Pining For The Fjords Quotes

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The mage leaned both hands on the table, scanning the charts splayed out on its surface. There was a map there, showing a land he could not recognize: a ragged coastline of fjords studded with cursory sketches of pine trees. Inland was a faint whitewash, as of ice or snow. A course had been plotted, striking east from the jagged shoreline, then southward across a vast ocean. The Malazan Empire purported to have world maps, but they showed nothing like the land he saw here. The Empire's claim to dominance suddenly seemed pathetic.
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
Alma knelt in the tall grass and brought her face as near as she could to the stone. And there, rising no more than an inch above the surface of the boulder, she saw a great and tiny forest. Nothing moved within this mossy world. She peered at it so closely that she could smell it- dank and rich and old. Gently, Alma pressed her hand into this tight little timberland. It compacted itself under her palm and then sprang back to form without complaint. There was something stirring about its response to her. The moss felt warm and spongy, several degrees warmer than the air around it, and far more damp than she had expected. It appeared to have its own weather. Alma put the magnifying lens to her eye and looked again. Now the miniature forest below her gaze sprang into majestic detail. She felt her breath catch. This was a stupefying kingdom. This was the Amazon jungle as seen from the back of a harpy eagle. She rode her eye above the surprising landscape, following its paths in every direction. Here were rich, abundant valleys filled with tiny trees of braided mermaid hair and minuscule, tangled vines. Here were barely visible tributaries running through that jungle, and here was a miniature ocean in a depression in the center of the boulder, where all the water pooled. Just across this ocean- which was half the size of Alma's shawl- she found another continent of moss altogether. On this new continent, everything was different. This corner of the boulder must receive more sunlight than the other, she surmised. Or slightly less rain? In any case, this was a new climate entirely. Here, the moss grew in mountain ranges the length of Alma's arms, in elegant, pine tree-shaped clusters of darker, more somber green. On another quadrant of the same boulder still, she found patches of infinitesimally small deserts, inhabited by some kind of sturdy, dry, flaking moss that had the appearance of cactus. Elsewhere, she found deep, diminutive fjords- so deep that, incredibly, even now in the month of June- the mosses within were still chilled by lingering traces of winter ice. But she also found warm estuaries, miniature cathedrals, and limestone caves the size of her thumb. Then Alma lifted her face and saw what was before her- dozens more such boulders, more than she could count, each one similarly carpeted, each one subtly different. She felt herself growing breathless. 'This was the entire world.' This was bigger than a world. This was the firmament of the universe, as seen through one of William Herschel's mighty telescopes. This was planetary and vast. These were ancient, unexplored galaxies, rolling forth in front of her- and it was all right here!
Elizabeth Gilbert (The Signature of All Things)
Death and soul?” Brid asked.   The girl tapped her foot, impatient. She pointed to herself. “Dead. As in a doornail. I took a dirt nap, pushed up some daisies, reached room temperature, pined for the fjords—”   “Pined for the fjords?” Brid said.   “Monty Python,” the girl and I both said at the same time.   “Oh.” Brid gave her a sympathetic look. “Sorry.”   She hit some more buttons on her BlackBerry. “Yeah, well, cancer’s a bitch.”   “Well said,” Brid responded solemnly.   The girl smiled. “Sorry if that came off snarky, but when you’ve been dead awhile, the self-pity thing gets old quick, the horror wears off, and you sort of get over yourself. At least, I did anyway.
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
Our life is a faint tracing on the surface of mystery. The surface of mystery is not smooth, any more than the planet is smooth; not even a single hydrogen atom is smooth, let alone a pine. Nor does it fit together; not even the chlorophyll and hemoglobin molecules are a perfect match, for, even after the atom of iron replaces the magnesium, long streamers of disparate atoms trail disjointedly from the rims of the molecule’s loops. Freedom cuts both ways. Mystery itself is as fringed and intricate at the shape of the air at times. Forays into mystery cut bays and fine fjords, but the forested mainland itself is implacable both in its bulk and in its most filigreed fringe of detail.
Annie Dillard (Pilgrim at Tinker Creek)