Pistol Shooting Quotes

We've searched our database for all the quotes and captions related to Pistol Shooting. Here they are! All 100 of them:

I'm not going to accept your challenge. There will be no duel." "Why not? Because I'm a woman?" "No, because I've seen the way you spinsters handle a pistol. You'd shoot me dead where I stood.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
(...)Did she really tell Roddy Carstairs she could outshoot him with his own pistol?" "No," Jason said dryly. "She told him that if he made one more improper advance to her, she would shoot him- and if she missed, she would turn Wolf loose on him. And if Wolf didn't finish the job, she had every faith I would." Jason chuckled and shook his head. "It's the first time I've been nominated for the role of hero. I was a little crushed, however, to be second choice after the dog.
Judith McNaught (Once and Always (Sequels, #1))
Guys, gals, now hear this: No one wants to take away your hunting rifles. No one wants to take away your shotguns. No one wants to take away your revolvers, and no one wants to take away your automatic pistols, as long as said pistols hold no more than ten rounds. If you can't kill a home invader (or your wife, up in the middle of the night to get a snack from the fridge) with ten shots, you need to go back to the local shooting range.
Stephen King (Guns)
He was sound asleep, his long legs stretched out in front of him, the blessed fire blazing, an empty bottle of wine by his side. He hadn't been shaved recently, and he looked rumpled, dissolute and beautiful. Like a fallen angel. She moved to stand in front of him and pointed the pistol directly at his heart. "I wouldn't do that if I were you," he murmured, and then he opened his extraordinary eyes. "It's always unwise to shoot the man you're in love with.
Anne Stuart (The Devil's Waltz)
The small girl smiles. One eyelid flickers. She whips a pistol from her knickers. She aims it at the creature's head, And bang bang bang, she shoots him dead.
Roald Dahl
But the pistol, this Walther...it was as if it had been made for the express purpose of shooting people. With a chill Richie realized that was why it had been made. What else could you do with a pistol? Use it to light your cigarettes?
Stephen King (It)
It wasn’t perfect, but it would do for a few seconds, long enough to hole up and wait for the shooting to die down. Only it didn’t. Pistols, shotguns, and that clatter you never forget, the kind that tells you someone has a Kalashnikov.
Max Brooks (World War Z: An Oral History of the Zombie War)
Oh, for pity’s sake,” she muttered, but stopped fighting him. After a moment of enduring the indignity of having his hands on her, she snapped, “My pistol is in my reticule, which is sitting in Lord Draker’s drawing room. All right?” The woman was a walking arsenal. “All right.” He released her, not because of what she’d said, but because running his hands over her petite but surprisingly womanly figure had perversely aroused him. He didn’t want her to know it, however—the female was liable to shoot off his cock for its impertinence.
Sabrina Jeffries (One Night with a Prince (Royal Brotherhood, #3))
By the following morning, Anthony was drunk. By afternoon, he was hungover. His head was pounding, his ears were ringing, and his brothers, who had been surprised to discover him in such a state at their club, were talking far too loudly. Anthony put his hands over his ears and groaned.Everyone was talking far too loudly. “Kate boot you out of the house?” Colin asked, grabbing a walnut from a large pewter dish in the middle their table and splitting it open with a viciously loud crack. Anthony lifted his head just far enough to glare at him. Benedict watched his brother with raised brows and the vaguest hint of a smirk. “She definitely booted him out,” he said to Colin. “Hand me one of those walnuts, will you?” Colin tossed one across the table. “Do you want the crackers as well?” Benedict shook his head and grinned as he held up a fat, leather-bound book. “Much more satisfying to smash them.” “Don’t,” Anthony bit out, his hand shooting out to grab the book, “even think about it.” “Ears a bit sensitive this afternoon, are they?” If Anthony had had a pistol, he would have shot them both, hang the noise. “If I might offer you a piece of advice?” Colin said, munching on his walnut. “You might not,” Anthony replied. He looked up. Colin was chewing with his mouth open. As this had been strictly forbidden while growing up in their household, Anthony could only deduce that Colin was displaying such poor manners only to make more noise. “Close your damned mouth,” he muttered. Colin swallowed, smacked his lips, and took a sip of his tea to wash it all down. “Whatever you did, apologize for it. I know you, and I’m getting to know Kate, and knowing what I know—” “What the hell is he talking about?” Anthony grumbled. “I think,” Benedict said, leaning back in his chair, “that he’s telling you you’re an ass.” “Just so!” Colin exclaimed. Anthony just shook his head wearily. “It’s more complicated than you think.” “It always is,” Benedict said, with sincerity so false it almost managed to sound sincere. “When you two idiots find women gullible enough to actually marry you,” Anthony snapped, “then you may presume to offer me advice. But until then ...shut up.” Colin looked at Benedict. “Think he’s angry?” Benedict quirked a brow. “That or drunk.” Colin shook his head. “No, not drunk. Not anymore, at least. He’s clearly hungover.” “Which would explain,” Benedict said with a philosophical nod, “why he’s so angry.” Anthony spread one hand over his face and pressed hard against his temples with his thumb and middle finger. “God above,” he muttered. ‘‘What would it take to get you two to leave me alone?” “Go home, Anthony,” Benedict said, his voice surprisingly gentle.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
His fear-inflamed mind sent the control-signal to his finger-joint to fold back. The trigger sliced back. The blast seemed to lift the booth clear off the floor, drop it down again. A pin-wheel of vacancy appeared in the glass, flinging off shards and slivers.
Cornell Woolrich (Marihuana)
She was going to shoot him,’ Archie said, dazed. ‘I was not,’ Kitty insisted. ‘Give me that pistol,’ Hinsley instructed angrily, making a grab for it. ‘By George, do you have the faintest idea how to use it?’ ‘Well, not really,’ Kitty admitted. ‘But as it turns out, neither do you – it wasn’t loaded, you dolt. I checked as soon as you left. Are you honestly a soldier?’ ‘Dear God,’ Hinsley cursed. ‘Dear God.
Sophie Irwin (A Lady's Guide to Fortune-Hunting)
She nodded, taking his pistol and showing him the button to release the empty clip. “Where did you learn how to shoot?” he asked. “I teach high school.
J.A. Konrath (Wolfsbane and Mistletoe)
A finger is a gun-- a wallet is a gun, skin a shiny pistol, a demon, a barrel already ready-- hands up don't shoot--
Kevin Young (Brown: Poems)
Rifles are for people who are going out to do shooting. But a man carrying a pistol—he’s worried about getting shot at.
Robert Jackson Bennett (Vigilance)
There is no wonder, no amazement, quite like that felt when something supposed for amusement's sake to be magical and mysterious actually manifests the properties imagination has assigned it in jest--when the toy pistol shoots real bullets, the wishing well grants actual wishes, lovers from down the street fling themselves into Death's bright arms from Lovers' Leap
Gene Wolfe (Peace)
But whenever there’s the right kind of nut making headlines, a Slasher or an Icepick Prowler, a certain number of people get pistol permits and a certain number of others buy illegal guns. Then some of them get drunk and shoot their wives. None of them ever seems to wind up nailing the Slasher. I
Lawrence Block (A Stab in the Dark (Matthew Scudder #4))
take away your revolvers, and no one wants to take away your automatic pistols, as long as said pistols hold no more than ten rounds. If you can’t kill a home invader (or your wife, up in the middle of the night to get a snack from the fridge) with ten shots, you need to go back to the local shooting range.
Stephen King (Guns (Kindle Single))
Listen to yourself. Poor martyred Louisa. I predict that Fellows will solve this murder and then sweep you off your feet." Daniel shrugged. "Well, the sweeping-you-off-your-feet part might take a little nudge. But he wants to do it. It's a beautiful thing to watch the way he looks at you. Fellows glared at Gil tonight as though he wanted to find a claymore, learn how to use it, and finish him off. Or just pull out a pistol and shoot him.
Jennifer Ashley (The Untamed MacKenzie (MacKenzies & McBrides, #5.5))
Are pistols with revolving barrels, sword-sticks, bowie-knives, and such things, Institutions on which you pride yourselves? Are bloody duels, brutal combats, savage assaults, shooting down and stabbing in the streets, your Institutions! Why, I shall hear next that Dishonour and Fraud are among the Institutions of the great republic!' The
Charles Dickens (Martin Chuzzlewit)
Under the banner headline WILLIAMS CHARGED IN SLAYING, the story was very brief. It said that at 3:00 A.M., police had been summoned to Mercer House, where they found Danny Hansford, twenty-one, lying dead on the floor in the study, his blood pouring out onto an oriental carpet. He had been shot in the head and chest. There were two pistols at the scene. Several objects in the house had been broken. Williams had been taken into custody, charged with murder, and held on $25,000 bond. Fifteen minutes later, a friend of Williams had arrived at police headquarters with a paper bag containing 250 one-hundred-dollar bills, and Williams was released. That was all the newspaper said about the shooting. Williams was identified as an antiques dealer, a restorer of historic houses, and a giver of elegant parties at his “showplace” home, which Jacqueline Onassis had visited and offered to buy for $2 million. About Danny Hansford, the paper gave no information other than his age
John Berendt (Midnight in the Garden of Good and Evil)
I’ve just been wandering the streets at night. If I came by a German soldier out alone, I would follow him, shove the pistol to the back of his head, and shoot. Once, I even did two at the same time, but they were really drunk.” Poul-Erik aka ‘Willy’ The Informer by Steen Langstrup
Steen Langstrup (The Informer (Sabotage Group BB #1))
A friend of mine, Phil Lomax, told me this story about a blind man with a pistol shooting at a man who had slapped him on the subway train and killing an innocent bystander peacefully reading his newspaper across the aisle and I thought, damn right, sounds just like today’s news, riots in the ghettos, war in Vietnam, masochistic doings in the Middle East. And then I thought of some of our loudmouthed leaders urging our vulnerable soul brothers on to getting themselves killed, and thought further that all unorganized violence is like a blind man with a pistol. (Preface)
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
And then there's the gun itself. No man in his right mind will play with a gun. I've seen show-offs doing fancy spins and all that. No real gun-fighter ever did. With a hair-trigger, he'd be likely to blow a hole in his belly. The gun-fighter knows enough of guns to be wary of them. He treats them with respect. A pistol was never made for anything except killing, and a gunfighter never draws a gun unless to shoot, and he shoots to kill.
