Pinocchio Quotes

But, Dad! We can't leave. Uncle Jake is hurt!" Daphne said. "Besides, that's Pinocchio. I want to get an autograph.

Twisted and perverse are the ways of the human mind," Jane intoned. "Pinocchio was such a dolt to try to become a real boy. He was much better off with a wooden head.

A lie keeps growing and growing until it's as plain as the nose on your face.

Never trust people who promise to make you rich in a day. They are generally crazy swindlers

A conscience is that still small voice that people won't listen to.

You sick, twisted monster," Sabrina seethed at Pinocchio.

Beauty is, in some way, boring. Even if its concept changes through the ages… a beautiful object must always follow certain rules. A beautiful nose shouldn’t be longer than that or shorter than that, on the contrary, an ugly nose can be as long as the one of Pinocchio, or as big as the trunk of an elephant, or like the beak of an eagle, and so ugliness is unpredictable, and offers an infinite range of possibility. Beauty is finite, ugliness is infinite like God.

I´d read fantasy if they had simple names like Jane and Bob from Wagga," I say. "Why does it have to be Tehrana and Bihaad from the World of Sceehina?" Jimmy looks at my mother and rolls his eyes. "No wonder they call her bimbo behind her back." And my mum laughs. And because of that, Mark Viduka, the soccer player, stops being my brothers hero, and Luca and Pinocchio run after Jimmy like he´s their idol.

There’s a whole psychological reason for those cartoons about good against evil. We have "Superman" and all those other hero people, so that we can go out into life and try to be something. I’ve got most of Disney’s animated movies on video-tapes, and when we watch them. Oh, I could just eat it, eat it. […] Jimmy Cricket, Pinocchio, Mickey Mouse – these are world-known characters. Some of the greatest political figures have come to the United States to meet them.

Hunger is the best cook.

Right, I breast feed baby camels in my backyard just for the freaking fun of it. Just tell me where you live, Pinocchio, and save the baloney for lunch.

Looks like you’ve done enough feasting for a lifetime,” snorted Pinocchio. He saw the whole table staring at him. “Did I say that out loud?

Pinocchio is a movie that resonates very deeply with you?” Ezekiel asks from far behind me, probably cautioned not to get too close so I can’t whammy him with my evil vagina powers.

I hated Pinocchio. I think I was the only one in the class who hated him. Pinocchio was alive, but that was not enough for him. He could walk and talk and touch things in the real world, but he spent the whole book wanting more. Pinocchio didn’t know how lucky he was.

I might have been made of metal once, but not anymore. Like Pinocchio, I'd turned into a real girl. So far it sucked. But there was nothing I could do about it.

Most unfortunately, in the lives of puppets there is always a 'but' that spoils everything.

Come spring, the trees give us gifts. Green bits that helicopter down from above. When they land, Joey and I follow, retrieve them and bend the blades until they touch, releasing the glue inside so we can stick them onto our noses and call each other Pinocchio. This beats anything in my yard. Gathering buds that die and fall was fine once. But chasing helicopters and having a green nose is better.

He was Pinocchio to my Gepetto.

If u were Pinocchio, ur nose wld span the state.

The USA government sure do like their propaganda feeds! Unfortunately, too much propaganda does create the scenario where no one believes anything that they say. It's just like Pinocchio.

What matters school? We can go to school to-morrow. Whether we have a lesson more or a lesson less, we shall always remain the same donkeys.

I don't know how to be myself. It's like I'm permanently outside myself. Like, like you could push your hands straight through me if you wanted to. And I can see the type of man I want to be versus the type of man I actually am and I know that I'm doing it but I'm incapable of what needs to be done. I'm like Pinocchio, a wooden boy. Not a real boy. And it kills me.

Woe to those who lead idle lives. Idleness is a dreadful illness and must be cured in childhood. If it is not cured then, it can never be cured.

Would it be possible to find a more ungrateful boy, or one with less heart than I have!

