Pink Dress Quotes

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You’re here!” Isabelle danced up to them in delight, carrying a glass of fuchsia liquid, which she thrust at Clary. “Have some of this!” Clary squinted at it. “Is it going to turn me into a rodent?” “Where is the trust? I think it’s strawberry juice,” Isabelle said. “Anyways, it’s yummy. Jace?” She offered him the glass. “I am a man,” he told her, “and men do not consume pink beverages. Get thee gone, woman, and bring me something brown.” “Brown?” Isabelle made a face. “Brown is a manly color,” said Jace, and yanked on a stray lock of Isabelle’s hair with his free hand. “In fact, look – Alec is wearing it.” Alec looked mournfully down at his sweater. “It was black,” he said. “But then it faded.” “You could dress it up with a sequined headband,” Magnus suggested, offering his boyfriend something blue and sparkly. “Just a thought.” “Resist the urge, Alec.” Simon was sitting on the edge of a low wall with Maia beside him, though she appeared to be deep in conversation with Aline. “You’ll look like Olivia Newton-John in Xanadu.” “There are worse things,” Magnus observed.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
It's as if I'm Finnick, watching images of my life flash by. The mast of a boat, a silver parachute, Mags laughing, a pink sky, Beetee's trident, Annie in her wedding dress, waves breaking over rocks. Then its over.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Still dressed in matching butler suits with pink bow ties, the redcaps filed into the dining room, every one of them scowling at me. Ash's eyes widened and he quickly hid his mouth under his laced fingers, but I saw his shoulders shaking with silent laughter. Luckily, the redcaps didn't notice.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Hold on to me!” Tedros yelled, hacking briars with his training sword.Dazed, Agatha clung to his chest as he withstood thorn lashes with moans of pain. Soon he had the upper hand and pulled Agatha from the Woods towards the spiked gates, which glowed in recognition and pulled apart, cleaving a narrow path for the two Evers. As the gates speared shut behind them,Agatha looked up at limping Tedros, crisscrossed with bloody scratches, blue shirt shredded away. “Had a feeling Sophie was getting in through the Woods,” he panted, hauling her up into slashed arms before she could protest. “So Professor Dovey gave me permission to take some fairies and stakeout the outer gates. Should have known you’d be here trying to catch her yourself.” Agatha gaped at him dumbly. “Stupid idea for a princess to take on witches alone,” Tedros said, dripping sweat on her pink dress. “Where is she?” Agatha croaked. “Is she safe?” “Not a good idea for princesses to worry about witches either,” Tedros said, hands gripping her waist. Her stomach exploded with butterflies. “Put me down,” she sputtered— “More bad ideas from the princess.” “Put me down!”Tedros obeyed and Agatha pulled away. “I’m not a princess!” she snapped, fixing her collar. “If you say so,” the prince said, eyes drifting downward.Agatha followed them to her gashed legs, waterfalls of brilliant blood. She saw blood blurring— Tedros smiled. “One . . . two . . . three . . .”She fainted in his arms. “Definitely a princess,” he said.
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
I didn’t know what you like. Anastasia said sunflowers and Aurora said peonies, but I remembered you have a pink dress with tiny daisies on it so I thought they might be your favorite.
Hannah Grace (Daydream (Maple Hills, #3))
This place is just too frickin precious," the cop said, eyeing a guy dressed in a hot pink leisure suit with makeup to match. "Give me rednecks and home-grown beer any day of the week over this X-culture bullshit.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
I know I want you," he heard himself say, all his vows and his honor all forgotten. She stood before him naked as her name day, and he was as hard as the rock around them. He had been in her half a hundred times by now, but always beneath furs, with others all around them. He had never seeen how beautiful she was. Her legs were skinny and well muscled, the hair at the juncture of her thighs a brighter red than that on her head. Does that make it even luckier? He pulled her close. "I love the smell of you," he said. "I love your red hair. I love your mouth, and the way you kiss me. I love your smile. I love your teats." He kissed them, one and then the other. "I love your skinny legs, and what's between them." He knelt to kiss her there, lightly on her mound at first, but Ygritte moved her legs apart a little, and he saw the pink inside and kissed that as well, and tasted her. She gave a little gasp. "If you love me all so much, why are you still dressed?" she whispered. "You know nothing, Jon Snow. Noth---oh. Oh. OHHH." Afterward, she was almost shy, or as shy as Ygritte ever got. "The thing you did," she said, when they lay together on their piled clothes. "With your...mouth." She hesistated. "Is that...is it what lordss do to their ladies, down in the south?" "I don't think so." No one had ever told Jon just what lords did with their ladies. "I only...wanted to kiss you there, that's all. You seemed to like it." "Aye. I...I liked it some. No one taught you such?" "There's been no one," he confessed. "Only you.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
And you know what? Maybe Michael didn’t write those notes. And maybe he doesn’t think I’m the Josiest girl in school. But he thought I looked nice in my pink dress. And that’s all that matters to me.
Meg Cabot (Princess in the Spotlight (The Princess Diaries, #2))
All of it seems like noise and false light, and all I want for tonight is quiet, the black and gray of a summer night, and a girl in a pink dress, beside me forever.
Brad Barkley (Scrambled Eggs at Midnight)
I believed that books might save him because I knew they had so far, and because I knew the people books had saved. They were college professors and actors and scientists and poets. They got to college and sat on dorm floors drinking coffee, amazed they'd finally found their soul mates. They always dressed a little out of season. Their names were enshrined on the pink cards in the pockets of all the forgotten hardbacks in every library basement in America. If the librarians were lazy enough or nostalgic enough or smart enough, those names would stay there forever.
Rebecca Makkai (The Borrower)
Mine was bright green with gold swirls. Adam's was black. "You have no imagination," I told him smugly. "It wouldn't hurt if you found a pink ball to bowl with." "All the pink balls have kid-sized holes in them," he told me. "The black balls are the heaviest." I opened my mouth, but he shut me up with a kiss. "Not here," he said. "Look next to us." We were being observed by a boy of about five and a toddler in a frilly pink dress. I raised my nose in the air. "As if I were going to joke about your ball. How juvenile.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
Because the purpose of feminism isn’t to make a particular type of woman. The idea that there are inherently wrong and inherently right “types” of women is what’s screwed feminism for so long — this belief that “we” wouldn’t accept slaggy birds, dim birds, birds that bitch, birds that hire cleaners, birds that stay at home with their kids, birds that have pink Mini Metros with POWERED BY FAIRY DUST! bumper stickers, birds in burkas or birds that like to pretend, in their heads, that they’re married to Zach Braff from Scrubs and that you sometimes have sex in an ambulance while the rest of the cast watch and, latterly, clap. You know what? Feminism will have all of you. What is feminism? Simply the belief that women should be as free as men, however nuts, dim, deluded, badly dressed, fat, receding, lazy and smug they might be. Are you a feminist? Hahaha. Of course you are.
Caitlin Moran (How to Be a Woman)
Yes, I have actually mined coal, and distilled liquor, as well as seen a girl in a pink dress, and seen her take it off. I am 54 years old, weigh 220 pounds, and look like the chief dispatcher of a long-distance driving concern. I am a registered Democrat. I drink.
James M. Cain (The Butterfly)
She was wearing her glasses now, at least, along with an enormous pink dressing gown and a pair of equally enormous bunny-ear slippers. The slippers surprised him until he remembered that Chloe used cuteness to disguise her inner evil. Sort of like Professor Umbridge.
Talia Hibbert (Take a Hint, Dani Brown (The Brown Sisters, #2))
I got out of the bathtub and put on a black low-cut dress with lace all over it sandly. I put on black high heels with pink metal stuff on the ends and six pairs of skull earrings. I couldn't fucking believe it. Then I looked out the window and screamed... Snap was spying on me and he was taking a video tape of me! And Loopin was masticating to it! They were sitting on their broomsticks.
Tara Gilesbie (My Immortal)
You’re going to make me dance to this, aren’t you?” he asked. “It’s Valentine’s Day, Finch. Pretend I’m a boy.” He laughed, pulling me into his arms. “It’s hard to do that when you’re wearing a short pink dress.” “Whatever. Like you’ve never seen a boy in a dress.” Finch shrugged. “True.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
There was no use trying to breathe when I saw her sitting on the swing in the strapless pink dress that floated around her.
Rebecca Donovan (Out of Breath (Breathing, #3))
Sometimes she wore Levi's with white-suede fringe sewn down the legs and a feathered Indian headdress, sometimes old fifties' taffeta dresses covered with poetry written in glitter, or dresses made of kids' sheets printed with pink piglets or Disney characters.
Francesca Lia Block (Weetzie Bat (Weetzie Bat, #1))
Far below, I can just make out Finnick, struggling to hang on as three mutts tear at him. As one yanks back his head to take the death bite, something bizarre happens. It's as if I'm Finnick, watching images of my life flash by. The mast of a boat, a silver parachute, Mags laughing, a pink sky, Beetee's trident, Annie in her wedding dress, waves breaking over rocks. Then it's over.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Clubs shook his head. "Kelsier. Gave us a city, made us think we were responsible for protecting it." "But we aren't that kind of people," Breeze said. "We're thieves and scammers. We shouldn't care. I mean... I've gotten so bad that I Soothe scullery maids so that they'll have a happier time at work! I might as well start dressing in pink and carrying around flowers. I could probably make quite a bundle at weddings." Clubs snorted. Then he raised his cup. "To the Survivor," he said "May he be damned for knowing us better than we knew in ourselves." Breeze raised his own cup. " Damn him," he agreed quietly.
Brandon Sanderson (The Well of Ascension (Mistborn, #2))
When his son was dressed Mr. Button regarded him with depression. The costume consisted of dotted socks, pink pants, and a belted blouse with a wide white collar. Over the latter waved the long whitish beard, drooping almost to the waist. The effect was not good.
F. Scott Fitzgerald (The Curious Case of Benjamin Button)
Put some make-up on me and I look not unlike a china doll. Put me in a puffy pink dress and I look delicate, dainty, petite. Dammit.
Laurell K. Hamilton (The Laughing Corpse (Anita Blake, Vampire Hunter, #2))
New dress, new makeup, glowing pink aura, and boom: suddenly people liked her. Jason felt like he understood that.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
a pink taffeta evening gown. It looked like it had run away from a junior high prom... The dress looked like a petunia on steroids to me.
Laurell K. Hamilton (The Laughing Corpse (Anita Blake, Vampire Hunter, #2))
A writer, who was a celebrity in Paris, had entered her shop one day. He was not looking for a hat. He asked if she sold luminous flowers that he had heard about, flowers which shone in the dark. He wanted them, he said, for a woman who shone in the dark. He could swear that when he took her to the theatre and she sat back in the dark loges in her evening dress, her skin was as luminous as the finest of sea shells, with a pale pink glow to it. And he wanted these flowers for her to wear in her hair.
Anaïs Nin (Delta of Venus)
The lack of color is to show off the dresses. It terrifies our patrons into an existential crisis and then, a purchase. This is what Gizzy tells me, anyway. “The black,” she says, “reminds us that we are mortal and that youth is fleeting. Also, nothing makes pink taffeta pop like a dark void.
Carmen Maria Machado (Her Body and Other Parties)
It asked readers, "Hot pink dress-is it a do or a don't?" Now here's my question about this poll: who cares? If you want to wear a pink dress, wear a pink dress. It doesn't matter what other people think. One hundred percent of the people polled could say a pink dress is a "do" and guess what? I still ain't wearing one.
Ellen DeGeneres (Seriously... I'm Kidding)
Jace?" She offered him the glass. "I am a man," he told her. "And men do not consume pink beverages. Get the gone, woman and bring me something brown." "Brown?" Isabelle made a face. "Brown is a manly colour," said Jace and yanked on a stray lock of Isabelle's hair with his free hand. "In fact, look-Alec is wearing it." Alec looked mournfully down at his sweater. "It was black," he said. "But then it faded." "You could dress it up with a sequined headband," Magnus suggested.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
I SEE THE GIRL WRITES IN GREEN CRAYON ON PINK PAPER WITH A MOUSE IN THE CORNER. THE MOUSE IS WEARING A DRESS. 'I ought to point out that she decided to do that so the Hogfather would think she was sweet,' said Susan. 'Including the deliberate bad spelling. But look, why are you ...' SHE SAYS SHE IS FIVE YEARS OLD. 'In years, yes. In cynicism, she's about thirty-five. Why are you doing the...' BUT SHE BELIEVES IN THE HOGFATHER? 'She'd believe in anything if there was a dolly in it for her.
Terry Pratchett (Hogfather)
Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath? Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers, with their honeyed heaviness, their lush trembling their eagerness to be wild and perfect for a moment, before they are nothing, forever?
Mary Oliver (New and Selected Poems, Volume One)
The lights, the azaleas, the dresses, the pink faces, the velvet chairs, all became one beautiful flying wheel.
Katherine Mansfield
I have an evening dress, pink mull over silk (I'm perfectly beautiful in that), and a blue church dress, and a dinner dress of red veiling with Oriental trimming (makes me look like a Gipsy), and another of rose-coloured challis, and a grey street suit, and an every-day dress for classes. That wouldn't be an awfully big wardrobe for Julia Rutledge Pendleton, perhaps, but for Jerusha Abbott - Oh, my!
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
Live or die, but don't poison everything... Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle. The chief ingredient is mutilation. And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn bitch! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk. This became perjury of the soul. It became an outright lie and even though I dressed the body it was still naked, still killed. It was caught in the first place at birth, like a fish. But I play it, dressed it up, dressed it up like somebody's doll. Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up. And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer. Today life opened inside me like an egg and there inside after considerable digging I found the answer. What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer. God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles. If I'm on fire they dance around it and cook marshmallows. And if I'm ice they simply skate on me in little ballet costumes. Here, all along, thinking I was a killer, anointing myself daily with my little poisons. But no. I'm an empress. I wear an apron. My typewriter writes. It didn't break the way it warned. Even crazy, I'm as nice as a chocolate bar. Even with the witches' gymnastics they trust my incalculable city, my corruptible bed. O dearest three, I make a soft reply. The witch comes on and you paint her pink. I come with kisses in my hood and the sun, the smart one, rolling in my arms. So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny tits. Just last week, eight Dalmatians, 3/4 of a lb., lined up like cord wood each like a birch tree. I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected. Not an Eichmann. The poison just didn't take. So I won't hang around in my hospital shift, repeating The Black Mass and all of it. I say Live, Live because of the sun, the dream, the excitable gift.
Anne Sexton (The Complete Poems)
The next night I went back to the sea dressed in 1950s silk travel scarves – Paris with the Eiffel tower and ladies in hats and pink poodles, Venice with bronze horses and gondoliers, New York in celestial blue and silver. I brought candles and lit the candles, all the candles, in a circle around the lifeguard stand and put a tape in my boom box. I came down the ramp with the sea lapping at my feet and the air like a scarf of warm silk and the stars like my tiara. And my angel was sitting there solemnly in the sand, sitting cross-legged like a buddha, with sand freckling his brown limbs and he watched me the way no boy had ever watched me before, with so much tenderness and also a tremendous sorrow, which was what my dances were about just as much, the sorrow of not being loved the way my womb, rocking emptily inside of me, insisted I be loved, the sorrow of never finding the thing I had been searching for.
Francesca Lia Block (Echo)
From the moment you’re born, people start folding you into neat pieces and tucking you inside a box of their own design. No, it starts even before then, the moment the sonogram shows a faded blur. Blue for a boy, tractors and race-cars, big and strong and brave. Pink for a little princess, pretty and sweet. They dress you up in their own expectations, before you even have a chance to understand the constrictions of your fate. That box becomes so cosy and warm, you never really notice that you’re bent double, fighting for room to breathe.
Abigail Haas
I frowned."You didn't dress up!" He grinned,opening my door for me. "Sure I did.I dressed up as the non-invisible man!" I smacked him in the chest. "Lazy." "Hey,I wear a costume every waking hour. You only dress up once a year,which I believe makes you the lazy one.However,you look really hot in pink tights,so I'll let it pass." "How noble of you.
Kiersten White (Supernaturally (Paranormalcy, #2))
I slipped the acres of pink taffeta over my head and struggled to get it zipped. What had originally been a dress from the Little House on the Prairie collection was now straight out of the Little Whore-house on the Prairie collection.
Janet Evanovich (Notorious Nineteen (Stephanie Plum, #19))
He's holding an armful of pink tulips and wearing a hungry, focused expression. His blue eyes travel up and down over my body, and I feel almost shy under his gaze. "You're a goddess." He says it like a normal person would say, "Your dress is white.
Liz Reinhardt (Fall Guy (Youngblood, #1))
And I never wanted to tell anyone but the poems   because I was the one with the pink garter belt and the thigh-high stockings. And I was the one with the little black dress.
Trista Mateer (The Dogs I Have Kissed)
From the vanity in her bathroom she took her seldom-used cosmetic case. The image of her mother in her shell-pink dressing gown, so naturally pretty, so endearingly maternal, telling her to put on eyeshadow brought at last the scalding tears she had forced back for Laurie's sake.
Mary Higgins Clark (All Around the Town)
I stepped out of the bathroom in a black dress and hot pink heels. America whistled. “Hot damn, Mama!” I smiled in appreciation, and Travis held out his hand. “Nice legs.” “Did I mention that it’s a magic razor?” “I don’t think it’s the razor,” he smiled, pulling me out the door.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Every morning in the middle of nowhere, without electricity or anyone to impress, I'd take great care in picking out my outfit and hover in front of a business card-size mirror to apply my lip gloss and check my eyebrows. I also felt I had a strong case for bringing a little black dress on expeditions. Village parties spring up more often than you might expect, and despite never having been a Girl Scout, I like to be prepared.
Mireya Mayor (Pink Boots and a Machete: My Journey from NFL Cheerleader to National Geographic Explorer)
This morning the green fists of the peonies are getting ready to break my heart as the sun rises, as the sun strokes them with his old, buttery fingers and they open — pools of lace, white and pink — and all day the black ants climb over them, boring their deep and mysterious holes into the curls, craving the sweet sap, taking it away to their dark, underground cities — and all day under the shifty wind, as in a dance to the great wedding, the flowers bend their bright bodies, and tip their fragrance to the air, and rise, their red stems holding all that dampness and recklessness gladly and lightly, and there it is again — beauty the brave, the exemplary, blazing open. Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath? Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers, with their honeyed heaviness, their lush trembling, their eagerness to be wild and perfect for a moment, before they are nothing, forever?