Louis L'Amour (The Sky-Liners (The Sacketts, #11))
Now standing in one corner of a boxing ring with a .22 caliber Colt automatic pistol, shooting a bullet weighing only 40 grains and with a striking energy of 51 foot pounds at 25 feet from the muzzle, I will guarantee to kill either Gene Tunney or Joe Louis before they get to me from the opposite corner. This is the smallest caliber pistol cartridge made; but it is also one of the most accurate and easy to hit with, since the pistol has no recoil. I have killed many horses with it, cripples and bear baits, with a single shot, and what will kill a horse will kill a man. I have hit six dueling silhouettes in the head with it at regulation distance in five seconds. It was this type of pistol that Millen boys’ colleague, Abe Faber, did all his killings with. Yet this same pistol bullet fired at point blank range will not dent a grizzly’s skull, and to shoot a grizzly with a .22 caliber pistol would simply be one way of committing suicide
Ernest Hemingway (Hemingway on Hunting)
As sure as this Earth is turnin, souls burnin / In search of higher learnin, turnin in every direction seeking direction / My moms cryin cause her insides are dyin / Her son tryin her patience, keep her heart racin / A million beats a minute, I know I push you to your limit / But it's this game, love—I'm caught up all in it / They make it so you can't prevent it, never give it / You gotta take it, can't fake it, I keep it authentic / My hand got this pistol shakin, cause I sense danger / Like Camp Crystal Lake, and / Don't wanna shoot him, but I got him, trapped / Within this infrared dot, bout to hot him and hit rock bottom / No answers to these trick questions, no time shit stressin / My life found I got ta live for the right now / Time waits for no man, can't turn back the hands / Once it's too late, gotta learn to live with regrets
Jay-Z
The chevalier’s multiple talents were well summed up by John Adams, visiting Paris in 1779: The “mulatto man,” wrote the future American president, “is the most accomplished man in Europe in riding, shooting, fencing, dancing, music. He will hit a button on the coat or waistcoat of the masters. He will hit a crown piece in the air with a pistoll [sic] ball.
Tom Reiss (The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo)
You’ll be very close to him when you shoot him. So shove the pistol in his face and pull the trigger instantly.” Ingrid aka ‘Alis K’ The Informer
Steen Langstrup (The Informer (Sabotage Group BB #1))
Jackson, pistols drawn, lurched into the street vowing to shoot the ass off Jesus Christ, the longlegged white son of a bitch.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
She tapped the butt of her pistol. “Would it be terribly unprofessional of me to shoot her hat off?” “Yes,” Olem said without looking up from the letter.
Brian McClellan (Sins of Empire (Gods of Blood and Powder, #1))
It didn’t occur to her that this was an amazing piece of shooting, especially with a pistol; she was a gunslinger, after all, and shooting was her business. Besides,
Stephen King (The Dark Tower (The Dark Tower, #7))
The one area that Winkleman avoided was dealing in contemporary art, which Memling described as "shooting poisonous snakes with a water pistol.
Hannah Rothschild (The Improbability of Love)
The engine starts, the car lurches into a U-turn. As we pull away, from the porch, a boy, no older than I am, points a toy pistol at us. The gun jumps and his mouth makes blasting noises. His father turns to yell at him. He shoots once, two more times. From the window of my helicopter, I look at him. I look him dead in the eyes and do what you do. I refuse to die.
Ocean Vuong (On Earth We're Briefly Gorgeous)
When our citizens are determined to openly wear pistols on their belts to go shopping at Walmart, that signifies to me a failure on the part of the macho ideal. Ostensibly, the handgun is displayed to let evildoers know, in no uncertain terms, that this is not a person with whom to trifle. It then follows that the wearing of the pistol presumes a situation in which the bearer will need to shoot someone, rendering the brandishing of the weapon a badge of fear, does it not? It occurs to me that if we keep on turning to such “masculine” methodology to solve our conflicts, the only inevitable ending is a bunch of somebody’s family lying in a bloody schoolhouse, movie theater, or smoking Japanese city. I guess we just hope it’s not our family? I don’t like the odds.
Nick Offerman (Gumption: Relighting the Torch of Freedom with America's Gutsiest Troublemakers)
He was said to ride hallooing through the night, to be ready to shoot, hunt, or swim anywhere in any weather, to be able to drink half a dozen young lieutenants from nearby garrisons under the table, to wake up his occasional guests by firing a pistol through their bedroom windows, to have seduced every peasant girl in all the villages, to have released a fox in a lady’s drawing room.
Robert K. Massie (Dreadnought: Britain, Germany, and the Coming of the Great War)
A white police officer had entered a black women's home without a warrant, searching for a suspect. When she protested, he beat and arrested her, dragging her from her home though she wasn't fully dressed. When a black soldier saw this and tried to intervene to defend the woman, the white policeman pistol-whipped the black soldier, seriously injuring him. The men of the beaten soldier's regiment, learning no consequences would befall the white policeman, felt abandoned by white police and army officials. They saw the abuse as a last straw in a long string of injustices. So the marched into the city. Soldiers and civilians died in the shooting that followed
Julie Berry (Lovely War)
I glanced at Badly Drawn Jesus, then pulled the gun from my pocket. On Judgment Day, I’d be able to proudly state that when I thought the hordes of Hell were coming for a local girl, I stood ready to shoot at them with a small-caliber pistol.
David Wong (John Dies at the End (John Dies at the End #1))
All sorts, sir. Natives and foreigners. From gentlemen to ‘prentices. I have had Frenchwomen come, before now, and show themselves dabs at pistol-shooting. Mad people out of number, of course, but they go everywhere where the doors stand open.
Charles Dickens (Bleak House)
Don't tempt me --- it'd be a whole lot easier to et out of here if I weren't dragging a useless Frenchman with me." "No," he insists. "you wouldn't shoot me because you don't have a gun." "Of course I do. I stole your pistol ten minutes ago." page 352
Kester Grant (The Court of Miracles (A Court of Miracles, #1))
Shooting a pistol while running with any accuracy at all is next to impossible. They train us at the Academy to do it at a walk. Slow yourself down, focus on the target. Be relentless, but be accurate. Nobody ever won a gunfight by missing what they were aiming at.
Jonathan Maberry (Limbus, Inc. - Book II)
And he was leveling the pistol on Gideon as if he itched to fire it. “What do you want with me? Is it gold you want?” “There’s only one thing I want of you, and that’s Sara,” Gideon said bluntly, ignoring the pistol. “I want my fiancé. Either you take me to her, or I hold you and your ship captive until you do.” “Or I could shoot you and your cursed pirates. Even now my men have yours under their guns and can pick them off at will if I command it.” Gideon sneered at him. “Barnaby!” he shouted. “How fare the earl’s men and their guns?” Barnaby and the other fifteen men emerged from behind the forward house, pushing a group of disarmed and disgruntled sailors ahead of them. “Oh, they fare quite well, Captain. As for their guns, let’s just say we’ve added to our arsenal substantially today.
Sabrina Jeffries (The Pirate Lord)
Now that bastard of a groundhog was running around like a squirrel with a snootful of cocaine and belting back Red Bull shots. All she needed was for that little fucker to pull out a couple of pistols and start shooting up the joint to have herself a raging telenovela in her pants.   *
Tymber Dalton (Broken Arrow)
Rooster here has missed Ned a few times himself, horse and all,' said the captain. 'I reckon his is on his way now to missing him again.' Rooster was holding a bottle with a little whiskey in it. He said, 'You keep on thinking that.' He drained off the whiskey in about three swallows and tapped the cork back in and tossed the bottle up in the air. He pulled his revolver and fired at it twice and missed. The bottle fell and rolled and Rooster shot at it two or three more times and broke it on the ground. He got out his sack of cartridges and reloaded his pistol. He said, 'The Chinaman is running them cheap shells in on me again.' LaBoeuf said, 'I thought maybe the sun was in your eyes. That is to say, your eye.' Rooster swung the cylinder back in his revolver and said, 'Eyes, is it? I'll show you eyes!' He jerked the sack of corn dodgers free from his saddle baggage. He got one of the dodgers out and flung it in the air and fired at it and missed. Then he flung another one up and he hit it. The corn dodger exploded. He was pleased with himself and he got a fresh bottle of whiskey from his baggage and treated himself to a drink. LaBoeuf pulled one of his revolvers and got two dodgers out of the sack and tossed them both up. He fired very rapidly but he only hit one. Captain Finch tried it with two and missed both of them. Then he tried with one and made a successful shot. Rooster shot at two and hit one. They drank whiskey and used up about sixty corn dodgers like that. None of them ever hit two at one throw with a revolver but Captain Finch finally did it with his Winchester repeating rifle, with somebody else throwing. It was entertaining for a while but there was nothing educational about it. I grew more and more impatient with them. I said, 'Come on, I have had my bait of this. I am ready to go. Shooting cornbread out here on this prairie is not taking us anywhere.' By then Rooster was using his rifle and the captain was throwing for him. 'Chunk high and not so far out this time,' said he.
Charles Portis (True Grit)
Francis blew out a breath. 'While I appreciate your concern, Mr. Murdock, Drucilla is not your average lady. She's a highly competent investigator who used to work for the government before she began working for Theodore. She's quite handy with a pistol, uses the fact she's a lady to lethal advantage, and I wouldn't dream of telling her I'm putting an end to anything, especially since I'm fairly certain she'd shoot me.' Drucilla's eyes widened, and then she smiled a lovely smile. 'Why, that's the nicest thing you've ever said about me, Francis.' 'Don't let it go to your head.
