Pg Wodehouse Famous Quotes

This Vladimir Brusiloff to whom I have referred was the famous Russian novelist. . . . Vladimir specialized in gray studies of hopeless misery, where nothing happened till page three hundred and eighty, when the moujik decided to commit suicide. . . . Cuthbert was an optimist at heart, and it seemed to him that, at the rate at which the inhabitants of that interesting country were murdering one another, the supply of Russian novelists must eventually give out.

I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap )

The trouble is that she is greatly under the influence of a pal of hers called Tolstoy. I've never met him, but he seems to have the most extraordinary ideas. You won't believe this, Jeeves, but he says that no one needs to smoke, as equal pleasure can be obtained by twirling the fingers. The man must be an ass. Imagine a posh public dinner – one of those "decorations will be worn" things. The royal toast has been drunk, strong men are licking their lips at the thought of cigars, and the toastmaster bellows "Gentlemen, you may twirl your fingers." Don't tell me there wouldn't be a flat feeling, a sense of disappointment. Do you know anything about this fellow Tolstoy? You ever heard of him?' 'Oh, yes, sir. He was a very famous Russian novelist.' 'Russian, eh? Well, there you are. And a novelist? He didn't write By Order Of The Czar, did he?' 'I believe not, sir.' 'I thought he might have under another name. You say "was". Is he no longer with us?' 'No, sir. He died some years ago.' 'Good for him. Twirl your fingers! Too absurd. I'd laugh only she says I mustn't laugh because another pal of hers, called Chesterfield, didn't.

Even from an aesthetic point of view the sight of the bulging child offended him. Ogden Ford was round and blobby and looked overfed. He had the plethoric habit of one to whom wholesome exercise is a stranger and the sallow complexion of the confirmed candy-fiend. Even now, a bare half hour after breakfast, his jaws were moving with a rhythmical, champing motion. “What are you eating, boy?” demanded Mr. Pett, his disappointment turning to irritability. “Candy.