? You that are so tender-hearted to everything–you that pity the body in its fool’s dress and bells–have you never thought of the wretched soul that has not even motley to cover its horrible nakedness? Think of it shivering with cold, stilled with shame and misery, before all those people–feeling their jeers that cut like a whip–their laughter, that burns like red-hot iron on the bare flesh! Think of it looking round–so helpless before them all–for the mountains that will not fall on it–for the rocks that have not the heart to cover it–envying the rats that can creep into some hole in the earth and hide; and remember that a soul is dumb–it has no voice to cry out–it must endure, and endure, and endure.

I don't understand,' Gamache said finally, bringing his eyes back to Myrna. 'Can you explain?' Myrna nodded. 'Pity and compassion are the easiest to understand. Compassion involves empathy. You see the stricken person as an equal. Pity doesn't. If you pity someone you feel superior.' 'But it's hard to tell one from the other,' Gamache nodded. 'Exactly. Even for the person feeling it. Almost everyone would claim to be full of compassion. It's one of the noble emotions. But really, it's pity they feel.' 'So pity is the near enemy of compassion,' said Gamache slowly, mulling it over. 'That's right. It looks like compassion, acts like compassion, but is actually the opposite of it. And as long as pity's in place there's not room for compassion. It destroys, squeezes out, the nobler emotion.' 'Because we fool ourselves into believing we're feeling one, when we're actually feeling the other.' 'Fool ourselves, and fool others,' said Myrna. 'And love and attachment?' asked Gamache. 'Mothers and children are classic examples. Some mothers see their job as preparing their kids to live in the big old world. To be independent, to marry and have children of their own. To live wherever they choose and do what makes them happy. That's love. Others, and we all see them, cling to their children. Move to the same city, the same neighborhood. Live through them. Stifle them. Manipulate, use guilt-trips, cripple them.' 'Cripple them? How?' 'By not teaching them to be independent.' 'But it's not just mothers and children,' said Gamache. 'No. It's friendships, marriages. Any intimate relationship. Love wants the best for others. Attachment takes hostages.' Gamache nodded. He'd seen his share of those. Hostages weren't allowed to escape, and when they tried tragedy followed.

The problem, Augustine came to believe, is that if you think you can organize your own salvation you are magnifying the very sin that keeps you from it. To believe that you can be captain of your own life is to suffer the sin of pride. What is pride? These days the word “pride” has positive connotations. It means feeling good about yourself and the things associated with you. When we use it negatively, we think of the arrogant person, someone who is puffed up and egotistical, boasting and strutting about. But that is not really the core of pride. That is just one way the disease of pride presents itself. By another definition, pride is building your happiness around your accomplishments, using your work as the measure of your worth. It is believing that you can arrive at fulfillment on your own, driven by your own individual efforts. Pride can come in bloated form. This is the puffed-up Donald Trump style of pride. This person wants people to see visible proof of his superiority. He wants to be on the VIP list. In conversation, he boasts, he brags. He needs to see his superiority reflected in other people’s eyes. He believes that this feeling of superiority will eventually bring him peace. That version is familiar. But there are other proud people who have low self-esteem. They feel they haven’t lived up to their potential. They feel unworthy. They want to hide and disappear, to fade into the background and nurse their own hurts. We don’t associate them with pride, but they are still, at root, suffering from the same disease. They are still yoking happiness to accomplishment; it’s just that they are giving themselves a D– rather than an A+. They tend to be just as solipsistic, and in their own way as self-centered, only in a self-pitying and isolating way rather than in an assertive and bragging way. One key paradox of pride is that it often combines extreme self-confidence with extreme anxiety. The proud person often appears self-sufficient and egotistical but is really touchy and unstable. The proud person tries to establish self-worth by winning a great reputation, but of course this makes him utterly dependent on the gossipy and unstable crowd for his own identity. The proud person is competitive. But there are always other people who might do better. The most ruthlessly competitive person in the contest sets the standard that all else must meet or get left behind. Everybody else has to be just as monomaniacally driven to success. One can never be secure. As Dante put it, the “ardor to outshine / Burned in my bosom with a kind of rage.” Hungry for exaltation, the proud person has a tendency to make himself ridiculous. Proud people have an amazing tendency to turn themselves into buffoons, with a comb-over that fools nobody, with golden bathroom fixtures that impress nobody, with name-dropping stories that inspire nobody. Every proud man, Augustine writes, “heeds himself, and he who pleases himself seems great to himself. But he who pleases himself pleases a fool, for he himself is a fool when he is pleasing himself.”16 Pride, the minister and writer Tim Keller has observed, is unstable because other people are absentmindedly or intentionally treating the proud man’s ego with less reverence than he thinks it deserves. He continually finds that his feelings are hurt. He is perpetually putting up a front. The self-cultivator spends more energy trying to display the fact that he is happy—posting highlight reel Facebook photos and all the rest—than he does actually being happy. Augustine suddenly came to realize that the solution to his problem would come only after a transformation more fundamental than any he had previously entertained, a renunciation of the very idea that he could be the source of his own solution.

I see around this marriage and beyond it. I’ll never again go for all the nonsense about marriage. Everybody you lay eyes on, except perhaps a few like you and me, is born of marriage. Do you see anything so exceptional or wonderful about it that makes it such a big deal? Why be fooling around to make this perfect great marriage? What’s it going to save you from? Has it saved anybody—the jerks, the fools, the morons, the schleppers, the jag-offs, the monkeys, rats, rabbits, or the decent unhappy people or what you call nice people? They’re all married or are born of marriages, so how can you pretend to me that it makes a difference that Bob loves Mary who marries Jerry? That’s for the movies. Don’t you see people pondering how to marry for love and getting the blood gypped out of them? Because while they’re looking for the best there is—and I figure that’s what’s wrong with you—everything else gets lost. It’s sad, it’s a pity, but it’s that way.

And, ach! what a beautiful skeleton you will make! And very soon, too, because you do not smile on your madly loving Svengali. You burn his letters without reading them! You shall have a nice little mahogany glass case all to yourself in the museum of the École de Médecine, and Svengali shall come in his new fur-lined coat, smoking his big cigar of the Havana, and push the dirty carabins* out of the way, and look through the holes of your eyes into your stupid empty skull, and up the nostrils of your high, bony sounding-board of a nose without either a tip or a lip to it, and into the roof of your big mouth, with your thirty-two big English teeth, and between your big ribs into your big chest, where the big leather lungs used to be, and say, “Ach! what a pity she had no more music in her than a big tom-cat!” And then he will look all down your bones to your poor crumbling feet, and say, “Ach! what a fool she was not to answer Svengali’s letters!

There is nothing so degrading as the constant anxiety about one's means of livelihood. I have nothing but contempt for the people who despise money. They are hypocrites or fools. Money is like a sixth sense without which you cannot make a complete use of the other five. Without an adequate income half the possibilities of life are shut off. The only thing to be careful about is that you do not pay more than a shilling for the shilling you earn. You will hear people say that poverty is the best spur to the artist. They have never felt the iron of it in their flesh. They do not know how mean it makes you. It exposes you to endless humiliation, it cuts your wings, it eats into your soul like a cancer. It is not wealth one asks for, but just enough to preserve one's dignity, to work unhampered, to be generous, frank, and independent. I pity with all my heart the artist, whether he writes or paints, who is entirely dependent for subsistence upon his art.

There is nothing so degrading as the constant anxiety about one’s means of livelihood. I have nothing but contempt for the people who despise money. They are hypocrites or fools. Money is like a sixth sense without which you cannot make a complete use of the other five. Without an adequate income half the possibilities of life are shut off. The only thing to be careful about is that you do not pay more than a shilling for the shilling you earn. You will hear people say that poverty is the best spur to the artist. They have never felt the iron of it in their flesh. They do not know how mean it makes you. It exposes you to endless humiliation, it cuts your wings, it eats into your soul like a cancer. It is not wealth one asks for, but just enough to preserve one’s dignity, to work unhampered, to be generous, frank, and independent. I pity with all my heart the artist, whether he writes or paints, who is entirely dependent for subsistence upon his art.