Jen Turano
Preface A friend of mine, Phil Lomax, told me this story about a blind man with a pistol shooting at a man who had slapped him on a subway train and killing an innocent bystander peacefully reading his newspaper across the aisle and I thought, damn right, sounds just like today’s news, riots in the ghettos, war in Vietnam, masochistic doings in the Middle East. And then I thought of some of our loudmouthed leaders urging our vulnerable soul brothers on to getting themselves killed, and thought further that all unorganized violence is like a blind man with a pistol. CHESTER HIMES
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
When the boys come, instead of buying Barbie dolls, all of a sudden you’re into trucks and remote controls, cars and tanks. You buy building blocks and build castles and locomotives. You get into knives and later take them shooting with pistols, shotguns, and rifles. All of which made me very happy.
Arnold Schwarzenegger (Total Recall: My Unbelievably True Life Story)
It was the black blood which swept him by his own desire beyond the aid of any man, swept him up into that ecstasy out of a black jungle where life has already ceased before the heart stops and death is desire and fulfillment. And then the black blood failed him again, as it must have in crises all his life. He did not kill the minister. He merely struck him with the pistol and ran on and crouched behind that table and defied the black blood for the last time, as he had been defying it for thirty years. He crouched behind that overturned table and let them shoot him to death, with that loaded and unfired pistol in his hand.
William Faulkner (Light in August)
Then why in God’s name did you grab for George’s pistol when you knew help was coming?” Apollo asked. “They weren’t here yet and he was going to shoot you,” she said, placing her palms on his chest. “I couldn’t let him.” His throat closed and he couldn’t reply. All he could do was pull her into his arms and hold her close.
Elizabeth Hoyt (Darling Beast (Maiden Lane, #7))
I wouldn't care to shoot my own townsmen over a difference of opinion about politics. Keep 'em yourself if you think you need 'em; but I suggest you'll be better off to put 'em away where you can't get at 'em. The trouble with a pistol is that if you show it, you've got to use it, and once you use it you've committed yourself.
Kenneth Roberts (Oliver Wiswell)
James A. Mullartey from our 1st Platoon made it back to our lines. His story: The NVA had been shooting our wounded. One came up to him, stuck a pistol in his mouth, and fired. The bullet exited the back of his throat, knocked him out and they left him for dead. He survived and when he woke up at night he started crawling to us.
Harold G. Moore (We Were Soldiers Once . . . and Young: Ia Drang-The Battle That Changed the War in Vietnam)
She looked in the mirror and her hopes fell. “Our friend is behind us again and he’s coming up fast. Closing the distance.” Then he knows we’re on to him.” Christ! He’s got a gun, Red! He’s stuck his arm out the window.” Don’t worry,” Red told her. “Shooting a pistol left-handed from a moving car at another moving car at sixty miles an hour at this distance? Hell, he’d be lucky to hit that mountain.” There was a sharp crack and the rear window disintegrated into flashing shards. Something buzzed in the air between them and smashed into the tapedeck. Fee howled and ducked into his console. Unless,” Red continued thoughtfully, “that’s Orvid Crayle behind us. He’s very good.
Michael Flynn (In the Country of the Blind)
Let us have it plain: my society is comprised of metal-worshipers. They pray to metal, are owned by metal, and metal uses them; it shoots them, it stabs them. I witness its sycophants, grave zombies, moved about humorlessly as its agents. My minions are spiritually rapt as the ages climaxes in gunpowder. One notes that, upon first being handed a rifle -- by Burton or Speke? -- a chieftain blithely shot one of his own lackeys, expressing radiant joy as the man tumbled dead. Do not stop there, happy Klansman, but watch with me early in the morning as I come in from work: across the street here in the clean "burbs" your white policeman goes reverently to his car with a deer rifle coddled in his right arm like a precocious, beautiful child. This man lives with a pistol on his hip all week, but that is not enough, no, he is devout and it is the Christmas season. His own cowardice, affirmed by the use of guns, would not occur to him any more than the cowardice of God. The gun lobby, oh my peaceful friends, you may hate, but first you had better understand that it is a religion, only secondarily connected to the Bill of Rights. The thick-headed, sometimes even close to tearful, gaze you get when chatting with one of its partisans emanates from the view that they're holding a piece of God. There is no persuading them otherwise, even by a genus, because a life without guns implies the end of the known world to them. Any connection they make to our " pioneer past" is also a fraud, a wistful apology. Folks love a gun for what it can do. A murderer always thinks it was an accident, he says, as if a religious episode had passed over him.
Barry Hannah (Bats Out of Hell)
If she’d known what a good shot you are,” he whispered past the unfamiliar tightness in his throat, “she’d never have dared.” His hand lifted to her wet cheek, holding it pressed against his chest. “You could always call her out, you know.” The spasmodic shaking in Elizabeth’s slender shoulders began to subside, and Ian added with forced tightness, “Better yet, Robert should stand in for you. He’s not as fine a shot as you are, but he’s a hell of a lot faster…” A teary giggle escaped the girl in his arms, and Ian continued, “On the other hand, if you’re holding the pistol, you’ll have some choices to make, and they’re not easy…” When he didn’t say more, Elizabeth drew a shaky breath. “What choices?” she finally whispered against his chest after a moment. “What to shoot, for one thing,” he joked, stroking her back. “Robert was wearing Hessians, so I had a tassel for a target. I suppose, though, you could always shoot the bow off Valerie’s gown.” Elizabeth’s shoulders gave a lurch, and a choked laugh escaped her. Overwhelmed with relief, Ian kept his left arm around her and gently took her chin between his forefinger and thumb, tipping her face up to his. Her magnificent eyes were still wet with tears, but a smile was trembling on her rosy lips. Teasingly, he continued, “A bow isn’t much of a challenge for an expert marksman like you. I suppose you could insist that she hold up an earring between her fingers so you could shoot that instead.” The image was so absurd that Elizabeth chuckled. Without being conscious of what he was doing, Ian moved his thumb from her chin to her lower lip, rubbing lightly against its inviting fullness. He finally realized what he was doing and stopped. Elizabeth saw his jaw tighten. She drew a shuddering breath, sensing he’d been on the verge of kissing her, and had just decided not to do it. After the last shattering minutes, Elizabeth no longer knew who was friend or foe, she only knew she’d felt safe and secure in his arms, and at that moment his arms were already beginning to loosen, and his expression was turning aloof. Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please-“ Ian realized what she was asking for, but he responded with a questioning lift of his brows. “I-“ she began, uncomfortably aware of the knowing look in his eyes. “Yes?” he prompted. “I don’t know-exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms. “Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.” “What!” “You heard me.” “Of all the arrogant-“ He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.
Judith McNaught (Almost Heaven (Sequels, #3))
A witch, you must understand, does not knock children on the head or stick knives into them or shoot at them with a pistol. People who do those things get caught by the police. A witch never gets caught. Don’t forget that she has magic in her fingers and devilry dancing in her blood. She can make stones jump about like frogs and she can make tongues of flame go flickering across the surface of the water. These magic powers are very frightening.
Roald Dahl (The Witches)
His principal amusement was shooting with a pistol. The walls of his room were riddled with bullets, and were as full of holes as a honeycomb. A rich collection of pistols was the only luxury in the humble cottage where he lived. The skill which he had acquired with his favorite weapon was simply incredible: and if he had offered to shoot a pear off somebody’s forage-cap, not a man in our regiment would have hesitated to place the object upon his head.
Alexander Pushkin (Works of Alexander Pushkin (Illustrated))
Okay, we need to make it clear right now how you should act when you feel like dishing out orders to me. Step one: Hesitate before you decide to throw your metaphorical dick around. Step two: Hesitate again, reminding yourself just how useless it would be to exert authority over me. Step three: repeat the first two steps at least once. If all else fails, go play Russian Roulette with a fully loaded pistol, because it’ll save me the trouble of shooting you in the face.
Suzanne Wright (When He’s Dark (The Olympus Pride #1))
Do you have any idea how beautiful you are?” he asked. Elizabeth had a vague idea, since everyone was always telling her, and she suppressed a worried impulse to reply, “Do you have any idea how intelligent I am?” It wasn’t that she was an intellectual by any stretch of the imagination, but she did like to read and even debate issues, and she wasn’t at all certain he would like that in her. He never expressed an opinion on anything except the most trivial generalities and he never asked for hers. “You’re enchanting,” he whispered, and Elizabeth wondered, very seriously, why he thought that. He didn’t know how much she loved to fish, or to laugh, or that she could shoot a pistol so well she was almost a marksman. He didn’t know she’d once had chariot races across the yard at Havenhurst, or that flowers seemed to bloom especially well for her. She didn’t even know if he’d like to hear all the wonderful tales of Havenhurst and its colorful former inhabitants. He knew so little of her; she knew even less about him.
Judith McNaught (Almost Heaven (Sequels, #3))
And a gun was taken,” I said. “That was yours?” She handed me the cup and saucer. “Yes. A pistol my husband had given me.” “Thirty-eight caliber.” “Yes. A Colt, I think. I’d never fired it, and it wasn’t loaded. My husband bought it as a joke several years ago.” “A joke?” She smiled and sipped at her drink. “We were having an argument once, I don’t even remember now what about, and I got so angry I told him that if I had a gun I’d shoot him. The next day he gave me the gun.” Very droll. The rich are different.
