Pinch Words Quotes

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Connor pinches her chin between his fingers, and he says, “Vous êtes enceinte.” You’re pregnant. I spit out my water. Just like that. One word. Enceinte. And my cover is blown. Fucking fuck
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
All the "not readies," all the "I need time," are understandable, but only for a short while. The truth is that there is never a "completely ready," there is never a really "right time." As with any descent to the unconscious, there comes a time when one simply hopes for the best, pinches one's nose, and jumps into the abyss. If this were not so, we would not have needed to create the words heroine, hero, or courage.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
Though I knew I shouldn’t have cared, the words still hurt like pinches, and pinches can be very painful when done in the same place many times in a row.
Nnedi Okorafor (Zahrah the Windseeker)
I do not believe one can settle how much we ought to give. I am afraid the only safe rule is to give more than we can spare. In other words, if our expenditure on comforts, luxuries, amusements, etc, is up to the standard common among those with the same income as our own, we are probably giving away too little. If our charities do not at all pinch or hamper us, I should say they are too small. There ought to be things we should like to do and cannot do because our charitable expenditure excludes them.
C.S. Lewis (Mere Christianity)
There were worse things to be than sexist. For example, you could be the sort of person who pinched your fingers together while using the words “teeny weeny.
Liane Moriarty (The Husband's Secret)
I don't know what's going on with you,' the man says from across the counter, 'but I'm not taking your money.' He blows into a straw and pinches both ends shut. I shake my head and reach back for my wallet. 'No, I'll pay.' He winds the straw tighter and tighter. 'I'm serious. It was only a milkshake. And like I said, I don't know what's going on, and I don't know how I can help, but something's clearly gone wrong in your life, so I want you to keep your money.' His eyes search mine, and I know he means it. I don't know what to say. Even if the words would come, my throat is so tight it won't let them escape.
Jay Asher (Thirteen Reasons Why)
God…” I choked on the word. “I know we haven’t talked much in the past few years. Hell, I told you I hated you when Tye took his own life.” I cursed again and pinched the bridge of my nose. “I don’t even care about myself anymore, just promise me she’ll be okay. If I don’t make it… if you take me, just let Kiersten be okay. She can’t go down that road — I don’t care if you have to punish me, God. If she’s going to suffer, give me her pain instead. If her heart’s going to break, break mine for hers. Please, God… please.
Rachel Van Dyken (Ruin (Ruin, #1))
Her own body was such a familiar and unremarkable thing to her that she was puzzled by the convulsive ecstasy men could take from it, by the intense and amusing need they had merely to touch it, to reach out urgently and press it, squeeze it, pinch it, rub it. She did not understand Yossarian's lust; but she was willing to take is word for it.
Joseph Heller
She was extending a hand that I didn't know how to take, so I broke its fingers with my silence, she said, "You don't want to talk to me, do you?" I took my daybook out of my knapsack and found the next blank page, the second to last. "I don't speak," I wrote. "I'm sorry." She looked at the piece of paper, then at me, then back at the piece of paper, she covered her eyes with her hands and cried, tears seeped between her fingers, she cried and cried and cried, there weren't any napkins nearby, so I ripped the page from the book - "I don't speak. I'm sorry" - and used it to dry her cheeks, my explanation and apology ran down her face like mascara, she took my pen from me and wrote on the next blank page of my daybook, the final one: Please marry me I flipped back and pointed at: "Ha ha ha!" She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "Thank you, but I'm about to burst." She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "I'm not sure, but it's late." She flipped forward and pointed at: "Please marry me", and this time put her finger on "Please", as if to hold down the page and end the conversation, or as if she were trying to push through the word, and into what she was trying to say. I thought about life, about my life, the embarrassments, the little coincidences, the shadows of alarm clocks on bedside tables, I thought about my small victories and everything I'd seen destroyed. I'd swum through mink coats on my parents' bed while they hosted downstairs, I'd lost the only person with whom I could have spent my only life, I'd left behind a thousand tonnes of marble from which I could have released sculptures, I could have released myself from the marble of myself, I'd experienced joy, but not nearly enough, could there be enough? The end of suffering does not justify the suffering, and so there is no end to suffering, what a mess I am, I thought, what a fool, how foolish and narrow, how worthless, how pinched and pathetic, how helpless in the universe. None of my pets knows their own name. What kind of person am I? I flipped back, one page at a time: Help
Jonathan Safran Foer
I’m surprised she hasn’t started cursing yet from hearing me.” “Oh, but she has,” Vincent said. “I overheard her.” Carmine turned to Haven. “What did you say?” She didn’t respond, and he sighed. “Come on, you can say it. Was it fuck? Because I say fuck a lot. Motherfucker? Shit? Asshole?” “I think that’s plenty,” Vincent said, pinching the bridge of his nose. “The word doesn’t matter, but if you insist on knowing, she said ‘damn’.” "Oh, just damn? Not even goddamn?
J.M. Darhower (Sempre (Sempre, #1))
She discovers that it is possible to cry all day and all night. That there are many different ways to cry: the sudden outpouring of tears, the deep, racking sobs, the soundless and endless leaking of water from the eyes. That sore skin around the eyes may be treated with oil infused with a tincture of eyebright and chamomile. That it is possible to comfort your daughters with assurances about places in Heaven and eternal joy and how they may all be reunited after death and how he will be waiting for them, while not believing any of it. That people don’t always know what to say to a woman whose child has died. That some will cross the street to avoid her merely because of this. That people not considered to be good friends will come, without warning, to the fore, will leave bread and cakes on your sill, will say a kind and apt word to you after church, will ruffle Judith’s hair and pinch her wan cheek.
Maggie O'Farrell (Hamnet)
I think we ought to read only books that bite and sting us. If the book we are reading doesn't shake us awake like a blow on the skull, why bother reading it in the first place? So that it can make us happy, as you put it? Good God, we'd be just as happy if we had no books at all; books that make us happy we could, in a pinch, also write ourselves. What we need are books that hit us like a most painful misfortune, like the death of someone we loved more than we love ourselves, that make us feel as though we had been banished to the woods, far from any human presence, like a suicide. A book must be the axe for the frozen sea within us. That is what I believe.
Franz Kafka
I didn't just wake up one morning and think, "I'm a boy!" It sort of crept up on me and tapped me on the shoulder a few times before I started to pay attention I began to think that the word "girl" didn't quite fit me. It was like a shoe that was too small -- it pinched me.
Cat Clarke (The Pants Project)
En la memoria de Polonio la palabra nadien se había clavado, insólita, singular, como si fuese la suma de un número infinito de significaciones. Nadien, este plural triste. De nadie era la culpa, del destino, de la vida, de la pinche suerte, de nadien.
José Revueltas (El apando)
Are you deaf as well as blind, woman? I’m not a carpet to walk over, and I distinctly heard myself speak. If I pinch your bottom, you can slap my face, but until I do, I expect a civil word for a civil word!
Robert Jordan
Here’s my image of Ash Wednesday: If our lives were a long piece of  fabric with our baptism on one end and our funeral on another, and we don’t know the distance between the two, then Ash Wednesday is a time when that fabric is pinched in the middle and the ends are held up so that our baptism in the past and our funeral in the future meet. The water and words from our baptism plus the earth and words from our funerals have come from the past and future to meet us in the present. And in that meeting we are reminded of the promises of  God: That we are God’s, that there is no sin, no darkness, and yes, no grave that God will not come to find us in and love us back to life.
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
You’re my captive,” I tell him as he awkwardly pushes himself up to sitting position. His wings lift at his back as he does so. Death’s eyebrows lift. “I’m your … ?” He smirks then. “Captive.” He says the word with relish and perhaps a pinch of humor, and maybe I should stab him again. Just, you know, to remind him of the power dynamics here.
Laura Thalassa (Death (The Four Horsemen, #4))
Is it…is it possible to be best mates who fuck and kiss, but exclusively?” There was dead silence. Finally, Nick took Tyler’s chin in his hand and tipped his face up. Nick’s expression was a little pinched. “Are you looking for the word ‘boyfriend,’ maybe?” Tyler swallowed. “Do you want to be my boyfriend, Tyler?” Nick said, studying him. Tyler licked his dry lips, his face uncomfortably warm. Nick suddenly grinned, looking more relaxed and carefree than Tyler had seen him in months. “You totally do, don’t you? Look at that blush!” “Fuck off,” Tyler muttered, punching him in the chest a little.
Alessandra Hazard (Just a Bit Gay (Straight Guys #9))
Are you in?" I roll my eyes and try to kiss him again, but he won't let me. I pinch his nipples, and all he does is wink and growl at me. "Say it." "Fuck you" "We'll get there, Naomi. Be patient. But first, you have to say it." I keep glaring, but I feel my body melting, my shields and my walls crashing down in flames. "Say you're mine, tell me that you're my girlfriend." "You're my boyfriend," I say, and the words nearly kill me. "That's all you get for now. Best I can fucking do.
C.M. Stunich (Bad Day (Hard Rock Roots, #4))
The word love was required to cover such a range of emotions that it almost meant nothing at all. Since the love we distill for each beloved conforms to such a specific, rarefied recipe, with varying soupcons of resentment, pity, or lust, and sometimes even pinches of dislike, you really needed as many different words for the feeling as there were people whom you cared for in your life.
Lionel Shriver
She loved him, but that wasn't good enough. The word "love" was required to cover such a range of emotions that it almost meant nothing at all. Since the love we distill for each beloved conforms to such a specific, rarefied recipe, with varying soupcons of resentment, pity, or lust, and sometimes even pinches of dislike, you really needed as many different words for the feeling as there were people whom you cared for in your life.
Lionel Shriver (The Post-Birthday World)
Okay, here’s the deal – your aunt and I have noticed that you and Peter seem…pretty serious. And…we want to make sure you’re being safe. The last word hangs heavy in the air. Like one of Cousin It’s rancid dog farts. Riley’s face turns a startling shade of fire-endine red. “Oh my God. Is this really happening?” I pinch the bridge of my nose. “I know, I know, it’s fucking awful.
Emma Chase (Sidebarred (The Legal Briefs, #3.5))
say the words out loud / yes / the ones that make your heart pinch / say them out loud
N.L. Shompole (Lace Bone Beast: Poems & Other Fairytales for Wicked Girls)
actions on a loop. Change the diaper. Make the formula. Warm the bottle. Pour the Cheerios. Wipe up the mess. Negotiate. Beg. Change his sleeper. Get her clothes out. Where’s the lunch box? Bundle them up. Walk. Faster. We’re late. Hug her good-bye. Push the swing. Find the lost mitten. Rub the pinched finger. Give him a snack. Get another bottle. Kiss, kiss, kiss. Put him in the crib. Clean. Tidy. Find. Make. Defrost the chicken. Get him up from the crib. Kiss, kiss, kiss. Change his diaper. Put him in the high chair. Clean up his face. Wash the dishes. Tickle. Change the diaper. Tickle. Put the snacks in a baggie. Start the washing machine. Bundle him up. Buy diapers. And dish soap. Race for pickup. Hello, hello! Hurry, hurry. Unbundle. Laundry in the dryer. Turn on her show. Time-out. Please. Listen to my words. No! Stain remover. Diaper. Dinner. Dishes. Answer the question again and again. Run the bath. Take off their clothes.
Ashley Audrain (The Push)
Try not to breathe,” I tell Lira. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.” I laugh.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
God…” I choked on the word. “I know we haven’t talked much in the past few years. Hell, I told you I hated you when Tye took his own life.” I cursed again and pinched the bridge of my nose. “I don’t even care about myself anymore, just promise me she’ll be okay. If I don’t make it… if you take me, just let Kiersten be okay. She can’t go down that road — I don’t care if you have to punish me, God. If she’s going to suffer, give me her pain instead. If her heart’s going to break, break mine for hers. Please, God… please.” The drugs Angela had given me started to kick in, I fell into a dreamless sleep with that prayer repeating over and over again in my head.