There is nothing so degrading as the constant anxiety about one's means of livelihood. I have nothing but contempt for the people who despise money. They are hypocrites or fools. Money is like a sixth sense without which you cannot make a complete use of the other five. Without an adequate income half the possibilities of life are shut off. The only thing to be careful about is that you do not pay more than a shilling for the shilling you earn. You will hear people say that poverty is the best spur to the artist. They have never felt the iron of it in their flesh. They do not know how mean it makes you. It exposes you to endless humiliation, it cuts your wings, it eats into your soul like a cancer. It is not wealth one asks for, but just enough to preserve one's dignity, to work unhampered, to be generous, frank, and independent. I pity with all my heart the artist, whether he writes or paints, who is entirely dependent for subsistence upon his art. (387)

And the young man takes pity on him — pity, you fool, why do you take pity on him? I thought — and in his eagerness to help he actually bends down and sets the old man on his shoulders, pick-a-back fashion. But this apparently helpless old man is a djinn, an evil spirit, a scoundrelly magician, and no sooner is he seated on the young man’s shoulders than he clamps his hairy, naked thighs round his benefactor’s throat in a vice-like grip and cannot be dislodged. Mercilessly he makes of the young man who has taken pity on him a beast of burden, spurs him on and on, pitilessly, relentlessly, never granting him a moment’s rest. The luckless young man is obliged to carry him wherever he asks, and from now on has no will of his own. He has become the beast of burden, the slave, of the old rascal: no matter if his knees give and his lips are parched with thirst, he is compelled, foolish victim of his own pity, to trot on and on, is fated to drag the wicked, infamous, cunning old man along for ever on his back.

that she, an invalid, a poor, afflicted cripple, should be able to love, should desire to be loved; that this child, this half-woman, this immature, impotent creature, should have the temerity (I cannot express it otherwise) to love, to desire, with the conscious and sensual love of a real woman. I had envisaged every possibility but this: that a being whom Fate had so maimed, who had not the strength to drag herself along, could dream of a lover, a beloved, that she should so horribly misunderstand me, who, after all, visited and went on visiting her simply out of pity. But the next moment I realized with a fresh shock that it was my own burning pity that, more than anything else, was to blame if this lonely girl, cut off as she was from the outside world, should fancy that she perceived in me, the foolish slave of my pity, the only man who was sympathetic enough to visit her day after day in her prison, signs of tender emotion. Whereas I, fool, hopeless simpleton that I was, had only seen in her a sufferer, a cripple, a child and not a woman. Not

He could remember all about it now; the pitiful figure he must have cut; the absurd way in which he had gone and done the very thing he had so often agreed with himself in thinking would be the most foolish thing in the world; and had met with exactly the consequences which, in these wise moods, he had always foretold were certain to follow, if he ever did make such a fool of himself. Was he bewitched by those beautiful eyes, that soft, half-open, sighing mouth which lay so close upon his shoulder only yesterday? He could not even shake off the recollection that she had been there; that her arms had been round him, once—if never again. He only caught glimpses of her; he did not understand her altogether. At one time she was so brave, and at another so timid; now so tender, and then so haughty and regal{164} proud. And then he thought over every time he had ever seen her once again, by way of finally forgetting her. He saw her in every dress, in every mood, and did not know which became her best. Even this morning how magnificent she had looked—her eyes flashing out upon him at the idea that, because she had shared his danger yesterday, she had cared for him the least!

The point is, you must show them how to live and not just teach them theory while contradicting yourself in practice, because cynicism, hypocrisy and insincerity are adult character traits that children have no way of appreciating. Children learn by imitating our behavior, and if it contradicts our thinking then at best they learn to simply ignore what we say and at worst become troubled by it. Suppose you teach them about the environmental devastation they will witness during their lives, and explain to them that it is being caused by burning fossil fuels, and that during their lives fossil fuels will disappear altogether with nothing to replace them … while continuing to burn hundreds of gallons of heating oil to heat an oversized house, driving all over creation in an oversized vehicle, jetting off to the tropics on brief winter holidays and going on shopping sprees to buy on a whim things you don’t need. Then what you would be teaching them is that you can’t be trusted. And this doesn’t help them; instead, it damages their spirit. It is better to have an ignorant fool for a parent than a well-informed hypocrite because being a fool is not a moral failing. Fools deserve pity and mercy; hypocrites—neither.

I encounter forms of this attitude every day. The producers who work at the Ostankino channels might all be liberals in their private lives, holiday in Tuscany, and be completely European in their tastes. When I ask how they marry their professional and personal lives, they look at me as if I were a fool and answer: “Over the last twenty years we’ve lived through a communism we never believed in, democracy and defaults and mafia state and oligarchy, and we’ve realized they are illusions, that everything is PR.” “Everything is PR” has become the favorite phrase of the new Russia; my Moscow peers are filled with a sense that they are both cynical and enlightened. When I ask them about Soviet-era dissidents, like my parents, who fought against communism, they dismiss them as naïve dreamers and my own Western attachment to such vague notions as “human rights” and “freedom” as a blunder. “Can’t you see your own governments are just as bad as ours?” they ask me. I try to protest—but they just smile and pity me. To believe in something and stand by it in this world is derided, the ability to be a shape-shifter celebrated. Vladimir Nabokov once described a species of butterfly that at an early stage in its development had to learn how to change colors to hide from predators. The butterfly’s predators had long died off, but still it changed its colors from the sheer pleasure of transformation. Something similar has happened to the Russian elites: during the Soviet period they learned to dissimulate in order to survive; now there is no need to constantly change their colors, but they continue to do so out of a sort of dark joy, conformism raised to the level of aesthetic act. Surkov himself is the ultimate expression of this psychology. As I watch him give his speech to the students and journalists, he seems to change and transform like mercury, from cherubic smile to demonic stare, from a woolly liberal preaching “modernization” to a finger-wagging nationalist, spitting out willfully contradictory ideas: “managed democracy,” “conservative modernization.” Then he steps back, smiling, and says: “We need a new political party, and we should help it happen, no need to wait and make it form by itself.” And when you look closely at the party men in the political reality show Surkov directs, the spitting nationalists and beetroot-faced communists, you notice how they all seem to perform their roles with a little ironic twinkle.

Cat!” Rhett shook her. “Stop that. The cat’s not important. Where are the stables, Scarlett? We need horses.” “Oh, you fool,” said Scarlett. Her strained voice was heavy with loving pity. “You don’t know what you’re saying. Let me go. I’ve got to find Cat—Katie O’Hara, called Cat. She’s your daughter.” Rhett’s hands closed painfully on Scarlett’s arms. “What the devil are you talking about?” He looked down into her face, but he couldn’t make out her expression in the darkness. “Answer me, Scarlett,” he demanded, and he shook her. “Let go of me, damn you! There’s no time for explanations now. Cat must be here someplace, but it’s dark, and she’s all alone. Let go, Rhett, and ask your questions later. All that isn’t important now.” Scarlett tried to break free, but he was too strong. “It’s important to me.” His voice was rough with urgency. “All right, all right. It happened when we went sailing and the storm came. You remember. I found out I was pregnant in Savannah, but you hadn’t come for me, and I was angry, so I didn’t tell you right away. How was I to know you would be married to Anne before you could hear about the baby?” “Oh, dear God,” Rhett groaned, and he released Scarlett. “Where is she?” he said. “We’ve got to find her.

Tonight, however, Dickens struck him in a different light. Beneath the author’s sentimental pity for the weak and helpless, he could discern a revolting pleasure in cruelty and suffering, while the grotesque figures of the people in Cruikshank’s illustrations revealed too clearly the hideous distortions of their souls. What had seemed humorous now appeared diabolic, and in disgust at these two favourites he turned to Walter Pater for the repose and dignity of a classic spirit. But presently he wondered if this spirit were not in itself of a marble quality, frigid and lifeless, contrary to the purpose of nature. ‘I have often thought’, he said to himself, ‘that there is something evil in the austere worship of beauty for its own sake.’ He had never thought so before, but he liked to think that this impulse of fancy was the result of mature consideration, and with this satisfaction he composed himself for sleep. He woke two or three times in the night, an unusual occurrence, but he was glad of it, for each time he had been dreaming horribly of these blameless Victorian works… It turned out to be the Boy’s Gulliver’s Travels that Granny had given him, and Dicky had at last to explain his rage with the devil who wrote it to show that men were worse than beasts and the human race a washout. A boy who never had good school reports had no right to be so morbidly sensitive as to penetrate to the underlying cynicism of Swift’s delightful fable, and that moreover in the bright and carefully expurgated edition they bring out nowadays. Mr Corbett could not say he had ever noticed the cynicism himself, though he knew from the critical books it must be there, and with some annoyance he advised his son to take out a nice bright modern boy’s adventure story that could not depress anybody. Mr Corbett soon found that he too was ‘off reading’. Every new book seemed to him weak, tasteless and insipid; while his old and familiar books were depressing or even, in some obscure way, disgusting. Authors must all be filthy-minded; they probably wrote what they dared not express in their lives. Stevenson had said that literature was a morbid secretion; he read Stevenson again to discover his peculiar morbidity, and detected in his essays a self-pity masquerading as courage, and in Treasure Island an invalid’s sickly attraction to brutality. This gave him a zest to find out what he disliked so much, and his taste for reading revived as he explored with relish the hidden infirmities of minds that had been valued by fools as great and noble. He saw Jane Austen and Charlotte Brontë as two unpleasant examples of spinsterhood; the one as a prying, sub-acid busybody in everyone else’s flirtations, the other as a raving, craving maenad seeking self-immolation on the altar of her frustrated passions. He compared Wordsworth’s love of nature to the monstrous egoism of an ancient bellwether, isolated from the flock.