Mary Oliver
I always wanted a father. Any kind. A strict one, a funny one, one who bought me pink dresses, one who wished I was a boy. One who traveled, one who never got up out of his Morris chair. Doctor, lawyer, Indian chief. I wanted shaving cream in the sink and whistling on the stairs. I wanted pants hung by their cuffs from a dresser drawer. I wanted change jingling in a pocket and the sound of ice cracking in a cocktail glass at five thirty. I wanted to hear my mother laugh behind a closed door.
Judy Blundell (What I Saw and How I Lied)
The image of a teenage boy dressed in a black uniform, his babyish face partly obscured by an official looking cap, paralysed every muscle and nerve in her body. The pink telegram loomed large in her line of sight...
Michael J. Murphy
Today, I saw a burst of color the same hues as the sunset: a bright orangey-pink, the train of a dress just floating there as that vision moved toward me … like a flower, when it opens, the petals begin in that deep rich color, then lighten, then darken again on the edges … it was like you’d been dipped into the horizon and given to me.
J.B. Hartnett (Bride in Bloom (The Beachy Bride, #1))
Kate had dressed for battle, donning her finest pink muslin morning dress. With lace at her wrists and mother-of-pearl buttons at her throat, instead of that itchy servant's cloak, she felt capable of matching wits with anyone.
Courtney Milan (Trial by Desire (Carhart, #2))
She’d agreed to work for The Villain to escape her chaotic life, to have order. Instead, she had been handed a healer who dressed in frilly pinks, a boss’s assistant who was the human version of a cannonball, and a filthy dragon trainer who smiled so brightly at her it burned her corneas.
Hannah Nicole Maehrer (Apprentice to the Villain (Assistant to the Villain, #2))
We made it, baby. We’re riding in the back of the black limousine. They have lined the road to shout our names. They have faith in your golden hair & pressed grey suit. They have a good citizen in me. I love my country. I pretend nothing is wrong. I pretend not to see the man & his blond daughter diving for cover, that you’re not saying my name & it’s not coming out like a slaughterhouse. I’m not Jackie O yet & there isn’t a hole in your head, a brief rainbow through a mist of rust. I love my country but who am I kidding? I’m holding your still-hot thoughts in, darling, my sweet, sweet Jack. I’m reaching across the trunk for a shard of your memory, the one where we kiss & the nation glitters. Your slumped back. Your hand letting go. You’re all over the seat now, deepening my fuchsia dress. But I’m a good citizen, surrounded by Jesus & ambulances. I love this country. The twisted faces. My country. The blue sky. Black limousine. My one white glove glistening pink—with all our American dreams.
Ocean Vuong (Night Sky with Exit Wounds)
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
He mopped her face and thought how beautiful she was -- hair in a glorious tangle, a pink nose and puffy eyes, and swathed in a shapeless dressing gown only fit for the dustbin. The thought struck him with some force that he had fallen in love at last -- that, indeed, he had been in love for some time.
Betty Neels (Marrying Mary)
Goodness,” said an exhausted Lady Maccon, “are babies customarily that repulsive looking?” Madame Lefoux pursed her lips and turned the infant about, as though she hadn’t quite looked closely before. “I assure you, the appearance improves with time.” Alexia held out her arms—her dress was already ruined anyway—and received the pink wriggling thing into her embrace. She smiled up at her husband. “I told you it would be a girl.” “Why isna she crying?” complained Lord Maccon. “Shouldna she be crying? Aren’t all bairns supposed to cry?” “Perhaps she’s mute,” suggested Alexia. “Be a sensible thing with parents like us.” Lord Maccon looked properly horrified at the idea.
Gail Carriger (Heartless (Parasol Protectorate, #4))
Remember that when a women gets the job you wanted or dates that bloke you fancied or wears a dress you loved but couldn't afford, she hasn't taken anything from you. There is time and space for you to do it too. One of the cleverest things the patriarchy did was make us believe that there is only one tiny sliver of success cake available; that we all have to fight over it; that a woman who tramples on her competitors to chow it down first is somehow 'ruthless' or to borrow a phrase from Apprentice-ese, 'a natural business mind.' This is a scare-mongering lie. There are so many cakes to eat. And if you can't find the slice you want, try baking one. Cake for everyone! Let them eat cake! I've got lost in the metaphor.
Scarlett Curtis (Feminists Don't Wear Pink (And Other Lies): Amazing Women on What the F-Word Means to Them)
Centaurs!” Annabeth yelled. The Party Pony army exploded into our midst in a riot of colors: tie-dyed shirts, rainbow Afro wigs, oversize sunglasses, and war-painted faces. Some had slogans scrawled across their flanks like HORSEZ PWN or KRONOS SUX. Hundreds of them filled the entire block. My brain couldn’t process everything I saw, but I knew if I were the enemy, I’d be running. “Percy!” Chiron shouted across the sea of wild centaurs. He was dressed in armor from the waist up, his bow in his hand, and he was grinning in satisfaction. “Sorry we’re late!” “DUDE!” Another centaur yelled. “Talk later. WASTE MONSTERS NOW!” He locked and loaded a double-barrel paint gun and blasted an enemy hellhound bright pink. The paint must’ve been mixed with Celestial bronze dust or something, because as soon as it splattered the hellhound, the monster yelped and dissolved into a pink-and-black puddle. “PARTY PONIES!” a centaur yelled. “SOUTH FLORIDA CHAPTER!” Somewhere across the battlefield, a twangy voice yelled back, “HEART OF TEXAS CHAPTER!” “HAWAII OWNS YOUR FACES!” a third one shouted. It was the most beautiful thing I’d ever seen. The entire Titan army turned and fled, pushed back by a flood of paintballs, arrows, swords, and NERF baseball bats. The centaurs trampled everything in their path. “Stop running, you fools!” Kronos yelled. “Stand and ACKK!” That last part was because a panicked Hyperborean giant stumbled backward and sat on top of him.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
When I saw her floating down the aisle toward me, her and her daddy both were giggling like this whole thing was only a dress rehearsal. There I was, serious as four heart attacks and a stroke, but then she looked up at me and puckered her pink-paint lips in a little kiss and I got the joke. She was letting me know that all of this—the little girls holding up the train of her gown, my morning jacket, even the ring in my pocket—was just a show. What was real was the dance of light in her eyes and the quick current of our blood. And then I smiled, too.
Tayari Jones (An American Marriage)
Saffy ran her fingertips lightly down the sides of the silk skirt. The color really was exquisite. A lustrous almost-pink, like the underside of the wild mushrooms that grew by the mill, the sort of color a careless glance might mistake for cream, but which rewarded close attention.
Kate Morton (The Distant Hours)
You, in the moonlight, in this library, in this dress--" His eyes rove over me, from my frothy pink skirts embroidered with dark pink roses, past the swell of my breasts, up to the creamy skin of my neck. My breath comes fast as his gaze lingers on my lips. He's barely touching me, but it feels as though he's already undressed me with his eyes. "Its the most beautiful thing. Like a dream." His voice is hoarse and full of wonder. "Then its my dream, too," I confess as I claim his lips with mine,
Jessica Spotswood (Star Cursed (The Cahill Witch Chronicles, #2))
I don’t want her to think she only looks beautiful when dressed up or something. Because the truth is, Parker looks every bit as beautiful walking around the Summit in her work clothes or or in leggings and a pair of skates. I actually prefer her in skates. Maybe even to the pink dress she’s wearing now.
Emma St. Clair (Just Don't Fall (Sweater Weather, #1; Appies, #1))
I got out of the car and slammed its door. How matter-of-fact, how square that slam sounded in the void of the sunless day! Woof, commented the dog perfunctorily. I pressed the bell button, it vibrated through my whole system. Personne. Je resonne. Repersonne. From what depth this re-nonsense? Woof, said the dog. A rush and a shuffle, and woosh-woosh went the door. Couple of inches taller. Pink-rimmed glasses. New, heaped-up hairdo, new ears. How simple! The moment, the death that I had kept conjuring up for three years was as simple as a bit of dry wood. She was frankly and hugely pregnant. Her head looked smaller (only two seconds had passed really, but let me give them as much wooden duration as life can stand), and her pale-freckled cheeks were hollowed, and her bare shins and arms had lost all their tan, so that the little hairs showed. She wore a brown, sleeveless felt dress and sloppy felt slippers. 'We-e-ell!' she exhaled after a pause with all the emphasis of wonder and welcome. 'Husband at home?' I croaked, fist in pocket. I could not kill her, of course, as some have thought. You see I loved her. It was love at first sight, at last sight, at ever and ever sight.
Vladimir Nabokov
Well, possibly," I said, feeling my lips twitch again. "But maybe first you would tell us why you chose to manifest yourself in the form of Shirley Temple as last seen on the 'Good Ship Lollipop'?" The demon twirled around, its big pink sash fluttering as it smoothed down its dress and frilly little petticoat. "My grotesque form isn't making you sick with fright?" We both shook our heads, Noelle with a hand over her mouth to keep from laughing out loud. "Shirley Temple at her pinnacle was frightening," I finally told it, "but not in the sense I think you mean.
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
Yet at least he had believed in the cars, maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bring with them the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopeless of children, of supermarket booze, or two, sometimes three generations of cigarette smokers, or only of dust--and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of 5 or 10¢, trading stamps, pink flyers advertising specials at the market, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a grey dressing of ash, condensed exhaust, dust, body wastes--it nauseated him to look, but he had to look.
Thomas Pynchon (The Crying of Lot 49)
Lost. That was a strange word. Lost suggested something misplaced, something that might be recovered. He hadn’t lost his mother. After all, he’d been the one to find her. Lying in the tub. Floating in a white dress stained pink by the water, palms up as if in supplication, her forearms open from elbow to wrist. No, he hadn’t lost her. She’d left him.
Victoria Schwab (Vengeful (Villains, #2))
You going to wear black for that funeral?” he asked, looking down at the continent-sized bruise on my arm. “What are you talking about? Whose funeral?” “That of your soon-to-be-deceased ex.” “What!? Are you crazy?” I squeaked. “Well, I suppose black isn’t your color of choice, but people will talk if you go there dressed in shocking pink, you know...
Zoya Tessi (Perfect Opposite)
three years ago we went to sleep. innocent feelings of happiness and maybe some stress, we had our outfits picked out, like a red and pink dress. bears and chocolates and roses were in our backpacks, that would become our protection just the next day. if I could go back, I would say hold your loved ones tighter, use your voice and become a fighter. nothing is promised and it is okay to be upset, we will move forward, but never forget. tragedy doesn't get easier, we get stronger. just promise me you will hold on longer.
Brittany Sinitch
It was a prom dress.It was pink.It was originally seventy percent off,but Ma got it down to eighty-five percent off by screaming "My water broke!" while we were checking out
Laurie Halse Anderson (Prom)
Renly thought she was absurd. A woman dressed in man's mail, pretending to be a knight." "If he'd ever seen her in pink satin and Myrish lace, he would not have complained.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
The mast of a boat, a silver parachute, Mags laughing, a pink sky, Beetee’s trident, Annie in her wedding dress, waves breaking over rocks. Then it’s over.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
That's why she never let me wear pink or red. She said if I dressed like that, it meant I was seducing men. ♡
Ai Yazawa
From her pink dress she pulled out a diamond sword, glowing purple with enchantments.
Dave Villager (Dave the Villager 3: An Unofficial Minecraft Book (The Legend of Dave the Villager))
Dawn wore a pink dress and crept across the land like a timid girl. Her sister Morning followed, dressed in blue, the sun a dazzling locket on her breast.
Robert F. Young
Surely such a pure, perfect sound could not be coming from the skinny little girl in the dreadful pink dress? But as he watched Rosanna, he no longer saw her sallow skin, or the way she seemed to be all arms and legs. Instead, he saw her huge, expressive brown eyes and noticed a hint of colour appear in her cheeks as her exquisite voice soared to a crescendo.
Lucinda Riley (The Italian Girl)
She wore her best dinner dress, made of silk dyed in a fashionable shade called bois de rose, a deep earthy pink that flattered her fair complexion. It was a severely simple style, with a low square-cut bodice and skirts pulled back tightly to reveal the shape of her waist and hips.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
That's why she never let me wear pink or red. She said if I dressed like that, it meant I was seducing men. ♡...But I was a girl, ya know? I wanted to wear cutesy clothes. You want it more when you can't have it.
Ai Yazawa (Nana, Vol. 1)
A.J. watches Maya in her pink party dress, and he feels a vaguely familiar, slightly intolerable bubbling inside of him. He wants to laugh out loud or punch a wall. He feels drunk or at least carbonated. Insane. At first, he thinks this is happiness, but then he determines it's love. Fucking love, he thinks. What a bother.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
But as soon as we touched, I felt magic crackle over and through me, so strong that I tried to jerk my hand back. But he held tight until, finally, the crackling sensation stopped. My hand slid out of his, and I leaped up from the fountain."What the hell was-" Then I looked down and realized I was completely dry. Not only that, but my demure black dress had been replaced with...well, another black dress, but this one was a lot shorter, sparklier, and also rocking a very low neckline. Even my hair was different, transformed from a soggy braid to silky brown waves. Nick winked at me. "That's better. Now you look more like the Demon Who Would be Queen." He heaved himself out of the water and grabbed Jenna's hand. Within seconds, she went from drowned rat to hottie, her soaked clothes replaced with-what else?-a pink sundress. Of course it showed a lot more skin than anything Jenna would have picked out for herself. "Oh,lovely,Nick," Daisy said, rolling her eyes as he wrapped an arm around her waist. "What?" he asked once he laid a smacking kiss on her cheek. "They look better like that." Without thinking,I reached out and grabbed Nick's free arm. His wet white T-shirt and jeans rippled, and suddenly he was wearing a Day-Glo yellow tank top and acid-washed jeans. "And you look better like this." I wasn't sure if it was the ridiculous sight of Nick in those clothes, or the fact that I'd done a spell so easily-with absolutely no explosions-but I could feel my lips curving upward in a smile. As Daisy hooted with laughter, Nick narrowed his eyes at me. "Okay, now you're in for it." He waved his hand, and suddenly I was sweltering. When I glanced down, I saw that it was because I was now dressed like the Easter Bunny.But with the flick of one fuzzy paw,I'd transformed Nick's jeans and tank top into a snowsuit. Then I was in a bikini. So Nick was wearing a particularly poofy purple prom dress. By the time he'd turned my clothes into a showgirl's costume, complete with a feathery headdress, and I'd put him in a scuba suit, we were both completely magic drunk and giggling.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Gus, dressed in the finest button-down shirt he could find in his house (plain white—Pastor Tommy had worn it when he was trying to infiltrate a Young Republicans meeting, only to have been found out, as he was neither young nor a Republican). He also found a bright pink tie to be his splash of color. He wore his slacks from work and a pair of loafers that he hoped would be considered sensible. “I look like a gay Mormon missionary,” he lamented in the mirror. “Pardon me, have you heard the word of the Lord? It’s fabulous!” He scowled at his reflection.
T.J. Klune (How to Be a Normal Person (How to Be, #1))
I was starting to hate my sixteenth birthday. A poufy white dress and a cake with roses made out of pink icing and awkward dancing with boys in awkward suits was starting to sound like a great alternative. Seriously. Sign my up, I wouldn't even complain.
Alyxandria Harvey
And this is the Marilyn section,” says Budge. “You can have five different hairstyles, and in the outfits you get a choice too, depending on what movie. That’s from Gentlemen Prefer Blondes, the pink dress; there’s the black suit from Niagara, and over there is the all-girl jazz band one from Some Like It Hot…” “Where are these headed for?” says Stan. “The Oprahs. Are they that into Oprah, in Holland?” “You name it, someone’s gonna be fetishistic about it,” says Derek. “Our biggest customers are the casino operations,
Margaret Atwood (The Heart Goes Last)
The gown is the most gorgeous thing I've ever seen,' I say to her, as I can pay her no other way without insult. It has been a long time since I have been given a gift, barbed though it may be. 'It does feel as though it might come from a dream.' That makes Habetrot's cheeks pink. 'Good. Maybe you will come back and tell me how the Prince of Sunlight liked the Queen of Night.' Embarrassed, I step out into the hall, wondering how she could believe that a dress- no matter how beautiful- could make me into an object of desire.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Children weren’t color-coded at all until the early twentieth century: in the era before Maytag, all babies wore white as a practical matter, since the only way of getting clothes clean was to boil them. What’s more, both boys and girls wore what were thought of as gender-neutral dresses. When nursery colors were introduced, pink was actually considered the more masculine hue, a pastel version of red, which was associated with strength. Blue, with its intimations of the Virgin Mary, constancy, and faithfulness, symbolized femininity.
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
Are you holding her?” Wrath asked. There was a pause. “As soon as I get this bow tied in the back—hold on, girlie. Okay, up you go. She’s in a pink dress that Cormia made her by hand. I hate pink. I like it on her, though—but keep that to yourself.” Wrath flexed his hands. “What’s it like?” “Not totally hating pink? Pretty fuck—ehrm, frickin’ emasculating.” “Yeah.” “Do not tell me Lassiter’s been metrosexualizing even you. I heard he talked Manello into going for a pedicure with him—but I’m praying that’s just gossip.” -Wrath & Zsadist
J.R. Ward (The King (Black Dagger Brotherhood, #12))
Thankfully, Gabriel was five minutes late, and by the time he knocked on the door I’d just finished putting on lipstick and slipping my feet into sandals. I opened the door. “I hope I didn’t keep you wait . . .” His voice drifted off as he quite blatantly checked me out. “What?” I asked, hand on my hip. He flashed me a devilish grin. “The little pink dress. You look cute.” What I found frumpy, he found cute. Wonder what his response would have been to the tight number. My eyes gave him a discreet once-over. He wore jeans and a Yankees T-shirt. It wasn’t exactly going to win over the locals, but I had to admit, he filled the shirt out ridiculously well. His short black hair was damp, like he’d just taken a shower. I felt my face behind to flush, so I turned away. “Come on in.” He stopped and surveyed the foyer. “I was only here for a minute when we came to get Joni. I didn’t get a chance to check the place out.” He paused. “It’s not what I was expecting.” “What were you expecting? Voodoo dolls hung from the ceiling?” He smirked. “Maybe just a little one of me.” “That’s hidden under my bed.
Kim Harrington (Clarity (Clarity, #1))
It was Paxton Osgood, wearing a cute pink dress and gorgeous shoes. She was tall like her brother, but had wide curves, as if one of her angular French ancestors had scandalized everyone by marrying a pretty stout milkmaid, and several generations later, Paxton was the result.