Rachel Van Dyken (Ruin (Ruin, #1))
Now, glancing over...as she knelt with her eyes closed, her fingertips touching and pointed to Heaven, and her lips shaping soft words of devotion, I had to pinch myself to keep in mind that I was sitting next to the Devil's Hairball.
Alan Bradley (The Sweetness at the Bottom of the Pie (Flavia de Luce, #1))
I’m going to give you a two-minute head start,” I say softly, still pinching her hair in my fingers. “And then I’m going to hunt you down. You’ll know I’m coming. When I catch you, you fight me. Do your worst. And I suppose you should pick a safe word…
S. Massery (Devious Obsession)
I was a soldier, executing a series of physical actions on a loop. Change the diaper. Make the formula. Warm the bottle. Pour the Cheerios. Wipe up the mess. Negotiate. Beg. Change his sleeper. Get her clothes out. Where’s the lunch box? Bundle them up. Walk. Faster. We’re late. Hug her good-bye. Push the swing. Find the lost mitten. Rub the pinched finger. Give him a snack. Get another bottle. Kiss, kiss, kiss. Put him in the crib. Clean. Tidy. Find. Make. Defrost the chicken. Get him up from the crib. Kiss, kiss, kiss. Change his diaper. Put him in the high chair. Clean up his face. Wash the dishes. Tickle. Change the diaper. Tickle. Put the snacks in a baggie. Start the washing machine. Bundle him up. Buy diapers. And dish soap. Race for pickup. Hello, hello! Hurry, hurry. Unbundle. Laundry in the dryer. Turn on her show. Time-out. Please. Listen to my words. No! Stain remover. Diaper. Dinner. Dishes. Answer the question again and again. Run the bath. Take off their clothes. Wipe up the floor. Are you listening? Brush teeth. Find Benny the Bunny. Put on pajamas. Nurse. A story. Another story. Keep going, keep going, keep going.
Ashley Audrain (The Push)
Gary,” the dragon whispered in awe, the name on his lips sounding almost like benediction. “Have two syllables ever sounded more beautiful together? Geh. Ree. The gods must have outdone themselves the day that word was born. They took the exquisiteness from the earth and rolled it together with a pinch of sunshine and love and gorgeousness and when it was finished, it was Gary.” “Wow,” Gary said. “That was… words.
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
You're so... You're too... You're..." He faltered, then took a deep breath. "I have no words for you, Sita. You leave me speechless." I smiled and pinched his buttock so he twitched. "Speechless? Gods, I've broken you. I never would have deemed it possible to render you speechless.
Erica Dakin (The Conspiracy (Theft and Sorcery, #2))
He doesn’t like Emma and Rachel making plans together. Not because he thinks they’re being devious, but because he doesn’t like feeling left out. Not to mention that when Emma is making plans without him, they’re usually reckless. The only reason she’d keep a secret from him is if she was doing something he didn’t approve of, or didn’t want him to interfere with. After all, her motto is “Better to ask for forgiveness than permission.” Galen despises that motto. “I cleared out the sporting goods store this morning,” Rachel says. “I took what was on the shelf and made them cough up their stock in the back.” Galen tenses up. Emma laughs. “Don’t be jealous, Highness. Rachel still loves you more than she loves me.” “Aww! You guys are fighting over me?” Rachel says, pinching Galen’s cheek. “That’s so adorable.” “I’m not jealous,” he says, trying not to sound pouty. “I just don’t know why we would need life jackets.” “We don’t,” Emma says, wriggling around on his lap so she can face him. Secretly, he’s delighted. “But humans do. And if my job is keeping the humans safe, then I should be prepared, right?” But Galen is too distracted by the close proximity of her mouth to be bothered with the words coming out of it. She must recognize it, because she leans forward as if giving him a chance to make good on his craving. It’s all the invitation he needs. He captures her mouth with his. Life jackets, islands, and airports are forgotten. The only thing that exists is her lips on his, her body pressed into his. Suddenly the creaky office chair is transformed into their own little world. “Uh, I’m just going to get more wine,” Rachel says. He didn’t mean to make her uncomfortable enough to leave. Not good. The last thing we need is privacy and free rein to do as we please. He tries to end it, to pull away, but Emma won’t have it. And it’s difficult for him not to indulge her.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Dear Logan, Someday I'm going to write a book: How Not to Die in Alaska - A Girl's Guide to Fashionable Survival. I bet you don't know that a Kirby grip can make an excellent fishing hook. You may think you can use just any kind of mud for mud masks, but trust me, you CAN'T! In a pinch, nothing starts a fire like nail polish remover. And don't even get me started on the lifesaving properties of a good pair of tights. So I know a lot, in other words. I just don't know why I'm still writing you these letters.
Ally Carter (Not If I Save You First)
Yet as Yumi thought about it, the word "home" conjured images of a cluttered little room with a futon, lit by the hion lights outside. It was alien, and yet it was the place where she'd learned what she actually liked. Dramas on the viewer. Clothing that was her own. Noodle soup, light on the salt, chicken broth with a single egg and a pinch of pepper.
Brandon Sanderson (Yumi and the Nightmare Painter)
This is your second chance. Don’t squander it. A familiar pinch of disappointment. With just a few words, she’s reminded me that most people don’t need a second chance at all.
Julie Clark (The Lies I Tell)
It’s fine if you stammer while you say them. It could even be one word. You’ll see how words come out when you’re in a pinch.
Osamu Dazai (A New Hamlet)
Scrimp and pinch to make ends meet, thought Ramona, liking the sound of the words.
Beverly Cleary (Ramona and Her Mother (Ramona Quimby, #5))
[...] And before she knew it the word was on her lips, lips being bitten and nibbled by his. “Pill,” she burst out on a breath. “I’m on the—” He was inside her before she could finish the sentence. Inside her, stretching her. Pumping into her, one hand yanking her leg up around his hip, squeezing her arse, the other cupping and kneading her breast, pinching her nipple.
Lexxie Couper (Love's Rhythm (Heart of Fame, #1))
She's saying something. My mother's words found me, there in the black. I pinched my eyes closed, her face coming into perfect view One long, dark red braid over her shoulder. Pale gray eyes the color of morning fog and the sea-dragon necklace around her neck as she looked up into the clouds above us. Isolde loved the storms. That night, the bell rang out and my father came for me, pulling me from my hammock bleary-eyed and confused. and when he put me in the rowboat, I screamed for my mother until my throat was raw. The Lark was already half-sunk, disappearing in the water behind us. My mother called it touching the soul of the storm. When she came upon us like that, she was taking us into her hart and letting us see her. She was saying something. And only then would we know what lay within her. Only then would we know who she was.
Adrienne Young (Fable (The World of the Narrows, #1))
I appeared before him now, he had no such honeyed terms as “love” and “darling” on his lips: the best words at my service were “provoking puppet,” “malicious elf,” “sprite,” “changeling,” &c.  For caresses, too, I now got grimaces; for a pressure of the hand, a pinch on the arm; for a kiss on the cheek, a severe tweak of the ear.  It was all right: at present I decidedly preferred these fierce favours to anything more tender. 
Charlotte Brontë (Jane Eyre)
His quick eyes seemed to miss nothing, and she couldn’t hide the motion of her fingers squeezing the fabric of her skirts. His gaze rose back to her face, lingering on her lips, then meeting her eyes. Even giving away her nerves with the telltale sign of her pinched fingers, she refused to look away. “Andreas, I think I’ve fallen in love.” “Roman.” There was a wealth of unspoken meaning in that one word, so darkly uttered. But Roman’s too-beautiful mouth crooked, head cocked, eyes watching.
Anne Mallory (One Night Is Never Enough (Secrets, #2))
I stood in silence where I was, for I did not know what to do. Of bell or knocker there was no sign; through these frowning walls and dark window openings it was not likely that my voice could penetrate. The time I waited seemed endless, and I felt doubts and fears crowding upon me. What sort of place had I come to, and among what kind of people? What sort of grim adventure was it on which I had embarked? Was this a customary incident in the life of a solicitor’s clerk sent out to explain the purchase of a London estate to a foreigner? Solicitor’s clerk! Mina would not like that. Solicitor—for just before leaving London I got word that my examination was successful; and I am now a full-blown solicitor! I began to rub my eyes and pinch myself to see if I were awake.
Bram Stoker (Dracula)
The bequest was for the contents of Edward Willing's library," she said tersely, "and did not include the paintings.Those went...elsewhere." Her already disapproving expression became even more pinched with the word. Like elsewhere was Hell, or Overseas, or MoMA.
Melissa Jensen (The Fine Art of Truth or Dare)
I'm glad being shipwrecked appeals to you." "Captain Walken made a point of avoiding that word." "Well, he was trying to keep everyone jolly, wasn't he. It's no good having everyone running around screaming and eating each other." "I wouldn't run around screaming," she said. "I can see eating someone in a pinch, though. If it really came down to it, I mean." "I don't doubt it." "Come on, Matt Cruse, don't you find it just a bit exciting, being here?" "No." She looked at me as if I'd suggested we stop breathing for a few hours.
Kenneth Oppel (Airborn (Matt Cruse, #1))
In other words, if our expenditure on comforts, luxuries, amusements, etc., is up to the standard common among those with the same income as our own, we are probably giving away too little. If our charities do not at all pinch or hamper us, I should say they are too small.
C.S. Lewis (Mere Christianity)
As a matter of fact, I fucked someone else last night." I physically flinched at his words, my body jerking back, my knees almost giving out, my eyes wide, and my mouth open in horror. And then the worst happened. I began to cry. Through my tears I saw Braden's lips pinch together and he took two steps towards me, his whole body bristling. "I fucking knew it," he hissed, still coming toward me. "Don't touch me?" I yelled, not able to bear the thought of him near me now. "Don't touch you?" He snarled, his eyes sparking violently. "I'm going to kill you!" ... "Babe," his voice rumbled, the tenderness back, although I could still see the annoyance in his eyes. "I was so pissed off last night when you broke up with me, so I just walked away. I went to Elodie's because I knew she'd be awake worrying about Ellie and I wanted to see if she was okay. She knew something was wrong with me as soon as she let me in. I told her what had happened and she told me what she said to you at the wedding, and she also told me that wen she said that to you, you looked like you'd been slapped. And after, when we were dancing, she realized she was wrong about you." He let go of my wrists to slide his hands into my hair, tilting my head back so I couldn't look away. "I spent last night govern over and over the last six months in my head and I know you're lying to me. I know you love me, Jocelyn, because there's no fucking way I can be this in love with you, and not have you feel the same way.