Now there is this song on the saxophone. And I am ashamed. A glorious little suffering has just been born, an exemplary suffering. Four notes on the saxophone. They come and go, they seem to say: You must be like us, suffer in rhythm. All right! Naturally, I’d like to suffer that way, in rhythm, without complacence, without self-pity, with an arid purity. But is it my fault if the beer at the bottom of my glass is warm, if there are brown stains on the mirror, if I am not wanted, if the sincerest of my sufferings drags and weighs, with too much flesh and the skin too wide at the same time, like a sea-elephant, with bulging eyes, damp and touching and yet so ugly? No, they certainly can’t tell me it’s compassionate—this little jewelled pain which spins around above the record and dazzles me. Not even ironic: it spins gaily, completely self-absorbed; like a scythe it has cut through the drab intimacy of the world and now it spins and all of us, Madeleine, the thick-set man, the patronne, myself, the tables, benches, the stained mirror, the glasses, all of us abandon ourselves to existence, because we were among ourselves, only among ourselves, it has taken us unawares, in the disorder, the day to day drift: I am ashamed for myself and for what exists in front of it. It does not exist. It is even an annoyance; if I were to get up and rip this record from the table which holds it, if I were to break it in two, I wouldn’t reach it. It is beyond—always beyond something, a voice, a violin note. Through layers and layers of existence, it veils itself, thin and firm, and when you want to seize it, you find only existants, you butt against existants devoid of sense. It is behind them: I don’t even hear it, I hear sounds, vibrations in the air which unveil it. It does not exist because it has nothing superfluous: it is all the rest which in relation to it is superfluous. It is. And I, too, wanted to be. That is all I wanted; this is the last word. At the bottom of all these attempts which seemed without bonds, I find the same desire again: to drive existence out of me, to rid the passing moments of their fat, to twist them, dry them, purify myself, harden myself, to give back at last the sharp, precise sound of a saxophone note. That could even make an apologue: there was a poor man who got in the wrong world. He existed, like other people, in a world of public parks, bistros, commercial cities and he wanted to persuade himself that he was living somewhere else, behind the canvas of paintings, with the doges of Tintoretto, with Gozzoli’s Florentines, behind the pages of books, with Fabrizio del Dongo and Julien Sorel, behind the phonograph records, with the long dry laments of jazz. And then, after making a complete fool of himself, he understood, he opened his eyes, he saw that it was a misdeal: he was in a bistro, just in front of a glass of warm beer. He stayed overwhelmed on the bench; he thought: I am a fool. And at that very moment, on the other side of existence, in this other world which you can see in the distance, but without ever approaching it, a little melody began to sing and dance: “You must be like me; you must suffer in rhythm.

Keng's Disciple The disciple: "When I don't know people treat me like a fool. When I do know, the knowledge gets me into trouble. When I fail to do good. I hurt others. When I do good, I hurt myself. If I avoid my duty, I am remiss, But if I do it, I am ruined. How can I get out of these contradictions? This is what I came to ask you." ". . . .You are trying to sound The middle of the ocean With a six-foot pole. You have got lost and are trying To find your way back To your own true self. You find nothing But illegible signposts Pointing in all directions. I pity you." The disciple asked for admittance, Took a cell, and there Meditated, Trying to cultivate qualities He thought desirable And get rid of others Which he disliked. Ten days of that! Despair! ". . . Do not try To hold on to Tao - Just hope that Tao Will keep hold of you!" ". . . You want the first elements? The infant has them. Free from care, unaware of self, He acts without reflection, Stays where he is put, does not know why, Does not figure things out, Just goes along with them, Is part of the current. These are the first elements!" The disciple asked: Is this perfection? Lao replied: "Not at all. It is only the beginning. This melts the ice. This enables you To unlearn, So that you can be led by Tao, Be a child of Tao If you persist in trying To attain what is never attained (It is Tao's gift!) If you persist in making effort To obtain what effort cannot get; If you persist in reasoning About what cannot be understood, You will be destroyed By the very thing you seek. To know when to stop to know When you can get no further By your own action, This is the right beginning!

Insanity is an inability to come to terms with reality. Don Quixote was definitely insane, because he couldn't come to terms. But there was a reason: the reality in which Don Quixote lived was a sordid and ugly reality … Don Quixote didn't want that. He wanted to live in a world where there was truth, and human dignity, and, yes, love.… Instead of giving up on it, he imposed his reality onto the real world. Where other people saw a filthy country hostel, he saw a castle! Where other people saw a flock of sheep, he saw a mighty army! Where other people saw a windmill, he saw a dragon. Yes, Don Quixote was a crazy old fool. But, you know, he was more honest about his dream than most people, and for that, I honor him. [...] I have committed myself, I have dedicated myself, to the pursuit of the dragon. And having made that commitment … all of a sudden, I can see him! There he is, right in front of me, clear as day.… You're so much bigger than I ever imagined, and I'm, I'm not so sure I like this. I mean, yes, you're glorious and beautiful, but you're ugly, too. Your breath reeks of death!… Am I so pitiful that you can sneer in my face like that? Yes, yes, you frighten me! You hurt me! I've felt your claws ripping through my soul! But I'm going to die someday, and before I can do that, I've got to face you, eyeball to eyeball. I've got to look you right in the eye, and see what's inside, but I'm not good enough to do that yet. I'm not experienced enough, so I'm going to have to start learning. Today. Here. Now. Come, dragon, I will fight you. Sancho Panza, my sword! (He picks up a sword from the desk behind him, which he unsheaths from its scabbard.) For truth! For beauty! For art! Charge!

With a scowl, he turned from the window, but it was too late. The sight of Lady Celia crossing the courtyard dressed in some rich fabric had already stirred his blood. She never wore such fetching clothes; generally her lithe figure was shrouded in smocks to protect her workaday gowns from powder smudges while she practiced her target shooting. But this morning, in that lemon-colored gown, with her hair finely arranged and a jeweled bracelet on her delicate wrist, she was summer on a dreary winter day, sunshine in the bleak of night, music in the still silence of a deserted concert hall. And he was a fool. "I can see how you might find her maddening," Masters said in a low voice. Jackson stiffened. "Your wife?" he said, deliberately being obtuse. "Lady Celia." Hell and blazes. He'd obviously let his feelings show. He'd spent his childhood learning to keep them hidden so the other children wouldn't see how their epithets wounded him, and he'd refined that talent as an investigator who knew the value of an unemotional demeanor. He drew on that talent as he faced the barrister. "Anyone would find her maddening. She's reckless and spoiled and liable to give her husband grief at every turn." When she wasn't tempting him to madness. Masters raised an eyebrow. "Yet you often watch her. Have you any interest there?" Jackson forced a shrug. "Certainly not. You'll have to find another way to inherit your new bride's fortune." He'd hoped to prick Masters's pride and thus change the subject, but Masters laughed. "You, marry my sister-in-law? That, I'd like to see. Aside from the fact that her grandmother would never approve, Lady Celia hates you." She did indeed. The chit had taken an instant dislike to him when he'd interfered in an impromptu shooting match she'd been participating in with her brother and his friends at a public park. That should have set him on his guard right then. A pity it hadn't. Because even if she didn't despise him and weren't miles above him in rank, she'd never make him a good wife. She was young and indulged, not the sort of female to make do on a Bow Street Runner's salary. But she'll be an heiress once she marries. He gritted his teeth. That only made matters worse. She would assume he was marrying her for her inheritance. So would everyone else. And his pride chafed at that. Dirty bastard. Son of shame. Whoreson. Love-brat. He'd been called them all as a boy. Later, as he'd moved up at Bow Street, those who resented his rapid advancement had called him a baseborn upstart. He wasn't about to add money-grubbing fortune hunter to the list. "Besides," Masters went on, "you may not realize this, since you haven't been around much these past few weeks, but Minerva claims that Celia has her eye on three very eligible potential suitors." Jackson's startled gaze shot to him. Suitors? The word who was on his lips when the door opened and Stoneville entered. The rest of the family followed, leaving Jackson to force a smile and exchange pleasantries as they settled into seats about the table, but his mind kept running over Masters's words. Lady Celia had suitors. Eligible ones. Good-that was good. He needn't worry about himself around her anymore. She was now out of his reach, thank God. Not that she was ever in his reach, but- "Have you got any news?" Stoneville asked. Jackson started. "Yes." He took a steadying breath and forced his mine to the matter at hand.

