Pity Pot Quotes

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It's all right to sit on your pity pot every now and again. Just be sure to flush when you are finished. Mrs. Miracle
Debbie Macomber (Mrs. Miracle (Angelic Intervention #4))
Humiliation is about shame. Becoming humble is about being of use to others. It helps you get off the self-pity pot and stop wallowing around in your own crap.
Amy Hatvany (Best Kept Secret)
You talk of her mind being unsettled. How the devil could it be otherwise in her frightful isolation? And that insipid, paltry creature attending her from duty and humanity ! From pity and charity ! He might as well plant an oak in a flower-pot, and expect it to thrive, as imagine he can restore her to vigour in the soil of his shallow cares!
Emily Brontë (Wuthering Heights)
all you get from sitting on the pity pot is a big ring around your butt.
Jerusha Jones (Hide & Find (Mayfield Mystery, #3))
There were friends all over London who would welcome his eagerly to their homes, who would throw open their guest rooms and their fridges, eager to condole and to help. The price of all of those comfortable beds and home-cooked meals, however, would be to sit at kitchen tables, once the clean-pajamaed children were in bed, and relive the filthy final battle with Charlotte, submitting to the outraged sympathy and pity of his friends' girlfriends and wives. To this he preferred grim solitude, a Pot Noodle and a sleeping bag.
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
A whining note had come into his voice, the tone of someone who had—in AA lingo—a ring around his ass from sitting on the pity-pot.
Stephen King (Fairy Tale)
Jim watched them eat, his eyes fixed on every morsel that entered their mouth. When the oldest of the four soldiers had finished he scraped some burnt rice and fish scales from the side of the cooking pot. A first-class private of some forty years, with slow, careful hands, he beckoned Jim forward and handed him his mess tin. As they smoked their cigarettes the Japanese smiled to themselves, watching Jim devour the shreds of fatty rice. It was his first hot food since he had left he hospital, and the heat and greasy flavour stung his gums. Tears swam in his eyes. The Japanese soldier who had taken pity on Jim, recognising that this small boy was starving, began to laugh good-naturedly, and pulled the rubber plug from his metal water-bottle. Jim drank the clear, chlorine-flavoured liquid, so unlike the stagnant water in the taps of the Columbia Road. He choked, carefully swallowed his vomit, and tittered into his hands, grinning at the Japanese. Soon they were all laughing together, sitting back in the deep grass beside the drained swimming-pool.
J.G. Ballard (Empire of the Sun)
You listen to me, and listen good!" she shouted, shocking me. "I am not evil because I have a thousand years of demon smut on my soul!" she exclaimed, the tips of her hair trembling and her face flushed. "Every time you disturb reality, nature has to balance it out. The black on your soul isn't evil, it's a promise to make up for what you have done. It's a mark, not a death sentence. And you can get rid of it given time." "Ceri, I'm sorry," I fumbled, but she wasn't listening. "You're an ignorant, foolish, stupid witch," she berated, and I cringed, my grip tightening on the copper spell pot and feeling the anger from her like a whip. "Are you saying because I carry the stink of demon magic, that I'm a bad person?" "No..." I wedged in. "That God will show no pity?" she said, green eyes flashing. "That because I made one mistake in fear that led to a thousand more that I will burn in hell?" "No. Ceri -" I took a step forward. "My soul is black," she said, her fear showing in her suddenly pale cheeks. "I'll never be rid of it all before I die, but it won't be because I'm a bad person but because I was a frightened one.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
Calypso took pity on him in some ways. She sent her invisible servants to leave bowls of stew and goblets of apple cider at the edge of the garden. She even sent him a few new sets of clothes—simple, undyed cotton pants and shirts that she must have made on her loom. They fit him so well, Leo wondered how she’d gotten his measurements. Maybe she just used her generic pattern for SCRAWNY MALE. Anyway, he was glad to have new threads, since his old ones were pretty smelly and burned up. Usually Leo could keep his clothes from burning when he caught fire, but it took concentration. Sometimes back at camp, if he wasn’t thinking about it, he’d be working on some metal project at the hot forge, look down, and realize his clothes had burned away, except for his magic tool belt and a smoking pair of underwear. Kind of embarrassing. Despite the gifts, Calypso obviously didn’t want to see him. One time he poked his head inside the cave and she freaked out, yelling and throwing pots at his head. Yeah, she was definitely on Team Leo. He ended up pitching a more permanent camp near the footpath, where the beach met the hills. That way he was close enough to pick up his meals, but Calypso didn’t have to see him and go into a pot-throwing rage.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
God Forgive Me,' I say, and feel pity for a Deity that must concern Himself with pots of preserve. Had I lordship of the Universe I should roll men lke marbles in the pan of space and never ask where they stopped or fell.