Samantha Young
Oh, you're right. I'm just a human with thick skin, purple eyes, and hard bones. Which means you can go home. Tell Galen I said hi." Toraf opens and shuts his mouth twice. Both times it seems like he wants to say something, but his expression tells me his brain isn't cooperating. When his mouth snaps shut a third time, I splash water in his face. "Are you going to say something, or are you trying to catch wind and sail? A grin the size of the horizon spreads across his face. "He likes that, you know. Your temper." Yeahfreakingright. Galen's a classic type A personality-and type A's hate smartass-ism. Just ask my mom. "No offense, but you're not exactly an expert at judging people's emotions." "I'm not sure what you mean by that." "Sure you do." "If you're talking about Rayna, then you're wrong. She loves me. She just won't admit it." I roll my eyes. "Right. She's playing hard to get, is that it? Bashing your head with a rock, splitting your lip, calling you squid breath all the time." "What does that mean? Hard to get?" "It means she's trying to make you think she doesn't like you, so that you end up liking her more. So you work harder to get her attention." He nods. "Exactly. That's exactly what she's doing." Pinching the bridge of my nose, I say, "I don't think so. As we speak, she's getting your mating seal dissolved. That's not playing hard to get. That's playing impossible to get." "Even if she does get it dissolved, it's not because she doesn't care about me. She just likes to play games." The pain in Toraf's voice guts me like the catch of the day. She might like playing games, but his feelings are real. And can't I relate to that? "There's only one way to find out," I say softly. "Find out?" "If all she wants is games." "How?" "You play hard to get. You know how they say. 'If you love someone, set them free. If they return to you, it was meant to be?'" "I've never heard that." "Right. No, you wouldn't have." I sigh. "Basically, what I'm trying to say is, you need to stop giving Rayna attention. Push her away. Treat her like she treats you." He shakes his head. "I don't think I can do that." "You'll get your answer that way," I say, shrugging. "But it sounds like you don't really want to know." "I do want to know. But what if the answer isn't good?" His face scrunches as if the words taste like lemon juice. "You've got to be ready to deal with it, no matter what." Toraf nods, his jaw tight. The choices he has to consider will make this night long enough for him. I decide not to intrude on his time anymore. "I'm pretty tired, so I'm heading back. I'll meet you at Galen's in the morning. Maybe I can break thirty minutes tomorrow, huh?" I nudge his shoulder with my fist, but a weak smile is all I get in return. I'm surprised when he grabs my hand and starts pulling me through the water. At least it's better than dragging me by the ankle. I can't but think how Galen could have done the same thing. Why does he wrap his arms around me instead?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
She ran into Dmitri during her search. Dressed in a slick black-on-black suit, his hair brushed perfectly, he just raised an eyebrow when he saw her. Elena pointed the half-eaten chocolate bar at him. “Mess with me and I will shoot you through the heart, I swear to God. I am so far past hangry, I’m homicidal.” A twitch of his lips. “Have you tried drinking blood?” Elena nearly pulled out her crossbow and carried through on her threat—the asshole was powerful, would survive it—then she realized he was serious. “Blood?” “Archangelic blood in particular. Violent amount of energy in it.” Finishing off the chocolate bar, Elena considered it. “I’m not a vampire. Would it even work?” Forget about the actual drinking blood part of it; if it would stop the hunger gnawing at her from the inside out, she’d pinch her nose closed and throw it back like medicine. Dmitri shrugged. “What have you got to lose?” “I’ll talk to Raphael.” Walking past, she said, “Sometimes, I can almost believe you might once have been human.” “Clearly, I need to up my game.” A hint of fur and champagne wrapped around her, sensual and caressing and mocking. “Argh!” Swiveling, she had the crossbow in her hand and was shooting the bolt before she could think about it. Dmitri moved . . . and the crossbow bolt thudded home in the wall behind him. “Destroying Tower property again.” A headshake followed those censorious words. “‘Don’t get involved with the white-haired accident-on-legs,’ I said to Raphael, but did he listen?” “Give me back my bolt you scent-infested-excuse-for-a-vampire.
Nalini Singh (Archangel's Prophecy (Guild Hunter, #11))
Shelton pushed Ben lightly. “Remember when you couldn’t flare without losing your temper? So Hi kicked you from behind to get you mad, and you threw him in the ocean?” Ben snorted. “He deserved it.” “I was providing a service,” Hi protested. “I recall Tory once trying to eat a mouse.” I pinched my nose. “Ugh, don’t remind me.” Ella giggled. “One time Cole lost his flare while carrying a boulder. It pinned his leg for an hour.” Then everyone had a story. Our funeral became a wake. The mood lifted as we swapped flare stories. It was cathartic. A way to say good-bye. I caught Ben smiling at me. “I remember when Tory sniffed that mound of bird crap in the old lighthouse. I thought she’d vomit on the spot.” Chance laughed. “I knew she was too clever. Always with a trick up her sleeve.” The boys glanced at each other. Their smiles faded. Something passed between them. Abruptly, both looked at me. I could see a question in their eyes. A resolve to see something through. They talked. Oh God, they talked about me. They’re going to make me choose. In a flash of dread, I realized I could delay this no longer. With another jolt, I realized I didn’t need to. There was no point putting it off. There was also no decision to make. My eyes met a dark, intense pair staring back earnestly. Longingly. Fearfully. I smiled. Even as my heart pounded. Before anyone spoke, I stepped forward, legs shaking so badly I worried I might fall. But my second foot successfully followed the first. I walked over to Ben’s side. Slipped my hand inside his. Squeezed for dear life. Ben’s eyes widened. He gasped quietly, his chest rising and falling. I met his startled gaze. Smiled through my blushes. A goofy smile split Ben’s face, one I’d never seen before. His fingers crushed mine. No decision to make. Tearing my eyes from Ben, I looked at Chance, found him watching me with a glum expression. Then he sighed, a wry smile twisting his lips. Chance nodded slightly. Not one word spoken. Volumes exchanged. The silence stretched, like a living breathing force. Finally, Hi cleared his throat. “Um.” My face burned scarlet as I remembered our audience. Ella was gaping at me, a delighted grin on her face. Shelton looked like he might turn and run. Hi was rubbing the back of his neck, his face twisted in an uncomfortable grimace. Still no one said a word. This was the most painful moment of my life. “So . . .” Hi drummed his thighs, eyes fixed to the pavement. “Right. A lot just happened there. Weirdly without anyone talking, but, um, yeah.
Kathy Reichs (Terminal (Virals, #5))
There is a tendency for us to minimize the Word of the Lord. Maybe because of its familiarity. “Familiarity breeds contempt,” the saying goes. But it may be more accurate to say that “familiarity breeds indifference.” The more we hear some warnings, the less seriously we take them—like the tornado warnings in grade school we didn’t take seriously. The people of Nineveh heard God’s warning. God got their attention, and they were honest with themselves about themselves. One of the reasons we minimize our own sin and rebellion is that we don’t take God’s Word seriously. Maybe a strong pinch is needed to get us to sit up and pay attention.
Kyle Idleman (AHA: The God Moment That Changes Everything)
Gavin stood within the trees, observing her from the shadows. He watched the basket rise to her nose as she closed her eyes to sniff at its contents. A smile told him it smelled delicious, but she didn’t open the container to pinch off a sample. Instead, the basket lowered to swing at her side as it had previously done. All at once the air was filled with soft singing--a sweet, merry tune comprised of ludicrous lyrics. It was impossible not to grin at the words. “Rainbows paint the sky ‘til the sun melts their colors. Swinging in the wind, whiskered cattails purr. The pigs gallop by and snort at the moon, While frogs kiss the lizards and princesses too.”
Richelle E. Goodrich (Secrets of a Noble Keykeeper)
A word of advice. Don't take up that sentimental attitude over the poor. See that she doesn't, Margaret. The poor are poor, and one's sorry for them, but there it is. As civilisation moves forward, the shoe is bound to pinch in places, and it's absurd to pretend that any one is responsible personally. Neither you, nor I, nor my informant, nor the man who informed him, nor the directors of the Porphyrion, are to blame for this clerk's loss of salary. It's just the shoe pinching—no one can help it; and it might easily have been worse." Helen quivered with indignation. "By all means subscribe to charities—subscribe to them largely—but don't get carried away by absurd schemes of Social Reform. I see a good deal behind the scenes, and you can take it from me that there is no Social Question—except for a few journalists who try to get a living out of the phrase. There are just rich and poor, as there always have been and always will be. Point me out a time when men have been equal—" "I didn't say—" "Point me out a time when desire for equality has made them happier. No, no. You can't. There always have been rich and poor. I'm no fatalist. Heaven forbid! But our civilisation is moulded by great impersonal forces" (his voice grew complacent; it always did when he eliminated the personal), "and there always will be rich and poor. You can't deny it" (and now it was a respectful voice)—"and you can't deny that, in spite of all, the tendency of civilisation has on the whole been upward." "Owing to God, I suppose," flashed Helen. He stared at her. "You grab the dollars. God does the rest." It was no good instructing the girl if she was going to talk about God in that neurotic modern way.
E.M. Forster (Howards End)
Have you considered what you might do to help? You have recovered, so you cannot get the fever again. You are young and strong. We have a real need for you.” “How can I help anyone? I’m just a girl.” As soon as the words were out of my mouth, I wanted to pinch myself. The first time anyone treats me like a woman and I respond like an infant.
Laurie Halse Anderson (Fever 1793)
Whether to speak or not: the question that comes up again when you think you’ve said too much, again. Another clutch of nouns, a fistful: look how they pick them over, the shoppers for words, pinching here and there to see if they’re bruised yet. Verbs are no better, they wind them up, let them go, scrabbling over the table, wind them up again too tight and the spring breaks. You can’t take another poem of spring, not with the wound-up vowels, not with the bruised word green in it, not yours, not with ants crawling all over it, not this infestation. It’s a market, flyspecked; how do you wash a language? There’s the beginning of a bad smell, you can hear the growls, something’s being eaten, once too often. Your mouth feels rotted. Why involve yourself? You’d do better to sit off to the side, on the sidewalk under the awning, hands over your mouth, your ears, your eyes, with a cup in front of you into which people will or will not drop pennies. They think you can’t talk, they’re sorry for you, but. But you’re waiting for the word, the one that will finally be right. A compound, the generation of life, mud and light.
Margaret Atwood (Murder in the Dark: Short Fictions and Prose Poems)
Well, well, nobody’s perfect, but” — here Mr. Garth shook his head to help out the inadequacy of words—”what I am thinking of is — what it must be for a wife when she’s never sure of her husband, when he hasn’t got a principle in him to make him more afraid of doing the wrong thing by others than of getting his own toes pinched. That’s the long and the short of it, Mary. Young folks may get fond of each other before they know what life is, and they may think it all holiday if they can only get together; but it soon turns into working day, my dear. However, you have more sense than most, and you haven’t been kept in cotton-wool: there may be no occasion for me to say this, but a father trembles for his daughter, and you are all by yourself here.
George Eliot (Complete Works of George Eliot)
The boy was there too, stumbling through the living room horde and passing out magic mushrooms from a paper bag. His eyeballs sparkled inside gaping, play-dough sockets while his limbs hung gaunt and exhausted from eight straight days of self-medicating fear. Another boy in a black tee pinched some mushroom flakes from his bag, nodded his thanks, and mouthed the word “bro” like blowing a man kiss.
Jake Vander-Ark (Fallout Dreams)
The aroma from Mom’s chopped herbs and sprinkled spices swims through the house. The pots are shaking to a boil; the oven is warming. I get Mom to try a few words. And while I am teaching Mom, she is teaching Maxine what a pinch of that and a dab of this means. While we wait for the food to cook, Mom adds in lessons on love and tells Maxine the remedy to a broken heart. Tells her how to move on. Mom looks at me, says, “You paying attention? You’ll need this one day.
Renée Watson (Piecing Me Together)
She 's to be strong-minded, is she?'–and Fanny's lip curled a little as she uttered the misused words[...]'Yes, strong-minded, strong-hearted, strong-souled, and strong-bodied; that is why I made her larger than the miserable, pinched-up woman of our day. Strength and beauty must go together. Don't you think these broad shoulders can bear burdens without breaking down, these hands work well, these eyes see clearly, and these lips do something besides simper and gossip?
Louisa May Alcott
Meanwhile the thinking person, by intellect usually left-wing but by temperament often right-wing, hovers at the gate of the Socialist fold. He is no doubt aware that he ought to be a Socialist. But he observes first the dullness of individual Socialists, then the apparent flabbiness of Socialist ideals, and veers away. Till quite recently it was natural to veer towards indinerentism. Ten years ago, even five years ago, the typical literary gent wrote books on baroque architecture and had a soul above politics. But that attitude is becoming difficult and even unfashionable. The times are growing harsher, the issues are clearer, the belief that nothing will ever change (i.e. that your dividends will always be safe) is less prevalent. The fence on which the literary gent sits, once as comfortable as the plush cushion of a cathedral-stall, is now pinching his bottom intolerably; more and more he shows a disposition to drop off on one side or the other. It is interesting to notice how many of our leading writers, who a dozen years ago were art for art's saking for all they were worth and would have considered it too vulgar for words to even vote at a general election, are now taking a definite political standpoint; while most of the younger writers, at least those of them who are not mere footlers, have been 'political' from the start. I believe that when the pinch comes there is a terrible danger that the main movement of the intelligentsia will be towards Fascism. . . . That will also be the moment when every person with any brains or decency will know in his bones that he ought to be on the Socialist side. But he will not necessarily come there of his own accord; there are too many ancient prejudices standing in the way. He will have to be persuaded, and by methods that imply an understanding of his viewpoint. Socialists cannot afford to waste any more time in preaching to the converted. Their job now is to make Socialists as rapidly as possible; instead of which, all too often, they are making Fascists.
