Pitcher Catcher Quotes

In the sixties, dear Bill, we did not say 'top' and 'bottom' - we said 'pitcher' and 'catcher'...

I take many things seriously. Rudyard Kipling, Harper Lee, Oscar Wilde, and Elmore Leonard are all held in the highest regard. I am dead serious when I discuss the many reasons that Ernest Hemingway’s greatest contribution to literature was his generous decision to take his own life. I will not be sucked into a discussion of politics by people who prefer emotion to reason. The designated hitter is an abomination, and the day pitchers and catchers report is the start of the new year despite what those ill-informed calendar makers might try to tell you.” “I

If T. S. Eliot had stayed in St Louis, he would never have held that April was the cruelest month. Well, unless he was a Browns fan. At this moment, in the ragged middle of February, it begins: beneath the snow, roots quicken. In the Deep South, already trees begin to bud. And all over the land – indeed, all over the world, in Japan, in the Caribbean, in Australia – a certain class of mammal, fubsy, amiable, sweet-natured, begins to twitch and wake from hibernation: the baseball fan. Is it the lengthening of the days? Is it some subtle signal that causes them to begin to emerge from a stupor only lightly disturbed by meetings of the Hot Stove League? Naw. It is the magic phrase, ‘pitchers and catchers to report….

Can I ask you a question?” I asked after a few minutes. “Sure.” “I’ve always wondered…what exactly do a catcher and pitcher discuss at the mound?” He studied me for a second, before finally saying, “Last night we talked about you.

I’m sorry. I know how much players have to focus, and I know not to be a distraction. I just got caught up in the moment, in the great game, in your terrific pitching.” But I felt a need to explain more. “Look, Jason, I love baseball. I love the crack of the bat hitting the ball. I love the seventh-inning stretch and singing ‘Take Me Out to the Ball Game.’ I love eating hot dogs and standing for the singing of the national anthem. I love doing the wave. I love Kiss Cam. I love that the game isn’t over until it’s over. “I love the thrill of a home run and the disappointment of an out at first. I love the way a batter stands at the plate and the catcher readies himself to receive the pitch. I love watching the pitcher windup. I love sitting in the stands and feeling like I’m part of the game. “And tonight, watching you pitch, I forgot that I’m only a small part—the spectator. Watching you, I felt like I was in the game, out on that field with you. You’re out there on the mound, living a dream that so few people ever experience. “I’m sorry, sorry that tonight I ruined the moment for you.” He was staring at me intently. I’d just bared my soul. Why didn’t he speak? What could he possibly be thinking? My nerves stretched taut. “Say something,” I demanded. “There’s nothing else to say,” he said in that quiet way he had. Then he lowered his head and kissed me.

Imagine a form of baseball in which the pitcher, after each delivery, collects the ball from the catcher and walks slowly with it out to centre field; and that there, after a minute's pause to collect himself, he turns and runs full tilt towards the pitcher's mound before hurling the ball at the ankles of a man who stands before him wearing a riding hat, heavy gloves of the sort used to handle radioactive isotopes, and a mattress strapped to each leg. Imagine moreover that if this batsman fails to hit the ball in a way that heartens him sufficiently to try to waddle sixty feet with mattresses strapped to his legs he is under no formal compulsion to run; he may stand there all day, and as a rule, does. If by some miracle he is coaxed into making a misstroke that leads to his being put out, all the fielders throw up their arms in triumph and have a hug. Then tea is called and everyone retires happily to a distant pavilion to fortify for the next siege. Now imagine all this going on for so long that by the time the match concludes autumn has crept in and all your library books are overdue. There you have cricket.

I’m sorry. I know how much players have to focus, and I know not to be a distraction. I just got caught up in the moment, in the great game, in your terrific pitching.” But I felt a need to explain more. “Look, Jason, I love baseball. I love the crack of the bat hitting the ball. I love the seventh-inning stretch and singing ‘Take Me Out to the Ball Game.’ I love eating hot dogs and standing for the singing of the national anthem. I love doing the wave. I love Kiss Cam. I love that the game isn’t over until it’s over. “I love the thrill of a home run and the disappointment of an out at first. I love the way a batter stands at the plate and the catcher readies himself to receive the pitch. I love watching the pitcher windup. I love sitting in the stands and feeling like I’m part of the game. “And tonight, watching you pitch, I forgot that I’m only a small part--the spectator. Watching you, I felt like I was in the game, out on that field with you. You’re out there on the mound, living a dream that so few people ever experience. “I’m sorry, sorry that tonight I ruined the moment for you.” He was staring at me intently. I’d just bared my soul. Why didn’t he speak? What could he possibly be thinking? My nerves stretched taut. “Say something,” I demanded. “There’s nothing else to say,” he said in that quiet way he had. Then he lowered his head and kissed me.