Sarah Addison Allen (The Peach Keeper)
The sun is touching every door and making wonder of the wheat. The first wine is pink in colour, is sweet with the sweetness of a child, the second wine is able-bodied, strong like the voice of a sailor, the third wine is a topaz, is a poppy and a fire in one. My house has both the sea and the earth, my woman has great eyes the colour of wild hazelnut, when night comes down, the sea puts on a dress of white and green...
Pablo Neruda (On the Blue Shore of Silence: Poems of the Sea)
Marlys was a sturdy woman in her fifties, white curls clinging to her scalp like vanilla frosting. She wore rimless glasses, a homemade red-checked gingham dress, and low-topped Nikes. Short-nosed and pale, she had a small pink mouth that habitually pursed in thought, or disapproval.
John Sandford (Extreme Prey (Lucas Davenport, #26))
This time, I sat next to a pixie girl called Takara, who had pinkish hair and wore a bright pink dress to match. She was the first forest-dweller I had seen wearing jewellery: she was wearing a necklace and bracelet of finely worked crystal beads. When she noticed my interest, she removed her bracelet and held it out to me. “Sophiel, I would be so pleased if you would wear this!” I was surprised by this kind and very selfless gesture; after all, I had not been admiring her jewels with any intention of asking her to part with them! “You’re very kind, Takara, but I was merely admiring your handiwork!” I said, trying politely to refuse her gift. “Mitsuko told me that you make your jewellery yourself. You’re very talented, they’re really lovely pieces, but I wouldn’t want to take them away from you. It’s you that makes these jewels really beautiful!
A.O. Esther (Elveszett lelkek (Összetört glóriák, #1))
My parents must have sensed my queerness, possibly as young as three, but instead of sitting me down and saying, We love you, we love you. Here’s what you need to know about the people who won’t, my father ignored me, and my mother redirected me toward princess crowns and pink frilly dresses.
Marisa Crane (I Keep My Exoskeletons to Myself)
After that, a strange thing happened: Amy couldn't stop her expectations from rising. She imagined herself transformed and beautiful, like Molly Ringwald in Pretty in Pink, with her homemade dress and mysterious lace boots. She pictured her hair in an upsweep of loose curls. In the fantasy, her prom face looked like the one she only wore asleep, loose and relaxed. She imagined a photographer asking her to smile and, for the first time in her life, being able to do it.
Cammie McGovern (Say What You Will)
The only fashion advice my father has ever given me is never wear anything you couldn't run from an assailant in. As pessimistic as that counsel may be, he has a point. So many of the hallmarks of women's fashion, from high heels to pencil skirts, in addition to being uncomfortable, slow us down and even endanger us.
Véronique Hyland (Dress Code: Unlocking Fashion from the New Look to Millennial Pink)
Weddings are friendship deal breakers if the friendship is weak. There are too many favors, too many tasks, too much required devotion and Aqua Net for imposters like me. I tried to make eye contact with Francine, to give her a knowing good-bye smile like a ghost of a loved one in a movie. It was no usue, I decided to cut my final pink wire. There would be no more yearly "happy birthdays" and certainly no more bonding with the girl in the duct tape dress. That ship had sailed.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
My vagina was green water, soft pink fields, cow mooing sun resting sweet boyfriend touching lightly with soft piece of blond straw. There is something between my legs. I do not know what it is. I do not know where it is. I do not touch. Not now. Not anymore. Not since. My vagina was chatty, can't wait, so much, so much saying, words talking, can't quit trying, can't quit saying, oh yes, oh yes. Not since I dream there's a dead animal sewn in down there with thick black fishing line. And the bad dead animal smell cannot be removed. And its throat is slit and it bleeds through all my summer dresses. My vagina singing all girl songs, all goat bells ringing songs, all wild autumn field songs, vagina songs, vagina home songs. Not since the soldiers put a long thick rifle inside me. So cold, the steel rod canceling my heart. Don't know whether they're going to fire it or shove it through my spinning brain. Six of them, monstrous doctors with black masks shoving bottles up me too. There were sticks, and the end of a broom. My vagina swimming river water, clean spilling water over sun-baked stones over stone clit, clit stones over and over. Not since I heard the skin tear and made lemon screeching sounds, not since a piece of my vagina came off in my hand, a part of the lip, now one side of the lip is completely gone. My vagina. A live wet water village. My vagina my hometown. Not since they took turns for seven days smelling like feces and smoked meat, they left their dirty sperm inside me. I became a river of poison and pus and all the crops died, and the fish. My vagina a live wet water village. They invaded it. Butchered it and burned it down. I do not touch now. Do not visit. I live someplace else now. I don't know where that is.
V (formerly Eve Ensler) (The Vagina Monologues)
Simi rolled back and forth and spun around on Ash’s wheeled desk chair. Dressed in a neon pink lab coat and black and white striped leggings with thigh high laced platform boots that went all the way up to her black lace miniskirt, she was adorable. Her face was mostly covered by a black surgical mask with a matching pink skull and crossbones on the right side of it. Her glowing red eyes were emphasized by her solid jet-black pigtails and dark purple eyeliner. She’d been so excited about the impending birth of the baby, that she’d been dressed that way for a month and shadowing Tory’s every step. If Tory so much as hiccuped, Simi had whipped out a black baseball glove and asked, “is it time yet? The Simi’s gots her glove all ready to catch it if it is, ’cause sometimes they come out flying.”’ – Simi
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
There, on a low bed, the sheet flung back, dressed in a pair of pink one-piece zippyjamas, lay Lenina, fast asleep and so beautiful in the midst of her curls, so touchingly childish with her pink toes and her grave sleeping face, so trustful in the helplessness of her limp hands and melted limbs, that the tears came to his eyes.
Aldous Huxley (Brave New World)
By Jove, it's great! Walk along the streets on some spring morning. The little women, daintily tripping along, seem to blossom out like flowers. What a delightful, charming sight! The dainty perfume of violet is everywhere. The city is gay, and everybody notices the women. By Jove, how tempting they are in their light, thin dresses, which occasionally give one a glimpse of the delicate pink flesh beneath! "One saunters along, head up, mind alert, and eyes open. I tell you it's great! You see her in the distance, while still a block away; you already know that she is going to please you at closer quarters. You can recognize her by the flower on her hat, the toss of her head, or her gait. She approaches, and you say to yourself: 'Look out, here she is!' You come closer to her and you devour her with your eyes. "Is it a young girl running errands for some store, a young woman returning from church, or hastening to see her lover? What do you care? Her well-rounded bosom shows through the thin waist. Oh, if you could only take her in your arms and fondle and kiss her! Her glance may be timid or bold, her hair light or dark. What difference does it make? She brushes against you, and a cold shiver runs down your spine. Ah, how you wish for her all day! How many of these dear creatures have I met this way, and how wildly in love I would have been had I known them more intimately. "Have you ever noticed that the ones we would love the most distractedly are those whom we never meet to know? Curious, isn't it? From time to time we barely catch a glimpse of some woman, the mere sight of whom thrills our senses. But it goes no further. When I think of all the adorable creatures that I have elbowed in the streets of Paris, I fairly rave. Who are they! Where are they? Where can I find them again? There is a proverb which says that happiness often passes our way; I am sure that I have often passed alongside the one who could have caught me like a linnet in the snare of her fresh beauty.
Guy de Maupassant (Selected Short Stories)
Tyler." She looked up at him. "This is blasphemous." He couldn't resist the heat of his desire, not with her mouth wet with rain and his kiss. Her neck and breasts were beaded with drops while the soft pinkness of her flesh showed through the cotton dress. Lovely, natural. "This isn't sin." He managed the words in a voice thick with want. "It's sacred. Everything I do with you, every touch, every kiss, every word murmured in reverence against your flesh, is sacred. And you're cold. I want to warm you.
Joey W. Hill (Mirror of My Soul (Nature of Desire, #4))
Today Amanda was dressed in a gown of soft pink wool trimmed in corded silk ribbon of a deeper shade. She had worn a bonnet adorned with China roses, which now reposed on the side of his desk, a pair of velvet ribbons draping gently toward the floor. The pink shade of the gown brought out the color in Amanda's cheeks, while the simple cut displayed her generous figure to its best advantage. Aside from Jack's considerable regard for her intelligence, he couldn't help thinking of her as a tidy little bonbon.
Lisa Kleypas (Suddenly You)
On Saturday Ben and I drove to Johns Island to see Skyfall.” “You did?” Hi asked sharply. “Thanks for the invite, jerks.” Shelton raised his palms. “You were at temple. We’re supposed to just wait around? Plus, you’ve seen that move like five times.” “You still could’ve asked,” Hi grumbled. “I don’t—” “Guys!” I clapped my hands once. “The story, please.” “An hour in, I go for a popcorn refill.” Shelton shuddered. “When I get back, Ben’s sitting in the dark, flaring away, and he’s not even wearing his sunglasses! I almost wet myself. He said he wanted to watch the movie in HD. Man, I don’t remember a single minute from the rest of the film.” “In a theater!?” My temper exploded. “That stupid mother—” “Hiram!” Our heads whipped. Ruth Stolowitski was standing on her front stoop. “Get back in here this instant! You’re not dressed.” Ruth wore a fuzzy pink bathrobe, her free hand vising the garment closed. Her eyes darted, as if worried that cagey perverts were surveilling our remote island, waiting for just this opportunity to get an eyeful.
Kathy Reichs (Exposure (Virals, #4))
I'm a gentleman all dressed in pink paper, she thought.
Shirley Jackson (The Lottery and Other Stories)
used to get excited about dressing up or adding a pink streak to my hair. Now I have Pasta Thursdays.
Tessa Bailey (Getaway Girl (Girl, #1))
The girl fell in love with a dress. A dress. A fucking piece of fabric with glitter.” Carter Hills
Emmanuelle Snow (Pink and Country (Carter Hills Band, #1))
He asked if she sold luminous flowers that he had heard about, flowers which shone in the dark. He wanted them, he said, for a woman who shone in the dark. He could swear that when he took her to the theater and she sat back in the dark in her evening dress, her skin was as luminous as the finest sea shell, with a pale pink glow to it. And he wanted these flowers for her to wear in her hair. Mathilde did not have them. But as soon as the man left she went to look at herself in the mirror. This was the kind of feeling she wanted to inspire. Could she?
Anaïs Nin
pink chiffon dress went down the aisle. Violet in the lilac gown followed. The bouquets she’d crafted for the bridesmaids were a mass of spring flowers: blue hydrangeas, soft purple roses, yellow carnations, pale pink peonies and the soft silvery-green foliage of dusty miller added a bit of shimmer. Each bouquet had a coordinating satin colored ribbon to match the attendant’s
Ellen Dugan (Magick & Magnolias (Legacy of Magick #9))
I squeezed through a horde of gum-snapping girls I recognized as seniors from my school. “He did not say that!” “Yes, he did! And you wouldn’t believe what she said!” Please, someone tell me I wouldn’t be that annoying if I had girlfriends. “Sure, you will be.” I whipped around and nearly got a faceful of cotton candy. I moved the purple sugar cloud to the side and glared at my mother. She wore a white, short-sleeved blouse and a patchwork skirt. “You have to stop listening in on my thoughts without my permission, Mom. It’s not cool.” She shoved a piece of cotton candy in my mouth to shut me up. “I didn’t do it on purpose, Clarity. I was strolling along listening in to the crowd.” “Pick up anything interesting?” “Actually, I did. That detective’s son can’t stop checking out your legs. He loves this little pink dress you’ve got on. So much so that he’s actually mad at himself for it.” She shook her head. I blushed. “Did you happen to pick up anything important?” “Like a man walking along thinking, ‘I killed Victoria Happel’?” “Exactly.” “No such luck. But dear, people don’t wander around thinking about their biggest secrets all the time. The killer could be standing right next to me and all I might pick up from him is how he wants to buy some barbequed chicken.” “Have you seen Billy Rawlinson or Frankie Creedon?” I asked. Distaste turned her mouth down. “No. Why are you looking for those scoundrels?” “Billy might be a witness in the case. Or a suspect.” “I’ll keep my eyes out and my mind open.” “Thanks,” I said. “Enjoy invading everyone’s privacy.
Kim Harrington (Clarity (Clarity, #1))
She wove golden rays of sunshine, Into a long and flowing dress, That left the scent on everything she touched, Of nature's sweet caress, Everywhere the girl did go, The flowers would all bloom, And she could chase the lonely feeling, Out of every room, She could drive out all your sadness, And cause a frozen heart to thaw, She's paint the sky pink every morning, But nobody ever saw, No one thought to thank her, For the warmth upon their skin, Or for chasing all their demons, From where the night-time's breath had been, So she thought she wasn't needed, She could leave and they'd not care, But they'd taken her for granted, Since her light was always there, Because you never thank the ground, Until you know how it feels to fall, Or just how much you need the sun, Until it doesn't rise at all.
Erin Hunter
She finished and we moved on to dresses. Deep reds, icy blues, minty greens, neutrals of all kinds, and even a few metallic shades. An overwhelming set of options that Heather quickly halved by shoving one of the racks at random into the hallway. In the end, we chose a soft pink two-piece. The top was lace with sweetheart bodice, the skirt had a high waist with more lace, and it flowed down to my ankles.
Sabrina Blackburry (Dirty Lying Faeries (The Enchanted Fates, #1))
Tancredi and Angelica were passing in front of them at that moment, his gloved right hand on her waist, their outspread arms interlaced, their eyes gazing into each other's. The black of his tail coat, the pink of her dress, combining formed a kind of strange jewel. They were the most moving sight there, two young people in love dancing together, blind to each other's defects, deaf to the warnings of fate, deluding themselves that the whole course of their lives would be as smooth as the ballroom floor, unknowning actors made to play the parts of Juliet and Romeo by a director who had concealed the fact that tomb and poison were already in the script. Neither of them was good, each full of self-interest, swollen with secret aims; yet there was something sweet and touching about them both; those murky but ingenuous ambitions of theirs were obliterated by the words of jesting tenderness he was murmuring in her ear, by the scent of her hair, by the mutual clasp of those bodies of theirs destined to die. . . For them death was purely an intellectual concept, a fact of knowledge as it were and no more, not an experience which pierced the marrow of their bones. Death, oh yes, it existed of course, but it was something that happened to others. The thought occurred to Don Fabrizio that it was ignorance of this supreme consolation that made the young feel sorrows much more sharply than the old; the latter are nearer the safety exit.
Giuseppe Tomasi di Lampedusa
Nature Boy I was just a boy when I sat down To watch the news on TV I saw some ordinary slaughter I saw some routine atrocity My father said, don't look away You got to be strong, you got to be bold, now He said, that in the end it is beauty That is going to save the world, now And she moves among the sparrows And she floats upon the breeze She moves among the flowers She moves something deep inside of me I was walking around the flower show like a leper Coming down with some kind of nervous hysteria When I saw you standing there, green eyes, black hair Up against the pink and purple wisteria You said, hey, nature boy, are you looking at me With some unrighteous intention? My knees went weak, I couldn't speak, I was having thoughts That were not in my best interests to mention And she moves among the flowers And she floats upon the smoke She moves among the shadows She moves me with just one little look You took me back to your place And dressed me up in a deep sea diver's suit You played the patriot, you raised the flag And I stood at full salute Later on we smoked a pipe that struck me dumb And made it impossible to speak As you closed in, in slow motion, Quoting Sappho, in the original Greek She moves among the shadows She floats upon the breeze She moves among the candles And we moved through the days and through the years Years passed by, we were walking by the sea Half delirious You smiled at me and said, Babe I think this thing is getting kind of serious You pointed at something and said Have you ever seen such a beautiful thing? It was then that I broke down It was then that you lifted me up again She moves among the sparrows And she walks across the sea She moves among the flowers And she moves something deep inside of me She moves among the sparrows And she floats upon the breeze She moves among the flowers And she moves right up close to me
Nick Cave
Her fingernails were cut short and workmanlike, but were painted in pink and white stripes. The smartphone leaning dangerously from the pocket of her loose dress was a similarly aggressive shade of candyfloss, which seemed a crime against an otherwise perfectly decent model. She was the most overtly feminine person he had met since his kindergarten days, when small girls came bedecked with bows, ruffles and sparkly purses.
Elle Pierson (Artistic License)
There was a diet center that sported a plywood cutout of a pink pig wearing a brick-red polka-dot dress. The bubble coming from the pig’s mouth held this phrase: A New Way To Lose Weight Without Starving To Death.
Mary Karr (The Liars' Club)
Chloe handed a pink envelope to Madeline. "Can you keep this, Mummy? It's an invitation to Amabella's party. You have to come dressed as something starting with A. I'm going to dress up as a princess." She ran off.
Liane Moriarty (Big Little Lies)
When I haven't been kissed in a long time, I walk behind well-dressed women on cold, December mornings and shovel the steamy exhalations pluming from their lips down my throat with both hands, hoping a single molecule will cling to my lungs. When I haven't been kissed in a long time, I sneak into the ladies room of a fancy restaurant, dig into the trashcan for a napkin where a woman checked her lipstick, then go home, light candles, put on Barry White, and press the napkin all over my body. When I haven't been kissed in a long time, I start thinking leeches are the most romantic creatures, cause all they want to do is kiss. If only someone invented a kinder, gentler leech, I'd paint it bright pink and pretend Winona Ryder's lips crawled off her face, up my thigh, and were sucking on my swollen bicep. When I haven't been kissed in a long time, I create civil disturbances, then insult the cops who show up, till one of them grabs me by the collar and hurls me up against the squad car, so I can remember, at least for a moment, what it's like to be touched.
Jeffrey McDaniel
Mom! Look. This one is my favorite," Devin said, pulling out a faded pink dress with a red plaid sash. The crinoline petticoat underneath was so old and stiff it made snapping sounds, like beads or fire embers. She dropped the dress over her head, over her clothes. It brushed the floor. "When I'm old enough for it to fit me, I'm going to wear it with purple shoes," she said. "A bold choice," Kate said as Devin dove back into the trunk. The attic in Kate's mother's house had always fascinated Devin with its promise of hidden treasures. When Kate's mother had been alive, she had let Devin eat Baby Ruth candy bars and drink grape soda and play in this old trunk full of dresses that generations of Morris women had worn to try entice rich men to marry them. Most of the clothes had belonged to Kate's grandmother Marilee, a renowned beauty who, like all the rest, had fallen in love with a poor man instead.
Sarah Addison Allen (Lost Lake (Lost Lake, #1))
Alana – still dressed as a pirate- chambers over the counter like that evil Japanese ghost in the Ring, knocking over the child-size popcorn of some little kid, who starts to cry. The pink-pigtailed girl knows something crazy is going on, but she doesn’t yet understand it has anything to do with her. Not until Alana has grabbed Tyler by his black button-down shirt and pushed him hard into the Icee machine, which begins to stream cherry-red Icee onto the counter.