Jeanette Winterson (The Stone Gods)
We played checkers," said Czernobog, hacking himself another lump of pot roast. "The young man and me. He won a game, I won a game. Because he won a game, I have agreed to go with him and Wednesday, and help in their madness. And because I won a game, when this is all done, I get to kill the young man, with a blow of a hammer." The two Zoryas nodded gravely. "Such a pity," Zorya Vechernyaya told Shadow. "In my fortune for you, I should have said you would have a long life and a happy one, with many children." "That is why you are a good fortune-teller, said Zorya Utrennyaya. She looked sleepy, as if it were effort for her to be up so late. "You tell the best lies.
Neil Gaiman (American Gods (American Gods, #1))
For a long time she kept on smelling Pietro Crespi’s lavender breath at dusk, but she had the strength not to succumb to delirium. Úrsula abandoned her. She did not even raise her eyes to pity her on the afternoon when Amaranta went into the kitchen and put her hand into the coals of the stove until it hurt her so much that she felt no more pain but instead smelled the pestilence of her own singed flesh. It was a stupid cure for her remorse. For several days she went about the house with her hand in a pot of egg whites, and when the burns healed it appeared as if the whites had also scarred over the sores on her heart. The only external trace that the tragedy left was the bandage of black gauze that she put on her burned hand and that she wore until her death.
Gabriel García Márquez (One Hundred Years of Solitude: Gabriel Garcí­a Márquez (SparkNotes Literature Guide))
has knocked about a good deal out here,” yet he had somehow avoided being battered and chipped in the process. This last affair, however, made me seriously uneasy, because if his exquisite sensibilities were to go the length of involving him in pot-house shindies, he would lose his name of an inoffensive, if aggravating, fool, and acquire that of a common loafer. For all my confidence in him I could not help reflecting that in such cases from the name to the thing itself is but a step. I suppose you will understand that by that time I could not think of washing my hands of him. I took him away from Bankok in my ship, and we had a longish passage. It was pitiful to see how he shrank within himself.
Joseph Conrad (Joseph Conrad: The Complete Novels)
Far, far better to die. One by one the rest of the Zavaedis came to cast their stones for either exoneration, exile, or death. Some spoke to the assembly of their reasons why, others simply placed the stone according to their choice. Unfortunately, his mother’s plea moved many people to pity him. When all the rocks had piled up, the orange mat held the most stones. Exile. Kavio swallowed hard to conceal his reaction. You have murdered me all the same. Father pounded the rain stick. “Kavio, you have been found guilty of the most heinous of crimes—hexcraft. Though you remain a member of the secret societies that initiated you and are therefore spared death, nonetheless you are forbidden to enter the Labyrinth, to take with you anything from the Labyrinth, or to study with any dancing society of the Labyrinth. Do you understand and acknowledge your punishment?” “I understand it all too well,” Kavio said through gritted teeth. “But I will never acknowledge it as just.” “So be it,” Father said tonelessly. “Bring the pot of ashes.” Two warriors hefted a ceramic pot from where it had rested in the shadow of the tall platform. They forced Kavio to lean back while still on his knees. They smeared him with a paste and rubbed in the gray-black powder. His bare chest and clean shaven face disappeared under a scum of grey crud. Humiliation itched, but like poison ivy, he knew it would be worse if he scratched it. He forced himself still as stone while the warriors slapped on more mud. “You must wear mud and ash for the rest of your days,” the Maze Zavaedi concluded. His voice broke. “I am ashamed to call you my son.” Kavio struggled to his feet. The warriors escorting him surrounded him with a hedge of spears. Did they fear him, even now? “You never could just trust me, could you, Father?” Kavio asked. Father’s jaw jutted forward. A muscle moved in his neck. Otherwise, he might have been rock. “Escort my son out of the Labyrinth.