George Orwell (The Road to Wigan Pier)
I do not believe one can settle how much we ought to give [to charity]. I am afraid the only safe rule is to give more than we can spare. In other words, if our expenditure on comforts, luxuries, amusements, etc., is up to the standard common among those with the same income as our own, we are probably giving away too little. If our charities do not at all pinch or hamper us, I should say they are too small. There ought to be things we should like to do and cannot do because our charities expenditure excludes them.
C.S. Lewis
Danny was unfazed at the size of the large-stomached man, with hairy arms waving about like a pizza chef, all violent gestures and shouting. His crude, pinch-faced wife spat salivated swear words at him. She was in her thirties and behaving like a grounded teenager, screaming at him to leave her property. "One hundred thousand pesetas please." Danny took a bony, female fist to his cheek, jarring him. He shook it off. "Two hundred thousand now." She jabbed at him again, as her fist poked towards his nose, he head-butted it. She recoiled in pain gasping and nursing her hand. The husband, a chubby, but solid Valencian, went ape-shit and lobbed a hairy, dimpled fist at him, causing Danny to shift on his feet. He pulled his head out of the way with the skill of a middleweight. The man drew his fist from three o'clock and blasted scarred knuckles towards his face again. Danny’s reaction was lightning; he caught the fist and held firm, flipped down the hood, his face showing something new. The man recoiled, recognising grim determination and knew this man would never give up.
Mark Shearman (Zorro's Last Stand)
A flash of lightning ghosts into the room, and when it leaves again, my eyes follow it back out to sea. In the window's reflection, I glimpse a figure standing behind me. I don't need to turn around to see who creates such a big outline-or who makes my whole body turn into a goose-bump farm. "How do you feel?" he says. "Better," I say to his reflection. He hops over the back of the couch and grabs my chin, turning my head side to side, up and down, all around, watching for my reaction. "I just did that," I tell him. "Nothing." He nods and unhands me. "Rach-Uh, my mom called your mom and told her what happened. I guess your mom called your doctor, and he said it's pretty common, but that you should rest a few more days. My mom insisted you stay the night since no one needs to be driving in this weather." "And my mother agreed to that?" Even in the dark, I don't miss his little grin. "My mom can be pretty persuasive," he says. "By the end of the conversation, your mom even suggested we both stay home from school tomorrow and hang out here so you can relax-since my mom will be home supervising, of course. Your mom said you wouldn't stay home if I went to school." A flash from the storm illuminates my blush. "Because we told her we're dating." He nods. "She said you should have stayed home today, but you threw a fit to go anyway. Honestly, I didn't realize you were so obsessed-ouch!" I try to pinch him again, but he catches my wrist and pulls me over his lap like a child getting a spanking. "I was going to say, 'with history.'" He laughs. "No you weren't. Let me up." "I will." He laughs. "Galen, you let me up right now-" "Sorry, not ready yet." I gasp. "Oh, no! The room is spinning again." I hold still, tense up. Then the room does spin when he snatches me up and grabs my chin again. The look of concern etched on his face makes me feel a little guilty, but not guilty enough to keep my mouth shut. "Works every time," I tell him, giving my best ha-ha-you're-a-sucker smirk. A snicker from the entryway cuts off what I can tell is about to be a good scolding. I've never heard Galen curse, but his glower just looks like a four-letter word waiting to come out. We both turn to see Toraf watching us with crossed arms. He is also wearing a ha-ha-you're-a-sucker smirk. "Dinner's ready, children," he says. Yep, I definitely like Toraf. Galen rolls his eyes and extracts me from his lap. He hops up and leaves me there, and in the reflection, I see him ram his fist into Toraf's gut as he passes. Toraf grunts, but the smirk never leaves his face. He nods his head for me to follow them. As we pass through the rooms, I try to remember the rich, sophisticated atmosphere, the marble floors, the hideous paintings, but my stomach makes sounds better suited to a dog kennel at feeding time. "I think your stomach is making mating calls," Toraf whispers to me as we enter the kitchen. My blush debuts the same time we enter the kitchen, and it's enough to make Toraf laugh out loud.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
The best available apples-to-apples comparison of inflation-adjusted earnings shows what the typical fully employed man earned back in the 1970s and what that same fully employed man earns today. The picture isn’t pretty. As the GDP has doubled and almost doubled again, as corporations have piled up record profits, as the country has gotten wealthier, and as the number of billionaires has exploded, the average man working full-time today earns about what the average man earned back in 1970. Nearly half a century has gone by, and the guy right in the middle of the pack is making about what his granddad did. The second punch that’s landed on families is expenses. If costs had stayed the same over the past few decades, families would be okay—or, at least, they would be in about the same position as they were thirty-five years ago. Not advancing but not falling behind, either. But that didn’t happen. Total costs are up, way up. True, families have cut back on some kinds of expenses. Today, the average family spends less on food (including eating out), less on clothing, less on appliances, and less on furniture than a comparable family did back in 1971. In other words, families have been pretty careful about their day-to-day spending, but it hasn’t saved them. The problem is that the other expenses—the big, fixed expenses—have shot through the roof and blown apart the family budget. Adjusted for inflation, families today spend more on transportation, more on housing, and more on health insurance. And for all those families with small children and no one at home during the day, the cost of childcare has doubled, doubled again, and doubled once more. Families have pinched pennies on groceries and clothing, but these big, recurring expenses have blown them right over a financial cliff.
Elizabeth Warren (This Fight Is Our Fight: The Battle to Save America's Middle Class)
Cersei cupped the other woman’s breast. Softly at first, hardly touching, feeling the warmth of it beneath her palm, the skin as smooth as satin. She gave it a gentle squeeze, then ran her thumbnail lightly across the big dark nipple, back and forth and back and forth until she felt it stiffen. When she glanced up, Taena’s eyes were open. “Does that feel good?” she asked. “Yes,” said Lady Merryweather. “And this?” Cersei pinched the nipple now, puling on it hard, twisting it between her fingers. The Myrish woman gave a gasp of pain. “You’re hurting me.” “It’s just the wine. I had a flagon with my supper, and another with the widow Stokeworth. I had to drink to keep her calm.” She twisted Taena’s other nipple too, puling until the other woman gasped. “I am the queen. I mean to claim my rights.” “Do what you wil.” Taena’s hair was as black as Robert’s, even down between her legs, and when Cersei touched her there she found her hair al sopping wet, where Robert’s had been coarse and dry. “Please,” the Myrish woman said, “go on, my queen. Do as you wil with me. I’m yours.” But it was no good. She could not feel it, whatever Robert felt on the nights he took her. There was no pleasure in it, not for her. For Taena, yes. Her nipples were two black diamonds, her sex slick and steamy. Robert would have loved you, for an hour. The queen slid a finger into that Myrish swamp, then another, moving them in and out, but once he spent himself inside you, he would have been hard-pressed to recal your name. She wanted to see if it would be as easy with a woman as it had always been with Robert. Ten thousand of your children perished in my palm, Your Grace, she thought, slipping a third finger into Myr. Whilst you snored, I would lick your sons of my face and fingers one by one, al those pale sticky princes. You claimed your rights, my lord, but in the darkness I would eat your heirs. Taena gave a shudder. She gasped some words in a foreign tongue, then shuddered again and arched her back and screamed. She sounds as if she is being gored, the queen thought. For a moment she let herself imagine that her fingers were a bore’s tusks, ripping the Myrish woman apart from groin to throat. It was stil no good. It had never been any good with anyone but Jaime. When she tried to take her hand away, Taena caught it and kissed her fingers. “Sweet queen, how shal I pleasure you?” She slid her hand down Cersei’s side and touched her sex. “Tel me what you would have of me, my love.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
She had to think about the future, her mother said. Marriage. She was sixteen now. It was time. The word made her sick to her stomach. She watched the other girls her age, braiding flowers into their hair, pinching their cheeks, smiling shyly or picking up their skirts and dancing, showing off their knees for the boys. Competing over who would live with whom in which dark hovel, who would spend their lives plowing which burned out field, making which grey stew in which sad hearth, having her hair torn out by which man, dying of which plague or beating or wretched childbirth...and she thought she'd rather die. She'd rather be dead.
Kimberly Cutter
Ay, I know she’s asked for credit at several places, saying her husband laid hands on every farthing he could get for drink. But th’ undertakers urge her on, you see, and tell her this thing’s usual, and that thing’s only a common mark of respect, and that everybody has t’other thing, till the poor woman has no will o’ her own. I dare say, too, her heart strikes her (it always does when a person’s gone) for many a word and many a slighting deed to him who’s stiff and cold; and she thinks to make up matters, as it were, by a grand funeral, though she and all her children, too, may have to pinch many a year to pay the expenses, if ever they pay them at all.
Elizabeth Gaskell (The Complete Works of Elizabeth Gaskell)
He gave Jude the bunch of herbs, which he was still holding, and Jude thanked him, pinching its little purple flowers between his fingers to release its perfume. 'I think it's a kind of perilla,' he said, and held his fingers up for Willem to smell. 'Nice,' he said, and they smiled at each other. And so Jude began, and he followed, and he made it through without going sharp. And at the end of the song, just after the last note, Jude immediately began singing the next song on the list, 'For Unto Us a Child Is Born,' and after that, 'Good King Wenceslas,' and again and again, Willem followed. His voice wasn't as full as Jude's, but he could tell in those moments that it was good enough, that it was maybe better than good enough: he could tell it sounded better with Jude's, and he closed his eyes and let himself appreciate it. They were still singing when the doorbell chimed with their breakfast, but as he was standing, Jude put his hand on his wrist, and they remained there, Jude sitting, he standing, until they had sung the last words of the song, and only after they had finished did he go to answer the door. Around him, the room was redolent of the unknown herb he'd found, green and fresh and yet somehow familiar, like something he hadn't known he had liked until it had appeared, suddenly and unexpectedly, in his life.
Hanya Yanagihara (A Little Life)
The world should know,' I said. 'The world should know how good you are, Rhysand- how wonderful all of you are.' 'I can't tell if I should be worried that you're saying such nice things about me. Maybe the king's taunting did get to you.' I pinched his arm, and he let out a low laugh before raising my face to study my eyes. He angled his head. 'Should I be worried?' I put a hand to his cheek once more, the silken skin now warm. 'You are selfless, and brave, and kind. You are more than I ever dreamed for myself, more than I...' The words choked off, and I swallowed, taking a deep breath. I wasn't sure if he needed to hear it after what the king had said, but I needed to say it.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Joscha: For me a very interesting discovery in the last year was the word spirit—because I realized that what “spirit” actually means: It’s an operating system for an autonomous robot. And when the word was invented, people needed this word, but they didn’t have robots that built themselves yet; the only autonomous robots that were known were people, animals, plants, ecosystems, cities and so on. And they all had spirits. And it makes sense to say that a plant is an operating system, right? If you pinch the plant in one area, then it’s going to have repercussions throughout the plant. Everything in the plant is in some sense connected into some global aesthetics, like in other organisms. An organism is not a collection of cells; it’s a function that tells cells how to behave. And this function is not implemented as some kind of supernatural thing, like some morphogenetic field, it is an emergent result of the interactions of each cell with each other cell. Lex: Oh my god, so what you’re saying is the organism is a function that tells the cells what to do? And the function emerges from the interaction of the cells. Joscha: Yes. So it’s basically a description of what the plant is doing in terms of macro-states. And the macro-states, the physical implementation are too many of them to describe them, so the software that we use to describe what a plant is doing—this spirit of the plant—is the software, the operating system of the plant, right? This is a way in which we, the observers, make sense of the plant. The same is true for people, so people have spirits, which is their operating system in a way, right, and there’s aspects of that operating system that relate to how your body functions, and others how you socially interact, how you interact with yourself and so on. And we make models of that spirit and we think it’s a loaded term because it’s from a pre-scientific age, but it took the scientific age a long time to rediscover a term that is pretty much the same thing and I suspect that the differences that we still see between the old word and the new word are translation errors that over the centuries.