Tommy Wallach (Thanks for the Trouble)
Paxton walked over to the box and opened it, still feeling a little of that thrill she used to have at the thought of party dresses, the fantasy of it all. She smiled when she saw the shimmering pink material, the sparkling jewels at the neckline.
Sarah Addison Allen (The Peach Keeper)
They're sitting on the floor in A Stitch in Time, surrounded on all sides by dresses of every imaginable color. Cora realizes as she glances around, her gaze flitting quickly from one wall to the next, that Etta has arranged them like the seasons: sparkling whites, grays, blacks for winter; shimmering greens and blues for spring; pinks and purples for summer; reds, oranges and yellows for autumn. Together they are breathtaking, almost too bright if stared at for too long, like falling through a rainbow lit by the sun.
Menna Van Praag (The Dress Shop of Dreams)
She had no criticism of his dress, which was bagged at the knees, dropping at the lapels, rucked around the buttons, while she-although she wore a flowing white cotton-appeared (she knew it and wished it was not so) as starched and pressed as a Baptist in a riding habit. They were different, and yet not ill matched. They had both grown used to the attentions that are the eccentric’s lot-the covert glances, smiles, whispers, worse. Lucinda was accustomed to looking at no one in the street. It was an out-of-focus town of men with seas of bobbing hats. But on this night she felt the streets accept them. She thought: When we are two, they do not notice us. They think us a match. What wisdom does a mob have? It is a hydra, an organism, stupid or dangerous in much of its behaviour, but could it have, in spite of this, a proper judgement about which of its component parts fit best together? They pushed past bold-eyed young women with too many ribbons and jewels, past tight-laced maidens and complacent merchants with their bellies pushing so forcefully against their waistcoats that their shirts showed above their trousers. Lucinda was happy. Her arm rested on Oscar’s arm. She thought: Anyone can see I have been crying. She thought: I have pink eyes like a dormouse. But she did not really care.
Peter Carey (Oscar and Lucinda)
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked. It took every particle of his will to keep his voice controlled. “Not particularly.” “I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.” Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—” Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth. Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.” Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—” “You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.” Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him. He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.” “I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him. “Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.” Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.” “Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
The offices are decorated with neon-Louis XVI furniture and are dominated by grey, Mr. Dior’s favourite colour when he opened the famous house on avenue Montaigne back in 1947. The design is even more stunning than I remembered: both chic and understated, with lots of open space –the apex of luxury. The silk curtains dressing the window fall to the floor like ball gowns, delicate silver vases holding pink roses have been artfully placed throughout the room, and grey and white settees and oval-backed chairs provided artful seating areas.
Isabelle Lafleche (J'Adore Paris)
Pink was for girls. Girly girls who wore flavored lip gloss and read magazines and talked on the phone lying on their perfect, lacy bedspreads with their feet in the air. Girls who spent six months looking for the perfect dress to wear to the school formal. Girls who liked boys.
Lili Wilkinson (Pink)
I don’t know where to start. How to start. It’s like trying to navigate a maze in the dark, and . . .” Then the cat sprawled weightily over her feet. And that was it, the start. “I miss home. Roarke had you bring the cat, because the cat’s home. I never had anything, didn’t want anything until that cat. I don’t even know why I took him, exactly, but I made him mine.” She took a long, slow drink of wine. “I missed him. I miss Peabody and her smart mouth and steady ways. I miss Feeney and Mavis and my bullpen. Hell, it’s so bad I even miss Summerset.” When Roarke made some sound, she turned narrowed eyes on him. “If you ever tell him I said that, I’ll shave you bald in your sleep, dress you in frilly pink panties, and take a vid that I’ll auction and sell for huge amounts of money.” “So noted,” he said, and thought: There’s Eve. There she is.
J.D. Robb (New York to Dallas (In Death, #33))
He roars, “What have you done?” I don’t answer. My heart beats crazy happy just to see her get across the iron. She’s not burned. She’s still human. “Zara.” His voice is measured. “I need her to maintain control.” “You don’t need to be in control. You’re all trapped. So there’ll be no more stealing boys, no more shooting arrows in the woods, getting people lost. It’s all over.” The metal is cold on my fingers. Devyn grabs more wire, starts another flight. A group of pixies leaps for him, screaming, a wild, chaotic mess. They start clawing at each other, lost in fear and hunger, angry. A pixie in a pink dress shrieks when another wearing a black gown lashes at her, slashing through the skin on her arm. “Zara?” The king tries to be calm and nice. He tries to look human. It doesn’t work. “Do you know what this means? Do you know the power that I’ll lose? The need? We will fight in here. We will kill each other.” “I know,” I say and my voice shakes as I stare at him, this man who is in my blood, but not me. He is not me. Still, I understand his need, his fear. He is stuck in this awful place where there is no moral way to move forward. “I’m so sorry.” And I am.
Carrie Jones (Need (Need, #1))
As one yanks back his head to take the death bite, something bizarre happens. It’s as if I’m Finnick, watching images of my life flash by. The mast of a boat, a silver parachute, Mags laughing, a pink sky, Beetee’s trident, Annie in her wedding dress, waves breaking over rocks. Then it’s over.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
The way she saw it, there were some matters of style that simply needed to take precedence over practicality, and right at the top had to be the rule that said one did not wear black dress pants and pink Uggs to a meeting with the FBI. Not anyone who didn’t want to look like a jackass, anyway.
Julie James (A Lot like Love (FBI/US Attorney, #2))
Serena looked through the violently rotating flames and saw Vanessa, Jimena, and Catty running toward her. They looked like goddesses; Vanessa dressed in shimmering blue, Jimena in lightning-strike silver, and Catty in wild strawberry pink, their hair bouncing in silky soft swirls with each step.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
[...] For instance, a gay man who played with dolls in his childhood, dresses pink and engages in anal sex with another man triggers a gender prejudice, by proxy rather than based on a characteristic of their own, like racism and classism do: dolls and pink are traditionally associated with the feminine sphere, anal sexuality has a higher stigma mainly because a more visible power level play comes into effect (with a dominant and a submissive role) than other sex positions. Consequently, when a man crosses his "designated" gender role boundary of masculinity, strength, dominance into femininity, weakness, submission, then he is no longer valued as a human being, for the man has become [or is] a woman. Therefore, homophobia and transphobia are actually by-products of misogyny, which is is turn gynophobic whitewashing, deeply rooted in the dominant ideology of patriarchy and historical sexism.
Vincent Bozzino (Philosophy Trips: A Naive's Guide)
The woman with the cat complex is named Mrs. Alice Plesher, but she doesn't reveal her first name to him and Sai only finds out by accident, later. Mrs. Plesher calls the paper and is put through to Sai. He has no idea why although he could guess the new guy gets all of the reporter-on-the-beat drudgery assignments until proven worthy. Alice speaks haltingly as if hardened by age and her voice reveals a rasp. Sai pictures her in a long house dress from the fifties, wide pink and white stripes fading with age---a smock of beige over the dress, a multitude of cats clinging to the fabric like stick-ons.
Justin Bog (A Great Distance)
Hesitantly, Grandfather, Douglas, and Tom peered through the large windowpane. And there, in the small warm pools of lamplight, you could see what Leo Auffmann wanted you to see. There sat Saul and Marshall, playing chess at the coffee table. In the dining room Rebecca was laying out the silver. Naomi was cutting paper-doll dresses. Ruth was painting water colors. Joseph was running his electric train. Through the kitchen door, Lena Auffmann was sliding a pot roast from the steaming oven. Every hand, every head, every mouth made a big or little motion. You could hear their faraway voices under the glass. You could hear someone singing in a high sweet voice. You could smell bread baking too, and you knew it was real bread that would soon be covered in real butter. Everything was there and it was working. Grandfather, Douglas, and Tom turned to look at Leo Auffmann, who gazed serenely through the window, the pink light on his cheeks. "Sure," he murmured," There it is." And he watched with now-gentle sorrow and now-quick delight, and at last quiet acceptance as all the bits and pieces of this house mixed, stirred, settled, poised, and ran steadily again. "The Happiness Machine," he said. "The Happiness Machine.
Ray Bradbury (Dandelion Wine)
George thrust into Alma's hand a lithograph of a spotted 'Catasetum.' The orchid had been rendered so magnificently that it seemed to grow off the page. Its lips were spotted red against yellow, and appeared moist, like living flesh. Its leaves were lush and thick, and its bulbous roots looked as though one could shake actual soil off them. Before Alma could thoroughly take in the beauty, George handed her another stunning print- a 'Peristeria barkeri,' with its tumbling golden blossoms so fresh they nearly trembled. Whoever had tinted this lithograph had been a master of texture as well as color; the petals resembled unshorn velvet, and touches of albumen on their tips gave each blossom a hint of dew. Then George handed her another print, and Alma could not help but gasp. Whatever this orchid was, Alma had never seen it before. Its tiny pink lobes looked like something a fairy would don for a fancy dress ball.
Elizabeth Gilbert (The Signature of All Things)
Lucy Gray would scream and fall to the ground, her lips turning purple, then bloodless, while bright pink and blue and yellow pus oozed onto her ruffled dress — That was it! The thing the snakes had reminded him of the first time he'd seen them. They matched her dress. As if they had always been her destiny ...
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
And you're ready to fight dressed like that?" Belet stopped. "Dressed like what?" "You're wearing unicorn footie pajamas, Belet." "So?" "You have a tail and a horn. They're pink." I tried to be diplomatic about this. "It's just not a look I associate with you. I was expecting something more Xena, Warrior Princess than...Disney Princess." She flicked the horn on her hood. "But unicorns are the deadliest, fiercest, and most bloodthirsty of all creatures, both mundane and supernatural. Their kill rate is six times higher than a dragon's....... One stab with a unicorn's horn and it's over. Doesn't matter how big and scaly you are.
Sarwat Chadda (City of the Plague God (Adventures of Sik Aziz, #1))
Ah, God, what an ugly city Ilium is! 'Ah, God,' says Bokonon, 'what an ugly city every city is!' Sleet was falling through a motionless blanket of smog. It was early morning. I was riding in the Lincoln sedan of Dr. Asa Breed. I was vaguely ill, still a little drunk from the night before. Dr. Breed was driving. Tracks of a long-abandoned trolley system kept catching the wheels of his car. Breed was a pink old man, very prosperous, beautifully dressed. His manner was civilized, optimistic, capable. I, by contrast, felt bristly, diseased, cynical. I had spent the night with Sandra. My soul seemed as foul as smoke from burning cat fur.
Kurt Vonnegut Jr. (Cat’s Cradle)
How often, in the leisure of imagination, have I seen again one of those beautiful autumnal evenings when young souls make as much progress as those trees which grow several feet after being struck by lightning! Then I see, I feel, I understand; the moon awakens the plump moths; the warm breeze opens the evening flowers; the water in the great fountains sleeps.—Imagine you hear the sudden waltzes played on that mysterious piano. The perfumes of the storm come in through the windows; it is the hour when the gardens are full of pink and white dresses which are not afraid of getting damp. The accommodating bushes catch flying skirts; brown hair and blond curls whirl around together!
Charles Baudelaire (La Fanfarlo)
I’d thought the guy last Thursday was super cute in complimenting my shoes until he confessed he liked to dress up in women’s clothes at the weekend and would like to see if my pink suede five-inch heels came in his size. Maybe I was being too picky, but I just didn’t want to fight with my boyfriend over who wore what when we went for dinner.
Louise Bay (Duke of Manhattan (The Royals, #3))
ONE QUIET AFTERNOON when the other Grisha had ventured out of Os Alta, Genya convinced me to sneak into the Grand Palace, and we spent hours looking through the clothes and shoes in the Queen’s dressing room. Genya insisted that I try on a pale pink silk gown studded with riverpearls, and when she laced me up in it and stuck me in front of one of the giant golden mirrors, I had to look twice. I’d learned to avoid mirrors. They never seemed to show me what I wanted to see. But the girl standing next to Genya in the glass was a stranger. She had rosy cheeks and shiny hair and … a shape. I could have stared at her for hours. I suddenly wished good old Mikhael could see me. “Sticks” indeed, I thought smugly. Genya
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
example of one of the big differences between Kristy and me. I was wearing a very short pink cotton dress, white tights, and black ballet slippers. I had swept all of my hair way over to one side, where it was held in place with a piece of pink cloth that matched the dress. Only one ear showed, and in it I had put my big palm tree earring. (Kristy was not wearing any jewelry.)
Ann M. Martin (Claudia and the New Girl (The Baby-sitters Club, #12))
A gaggle of sophomore girls wavered by in their heels, en route from Bartleby's to some house party. No two of their tube tops or flouncy miniskirts were precisely alike, in cut or in color, and these slight variations made the outfits look all the more carefully orchestrated as they linked arms and passed by, pretending not to listen. Schwartz tried to comfort himself with a long look at their ten slender thighs turned pink by the cold, the good odds he'd been between four or six of those thighs on oblivious drunken nights, but it was useless, the girls looked absurd to him now, and it no longer seemed that the universe contained an endless supply of anonymous pink thighs to which he could escape from his troubles. Pella would never dress like that.
Chad Harbach (The Art of Fielding)
«I’ve never been to a funeral until today. I see dazzling arrangements of red, yellow, and purple flowers with long, green stems. I see a stained-glass window with a white dove, a yellow sun, a blue sky. I see a gold cross, standing tall, shiny, brilliant. And I see black. Black dresses. Black pants. Black shoes. Black bibles. Black is my favorite color. Jackson asked me about it one time. “Ava, why don’t you like pink? Or yellow? Or blue?” ”I love black,” I said. ”It suits me.” ”I suit you,” he said. I’m not so sure I love black anymore. And then, beyond the flowers, beneath the stained-glass window, beside the cross, I see the white casket. I see red, burning love disappear forever. As we pull away, my eyes stay glued to the casket. It’s proof that sometimes life does not go on. I look around. If tears could bring him back, there’d be enough to bring him back a hundred times. That’s not what I’m thinking. I’m thinking, I hate good-byes. It’s like I was a garden salad with a light vinaigrette, and Jackson was a platter of seafood Cajun pasta. Alone, we were good. Together, we were fantastic. Memories might keep him alive. But they might kill me.»
Lisa Schroeder (I Heart You, You Haunt Me)
Miss Caroline was no more than twenty-one. She had bright auburn hair, pink cheeks, and wore crimson fingernail polish. She also wore high-heeled pumps and a red-and-white-striped dress. She looked and smelled like a peppermint drop. She boarded across the street one door down from us in Miss Maudie Atkinson’s upstairs front room, and when Miss Maudie introduced us to her, Jem was in a haze for days.
Harper Lee (To Kill a Mockingbird)
Look at me, Elizabeth,” he commanded. His voice dark and deep. “Lizzie,” I corrected without thought, completely out of habit. My eyes widened. I couldn’t believe I had just corrected him. Instinctively I felt that was something people just didn’t do around this man. If he said the sky were purple with pink spots, I’m pretty sure everyone would agree wholeheartedly… and worse, actually believe it. He just seemed to exude that kind of authoritative power. The kind that could make you believe just about anything he said. He gave my hair a painful tug with both hands. “Elizabeth,” he stated emphatically, as if he were a god or a king commanding it be so. “I left a package in your dressing room. It’s a dress. I want you to wear it tonight.” Tonight was the cast party. It was taking place right after our final curtain call. I had no idea he was even attending. Wait, a dress? “The party is at The Brewery next door. I don’t think the cast party is that formal,” I offered, still trying to process why this man would buy me a dress. Realizing quickly that I might sound ungrateful, I stammered, “Not that I don’t appreciate it… I mean I’m sure it’s lovely and—” “Elizabeth.” The sharp command of his voice stopped my rambling. “Yes, sir?” “Wear the dress,” he ordered, not expecting a refusal and not getting one. “Yes, sir,” I whispered. Releasing my hair, he stroked the back of his knuckles down my cheek. “Good girl.” The moment I heard the Hall door close on his retreating back, I sank to my knees in the middle of the stage, feeling shaken and more than a little alarmed. What the hell had just happened?
Zoe Blake (Ward (Dark Obsession Trilogy #1))
I think this dress will stun the nobility, and leave them stupefied with envy and lust," Madame Sandrine announced with relish. "I'm just glad it's not crimson, like everything else you drape," Farah said to her husband as she glanced at her transformation in the floor-to-ceiling mirrors across from the raised podium on which she stood. The creation of blue silk evoked the midnight sky, as it wrapped her bosom and waist in bejeweled gathers before cascading from her hips in a dark waterfall. The shamelessly cut bodice was lent a hint of respectability by folds of a shimmering diaphanous silver material draping from a choker of gems about her neck and flowing down her shoulders like moonbeams. To call them sleeves would have been a mistake, for all they concealed. Madame Sandrine threw a teasing look over her shoulder at Blackwell. "How fitting that the color of blood is the one you prefer the most." "Not for her," Dorian rumbled. The seamstress lifted a winged eyebrow, but didn't comment. "Voila. I believe that is all I'll need from you today, Madame Blackwell. I can have these finished in the morning, and in the meantime I have a lovely soft gray frock hemmed with tiny pink blossoms that will bring out the color in your cheeks.
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
He walked into the house, smelling baked cookies. Now if that didn't make a house a home, nothing would. "Mmm!" he said loudly to announce his presence. "Something smells good!" Cricket poked her head out of the kitchen. "Come poach a cookie or two." "Yes, ma'am." He strolled into the kitchen and was pleased to see Suzy dressed in a pretty pink apron with red hearts on it. "Hello, Priscilla," he said. "Hi, Suzy.
Tina Leonard (The Texas Ranger's Twins (The Morgan Men, #2))
Step One: Dress your kid up in pink frilly bullshit. Tell her repeatedly that she needs to be rescued from a life of solitude by a rapey prince who will one day come along, plant a kiss on her lips and ensure that she never needs to lift a finger, read a book or expand her knowledge in any way. Check. Step Two: Grow up. Earn a very moderate education. Just enough to convince yourself that you’re properly liberated from the shackles of the Patriarchy. Check. Step Three: Meet a man who’s not quite Satan, but thinks he’s God. Check. Step Four: Marry him, thereby cementing his legal claim to your body and soul. Check. Step Five: Pop out a kid. Check. Step Six: Make banana bread at least once a week until bananas become contraband, while sporting a highly flammable apron that says, “Kiss the Cook” in big stupid red letters. Check.