Walter Satterthwait (Wall of Glass)
You’re leaving me alone?” she squeaked. “You’ll be fine.” He handed her the pistol. “Shoot if you have to.” His eyes gleamed at her. “I know you know how.” He headed for the door, and she cried, “Wait!” When he paused to look at her questioningly, she hurried up to hand him his surtout. “You’ll need this. It’s freezing out there.” As she helped him into it, she whispered, “Be careful.” He tipped his hat. “Always, my lady,” he said in that husky rasp that never failed to make her heart turn over. Then he walked out.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Later that afternoon with the Germans already in Trafalgar Square and advancing down Whitehall to take their position in the rear, the enemy unit advancing across St. James 'Park made their final charge. Several of those in the Downing Street position were already dead... and at last the Bren ceased its chatter, its last magazine emptied. Churchill reluctantly abandoned the machine-gun, drew his pistol and with great satisfaction, for it was a notoriously inaccurate weapon, shot dead the first German to reach the foot of the steps. As two more rushed forward, covered by a third in the distance, Winston Churchill moved out of the shelter of the sandbags, as if personally to bar the way up Downing Street. A German NCO, running up to find the cause of the unexpected hold-up, recognised him and shouted to the soldiers not to shoot, but he was too late. A burst of bullets from a machine-carbine caught the Prime Minister in the chest. He died instantly, his back to Downing Street, his face toward the enemy, his pistol still in his hand.
Norman Longmate
What . . . fellow?” The wind was cool, but I could see sweat trickling down the back of Jamie’s neck, dampening his collar and plastering the linen between his shoulders. Duff didn’t answer immediately. A look of speculation flickered in his small, deep-set eyes. “Don’t think about it, Duff,” Roger said, softly, but with great assurance. “I can reach ye from here with an oar, ken?” “Aye?” Duff glanced thoughtfully from Jamie, to Roger, and then to me. “Aye, reckon ye might. But allowin’ for the sake for argyment as how you can swim, MacKenzie—and even that Mr. Fraser might keep afloat—I dinna think that’s true of the lady, is it? Skirts and petticoats . . .” He shook his head, pursing thin lips in speculation as he looked at me. “Go to the bottom like a stone, she would.” Peter shifted ever so slightly, bringing his feet under him. “Claire?” Jamie said. I saw his fingers curl tight round the oars, and heard the note of strain in his voice. I sighed and drew the pistol out from under the coat across my lap. “Right,” I said. “Which one shall I shoot?
Diana Gabaldon (The Fiery Cross (Outlander, #5))
The main point arises from the fact that I've always acted alone. Americans like that immensely. Americans like the cowboy who leads the wagon train by riding ahead alone on his horse, the cowboy who rides all alone into the town, the village, with his horse and nothing else. Maybe even without a pistol, since he doesn't shoot. He acts, that's all, by being in the right place at the right time. In short, a Western.… This amazing, romantic character suits me precisely because to be alone has always been part of my style or, if you like, my technique.
Henry Kissinger
Best Of Friends [Verse 1] I see Alaina in the distance Shouting out a word And she runs through persistence Oh, her mind is so absurd Oh love, oh love Jumping jolly until the end I wanna be your friend [Hook] I wanna be your best friend I don't want you to be my girl I wanna be your best friend I don't want you to be my… I don't want you to be my… [Verse 2] Well well well… I see witness Wendy Her short hair and her pistol boots Oh man, she's always ready To take that line and finally shoot Oh lord, oh lord Jumping jolly until the end I wanna be your friend [Hook x2]
Palma Violets
Miriam really hates for me to ride to and from the ranch alone so your coming along should make her feel better. Right, Miriam?" Miriam cast her a don't-play-my-own-tricks-on-me look. For her benefactress's peace of mind, less than for Rider's knowledge, Willow added, "I've told Miriam she doesn't need to worry about me. I always carry a pistol." Rider's brows shot up. "You pack a gun?" "Uh-huh, an old Colt .45. It was a present from Nick, my oldest brother." "And I bet you know how to shoot it, too." He smiled wryly. "I ain't no quick draw, but I usually hit what I aim at.
Charlotte McPherren (Song of the Willow)
In the middle of the night Jerry Sowles roused the entire camp. He claimed he saw a giant baboon on the far side of our clearing. He was agitated, waving his pistol around. He pointed, “There it is! Can’t you see it?” We strained our eyes, but none of us could make it out. Finally, I walked over to where Jerry was pointing. His fierce baboon was a harmless tree stump. Shadows can play tricks on a restless mind. We all had a good laugh and went back to our sleeping pads. I poked fun at Jerry, “Don’t shoot your teammates in the middle of the night. A lot of them look like baboons.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Let her go or I’ll shoot you.” “I’ve never met a woman who’d have the guts to shoot a man,” he sneered. All the women he knew were too kind. Too gentle. “I have the guts,” the girl said. “Better yet, I want to shoot you.” That shook him. The words, and the tone, a kind of flat, plain aversion the like of which he’d never met in all of his privileged life. What had he ever done to deserve this girl’s contempt? And why did he even care? “Which part of me will you shoot?” he mocked. “All that’s showing is my head—and you can’t be that good with a gun.” “I am,” the girl said. “On the count of three, I’ll shoot. One . . .” “You’d take the chance of hurting Miss Victorine?” he asked. “I won’t hurt her. Two . . .” “Amy, please, let him go!” Miss Victorine begged. “He was such a sweet boy.” “Three.” Amy’s eyes narrowed. Her finger began to squeeze the trigger. And he released Miss Victorine, spinning her away from him and into a cabinet. She landed with a thud and fell. The pistol roared. He dived to the floor. A shot whistled past the place where his head had been. “Damn, that was close. Good thing you surrendered, my lord!” “Don’t swear, dear, it’s not ladylike.
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
I want my pistol back," she snapped. "You'll get it tomorrow. Given your foolish belief that carrying it will protect you in any circumstance, it's better that you don't have it to hide behind. Perhaps then you won't be tempted into private encounters with randy gentlemen." A hot blush seared her cheeks. "The only randy gentleman I need protection from is you. Next time I have you in my sights, I will shoot you." "Then you'd better not miss," he drawled. "Because if you ever aim a gun at me again, I'll have you arrested for assaulting an officer of the law." While she was still gasping, he strode from the orangery. She picked up her reticule and flung it at the door just as it closed. He was a beast! A monster! And he'd even made her forget to ask him if he'd learned anything about her suitors! Tears started in her eyes. It was so...typical of him to rattle her by saying such an awful thing. She would swear he did it on purpose. He was always riding roughshod over her. Kissing her passionately one minute and threatening to have her arrested the next-the unnatural devil! She collapsed onto a bench, struggling to hold back her tears. She would not cry over him. She would not! Men were dreadful creatures. And Gran wanted her to marry one of them?
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Ava’s Mum: – We are not like them, Ava. […] We have to be ready to fight, and when the enemy gets you, one day, you show them what I taught you. When they lock you in the darkness, become an arsonist. When they put you under house arrest, or defile your name in public, or make you live beneath the rules that will suffocate you, become an arsonist. When they put a pistol in your hand and make you shoot your best friend, and when they throw you in a death camp, when you see everyone around you get sick from the poison they’re feeding them, light a fire that will destroy them. A fire they won’t forget the next time they try to do it to someone else.
Stephanie Oakes (The Arsonist)
Little Red Riding Hood and the Wolf As soon as Wolf began to feel That he would like a decent meal, He went and knocked on Grandma’s door. When Grandma opened it, she saw The sharp white teeth, the horrid grin, And Wolfie said, “May I come in?” Poor Grandmamma was terrified, “He’s going to eat me up!” she cried. And she was absolutely right. He ate her up in one big bite. But Grandmamma was small and tough, And Wolfie wailed, “That’s not enough! I haven’t yet begun to feel That I have had a decent meal!” He ran around the kitchen yelping, “I’ve got to have a second helping!” Then added with a frightful leer, “I’m therefore going to wait right here Till Little Miss Red Riding Hood Comes home from walking in the wood.” He quickly put on Grandma’s clothes, (Of course he hadn’t eaten those). He dressed himself in coat and hat. He put on shoes, and after that He even brushed and curled his hair, Then sat himself in Grandma’s chair. In came the little girl in red. She stopped. She stared. And then she said, “What great big ears you have, Grandma.” “All the better to hear you with,” the Wolf replied. “What great big eyes you have, Grandma.” said Little Red Riding Hood. “All the better to see you with,” the Wolf replied. He sat there watching her and smiled. He thought, I’m going to eat this child. Compared with her old Grandmamma She’s going to taste like caviar. Then Little Red Riding Hood said, “But Grandma, what a lovely great big furry coat you have on.” “That’s wrong!” cried Wolf. “Have you forgot To tell me what BIG TEETH I’ve got? Ah well, no matter what you say, I’m going to eat you anyway.” The small girl smiles. One eyelid flickers. She whips a pistol from her knickers. She aims it at the creature’s head And bang bang bang, she shoots him dead. A few weeks later, in the wood, I came across Miss Riding Hood. But what a change! No cloak of red, No silly hood upon her head. She said, “Hello, and do please note My lovely furry wolfskin coat.
Roald Dahl (Revolting Rhymes)
I miss the madness. I miss being out at night, running through streets alive with the dead and dying, the drunk, the crazy, the angry, those in need, and those who only think they are. I miss the distant pop of a pistol and the long fading howl of a dealer who’s spotted a cop. I miss fighting meth heads in seedy motels, I miss the crack houses and flophouses, the chaos of a shooting scene. I miss the projects after dark. I miss the sense of duty, of honor, of humor, the sense of having lost myself somewhere, somehow, in a very strange world. I even miss the fear of mistakes. Whatever it was that brought us here, it’s everything else that kept us around.
Kevin Hazzard (A Thousand Naked Strangers: A Paramedic's Wild Ride to the Edge and Back)
When she asked him why he'd shot her daddy, he just shrugged and said that he'd been planning on shooting six people when he rode into town. She looked up at him, eyes wide, batting her eyelashes, feigning awe, looking on him the way that Joshua must have looked on the walls of Jericho, and asked him why six; and he said back to her: because his pistol had six bullets in it. With another shrug, as though that answered everything. And then he turned to face her, with his livid scar and gap teeth and breath that stank like the devil and hell, and the words flashed sudden through her mind, clear as if they'd been laid out on parchment: this is what the face of a free man looks like.