Joscha Bach
I guess he’s kind of hot, for a Therian. I bet he’s huge.” “Oh my God, Lou!” Dex nearly spit out his beer. He wiped his mouth with the back of his hand and stared at his ex-boyfriend. Lou gave a delicate snort. “You’re such a prude. Well, is he?” He knew Lou wasn’t going to let up until he got his answer. Dex had never been shy about this sort of thing, but talking about Sloane’s sexy parts with his ex was wrong on so many levels. “It is proportionate to the rest of him.” “In other words, he’s hung.” Dex pinched the bridge of his nose, resigned to the absurdity that was this evening. “Yes. I can’t believe I’m discussing my guy’s dick with my ex.” Lou’s face went beet red, and Dex wished he’d ordered Bradley’s “special” instead of beer. Over
Charlie Cochet (Blood & Thunder (THIRDS, #2))
Poltergeist is one of those German words, like zeitgeist or schadenfreude, that everyone thinks they know but no one really understands. The translation is “noisy ghost,” and it’s legitimate; they are the loud bullies of the psychic world. They have a tendency to attach themselves to teenage girls who dabble in the occult or who have wild mood swings, both of which attract angry energy. I used to tell my clients that poltergeists are just plain pissed off. They’re often the ghosts of women who were wronged or men who were betrayed, people who never got a chance to fight back. That frustration manifests itself in biting or pinching the inhabitants of a house, cupboards banging or doors slamming, dishes whizzing across a room, and shutters opening and closing.
Jodi Picoult (Leaving Time)
No one said a word, and I waited a beat, then pushed forward. Screw Kevin. Screw Maggie. Screw whatever happened to them now. I went after Caden. He didn’t have to push his way through the crowd. It automatically opened for him. Not so much for me. I was at a disadvantage, and when I ran to the parking lot, he was already in the car and peeling past me. “HEY!” I yelled, raising my hands in the air. He braked, a little too close for comfort, right next to me. The passenger window rolled down. “What?” I reached for the door. “Let me in.” His eyebrows pinched together. “Why?” “Let me in.” He unlocked the door. I opened it and climbed in. “Okay. I’m with you.” I had no idea what I was doing. “Excuse me?” “I’m with you.” I clapped the dashboard, pointing ahead. “Whatever you’re going to do, I’m in. You seem to need a friend. You’re in luck. I could use one myself. So I’m in.” “I’m going to get drunk and have sex.” “Oh.” He cocked an eyebrow. “You still in?” He was laughing now. He was still mad, but he was laughing. For whatever reason—maybe I did want to go with him, or maybe I heard my own voice calling me boring and pathetic again—I sat back and folded my hands in my lap. “I’m in.” He shook his head. “You have no idea what you’re getting yourself into..” He shifted his Land Rover into drive and started forward. “But that’s your problem, not mine.” He careened out of the parking lot, and I fell against the door. I grabbed the oh shit handle above my head, and I had a feeling that was going to be the theme for the rest of the night: Oh, shit.
Tijan (Anti-Stepbrother)
The air is crisp on my skin, and though my hands are wrapped under thick gloves, I shove my fists into my pockets anyway. The wind penetrates here through every layer, including skin. I’m dressed in fur so thick that walking feels like an exertion. It slows me down more than I would like, and even though I know there’s no imminent threat of attack, I still don’t like being unprepared in case one comes. It shakes me more than the cold ever could. When I turn to Lira, the ends of her hair are white with frost. “Try not to breathe,” I tell her. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
But I'm pretty sure Mom won't consent to a field trip across the country with my hot boyfriend. Especially not back to Florida." I clamp my mouth shut so fast my teeth should be chipped. He grins. "You think I'm hot?" "My mom thinks you are." Except, Mom's not the one blushing right now. "Hmm," he says, giving me a you're-busted look. "As hot as I am, I don't think she'd buy into my charm on this one. We'll have to call in a professional." Then that fish prince actually winks at me. "You mean Rachel," I say, toeing the sand. "I guess it's worth a shot. Don't expect much, though. I've already missed too much school." "We could fly down on the weekend. Be back before school on Monday." I nod. "She might go for that. If Rachel plays her cards right." Yeah, she might go for that. She might also pierce her tongue, dye her hair cherry red and spike it peacock-style. Ain't happening. I shrug. "I'll just keep practicing while you're gone. Maybe we don't have to go-" "No!" Galen and Toraf shout, startling me. "Why not? I won't go too deep-" "Out of the question," Galen says, standing. "You will not get in the water while I'm gone." I stomp a hole in the sand. "I already told you that you're not ordering me around, didn't I? Now you've pretty much guaranteed that I'm getting in the water, Your Highness." Galen runs a hand through his hair and utters a string of cuss words, courtesy of Rachel, no doubt. he paces in the sane a few seconds, pinching the bridge of his nose. Suddenly he stops. Relaxes. Smiles even. He walks over to his friend, slaps him on the back. "Toraf, I need a favor.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I'd carry you," he added, "but I'd have to get you declawed first." "Don't count on it," I replied. Sage did an exaggerated stretch. "In the meantime, I think we should all get some sleep." He sprawled out across the dirt floor. "Good night." He shut his eyes and was perfectly still. There was no chance he was asleep already, but Ben spoke his mind anyway. He pulled me aside just the slightest bit and sneered down at Sage. "I don't like any of this, Clea." "Really? Because when he started talking about the Elixir of Life, I thought the two of you were ready to become blood brothers." "I believe in the Elixir," Ben said. "Enough that I want to believe Sage's story. I just don't now if we can. And we still can't explain the pictures. I don't trust him." "I don't care, Ben. Dad trusted him. And Sages plan is my best shot at finding him alive." "I guess. Just..." Ben took a moment to put together his next words. "Be careful around him, okay? I feel like..." I waited, but he wasn't going to finish. "Feel like what?" "Nothing. I'm here for you. You know that, right?" I could see him struggling. It was like he was trying to tell me something monumental, but the words that came out weren't doing it justice. He sprawled out on the cave floor as far away from Sage as he could, and patted his chest. "Need a pillow? It's not really in my job description, but I'm happy to offer." He pinched a corner of his shirt between two fingers. "Cotton twill. Very soft." I forced a laugh. "I'm okay. Thanks." I curled up on the cave floor in between the two guys. Despite everything, I could already feel myself drifting away. "Clea?" It was Ben's voice, now right next to my ear, but I was to tired to turn and respond. I think I managed a "Hmm?" but that might have been in my head. "Good night," he said, then I heard him lie back down.
Hilary Duff (Elixir (Elixir, #1))
Ronan was waiting for her beyond the estate’s guarded gate. From the looks of things, he had been waiting for some time. His horse was nosing brown grass as Ronan sat on a nearby boulder, throwing pebbles at the general’s stone wall. When he saw Kestrel ride through the gate on Javelin, he flung his handful of rocks to the path. He remained sitting, elbows propped on his bended knees as he stared at her, his face pinched and white. He said, “I have half a mind to tear you down from your horse.” “You got my message, then.” “And rode instantly here, where guards told me that the lady of the house gave strict orders not to let anyone--even me--inside.” His eyes raked over her, taking in the black fighting clothes. “I didn’t believe it. I still don’t believe it. After you vanished last night, everyone at the party was talking about the challenge, yet I was sure it was just a rumor started by Irex because of whatever has caused that ill will between you. Kestrel, how could you expose yourself like this?” Her hands tightened around the reins. She thought about how, when she let go, her palms would smell like leather and sweat. She concentrated on imagining that scent. This was easier than paying heed to the sick feeling swimming inside her. She knew what Ronan was going to say. She tried to deflect it. She tried to talk about the duel itself, which seemed straightforward next to her reasons for it. Lightly, she said, “No one seems to believe that I might win.” Ronan vaulted off the rock and strode toward her horse. He seized the saddle’s pommel. “You’ll get what you want. But what do you want? Whom do you want?” “Ronan.” Kestrel swallowed. “Think about what you are saying.” “Only what everyone has been saying. That Lady Kestrel has a lover.” “That’s not true.” “He is her shadow, skulking behind her, listening, watching.” “He isn’t,” Kestrel tried to say, and was horrified to hear her voice falter. She felt a stinging in her eyes. “He has a girl.” “Why do you even know that? So what if he does? It doesn’t matter. Not in the eyes of society.” Kestrel’s feelings were like banners in a storm, snapping at their ties. They tangled and wound around her. She focused, and when she spoke, she made her words disdainful. “He is a slave.” “He is a man, as I am.” Kestrel slipped from her saddle, stood face-to-face with Ronan, and lied. “He is nothing to me.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
What do you think? he asked. Go slowly, so that you do not bite your tail by accident. He agreed with her, then, feeling impish, asked, And have you ever done that? Bitten your tail, I mean? She remained silently aloof, but he caught a brief flash of sensations: a medley of images--trees, grass, sunshine, the mountains of the Spine--as well as the cloying scent of red orchids and a sudden painful, pinching sensation, as if a door had slammed shut on her tail. Eragon chuckled quietly to himself, then concentrated on composing the spells he thought he would need to heal the girl. It took quite a while, almost a half hour. He and Saphira spent most of that time going over the arcane sentences again and again, examining and debating every word and phrase--and even his pronunciation--in an attempt to ensure that the spells would do what he intended and nothing more. In the midst of their silent conversation, Gertrude shifted in her seat and said, “She looks the same as ever. The work goes badly, doesn’t it? There is no need to hide the truth from me, Eragon; I have dealt with far worse in my day.” Eragon raised his eyebrows and, in a mild voice, said, “The work has not yet begun.” And Gertrude sank back, subdued.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
People ask me, “Why don’t you call in the blind?” I ask them, “Would you call with Phil Robertson in your blind?” It’s like pinch-hitting for Albert Pujols. It doesn’t make sense when you have the best duck caller in the world in your blind. The benefits of not screwing up are better than those of taking a chance on doing something stupid. Believe me: if you mess up, you’re going to hear about it. I never will forget when we had about twenty-five mallards almost in the hole. They were on their third pass down when the text message alert on my phone went off. After my phone buzzed, the mallards decided not to come in. Phil looked down the row of guys with a look that was a mixture of craziness, agony, and Satan himself. “What was that?” he hollered. Now, there was no way I was gonna fess up. “I heard something!” Phil yelled again. I didn’t feel like trying to explain to him that there was no way the ducks heard my phone from sixty yards away, so I didn’t say a word. I’m glad waterboarding isn’t allowed in the blind, because ol’ Phil would have filled our faces with water to find the culprit. There is always a lot of pressure to have 100 percent success. If we get four out of six ducks, we’ll sit there and debate for the next two hours why we didn’t get all six.
Willie Robertson (The Duck Commander Family)
She points to the screen in my lap, where the light still glows around my mother’s words. “What’s that?” “As it turns out,” I say, “my mother was from here. Well, she was from the world outside, but then she came here, and when she was fifteen, she was placed in Chicago as a Dauntless.” Christina says, “Your mother was from here?” I nod. “Yeah. Insane. Even weirder, she wrote this journal and left it with them. That’s what I was reading before you came in.” “Wow,” Christina says softly. “That’s good, right? I mean, that you get to learn more about her.” “Yeah, it’s good. And no, I’m not still upset, you can stop looking at me like that.” The look of concern that had been building on Uriah’s face disappears. I sigh. “I just keep thinking…that in some way I belong here. Like maybe this place can be home.” Christina pinches her eyebrows together. “Maybe,” she says, and I feel like she doesn’t believe it, but it’s nice of her to say it anyway. “I don’t know,” Uriah says, and he sounds serious now. “I’m not sure anywhere will feel like home again. Not even if we went back.” Maybe that’s true. Maybe we’re strangers no matter where we go, whether it’s to the world outside the Bureau, or here in the Bureau, or back in the experiment. Everything has changed, and it won’t stop changing anytime soon. Or maybe we’ll make a home somewhere inside ourselves, to carry with us wherever we go--which is the way I carry my mother now.