K.A. Riley (Rise of the Inciters (Athena's Law))
Her knock was wimpier than she meant it to be—so wimpy that there was a second where she wasn’t sure if Keefe had actually heard her. But then he called out, “Back to nag me already? You seriously need to get yourself a hobby. I hear spelunking’s fun. Oooh, or you could try swimming with the krakens! I doubt they’d eat you—but maybe we’ll get lucky!” Which wasn’t exactly a “come in.” But Sophie still grabbed the silver handle and turned it—realizing only as she was yanking the door open that she should’ve made sure Keefe was dressed before she barged in. Thankfully, he was. Mostly… He lay sprawled across a huge bed that rested on a pedestal made of lacy bleached coral, wearing fuzzy blue pajama bottoms covered in tiny black gremlins, with his head propped against a familiar green gulon stuffed animal. “Foster?” he asked, jolting upright—which only drew more attention to the fact that he was currently shirtless. He crossed his arms, his cheeks flushing with a hint of pink when his ice blue eyes focused on her. “I… um… what are you doing here?” Ro snickered from the corner, where she lounged on a cushioned chaise, painting her claws the same purple she must have recently dyed the ends of her choppy pink pigtails. “Smooth, Lord Hunkyhair. Smooooooooooooooooooth
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
Slowly, however, her lips curled again, her jaw locking open, baring her teeth with too much gum in a wrenching scream. The bloodcurdling sound ringing through his ears while her nails clawed at her chest, hands violently digging through the soft connective tissue and tearing it to ribbons, blood gushed thick and black over the pink of her dress, painting it red. It was then that Henry saw that there was something terrible inside her, attempting to break its way out. It shattered the marrow of her ribs and slithered from her belly, melting away from her, into a grotesque creature with razor-sharp canines and claws drenched in blood. Her screaming becoming louder, Henry was sure his eardrums were about to burst, and he was caught in a state of paralysis, stuck watching her tear herself apart until all that was left of her was this monstrosity.
Kate Winborne (Blossom (The Wolf's Den Anthology Book 1))
A basket of wildflowers on Jane’s arm testified to a walk along the grounds, but she bore no sign of outdoor exertion. No creases dared to settle in the folds of her muslin dress; her pale brown hair remained obediently coiled at the base of her neck; and even the loops of the bow holding her bonnet were remarkably even. Aside from a bit of windburn on her pale cheeks, she might have been sitting in the parlour all afternoon.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
Her face appeared to have grown paler, and it seemed as if there were a mocking insanity flaring up almost imperceptibly on her lips and in the azure of her eyes there lurked the insanity of grief. She was silent, and she waited for what her father would say. And he spoke slowly, finding words almost with difficulty, 'Dearest, what did I hear? I did not expect this of you. Why did you do it?' The Beauty bowed her head and said softly and sadly, 'Father, sooner or later all this will come to pass anyway.' 'Sooner or later?' asked the father as if in surprise. And he continued, 'Better late than sooner.' 'I am all aflame,' said the Beauty softly. And the smile on her lips was like the reflection of some searing flame, and in her eyes there gleamed blue lightning, and her naked arms and shoulders were like some delicate vessel of alabaster, filled to the brim with a molten metal. Her firm breasts rose and fell impetuously, and two white waves strained forth from the tight confines of her dress, the delicate color of which was reminiscent of the yellowish rosiness of a peach. From beneath the folds of her short dress were visible against the dark green velvet of the rug and entwined by the pink ribbons of her gilded sandals her white and trembling legs. ("The Poison Garden")
Valery Bryusov (Silver Age of Russian Culture (An Anthology))
what rainbow silks and satins! what pinking of thin stockings, and pinching of thin shoes, and fluttering of ribbons and silk tassels, and display of rich cloaks with gaudy hoods and linings! The young gentlemen are fond, you see, of turning down their shirt-collars and cultivating their whiskers, especially under the chin; but they cannot approach the ladies in their dress or bearing, being, to say the truth, humanity of quite another sort.
Charles Dickens (American Notes and Pictures from Italy)
He had a swift and utterly lucid vision of himself in this position in thirty-odd years. Loathsome tea, hot steam, silver spoon, and fifty-year-old Chloe seated opposite him talking about clothing, because to her it was categorically, absolutely, the most fascinating topic on the planet. Besides, of course, herself. For an unflinching instant, Armand wished with his whole heart that he were dead. Then, at the very edge of his perception, something changed. He glanced up. She was passing by the doorway, walking with that fluid, nearly animal grace that no one else seemed to capture or even notice. He was given four steps of her. One: She moved from the hallway shadows into the light cast from the parlor. He saw her illuminated, drab colors gone bright; her skin alabaster, reflective; her hair tinted pink and gold and pink again. Two: Her gaze met his, finding him past all the other people crowded inside the stuffy mirrored room, dying by inches and taking their tea. Three: He was paralyzed. He couldn’t move, couldn’t smile, couldn’t nod. He was pinned in the gray of her eyes, a prisoner to their piercing clarity. For an unflinching instant, Armand felt his heart explode like a firework, and the future seemed unwritten. Then four: Eleanore looked away and passed the doorway. He was stuck with tea and dresses once more.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
VISIONS OF GRANDEUR I'm walking through a sheet of glass instead of the door, Flying over a giant candlestick lighting up Central Park, Repeating two courses at Hard Knock's College, And swimming through the Red Sea with silky jelly fish. I'm hopping over an empty row house in Philadelphia, Getting a seventy dollar manicure on a gondola in Venice, Wearing a white pearl necklace stolen from Goodwill, And running my first New York City marathon. I'm discussing the meaning of life with my late cat Charlie. Dating John Doe- the thirty-third chef at the White House, Running non-stop on a broken leg through a bomb-blasted city, And keeping a multi-lingual monkey named Alfredo as my pet. I'm spying on two hundred and twenty-two homegrown terrorists from Iowa, Worshiped by a red-headed gorilla named Salamander, Sleeping with a giant teddy bear dressed in black leather, And wearing hot pink lipstick over a shade of midnight blue.
Giorge Leedy (Uninhibited From Lust To Love)
Today I saw the most beautiful girl in the world... She is the most beautiful girl in the world, Bartolomeo Scappi thought. Never have I seen a woman so perfect, so angelic, so impossible for me to attain. "Bella," he breathed when air filled his lungs once again. Even Ippolito d'Este's presence at the dining table could not mar his giddiness. The girl was so beautiful she glowed like a painting of the Madonna, making everyone around her seem colorless in comparison. She was clearly a principessa of a grand house, sitting between Ippolito's father, the Duke of Ferrara, on one side, and a woman most likely to be her mother on the right. Bartolomeo sought to memorize every feature of this goddess with golden hair that shone with glints of red in the last rays of the day's sunlight. Her eyes were dark chestnut, rich and deep, while her lips were pink, like the inside of a seashell. Her hair was braided, but much of it flowed loose over shoulders, teasing her pale skin. She wore a dress of red, with sleeves billowing white. Rubies and pearls spilled across her delicate collarbone toward her beautiful breasts. Scappi painted her picture in his mind and stored it deep within the frame of his heart. That evening, while staring at the sky, his thoughts lost in the memory of the signorina, a shooting star passed across his vision. "Stella," he said under his breath. I will call her Stella. My shining star.
Crystal King (The Chef's Secret)
On Halloween, Wendell, Floyd, and Mona were walking home from school when a black cat crossed their path. “Don’t pet it, Floyd!” cried Wendell. “Don’t you know that black cats are bad luck?” “That’s just an old wives’ tale,” Mona said. “Besides, what could happen?” Wendell merely shook his head. “Anything can happen on Halloween.” In fact, something did happen as soon as they got home. First, Wendell discovered that his mad scientist costume had turned pink in the wash. This is definitely a bad sign, he thought. Then Floyd found out that he had to take his sister, Alice, trick-or-treating with him. “Pirates don’t have little sisters,” he complained. Worst of all, Mona’s mother insisted that she go out dressed as a fairy princess. “I look ridiculous,” Mona protested. “Nonsense,” said her mother, and handed her a magic wand. They all felt gloomy that evening as they set out trick-or-treating and hoped that no one they knew would see them.
Mark Teague (One Halloween Night)
I haven’t slept in two days so I feel tired now, lying on my sleeping bag. My feet are very cold but I am ok. In the long transition to sleep I entertain a complex paranoia about a group of people who will be assigned to review each action I have taken throughout my life. And once dead, I’ll meet them in council. There will be a group assigned to review my “thank-yous said” to “those not said.” There will be a group assigned to review every face I’ve made just after waking up. There will be a group assigned to review how I treated people who asked me for help. And a group assigned to review the times I felt bad but didn’t tell anyone. A group assigned to review the times I deliberately threw crayons into the small fan my third grade bus driver positioned by his face. And a group assigned to review bugs I needlessly stepped on. A group for this nap I’m taking too. And in the paranoia, I see myself getting dressed-up to go before them and answer questions. I’m very nervous before each council but I try to be brave. “This nap you took—” someone says. “Yes?” A mean-looking woman in the middle of the panel, she clasps her hands together and she says, “Tell us about this nap.” When I wake up, one of my legs is numb. And I remain awake in my sleeping bag, staring at the blinds until the black behind gets more blue, then lighter blue, then white. Sometimes I definitely feel a sense of accomplishment but it’s never after accomplishing something.
Sam Pink (Person)
with their saucer eyes and their velvet dresses, their Shirley Temple curls of blood-red hair and their Cupid’s-bow lips molded into little pink oh!’s of wonder at the world. Writes fairy tales about girl demons, wolf princes, the cozy phantasmagoria of her native New Hampshire. Collects antique typewriters, each of which she claims has its own unique “ghost energy” that she channels into her stories as she types, head tilted back, eyes closed. She is the literal doll-pet of the other Bunnies.
Mona Awad (Bunny (Bunny, #1))
Then, just now, I went into my bedroom to find something else, and Lovecraft looked down on me. He’s dull metallic grey. His head is elongated, his eyes blank discs. It’s a bust of the author I received years ago for winning an award, and it’s always seemed scary. For a while I dressed him up in a D’Artagnan hat, complete with plume, and a pair of sunglasses with pink heart-shaped rims. But a young visitor wanted those for her Barbie. Now he has a bronze-blond fright wig. And “fright” is the defining word.
Ellen Datlow (Lovecraft Unbound)
She replaced her wardrobe with marvels of the season bought from boutiques of the Palais-Royal and rue de la Chaussee-d'Antin. Outfits for a ball detailed in the fashion pages of the January 1839 edition of Paris Elegant describe dresses of pale pink crépe garnished with lace and velvet roses and accessorized with white gloves, silk stockings, and white cashmere or taffeta shawls. In the spring of that year, misty tulle bonnets came into fashion worn with capes of Alencon lace - “little masterpieces of lightness and freshness.“ Her bed was her stage, raised on a platform and curtained with sumptuous pink silk drapes. The adjoining cabinet de toilette was also a courtesan’s natural habitat, its dressing table a jumble of lace, bows, ribbons, embossed vases, crystal bottles of scents and lotions, brushes and combs of ivory and silver. She indulged her sweet tooth with cakes from Rollet the patissier, glaceed fruit from Boissier, and on one occasion sent for twelve biscuits, macaroons, and maraschino liqueur.
Julie Kavanagh (The Girl Who Loved Camellias: The Life and Legend of Marie Duplessis)
First, make sure the ocean is rolled by an older woman whose quick fingers have been rolling the ocean for as long as you’ve been alive – She’ll fatten the rice in hot, sugared water spiked with rice vinegar then make a soft bed of it to wrap a slip of fish muscle, squeezing the bamboo rolling mat until the ocean’s circumference is compacted in seaweed’s brittle corsetry. It takes her just moments to dress the ocean, its nudity a pink tongue poking from iridescent green nori wrap
Jalina Mhyana (The Wishing Bones)
The magicked dress danced over to the princess. Despite her misgivings, she stood up to receive it- it would have been rude not to. The dress easily smoothed itself over her. Dark green velvet skirts, full and soft, twirled around down to her ankles. Golden buttons fastened themselves up the placket on the bodice and over the elegant, tight sleeves. From her elbows, wisps of dark green mist flowed to the ground for tippets. A collar around her neck drifted out into a cape of the same material. "Truly, you are the most beautiful princess in the world," a fairy breathed. Aurora Rose looked at herself in the mirror of dewdrops. She was indeed the most beautiful thing she had ever seen. Long neck, golden hair, wide violet eyes, narrow waist, lips perfectly pink and rosy. She turned, just a little bit, to see how her figure looked from a different angle. The green velvet flowed softly and majestically, making delicious little noises when its folds rippled. As talented as the castle seamstresses were, the princess had never worn anything as elegant or perfect as this.
Liz Braswell (Once Upon a Dream)
How about whatever song comes on next, that’s our song. It’ll be fate.” “We can’t just make our own fate.” “Sure we can.” Peter reaches over to turn on the radio. “Wait! Just any radio station? What if it’s not a slow song?” “Okay so we’ll put on Lite 101.” Peter hits the button. “Winnie the Pooh doesn’t know what to do, got a honey jar stuck on his nose,” a woman croons. Peter says, “What the hell?” as I say, “This can’t be our song.” “Best out of three?” he suggests. “Let’s not force it. We’ll know it when we hear it, I think.” “Maybe we’ll hear it at the prom,” Peter offers. “Oh, that reminds me. What color is your dress? My mom’s going to ask her florist friend to make your corsage.” “It’s dusty pink.” It came in the mail yesterday, and when I tried it on for everybody, Trina said it was “the most Lara Jean” dress she’d ever seen. I texted a picture to Stormy, who wrote back, “Ooh-la-la,” with a dancing woman emoji. “What the heck is dusty pink?” Peter wants to know. “It’s like a rose gold color.” Peter still looks confused, so I sigh and say, “Just tell your mom. She’ll know.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Onions! Fresh, hot, sweet onions,” Sam called as Mary Lou pulled the cart down Main Street. “Eight cents a dozen.” It was a beautiful spring morning. The sky was painted pale blue and pink—the same color as the lake and the peach trees along its shore. Mrs. Gladys Tennyson was wearing just her nightgown and robe as she came running down the street after Sam. Mrs. Tennyson was normally a very proper woman who never went out in public without dressing up in fine clothes and a hat. So it was quite surprising to the people of Green Lake to see her running past them. “Sam!” she shouted. “Whoa, Mary Lou,” said Sam, stopping his mule and cart. “G’morning, Mrs. Tennyson,” he said. “How’s little Becca doing?” Gladys Tennyson was all smiles. “I think she’s going to be all right. The fever broke about an hour ago. Thanks to you.” “I’m sure the good Lord and Doc Hawthorn deserve most of the credit.” “The Good Lord, yes,” agreed Mrs. Tennyson, “but not Dr. Hawthorn. That quack wanted to put leeches on her stomach! Leeches! My word! He said they would suck out the bad blood. Now you tell me. How would a leech know good blood from bad blood?” “I wouldn’t know,” said Sam. “It was your onion tonic,” said Mrs. Tennyson. “That’s what saved her.” Other townspeople made their way to the cart. “Good morning, Gladys,” said Hattie Parker. “Don’t you look lovely this morning.” Several people snickered. “Good morning, Hattie,” Mrs. Tennyson replied. “Does your husband know you’re parading about in your bed clothes?” Hattie asked. There were more snickers. “My husband knows exactly where I am and how I am dressed, thank you,” said Mrs. Tennyson. “We have both been up all night and half the morning with Rebecca. She almost died from stomach sickness. It seems she ate some bad meat.” Hattie’s face flushed. Her husband, Jim Parker, was the butcher. “It made my husband and me sick as well,” said Mrs. Tennyson, “but it nearly killed Becca, what with her being so young. Sam saved her life.” “It wasn’t me,” said Sam. “It was the onions.” “I’m glad Becca’s all right,” Hattie said contritely. “I keep telling Jim he needs to wash his knives,” said Mr. Pike, who owned the general store. Hattie Parker excused herself, then turned and quickly walked away. “Tell Becca that when she feels up to it to come by the store for a piece of candy,” said Mr. Pike. “Thank you, I’ll do that.” Before returning home, Mrs. Tennyson bought a dozen onions from Sam. She gave him a dime and told him to keep the change. “I don’t take charity,” Sam told her. “But if you want to buy a few extra onions for Mary Lou, I’m sure she’d appreciate it.” “All right then,” said Mrs. Tennyson, “give me my change in onions.” Sam gave Mrs. Tennyson an additional three onions, and she fed them one at a time to Mary Lou. She laughed as the old donkey ate them out of her hand.
Louis Sachar (Holes)
Harriet turned round, and we both saw a girl walking towards us. She was dark-skinned and thin, not veiled but dressed in a sitara, a brightly coloured robe of greens and pinks, and she wore a headscarf of a deep rose colour. In that barren place the vividness of her dress was all the more striking. On her head she balanced a pitcher and in her hand she carried something. As we watched her approach, I saw that she had come from a small house, not much more than a cave, which had been built into the side of the mountain wall that formed the far boundary of the gravel plateau we were standing on. I now saw that the side of the mountain had been terraced in places and that there were a few rows of crops growing on the terraces. Small black and brown goats stepped up and down amongst the rocks with acrobatic grace, chewing the tops of the thorn bushes. As the girl approached she gave a shy smile and said, ‘Salaam alaikum, ’ and we replied, ‘Wa alaikum as salaam, ’ as the sheikh had taught us. She took the pitcher from where it was balanced on her head, kneeled on the ground, and gestured to us to sit. She poured water from the pitcher into two small tin cups, and handed them to us. Then she reached into her robe and drew out a flat package of greaseproof paper from which she withdrew a thin, round piece of bread, almost like a large flat biscuit. She broke off two pieces, and handed one to each of us, and gestured to us to eat and drink. The water and the bread were both delicious. We smiled and mimed our thanks until I remembered the Arabic word, ‘Shukran.’ So we sat together for a while, strangers who could speak no word of each other’s languages, and I marvelled at her simple act. She had seen two people walking in the heat, and so she laid down whatever she had been doing and came to render us a service. Because it was the custom, because her faith told her it was right to do so, because her action was as natural to her as the water that she poured for us. When we declined any further refreshment after a second cup of water she rose to her feet, murmured some word of farewell, and turned and went back to the house she had come from. Harriet and I looked at each other as the girl walked back to her house. ‘That was so…biblical,’ said Harriet. ‘Can you imagine that ever happening at home?’ I asked. She shook her head. ‘That was charity. Giving water to strangers in the desert, where water is so scarce. That was true charity, the charity of poor people giving to the rich.’ In Britain a stranger offering a drink to a thirsty man in a lonely place would be regarded with suspicion. If someone had approached us like that at home, we would probably have assumed they were a little touched or we were going to be asked for money. We might have protected ourselves by being stiff and unfriendly, evasive or even rude.