But now, strange as it seems, a peasant's small, scrawny. light brown nag is harnessed to such a large cart, one of those horses he's seen it often that sometimes strain to pull some huge load of firewood or hay. Especially if the cart has gotten stuck in the mud or a rut. The peasants always whip the horse so terribly, so very painfully, sometimes even across its muzzle and eyes, and he would always feel so sorry, so very sorry to witness it that he would feel like crying, and his mother would always lead him away from the window. Now things are getting extremely boisterous: some very large and extremely drunken peasants in red and blue shirts, their heavy coats slung over their shoulders. come out of the tavern shouting, singing. and playing balalaikas. “Git in. everyone git in!" shouts one peasant, a young lad with a thick neck and a fleshy face, red as a beet, “I'll take ya all. Git in!" But there is a burst of laughter and shouting: “That ol’ nag ain't good for nothin'!" “Hey, Mikolka, you must be outta yer head to hitch that ol' mare to yer cart!" “That poor ol' horse must be twenty if she's a day, lads!" “Git in, I'll take ya all!" Mikolka shouts again,jumping in first, taking hold of the reins, and standing up straight in the front of the cart. “Matvei went off with the bay," he cries from the cart, “and as for this ol' mare here, lads, she's only breakin' my heart: I don't give a damn ifit kills ’er; she ain't worth her salt. Git in, I tell ya! I'll make 'er gallop! She’ll gallop, all right!" And he takes the whip in his hand, getting ready to thrash the horse with delight. "What the hell, git in!" laugh several people in the crowd. "You heard 'im, she'll gallop!" “I bet she ain't galloped in ten years!" "She will now!" “Don't pity 'er, lads; everyone, bring yer whips, git ready!" "That's it! Thrash 'er!" They all clamber into Mikolka's cart with guffaws and wisecracks. There are six lads and room for more. They take along a peasant woman, fat and ruddy. She's wearing red calico, a headdress trimmed with beads, and fur slippers; she‘s cracking nuts and cackling. The crowd’s also laughing; as a matter of fact, how could one keep from laughing at the idea of a broken down old mare about to gallop, trying to pull such a heavy load! Two lads in the cart grab their whips to help Mikolka. The shout rings out: “Pull!" The mare strains with all her might, but not only can’t she gallop, she can barely take a step forward; she merely scrapes her hooves, grunts, and cowers from the blows of the three whips raining down on her like hail. Laughter redoubles in the cart and among the crowd, but Mikolka grows angry and in his rage strikes the little mare with more blows, as if he really thinks she’ll be able to gallop. “Take me along, too, lads!" shouts someone from the crowd who’s gotten a taste of the fun. “Git in! Everyone, git inl" cries Mikolka. “She'll take everyone. I‘ll flog 'er!" And he whips her and whips her again; in his frenzy, he no longer knows what he’s doing. “Papa, papa," the boy cries to his father. “Papa, what are they doing? Papa, they‘re beating the poor horse!" “Let's go, let's go!" his father says. “They’re drunk, misbehaving, those fools: let’s go. Don't look!" He tries to lead his son away. but the boy breaks from his father‘s arms; beside himself, he runs toward the horse. But the poor horse is on her last legs. Gasping for breath, she stops, and then tries to pull again, about to drop. “Beat 'er to death!" cries Mikolka. ”That's what it's come to. I‘ll flog ‘er!" “Aren't you a Christian. you devil?" shouts one old man from the crowd. “Just imagine, asking an ol' horse like that to pull such a heavy load,” adds another. “You‘ll do 'er in!" shouts a third. “Leave me alone! She’s mine! I can do what I want with 'er! Git in, all of ya! Everyone git in I'm gonna make 'er gallop!

Compassion, forgiveness, a willingness to help, pity, love—that’s what they look for, and they use them against you. But those traits are not weaknesses. They’re strengths, and don’t ever let anyone convince you otherwise.” She shook her head. “Kevin’s an idiot. He can barely read. All my intelligence, and someone like him completely fooled me.” “You see the best in people. You can’t blame yourself for that.” She wiped the last of her tears away. “Then you can’t either.” Yardley looked at Tara, and then she took her daughter’s hand and held it as they drove.

Your friends aren’t afraid of that little scrap of mist, are they?” Reece asked with a sly smile.   “We’re Trateri,” Buck said, jutting his chin out and giving the other man a crazy grin. “We’re afraid of nothing.”   Eamon grunted, his expression even more severe than usual.   Reece’s lips twisted. “Then, you’re stupider than you look. Only a fool feels no fear in the face of that.”   He jerked his head toward the mist that waved at them with smoky tendrils.   “Doesn’t look too bad to me. No worse than the last time, at any rate.” Buck clapped a hand on Shea’s shoulder and tugged her in front of him. “And you forget, we have this one on our side. She wouldn’t lead us astray.”   A crafty expression dawned on Buck’s face. “Or is it that you’re the one afraid and you’re hoping for a little solidarity on this side?” His face turned understanding. “It’s okay. Not everyone can be as great as us. We understand and will console your pitiful fears.”   He held his arms out and gestured for Reece to come and give him a hug.   Reece looked at her friend like he thought he’d lost his mind. An apt reaction given Buck’s nature. Shea had to conceal a smile or else risk tipping Reece off to the game. It was rare for her cousin to be out-Reece’d, but it looked like Buck was more than capable of matching him.   “Go on,” Eamon rumbled. “His hugs are miraculous. They’ll soothe your mind.”   Reece got an odd expression on his face, and he slowly started backing away from the three of them. This time Shea’s mouth trembled with the need to laugh. She got her face under control and gave her cousin a sympathetic look, her eyes big.   “Yes, cousin. They’ll change your life.” Her voice sounded slightly strangled by the end.   Trenton snorted from where he leaned against the cliff.   Reece gave them a disgusted look and he stalked off without responding. Shea’s laugh burst from her before he’d even gone a few feet. It came from deep inside and nearly doubled her over.   Buck watched her with exasperation. “What was that face at the end? You looked like you were trying not to shit yourself. I’ve told you before that you have to fully commit or you’ll never be convincing.”   “You’re ridiculous,” Shea said, her laughter finally petering off. “Trying to make him hug you. What were you thinking?”   Buck shrugged and gave her a cat-like smile. “I was thinking his face irritated me and I wanted him to go away.”   Eamon lips tilted up as he watched the two of them with amusement. It was the equivalent of a laugh in the normally serious man.   “Pretty impressive stronghold if this is the only way into it,” Trenton said. “I assume few ever breech it.”   “Nothing human anyway,” Shea agreed. 

You can’t fill an empty bottle with it, you can’t wrap it up or put a bow on it, and you certainly can’t measure it. It has no weight, yet it can be as heavy as a mountain. It’s invisible, yet it can be as plain as the nose on your face. You won’t see it coming, yet it can hit you like a ton of bricks. It can knock you out. It can tickle you and make you laugh. It can move you to madness, and it can launch a thousand ships. It provokes you to do the craziest things. It can calm you, agitate you, motivate you, hurt you, and inspire you. No one knows where it comes from, why it is, or where it is going. You can’t force it, and you can’t ignore it. You can fight it tooth and nail, but odds are that it will be victorious. Sometimes it’s logical, and sometimes it makes no sense at all. I think we all experience it at one time or another. Some of us are much more susceptible to it than others. It makes us yearn, envy, hope, scheme, pity, and hate. Wise men and women will cherish it, and fools will take it for granted. Me? I don’t know if I’m a wise man or a fool—sometimes I’m one, and sometimes I’m the other. Sometimes I wish I’d never heard of it, and sometimes I believe I can’t live without it. Love,

You never thought of it! Here you are! ” said Mr. Heatley, fishing in his pocket. “ Take a pound. That ought to see you through.” “ No, sir. I don’t want it.” “ You don’t want it? ” “ I’d rather not,” I said. “ Why? ” he asked staring at me. This was difficult to answer because I had no idea why I did not want the money. “ Why? ” repeated Mr. Heatley. “ I want to be independent,” I replied, groping for words. “ It’s—it’s a sort of game, really. I want to manage on my own.” “ Oh well,” he said with a chuckle. “ It’s a sort of game, is it? A funny sort of game if you ask me! You’re a fool, Kirke, but perhaps it’s a pity there aren’t more fools of your kidney knocking about.

Web? Did Swift come aboard with you? The boy we spoke of before?” He halted and turned to my question. “Yes. Why do you ask?” “You recall that he is the boy that I asked you to talk with, the one who is Witted?” “Of course. That was why I was so pleased when he came to me and offered to be my ‘page’ if I would take him on and teach him. As if I knew what a page is supposed to do!” He laughed at such nonsense, and then sobered at my serious face. “What is it?” “I had sent him home. I discovered that he did not have his parents’ permission to be at Buckkeep at all. They think that he has run away, and are greatly grieved by his disappearance.” Web stood still and silent, digesting this news, his face showing no expression. Then he shook his head regretfully. “It must be a terrible thing for someone you love to vanish, and leave you always wondering what became of him.” An image of Patience sprang into my mind; I wondered if he had intended that his words prick me. Perhaps not, but the possible criticism made me irritable all the same. “I told Swift to go home. He owes his parents his labor until he either reaches his majority or is released by them.” “So some say,” Web said, in a tone that indicated he might disagree. “But there are ways parents can betray a child, and then I think the youngster owes them nothing. I think that children who are mistreated are wise to leave as swiftly as they can.” “Mistreated? I knew Swift’s father for many years. Yes, he will give a lad a cuff or a sharp word, if the boy has earned it. But if Swift claims he was beaten or neglected at home, then I fear that he lies. That is not Burrich’s way.” My heart sank that the boy could have spoken so of his father. Web shook his head slowly. He glanced at Thick to assure himself that the man was still sleeping and spoke softly. “There are other types of neglect and deprivation. To deny what unfolds inside someone, to forbid the magic that comes unbidden, to impose ignorance in a way that invites danger, to say to a child, ‘You must not be what you are.’ That is wrong.” His voice was gentle but the condemnation was without compassion. “He raises his son as he was raised,” I replied stiffly. It felt odd to defend him, for I had so often railed against Burrich for what he had done to me. “And he learned nothing. Not from having to deal with his own ignorance, not from what it did to the first lad he treated so. I try to pity him, but when I consider all that could have been, had you been properly educated from the time you were small—” “He did well by me!” I snapped. “He took me to his side when no one else would have me, and I’ll not hear ill spoken of him.