Tara Maya (Initiate (The Unfinished Song, #1))
Bel m'es quant ilh m'enfolhetis E·m fai badar e·n vau muzan! De leis m'es bel si m'escarnis O·m gaba dereir'o denan, Qu'apres lo mal me venra bes Be leu, s'a lieys ven a plazer." full poetry De dezir mos cor no fina Vas selha ren qu'ieu pus am; E cre que volers m'enguana Si cobezeza la'm tol; Que pus es ponhens qu'espina La dolor que ab joi sana; Don ja non vuelh qu'om m'en planha. Totz trassalh e bran et fremis Per s'Amor, durmen o velhan. Tal paor ai qu'ieu mesfalhis No m'aus pessar cum la deman, Mas servir l'ai dos ans o tres, E pueys ben leu sabra·n lo ver. Ni muer ni viu ni no guaris, Ni mal no·m sent e si l'ai gran, Quar de s'Amor no suy devis, Non sai si ja l'aurai ni quan, Qu'en lieys es tota la merces Que·m pot sorzer o decazer. Bel m'es quant ilh m'enfolhetis E·m fai badar e·n vau muzan! De leis m'es bel si m'escarnis O·m gaba dereir'o denan, Qu'apres lo mal me venra bes Be leu, s'a lieys ven a plazer. Translation The desire of my heart is endless and only devoted to her, beloved among all others. And my will, I guess, abuses me, if lust deprives me of her. For it's keener than a thorn, this pain that heals with joy, and for which I don't want to be pitied. I’m all quivering shaking and shuddering from the love I feel for her, either when I sleep or when I stay up. Such is my fear of dying from this love that I can’t envision how to speak to her. I will remain her servant two or three years perhaps, before letting her know my feeling. Neither dying nor living nor healing, I don’t feel any pain of my sickness, despite its tremendous intensity. I’m unable to scrutinize the mystery of her love, I don’t know whether she will agree to my passion, and even less when that could occur. For in her lies the entire Mercy that can lead me to enhance or to decay. And I find magnificent that she panics me to this point, leaves me with a gaping mouth and bewildered! I enjoy when she scorns me, makes fun of me in my absence or even in front of me. For after the evil will come the good. And that can be soon, if such is her pleasure.
Sherrilyn Kenyon (Dragonbane (Dark-Hunter, #24; Lords of Avalon, #4; Were-Hunter, #8; Hellchaser, #7))
Harper walked over to her reception desk. “What’s with the Tyson look-alikes out there? I almost couldn’t get in here.” Pixie frowned. “Better go ask your boy-o. Famous rock star in the house.” Pixie accentuated her comment with the poke of her pen. Jeez, he was huge. And built. And shirtless. Okay, enough staring. Well, maybe just for another second. Trent was leaning over the guy, and she could tell from the wide-reaching spread of purple transfer lines that he was just beginning a sleeve on the other man’s lower arm. The guy in the chair might well be a rock star— although Harper would never admit she had no clue who he was— but he was wincing. Harper could totally feel for him. Trent was in his usual position— hat on backward, gloves on, and perched on a stool. Harper approached them nervously. The big guy’s size and presence were a little intimidating. “I don’t bite.” Oh God. He was talking to her. “Excuse me?” He sucked air in between clenched teeth. “I said I don’t bite. You can come closer.” His blue eyes were sparkling as he studied her closely. Trent looked up. “Hey, darlin’,” he said, putting the tattoo machine down and reaching for her hand. “Dred, this is my girl, Harper. Harper, this is Dred Zander from the band Preload. He’s one of the other judges I told you about.” Wow. Not that she knew much about the kind of music that Trent listened to, but even she had heard of Preload. That certainly explained the security outside. Dred reached out his hand and shook hers. “Nice to meet you, Harper. And a pity. For a minute, I thought you were coming over to see me.” “No,” Harper exclaimed quickly, looking over at Trent, who was grinning at her. “I mean, no, I was just bringing Trent some cookies.” Holy shit. Was she really that lame? It was like that moment in Dirty Dancing when Baby told Johnny she carried a watermelon. Dred turned and smiled enigmatically at Trent. “I see what you mean, man.” “Give.” Smiling, Trent held out his hand. Reaching inside her bag, she pulled out the cookies and handed the container to him. “Seriously, dude, she’s the best fucking cook on the planet.” Trent paused to take a giant bite. “You got to try one,” he mumbled, offering the container over. Harper watched, mortified, as a modern-day rock legend bit into one of her cookies. Dred chewed and groaned. “These are almost as good as sex.” Harper laughed. “Not quite,” Trent responded, giving her a look that made her burn. “You should try her pot roast. Could bring a grown man to his knees.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
You see, Lady Celia?" he said in his harsh rasp. "A man can do anything he wants if he has a woman alone." Her pleasure died instantly. Had this just been about teaching her a lesson? Anger roared up in her. How dare he? Remembering the pistol, she shoved it up under his chin and cocked the hammer. "And if he does, the woman has a right to defend herself. Don't you agree?" The surprise on his face was immensely gratifying, but it didn't last long. Eyes narrowing, he leaned closer to hiss, "Go ahead then. Fire." She swallowed. Though there was no ball, the powder alone would do serious damage. She could never... While she hesitated, he removed the pistol from her numb fingers. His glittering gaze bore into her. "Never brandish a gun unless you're prepared to use it." She crossed her arms over her chest, feeling suddenly exposed. "Most men would be cowed by the very sight of a pistol," she muttered. "I wasn't." "You're not most men," she said tightly. He acknowledged that with a curt nod. Then he walked over to one of the pots, aimed down at the dirt, and fired. When the smoke cleared from the muzzle flash, he noted the lack of a hole in the dirt and faced her. "Powder." He glared at her. "Did it occur to you that unless you fired at point-blank range, you might merely anger the man you're aiming for?" "I only need it for men who get close to me," she bit out. "All the same, the next time you need to protect yourself, forget the pistol and bring your knee up between the man's legs as hard as you can. It'll make your point just as effectively and give you plenty of time to escape." Color flooded her cheeks. Since she had brothers, she knew what he meant, but it wasn't something she would ever have thought to do. A pity, for it would have served her well with Ned. "Why are you telling me this?" "I want you to know how to defend yourself if someone's taking liberties." "Even if the someone is you?" A strange light glinted in his eyes as he pocketed her pistol. "Especially if it's me." What did he mean by that? "Mr. Pinter, about our kiss..." "I was making a point," he said tersely. "Nothing more. Complain to your brothers about it and get me dismissed if you must, but don't worry-regardless of what you do, it won't happen again.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
I should have started saving for this years ago,” I observed sourly as Hap came in from outside. He set the lantern on its shelf before dropping into the other chair. I nodded at the pot on the table and he poured himself a cup of tea. The stacked coins on the table were a pitiful wall between us. “Too late to think that way,” he observed as he took his cup. “We have to start from where we are.