Phillip Andrew Bennett Low (Monsters in a Mirror: Strange Tales from the Chapel Perilous)
They found him,” he panted. “The ol’ man. Ax. With the ax.” Captain Lord Ellesmere was already rising to his feet. To Colenso, he looked some eight feet tall, and awful in aspect. The place where the doctor had stitched his head was bristly with new hair, but the black stitching still showed. His eyes might have been shooting flames, but Colenso was afraid to look too closely. His chest heaved from running and he was out of breath, but he couldn’t have thought of a thing to say, even so. “Where?” said the captain. He spoke very softly, but Colenso heard him and backed toward the door, pointing. The captain picked up the pair of pistols he had laid aside, and putting them in his belt, came toward him. “Show me,” he said.
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
His friends liked to hunt. Sometimes I went along.” “And here I thought you only fired at people,” Celia called over from the other side of him. “I rarely need to shoot in the course of performing my duties. But I do have to use my pistol occasionally.” He slanted a glance at her. “Unlike you, my lady, I don’t carry mine for show.” Her cheeks pinked, but she merely sniffed and halted to reload again. So did he. He probably should stop tormenting her about her damned pocket pistol, but it still shook him. Powder or no powder, such a weapon could easily provoke a man to attack her. Still, Jackson admitted that it probably wouldn’t have that effect on this lot. They didn’t seem the bullying sort, just the coax-a-woman-into-their-bed sort.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
The day you shot Scrooge, we had a nine stashed nearby. We knew that tension was building between us and you, and so we started to keep the nine nearby instead of the .380 pistol. So when you came up the road, after we finished beating that fella nobody bothered going for the nine, because it was only you one to all of us. But after you snatched that gun out of Geo’s hand and fired those shots at us, I ran back to get the nine. We had it stashed in a mattress through the shortcut next to where we were hanging out. Then he asked me in a serious tone, ‘You know, each time I jammed my hand in that mattress to find the gun, I couldn’t find it? I was like, ‘Where in the hell this gun is?’ I heard when you were firing those shots at Franz, but I couldn’t find that gun. It was only after you left did I found the gun. Franco ‘Co’ Bethel, former gang leader and right hand man to Scrooge.
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
Dennis Tueller, a Salt Lake City police officer and firearms instructor (since retired), asked just this question.  Uniformed officers are routinely faced with impact weapon bearing suspects.  So it’s natural for Tueller to wonder how far away a suspect can be and still use an impact weapon against an officer before he could defend himself. To answer his question, Tueller ran a bunch of empirical studies.  Which is just a fancy way of saying he ran a bunch of students through the exercise that would later become the Tueller Drill. Tueller learned that most officers can get a service pistol out of a holster and engage a threat with center-mass hits within 1.5 seconds.  So the question then becomes, how much distance can a bad guy cross in 1.5 seconds?  Timing a great many students running from a standing start, Tueller learned that someone can go about 21 feet in 1.5 seconds.  So 21 feet became the “Tueller distance,” or the maximum distance from a police officer a person can use an impact weapon against the officer before the officer can shoot them.  The Tueller Drill is often referred to as the “21 foot rule,” or the “7 yard rule.”  This really obscures the real take-home message of the Tueller Drill.  The value is not some particular distance.  What matters is your “Tueller distance.” People’s draw speeds vary.  Your Tueller distance will be greater or less than 21 feet depending on your ability to get the gun unholstered and pointed center-mass. The real lesson of the Tueller Drill is that someone armed with an impact weapon has the opportunity to use it at a far greater distance than most think—and certainly much greater distances than a juror might have otherwise thought.  If you imagine the length of typical American parking space, and add another three paces, you’ll be right about at 21 feet.
Andrew F. Branca (The Law of Self Defense: The Indispensable Guide to the Armed Citizen)
Barrel shrouds were listed. Barrel shrouds are just pieces of metal that go over the barrel so you don’t accidentally touch the hot part. They became an instantaneous felony too. Collapsible stocks make it so you can adjust your rifle to different-size shooters, that way a tall guy and his short wife can shoot the same gun. Nope. EVIL FEATURE! Pistol grip sounds scary, but it’s just a handle. It’s simply how you hold it. Having your wrist straight or at an angle doesn’t make the weapon any more dangerous. This nonsense has been a running joke in the gun community ever since the ban passed. When U.S. Representative Carolyn McCarthy was asked by a reporter what a barrel shroud was, she replied, “I think, I believe it’s a shoulder thing that goes up.”5 Oh good. I’m glad that thousands of law-abiding Americans unwittingly committed felonies because they had a cosmetic piece of sheet metal on their barrel, which has no bearing whatsoever on crime,
Larry Correia (In Defense of the Second Amendment)
I select the right practice gun, the one about the size of a pistol, but bulkier, and offer it to Caleb. Tris’s fingers slide between mine. Everything comes easily this morning, every smile and every laugh, every word and every motion. If we succeed in what we attempt tonight, tomorrow Chicago will be safe, the Bureau will be forever changed, and Tris and I will be able to build a new life for ourselves somewhere. Maybe it will even be a place where I trade my guns and knives for more productive tools, screwdrivers and nails and shovels. This morning I feel like I could be so fortunate. I could. “It doesn’t shoot real bullets,” I say, “but it seems like they designed it so it would be as close as possible to one of the guns you’ll be using. It feels real, anyway.” Caleb holds the gun with just his fingertips, like he’s afraid it will shatter in his hands. I laugh. “First lesson: Don’t be afraid of it. Grab it. You’ve held one before, remember? You got us out of the Amity compound with that shot.” “That was just lucky,” Caleb says, turning the gun over and over to see it from every angle. His tongue pushes into his cheek like he’s solving a problem. “Not the result of skill.” “Lucky is better than unlucky,” I say. “We can work on skill now.” I glance at Tris. She grins at me, then leans in to whisper something to Christina. “Are you here to help or what, Stiff?” I say. I hear myself speaking in the voice I cultivated as an initiation instructor, but this time I use it in jest. “You could use some practice with that right arm, if I recall correctly. You too, Christina.” Tris makes a face at me, then she and Christina cross the room to get their own weapons. “Okay, now face the target and turn the safety off,” I say. There is a target across the room, more sophisticated, than the wooden-board target in the Dauntless training rooms. It has three rings in three different colors, green, yellow, and red, so it’s easier to tell where the bullets it. “Let me see how you would naturally shoot.” He lifts up the gun with one hand, squares off his feet and shoulders to the target like he’s about to lift something heavy, and fires. The gun jerks back and up, firing the bullet near the ceiling. I cover my mouth with my hand to disguise my smile. “There’s no need to giggle,” Caleb says irritably. “Book learning doesn’t teach you everything, does it?” Christina says. “You have to hold it with both hands. It doesn’t look as cool, but neither does attacking the ceiling.” “I wasn’t trying to look cool!” Christina stands, her legs slightly uneven, and lifts both arms. She stares the target for a moment, then fires. The training bullet hits the outer circle of the target and bounces off, rolling on the floor. It leaves a circle of light on the target, marking the impact site. I wish I’d had this technology during initiation training. “Oh, good,” I say. “You hit the air around your target’s body. How useful.” “I’m a little rusty,” Christina admits, grinning.
Veronica Roth (Allegiant (Divergent, #3))
By midnight the governor had excused himself and members of the band had begun to slip away. A blind street harpist stood terrified upon the banquet table among the bones and platters and a horde of luridlooking whores had infiltrated the dance. Pistolfire soon became general and Mr Riddle, who was acting American consul in the city, descended to remonstrate with the revelers and was warned away. Fights broke out. Furniture was disassembled, men waving chairlegs, candlestands. Two whores grappled and pitched into a sideboard and went to the floor in a crash of brandyglasses. Jackson, pistols drawn, lurched into the street vowing to shoot the ass off Jesus Christ, the longlegged white son of a bitch. At dawn the shapes of insensate topers lay snoring about the floor among dark patches of drying blood. Bathcat and the harpist lay asleep upon the banquet table in one another’s arms. A family of thieves were tiptoeing through the wreckage turning out the pockets of the sleepers and the remains of a bonfire that had consumed a good part of the hotel’s furnishings smoldered in the street before the door. These
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
Eric Steele was strapped in and rubbing a rag over his father’s 1911. Demo had brought the pistol with the rest of Steele’s gear on board the C-17. In the cockpit, the pilot pushed the throttle forward, shoving Steele back in his seat. He barely noticed because he was thinking about the first time his father let him hold the pistol. It had felt so heavy in his hands back then. So much I never got to ask him. He ran his thumb over the spot where the serial number should have been. It was silver and all traces of the file marks were smoothed out by years of use. The pistol was one of John Moses Browning’s masterpieces, the same design that the American infantryman had carried in the Battle of Belleau Wood, Iwo Jima, Korea, and Vietnam. It was the only thing he had to remind him of the father he never really knew. Steele had made the pistol his own by modifying it to shoot 9mm, adding a threaded barrel, and installing suppressor sights, which were taller than the factory ones. It was his gun now, and he slipped it away before taking an amphetamine tablet out of his pocket and downing it with a sip of water.