Veronica Roth (Allegiant (Divergent, #3))
If loneliness or sadness or happiness could be expressed through food, loneliness would be basil. It’s not good for your stomach, dims your eyes, and turns your mind murky. If you pound basil and place a stone over it, scorpions swarm toward it. Happiness is saffron, from the crocus that blooms in the spring. Even if you add just a pinch to a dish, it adds an intense taste and a lingering scent. You can find it anywhere but you can’t get it at any time of the year. It’s good for your heart, and if you drop a little bit in your wine, you instantly become drunk from its heady perfume. The best saffron crumbles at the touch and instantaneously emits its fragrance. Sadness is a knobby cucumber, whose aroma you can detect from far away. It’s tough and hard to digest and makes you fall ill with a high fever. It’s porous, excellent at absorption, and sponges up spices, guaranteeing a lengthy period of preservation. Pickles are the best food you can make from cucumbers. You boil vinegar and pour it over the cucumbers, then season with salt and pepper. You enclose them in a sterilized glass jar, seal it, and store it in a dark and dry place. WON’S KITCHEN. I take off the sign hanging by the first-floor entryway. He designed it by hand and silk-screened it onto a metal plate. Early in the morning on the day of the opening party for the cooking school, he had me hang the sign myself. I was meaning to give it a really special name, he said, grinning, flashing his white teeth, but I thought Jeong Ji-won was the most special name in the world. He called my name again: Hey, Ji-won. He walked around the house calling my name over and over, mischievously — as if he were an Eskimo who believed that the soul became imprinted in the name when it was called — while I fried an egg, cautiously sprinkling grated Emmentaler, salt, pepper, taking care not to pop the yolk. I spread the white sun-dried tablecloth on the coffee table and set it with the fried egg, unsalted butter, blueberry jam, and a baguette I’d toasted in the oven. It was our favorite breakfast: simple, warm, sweet. As was his habit, he spread a thick layer of butter and jam on his baguette and dunked it into his coffee, and I plunked into my cup the teaspoon laced with jam, waiting for the sticky sweetness to melt into the hot, dark coffee. I still remember the sugary jam infusing the last drop of coffee and the moist crumbs of the baguette lingering at the roof of my mouth. And also his words, informing me that he wanted to design a new house that would contain the cooking school, his office, and our bedroom. Instead of replying, I picked up a firm red radish, sparkling with droplets of water, dabbed a little butter on it, dipped it in salt, and stuck it into my mouth. A crunch resonated from my mouth. Hoping the crunch sounded like, Yes, someday, I continued to eat it. Was that the reason I equated a fresh red radish with sprouting green tops, as small as a miniature apple, with the taste of love? But if I cut into it crosswise like an apple, I wouldn't find the constellation of seeds.
Kyung-ran Jo (Tongue)
And yet, I can’t believe it’s been only a month that I’ve known you. I can’t decide whether it’s been the longest month of my life, or the shortest.” His eyebrows gathered in an exaggerated frown. “I can’t decide which pays me the fainter compliment.” “Neither,” she teased, linking her arm in his. “To compliment you, I should tell you it has been the best month of my life. And it has.” Truer words, she’d never spoken. “Oh, nicely managed. My pride is rescued.” Despite his air of nonchalance, his eyes held genuine emotion. They were fully blue today-a rich, azure blue, clear and inviting and endless. Just like the sea. Sophia laughed at herself. How had she missed the obvious? All this time, she’d been puzzling out the color of his eyes. They were always shifting and changing, from green to blue to gray. And now she knew why. They always reflected the sea. “Do you know,” he said, “if you keep gazing at me like that much longer, I shall be forced to pack you off belowdecks.” “Am I truly gazing?” She fluttered her lashes at him. “I am making a trip to the storeroom soon, you know. But mind-this is the last good frock I’ve got.” “Siren.” He gave her a surreptitious pinch on the hip. “No, it’s the cabin I have in mind for you, and you’re going there alone. You need to rest.” He walked her toward the hatch. “You won’t come rest with me?” “If I come with you, neither of us will rest.” A current of pleasure shot straight to her center. Then a more practical thought intruded. “But what of the noon meal? It won’t make itself.” At that instant, a flying fish as long as her arm sailed over the rail of the boat and flopped on the deck at their feet. Gray looked at the thrashing fish, then raised his eyebrows at her. “Somehow I think we’ll manage.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Honestly, sir,” I said, “I don’t see why you’re making such a fuss.” We had excused ourselves to speak privately for a moment, leaving poor Charlie politely rocking on his heels in the foyer. The office was warm and smelled of sage and witch hazel, and the desk was littered with bits of twine and herbs where Jackaby had been preparing fresh wards. Douglas had burrowed into a nest of old receipts on the bookshelf behind us and was sound asleep with his bill tucked back into his wing. I had given up trying to get him to stop napping on the paperwork. “You’re the one who told me that I shouldn’t have to choose between profession and romance,” I said. “I’m not the one making a fuss. I don’t care the least bit about your little foray into . . . romance.” Jackaby pushed the word out of his mouth as though it had been reluctantly clinging to the back of his throat. “If anything, I am concerned that you are choosing to make precisely the choice that I told you you should not make!” “What? Wait a moment. Are you . . . jealous?” “Don’t be asinine! I am not jealous! I am merely . . . protective. And perhaps troubled by your lack of fidelity to your position.” “That is literally the definition of jealous, sir. Oh, for goodness’ sake. I’m not choosing Charlie over you! I’m not going to suddenly stop being your assistant just because I spend time working on another case!” “You might!” he blurted out. He sank down into the chair at his desk. “You just might.” “Why are you acting like this?” He pinched the bridge of his nose. “Because things change. Because people change. Because . . . because Charlie Barker is going to propose,” he said. He let his hand drop and looked me in the eyes. “Marriage,” he added. “To you.” I blinked. “I miss a social cue or two from time to time, but even I’m not thick enough to believe all that was about analyzing bloodstains together. He has the ring. It’s in his breast pocket right now. He’s attached an absurd level of emotional investment to the thing—I’m surprised it hasn’t burned a hole right through the front of his jacket, the way its aura is glowing. He’s nervous about it. He’s going to propose. Soon, I would guess.” I blinked. The air in front of me wavered like a mirage, and in another moment Jenny had rematerialized. “And if he does,” she said softly, “it will be Abigail’s decision to face, not yours. There are worse fates than to receive a proposal from a handsome young suitor.” She added, turning to me with a grin, “Charlie is a good man.” “Yes, fine! But she has such prodigious potential!” Jackaby lamented. “Having feelings is one thing—I can grudgingly tolerate feelings—but actually getting married? The next thing you know they’ll be wanting to do something rash, like live together ! Miss Rook, you have started something here that I am loath to see you leave unfinished. You’ve started becoming someone here whom I truly want to meet when she is done. Choosing to leave everything you have here to go be a good man’s wife would be such a wretched waste of that promise.” He faltered, looking to Jenny, and then to the floorboards. “On the other hand, you should never have chosen to work for me in the first place. It remains one of your most ill-conceived and reckless decisions to date—and that is saying something, because you also chose to blow up a dragon once.” He sighed. “Jenny is right. You could make a real life with that young man, and you shouldn’t throw that away just to hang about with a fractious bastard and a belligerent duck.” He sagged until his forehead was resting on his desk.
William Ritter (The Dire King (Jackaby, #4))
I'm in sore straits, Jeeves.' 'I am sorry to hear that, sir.' 'You'll be sorrier when I explain further. Have you ever seen a garrison besieged by howling savages, with their ammunition down to the last box of cartridges, the water supply giving our and the United States Marines nowhere in sight?' 'Not to my recollection, sir.' 'Well, my position is roughly that of such a garrison, except that compared with me they're sitting pretty. Compared with me they haven't a thing to worry about.' 'You fill me with alarm, sir.' 'I bet I do, and I haven't even started yet. I will begin by saying that Miss Cook, to whom I'm engaged, is a lady for whom I have the utmost esteem and respect, but on certain matters we do not... what's the expression?' 'See eye to eye, sir?' 'That's right. And unfortunately those matters are the what-d'you-call-it of my whole policy. What is it that policies have?' 'I think the word for which you are groping, sir, may possibly be cornerstone.' 'Thank you, Jeeves. She disapproves of a variety of things which are the cornerstone of my policy. Marriage with her must inevitably mean that I shall have to cast them from my life, for she has a will of iron and will have no difficulty in making her husband jump through hoops and snap sugar off his nose. You get what I mean?' 'I do, sir. A very colourful image.' 'Cocktails, for instance, will be barred. She says they are bad for the liver. Have you noticed, by the way, how frightfully lax everything's getting now? In Queen Victoria's day a girl would never have dreamed of mentioning livers in mixed company.' 'Very true, sir. Tempora mutanter, nos et mutamur in illis.' 'That, however, is not the worst.' 'You horrify me, sir.' 'At a pinch I could do without cocktails. It would be agony, but we Woosters can rough it. But she says I must give up smoking.' 'This was indeed the most unkindest cut of all, sir.' 'Give up smoking, Jeeves!' 'Yes, sir. You will notice that I am shuddering.
P.G. Wodehouse (Aunts Aren't Gentlemen (Jeeves, #15))
You smell good. Who’s this ‘guy’ you’re meeting? Are you back on the market?” He wiggled both blond eyebrows at me. “Does that mean Doc Nyce is no longer petting your cat?” I frowned. “Petting my cat?” What did Bogart, our vegetarian cat, have to do with Doc? Jeff leaned in for another sniff. “I’m really good at petting cats, too.” Oh, dear Lord! My brain had finally dipped low enough into the gutter to catch Jeff’s meaning. I shoved him back a step. “Doc is still petting my …” No! Just walk away, doofus. I started to do just that, but then stopped and turned back. In case Tiffany was going to be hearing the play-by-play of my run-in with Jeff, I wanted to clarify things so the red-headed siren wouldn’t get any ideas about trying to steal Doc away from me. We’d done that song and dance before, and there would be no encores on that score. “Doc Nyce is still my boyfriend,” I announced. Sheesh, “boyfriend” was such a silly word for a woman my age. “I mean, we’re a definite couple in all the ways.” Jeff grinned. “Which ways are those?” “You know, the ‘couple’ ways.” When he just stared at me with a dumb grin, I added, “Boom, boom, out goes the lights.” His laughter rang out loud and clear, catching the attention of people on the opposite side of the street. “I’m not sure if you know this, Violet Parker, but that old song actually refers to landing a knock-out punch.” Thinking back on all the times I’d pinched, elbowed, and tackled Doc, including the black eye I’d accidentally given him, I shrugged. “Sex with Doc is amazingly physical. He’s a real heavy hitter under the sheets, delivering a solid one-two sock-’em every time.” I wasn’t sure what I was alluding to by this point, but I kept throwing out boxing slang to fill the void. “I’d give you the real dirty blow-by-blow, but we don’t sell ringside tickets for our wild sex matches.” His jaw gaped. “No kidding?” Before my big mouth unleashed another round of idiotic sex-boxing ambiguities, I said, “See you around, Jeff.