Robin Hobb (Fool's Errand (Tawny Man, #1))
I would have offered you refuge,” St. Just said, but he wasn’t willing to hide behind that fig leaf. “I would have offered you my adulterous bed, my coin, my home, my anything, Emmie. I know that now.” Another silence, which left him thinking perhaps his heedless abandonment of dignity had gone quite far enough, because Emmie looked more confused than thrilled with his proclamations. “I don’t understand, St. Just. I have lied to you and to my daughter. I was under your roof under false pretenses. I have taken advantage of your kindness, and I nearly succeeded in foisting my daughter off on you under the guise of my mendacity. Why would you want to have anything more to do with me?” “Do you recall my telling you once upon a time that I love you?” St. Just asked, rising, and leaning against the counter, hands in his pockets. “I do.” She stared at her hands. “It was not under circumstances where such declarations are made with a cool head.” “We’re in the kitchen now, Emmie,” he said very clearly. “It is late in the afternoon, a pot of tea on the table, and I am of passably sound mind, and sound, if somewhat tired, body. I am also fully clothed, albeit to my regret, as are you: I love you.” That was not an exercise in sacrificing dignity, he realized. It was an exercise in truth and honesty and regaining dignity. Perhaps for them both. As romantic declarations went, however, it was singularly unimpressive. “I see.” Emmie got up, chafing her arms as if cold, though the kitchen was the coziest room in the house. “You don’t believe me,” he said flatly. “You cannot believe me, more like.” “I am…” Emmie met his eyes fleetingly. “I do not trust myself very far these days, St. Just. You mustn’t think I am attributing my own capacity for untruth to you.” “I know how your mind works,” he said, advancing on her. “You think it a pity I believe myself to be in love with you, but you can’t help but notice that in some regards, we’d suit, and it would allow us both to have Winnie in our lives. That’s not good enough, Emmie Farnum.” ***
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
the tone of someone who had—in AA lingo—a ring around his ass from sitting on the pity-pot.
Stephen King (Fairy Tale)
I went into the dining-room, where four covered pots of soup stood on the table, and moved over to the bookshelves to the left of the fireplace. Here I kept two or three dozen works on architecture and sculpture, and a hundred or so plain texts of the standard English and French poets, stopping chronologically well short of our own day: Mallarmé and Lord de Tabley are my most modern versifiers. I have no novelists, finding theirs a puny and piffling art, one that, even at its best, can render truthfully no more than a few minor parts of the total world it pretends to take as its field of reference. A man has only to feel some emotion, any emotion, anything differentiated at all, and spend a minute speculating how this would be rendered in a novel—not just the average novel, but the work of a Stendhal or a Proust—to grasp the pitiful inadequacy of all prose fiction to the task it sets itself. By comparison, the humblest productions of the visual arts are triumphs of portrayal, both of the matter and of the spirit, while verse—lyric verse, at least—is equidistant from fiction and life, and is autonomous.
Kingsley Amis (The Green Man)
But we didn’t bring tents!” said a second mother. That mother was low in the hierarchy. Wore long, flowing dresses, in floral and paisley patterns. Once, drunk-dancing, she’d fallen into a potted plant. Bloodied her nose. I sensed some condescension coming toward her from the other parents. If they were being hunted, she’d be the first one abandoned by the herd. Sacrificed to a marauding lioness whose powerful jaws would rip and tear. Next vultures would peck indifferently at the leftovers. It would be sad, probably. Still, no one wanted that mother. We pitied the fool who would be implicated, down the road. “We’ll handle it,” said Terry.
Lydia Millet (A Children's Bible)