Sean Parnell (Man of War (Eric Steele #1))
Imagine that you are watching a really great magic trick. The celebrated conjuring duo Penn and Teller have a routine in which they simultaneously appear to shoot each other with pistols, and each appears to catch the bullet in his teeth. Elaborate precautions are taken to scratch identifying marks on the bullets before they are put in the guns, the whole procedure is witnessed at close range by volunteers from the audience who have experience of firearms, and apparently all possibilities for trickery are eliminated. Teller’s marked bullet ends up in Penn’s mouth and Penn’s marked bullet ends up in Teller’s. I [Richard Dawkins] am utterly unable to think of any way in which this could be a trick. The Argument from Personal Incredulity screams from the depths of my prescientific brain centres, and almost compels me to say, ‘It must be a miracle. There is no scientific explanation. It’s got to be supernatural.’ But the still small voice of scientific education speaks a different message. Penn and Teller are world-class illusionists. There is a perfectly good explanation. It is just that I am too naïve, or too unobservant, or too unimaginative, to think of it. That is the proper response to a conjuring trick. It is also the proper response to a biological phenomenon that appears to be irreducibly complex. Those people who leap from personal bafflement at a natural phenomenon straight to a hasty invocation of the supernatural are no better than the fools who see a conjuror bending a spoon and leap to the conclusion that it is ‘paranormal’.
Richard Dawkins (The God Delusion)
She planted her hands on her hips. “And what if I bag the most birds?” “Then you get to shoot whomever you wish,” Mr. Pinter drawled. As the others laughed, Celia glared at him. He was certainly enjoying himself, the wretch. “I’d be careful if I were you, Mr. Pinter. That person would most likely be you.” “Oho, man, you’ve really got her dander up this time,” Gabe exclaimed. “What on earth did you do?” Mr. Pinter’s gaze met hers, glinting with unholy amusement. “I confiscated her pistol.” A Gabe gasped, Oliver shook his head. “You’ll learn soon enough-never take away one of Celia’s guns. Not if you want to live.” “I’m not that bad,” Celia grumbled as the duke and the viscount eyed her with a twinge of alarm, though Lord Devonmont’s grin broadened. “I’ve never shot a person in my life.” “There’s always a first time,” Gabe teased. “Oh, for pity’s sake.” She regarded them all stoutly. “I promise not to shoot any of you. How about this? If I win, you gentlemen owe me a rifle. Between the five of you, I’m sure you can afford a decent one.” “Five?” Mr. Pinter said. “Don’t I get a part in this little game?” She stared him down. “I thought you had certain duties to attend to.” He should be investigating her suitors. “Whatever duties he has for me will keep, Celia,” Oliver said. “Do come with us, Pinter. I want to see how well you handle a fowling piece.” Mr. Pinter smiled at her. “I’d be honored, my lord. As long as her ladyship doesn’t mind.” Of course she minded. But if she tried to cut him out, they’d say she was afraid he would beat her. “Not in the least,” she said. “Just be prepared to contribute your part of my rifle.” But as she headed for the door, it wasn’t the rifle she was worried about. It was that blasted kiss. Because if he won… Well, she’d just have to make sure he didn’t.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Did he suggest taking you for a walk in the moonlight?" "How did you know?" Virginia sighed. "That's what he does. I think it's a kind of challenge for him-to see if he can get young women to let him steal a kiss. If he succeeds..." She trailed off with a frown. "If he succeeds, then what?" Celia prodded. "Frankly, I'm not sure. That's as far as the girls ever get in complaining to me about him. First, they tell me he kissed them and it was like communing on some 'ethereal plane.'" She snorted. "Then they protest that they were sure he loved them. And then they start crying. It all goes downhill from there." "You don't think he actually-" "No!" She chewed on her lip. "That is, I don't think so. It's hard to know with Pierce. He's so unpredictable." Her gaze met Celia's. "But I'd hate to think of him getting you off alone and attempting-" "You needn't worry about that," Celia said. "That's what I have Betty for." "Betty?" Celia reached into her reticule and pulled out her ladies' pocket pistol. Virginia leapt back. "Oh, my word! Does your family know you carry that around?" "I doubt it. I don't think they'd approve." "I should say not!" Virginia surveyed it curiously. "Is it loaded?" "Only with powder. There's no ball." "Thank heaven for that. Still, aren't you worried it will go off by itself?" "No. It has two protections to keep it from firing accidentally. I made sure of that when I purchased it." She hefted the pistol. "I've been told that ladies of the evening use this sort of gun to frighten customers who try to hurt them." "Told by whom?" "My gunsmith, of course." "How on earth did you find a gunsmith?" Celia shrugged. "Gabe introduced me to his." Virginia rolled her eyes. "You and my husband are mad, I swear." "I suppose we are." With a faint smile, she stroked the pearl handle. "I learned how to shoot from him.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
I got back into my car and followed the trucks; at the end of the road, the Polizei unloaded the women and children, who rejoined the men arriving on foot. A number of Jews, as they walked, were singing religious songs; few tried to run away; the ones who did were soon stopped by the cordon or shot down. From the top, you could hear the gun bursts clearly, and the women especially were starting to panic. But there was nothing they could do. The condemned were divided into little groups and a noncom sitting at a table counted them; then our Askaris took them and led them over the brink of the ravine. After each volley, another group left, it went very quickly. I walked around the ravine by the west to join the other officers, who had taken up positions above the north slope. From there, the ravine stretched out in front of me: it must have been some fifty meters wide and maybe thirty meters deep, and went on for several kilometers; the little stream at the bottom ran into the Syrets, which gave its name to the neighborhood. Boards had been placed over this stream so the Jews and their shooters could cross easily; beyond, scattered pretty much everywhere on the bare sides of the ravine, the little white clusters were multiplying. The Ukrainian “packers” dragged their charges to these piles and forced them to lie down over them or next to them; the men from the firing squad then advanced and passed along the rows of people lying down almost naked, shooting each one with a submachine bullet in the neck; there were three firing squads in all. Between the executions some officers inspected the bodies and finished them off with a pistol. To one side, on a hill overlooking the scene, stood groups of officers from the SS and the Wehrmacht. Jeckeln was there with his entourage, flanked by Dr. Rasch; I also recognized some high-ranking officers of the Sixth Army. I saw Thomas, who noticed me but didn’t return my greeting. On the other side, the little groups tumbled down the flank of the ravine and joined the clusters of bodies that stretched farther and farther out. The cold was becoming biting, but some rum was being passed around, and I drank a little. Blobel emerged suddenly from a car on our side of the ravine, he must have driven around it; he was drinking from a little flask and shouting, complaining that things weren’t going fast enough. But the pace of the operations had been stepped up as much as possible. The shooters were relieved every hour, and those who weren’t shooting supplied them with rum and reloaded the clips. The officers weren’t talking much; some were trying to hide their distress. The Ortskommandantur had set up a field kitchen, and a military pastor was preparing some tea to warm up the Orpos and the members of the Sonderkommando. At lunchtime, the superior officers returned to the city, but the subalterns stayed to eat with the men. Since the executions had to continue without pause, the canteen had been set up farther down, in a hollow from which you couldn’t see the ravine. The Group was responsible for the food supplies; when the cases were broken open, the men, seeing rations of blood pudding, started raging and shouting violently. Häfner, who had just spent an hour administering deathshots, was yelling and throwing the open cans onto the ground: “What the hell is this shit?” Behind me, a Waffen-SS was noisily vomiting. I myself was livid, the sight of the pudding made my stomach turn. I went up to Hartl, the Group’s Verwaltungsführer, and asked him how he could have done that. But Hartl, standing there in his ridiculously wide riding breeches, remained indifferent. Then I shouted at him that it was a disgrace: “In this situation, we can do without such food!
Jonathan Littell (The Kindly Ones)
Good to know,” Reacher said. “Tell your uncle no laws have been broken. Tell him he’s been paid for the room. Tell him I’ll see him later.” The guy on the right uncrossed his arms. The guy on the left said, “Are you going to be a problem?” “I’m already a problem,” Reacher said. “The question is, what are you going to do about it?” There was a pause, hot and lonely in the middle of nowhere, and then the two guys answered by brushing aside their coats, in tandem, casually, right-handed, both thereby showing black semi-automatic pistols, in pancake holsters, mounted on their belts. Which was a mistake, and Reacher could have told them why. He could have launched into a long and impatient classroom lecture, about sealing their fates by forcing a decisive battle too early, about short-circuiting a grander strategy by moving the endgame to the beginning. Threats had to be answered, which meant he was going to have to take their guns away, because probing pawns had to be sent back beaten, and because folks in Mother’s Rest needed to know for sure the next time he came to town he would be armed. He wanted to tell them it was their own fault. He wanted to tell them they had brought it on themselves. But he didn’t tell them anything. Instead he ducked his own hand under his own coat, grabbing at nothing but air, but the two guys didn’t know that, and like the good range-trained shooters they were they went for their guns and dropped into solid shooting stances all at once, which braced their feet a yard apart for stability, so Reacher stepped in and kicked the left-hand guy full in the groin, before the guy’s gun was even halfway out of its holster, which meant the right-hand guy had time to get his all the way out, but to no avail, because the next event in his life was the arrival of Reacher’s elbow, scything backhand against his cheekbone, shattering it and causing a general lights-out everywhere.
Lee Child (Make Me (Jack Reacher, #20))
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.