Taking the catcher’s place, he sank to his haunches and gestured to Arthur. “Throw some easy ones to begin with,” he called, and Arthur nodded, seeming to lose his apprehensiveness. “Yes, milord!” Arthur wound up and released a relaxed, straight pitch. Squinting in determination, Lilian gripped the bat hard, stepped into the swing, and turned her hips to lend more impetus to the motion. To her disgust, she missed the ball completely. Turning around, she gave Westcliff a pointed glance. “Well, your advice certainly helped,” she muttered sarcastically. “Elbows,” came his succinct reminder, and he tossed the ball to Arthur. “Try again.” Heaving a sigh, Lillian raised the bat and faced the pitcher once more. Arthur drew his arm back, and lunged forward as he delivered another fast ball. Lillian brought the bat around with a grunt of effort, finding an unexpected ease in adjusting the swing to just the right angle, and she received a jolt of visceral delight as she felt the solid connection between the bat and the leather ball. With a loud crack the ball was catapulted high into the air, over Arthur’s head, beyond the reach of those in the back field. Shrieking in triumph, Lillian dropped the bat and ran headlong toward the first sanctuary post, rounding it and heading toward second. Out of the corner of her eye, she saw Daisy hurtling across the field to scoop up the ball, and in nearly the same motion, throwing it to the nearest boy. Increasing her pace, her feet flying beneath her skirts, Lillian rounded third, while the ball was tossed to Arthur. Before her disbelieving eyes, she saw Westcliff standing at the last post, Castle Rock, with his hands held up in readiness to catch the ball. How could he? After showing her how to hit the ball, he was now going to tag her out? “Get out of my way!” Lillian shouted, running pellmell toward the post, determined to reach it before he caught the ball. “I’m not going to stop!” “Oh, I’ll stop you,” Westcliff assured her with a grin, standing right in front of the post. He called to the pitcher. “Throw it home, Arthur!” She would go through him, if necessary. Letting out a warlike cry, Lillian slammed full-length into him, causing him to stagger backward just as his fingers closed over the ball. Though he could have fought for balance, he chose not to, collapsing backward onto the soft earth with Lillian tumbling on top of him, burying him in a heap of skirts and wayward limbs. A cloud of fine beige dust enveloped them upon their descent. Lillian lifted herself on his chest and glared down at him. At first she thought that he had been winded, but it immediately became apparent that he was choking with laughter. “You cheated!” she accused, which only seemed to make him laugh harder. She struggled for breath, drawing in huge lungfuls of air. “You’re not supposed…to stand in front…of the post…you dirty cheater!” Gasping and snorting, Westcliff handed her the ball with the ginger reverence of someone yielding a priceless artifact to a museum curator. Lillian took the ball and hurled it aside. “I was not out,” she told him, jabbing her finger into his hard chest for emphasis. It felt as if she were poking a hearthstone. “I was safe, do you…hear me?” She heard Arthur’s amused voice as he approached them. “Actually, miss—” “Never argue with a lady, Arthur,” the earl interrupted, having managed to regain his powers of speech, and the boy grinned at him. “Yes, milord.” “Are there ladies here?” Daisy asked cheerfully, coming from the field. “I don’t see any.” Still smiling, the earl looked up at Lillian.