I’ve never felt better in my life!” he snapped, resuming his pacing. “You bet I’ve worked hard. My work is bigger than any job you can hope to imagine. It’s above anything that grubbing mechanics, like Rearden and my sister, are doing. Whatever they do, I can undo it. Let them build a track—I can come and break it, just like that!” He snapped his fingers. “Just like breaking a spine!” “You want to break spines?” she whispered, trembling. “I haven’t said that!” he screamed. “What’s the matter with you? I haven’t said it!” “I’m sorry, Jim!” she gasped, shocked by her own words and by the terror in his eyes. “It’s just that I don’t understand, but . . . but I know I shouldn’t bother you with questions when you’re so tired”—she was struggling desperately to convince herself—“when you have so many things on your mind . . . such . . . such great things . . . things I can’t even begin to think of . . .” His shoulders sagged, relaxing. He approached her and dropped wearily down on his knees, slipping his arms around her. “You poor little fool,” he said affectionately. She held onto him, moved by something that felt like tenderness and almost like pity. But he raised his head to glance up at her face, and it seemed to her that the look she saw in his eyes was part-gratification, part-contempt—almost as if, by some unknown kind of sanction, she had absolved him and damned herself.

She looked at Venturo Escana on the screen. It was as if some vital part of her, the one that was female and craved male contact, sex, and love, had withered. Somehow this man had managed to resuscitate it without doing anything at all. And he felt nothing except pity for her. The irony made her laugh. She would see him again on Monday. She had to make sure to not make a fool of herself.

I should have started saving for this years ago,” I observed sourly as Hap came in from outside. He set the lantern on its shelf before dropping into the other chair. I nodded at the pot on the table and he poured himself a cup of tea. The stacked coins on the table were a pitiful wall between us. “Too late to think that way,” he observed as he took his cup. “We have to start from where we are.

In the palm tree courtyard of the Villa Vinea, Nubia finished telling Aristo about her adventures in North Africa and Egypt. ‘Amazing,’ he kept saying. ‘That’s amazing.’ The jasmine-scented courtyard was dimly lit by bronze hanging lamps, some of them were reflected in the mirror smooth pool beside them. The silver light of the rising moon illuminated the tops of the four palm trees. ‘Tomorrow,’ said Aristo softly, ‘I am going to gather all the children together and begin to teach them. It’s what I know how to do, and it will keep them busy and occupied. Do you think that’s a good idea?’ ‘Yes,’ said Nubia. ‘That is a very good idea. You are a wonderful teacher, Aristo.’ The air was filled with the scent of jasmine, but as he moved a little closer she caught a subtle whiff of his musky lavender scent. It made her dizzy. ‘Nubia,’ he said softly. ‘I want to tell you something.’ The tone of his voice made her heart begin to pound. ‘Something you said a few days ago . . . about being old enough for love . . . For a long time I thought . . . But then Flavia said . . . and I couldn’t bear to think . . . I’ve been such a fool . . .’ Nubia couldn’t understand what he was saying. So she willed the pulsing roar in her ears to be quiet and when it was, she heard him say: ‘I loved Miriam so much!’ Nubia felt sick. How could she compete with the most beautiful girl in the Roman Empire? A girl whose beauty would never fade or grow wrinkled? She had been right not to tell Aristo her feelings. He would laugh at her. Or despise her. Or worst of all: pity her. In the darkness she felt him take her hand in his. The shock of his touch was so powerful that she almost cried out. ‘You’re trembling again,’ he said. ‘Are you cold?’ ‘No,’ she whispered. She wanted to cry out: Why do you still love Miriam? She never loved you. But I do. I will always love you. But she knew it would be the worst thing she could do. So instead she snatched her hand from his and ran upstairs and groped her way along the dim corridor to the bedroom and threw herself onto the bed. And in the lonely darkness, she wept.

I look back at that impotent time and I think, This is how ordinary people must feel every day. You poor, pitiful fools.

to slow her beautiful car and began the tedious task of leaving the glorious open countryside behind and instead navigating the increasingly frustrating, suffocating banality that was the twenty-first century urban environment. Finally, she pulled into one of her favourite waiting spots, not far from where he lived, and turned off the purring engine. Her heart was now beating so fast that she could hear it pounding in her ears. How soon before he came by and she could watch him approach? As she waited with the patience of a spider in the car, with the people passing by still casting admiring and envious glances at the Jaguar as they did so, she thought how funny life could be sometimes. When she’d been younger and far more foolish than today, she’d been so in love with Michael that she thought it might kill her. But in the end, he’d let her down, leaving her broken-hearted and bewildered. Why had he abandoned her? Why hadn’t her love been enough? How many weeks after he’d broken up with her did she torment herself with such questions? How long had she watched him, trailing after him in her less-conspicuous car, wanting and willing him to relent and take her back? Looking back on herself at that point in time, she could feel only pity and perhaps a little scorn for her old self. But she could forgive herself too. She’d been desperately, crazily, whole-heartedly in love with him, and love made fools of everyone, didn’t it? Odd to think, now, that if she hadn’t met Michael, she’d never have met the man who was destined to be her real love, her one true soulmate. Even more astonishing to realize that, when she’d first met him, she hadn’t been able to stand him! Mia shook her head now in remembrance of her own folly. To think, in the beginning, she’d been

It took me two decades to get where I am now. From pitiful scum living on the streets, surviving on crumbs and whatever I could lift from an unsuspecting pocket, to a man whose name demands respect. And inflicts fear. I did it all with my own two hands—clawing and taking—literally stepping over corpses. I might have left my home country as a beggar, but I returned as a ruler. I’m not going to let some goddamned cyberpunk make a fool of me.

The more pity that fools may not speak wisely what wise men do foolishly. ab

You are different, Bee. It will make some parts of your life very difficult. But if you always fall back on your differences to explain everything you dislike about the world, you will fall into self-pity.” p. 293 Fitz to Bee

Jone-athan, I just want something to drink that isn’t coffee. I know that this offends your sensibilities, and I’m sure that any one of your coffees is this glorious wonderland of flavor experiences that will delight my senses now and forever. But I’m a Philistine, an uncultured fool who has been despoiled by a culture that loads me up with sugary beverages and processed foodstuffs. I could no more appreciate your unparalleled coffee nectar than I could understand the genius of whatever art-house auteur director you currently love or whatever obscure musical group you and exactly four of your friends listen to. I will never be cool like you. I will never understand the secret beauty of this world the way you do. So, give me a cider and your pity and/or contempt, and we can both get on with our lives.

She followed Chase up the front steps onto a wide porch that seemed to wrap around the whole house. While the teenager had a long way to go before he was as hunky as his older brother, he was still pretty impressive. Good-looking, funny, easy to talk to. “I’ve been had,” she muttered more to herself than to him. “What do you mean?” “Maya got me out here early by implying you were neglected and pitiful all on your own. I thought I was going to be rescuing a lost waif.” Chase winked. “I am. Can’t you tell? Zane practically keeps me chained up in my room.” “Uh-huh. I’m all in tears over your broken spirit.