Walt Disney character Pinocchio said: ‘When you wish upon a star It does not matter who you are

Order is the Shire of Tolkien’s hobbits: peaceful, productive and safely inhabitable, even by the naive. Chaos is the underground kingdom of the dwarves, usurped by Smaug, the treasure-hoarding serpent. Chaos is the deep ocean bottom to which Pinocchio voyaged to rescue his father from Monstro, whale and fire-breathing dragon. That journey into darkness and rescue is the most difficult thing a puppet must do, if he wants to be real; if he wants to extract himself from the temptations of deceit and acting and victimization and impulsive pleasure and totalitarian subjugation; if he wants to take his place as a genuine Being in the world.

Lies, my dear boy, can easily be recognized. There are two kind of them: those with short legs, and those with long noses. Your kind have long noses.

Last night," the long-nosed man replied, looking surprised by her question. "You drank a barrel of wine and told me you miss cleaning for your stepsisters because at least you felt useful and stayed fit and now you're old and bored and big as a house--" "WHO ASKED YOU?" thundered the woman. "YOU SPENT HALF YOUR LIFE AS A PUPPET!

I stretch my arms out — Let the truth be told These days, friends are modern day Pinocchios Long nose, friend or foe They're more fake than the wax statues standing still in Madame Tussaud.

Laziness is a serious illness and one must cure it immediately; yes, even from early childhood. If not, it will kill you in the end.

In the Land of Toys, every day, except Sunday, is a Saturday. Vacation begins on the first of January and ends on the last day of December. That is the place for me! All countries should be like it! How happy we should all be!

Madonna Maria, Dottore, please tell me some lies." "I am not Pinocchio. The truth will make us free. We overcome by looking it in the eyes.

Prove yourself brave, truthful, and unselfish, and someday you will be a real boy.’ The Blue Fairy said that. In Pinocchio.

Let me tell you that every man, whether he is born rich or poor, is obliged to do something in this world—to occupy himself, to work. Woe to those who lead slothful lives. Sloth is a dreadful illness and must be cured at once, in childhood. If not, when we are old it can never be cured.’ Pinocchio

If Pinocchio was a billionaire, he would look like President Trump.

I'M PINOCCHIO. I KILL MONSTERS.

The Democratic Party of the USA would greatly appreciate your cooperation with re-installing Mr & Mrs Pinocchio into the White House.

Do you remember how glad Gepetto was when Pinocchio first danced without strings?

Where are the gold pieces now?' the Fairy asked. 'I lost them,' answered Pinocchio, but he told a lie, for he had them in his pocket. As he spoke, his nose, long though it was, became at least two inches longer.

Don't trust to those who promise to make you rich in a day. Usually they are either mad or rogues!

Today at school I will learn to read at once; then tomorrow I will begin to write, and the day after tomorrow to cipher. Then with my acquirements I will earn a great deal of money, and with the first money I have in my pocket I will immediately buy for my papa a beautiful new cloth coat. But what am I saying? Cloth, indeed! It shall be all made of gold and silver, and it shall have diamond buttons. That poor man really deserves it; for to buy me books and to have me taught he has remained in his shirt sleeves... And in this cold! It is only fathers who are capable of such sacrifices!...

It's a fairy tale. A children's story. Not a funny or silly one, but one with blood and death and horror, because that's fairy tales, too. A kid got swallowed by a whale. A little Pinocchio. A little Caliban. It's all there. And, you know, in a fairy tale, the maidens are never dead - not really. They're just sleeping.

If your heart is in your dream, no request is too extreme. —PINOCCHIO

I will not be voting for Pinocchio.

After they had gone another mile, Pinocchio heard the same little low voice saying to him: 'Bear it in mind, simpleton! Boys who refuse to study, and turn their backs upon books, schools, and masters, to pass their time in play and amusements, sooner or later come to a bad end... I know it by experience... and I can tell you. A day will come when you will weep as I am weeping now... but then it will be too late!...' On hearing these words whispered very softly, the puppet, more frightened than ever, sprang down from the back of his donkey and went and took hold of his mouth. Imagine his surprise when he found that the donkey was crying... and he was crying like a boy!