Paul Torday (Salmon Fishing in the Yemen)
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—” “If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.” Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders. “Where is it?” he asked. “The key?” His tone was deadly. “Yes, Daisy. The key.” “It fell inside my corset. Which means… I’ll have to take that off too.” There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew. He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her. Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap. Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset. She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise. The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew. His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her. Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?” “No.” But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders. He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat. Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff. Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer. Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.” He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Shocked?” Juliet queried, the light pink tint on her cheeks the only telling sign of her discomfort with the conversation. He nodded. “Yes. I had no idea my little girl knew what fluffies were.” Juliet opened her mouth to respond but was cut off by more misguided innocence from Kate. “They’re the fluffy things Juliet keeps hidden in her dress here and here,” she said proudly, tapping her chest to indicate just where these fluffy objects were located. Patrick blinked. “That’s quite enough, Katie love. Why don’t you go paint some flowers or something. I need to have a word alone with Juliet.
Rose Gordon (Her Secondhand Groom (The Grooms, #3))
Would you take it back?” “What?” “If you could go back in time, would you change anything with you and Sera? Telling Carter doesn't count. I’m talking about you guys.” Everything flashed before my eyes in a single breath. The first time I laid eyes on her dressed as Tinker Bell at XS. Moving in day. Our near kiss in the kitchen. Picking her up from Rob's the night she called me. The time she lost her keys. The way her nose scrunches up when she laughs. Movie nights. Twenty-one questions. Falling asleep with her in my arms. Coconut shampoo. And so much pink. “No. I wouldn’t change a single thing.
Avery Keelan (Shutout (Rules of the Game, #2))
BEFORE THE TREE HOUSE WAS A RECORDING STUDIO FOR PODCASTS, IT WAS:* A grotto for mermaids and mermen. Piles of seashells. Buckets of sand from our old sand table. Fabric in shades of blue hanging everywhere. A fairy house. Shimmer fabric in shades of pink, yellow, and green. Tissue-paper flowers. Cutout butterflies with huge googly eyes. The boxcar from the Boxcar Children books. Spoons, tin plates, a knapsack, crackers, and plain cookies. Red-and-white-checked fabric for the windows. A keep. Cardboard swords wrapped in foil. Many, many of them. The Gryffindor common room. Red and gold, with wands made out of repurposed foil swords.
Carrie Firestone (Dress Coded)
In her younger years, Ginger had dressed in ordinary, drab clothing so she wouldn't call attention to herself. She'd even tried to hide her bright pink hair with a scarf. Her goal in those days had been to blend in and not be recognized as the daughter of the Candy Witch, because even a whispered mention of the word "witch" made people unnerved. But now, as a student at Ever After High, she'd come to realize that she was more than her legacy. She was her own person, and her passion was baking scrumptious treats, not wicked treats as her mother did. She began to dress the way that pleased her, adorning herself with cheerful colors, candy accents, and swirls, as if decorating a cake or cookie.
Suzanne Selfors (Once Upon A Pet : A Collection of Little Pet Stories)
Ursula, in a garden, found A bed of radishes. She kneeled upon the ground And gathered them, With flowers around, Blue, gold, pink, and green. She dressed in red and gold brocade And in the grass an offering made Of radishes and flowers. She said, "My dear, Upon your altars, I have placed The marguerite and coquelicot, And roses Frail as April snow; But here," she said, "Where none can see, I make an offering, in the grass, Of radishes and flowers." And then she wept For fear the Lord would not accept. The good Lord in His garden sought New leaf and shadowy tinct, And they were all His thought. He heard her low accord, Half prayer and half ditty, And He felt a subtle quiver, That was not heavenly love, Or pity. This is not writ
Wallace Stevens
It was one of Kitty’s best days. Her dress was not uncomfortable anywhere; her lace berthe did not droop anywhere; her rosettes were not crushed nor torn off; her pink slippers with high, hollowed-out heels did not pinch, but gladdened her feet; and the thick rolls of fair chignon kept up on her head as if they were her own hair. All the three buttons buttoned up without tearing on the long glove that covered her hand without concealing its lines. The black velvet of her locket nestled with special softness round her neck. That velvet was delicious; at home, looking at her neck in the looking glass, Kitty had felt that that velvet was speaking. About all the rest there might be a doubt, but the velvet was delicious. Kitty smiled here too, at the ball, when she glanced at it in the glass.
Leo Tolstoy (Anna Karenina)
Nothing could have appealed more strongly to Miss Wantage's youthful taste, so as soon as she had changed the chip-straw hat for an Angouleme bonnet of white thread-net trimmed with lace, she sallied forth once more with Mr. Ringwood, tripping beside him with all the assurance of one who knew herself to be dressed in the pink of fashion. The Angouleme bonnet most becomingly framed her face; she had taken great pains to comb her curls into modish ringlets; and if the figured muslin gown was less dashing than a certain pomona green silk which Mr. Ringwood had assured her, in some agitation, Sherry wouldn't like at all, no fault could be found with her little blue kid shoes, or her expensive gloves and ridicule, or with the sophisticated sun-shade which she carried to the imminent danger of the passers-by.
Georgette Heyer (Friday's Child)
I was afraid of anyone in a costume. A trip to see Santa might as well have been a trip to sit on Hitler's lap for all the trauma it would cause me. Once, when I was four, my mother and I were in a Sears and someone wearing an enormous Easter Bunny costume headed my way to present me with a chocolate Easter egg. I was petrified by this nightmarish six-foot-tall bipedal pink fake-fur monster with human-sized arms and legs and a soulless, impassive face heading toward me. It waved halfheartedly as it held a piece of candy out in an evil attempt to lure me into its clutches. Fearing for my life, I pulled open the bottom drawer of a display case and stuck my head inside, the same way an ostrich buries its head in the sand. This caused much hilarity among the surrounding adults, and the chorus of grown-up laughter I heard echoing from within that drawer only added to the horror of the moment. Over the next several years, I would run away in terror from a guy in a gorilla suit whose job it was to wave customers into a car wash, a giant Uncle Sam on stilts, a midget dressed like a leprechaun, an astronaut, the Detroit Tigers mascot, Ronald McDonald, Big Bird, Bozo the Clown, and every Mickey Mouse, Minnie Mouse, Donald Duck, Pluto, Chip and Dale, Uncle Scrooge, and Goofy who walked the streets at Disneyland. Add to this an irrational fear of small dogs that saw me on more than one occasion fleeing in terror from our neighbor's four-inch-high miniature dachschund as if I were being chased by the Hound of the Baskervilles and a chronic case of germ phobia, and it's pretty apparent that I was--what some of the less politically correct among us might call--a first-class pussy.
Paul Feig (Kick Me: Adventures in Adolescence)
Miranda was curled up against the wall, her pink calico skirts bunched carelessly above her knees in uncharacteristic abandon. A green measuring worm inched himself unchecked across the smooth bodice of her dress. The May breeze, fragrant with apple-blossoms and clover from the adjacent pasture, blew her loosened hair into her eyes. She pushed the strand back impatiently with one hand while the other clutched her book, as Miranda devoured the fascinating pages of The Beautiful Adulteress. So compelling were the beautiful adulteress's adventures, that even when Miranda's sunbonnet slipped off and hot sunshine fell through the elm trees onto her skin, she did not pause to replace the bonnet. And yet the transparent whiteness of that skin was the envy of her friends and part product of many a tedious treatment with buttermilk and cucumber poultices.
Anya Seton (Dragonwyck)
I want to see what I will be getting later tonight.” I look at the nude-colored lace that sits under her belly button and shows off the cheeks of her ass. “You’re getting your hand, buddy.” She pats my chest. “I’m staying at my mom’s tonight, remember?” Fuck, I forgot about that. “Who made that stupid rule up?” “I don’t know,” she shrugs, shimmying her dress back over her hips. “You’re not leaving me tonight until I taste you; so you need to figure out how to make that happen, or your mom’s going to be pissed when I show up at her house, telling her that I need to eat her daughter’s p**sy before I go to bed or else I can’t sleep.” I watch her cheeks turn bright pink as she glares at me. “You wouldn’t dare.” “Oh, but wouldn’t I?” I smirk. I wouldn’t do that, exactly, but I would show up at her mom’s to get my nightly snack. “Trevor.” “Figure it out, babe.
Aurora Rose Reynolds (Until Trevor (Until, #2))
The little girls who invited Poppy over had pink rooms and pink LEGOs and pink comforters over pink sheets on their pink beds. They had crates—actual crates!—of tutus and high heels and dress-up clothes, stuffed animals who themselves wore tutus and high heels and dress-up clothes, Barbies and clothes for the Barbies, jewelry, nail polish, fairies, and baby dolls. They liked to draw and trade stickers. They liked to put their stuffies in strollers and give them a bottle and push them around the block. They liked to have a lemonade stand. They liked to chase each other around the house but in tutus and high heels, and when they caught you at the end, they just hugged you and giggled and laughed together instead of making a big thing about who was a loser and sitting on your head and farting. Poppy could not understand why everyone in the whole world didn’t want to be a girl.
Laurie Frankel (This Is How It Always Is)
I'd take her to the top of the widow's tower at Ainsdale Castle, late at night, and we'd watch the moon rise. The widow's tower was very high but she wasn't afraid. Sometimes I'd steal a pie from the kitchens and we'd picnic up there. I brought up a blanket, too, so she wouldn't have to sit on the bare stone floor." Mrs. Crumb made an aborted movement, as if she'd meant to turn to face him and then changed her mind. He let the wineglass dangle by his side. "I told her a rabbit lived on the moon and she believed me. She believed everything I told her then." "What rabbit?" "There." He roused himself, straightening. He drew back, fitting her against his chest and setting his chin on her shoulder. She smelled of tea and housekeeperly things, and she was warm, so warm. He caught up her right hand in his and traced the moon with it. "D'you see? There are the long ears, there the tail, there the forepaws, there the back." "I see," she whispered. "I told her the rabbit had lavender fur and ate pink moon clover up there." His mouth twisted, as he remembered. "She'd watch me with big blue eyes, her mouth half-open, a bit of piecrust on her dress. She hung on every word." He could hear her breath, could feel the tremble of her limbs. Did she fear him? "D'you believe me?" he asked against her ear, his lips wet with wine. She was a housekeeper and housekeepers didn't matter in the grand schemes of kings and dukes and little girls who wished upon rabbit moons. But she was silent, damnable housekeeper. They breathed together for a moment, there in the night air, London twinkling before them, overhung by a pagan moon. At last she stirred and asked, "What happened to the girl?" He broke away from her, draining his glass of wine. "She grew up and knew me for a liar.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
I heard a rapid alternation of notes, a vibrating staccato of an ancient instrument, nearly as old as nature herself, a cricket singing in my garden last night, the first time this year. When turning my garden's soil, I often uncover crickets, curmudgeons that scramble to find solitude and cover from the light, but I rarely hear their ancient song 'till near summer's end. Although the wind is now lofting the branches and rustling the leaves, the evening sun still warms my face. And my garden still blooms full with pink-papered hollyhocks and blue, green spikes of lavender, and roses, bright pinks and yellows, all glowing from sunshine-swelled canes, and zinnias, rainbow-shingled orbs, and more. And yet, I am already dreading the coming of fall, all dressed in small rags of red, yellow, and orange. I know that my summer garden is nearing its end, as hailed by the cricket's song.
Jeffrey A. White (A Blueness I Could Eat Forever)
In the back of my closet, I saw a pink wrap dress that was hopelessly Southern. Pale pink, with little flutter sleeves all in a Swiss-dot fabric that you could see through if you held it up to the light. I would need nude undergarments, which I was sure I had. My mom always told me never to wear wild undies, you never knew who'd see them! What if I got in a car wreck? I pulled my hair up and allowed a few red curls to fall out of a messy bun at the nape of my neck. I slipped the dress on and gave my lips a quick swipe of gloss. I chose small gold hoop earrings that had belonged to Gran at one time and stepped into a pair of gold flip-flops. I looked at myself in the mirror and reminded myself I was going to a farm. Jim walked in. "Ready for the big... Oh, my God, Magnolia!" "What? Too much?" I said, grimacing. "Good God, no! You look absolutely perfect! You look like a mouthwatering pink confection! A true Southern Magnolia!
Victoria Benton Frank (My Magnolia Summer)
When I come down the stairs, Peter is sitting on the couch with his mom. He is shaking his knee up and down, which is how I know he’s nervous too. As soon as he sees me, he stands up. He raises his eyebrows. “You look--wow.” For the past week, he’s been asking for details on what my dress looks like, and I held him at bay for the surprise, which I’m glad I did, because it was worth it to see the look on his face. “You look wow too.” His tux fits him so nicely, you’d think it was custom, but it’s not; it’s a rental from After Hours Formal Wear. I wonder if Mrs. Kavinsky made a few sly adjustments. She’s a marvel with a needle and thread. I wish guys could wear tuxedos more often, though I suppose that would take some of the thrill away. Peter slides my corsage on my wrist; it is white ranunculus and baby’s breath, and it’s the exact corsage I would have picked for myself. I’m already thinking of how I’ll hang it over my bed so it dries just so. Kitty is dressed up too; she has on her favorite dress, so she can be in the pictures. When Peter pins a daisy corsage on her, her face goes pink with pleasure, and he winks at me. We take a picture of me and her, one of me and Peter and her, and then she says in her bossy way, “Now just one of me and Peter,” and I’m pushed off to the side with Trina, who laughs. “The boys her age are in for it,” she says to me and Peter’s mom, who is smiling too. “Why am I not in any of these pictures?” Daddy wonders, so of course we do a round with him too, and a few with Trina and Mrs. Kavinsky. Then we take pictures outside, by the dogwood tree, by Peter’s car, on the front steps, until Peter says, “Enough pictures! We’re going to miss the whole thing.” When we go to his car, he opens the door for me gallantly. On the way over, he keeps looking at me. I keep my eyes trained straight ahead, but I can see him in my periphery. I’ve never felt so admired. This must be how Stormy felt all the time.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I imagine you not telling me to whisper. I imagine you not saying oh don't say this literally. You want me to evoke as opposed to mere describing. You want me to be an invisible scribe that an octoepoose was hiding. I'm not sure if my facial features are an autograph that your Picasso smile is signing. Infamous for the mirror I shook when my sock puppets were pining? I am not just a fish that you gave wings to! I don't simply flop in the air whenever you brush some mannequinn's hair. There is a reason for the bad timing. Exquisite imbalances. A child enjoying the pink sky. I won't say that is my clue! Playing The Beatles on a kazoo is beautiful oooh ooooh Your laughter is a woman with alot of eyeballs on her stomach that pretends that she doesn't see the colors of all them songs. In the pre dawn hours we dance with delusions and illusions. The eternal seamstress does not care for Frakenstein's dress(she still loves our unique caress ) She loves and laughs despite some so-called scientist. Where is that emperor and his nakedness! Darling, our atoms need never split. We compliment in so many ways that all our night's and days have become one swirling sunrise/sunset that only true lovers can scoff at(those who shhhhh) The flower is not passive or apologetic. It blooms through the fractured net. Floating magnetic(eep eeep) You are not just some seductress. You are the leader of an elite group of intergalactic seductress impersonators who reveal corruption but then choose to love. We embrace conclusions that make the puddle heart awake with ethereal drum beat gongs. You think of a heroic poodle in the dark. We both know that the trapeze artist that followed us was not a cliche. He smelled differently. He had never met a floating lady that showed him how to appreciate a symphony without taking away his love for a good rock n roll melody. I am not sure I can only whisper of such realities. I am not sure I can only whisper of such realities.-
Junipurr- Sometimes Trudy
A splash of light snuck beneath the a dressing room door. He heard a groan. A shuffle. A bump. A heavy sigh. "Uh, too tight." He walked toward the back, stopping outside the dressing room. The door was cracked a fraction. He rested a shoulder against the wall, and glanced inside. Grace as Catwoman blew his mind. A feline fantasy. The three-way mirror tripled his pleasure. He viewed her from every angle. Hot, sleek, fierce. The lady could fight Batman in her skintight black leather catsuit and come out the winner. After a moment she scrunched her nose, slapped her palms against her thighs. Stuck out her tongue at her reflection in the mirrors. He saw what had her so frustrated. Sympathized with her disappointment. Her costume didn't fit. The front zipper hadn't fully cleared her cleavage, which was deep and visible. She wore no bra. She gave a little hop, and her breasts bounced. Full and plump. He felt a tug at his groin. Superhero lust. He cleared his throat and made his presence known. She caught his image in the corner of the glass, and reached for the fitting room chair, positioning it between them. Like that would keep him from her. He should've looked away, but couldn't. He sensed her embarrassment. Her panic. Flight? She had nowhere to go. He blocked the door. He wasn't leaving until they'd talked. "Archibald's going to love your costume," he initiated. She didn't find him funny. Her gaze narrowed behind the molded cat-eye mask with attached ears. Her fingers clenched in her elbow-length gloves. Inspired by the movie The Dark Knight, she'd added a whip and a gun holster. Her thigh-high stiletto boots were killer, adding five inches to her height. Her image would stick with him forever. She backed against the center mirror, and nervously fingered the open flaps over her breasts. A yank on the zipper broke the tab. The metal teeth parted, and the gap widened, revealing the round inner curves of her breasts. A hint of her nipples. Dusky pink. All the way down to the dent of her navel.
Kate Angell (The Cottage on Pumpkin and Vine)
I threw my binder of materials down on our apartment’s floral couch. “Seriously, pink is a neutral color! And what’s elegant about navy blue? No one ever says, ‘Hey, you know what’s elegant? The Navy!’” Arianna rolled her dead guys. “There is nothing neutral about pink. They need a color that looks good as a background to any shade of dress.” “What color clashes with pink?” “Orange?” “Well, if anyone shows up in an orange dress, she deserves to clash. Yuck.” “Chill out. You can do a lot with navy.” I sank down into the couch next to her. “I guess. I could do navy with silver accents. Stars?” “Yawn.” “Snowflakes?” “Gee, now you’re getting creative for a winter formal.” I ignored her tone, as usual. I was just glad she was here. She’d been gone a lot lately. “Hmm . . . maybe something softer. Like a water and mist theme?” I asked. “I . . . actually kind of like that.” “Wanna help me with the sketches?” She leaned forward and turned on Easton Heights. “Decorating a stupid dance is all yours. You’re the one who decided to be more involved in your ‘normal life.’ I’d prefer to be sleeping six feet under.” “This is probably a bad time to mention I also might have signed up to help with costumes for the spring play. And since I know nothing about sewing, I kind of maybe signed you up as a volunteer aide.” She sighed, running one glamoured corpse hand through her spiky red and black hair. “I am going to kill you in your sleep.” “As long as it doesn’t hurt.” We hummed along to the opening theme, which ended when the door banged open and my boyfriend walked through, shrugging out of his coat and beaming as he dropped a duffel bag. “Free! What did I miss?” Lend asked, his cheeks rosy from the cold and his smile lighting up his watery eyes beneath his dark glamour ones. “I lost the vote on color schemes for the dance, the last episode of Easton Heights before they go into reruns is back on in three minutes, and Arianna is going to murder me in my sleep.” “As long as it doesn’t hurt.” “That’s what I said!