It has nothing to do with pity. I think it’s pretty fair: I give you something you want, and you give me something I want.” Jared chuckled, shaking his head. “Shit, you’re actually serious.” He raked a hand through his hair. “I can’t fucking believe you.” “Why?” Gabriel’s voice was calm and rational, as though Jared was the one spouting ridiculous things. “Just think about it and it will make perfect sense.” His expression softened. “You know how much you mean to me. It won’t gross me out if you kiss me sometimes. If it means I get to keep you, I’ll do it happily.” “That’s—that’s fucking crazy.” Gabriel looked as stubborn as ever. “It’s not. I like when you touch me. I wouldn’t be grossed out.” Jared let out a harsh laugh. “And you think it’d be enough for me? That you wouldn’t be grossed out? That you would stoically endure it? Really, Gabe?” A myriad of emotions flickered across Gabriel’s face until they settled into one clear expression of determination. Gabriel walked toward him. “Don’t,” Jared managed before Gabriel grabbed his face, rose on his toes and pressed their lips together. Jared was stronger and bigger than him. He could easily push him away. And yet, he couldn’t. Gabriel’s lips were very soft and plump—and Gabriel’s. His Gabriel’s. Jared couldn’t resist. Couldn’t fight himself. His lips moved. It was a stolen moment, something fucked up and hopeless, but all the years of watching and yearning had stripped away his control and he poured everything into the kiss. Everything he couldn’t say and everything he felt. Gabriel didn’t kiss back. He was completely still, just allowing it, and rage swept through Jared, a rage unlike anything he’d ever experienced before. Jared hardened the kiss to the point of bruising. He pried Gabriel’s lips open and thrust his tongue inside the warm, wet cavern of his mouth, the kiss becoming obscene and dirty. He wanted to shock him. He wanted to hurt him. He wanted to repulse him. But Gabriel didn’t push him away. He took it all, trusting him. And that made him stop. Jared wrenched his lips away and leaned his forehead against Gabriel’s, breathing raggedly. Damn you. He felt Gabriel touch his hair and then cup his face gently. Jared pulled back to look at him. Gabriel’s face was flushed, his expression a little bewildered, but he didn’t look disgusted. He wet his lips. “Did you like it?” Jared started laughing. He slid to the floor, rested his head in his hands and laughed, and laughed, and laughed. It was an awful sound, as if his throat had been cut, but he couldn’t stop. He felt empty. Disillusioned. He didn’t know what he’d expected. He certainly hadn’t expected that Gabriel would suddenly realize he was gay after one kiss, but… But maybe he had. A fool. A fucking fool. Gabriel sat down next to him and put an arm around his shoulders. “Jay—I’m sorry.” Jared said nothing. Gabriel leaned his cheek against Jared’s shoulder. “I love you,” he whispered, his voice tight with emotion. Jared closed his eyes. “Don’t.” Gabriel wrapped his other arm around Jared’s waist. “You can’t say I don’t feel it only because I don’t want you that way. I—” His voice thickened. “I love you in every way that matters. I love you so much it fucking scares me.

In a softer voice, I added, “And self-pitying tales of woe always bore me,

She dangled in mid-air, her skirt hooked up on the trellis, a pair of stockings and drawers on full display. "Tell me madam, have we met before?" he called up to her. "You look familiar, in an odd way." He pretended to think hard, rubbing his chin. "For pity's sake," she hissed, her voice muffled by the ivy. "Help me down you fool." "Hmmm. Let me consider it. Perhaps, for once, you ought to be polite to me and respectful for once. Or else you can hang there until Easter." "Suit yourself then! I can make my own way down." "Shall you swing from my chandelier as an encore?" he asked politely, greatly enjoying the show.

The Trail-Makers NORTH and west along the coast among the misty islands, Sullen in the grip of night and smiling in the day: Nunivak and Akutan, with Nome against the highlands, On we drove with plated prow agleam with frozen spray. Loud we sang adventuring and lustily we jested; Quarreled, fought, and then forgot the taunt, the blow, the jeers; Named a friend and clasped a hand—a compact sealed, attested; Shared tobacco, yarns, and drink, and planned surpassing years. Then—the snow that locked the trail where famine's shadow followed Out across the blinding white and through the stabbing cold, Past tents along the tundra over faces blotched and hollowed; Toothless mouths that babbled foolish songs of hidden gold. Wisdom, lacking sinews for the toil, gave over trying; Fools, with thews of iron, blundered on and won the fight; Weaklings drifted homeward; else they tarried—worse than dying— With the painted lips and wastrels on the edges of the night. Berries of the saskatoon were ripening and falling; Flowers decked the barren with its timber scant and low; All along the river-trail were many voices calling, And e'en the whimpering Malemutes they heard—and whined to go. Eyelids seared with fire and ice and frosted parka-edges; Firelight like a spray of blood on faces lean and brown; Shifting shadows of the pines across our loaded sledges, And far behind the fading trail, the lights and lures of town. So we played the bitter game nor asked for praise or pity: Wind and wolf they found the bones that blazed out lonely trails.... Where a dozen shacks were set, to-day there blooms a city; Now where once was empty blue, there pass a thousand sails. Scarce a peak that does not mark the grave of those who perished Nameless, lost to lips of men who followed, gleaning fame From the soundless triumph of adventurers who cherished Naught above the glory of a chance to play the game. Half the toil—and we had won to wealth in other station; Rusted out as useless ere our worth was tried and known. But the Hand that made us caught us up and hewed a nation From the frozen fastness that so long was His alone. . . . . . . Loud we sang adventuring and lustily we jested; Quarreled, fought, and then forgot the taunt, the blow, the jeers; Sinned and slaved and vanished—we, the giant-men who wrested Truth from out a dream wherein we planned surpassing years.

I revealed my affection towards my former employer and felt sick at myself for betraying him. My grandfather stood and poured me another tall glass. He offered me a sour tomato to take the edge off of the vodka. Pappy pulled his chair up next to mine then put his oversized arm around my shoulder and offered me his wisdom. "Feel no pity for this man James," he whispered. "A fool and his money are lucky to come together in the first place. More so, it's the responsibility of much smarter, more dubious men to party them," he finished.

I have agreed to walk with my mother late in the day but I’ve come uptown early to wander by myself, feel the sun, take in the streets, be in the world without the interceding interpretations of a companion as voluble as she. At Seventy-third Street I turn off Lexington and head for the Whitney, wanting a last look at a visiting collection. As I approach the museum some German Expressionist drawings in a gallery window catch my eye. I walk through the door, turn to the wall nearest me, and come face to face with two large Nolde watercolors, the famous flowers. I’ve looked often at Nolde’s flowers, but now it’s as though I am seeing them for the first time: that hot lush diffusion of his outlined, I suddenly realize, in intent. I see the burning quality of Nolde’s intention, the serious patience with which the flowers absorb him, the clear, stubborn concentration of the artist on his subject. I see it. And I think, It’s the concentration that gives the work its power. The space inside me enlarges. That rectangle of light and air inside, where thought clarifies and language grows and response is made intelligent, that famous space surrounded by loneliness, anxiety, self-pity, it opens wide as I look at Nolde’s flowers. In the museum lobby I stop at the permanent exhibit of Alexander Calder’s circus. As usual, a crowd is gathered, laughing and gaping at the wonderfulness of Calder’s sighing, weeping, triumphing bits of cloth and wire. Beside me stand two women. I look at their faces and I dismiss them: middle-aged Midwestern blondes, blue-eyed and moony. Then one of them says, “It’s like second childhood,” and the other one replies tartly, “Better than anyone’s first.” I’m startled, pleasured, embarrassed. I think, What a damn fool you are to cut yourself off with your stupid amazement that she could have said that. Again, I feel the space inside widen unexpectedly. That space. It begins in the middle of my forehead and ends in the middle of my groin. It is, variously, as wide as my body, as narrow as a slit in a fortress wall. On days when thought flows freely or better yet clarifies with effort, it expands gloriously. On days when anxiety and self-pity crowd in, it shrinks, how fast it shrinks! When the space is wide and I occupy it fully, I taste the air, feel the light. I breathe evenly and slowly. I am peaceful and excited, beyond influence or threat. Nothing can touch me. I’m safe. I’m free. I’m thinking. When I lose the battle to think, the boundaries narrow, the air is polluted, the light clouds over. All is vapor and fog, and I have trouble breathing. Today is promising, tremendously promising. Wherever I go, whatever I see, whatever my eye or ear touches, the space radiates expansion. I want to think. No, I mean today I really want to think. The desire announced itself with the word “concentration.” I go to meet my mother. I’m flying. Flying! I want to give her some of this shiningness bursting in me, siphon into her my immense happiness at being alive. Just because she is my oldest intimate and at this moment I love everybody, even her.

Now then, looking at this, and speaking as one optimist to another, do you think he could have cracked his own skull by being over-enthusiastic in staging an accident?” The doctor took the “cosh” with an amused smile. “Want me to try it out on myself? Speaking as one fool to another, which is what you were thinking of saying, I should say not. More in your line than mine, this. Oh, I see. Rubber loops. Quite a nice rebound. Of course, you could hit yourself, if you were a fakir or a contortionist. Try it on yourself, laddie. I’m here to attend to the lesions. You won’t get pneumonia, otherwise, ceteris paribus... Come along, put some spunk into it! Scotland for ever. I’ve met your scrum half, and he wasn’t half so careful of himself as you’re being.” “Deuce take it,” said Macdonald, “if I really try to hit the back of my own head—so,” and he bent his long head well forward, “I can’t regulate the blow. I don’t want to be laid out just now—but there is a possibility.” The surgeon had succumbed to mirth. He laughed till he shook. “Pity there isn’t a movie merchant at hand,” he spluttered. “Nothing Charlie Chaplin ever did is so funny as the sight of a Scots detective trying to hit the base of his own skull with a loaded rubber cosh. Man, ye’re a grand sicht!