Just so ya know, mate, superpowers come at a cost." "What superpowers are you-" "Oi, listen. D'ya know Pinocchio? The wooden lad. Yeah, his superpower was ta lie ta everyone about anythin' he saw fit. An' I think 'tis cool if y'ask me. But it had a cost, it did. His nose grew longer with every lie. Ha! Ya see?" "No, I don't." "We're reality's lies mate. An' there's a cost ta'r existence." -Robert Cassidy, on people with paranormal abilities.

Are you not afraid of death?' I am not in the least afraid!... I would rather die than drink that bitter medicine.' At that moment the door of the room flew open, and four rabbits as black as ink entered carrying on their shoulders a little bier. What do you want with me?' cried Pinocchio, sitting up in bed in a great fright. We are come to take you,' said the biggest rabbit. To take me?... But I am not yet dead!...' No, not yet: but you have only a few minutes to live, as you have refused the medicine that would have cured you of the fever.' Oh, Fairy, Fairy!' the puppet then began to scream, 'give me the tumbler at once... be quick, for pity's sake, for I will not die--no... I will not die....

Always let your conscience be your guide.

If only sugar were medicine! I should take it every day.

When the dead person cries, it is a sign that he is on the road to get well,’ said the Crow solemnly.

315Beauty is, in some way, boring. Even if its concept changes through the ages… a beautiful object must always follow certain rules. A beautiful nose shouldn’t be longer than that or shorter than that, on the contrary, an ugly nose can be as long as the one of Pinocchio, or as big as the trunk of an elephant, or like the beak of an eagle, and so ugliness is unpredictable, and offers an infinite range of possibility. Beauty is finite, ugliness is infinite like God.

How it happened that Mastro Cherry, carpenter, found a piece of wood that wept and laughed like a child. Centuries ago there lived -- "A king!" my little readers will say immediately. No, children, you are mistaken. Once upon a time there was a piece of wood.

You see man we are just fucking extras!! Extras in a capitalist blockbuster!~page 75

It's the rabbits of ill portent!

Non ti fidare, ragazzo mio, di quelli che promettono di farti ricco dalla mattina alla sera. Per il solito, o sono matti o imbroglioni!

Quel povero diavolo è stato derubato di quattro monete d'oro: pigliatelo dunque e mettetelo subito in prigione.

If your heart is in your dream, no request is to extreme.

non è il vestito bello che fa il signore, ma è piuttosto il vestito pulito.

it struck him exactly on the head, so that the poor Cricket had scarcely breath to cry cri-cri-cri, and then he remained dried up and flattened against the wall.

Sorry, Pinocchio, but Risa's not your Blue Fairy. She can't turn you into a real boy.

A conscience is that still small voice that people won’t listen to. —Pinocchio (1940 film)

non ti fidare, ragazzo mio, di quelli che promettono di farti ricco dalla mattina alla sera. Per il solito, o sono matti o imbroglioni!" Il Grillo-parlante a Pinocchio

I don't know where we are, but we'll soon find our way home!" Le avventure di Pinocchio

Cole stared at the Pinocchio clock, then a small ceramic figurine of Jiminy Cricket a client had given him. Let your conscience be your guide. Everyone needed a Jiminy.

THE MASKED MAN OF PINOCCHIO PRISON

Are you not afraid of death? —Carlo Collodi, The Adventures of Pinocchio

And Pinocchio, although he was a very merry boy, became sad also; because poverty, when it is real poverty, is understood by everybody - even by boys.

Pinocchio,

Centuries ago there lived-- “A king!” my little readers will say immediately. No, children, you are mistaken. Once upon a time there was a piece of wood. It was not an expensive piece of wood.