Kiersten White (Endlessly (Paranormalcy, #3))
On the bus, I pull out my book. It's the best book I've ever read, even if I'm only halfway through. It's called Jane Eyre by Charlotte Brontë, with two dots over the e. Jane Eyre lives in England in Queen Victoria's time. She's an orphan who's taken in by a horrid rich aunt who locks her in a haunted room to punish her for lying, even though she didn't lie. Then Jane is sent to a charity school, where all she gets to eat is burnt porridge and brown stew for many years. But she grows up to be clever, slender, and wise anyway. Then she finds work as a governess in a huge manor called Thornfield, because in England houses have names. At Thornfield, the stew is less brown and the people less simple. That's as far as I've gotten... Diving back into Jane Eyre... Because she grew up to be clever, slender and wise, no one calls Jane Eyre a liar, a thief or an ugly duckling again. She tutors a young girl, Adèle, who loves her, even though all she has to her name are three plain dresses. Adèle thinks Jane Eyre's smart and always tells her so. Even Mr. Rochester agrees. He's the master of the house, slightly older and mysterious with his feverish eyebrows. He's always asking Jane to come and talk to him in the evenings, by the fire. Because she grew up to be clever, slender, and wise, Jane Eyre isn't even all that taken aback to find out she isn't a monster after all... Jane Eyre soon realizes that she's in love with Mr. Rochester, the master of Thornfield. To stop loving him so much, she first forces herself to draw a self-portrait, then a portrait of Miss Ingram, a haughty young woman with loads of money who has set her sights on marrying Mr. Rochester. Miss Ingram's portrait is soft and pink and silky. Jane draws herself: no beauty, no money, no relatives, no future. She show no mercy. All in brown. Then, on purpose, she spends all night studying both portraits to burn the images into her brain for all time. Everyone needs a strategy, even Jane Eyre... Mr. Rochester loves Jane Eyre and asks her to marry him. Strange and serious, brown dress and all, he loves her. How wonderful, how impossible. Any boy who'd love a sailboat-patterned, swimsuited sausage who tames rabid foxes would be wonderful. And impossible. Just like in Jane Eyre, the story would end badly. Just like in Jane Eyre, she'd learn the boy already has a wife as crazy as a kite, shut up in the manor tower, and that even if he loves the swimsuited sausage, he can't marry her. Then the sausage would have to leave the manor in shame and travel to the ends of the earth, her heart in a thousand pieces... Oh right, I forgot. Jane Eyre returns to Thornfield one day and discovers the crazy-as-a-kite wife set the manor on fire and did Mr. Rochester some serious harm before dying herself. When Jane shows up at the manor, she discovers Mr. Rochester in the dark, surrounded by the ruins of his castle. He is maimed, blind, unkempt. And she still loves him. He can't believe it. Neither can I. Something like that would never happen in real life. Would it? ... You'll see, the story ends well.
Fanny Britt (Jane, the Fox & Me)
The woman was in her middle twenties and she wore a sort of tennis dress that shouted Money almost as loudly as the car did, sleeveless and V neck, of a semi-transparent material, chiffon or crêpe-de-Chine or maybe georgette, which allowed the pink of her nipples to show through. She not only wore no brassiere, she obviously wore no undergarment of any description. There was nothing of modesty about her. Not that she was flaunting herself; that was what was so outlandish about it (for this was the late Twenties; plenty of women were dressing almost as scantily); she appeared not even to know the watchers were there. Her hair was brown with streaks of sunburnt yellow, bobbed just a little longer than ponjola, and her skin was tanned to the smooth, soft tint of café au lait. She moved slowly, after the manner of the inherently lazy, not so much as if she had no energy, but as if she were conserving it for something she really cared about—bed, most men would say, for there was a strong suggestion of such about her, like an aura. Her mouth was lipsticked savagely, no prim cupid’s bow, and there was a faint saddle of freckles across the bridge of her nose. She
Shelby Foote (Love in a Dry Season)
After twenty minutes of hard swimming, his muscles were burning. He hoisted himself out of the water, breathing heavily, and went to fetch a towel from a stack on a table. As he dried himself vigorously, he caught a glimpse of someone standing by the other end of the swimming bath. He went very still at the sight of rose-copper hair... pink cheeks and round blue eyes... and lavish curves contained in a fashionable striped wool dress. Every filament of his nervous system sparked with an infusion of joy. "Evie?" he asked huskily, afraid he was imagining her. She glanced at the water, remarking innocently, "You were swimming so hard, I thought there might be a sh-shark." It took all Sebastian's concentration to reply casually, "You know better than that, pet." He wrapped the towel around his waist and tucked in the overlapping edge to fasten it. "I am the shark." He went to his wife in no apparent hurry, but as he drew closer his stride quickened, and he snatched her up with an ardor that nearly lifted her feet from the floor. She gasped and clutched his shoulders, and lifted her smiling mouth to his. Glorying in the taste and feel of her, Sebastian kissed her thoroughly, eventually finishing with a soft, provocative bite at her lower lip.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Eena focused on the younger version of herself. Her hair was tied back with a pink ribbon. The ruffled dress she wore was soiled up to the waist in wet grains of sand. A short, square shovel was gripped tightly as the child concentrated on her digging efforts. Curious, Eena stepped closer to the girls. Ian followed along silently. Eena could feel his eyes on her, searching her profile before turning to the sand scene. She approached her younger self and stopped to watch. At first, she smiled at the darling ponytailed child. Then the spoiled girl’s mouth opened. “Angee,” the five-year-old called the younger version of Angelle. “Go get water.” The older child jumped up at the command. “Yes, Eena.” “A whole bucket full.” “Yes, Eena.” “Angee, don’t step on my holes!” The older girl quickly picked up her foot, checking to be sure there were no child-made burrows nearby. She nodded at the little five-year-old. “Okay, Eena, I’ll be careful.” Instead of being grateful, the ponytailed child tilted her head and bugged out her eyes. “Hurry up, Angee!” “Okay, okay.” The young Angelle lifted her skirt to watch for surrounding holes while carting a bucket in her other hand towards the lake. Eena frowned at the sight. She heard Ian snicker beside her. “I was a brat,” she admitted ruefully. “You still are.
Richelle E. Goodrich (Eena, The Tempter's Snare (The Harrowbethian Saga #5))
She closed her eyes and listened to the drone of bees as they moved lazily among the flowering bursts of deep pink hydrangea and delicate tendrils of sweet pea that wound through the basket-bed borders. Although she was still very weak, it was pleasant to sit in warm lethargy, half-drowsing like a cat. She was slow to respond when she heard a sound from the doorway... a single light rap, as if the visitor was reluctant to disrupt her reverie with a loud knock. Blinking her sun-dazzled eyes, Annabelle remained sitting with her legs tucked beneath her. The mass of light speckles gradually faded from her vision, and she found herself staring at Simon Hunt's dark, lean form. He had leaned part of his weight on the doorjamb, bracing a shoulder against it in an unselfconsciously rakish pose. His head was slightly tilted as he considered her with an unfathomable expression. Annabelle's pulse escalated to a mad clatter. As usual, Hunt was dressed impeccably, but the gentlemanly attire did nothing to disguise the virile energy that seemed to emanate from him. She recalled the hardness of his arms and chest as he had carried her, the touch of his hands on her body... oh, she would never be able to look at him again without remembering! "You look like a butterfly that's just flown in from the garden," Hunt said softly.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
So I was just sitting in the dining room feeling sorry for myself. “What am I going to do?” Almost as soon as I asked that question, the answer came. “End it all.” Oh, I don’t know what possessed me. I really don’t have any idea at all. But I got up and walked over to a window. Well, that window was painted shut, so I went to another window. That one led out to a gangway, a stairwell, where I figured no one would find me until my body started to smell. No, that wouldn’t do. I looked at the front windows. One was a picture window that didn’t open, but then I couldn’t jump from those windows on the sides, either. Children played out front and that would be so traumatic for them. Besides, after I thought about it a little more, I realized something else that was very important: I wasn’t wearing pants. I didn’t wear pants back then. I was wearing a dress that Mama had made for me. Oh, I remember that dress. It was sleeveless, real tight in the waist with a long flared skirt. It was a white dress, white with a floral pattern, some kind of design in it, and that design was pink. That was one of my favorite dresses. I couldn’t stand the thought of jumping in that dress. More important, I couldn’t stand the thought that my skirt might fly up. Just then, as I was thinking about all that, the phone rang. It was a reporter. He was thinking about doing a follow-up story on me and he wanted to know what I was planning to do. Well, I couldn’t tell him I was planning to jump out the window. So I said I wanted to go back to school and become a teacher. I turned around as if to ask, “Who said that?” Now, I don’t know to this day where it came from, but he said he would take me to register for classes. I mean, he was just going to carry me down to the college and walk me through it. That was fine with me, because I didn’t even know where to go. I hadn’t exactly given this a whole lot of thought. As it turns out, the place to go was Chicago Teachers College. He took me there and, unfortunately, we were told that registration for classes had just closed. Before I even got a chance to start thinking about those windows back home again, he somehow convinced them to admit just one more student, and that’s how it all started. That’s how I was able to start over. I was going to go to college. I was going to become a teacher. I would be able to work with children, to teach them, to help shape them, to introduce them to a whole world of possibilities. In the process, a whole world of possibilities was opening up to me. Throughout my life I have heard a great many stories about how people received the call to their life’s mission. I have to smile when I recall how I received mine. For me, the call came by phone, from a reporter.
Mamie Till-Mobley (Death of Innocence: The Story of the Hate Crime that Changed America)
She loathed her profile almost as much as she loathed the dress. If she didn't have to worry about people mistaking her for a boy--- not that they really did, but they couldn't stop remarking on the resemblance; at any rate, if she didn't have to worry about that--- she would never again wear pink. Or pearls. There was something dreadfully banal about the way the pearls shimmered. For a moment she distracted herself by mentally ripping her dress apart, stripping it of its ruffles and pearls and tiny sleeves. Given a choice, she would dress in plum-colored silk and sleek her hair away from her face without a single flyaway curl. Her only hair adornment would be an enormous feather--- a black one--- arching backward so it brushed her shoulder. If her sleeves were elbow-length, she could trim them with a narrow edging of black fur. Or perhaps swansdown, with the same at the neck. Or she could put a feather trim at the neck; the white would look shocking against the plum velvet. That led to the idea that she could put a ruff at the neck and trim that with a narrow strip of swansdown,. It would be even better if the sleeves weren't opaque fabric but nearly transparent, like that new Indian silk her friend Lucinda had been wearing the previous night, and she would have them quite wide, so they billowed and gathered tight at the elbow. Or perhaps the wrist would be more dramatic....
Eloisa James (The Ugly Duchess (Fairy Tales, #4))
In order to conform to the current Empire style in fashion, the modiste had raised the waistline so that it fell just beneath Esme's small rounded breasts. Mrs. Benson had embellished further by adding a slender grosgrain ribbon there that matched the exact shade of tiny embroidered golden flowers scattered over the gown's ivory satin. Next she had shortened the sleeves so they were now small puffed caps edged against the arms with more narrow golden ribbon. As for the long length of material that had once run from shoulder to heel, she'd removed it and used the excess fabric to create a sweeping train that ended in a spectacular half circle that trailed after Esme as she walked. The entire hem was further enlivened by small appliquéd white lace rosettes, whose effect was nothing short of ethereal. On her feet, Esme wore a soft pair of ivory satin slippers with gold and diamond buckles that had been a last-minute gift from Mallory and Adam. On her hands were long white silk gloves that ended just above her elbows; her lustrous dark hair was pinned and styled in an elaborate upsweep with a few soft curls left to brush in dainty wisps against her forehead and cheeks. Carefully draped over head was a waist-length veil of the finest Brussels lace, which had been another present, this one from Claire, and in her hands she held creamy pink hothouse roses and crisp green holly leaves banded together inside a wide white satin ribbon.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
Dither and I like to take the ladies out. Last night Maggie showered her blue-black guts over the barstool at the Dirty Truth while I swung the bartender into the wall-sized mirror by his ankles. Dither put his many fingers into six fraternity brothers while Winnie sucked off the beer spigots, her shattered pelvis undulating obscenely, her hair and dress alive with blood beetles. Then we burst out into the streets. I sliced off heads all down Pleasant while Dither shoved swords up through the seats at the Calvin Theater. Winnie set bassinets afire at Cooley Dickinson while Maggie squatted to piss in the lobster tank in the Stop & Shop. We pinwheeled through the Bridge Street cemetery, upending ancient caskets and sending their contents into the grey sky until it looked like smoke from a great fire. It was a beautiful night; we poured wine into our lungs like drowning sots. In the pink morning we were stacked on the benches like cordwood. The sky was a sick yellow bruise. The sun was a cold dead eye. The winds raised up and shook the houses and thrashed the trees. A great fire is coming to Leeds. Pneumonic plagues and blood from the faucets and worms exploding up into bath tubs from the drains. You’re listening to WXXT. The time is 6:16 a.m. It is not too late to rise, rise and do what needs to be done. Up next, we’ve got Burton Stallhearse and the Grappling Grannies performing their version of “Dark Was the Night, Cold Was the Ground.
Matthew M. Bartlett (Creeping Waves)
For five hours, he doesn't shower or change his clothes or laugh or smile or cry. It's eight in the morning when he's finally released and told to stay in the Residence and standy for further instructions. He's handed his phone, at last, but there's no answer when he calls Henry, and no response when he texts. Nothing at all. Amy walks him through the colonnade sand up the stairs, saying nothing, and when they reach the hallway between the East and West Bedrooms, he sees them. June, her hair in a haphazard knot on the top of her head and a pink bathrobe, her eyes red-rimmed. His mom, in a sharp, no-nonsense black dress and pointed heels, jaw set. Leo, barefoot in his pajamas. And his dad, a leather duffel still hanging off one shoulder, looking harried and exhausted. They all turn to look at him, and Alex feels a wave of something so much bigger than himself sweep over him like when he was a child standing bowlegged in the Gulf of Mexico, riptide sucking at his feet. A sound escapes his throat uninvited, something that he barely even recognizes, and June has him first, then the rest of them, arms and arms and hands and hands, pullin him close and touching his face and moving him until he's on the floow, the goddamn terrible hideous antique rug that he hates, sitting on the floor and staring at the rug and the threads of the rug and hearing the Gulf rushing in his ears and thinking distantly that he's having a panic attack, and that's why he can't breathe, but he's just staring at the rug and he's having a panic attack and knowing why his lungs won't work doesn't make them work again.
Casey McQuiston (Red, White & Royal Blue)
Bruno, this is my friend Pippa. Pippa, my cousin Bruno.” Bruno. The in-with-the-wrong-crowd Bruno. Divinely and supernaturally gorgeous Bruno. And he just winked at me. Not good. He closes the distance between us in two long strides of his tight white pants and says “Piacere!”--which I remember from my phrase book means “pleased to meet you”--before taking ahold of my shoulders and kissing each of my cheeks. His lips are on my cheeks. I catch a glimpse of myself in the mirror and want to die. It’s physically impossible for a face to be any redder. I try to say “Piacere!” back but only a squeaky noise escapes my lips. I raise my shirt just enough to hide behind and fake a coughing fit, waving with the other hand for him to leave the room. He laughs and mutters something in Italian as he walks off. Chiara closes the door. Way to make a great first impression on the sexy Italian. “What did you say to him?” I ask when I’ve recovered the ability to speak. “I told him that he should knock on doors that are closed. That you are American and do not lie on the beach with le tette out. You are private.” “Le tette? What’s that?” My face pinks again. “My boobs?” “Si.” She sprawls across the bottom bunk. “I think it is sweet. Leaves room for the imagination.” “Um…thanks.” I finish getting dressed. “What did he say?” She laughs. “He said, ‘She will one day.’” My nose scrunches at the thought of baring it all on a beach towel in a foreign country, with Bruno and other guys who look like Bruno watching. I shudder. “Doubtful. There are some parts of me the sun just wasn’t meant to see.” Chiara rolls to her side and looks at me. “So you have never been swimming without clothes on?” “Skinny-dipping?” I smile as I stow my dirty clothes into my suitcase. “Well, the moon can handle those parts of me just fine.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Thai prostitution was a haven for the men and a nuisance for the women. The streets of Phuket were outlined with bars ready to nourish thirsty sailors with euphoric intoxication to smother their pinched nerves from their personal lives deteriorating in their six-month absence. Thailand truly lived up to its port reputation. Hundreds of bikini-clad prostitutes littered the strip. Slim and petite, their narrow hips and flat chests appeared to be the appropriate age for the pink plaid schoolgirl skirts, dress shirts, ties, and pigtails intended to entice pedophilic eroticism. They wore heavy coats of pastel liquid shadow that clashed against their yellow tinted tans. They awkwardly wiggled to a nauseating blend of techno and Reggaeton as cotton-haired granddaddies lustfully gawked at them. Any Caucasian male cannot trek a block without the treatment of a pop culture heartthrob with a trail of Thai teens at his heels. “Wan hunnet baaht!” they taunt in a nasal screech. “Wan hunnet baht and I suck yo cock!” The oriental beauties cup their fists and hold them to their mouths as they wiggle their tongues against their cheeks to provide a clear visual for their performance skills. It’s easy to dismiss the humanity in Thai prostitutes. Their splotchy, heavily accented English allows the language barrier to muffle signs of intellect. They’re overtly sexual in their crotch bearing ensembles, loud and vulgar invitations, and provocative dancing that makes even corner butcher shops feel like Vegas strip clubs. Swarms of them linger in front of bars holding cardboard signs scribbled with magic marker that offer a blow job with the first beer purchased. Their eyes burn into passing tourists, with acute radar for creamy, sun-flushed complexions and potbellies - signals of the deep pockets of white male privilege.