Viet Thanh Nguyen (The Sympathizer)
What lesson is this?” she choked out. His wild gaze met hers. “That even a low bastard can be tempted above his station when a lady is as lovely as you.” “A lady? Not a tomboy?” “I wish you were a tomboy, sweeting,” he said bitterly. “Then you wouldn’t have viscounts and earls and dukes vying for your favors.” Was he jealous? Oh, how wonderful if he was! “And Bow Street Runners?” she prodded. He shot her a dark glance that was apparently supposed to serve as her answer, for he then bent to close his mouth over one linen-draped breast. Good. Heavens. What deliciousness what this? She shouldn’t allow it. But the man she’d been fascinated with for months was treating her as if he truly found her desirable, and she didn’t want it to stop. Clutching his head to her, she exulted in the hungry way he sucked her breast through her chemise, turning her knees to water and her blood to stream. He pleasured her breast with teeth and tongue as his hand found her other breast and teased the nipple to arousal. Her pulse leapt so high she feared she might faint. “Jackson…ohhh, Jackson…I thought you…despised me.” “Does this feel like I despise you?” he murmured against her breast, then tongued it silkily for good measure. A sensual tremor swept through her. “No.” But then, she’d been a fool before with men. She wasn’t good at understanding them when it came to this. “If you desired me all along, why didn’t you…say anything before?” “Like what? ‘My lady, I keep imagining you naked in my bed?’” He slid one hand down to her hip. “I’m not fool enough to risk being shot for impertinence.” Should she be thrilled or disappointed to hear that he imagined her in his bed? It was more than she’d expected, yet not enough. She dug her fingers into his shoulder. “How do you know I won’t try shooting you now?” He nuzzled her breast. “You left your pistol on the breakfast table.” A strange excitement coursed through her. It made no sense, considering what had happened the last time a man had got her alone and helpless. “Perhaps I have another hidden in this room.” He lifted his head to gaze steadily into her eyes. “Then I’d best keep you too busy to use it.” Suddenly he was kissing her again, hard, hungry kisses…each more intoxicating than the last. He filled his hands with her breasts and fondled them shamelessly, distracting her from anything but the taste and feel of him. A moan escaped her, and he tore his mouth from hers. “You shouldn’t let me touch you this way.” “Yet I am,” she gasped against his cheek. “And you aren’t stopping, either.” “Say the word, and I will.” Yet he dragged her skirts up and pressed forward between her legs. “This is mad. We’re both mad.” “Are we?” she asked, hardly conscious anymore of what she was aying. Because it felt utterly right to be in his arms, as if she’d waited ages to be there. Her heart had never clamored so for anyone else. “I don’t generally take advantage of my clients’ sisters,” he rasped as his hands slid to grip her thighs. “It’s unwise.” “I’m your client, too. Do I look as if I’m complaining?” she whispered and drew his head down to hers.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
A stranger. Young, well-dressed, pale and visibly sweaty, as if he’d endured some great shock and needed a drink. West would have been tempted to pour him one, if not for the fact that he’d just pulled a small revolver from his pocket and was pointing it in his direction. The nose of the short barrel was shaking. Commotion erupted all around them as patrons became aware of the drawn pistol. Tables and chairs were vacated, and shouts could be heard among the growing uproar. “You self-serving bastard,” the stranger said unsteadily. “That could be either of us,” Severin remarked with a slight frown, setting down his drink. “Which one of us do you want to shoot?” The man didn’t seem to hear the question, his attention focused only on West. “You turned her against me, you lying, manipulative snake.” “It’s you, apparently,” Severin said to West. “Who is he? Did you sleep with his wife?” “I don’t know,” West said sullenly, knowing he should be frightened of an unhinged man aiming a pistol at him. But it took too much energy to care. “You forgot to cock the hammer,” he told the man, who immediately pulled it back. “Don’t encourage him, Ravenel,” Severin said. “We don’t know how good a shot he is. He might hit me by mistake.” He left his chair and began to approach the man, who stood a few feet away. “Who are you?” he asked. When there was no reply, he persisted, “Pardon? Your name, please?” “Edward Larson,” the young man snapped. “Stay back. If I’m to be hanged for shooting one of you, I’ll have nothing to lose by shooting both of you.” West stared at him intently. The devil knew how Larson had found him there, but clearly he was in a state. Probably in worse condition than anyone in the club except for West. He was clean-cut, boyishly handsome, and looked like he was probably very nice when he wasn’t half-crazed. There could be no doubt as to what had made him so wretched—he knew his wrongdoings had been exposed, and that he’d lost any hope of a future with Phoebe. Poor bastard. Picking up his glass, West muttered, “Go on and shoot.” Severin continued speaking to the distraught man. “My good fellow, no one could blame you for wanting to shoot Ravenel. Even I, his best friend, have been tempted to put an end to him on a multitude of occasions.” “You’re not my best friend,” West said, after taking a swallow of brandy. “You’re not even my third best friend.” “However,” Severin continued, his gaze trained on Larson’s gleaming face, “the momentary satisfaction of killing a Ravenel—although considerable—wouldn’t be worth prison and public hanging. It’s far better to let him live and watch him suffer. Look how miserable he is right now. Doesn’t that make you feel better about your own circumstances? I know it does me.” “Stop talking,” Larson snapped. As Severin had intended, Larson was distracted long enough for another man to come up behind him unnoticed. In a deft and well-practiced move, the man smoothly hooked an arm around Larson’s neck, grasped his wrist, and pushed the hand with the gun toward the floor. Even before West had a good look at the newcomer’s face, he recognized the smooth, dry voice with its cut-crystal tones, so elegantly commanding it could have belonged to the devil himself. “Finger off the trigger, Larson. Now.” It was Sebastian, the Duke of Kingston . . . Phoebe’s father. West lowered his forehead to the table and rested it there, while his inner demons all hastened to inform him they really would have preferred the bullet.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Speaking of shooting, my lady,” Mr. Pinter said as he came around the table, “I looked over your pistol as you requested. Everything seems to be in order.” Removing it from his coat pocket, he handed it to her, a hint of humor in his gaze. As several pair of male eyes fixed on her, she colored. To hide her embarrassment, she made a great show of examining her gun. He’d cleaned it thoroughly, which she grudgingly admitted was rather nice of him. “What a cunning little weapon,” the viscount said and reached for it. “May I?” She handed him the pistol. “How tiny it is,” he exclaimed. “It’s a lady’s pocket pistol,” she told him as he examined it. Oliver frowned at her. “When did you acquire a pocket pistol, Celia?” “A little while ago,” she said blithely. Gabe grinned. “You may not know this, Basto, but my sister is something of a sharpshooter. I daresay she has a bigger collection of guns than Oliver.” “Not bigger,” she said. “Finer perhaps, but I’m choosy about my firearms.” “She has beaten us all at some time or another at target shooting,” the duke said dryly. “The lady could probably hit a fly at fifty paces.” “Don’t be silly,” she said with a grin. “A beetle perhaps, but not a fly.” The minute the words were out of her mouth, she could have kicked herself. Females did not boast of their shooting-not if they wanted to snag husbands. “You should come shooting with us,” Oliver said. “Why not?” The last thing she needed was to beat her suitors at shooting. The viscount in particular would take it very ill. She suspected that Portuguese men preferred their women to be wilting flowers. “No thank you,” she said. “Target shooting is one thing, but I don’t like hunting birds.” “Suit yourself,” Gabe said, clearly happy to make it a gentlemen-only outing, though he knew perfectly well that hunting birds didn’t bother her. “Come now, Lady Celia,” Lord Devonmont said. “You were eating partridges at supper last night. How can you quibble about shooting birds?” “If she doesn’t want to go, let her stay,” Gabe put in. “It’s not shooting birds she has an objection to,” Mr. Pinter said in a taunting voice. “Her ladyship just can’t hit a moving target.” She bit back a hot retort. Don’t scare off the suitors. “That’s ridiculous, Pinter,” Gabe said. “I’ve seen Celia-ow! What the devil, Oliver? You stepped on my foot!” “Sorry, old chap, you were in the way,” Oliver said as he went to the table. “I think Pinter’s right, though. Celia can’t hit a moving target.” “Oh, for heaven’s sake,” she protested, “I most certainly can hit a moving target! Just because I choose not to for the sake of the poor, helpless birds-“ “Convenient, isn’t it, her sudden dislike of shooting ‘poor, helpless birds’?” Mr. Pinter said with a smug glance at Lord Devonmont. “Convenient, indeed,” Lord Devonmont agreed. “But not surprising. Women don’t have the same ability to follow a bird in flight that a man-“ “That’s nonsense, and you know it!” Celia jumped to her feet. “I can shoot a pigeon or a grouse on the wing as well as any man here.” “Sounds like a challenge to me,” Oliver said. “What do you think, Pinter?” “A definite challenge, sir.” Mr. Pinter was staring at her with what looked like satisfaction. Blast it all, had that been his purpose-to goad her into it? Oh, what did it matter? She couldn’t let a claim like this or Lord Devonmont’s stand. “Fine. I’ll join you gentlemen for the shooting.” “Then I propose that whoever bags the most birds gets to kiss the lady,” Lord Devonmont said with a gleam in his eye. “That’s not much of a prize for me,” Gabe grumbled. She planted her hands on her hips. “And what if I bag the most birds?” “Then you get to shoot whomever you wish,” Mr. Pinter drawled. As the others laughed, Celia glared at him. He was certainly enjoying himself, the wretch. “I’d be careful if I were you, Mr. Pinter. That person would most likely be you.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
When World War One broke out in 1914, planes were initially used for intelligence gathering. The machines, which moved faster than any man made device had ever, flew at approximately 80 miles per hour. No plane in WWI flew faster than 145mph, and that was at the very end of the war.               Of course, neither side wanted the other to spy on its troop movements, so within a very short period of time, pilots were trying to bring each other down. Initially, the first dogfights, strange as it may seem, were fought with grappling hooks hanging below the plane, grenades, and ramming. This was both highly inefficient and highly dangerous (for everyone involved). The first plane-to-plane combat was on the Eastern Front where a Russian pilot, who probably meant to graze his enemy, crashed his plane into an Austro-Hungarian machine. He and the two man crew of the Austrian plane were killed.               Soon, pilots began shooting at each other with pistols and the single shot rifles of the time. You can guess how effective this was.