Just as Don Quixote, whose preposterous idealism and touchy pride immediately struck a chord with the Spanish, so Pinocchio speaks to Italians in a very special way as a caricature of many of their national virtues and vices.

Imagine all of L.A. filled with windup men wandering empty-headed and waiting for orders and directions and purpose. That’s L.A. in a nutshell. A city of driven creatures, but no one is a hundred percent sure what they’re driven toward. Wealth. Fame. Power. Love. Revenge. These are all the obvious end points for the citizens of a spectral city, but none of them quite encompass a final goal. That’s more fragile. Something that slips away like smoke the moment it’s in your hands. It’s a moonshine cocktail of desperation and desire, the certainty that you can find perfection through sheer willpower and the cold terror that if you do reach the goal it will have twisted into something new. A new fevered need born of the search for this one. Searching for the next goal will breed another. And on and on. L.A. and Kill City full of Pinocchios with whirring gears for brains, all wanting to be real boys but sunk in the certainty that they’ll never become anything because they’re nothing. They came from nothing and are headed for a further and harder nothing.

Nel sole di marzo, mentre era seduto su una catasta di ceppi di faggio che scricchiolavano per il caldo, avvenne che egli pronunciasse per la prima volta la parola «legno». Aveva già visto il legno centinaia di volte, aveva sentito la parola centinaia di volte. La capiva anche, infatti d'inverno era stato mandato fuori spesso a prendere legna. Ma il legno come oggetto non gli era mai sembrato così interessante da darsi la pena di pronunciarne il nome. Ciò avvenne soltanto quel giorno di marzo, mentre era seduto sulla catasta. La catasta era ammucchiata a strati, come una panca, sul lato sud del capannone di Madame Gaillard, sotto un tetto sporgente. I ceppi più alti emanavano un odore dolce di bruciaticcio, dal fondo della catasta saliva un profumo di muschio, e dalla parete d'abete del capannone si diffondeva nel tepore un profumo di resina sbriciolata. Grenouille era seduto sulla catasta con le gambe allungate, la schiena appoggiata contro la parete del capannone, aveva chiuso gli occhi e non si muoveva. Non vedeva nulla, non sentiva e non provava nulla. Si limitava soltanto ad annusare il profumo del legno che saliva attorno a lui e stagnava sotto il tetto come sotto una cappa. Bevve questo profumo, vi annegò dentro, se ne impregnò fino all'ultimo e al più interno dei pori, divenne legno lui stesso, giacque sulla catasta come un pupazzo di legno, come un Pinocchio, come morto, finché dopo lungo tempo, forse non prima di una mezz’ora, pronunciò a fatica la parola «legno». Come se si fosse riempito di legno fin sopra le orecchie, come se il legno gli arrivasse già fino al collo, come se avesse il ventre, la gola, il naso traboccanti di legno, così vomitò fuori la parola. E questa lo riportò in sé, lo salvò, poco prima che la presenza schiacciante del legno, con il suo profumo, potesse soffocarlo. Si alzò a fatica, scivolò giù dalla catasta, e si allontanò vacillando come su gambe di legno. Per giorni e giorni fu preso totalmente dall'intensa esperienza olfattiva, e quando il ricordo saliva in lui con troppa prepotenza, borbottava fra sé e sé «legno, legno», a mo' di scongiuro.

In this world, we should treat everyone kindly as far as it is possible, that we ourselves may be treated kindly when we need it.

trompe-l’œil. Une casserole, peinte elle aussi, bouillait

Lapar, anakku... bukan alasan untuk mengambil sesuatu yang merupakan milik orang lain.. (hal. 93)

I say that a wise doctor, when he does not know what he is talking about, should know enough to keep his mouth shut.

Don't trust, my boy, those who promise to make you rich in a day. Usually they are either mad or rogues!