If you can keep your head when all about you are losing theirs and blaming it on you, if you can trust yourself when all men doubt you, but make allowance for their doubting too…” he trailed off, brows drawing together in somber contemplation. Lily took up the recitation. Being an ardent admirer of all things Kipling—as evidenced by her choice in cat names—she knew many of his poems by heart. “If you can wait and not be tired by waiting, or being lied about, don’t deal in lies.” As if her words were a magnet, Richard’s eyes lifted from the page to her face. His normal look of quiet strength had fallen in a moment of thoughtful distraction, and behind it Lily could see doubt and the heavy weight of responsibility. Looking at her, yet seeming not to see her, he continued, heedless of the open book in his hand. “Or being hated, don’t give way to hating, and yet don’t look too good, nor talk too wise.” He stopped, breath stilled, as though the words themselves had stolen it. With a pang of pity, she continued the verse for him. “If you can dream—and not make dreams your master; if you can think—and not make thoughts your aim.” Her words recalled him, and he looked at her in wonder as if he really saw her for the first time. Joining her, their voices mingled as they stared deep into each other’s eyes. “If you can meet with Triumph and Disaster and treat those two impostors just the same; if you can bear to hear the truth you’ve spoken twisted by knaves to make a trap for fools, or watch the things you gave your life to, broken, and stoop and build ’em up with worn-out tools.

Because a human being who doesn't understand the essentials of being human, in other words, is a pitiful fool.

You’ll do well, if you don’t mire in self-pity. Self-pity only gets you more of the same. Don’t waste time on it.

As a booty or a spoil, captured, caught, with snare and toil. Selling pleasure, selling joy, Tantalizing, tortured toy; Tricked and trafficked, mocked and marred, Branded, baffled, scoffed and scarred! Wander, wander whither, why? Ye who pay while all pass by, Casting stones each at his sin As he spurns in you his kin. Fools of fortune, pity ye Your bejewelled poverty ! Hounded like a hare at bay, That no coup de grace will slay, Like a bird of broken wing, Wild, defiant, fluttering. Hither, thither, drearily, On and onward, wearily; Laughing, cursing to defy Stifled sob and surging sigh.

Yes, he's dead, the fool," sighed Daya Odish. "What a pity, I will miss him.

We cry to God Almighty, how can we escape this agony? Fool, don’t you have hands? Or could it be God forgot to give you a pair? Sit and pray your nose doesn’t run! Or, rather just wipe your nose and stop seeking a scapegoat.” —EPICTETUS, DISCOURSES, 2.16.13 The world is unfair. The game is rigged. So-and-so has it out for you. Maybe these theories are true, but practically speaking—for the right here and now—what good are they to you? That government report or that sympathetic news article isn’t going to pay the bills or rehab your broken leg or find that bridge loan you need. Succumbing to the self-pity and “woe is me” narrative accomplishes nothing—nothing except sapping you of the energy and motivation you need to do something about your problem. We have a choice: Do we focus on the ways we have been wronged, or do we use what we’ve been given and get to work? Will we wait for someone to save us, or will we listen to Marcus Aurelius’s empowering call to “get active in your own rescue—if you care for yourself at all—and do it while you can.” That’s better than just blowing your own nose (which is a step forward in itself). June

I pity the fool

Was she having… sex? Or trying to? The nobleman, I remembered. The golden prince, as she’d thought of him. My chest burned with an odd fury at the thought of her sharing pleasure with the fool. He’d been handsome enough for a human, but the man had only looked at my little one with pity, not lust. Had I read him wrong?

So many fools to pity, so little empathy.

Put Your Records On" Three little birds sat on my window. And they told me I don't need to worry. Summer came like cinnamon So sweet, Little girls double-dutch on the concrete. Maybe sometimes we've got it wrong, but it's alright The more things seem to change, the more they stay the same Oh, don't you hesitate. Girl, put your records on, tell me your favourite song You go ahead, let your hair down Sapphire and faded jeans, I hope you get your dreams, Just go ahead, let your hair down. You're gonna find yourself somewhere, somehow. Blue as the sky, sunburnt and lonely, Sipping tea in a bar by the roadside, (just relax, just relax) Don't you let those other boys fool you, Got to love that afro hair do. Maybe sometimes we feel afraid, but it's alright The more you stay the same, the more they seem to change. Don't you think it's strange? Girl, put your records on, tell me your favourite song You go ahead, let your hair down Sapphire and faded jeans, I hope you get your dreams, Just go ahead, let your hair down. You're gonna find yourself somewhere, somehow. 'Twas more than I could take, pity for pity's sake Some nights kept me awake, I thought that I was stronger When you gonna realise, that you don't even have to try any longer? Do what you want to. Girl, put your records on, tell me your favourite song You go ahead, let your hair down Sapphire and faded jeans, I hope you get your dreams, Just go ahead, let your hair down. Girl, put your records on, tell me your favourite song You go ahead, let your hair down Sapphire and faded jeans, I hope you get your dreams, Just go ahead, let your hair down. Oh, you're gonna find yourself somewhere, somehow

pity the fool who has the good fortune to fall for you,

Derrick.. I hope one day you find you a woman who loves you like my shan loved me. Whatever you do, boy, don't turn your back on her. If she says she needs you for something, don't matter how stupid it sounds or what deadline you got, you go to her and you do it. Screw books or whatever else. In the end, the only things that matter are the people in your life. The ones who make your life worth living and whose smiles light up your world. Don't ever push them aside for fair-weather friends. Everything else is just cheap window dressing that you can replace. But once them people are gone. ..You can't buy back time, Derrick ever. It's the only thing in life you can't get more of, and it's the one thing that will mercilessly tear you up when it's gone. It takes pity on no soul and no heart. And all those fools who tell you it gets easier in time are lying dumb-asses. Losing someone you really love don't never get easier. You just go a few hours longer without breaking down. That's all... that's all bro

There’s certain types of men, Tara, that look for the best in people and use it against them. Compassion, forgiveness, a willingness to help, pity, love—that’s what they look for, and they use them against you. But those traits are not weaknesses. They’re strengths, and don’t ever let anyone convince you otherwise.” She shook her head. “Kevin’s an idiot. He can barely read. All my intelligence, and someone like him completely fooled me.” “You see the best in people. You can’t blame yourself for that.

There is nothing as pitiful as a politician who is deficient in relaying untruths.

What is wrong about being right? And why should the wise respect the fools if the fools don’t respect the wise? Only very dishonest personalities feel offended by righteousness; and only the very stupid can feel offended by wisdom. But the capacity to offend the immoral and the stupid unintentionally is a skill only someone very ethically wise possesses. You have to be really outstanding in order to make those who need you the most, hate you. And to be hated by those you pity the most is a divine compliment.

you are a fool if you couldn’t understand the difference between duty and display. I wasn’t trying to be hero, it was my duty. Pity that you are not capable of understanding that.

you deserve success! But only if you do the right things; the market has no pity on fools.

So what is this death we fear? It’s our natural state. We may not like it, but it’s true. “Don’t feel sorry for the dead. Pity those that think they’ll never die, because they’re the real fools. You see, they live for everything other than life itself. But you. You know the secret. You understand the meaning you bring to this world.

Pity the fool who thinks the boundaries of his mortal mind are the boundaries of God the Almighty. Pity the ignorant who assume they can negotiate and settle debts with God. Do such people think God is a grocer who attempts to weigh our virtues and our wrongdoings on two separate scales?

If you want to ruin your son, never let him know a hardship. When he is a child carry him in your arms, when he becomes a youth still dandle him, and when he becomes a man still dry-nurse him, and you will succeed in producing an arrant fool. If you want to prevent his being made useful in the world, guard him from every kind of toil. Do not suffer him to struggle. Wipe the sweat from his dainty brow and say, “Dear child, thou shalt never have another task so arduous.” Pity him when he ought to be punished; supply all his wishes, avert all disappointments, prevent all troubles, and you will surely tutor him to be a reprobate and to break your heart. But put him where he must work, expose him to difficulties, purposely throw him into peril, and in this way you shall make him a man, and when he comes to do man’s work and to bear man’s trial, he shall be fit for either.

When wisdom is pure, Barclay explained, it is “cleansed of all ulterior motive.” It won’t be devious, always looking for a way to glorify self. When it is peaceable, it will “produce right relationships,” if possible. That isn’t always possible, but when wisdom is in charge, at least there is potential for healthy relating. When it is reasonable, wisdom “gives a man the right to forgive when strict justice gives him the perfect right to condemn.” You may have biblical permission to hold on to “strict justice,” but if you do, you erect another barrier to what God, in his mercy, might do in the situation. When wisdom is gentle, it is “willing to listen, willing to be persuaded, skilled in knowing when to wisely yield” and when to wisely stand firm. When it is full of mercy and good fruits, it will “offer mercy to any man who is in trouble, even if he has brought that trouble on himself.” (Even if he is a fool!) “We can never say we have truly pitied anyone until we have helped him.” But we must have the wisdom to understand what true help really is. No doubt, you have tried to help your fool, but if help is not motivated by godly wisdom, it can be deadly. When wisdom is unwavering, it is “not hesitant and vacillating; it means that it knows its own mind, chooses its own course, and abides by it,” Barclay wrote. And, he added, wisdom without hypocrisy “never deals in deception for its own ends. It is not the wisdom that is clever at putting on disguises and concealing its real aims and motives.” Note that the goal of seeking wisdom is not making your fool into a better person but rather making you into a healthy, fully functioning, godly person.