Ryan Jenkins (World War 2 Air Battles: The Famous Air Combats that Defined WWII)
Dannon was there, thirty feet away, pinned by the dazzling light like a frog on a tenth-grader’s dissection tray. Unlike those frogs . . . Jenkins shouted, “Freeze, freeze or we’ll shoot.” . . . Unlike those frogs, Dannon leaped sideways back into the swamp reeds and then, scrambling on his hands and knees, still clinging to his pistol, began running mindlessly through the brush. The cops all turned on their lights and played them through the brush, and caught flashes of Dannon, the movement of the swamp weeds and brush as he tore through them, and Lucas shouted, “Jenkins, Shrake, Del, go after him, take care, take care . . .” Lucas turned and in the light of his own flash, ran back up the dirt track toward the gravel road, pulled his handset and said, “Sarah, Jane, he’s coming right at you. Watch out, watch out, he’s on foot, I think he’s coming for the road. . . .” •   •   • NOTHING AT ALL WENT through Dannon’s head. He’d had some escape and evasion classes, and one of the basics was simply to put distance between yourself and your pursuer. Distance was always good; distance gave you options. He didn’t think about it, though, he just ran, fast and as hard as he could, and he was in good shape. Good shape or not, he fell three or four times—he wasn’t counting—and the small shrub and grasses tore at him and tried to catch his feet; he went knee-deep into a watery hole, pulled free, and ran on, looking back once. He was out of the light, now, he was gaining on them, he was almost there . . . And he broke free into the road. He couldn’t see it, except as a kind of dark channel in front of him. The lights were now a hundred yards back, but still coming, and he ran down the dark channel. When he got far enough out front, he’d cut across country again, and then maybe turn down toward the river. . . . He ran a hundred yards down the channel, heedless of the sounds of his footfalls, breathing hard. . . . •   •   • LUCAS WAS ON THE ROAD, moving faster than Dannon, but at the wrong angle—Dannon, though in the swamp, was cutting diagonally across the right angle of the gravel road and the dirt track. Lucas could tell more or less where he was because of the brilliant lights of the cops behind him, and the sound of Dannon’s thrashing in the brush. Then the thrashing stopped, and Lucas stopped, trying to figure out where he’d gone.
John Sandford (Silken Prey (Lucas Davenport #23))
In scores of cities all over the United States, when the Communists were simultaneously meeting at their various headquarters on New Year’s Day of 1920, Mr. Palmer’s agents and police and voluntary aides fell upon them—fell upon everybody, in fact, who was in the hall, regardless of whether he was a Communist or not (how could one tell?)—and bundled them off to jail, with or without warrant. Every conceivable bit of evidence—literature, membership lists, books, papers, pictures on the wall, everything—was seized, with or without a search warrant. On this and succeeding nights other Communists and suspected Communists were seized in their homes. Over six thousand men were arrested in all, and thrust summarily behind the bars for days or weeks—often without any chance to learn what was the explicit charge against them. At least one American citizen, not a Communist, was jailed for days through some mistake—probably a confusion of names—and barely escaped deportation. In Detroit, over a hundred men were herded into a bull-pen measuring twenty-four by thirty feet and kept there for a week under conditions which the mayor of the city called intolerable. In Hartford, while the suspects were in jail the authorities took the further precaution of arresting and incarcerating all visitors who came to see them, a friendly call being regarded as prima facie evidence of affiliation with the Communist party. Ultimately a considerable proportion of the prisoners were released for want of sufficient evidence that they were Communists. Ultimately, too, it was divulged that in the whole country-wide raid upon these dangerous men—supposedly armed to the teeth—exactly three pistols were found, and no explosives at all. But at the time the newspapers were full of reports from Mr. Palmer’s office that new evidence of a gigantic plot against the safety of the country had been unearthed; and although the steel strike was failing, the coal strike was failing, and any danger of a socialist régime, to say nothing of a revolution, was daily fading, nevertheless to the great mass of the American people the Bolshevist bogey became more terrifying than ever. Mr. Palmer was in full cry. In public statements he was reminding the twenty million owners of Liberty bonds and the nine million farm-owners and the eleven million owners of savings accounts, that the Reds proposed to take away all they had. He was distributing boilerplate propaganda to the press, containing pictures of horrid-looking Bolsheviks with bristling beards, and asking if such as these should rule over America. Politicians were quoting the suggestion of Guy Empey that the proper implements for dealing with the Reds could be “found in any hardware store,” or proclaiming, “My motto for the Reds is S. O. S.—ship or shoot. I believe we should place them all on a ship of stone, with sails of lead, and that their first stopping-place should be hell.” College graduates were calling for the dismissal of professors suspected of radicalism; school-teachers were being made to sign oaths of allegiance; business men with unorthodox political or economic ideas were learning to hold their tongues if they wanted to hold their jobs. Hysteria had reached its height.
Frederick Lewis Allen (Only Yesterday: An Informal History of the 1920s (Harper Perennial Modern Classics))
position an exploding seashell near where Fidel Castro snorkeled in Cuba. The iconic image of the hearings came when committee members passed around a pistol that the CIA had built to shoot poison darts and Senator Barry Goldwater pointed the gun into the air as he looked through its sights. CIA director William Colby tried to make clear that the weapon had never been used, but the image endured. Before the committee had even wrapped up its work, President Ford signed an executive order banning the government from carrying out assassinations of foreign heads of state or other foreign politicians.
Mark Mazzetti (The Way of the Knife)
There’s a heart-wrenching scene in Rudolph, the Red-Nosed Reindeer, the old stop-motion Christmas TV special, that has always resonated with me. After his run-in with the Abominable Snowman, Rudolph and his buddies seek asylum on the Island of Misfit Toys, a haven for crappy, deformed, and unwanted toys presumably built by an elf with substance abuse issues. There’s the choo-choo train with square wheels, the water pistol that shoots jelly, the cowboy riding an ostrich, the white elephant with pink polka dots, the infelicitously named Charlie-in-the-Box. “Hey we’re all misfits, too!” Rudolph squeals to his newfound friends, and everyone breaks into song. I cry every time I see it.
Anonymous
I’ve always known why we were making the music we were making, just like I know how a lifetime of subtle and blatant racism and oppression can make you want to reach for your pistol and either shoot the oppressor or shoot yourself. When you live in a society that repeatedly tells you that it values a white person’s life, safety, values, and lifestyle more than your own, and you get reminders of it every day and at every turn—whether it’s the Michael Brown case or just talking to a friend or family member about some fucked-up shit they just went through while living their life—it’s very easy to come to the conclusion that the best solution to all of this shit is violence.
Brad "Scarface" Jordan (Diary of a Madman: The Geto Boys, Life, Death, and the Roots of Southern Rap)
He sauntered up to the counter and asked for two Beretta Px4 Storm Compact pistols, holsters, spare magazines, and a couple boxes of ammo. “Good choice,” said the weapons attendant as he piled the boxes on the cabinet. “Great little concealed carry weapon.” He lifted his shirt to show them his own pistol. “I carry mine everywhere I go.” Mitch caught Bishop's eye and his eyebrows rose. He managed to hide his smile and signed for the weapons with a Virginia ID. While he filled out the form the attendant verified the ID on his computer. “All good! None of that waiting period nonsense here, brothers,” continued the man. “Just get out in them there hills and start shooting.
Jack Silkstone (PRIMAL Nemesis (PRIMAL #6))
When finally Lawrence and the others reached the culvert, they found one Turkish soldier dead and Farraj horribly wounded, shot through the side. With efforts to stanch his bleeding to no avail, Farraj’s companions attempted to lift him onto a camel, even as the young man begged to be left to die. The matter was rather decided when an alarm went up that a Turkish patrol of some fifty soldiers was approaching along the rails. Knowing the hideous end the Turks often perpetrated on enemy captives, Lawrence and his bodyguards had a tacit understanding to finish off any of their number too badly wounded to travel. With Farraj, this coup de grâce task fell to Lawrence. “I knelt down beside him, holding my pistol near the ground by his head so that he should not see my purpose, but he must have guessed it, for he opened his eyes and clutched me with his harsh, scaly hand, the tiny hand of these unripe Nejd fellows. I waited a moment, and he said, ‘Daud will be angry with you,’ the old smile coming back so strangely to this gray shrinking face. I replied, ‘salute him from me.’ He returned the formal answer, ‘God will give you peace,’ and at last wearily closed his eyes.” After shooting Farraj, Lawrence remounted his camel, and he and his entourage fled as the first Turkish bullets came for them.
Scott Anderson (Lawrence in Arabia: War, Deceit, Imperial Folly and the Making of the Modern Middle East)
Luke climbed up next to Georgie. “You did real good, honey. Since we’re done for now, you just put your thumb here on the hammer and pull back, then ease it forward. Make sure your barrel isn’t pointing at anyone when you do it, though.” He cocked it again. “Now you try.” She aimed in the direction of his horse. Luke gently lowered the barrel. “These bullets go far. You don’t want to accidentally shoot anything.” Keeping the pistol trained to the ground, she released the hammer, then looked up at him, her green eyes sparkling with pride. “That’s the way,” he said. “You can relax now. I’ll guard the men while you drive. You needn’t be afraid to put your back to them. I’ll protect you.” Her eyes softened. “Thank you.
Deeanne Gist (Love on the Line)
Merripen?” Her voice was strained. “Yes?” “You should probably know that if my brother hasn’t already managed to kill himself, I plan to shoot him when we find him.” “I’ll hand you the pistol.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
By the afternoon, the shooting had just become a blur of noise and sound, and the smell of cordite, blood, and shit filled the air. At one point Schlegel shouted out in shocked surprise, “No! That’s our damn waitress!” as he realized that one of the Jews in the line being marched toward our pistols worked at the KdS mess. We were killing our own staff, like Saturn devouring his sons; and that, more than anything else, seemed to sum up the lunacy of it all. We would rather have Frau Levy lying dead in a hole in the ground than bringing us our evening bowls of soup. The
David Thomas (Ostland)
She's a pistol that if you don't learn how to point and shoot properly. The back fire could be hazardous to your health or life.
A.M. Willard (Unexpected Chances (Chances #1))
If Piers was much longer, she would throttle him. If he failed altogether to put in an appearance, she would borrow a dueling pistol and shoot him.
Mary Balogh (A Certain Magic)