Maggie Georgiana Young (Just Another Number)
Okay.” The leader stood on the bed of his truck and clapped his hands over his head. “Listen up, everyone.” No one was really listening, though they had dressed right. Everyone was all in black. A few guys wore ski masks, and others had black marks on their cheeks like football players. Personally, I didn’t understand the need for the black camouflage. Caden had explained that the cops had already been looped in on the operation. A few of the lawns getting flocked tonight actually belonged to cops, and anyway the whole blending-with-the-night effect didn’t work when you were carrying a bright neon-pink flamingo. Still, I couldn’t deny the little spark of excitement building in my stomach. We were all standing in some guy’s driveway, and as I looked around, I seemed to be the only girl. These guys meant business. I was in the middle of a real life Call of Duty operation. The leader began speaking, his voice booming. “This is going to happen with precision and professionalism. No lingering, loitering, acting like stupid shits, and definitely no joking around. We’re not ladies. This isn’t going to be run like a bunch of pansy-shopping, pink-nail-polish pussies. You got that?!” I frowned, tucking my nails inside my jacket. “Every vehicle’s been filled with birds. The driver should have a text with all the locations, and the number of birds for each target. Pull up, find the group of birds labeled for that house, and work together. Take one bird a trip, two if you can manage, and ram those suckers down in the grass. Hurry back to the truck and keep going until all the birds for that location are in the ground. Shotgun Sally is in charge of hanging the sign on the bird closest to the street. Once the sign is hung, get back in the truck, and move to the next target. NO TALKING! This mission is all radio silent. Communicate with signals, and if you don’t know the appropriate signals, just SHUT THE HELL UP! Okay? Now, go flock some fuckers!
Tijan (Anti-Stepbrother)
The other evening, in that cafe-cabaret in the Rue de la Fontaine, where I had run aground with Tramsel and Jocard, who had taken me there to see that supposedly-fashionable singer... how could they fail to see that she was nothing but a corpse? Yes, beneath the sumptuous and heavy ballgown, which swaddled her and held her upright like a sentry-box of pink velvet trimmed and embroidered with gold - a coffin befitting the queen of Spain - there was a corpse! But the others, amused by her wan voice and her emaciated frame, found her quaint - more than that, quite 'droll'... Droll! that drab, soft and inconsistent epithet that everyone uses nowadays! The woman had, to be sure, a tiny carven head, and a kind of macabre prettiness within the furry heap of her opera-cloak. They studied her minutely, interested by the romance of her story: a petite bourgeoise thrown into the high life following the fad which had caught her up - and neither of them, nor anyone else besides in the whole of that room, had perceived what was immediately evident to my eyes. Placed flat on the white satin of her dress, the two hands of that singer were the two hands of a skeleton: two sets of knuckle-bones gloved in white suede. They might have been drawn by Albrecht Durer: the ten fingers of an evil dead woman, fitted at the ends of the two overlong and excessively thin arms of a mannequin... And while that room convulsed with laughter and thrilled with pleasure, greeting her buffoonery and her animal cries with a dolorous ovation, I became convinced that her hands no more belonged to her body than her body, with its excessively high shoulders, belonged to her head... The conviction filled me with such fear and sickness that I did not hear the singing of a living woman, but of some automaton pieced together from disparate odds and ends - or perhaps even worse, some dead woman hastily reconstructed from hospital remains: the macabre fantasy of some medical student, dreamed up on the benches of the lecture-hall... and that evening began, like some tale of Hoffmann, to turn into a vision of the lunatic asylum. Oh, how that Olympia of the concert-hall has hastened the progress of my malady!
Jean Lorrain (Monsieur de Phocas)
Yet at least he had believed in the cars. Maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bringing the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopelessly of children, supermarket booze, two, sometimes three generations of cigarette smokers, or only of dust and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of .05 or .10, trading stamps, pink flyers advertising specials at the markets, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a gray dressing of ash, condensed exhaust, dust, body wastesit made him sick to look, but he had to look. If it had been an outright junkyard, probably he could have stuck things out, made a career: the violence that had caused each wreck being infrequent enough, far enough away from him, to be miraculous, as each death, up till the moment of our own, is miraculous. But the endless rituals of trade-in, week after week, never got as far as violence or blood, and so were too plausible for the impressionable Mucho to take for long. Even if enough exposure to the unvarying gray sickness had somehow managed to immunize him, he could still never accept the way each owner, each shadow, filed in only to exchange a dented, malfunctioning version of himself for another, just as futureless, automotive projection of somebody else's life. As if it were the most natural thing. To Mucho it was horrible. Endless, convoluted incest.
Thomas Pynchon (The Crying of Lot 49)
As for the other experiences, the solitary ones, which people go through alone, in their bedrooms, in their offices, walking the fields and the streets of London, he had them; had left home, a mere boy, because of his mother; she lied; because he came down to tea for the fiftieth time with his hands unwashed; because he could see no future for a poet in Stroud; and so, making a confidant of his little sister, had gone to London leaving an absurd note behind him, such as great men have written, and the world has read later when the story of their struggles has become famous. London has swallowed up many millions of young men called Smith; thought nothing of fantastic Christian names like Septimus with which their parents have thought to distinguish them. Lodging off the Euston Road, there were experiences, again experiences, such as change a face in two years from a pink innocent oval to a face lean, contracted, hostile. But of all this what could the most observant of friends have said except what a gardener says when he opens the conservatory door in the morning and finds a new blossom on his plant: — It has flowered; flowered from vanity, ambition, idealism, passion, loneliness, courage, laziness, the usual seeds, which all muddled up (in a room off the Euston Road), made him shy, and stammering, made him anxious to improve himself, made him fall in love with Miss Isabel Pole, lecturing in the Waterloo Road upon Shakespeare. Was he not like Keats? she asked; and reflected how she might give him a taste of Antony and Cleopatra and the rest; lent him books; wrote him scraps of letters; and lit in him such a fire as burns only once in a lifetime, without heat, flickering a red gold flame infinitely ethereal and insubstantial over Miss Pole; Antony and Cleopatra; and the Waterloo Road. He thought her beautiful, believed her impeccably wise; dreamed of her, wrote poems to her, which, ignoring the subject, she corrected in red ink; he saw her, one summer evening, walking in a green dress in a square. “It has flowered,” the gardener might have said, had he opened the door; had he come in, that is to say, any night about this time, and found him writing; found him tearing up his writing; found him finishing a masterpiece at three o’clock in the morning and running out to pace the streets, and visiting churches, and fasting one day, drinking another, devouring Shakespeare, Darwin, The History of Civilisation, and Bernard Shaw.
Virginia Woolf (Complete Works of Virginia Woolf)
THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.
Lauren Royal (Alexandra (Regency Chase Brides #1))
When we arrived at the wedding at Marlboro Man’s grandparents’ house, I gasped. People were absolutely everywhere: scurrying and mingling and sipping champagne and laughing on the lawn. Marlboro Man’s mother was the first person I saw. She was an elegant, statuesque vision in her brown linen dress, and she immediately greeted and welcomed me. “What a pretty suit,” she said as she gave me a warm hug. Score. Success. I felt better about life. After the ceremony, I’d meet Cousin T., Cousin H., Cousin K., Cousin D., and more aunts, uncles, and acquaintances than I ever could have counted. Each family member was more gracious and welcoming than the one before, and it didn’t take long before I felt right at home. This was going well. This was going really, really well. It was hot, though, and humid, and suddenly my lightweight wool suit didn’t feel so lightweight anymore. I was deep in conversation with a group of ladies--smiling and laughing and making small talk--when a trickle of perspiration made its way slowly down my back. I tried to ignore it, tried to will the tiny stream of perspiration away, but one trickle soon turned into two, and two turned into four. Concerned, I casually excused myself from the conversation and disappeared into the air-conditioned house. I needed to cool off. I found an upstairs bathroom away from the party, and under normal circumstances I would have taken time to admire its charming vintage pedestal sinks and pink hexagonal tile. But the sweat profusely dripping from all pores of my body was too distracting. Soon, I feared, my jacket would be drenched. Seeing no other option, I unbuttoned my jacket and removed it, hanging it on the hook on the back of the bathroom door as I frantically looked around the bathroom for an absorbent towel. None existed. I found the air vent on the ceiling, and stood on the toilet to allow the air-conditioning to blast cool air on my face. Come on, Ree, get a grip, I told myself. Something was going on…this was more than simply a reaction to the August humidity. I was having some kind of nervous psycho sweat attack--think Albert Brooks in Broadcast News--and I was being held captive by my perspiration in the upstairs bathroom of Marlboro Man’s grandmother’s house in the middle of his cousin’s wedding reception. I felt the waistband of my skirt stick to my skin. Oh, God…I was in trouble. Desperate, I stripped off my skirt and the stifling control-top panty hose I’d made the mistake of wearing; they peeled off my legs like a soggy banana skin. And there I stood, naked and clammy, my auburn bangs becoming more waterlogged by the minute. So this is it, I thought. This is hell. I was in the throes of a case of diaphoresis the likes of which I’d never known. And it had to be on the night of my grand entrance into Marlboro Man’s family. Of course, it just had to be. I looked in the mirror, shaking my head as anxiety continued to seep from my pores, taking my makeup and perfumed body cream along with it. Suddenly, I heard the knock at the bathroom door. “Yes? Just a minute…yes?” I scrambled and grabbed my wet control tops. “Hey, you…are you all right in there?” God help me. It was Marlboro Man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I thought I saw you scurrying in here hubby-kins!” A girl in a vivid orange dress stepped into the room and I had to look up at her towering height and shoulders which nearly matched the breadth of the Heirs'. Her teeth protruded a little from her lower jaw and her eyes seemed to wander, never landing on one spot. Her hair was a massive brown frizz with a pink bow clipped into the top of it, perfectly matching the violently bright shade of her eyeshadow. She marched between Tory and I like we were made of paper, forcing us aside with her elbows as she charted a direct path for Darius. “Mildred,” he said tersely, his eyes darkening as his bride-to-be reached out to him. Caleb, Seth and Max sniggered as Mildred leaned in for a kiss and Darius only managed to stop her at the last second by planting his palm on her forehead with a loud clap. “Not before the wedding,” he said firmly and I looked at Tory who was falling into a fit of silent laughter, clutching her side. I tried to smother the giggle that fought its way out of my chest but it floated free and Mildred rounded on us like a hungry animal. “These must be the Vega Twins,” she said coldly. “Well don't waste your time sniffing around my snookums. Daddy says he's saving himself for our wedding night.” Max roared with laughter and Mildred turned on him like a loaded weapon, jabbing him right in the chest. Max's smile fell away as she glared at him like he was her next meal. “What are you laughing at you overgrown starfish?” she demanded, her eyes flashing red and her pupils turning to slits. “I've eaten bigger bites than you before, so don't tempt me because I adore seafood.” Max reached out, laying a hand on her bare arm, shifting it slightly as his fingers brushed a hairy mole. “Calm down Milly, we're just having a bit of fun. We want to get to know Darius's betrothed. Why don't you have a shot?” He nodded to Caleb who promptly picked one up and held it one out for Mildred to take. “Daddy says drinking will grow hairs on my chest,” she said, refusing it. “Too late for that,” Seth said under his breath and the others started laughing. A knot of sympathy tugged at my gut, but Mildred didn't seem to care about their mocking. She stepped toward Seth with a wicked grin and his smile fell away. “Oh and what's wrong with that exactly, Seth Capella? You like your girls hairy, don't you?” Seth gawped at her in answer. “What the hell does that mean?” “You like mutt muff,” she answered, jutting out her chin and I noticed a few wiry hairs protruding from it. Seth growled, scratching his stomach as he stepped forward. “I don't screw girls in their Order form, idiot.” “Maybe not, but you do, don't you Caleb Altair?” She rounded on him and now I was really starting to warm to Mildred as she cut them all down to size. I settled in for the show, folding my arms and smiling as I waited for her to go on. “My sister's boyfriend’s cousin said you like Pegasus butts. He even sent a video to Aurora Academy of you humping a Pegasex blow up doll and it went viral within a day.” Caleb's mouth fell open and his face paled in horror. “I didn't hump it!” “I didn't watch the video, but everyone told me what was in it. Why would I want to see you screwing a plastic horse?” She shrugged then turned to Tory and I with absolutely no kindness in her eyes. Oh crap.(Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
You want me to fuck you?” I leaned down, bringing her face to mine so our noses crushed together. I grabbed the front of her dress, twisting, tightening it against her skin until the fabric began pulling apart and tearing. “You want me to knock you up?” “Yes,” she breathed out. “Yes.” I dropped to the marble, resting my back against the vanity. “Ask nicely.” “Please.” “Nicer.” She crawled toward me on all fours, straddled my lap, and grabbed my hand, bringing it between her legs. Her fingers guided mine into her slick pussy, two of hers joining mine inside her warmth. My lips found her nipple, biting down through her dress. Together, we fucked her cunt down to our knuckles, curling until her walls pulsed. I watched our fingers disappear inside her. She arched her back, trying to accommodate as much of us as she could. Her lips drifted to the shell of my ear. “Please, please, please.” I tore my fingers out of her, ripped her dress down the middle, and captured both sides of her waist, sinking her onto my cock, down to the hilt. Her head fell forward. She bit my shoulder, drawing blood, her hips bucking. She was so tight it felt like I was fucking her ass. Her walls squeezed around me, milking my dick for cum. I let her ride my length until my impatience won over, and I pulled her off me, flipped her over, and lowered her on all fours. The marble was cold and hard against her knees. I love seeing that spoiled little brat take all of my cock, feeling the discomfort of it. My silver-spooned nymph. I entered her from behind. She drove back, meeting each of my thrusts. My fingers curled around her neck and steered her upward until her back plastered against my front. She craned her head around and captured my lips, slipping her tongue past my teeth. Her back arched, fingers dipping between her legs, searching for her clit. I smacked them away, then landed a palm on her ass. “Rom,” she whined. “I need to come.” “What you need is to be fucking grateful.” My blood brought my point home, covering every inch of her back, arms, and tits, matting her hair in clumps. I released her throat and pet the crown of her head, whispering praises into her ear. “Such a good girl.” Words I never thought I’d say. Especially to this particular girl, who was anything but good two hundred percent of the time. “If only you took directions so well when you’re not filled with my cock.” I reached around her and found her clit, rewarding her with a single flick. She cried out and fell forward, on her hands and knees again, pushing onto my cock. More crimson drops splattered onto her back. I’d reopened my wound, and fresh red painted her spine. I dipped a finger into it, then spelled my name across her back dimples. “Who owns your ass?” I growled. “You.” “Louder.” “You.” “Now crawl forward and show me your cunt from behind. I want to see if it’s worth my cum.” With a reluctant moan, she inched away from my cock, writhing about two feet away. She started to turn when I hissed, “I don’t want to see your face, Mrs. Costa. Just the cunt I stole from my enemy.” She spread her thighs apart, exposing her pussy. It dripped on my floor, her juices mixing with my blood, creating a pink puddle at her feet. I stroked my cock, coated with her wetness, scented by the wife I couldn’t get enough of. I grinned, the release tickling my shaft. “Embarrassed?” “No. Empty.” Fuck me sideways. How this woman would ever end up with a wuss like Madison, I had no idea. She would make meatballs out of him before the reception. (Chapter 55)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
to look at Louisa, stroked her cheek, and was rewarded by a dazzling smile. She had been surprised by how light-skinned the child was. Her features were much more like Eva’s than Bill’s. A small turned-up nose, big hazel eyes, and long dark eyelashes. Her golden-brown hair protruded from under the deep peak of her bonnet in a cascade of ringlets. “Do you think she’d come to me?” Cathy asked. “You can try.” Eva handed her over. “She’s got so heavy, she’s making my arms ache!” She gave a nervous laugh as she took the parcel from Cathy and peered at the postmark. “What’s that, Mam?” David craned his neck and gave a short rasping cough. “Is it sweets?” “No, my love.” Eva and Cathy exchanged glances. “It’s just something Auntie Cathy’s brought from the old house. Are you going to show Mikey your flags?” The boy dug eagerly in his pocket, and before long he and Michael were walking ahead, deep in conversation about the paper flags Eva had bought for them to decorate sand castles. Louisa didn’t cry when Eva handed her over. She seemed fascinated by Cathy’s hair, and as they walked along, Cathy amused her by singing “Old MacDonald.” The beach was only a short walk from the station, and it wasn’t long before the boys were filling their buckets with sand. “I hardly dare open it,” Eva said, fingering the string on the parcel. “I know. I was desperate to open it myself.” Cathy looked at her. “I hope you haven’t built up your hopes, too much, Eva. I’m so worried it might be . . . you know.” Eva nodded quickly. “I thought of that too.” She untied the string, her fingers trembling. The paper fell away to reveal a box with the words “Benson’s Baby Wear” written across it in gold italic script. Eva lifted the lid. Inside was an exquisite pink lace dress with matching bootees and a hat. The label said, “Age 2–3 Years.” Beneath it was a handwritten note:   Dear Eva, This is a little something for our baby girl from her daddy. I don’t know the exact date of her birthday, but I wanted you to know that I haven’t forgotten. I hope things are going well for you and your husband. Please thank him from me for what he’s doing for our daughter: he’s a fine man and I don’t blame you for wanting to start over with him. I’m back in the army now, traveling around. I’m due to be posted overseas soon, but I don’t know where yet. I’ll write and let you know when I get my new address. It would be terrific if I could have a photograph of her in this little dress, if your husband doesn’t mind. Best wishes to you all, Bill   For several seconds they sat staring at the piece of paper. When Eva spoke, her voice was tight with emotion. “Cathy, he thinks I chose to stay with Eddie!” Cathy nodded, her mind reeling. “Eddie showed me the letter he sent. Bill wouldn’t have known you were in Wales, would he? He would have assumed you and Eddie had already been reunited—that he’d written with your consent on behalf of you both.” She was afraid to look at Eva. “What are you going to do?” Eva’s face had gone very pale. “I don’t know.” She glanced at David, who was jabbing a Welsh flag into a sand castle. “He said he was going to be posted overseas. Suppose they send him to Britain?” Cathy bit her lip. “It could be anywhere, couldn’t it? It could be the other side of the world.” She could see what was going through Eva’s mind. “You think if he came here, you and he could be together without . . .” Her eyes went to the boys. Eva gave a quick, almost imperceptible nod, as if she was afraid someone might see her. “What about Eddie?” “I don’t know!” The tone of her voice made David look up. She put on a smile, which disappeared the
Lindsay Ashford (The Color of Secrets)