I don't want you to be lonely," Cedar couldn't help saying. "Or hungry! You two always forget to go shopping till the cupboards are bare. I'll be right back." She grabbed some baskets and ran out of the house. Old Mother Hubbard's Corner Market was always open early, so Cedar filled her baskets with Pinocchio's and Gepetto's favorite foods: bread, fruitcake, sardines, and humble pie.

That puppet there,’ continued the Talking-cricket, ‘is a confirmed rogue. …’ Pinocchio opened his eyes, but shut them again immediately. ‘He is a ragamuffin, a do-nothing, a vagabond. …. Pinocchio hid his face beneath the clothes. ‘That puppet there is a disobedient son who will make his poor father die of a broken heart! …’ At that instant a suffocated sound of sobs and crying was heard in the room. Imagine everybody’s astonishment when, having raised the sheets a little, it was discovered that the sounds came from Pinocchio. ‘When the dead person cries, it is a sign that he is on the road to get well,’ said the Crow solemnly. ‘I grieve to contradict my illustrious friend and colleague,’ added the Owl, ‘but for me, when the dead person cries, it is a sign that he is sorry to die.

oui : les mêmes yeux, les mêmes cheveux, oui, oui, des cheveux bleu-nuit comme les siens ! O ma chère petite Fée ! Ma Fée à moi ! Dites-moi que c’est vous, que c’est vraiment vous ! Ne me faites plus pleurer ! Si vous saviez comme j’ai pleuré ! J’ai tant pleuré !… En disant cela et tout en pleurant à chaudes larmes, Pinocchio se jeta à terre et enserra de ses bras les genoux de la mystérieuse jeune femme.

On hearing himself called Polendina for the third time, Geppetto lost his head with rage and threw himself upon the carpenter. Then and there they gave each other a sound thrashing. After this fight, Mastro Antonio had two more scratches on his nose, and Geppetto had two buttons missing from his coat. Thus having settled their accounts, they shook hands and swore to be good friends for the rest of their lives.

Maybe it all began now, my life as a wife comfortable in her own home, a real wife. I tried to remember how Pinocchio had become a real boy. It had something to do with being in a whale, maybe saving his father's life; I hadn't done anything like that. But surely a woman was more complex than a puppet boy and she might become herself not once-and-for-all but cyclically: waxing, waning, sometimes disappearing altogether.

The system has your brain. They evaluate it to let you. A mafia of established people, your competition, wants to destroy you and functions as Geppetto planting false negative things into your brain and body. Fake news. Wrong accusations.

Only two hundred enchanted wooden soldiers guarded the prisoners inside and they were no match for the thousands of Frenchmen invading the prison. The Grande Armée forced its way inside and the wooden soldiers were blown into pieces by volleys of rifle fire. After the wooden soldiers were completely obliterated and the smoke began to clear, General Marquis stepped inside the prison and had a look at his newest conquest. Pinocchio Prison was thirty stories high and open on the

Suddenly, Pinocchio's identity as a puppet takes on the power of metaphor. Until now, it has been possible to think of him more or less as a naughty little boy. But now his being a marionette becomes central to the story - and to the message, of the importance of education, that Collodi is using the story to convey. If you don't study and make a contribution to society, you will forever remain a puppet. You will never grow. And, as the story goes on to relate, your life will be blighted.

L'uomo, per tua regola, nasca ricco o povero, è obbligato in questo mondo a far qualcosa, a occuparsi, a lavorare. Guai a lasciarsi prendere dall'ozio! L'ozio è una bruttissima malattia, e bisogna guarirla subito, fin da ragazzi: se no, quando siamo grandi, non si guarisce più.