Wondering if Westcliff was going to reprimand the boys for allowing her and Daisy to play, Lillian said uneasily, “Arthur and the others—it wasn’t their fault—I made them let us into the game—” “I don’t doubt it,” the earl said over her shoulder. “You probably gave them no chance to refuse.” “You’re not going to punish them?” “For playing rounders on their off-time? Hardly.” Removing his coat, Westcliff tossed it to the ground. He turned to the catcher, who was hovering nearby, and said, “Jim, be a good lad and help field a few balls.” “Yes, milord!” The boy ran in a flash to the empty space on the west side of the green beyond the sanctuary posts. “What are you doing?” Lillian asked as Westcliff stood behind her. “I’m correcting your swing,” came his even reply. “Lift the bat, Miss Bowman.” She turned to look at him skeptically, and he smiled, his eyes gleaming with challenge. “This should be interesting,” Lillian muttered. Taking up a batter’s stance, she glanced across the field at Daisy, whose face was flushed and eyes over-bright in the effort to suppress a burst of laughter. “My swing is perfectly fine,” Lillian grumbled, uncomfortably aware of the earl’s body just behind hers. Her eyes widened as she felt his hands slide to her elbows, pushing them into a more compact position. As his husky murmur brushed her ears, her excited nerves seemed to catch fire, and she felt a flush spreading over her face and neck, as well as other body parts that, as far as she knew, there were no names for. “Spread your feet wider,” Westcliff said, “and distribute your weight evenly. Good. Now bring your hands closer to your body. Since the bat is a few inches too long for you, you’ll have to choke up on it—” “I like holding it at the base.” “It’s too long for you,” he insisted, “which is why you pull your swing just before you hit the ball—” “I like a long bat,” Lillian argued, even as he adjusted her hands on the willow handle. “The longer the better, as a matter of fact.” A distant snicker from one of the stable boys caught her attention, and she glanced at him suspiciously before turning to face Westcliff. His face was expressionless, but there was a glitter of laughter in his eyes. “Why is that amusing?” she asked. “I have no idea,” Westcliff said blandly, and turned her toward the pitcher again.

Typically, coaches—pitching coaches for pitchers and catchers, hitting coaches for hitters—meet with players before the start of every series to discuss which of their opponent’s players has been doing what lately. They also meet before each game with that day’s relevant players. By and large, many contemporary players ignore much of what they’re told.

Ruth had three more games to outdo himself. Number fifty-seven was a grand slam off Lefty Grove in Philadelphia. Numbers fifty-eight and fifty-nine came at home against the Washington Senators. The record-tying home run—a grand slam!—came off a rookie pitcher, Paul Hopkins, making his major-league debut. His catcher told him to throw only curves, so that’s what he did. The one Ruth hit, Hopkins told Sports Illustrated in 1998, was “so slow Ruth started to swing and then hesitated, hitched on it and brought the bat back. And then he swung, breaking his wrists as he came through it. What a great eye he had! He hit it at the right second. Put everything behind it.

The next day pitchers Yovani Gallardo and Shaun Marcum—with help from bullpen catcher Marcus Hanel—created a crime scene of sorts. Using athletic tape they made three figures of Braun out on the field. The first, affixed to a protective screen in front of third base, depicted Braun running with his right arm up in the air. The second depicted Braun facedown between third base and home plate. The third, positioned about two-thirds of the way toward the plate, depicted Braun on his side. All the silhouettes had Braun’s uniform number (8) on them. The trio even went so far as to tape a bat in front of the first prone figure, which represented a kind of speed bump.

Lerch and Bob Boone had just become the first pitcher-catcher duo in major-league history to homer before they took the field. (Forty years later, they are still the only ones.)

Morris pitches, as baseball may be the only organized profession in the world where theft is perfectly legal. There are virtually no rules about it. Instead, like suspected cattle rustling, it’s taken care of with an impromptu code of justice much like a batter getting hit by a pitch. It is not tolerated if discovered, and there are some who will resort to the threat of death. But everyone is up for grabs—the pitcher, the catcher, the third-base coach, the first-base coach, the manager, the bench coach—because of a tendency to inadvertently spill secrets.

I was on the old Senators back in the ’33 Series, and Monte Davis stole all the Giants’ signals. What good did it do us? We couldn’t lick ’em. Any first-class catcher can mix up signs so that wiseacre out there on second will be crossed up. If he signs in a fast ball and the pitcher serves a hook—well, you know the answer. That’s one reason you don’t find Scrapper Knight or the good hitters taking information. I want this club to play heads-up, percentage ball; most of all I want them to do their own thinking out there, not be relying on someone handing them the signals....

Be a Catcher's Mitt... not a Pitcher's Hand

Larry Bowa shouted at the pitcher. “Seven runs,” he called to Lerch. “That enough for you?” Lerch and Bob Boone had just become the first pitcher-catcher duo in major-league history to homer before they took the field. (Forty years later, they are still the only ones.) A six-foot-five left-hander with a delivery that was mostly knees and elbows, Lerch uncorked a first-pitch