Ann Charles (Never Say Sever in Deadwood (Deadwood #12))
I hold my breath while he hooks his hands under my thighs. When he resumes, it's faster, harder, and a whole new level of euphoria. I press my eyes shut just as they start to roll back. That spot. That elusive spot every man had such a hard time locating is front and center now. I silently dub him the G-spot whisperer. Another deep thrust hits it again. Good thing I'm not trying to speak anymore, because I've lost all my words. All I have to offer are huffs of hot air and whimpering. Lots and lots of whimpering. The edge of Callum's mouth turns up, and I have to swallow to keep from choking at the divine sight. He looks like a god in this moment. His skin is a golden glow, painted in specks of sweat, highlighting every single cut muscle he possesses. And his expression---a cross between concentration and satisfaction. It's hard physical work he's doing, but he relishes it. I can tell by the glimmer in his eyes, the way his hands cradle my legs so I'm comfortably supported. I can tell by the pinch of his jaw, those soft grunts he let loose, that this is blowing his mind too. For the second time in one night, pressure builds inside me. The feeling is almost too much, but all I want is more. These long, deliberate thrusts are the greatest physical sensations my body has ever experienced. I could explode at any moment, but I want this to last. Forever, if possible. Arching my back, I press my head against the pillow. I cry out, sounding like a rabid banshee. A muttered curse falls from his lips. "That's it. Don't hold back." Pressure and heat collide, and I couldn't hold back if I tried. The deep thrusts keep coming like an endless loop of crashing waves. Callum and my G-spot are new best friends, it seems. Over and over, he hits it. Over and over, the sensations build to an overwhelming peak. His pace shifts from impressive to phenomenal. If Callum were a sex doll, I'd buy a dozen. His stamina, his technique, his adoration of me and my body, it's all perfection. When I burst, I'm even louder than before. And just like before, I'm ablaze from the inside out. Ecstasy pulses through every inch of skin and bone. My blood pumps hot, like lava flowing through my veins. Every muscle tightens, then loosens. Panting, I clutch Callum's forearms and watch his face as he hits his own peak.
Sarah Smith (Simmer Down)
Chip and I were both exhausted when we finally pulled up in front of that house, but we were still riding the glow of our honeymoon, and I was so excited as he carried me over the threshold--until the smell nearly knocked us over. “Oh my word,” I said, pinching my nose and trying to hold my breath so I wouldn’t gag. “What is that?” Chip flicked the light switch, and the light didn’t come on. He flicked it up and down a few times, then felt his way forward in the darkness and tried another switch. “The electricity’s off,” he said. “The girls must’ve had it shut off when they moved out.” “Didn’t you transfer it back into your name?” I asked. “I guess not. I’m sorry, babe,” Chip said. “Chip, what is that smell?” It was the middle of June in Waco, Texas. The temperature had been up over a hundred degrees for days on end, and the humidity was stifling, amplifying whatever that rotten smell was coming from the kitchen. Chip always carries a knife and a flashlight, and it sure came in handy that night. Chip made his way back there and found that the fridge still had a bunch of food left in it, including a bunch of ground beef that had just sat there rotting since whenever the electricity went out. The food was literally just smoldering in this hundred-degree house. So we went from living in a swanky hotel room on Park Avenue in New York City to this disgusting, humid stink of a place that felt more like the site of a crime scene than a home at this point. Honestly, I hadn’t thought it through very well. But it was late, and we were tired, and I just focused on making the most of this awful situation. So we opened some windows and brought our bags in, and I told Jo we’d just tough it out and sleep on the floor and clean it all up in the morning. That’s when she started crying. I lay down on the floor thinking, Is his what my life is going to look like now that I married Chip? Is this my new normal? That’s when another smell hit me. It was in the carpet. “Chip, did those girls have a dog here?” I asked. “They had a couple of dogs,” he answered. “Why?” You could smell it. In the carpet. It was nasty. I was just lying there with my head next to some old dog urine stain that had been heated by the Texas summer heat. It was like microwaved dog pee. It was. It was awful. It was three in the morning. And I finally said, “Chip, I’m not sleeping in this house.
Joanna Gaines (The Magnolia Story)
God was still smiling when he went into the guest room for his suitcase. He looked in the closet and under the perfectly made bed. He even pulled out the drawers of the one armoire on the far side of the room, but couldn’t find it. He was about to go back downstairs and ask Day when he turned down the long hall and walked into Day’s master bedroom. His suitcase was tucked neatly in the corner. He pulled it out but immediately knew it was empty. He looked in the first dresser but those were Day’s clothes. The second identical dresser was on the other side and God did a double take at his few toiletries that were neatly aligned on top. God rubbed his hand on the smooth surface and felt his heart clench at how domestic this looked. His and his dressers…really. God yanked off his T-shirt and threw it in the hamper along with Day’s items. He washed up quickly and went back to his dresser to put on a clean shirt. His mouth dropped when he pulled out the dresser drawer. His shirts were neatly folded and placed in an organized arrangement. God went through all five drawers. His underwear, socks, shirts, sweats, all arranged neatly and in its own place. He dropped down on the bed and thought for a minute. At first he was joking, but Day really was domesticating him. Was God ready for that? Sure he loved Day, he’d take a bullet for him, but was he ready to play house? He pinched the bridge of his nose with his thumb and middle finger at the slight tension forming behind his eyes. God had been completely on his own since he was eighteen. He’d never shared space with anyone—hell, no one had ever wanted to. Fuck. Just last night Day was getting ready to fuck mini Justin Bieber, now he was cooking and cleaning for him and doing his damn laundry. He tried his best to shake off his anxiety. He never used the word love lightly. He meant what he’d said last night. God had only loved three people his entire life and for the past four years only one of them returned that love. Should he really tuck tail and run just because this was new territory? Hell no. All he did was unpack my suitcase. No big deal. He was just being hospitable. Damn sure is better than that seedy hotel. “My boyfriend’s just trying to make me comfortable.” He smirked and tried the term on his tongue again. “I have a boyfriend.” “Get your ass down here and stop overthinking shit! Dinner is getting cold!” Day yelled from the bottom of the stairs.
A.E. Via
He took a breath. He could feel his anxiety fade; he could feel himself returning to who he was. 'But would you sing with me?' Every morning for the past two months, they had been singing with each other in preparation for Duets. In the film, his character and the character's wife led an annual Christmas pageant, and both he and the actress playing his wife would be performing their own vocals. The director had sent him a list of songs to work on, and Jude had been practicing with him: Jude took the melody, and he took the harmony. 'Sure,' Jude said. 'Our usual?' For the past week, they'd been working on 'Adeste Fideles,' which he would have to sing a cappella, and for the past week, he'd been pitching sharp at the exact same point, at 'Venite adoremus,' right in the first stanza. He'd wince every time he did it, hearing the error, and Jude would shake his head at him and keep going, and he'd follow him until the end. 'You're overthinking it,' Jude would say. 'When you go sharp, its because you're concentrating too hard on staying on key; just don't think about it, Willem, and you'll get it.' That morning, though, he felt certain he'd get it right. He gave Jude the bunch of herbs, which he was still holding, and Jude thanked him, pinching its little purple flowers between his fingers to release its perfume. 'I think it's a kind of perilla,' he said, and held his fingers up for Willem to smell. 'Nice,' he said, and they smiled at each other. And so Jude began, and he followed, and he made it through without going sharp. And at the end of the song, just after the last note, Jude immediately began singing the next song on the list, 'For Unto Us a Child Is Born,' and after that, 'Good King Wenceslas,' and again and again, Willem followed. His voice wasn't as full as Jude's, but he could tell in those moments that it was good enough, that it was maybe better than good enough: he could tell it sounded better with Jude's, and he closed his eyes and let himself appreciate it. They were still singing when the doorbell chimed with their breakfast, but as he was standing, Jude put his hand on his wrist, and they remained there, Jude sitting, he standing, until they had sung the last words of the song, and only after they had finished did he go to answer the door. Around him, the room was redolent of the unknown herb he'd found, green and fresh and yet somehow familiar, like something he hadn't known he had liked until it had appeared, suddenly and unexpectedly, in his life.
Hanya Yanagihara (A Little Life)
Her hands found the button of his jeans, and then glided his zipper down. She wasted no time in seizing his cock with her hand, stroking him up and down as he pulled down his pants, then his boxers. He stopped her only so he could sheathe himself. And when he looked back up, she'd removed her robe, which fell around her in waves like drizzled icing. As he did, she began to guide his cock to her entrance, stroking her clit with the tip of him. He was already so fucking hard, and he hadn't even sunk into her yet. "Ready?" she breathed into his ear. He nodded, and his hands found her hips. His fingertips dug into her as he eased himself inside her, so slowly he could barely breathe, and they both moaned as she cradled him with her pussy. She braced her hands against the table as he slid further, burying himself deep inside her. Fuck. How did Nina feel so good? They both paused, him filling her. She stretched and tightened against him. He hadn't even begun to fuck her the way he planned to, but she already felt better than anything he could've imagined. He rocked into her, hitting her core deeper, and her head rolled back as a moan escaped. She fit around him in such a silky way that he already knew he'd want every waking moment to be inside her. She moved back and forth on his dick, his hands steadying her hips. He wanted to make sure that every time he pumped into her, she felt all of him. He was going to delve into her so deeply that she'd have no other choice but to come all over him. He needed to feel her heat pulsing against him. Her breathing quickened, and she said, "I need you." All he wanted was to hear this woman moan so loudly that he'd be able to hear it whenever he closed his eyes. So when he slid his cock back inside her, he made sure to push until he was all the way in. She arched her back in response, and he slowly pulled out, then pumped back in. Their moans, their thighs meeting and the slap of his balls against her ass were the only sounds in the room. He reached toward her heavy breasts and pinched one nipple tightly as he continued to fill her. "I'm..." She couldn't get the words out, but he knew what she was trying to say. She was going to come. He moved the hand that pinched her nipple down to her clit and gently rubbed. "I'm almost there," she said. He grunted in approval and pushed into her slower, bringing his length almost fully out, then plunging back in. She tightened around him. As her groans reached a crescendo, he knew he was going to erupt as well. He thrust hard and deep until his aching cock came.
Erin La Rosa (For Butter or Worse)
I have come, my lovely,” Roddy said with his usual sardonic grin as he swept her a deep bow, “in answer to your urgent summons-and, I might add,-“ he continued, “before I presented myself at the Willingtons’, exactly as your message instructed.” At 5’10”, Roddy Carstairs was a slender man of athletic build with thinning brown hair and light blue eyes. In fact, his only distinguishing characteristics were his fastidiously tailored clothes, a much-envied ability to tie a neckcloth into magnificently intricate folds that never drooped, and an acid wit that accepted no boundaries when he chose a human target. “Did you hear about Kensington?” “Who?” Alex said absently, trying to think of the best means to persuade him to do what she needed done. “The new Marquess of Kensington, once known as Mr. Ian Thornton, persona non grata. Amazing, is it not, what wealth and title will do?” he continued, studying Alex’s tense face as he continued, “Two years ago we wouldn’t have let him past the front door. Six months ago word got out that he’s worth a fortune, and we started inviting him to our parties. Tonight he’s the heir to a dukedom, and we’ll be coveting invitations to his parties. We are”-Roddy grinned-“when you consider matters from this point of view, a rather sickening and fickle lot.” In spite of herself, Alexandra laughed. “Oh, Roddy,” she said, pressing a kiss on his cheek. “You always make me laugh, even when I’m in the most dreadful coil, which I am now. You could make things so very much better-if you would.” Roddy helped himself to a pinch of snuff, lifted his arrogant brows, and waited, his look both suspicious and intrigued. “I am, of course, your most obedient servant,” he drawled with a little mocking bow. Despite that claim, Alexandra knew better. While other men might be feared for their tempers or their skill with rapier and pistol, Roddy Carstairs was feared for his cutting barbs and razor tongue. And, while one could not carry a rapier or a pistol into a ball, Roddy could do his damage there unimpeded. Even sophisticated matrons lived in fear of being on the wrong side of him. Alex knew exactly how deadly he could be-and how helpful, for he had made her life a living hell when she came to London the first time. Later he had done a complete turnabout, and it had been Roddy who had forced the ton to accept her. He had done it not out of friendship or guilt; he had done it because he’d decided it would be amusing to test his power by building a reputation for a change, instead of shredding it. “There is a young woman whose name I’ll reveal in a moment,” Alex began cautiously, “to whom you could be of great service. You could, in fact, rescue her as you did me long ago, Roddy, if only you would.” “Once was enough,” he mocked. “I could hardly hold my head up for shame when I thought of my unprecedented gallantry.” “She’s incredibly beautiful,” Alex said. A mild spark of interest showed in Roddy’s eyes, but nothing stronger. While other men might be affected by feminine beauty, Roddy generally took pleasure in pointing out one’s faults for the glee of it. He enjoyed flustering women and never hesitated to do it. But when he decided to be kind he was the most loyal of friends.