Grenouille sat on the logs, his legs outstretched and his back leaned against the wall of the shed. He had closed his eyes and did not stir. He saw nothing, he heard nothing, he felt nothing. He only smelt the aroma of the wood rising up around him to be captured under the bonnet of the eaves. He drank in the aroma, he drowned in it, impregnating himself through his innermost pores, until he became wood himself; he lay on the cord of wood like a wooden puppet, like Pinocchio, as if dead, until after a long while, perhaps a half-hour or more, he gagged up the word ‘wood’. He vomited the word up, as if he were filled with wood to his ears, as if buried in wood to his neck, as if his stomach, his gorge, his nose were spilling over with wood. And that brought him to himself, rescued him only moments before the overpowering presence of the wood, its aroma, was about to suffocate him. He shook himself, slid down off the logs, and tottered away as if on wooden legs. Days later he was still completely fuddled by the intense olfactory experience, and whenever the memory of it rose up too powerfully within him he would mutter imploringly, over and over, ‘Wood, wood.

That’s a conscious decision to presume the primary goodness of Being. That’s an act of courage. Aim high, like Pinocchio’s Geppetto. Wish upon a star, and then act properly, in accordance with that aim. Once you are aligned with the heavens, you can concentrate on the day. Be careful. Put the things you can control in order. Repair what is in disorder, and make what is already good better. It is possible that you can manage, if you are careful. People are very tough. People can survive through much pain and loss. But to persevere they must see the good in Being. If they lose that, they are truly lost.

It’s the mother of all technological babysitters, and its ability to entertain will be welcomed if both parents are lucky enough to have jobs. These children are not going to be concerned about the issues of the physical world when they have a whole virtual universe to explore and an on-demand genius as a best friend. Like Pinocchio and the other boys being tempted by the lights and promise of instant gratification on Pleasure Island, so the world of online gaming, AI friends and virtual reality will attract children away from real-world activities – and, like Pleasure Island, it has the potential to turn them into dumb and docile asses, easy to manipulate and control.

When Geppetto is just finishing the construction of Pinocchio, he turns his back on the puppet and is promptly sent flying by a well-placed kick. At that instant the carpenter's friend arrives and asks him what he is doing sprawled on the floor. 'I am teaching', Geppetto replies with dignity, 'the alphabet to the ants.' This seemed to Ellie extremely witty, and she delighted in recounteing it to her friends. But each time she quoted it there was an unspoked question lingering at the edge of her consciousness: Could you teach the alphabet to the ants? And would you want to? Down there with hundreds of scurrying insects who might crawl all over your skin, or even sting you? What could ants know, anyway?

de demander l’aumône. Les vrais pauvres méritant assistance et compassion étaient uniquement ceux qui, trop âgés ou malades, ne pouvaient plus subvenir à leurs besoins en travaillant de leurs propres mains. Tous les autres devaient travailler et s’ils souffraient de la faim parce qu’ils ne faisaient rien, tant pis pour eux. A ce moment-là passa dans la rue un homme transpirant et haletant qui tirait à grand peine deux charrettes de charbon. Pinocchio, jugeant sa physionomie avenante, l’accosta et lui demanda d’une petite voix tout en baissant les yeux : – Me feriez-vous la charité d’un petit sou, car je meurs de faim ? – Ce n’est pas un mais quatre sous que je te donnerai – répondit le charbonnier – si tu m’aides à tirer ces charrettes jusque chez moi.

Quelle idée ! – répliqua la marionnette offensée – Sachez, pour votre gouverne, que je ne suis pas une bête de somme et que je n’ai jamais été attelé à une charrette ! – Tant mieux pour toi. Dans ce cas, mon garçon, si tu meurs vraiment de faim, mange donc deux belles tranches de ton superbe orgueil et prends bien garde de ne pas attraper une indigestion. Deux minutes plus tard, c’est un maçon qui passait en portant sur l’épaule un sac de chaux. – Mon bon monsieur, feriez-vous l’aumône d’un sou à un pauvre garçon qui baille tellement il a faim ? – supplia Pinocchio. – Bien volontiers – lui répondit le maçon – Je te donnerai même cinq sous si tu m’aides à porter ce sac. – Mais la chaux, c’est très lourd – fit remarquer Pinocchio – et je ne veux pas me fatiguer.