In the same way, critics who set out to talk about a fantasy novel in ignorance of the history and extensive theory of fantasy literature will make fools of themselves, because they don’t know how to read the book. They have no contextual information to tell them what its tradition is, where it’s coming from, what it’s trying to do, what it does. This was liberally proved when the first Harry Potter book came out and literary reviewers ran around shrieking about its incredible originality. This originality was an artifact of the reviewers’ blank ignorance of its genres, children’s fantasy and the British boarding-school story, plus the fact that they hadn’t read a fantasy since they were eight. It was pitiful. It was like watching a TV gourmet chef eat a piece of buttered toast and squeal, “But this is delicious! Unheard of! What genius invented it?

But we didn’t bring tents!” said a second mother. That mother was low in the hierarchy. Wore long, flowing dresses, in floral and paisley patterns. Once, drunk-dancing, she’d fallen into a potted plant. Bloodied her nose. I sensed some condescension coming toward her from the other parents. If they were being hunted, she’d be the first one abandoned by the herd. Sacrificed to a marauding lioness whose powerful jaws would rip and tear. Next vultures would peck indifferently at the leftovers. It would be sad, probably. Still, no one wanted that mother. We pitied the fool who would be implicated, down the road. “We’ll handle it,” said Terry.

Here is a lesson to you—do not envy the gods; pity us, for we are fixed in our divine function, while you are free to do as you please. We must be wise whereas you may be fools.

Brother, you men will never understand what a woman desires most in life. Fine clothes, delicious food, and honor are all incidental. What a woman wants is actually very simple: to be together for life. It's a pity that you men never understand, and I'm so glad I met him. I'm glad not for anything else, but that no matter how rich or poor our family was, he never had other thoughts. That fool has only had eyes for me from beginning to end, nothing else. ~~ Lin Qingwan

Brother, you men will never understand what a woman desires most in life. Fine clothes, delicious food, and honor are all incidental. What a woman wants is actually very simple: to be together for life. It's a pity that you men never understand, and I'm so glad I met him. I'm glad not for anything else, but that no matter how rich or poor our family was, he never had other thoughts. That fool has only had eyes for me from beginning to end, nothing else. -- Lin Qingwan, The Prestigious Family’s Young Lady and the Farmer [名门闺秀与农夫]

I am a puny part of the great whole. Yes; but all animals condemned to live, All sentient things, born by the same stern law, Suffer like me, and like me also die. The vulture fastens on his timid prey, And stabs with bloody beak the quivering limbs: All’s well, it seems, for it. But in a while An eagle tears the vulture into shreds; The eagle is transfixed by shafts of man; The man, prone in the dust of battlefields, Mingling his blood with dying fellow men, Becomes in turn the food of ravenous birds. Thus the whole world in every member groans, All born for torment and for mutual death. And o’er this ghastly chaos you would say The ills of each make up the good of all! What blessedness! And as, with quaking voice, Mortal and pitiful ye cry, “All’s well,” The universe belies you, and your heart Refutes a hundred times your mind’s conceit. . . . What is the verdict of the vastest mind? Silence: the book of fate is closed to us. Man is a stranger to his own research; He knows not whence he comes, nor whither goes. Tormented atoms in a bed of mud, Devoured by death, a mockery of fate; But thinking atoms, whose far-seeing eyes, Guided by thoughts, have measured the faint stars. Our being mingles with the infinite; Ourselves we never see, or come to know. This world, this theatre of pride and wrong, Swarms with sick fools who talk of happiness. . . . Once did I sing, in less lugubrious tone, The sunny ways of pleasure’s general rule; The times have changed, and, taught by growing age, And sharing of the frailty of mankind, Seeking a light amid the deepening gloom, I can but suffer, and will not repine.

Together the prince and princess could have defeated the King of Adarlan. But Nehemia was dead, and Celaena’s vow—her stupid, pitiful vow—was worth as much as mud when there were beloved heirs like Galan who could do so much more. She’d been a fool to make that vow.

Krita signifies the lucky or “well-made” throw, dvāpara (deuce) a throw of two points, tretā (trey) a throw of three points, and kali (from the verbal root kal, “to impel”) the total loss, indicated by a single point on the die. The word kali is not, as is often thought, the same as the name of the well-known goddess Kālī.4 However, since Kālī symbolizes both time and destruction, it does not seem farfetched to connect her specifically with the kali-yuga, though of course she is deemed to govern all spans and modes of time. The Tantras describe the first, golden age as an era of material and spiritual plenty. According to the Mahānirvāna-Tantra (1.20–29), people were wise and virtuous and pleased the deities and forefathers by their practice of Yoga and sacrificial rituals. By means of their study of the Vedas, meditation, austerities, mastery of the senses, and charitable deeds, they acquired great fortitude and power. Even though mortal, they were like the deities (deva). The rulers were high minded and ever concerned with protecting the people entrusted to them, while among the ordinary people there were no thieves, liars, fools, or gluttons. Nobody was selfish, envious, or lustful. The favorable psychology of the people was reflected outwardly in land producing all kinds of grain in plenty, cows yielding abundant milk, trees laden with fruits, and ample seasonable rains fertilizing all vegetation. There was neither famine nor sickness, nor untimely death. People were good-hearted, happy, beautiful, and prosperous. Society was well ordered and peaceful. In the next world age, the tretā-yuga, people lost their inner peace and became incapable of applying the Vedic rituals properly, yet clung to them anxiously. Out of pity, the god Shiva brought helpful traditions (smriti) into the world, by which the ancient teachings could be better understood and practiced. But humanity was set on a worsening course, which became obvious in the third world age. People abandoned the methods prescribed in the Smritis, and thereby only magnified their perplexity and suffering. Their physical and emotional illnesses increased, and as the Mahānirvāna-Tantra insists, they lost half of the divinely appointed law (dharma). Again Shiva intervened by making the teachings of the Samhitas and other religious scriptures available. With the rise of the fourth world age, the kali-yuga, all of the divinely appointed law was lost.

Gamache put his glass down. The condensation made his fingers slightly wet. Or was it the sweat that had suddenly appeared on his palms? The noises of the storm, the rain and hail pounding frantically on the window, the conversation and laughter inside the bistro receded. He leaned forward and spoke, his voice low. ‘Can you give me an example?’ ‘There are three couplings,’ said Myrna, herself leaning forward now, and whispering though she didn’t know why. ‘Attachment masquerades as Love, Pity as Compassion and Indifference as Equanimity.’ Armand Gamache was quiet for a moment, looking into Myrna’s eyes, trying to divine from them the deeper meaning of what she’d just said. There was a deeper meaning, he knew it. Something important had just been said. But he hadn’t understood it fully. His eyes drifted to the fireplace while Myrna leaned back in her overstuffed chair and swirled her red wine in its bulbous glass. ‘I don’t understand,’ Gamache said finally, bringing his eyes back to Myrna. ‘Can you explain?’ Myrna nodded. ‘Pity and compassion are the easiest to understand. Compassion involves empathy. You see the stricken person as an equal. Pity doesn’t. If you pity someone you feel superior.’ ‘But it’s hard to tell one from the other,’ Gamache nodded. ‘Exactly. Even for the person feeling it. Almost everyone would claim to be full of compassion. It’s one of the noble emotions. But really, it’s pity they feel.’ ‘So pity is the near enemy of compassion,’ said Gamache slowly, mulling it over. ‘That’s right. It looks like compassion, acts like compassion, but is actually the opposite of it. And as long as pity’s in place there’s not room for compassion. It destroys, squeezes out, the nobler emotion.’ ‘Because we fool ourselves into believing we’re feeling one, when we’re actually feeling the other.’ ‘Fool ourselves, and fool others,’ said Myrna. ‘And love and attachment?’ asked Gamache. ‘Mothers and children are classic examples. Some mothers see their job as preparing their kids to live in the big old world. To be independent, to marry and have children of their own. To live wherever they choose and do what makes them happy. That’s love. Others, and we all see them, cling to their children. Move to the same city, the same neighborhood. Live through them. Stifle them. Manipulate, use guilt-trips, cripple them.’ ‘Cripple them? How?’ ‘By not teaching them to be independent.’ ‘But it’s not just mothers and children,’ said Gamache. ‘No. It’s friendships, marriages. Any intimate relationship. Love wants the best for others. Attachment takes hostages.