Pit And The Pendulum Quotes

...the agony of my soul found vent in one loud, long and final scream of despair.

I call to mind flatness and dampness; and then all is madness - the madness of a memory which busies itself among forbidden things.

In death - no! even in the grave all is not lost. Else there is no immortality for man. Arousing from the most profound slumbers, we break the gossamer web of some dream. Yet in a second afterward, (so frail may that web have been) we remember not that we have dreamed.

In the deepest slumber-no! In delirium-no! In a swoon-no! In death-no! even in the grave all is not lost.

And then there stole into my fancy, like a rich musical note, the thought of what sweet rest there must be in the grave.

I could have clasped the red walls to my bosom as a garment of eternal peace. "Death," I said, "any death but that of the pit!" Fool! might I have not known that into the pit it was the object of the burning iron to urge me?

No es que me atemorizara mirar cosas horribles, sino que me aterraba la idea de no ver nada.

all sensations appeared swallowed up in a mad rushing descent as of the soul into Hades. Then silence, and stillness, and night were the universe.

At length for my seared and writhing body there was no longer an inch of foothold on the firm floor of the prison. I struggled no more, but the agony of my soul found vent in one loud, long, and final scream of despair. I felt that I tottered upon the brink -- I averted my eyes --

During the whole of the dull, dark and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country, and at length found myself as the shades of evening drew on, within view of the melancholy House of Usher.

Yet what business had I with hope?

- and with this observation there suddenly came over my spirit all the keen, collected calmness of despair. For the first time during many hours - or perhaps days - I thought.

How at least shall we distinguish its shadows from those of the tomb?

Cordelia glared at me. 'I expect if someone strapped you to table an swung an axe over your naked quivering flesh like The Pit and the Pendulum, you'd be correcting his grammar'.

He who has never swooned, is not he who finds strange palaces and wildly familiar faces in coals that glow; is not he who beholds floating in mid-air the sad visions that the many may not view; is not he who ponders over the perfume of some novel flower -- is not he whose brain grows bewildered with the meaning of some musical cadence which has never before arrested his attention.

No es que me aterrorizara contemplar cosas horribles, sino que me aterraba la idea de no ver nada.

After this I call to mind flatness and dampness; and then all is madness - the madness of a memory which busies itself among forbidden things.

Yet, for a while, I saw—but with how terrible an exaggeration! I saw the lips of the black-robed judges. They appeared to me white—whiter than the sheet upon which I trace these words—and thin even to grotesqueness; thin with the intensity of their expression of firmness—of immoveable resolution—of stern contempt of human torture. I saw that the decrees of what to me was Fate were still issuing from those lips. I saw them writhe with a deadly locution. I saw them fashion the syllables of my name; and I shuddered because no sound succeeded.

Separated from everyone, in the fifteenth dungeon, was a small man with fiery brown eyes and wet towels wrapped around his head. For several days his legs had been black, and his gums were bleeding. Fifty-nine years old and exhausted beyond measure, he paced silently up and down, always the same five steps, back and forth. One, two, three, four, five, and turn . . . an interminable shuffle between the wall and door of his cell. He had no work, no books, nothing to write on. And so he walked. One, two, three, four, five, and turn . . . His dungeon was next door to La Fortaleza, the governor’s mansion in Old San Juan, less than two hundred feet away. The governor had been his friend and had even voted for him for the Puerto Rican legislature in 1932. This didn’t help much now. The governor had ordered his arrest. One, two, three, four, five, and turn . . . Life had turned him into a pendulum; it had all been mathematically worked out. This shuttle back and forth in his cell comprised his entire universe. He had no other choice. His transformation into a living corpse suited his captors perfectly. One, two, three, four, five, and turn . . . Fourteen hours of walking: to master this art of endless movement, he’d learned to keep his head down, hands behind his back, stepping neither too fast nor too slow, every stride the same length. He’d also learned to chew tobacco and smear the nicotined saliva on his face and neck to keep the mosquitoes away. One, two, three, four, five, and turn . . . The heat was so stifling, he needed to take off his clothes, but he couldn’t. He wrapped even more towels around his head and looked up as the guard’s shadow hit the wall. He felt like an animal in a pit, watched by the hunter who had just ensnared him. One, two, three, four, five, and turn . . . Far away, he could hear the ocean breaking on the rocks of San Juan’s harbor and the screams of demented inmates as they cried and howled in the quarantine gallery. A tropical rain splashed the iron roof nearly every day. The dungeons dripped with a stifling humidity that saturated everything, and mosquitoes invaded during every rainfall. Green mold crept along the cracks of his cell, and scarab beetles marched single file, along the mold lines, and into his bathroom bucket. The murderer started screaming. The lunatic in dungeon seven had flung his own feces over the ceiling rail. It landed in dungeon five and frightened the Puerto Rico Upland gecko. The murderer, of course, was threatening to kill the lunatic. One, two, three, four, five, and turn . . . The man started walking again. It was his only world. The grass had grown thick over the grave of his youth. He was no longer a human being, no longer a man. Prison had entered him, and he had become the prison. He fought this feeling every day. One, two, three, four, five, and turn . . . He was a lawyer, journalist, chemical engineer, and president of the Nationalist Party. He was the first Puerto Rican to graduate from Harvard College and Harvard Law School and spoke six languages. He had served as a first lieutenant in World War I and led a company of two hundred men. He had served as president of the Cosmopolitan Club at Harvard and helped Éamon de Valera draft the constitution of the Free State of Ireland.5 One, two, three, four, five, and turn . . . He would spend twenty-five years in prison—many of them in this dungeon, in the belly of La Princesa. He walked back and forth for decades, with wet towels wrapped around his head. The guards all laughed, declared him insane, and called him El Rey de las Toallas. The King of the Towels. His name was Pedro Albizu Campos.

I tried to cut through all our hurried centuries, lost in a forest within. Men broke by war emerged in frightful shape— more than human but also less, they were quite aware, the sovereign dead, that time is like a window opening up the sad patterns of never. As one they advanced— Lloyd George Georges Clemenceau Adolph Hitler —through history. But the past does not follow so straightforward a path said I (predictably in Italian), and, burning under their masters, they proclaimed the world a pendulum. It is possible, but this gives rise to the often-heard complaint that repetition is unavoidable. Still time issues into today, little fathers. The years, I believe, can be shaped with one’s hands. The world —its obscure moving fields, Persian tragedies, and countries in peace— I had to inform that council of the lost, remains an instrument, a valve instrument, which, when waning, is perfectly clear in the pit —and, being given to such classical concepts as freedom and necessity, laboriously continued in the traditional way— I believe I believe.

He compared the trial to Edgar Allan Poe’s story “The Pit and the Pendulum.” “Human nerves,” he wrote, “even the strongest, have a limited capacity to endure moral torture.