The point at which Pinocchio goes from being a child to an adult. He is no longer someone in need of protection, but rather a protector. What follows casts his earlier misadventures in a comparatively positive light, because they have given him the resources and the courage to deal with a perilous situation. Collodi was a strong believer in the value of the "university of life" - of acting according to one's own judgement and learning from one's own mistakes. In a note found among his papers... he wrote: "The best practical education that a boy can have is what he learns by himself... It cannot be learned from books." But while Pinocchio is now brave and capable of making important decisions, he still needs to acquire an education in order to become a fully rounded human being.

In a study of the components of lying,2 Harvard Business School professor Deepak Malhotra and his coauthors found that, on average, liars use more words than truth tellers and use far more third-person pronouns. They start talking about him, her, it, one, they, and their rather than I, in order to put some distance between themselves and the lie. And they discovered that liars tend to speak in more complex sentences in an attempt to win over their suspicious counterparts. It’s what W. C. Fields meant when he talked about baffling someone with bullshit. The researchers dubbed this the Pinocchio Effect because, just like Pinocchio’s nose, the number of words grew along with the lie. People who are lying are, understandably, more worried about being believed, so they work harder—too hard, as it were—at being believable.

È dolce o amara? – È amara, ma ti farà bene. – Se è amara, non la voglio. – Da' retta a me: bevila. – A me l'amaro non mi piace. – Bevila: e quando l'avrai bevuta, ti darò una pallina di zucchero, per rifarti la bocca. – Dov'è la pallina di zucchero? – Eccola qui – disse la Fata, tirandola fuori da una zuccheriera d'oro. – Prima voglio la pallina di zucchero, e poi beverò quell'acquaccia amara.. – Me lo prometti? – Sì... La Fata gli dette la pallina, e Pinocchio, dopo averla sgranocchiata e ingoiata in un attimo, disse leccandosi i labbri: – Bella cosa se anche lo zucchero fosse una medicina!... Mi purgherei tutti i giorni. – Ora mantieni la promessa e bevi queste poche gocciole d'acqua, che ti renderanno la salute. Pinocchio prese di mala voglia il bicchiere in mano e vi ficcò dentro la punta del naso: poi se l'accostò alla bocca: poi tornò a ficcarci la punta del naso: finalmente disse: – È troppo amara! troppo amara! Io non la posso bere. – Come fai a dirlo, se non l'hai nemmeno assaggiata? – Me lo figuro! L'ho sentita all'odore. Voglio prima un'altra pallina di zucchero... e poi la beverò!...

Davvero - disse fra se il burattino rimettendosi in viaggio – come siamo disgraziati noialtri ragazzi! Tutti ci sgridano, tutti ci ammoniscono, tutti ci danno dei consigli. A lasciarli dire, tutti si metterebbero in capo di essere i nostri babbi e i nostri maestri: tutti anche i Grilli-parlanti. Ecco qui: perché io non ho voluto dar retta a quell’uggioso di Grillo, chi lo sa quante disgrazie, secondo lui, mi dovrebbero accadere! Dovrei incontrare anche gli assassini! Meno male che agli assassini io non ci credo, né ci ho creduto mai. Per me gli assassini sono stati inventati apposta dai babbi, per far paura ai ragazzi che vogliono andare fuori la notte. E poi anche se li trovassi qui sulla strada, mi darebbero forse soggezione? Neanche per sogno. Andrei loro sul viso gridando: “Signori Assassini, cosa vogliono da me? Si rammentino che con me non si scherza. Se ne vadano per i fatti loro, e zitti!” A questa parlantina fatta sul serio, quei poveri assassini, mi par di vederli, scapperebbero via come il vento. Caso poi fossero tanto delicati da non voler scappare, allora scapparei io, e così la farei finita...

— C’era una volta.... — Un re! — diranno subito i miei piccoli lettori. — No, ragazzi, avete sbagliato. C’era una volta un pezzo di legno. Non era un legno di lusso, ma un semplice pezzo da catasta, di quelli che d’inverno si mettono nelle stufe e nei caminetti per accendere il fuoco e per riscaldare le stanze. Non so come andasse, ma il fatto gli è che un bel giorno questo pezzo di legno capitò nella bottega di un vecchio falegname, il quale aveva nome mastr’Antonio, se non che tutti lo chiamavano maestro Ciliegia, per via della punta del suo naso, che era sempre lustra e paonazza, come una ciliegia matura.

The first step in retracing our way to health is to abandon our attachment to what is called positive thinking. Too many times in the course of palliative care work I sat with dejected people who expressed their bewilderment at having developed cancer. “I have always been a positive thinker,” one man in his late forties told me. “I have never given in to pessimistic thoughts. Why should I get cancer?” As an antidote to terminal optimism, I have recommended the power of negative thinking. “Tongue in cheek, of course,” I quickly add. “What I really believe in is the power of thinking.” As soon as we qualify the word thinking with the adjective positive, we exclude those parts of reality that strike us as “negative.” That is how most people who espouse positive thinking seem to operate. Genuine positive thinking begins by including all our reality. It is guided by the confidence that we can trust ourselves to face the full truth, whatever that full truth may turn out to be. As Dr. Michael Kerr points out, compulsive optimism is one of the ways we bind our anxiety to avoid confronting it. That form of positive thinking is the coping mechanism of the hurt child. The adult who remains hurt without being aware of it makes this residual defence of the child into a life principle. The onset of symptoms or the diagnosis of a disease should prompt a two-pronged inquiry: what is this illness saying about the past and present, and what will help in the future? Many approaches focus only on the second half of that healing dyad without considering fully what led to the manifestation of illness in the first place. Such “positive” methods fill the bookshelves and the airwaves. In order to heal, it is essential to gather the strength to think negatively. Negative thinking is not a doleful, pessimistic view that masquerades as “realism.” Rather, it is a willingness to consider what is not working. What is not in balance? What have I ignored? What is my body saying no to? Without these questions, the stresses responsible for our lack of balance will remain hidden. Even more fundamentally, not posing those questions is itself a source of stress. First, “positive thinking” is based on an unconscious belief that we are not strong enough to handle reality. Allowing this fear to dominate engenders a state of childhood apprehension. Whether or not the apprehension is conscious, it is a state of stress. Second, lack of essential information about ourselves and our situation is one of the major sources of stress and one of the potent activators of the hypothalamicpituitary-adrenal (HPA) stress response. Third, stress wanes as independent, autonomous control increases. One cannot be autonomous as long as one is driven by relationship dynamics, by guilt or attachment needs, by hunger for success, by the fear of the boss or by the fear of boredom. The reason is simple: autonomy is impossible as long as one is driven by anything. Like a leaf blown by the wind, the driven person is controlled by forces more powerful than he is. His autonomous will is not engaged, even if he believes that he has “chosen” his stressed lifestyle and even if he enjoys his activities. The choices he makes are attached to invisible strings. He is still unable to say no, even if it is only to his own drivenness. When he finally wakes up, he shakes his head, Pinocchio-like, and says, “How foolish I was when I was a puppet.

The necromancer is the Blue Fairy to my Pinocchio and I want to be a real boy again.

The “Hands up, don’t shoot” tale has been dismantled to a point where even the left-leaning Washington Post added it to its annual list of shame, “The biggest Pinocchios of 2015”: “This phrase became a rallying cry for protests after the fatal shooting of a black 18-year-old by a white police officer, Darren Wilson. Witness accounts spread after the shooting that Michael Brown had his hands raised in surrender, mouthing the words “Don’t shoot” as his last words before being shot execution-style. Democratic lawmakers raised their hands in solidarity on the House floor. But various investigations concluded this did not happen — and that Wilson acted out of self-defense and was justified in killing Brown