Judith McNaught (Almost Heaven (Sequels, #3))
These Claudines, then…they want to know because they believe they already do know, the way one who loves fruit knows, when offered a mango from the moon, what to expect; and they expect the loyal tender teasing affection of the schoolgirl crush to continue: the close and confiding companionship, the pleasure of the undemanding caress, the cuddle which consummates only closeness; yet in addition they want motherly putting right, fatherly forgiveness and almost papal indulgence; they expect that the sights and sounds, the glorious affairs of the world which their husbands will now bring before them gleaming like bolts of silk, will belong to the same happy activities as catching toads, peeling back tree bark, or powdering the cheeks with dandelions and oranging the nose; that music will ravish the ear the way the trill of the blackbird does; that literature will hold the mind in sweet suspense the way fairy tales once did; that paintings will crowd the eye with the delights of a colorful garden, and the city streets will be filled with the same cool dew-moist country morning air they fed on as children. But they shall not receive what they expect; the tongue will be about other business; one will hear in masterpieces only pride and bitter contention; buildings will have grandeur but no flowerpots or chickens; and these Claudines will exchange the flushed cheek for the swollen vein, and instead of companionship, they will get sex and absurd games composed of pinch, leer, and giggle—that’s what will happen to “let’s pretend.” 'The great male will disappear into the jungle like the back of an elusive ape, and Claudine shall see little of his strength again, his intelligence or industry, his heroics on the Bourse like Horatio at the bridge (didn’t Colette see Henri de Jouvenel, editor and diplomat and duelist and hero of the war, away to work each day, and didn’t he often bring his mistress home with him, as Willy had when he was husband number one?); the great affairs of the world will turn into tawdry liaisons, important meetings into assignations, deals into vulgar dealings, and the en famille hero will be weary and whining and weak, reminding her of all those dumb boys she knew as a child, selfish, full of fat and vanity like patrons waiting to be served and humored, admired and not observed. 'Is the occasional orgasm sufficient compensation? Is it the prize of pure surrender, what’s gained from all that giving up? There’ll be silk stockings and velvet sofas maybe, the customary caviar, tasting at first of frog water but later of money and the secretions of sex, then divine champagne, the supreme soda, and rubber-tired rides through the Bois de Boulogne; perhaps there’ll be rich ugly friends, ritzy at homes, a few young men with whom one may flirt, a homosexual confidant with long fingers, soft skin, and a beautiful cravat, perfumes and powders of an unimaginable subtlety with which to dust and wet the body, many deep baths, bonbons filled with sweet liqueurs, a procession of mildly salacious and sentimental books by Paul de Kock and company—good heavens, what’s the problem?—new uses for the limbs, a tantalizing glimpse of the abyss, the latest sins, envy certainly, a little spite, jealousy like a vaginal itch, and perfect boredom. 'And the mirror, like justice, is your aid but never your friend.' -- From "Three Photos of Colette," The World Within the Word, reprinted from NYRB April 1977
William H. Gass (The World Within the Word)
I do not believe one can settle how much we ought to give. I am afraid the only safe rule is to give more than we can spare. In other words, if our expenditure on comforts, luxuries, amusements, etc., is up to the standard common among those with the same income as our own, we are probably giving away too little. If our charities do not at all pinch or hamper us, I should say they are too small. There ought to be things we should like to do and cannot do because our charities expenditure excludes them.
David Platt (A Compassionate Call to Counter Culture in a World of Poverty, Same-Sex Marriage, Racism, Sex Slavery, Immigration, Abortion, Persecution, Orphans and Pornography)
So if we think we are doing the right thing, but we are in fact blind to our motives, what are we to do? How can we see what God so clearly sees? We humbly ask for God’s help, and then we do some serious and prayerful self-reflection. Here are a few questions to consider as you examine your motives before you speak. Am I certain that what I want to say is true? If so, then perhaps you should say it. But before you do, consider the remaining questions. Is my goal to have my comment help the person or situation at hand? Or is it to put a little pinch in their heart? Do I feel my words will bring a solution or, if I’m totally honest, might they cause more of a problem? Even if what I plan to say is truthful, is my aim to say something that will make me look better by comparison? Have I earned the right to speak to this particular person? If not, you should probably keep your lips zipped. If I were speaking about this person to someone else, would I say the exact same thing as I would if that person were sitting in front of me? Are these words really necessary? Why? Have I prayed about it, or only thought about it in an effort to plan what I’ve already determined to say? Am I trying to play Holy Spirit and convict someone or guilt them into changing their mind? If the roles were reversed, would I want the other person to say the same thing to me?
Karen Ehman (Keep It Shut: What to Say, How to Say It, and When to Say Nothing at All)
I’m hoping he comes back with a broken arm.” Oren packed a pinch of tobacco into the bowl of the pipe with his thumb. “Then I won’t have to be the one to break it when he finally gets up enough nerve to touch Lily.” “Oren!” Lily scolded through a smile. Good thing Oren didn’t know Connell already had touched her—even if it had only been brief. “I see the way that man’s been looking at you,” Oren mumbled, adding another layer of tobacco. “Even a blind man could see that he can’t keep his eyes off you.” Her inexperienced heart flushed with pleasure at Oren’s words. “Connell McCormick’s a good boy.” Vera wiped her arm across her forehead, brushing her frazzled hair into greater disarray. “I haven’t met too many boys as good as Connell.” Lily had to agree. She’d never known a man like Connell—someone so thoughtful and considerate. “All I have to say is he’s lucky I haven’t poked out his eyeballs yet for all the liberty he’s takin’ looking at Lily.” “He’s attracted to her,” Vera retorted, never afraid to give Oren the guff he deserved. “You can’t blame the boy. Lily’s probably the prettiest girl he’s ever laid eyes on.” “Well, ’course she is.” Oren packed a last layer into his pipe.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
Recipe for March Wassail Drinking wassail is an ancient tradition. Dating back to Saxon times, the word itself comes from the greeting “wæs hæl”, roughly translated as “be you healthy”. In the counties of southern England renowned for cider production, drinking wassail originated as a bit of sympathetic magic to protect and encourage the apple trees to bear fruit. While wassail and other punches were very popular during Regency times, by the later part of the 19th-century, they had been largely supplanted by wines and other spirits. The Marches, however, care much more for their own pleasure than for what is fashionable. They serve their wassail the old-fashioned way, out of an enormous wooden bowl mounted in silver with a roasted apple garnish. Their wassail is, as tradition dictates, served quite hot and is deceptively alcoholic. Proceed with caution. Preheat oven to 350 degrees. Core a dozen small apples. (You will only need ten for the wassail, but leftover roasted apples are delicious with cream, yogurt, or ice cream.) Loosely spoon brown sugar into each apple place in a casserole dish with a small amount of water. Bake until tender, approximately 45 minutes. Meanwhile, gently warm 2 pints hard cider. (This is not available in the juice aisle of the grocery store. It is wonderfully alcoholic and tastes deeply of apples. You can find bottled varieties at wine and liquor stores, but the very best is fermented by apple farmers for their own use. Find one and befriend him. The Marches get their cider at the source from the Home Farm at Bellmont Abbey.) To the warming cider, add four cinnamon sticks, crushed with a mortar and pestle, and four pinches ground cloves. (In a bind, ½ teaspoon ground cinnamon may be substituted for the sticks.) Grate in fresh ginger and fresh nutmeg to taste. Lord March’s secret ingredient is a cup of his very best port, added just in time to heat through. When the apples are plump and bursting from their skins, remove them from the oven. Put one into a heatproof punch glass and ladle the wassail over. The March family recipe calls for a garnish of a fresh cinnamon stick for each glass. This recipe will serve six Marches or ten ordinary folk.
Deanna Raybourn (Silent Night (Lady Julia Grey, #5.5))
Sometimes after he’s gone I’ve wondered what it would be like to slip into a different story and actually end up being Mrs Vincent Cunningham. You know, Chapter XXXVIII, ‘Reader, I married him. A quiet wedding we had, he and I, the parson and clerk were alone present.’ (Book 789, Jane Eyre, Penguin Classics, London.) Cunningham is a bad surname, but it’s not dreadful. Not as bad say as Bigg-Wither. Mr Bigg-Wither (not kidding) was Jane Austen’s suitor. He fell in love with the sharp bonnet-pinched look, was very partial to one flattened front hair curl, and tiny black eyes. He pulled in his person and fluffed out his whiskers to propose to her. Now that took courage. You have to grant him that. Proposing to Jane Austen was no walk in the park, was in the same league as Jerry Twomey proposing to Niamh ni Eochadha who had the face and manners of a blackthorn. Still, Bigg-Wither went through with it. He got out his proposal. And Jane Austen accepted. Honestly, she did. She was fiancé-ed. She did her best impression of a Jane Austen smile then retired straight away to bed. Up in the bed she lay in her big nightie and couldn’t sleep, not, surprisingly enough, because of the bonnet, but because of the suffocating way the name Bigg-Wither sat on her. That, and the thought of giving birth to little Bigg-Withers. The following morning when she came down to him negotiating his toast and marmalade in past the whiskers, she said, ‘I cannot be a Bigg-Wither,’ or words to that effect, the engagement was off, and all the world’s Readers sighed with relief. Because a happy Jane Austen would have been useless in the World Literature stakes.
Niall Williams (History of the Rain)
Henry,” reaching out to shake him awake but my hand lands on top of the sheets. “Henry!” I say, looking around the room. The face cocks his head, the paper around his eyes pinches together. Blood pulsing, the man crawls onto the bed. His head wrapped in paper, words etching it, and nausea swirls in the pit of my stomach. “Not again,” I rasp. Fisting my hands in the sheets, he slinks closer. “No.” Leaning over me, pressing my back to the bed, he breathes in deeply against my neck. The incubus moves his hand down my curves, resting it on my hip. Pressing down, a pain flares in the area and the remembrance of hitting my hip against the counter this morning comes forth. A small groan escapes me. Trailing my hand to my thigh, I dig my nails in till I break skin. Wake up, I think as I squeeze my eyes shut. His breath tickles my collarbone, down to my breasts. Wake up, I scream as blood trickles from my open wounds.
Diane Ehlers (Needs of an Incubus (Annabelle's Erotic Nightmare #2))
and refrigerate. Tip: Serve this with veggies, crackers, or rice cakes, or try on Sunny Day Flatbread (here) for lunch. Nottingham Sandwich Spread By Jane Esselstyn Say the word “Nottingham” slowly three times. The sound should be reminiscent of “Not-Eating-Ham.” This recipe is by no means a ham spread, but it sure does have the consistency and texture of one! Try this on none other than the Nottingham Flatbread (here) for lunch. Prep time: 10 minutes • Makes 1½ cups spread 1 cup chickpeas, mashed with fork ¼ cup chopped onion ¼ cup chopped pickles or pickle relish 1 celery stalk, finely chopped 1½ tablespoons mustard 1½ tablespoons applesauce ½ teaspoon fresh dill, chopped Pinch of salt Pinch of freshly ground black pepper Mix all of the ingredients in a bowl using a fork—make sure to smash the chickpeas. Spread on sandwiches, or serve as a dip. Spinach-Artichoke Dip and Spread By Kimetha Wurster Kimetha used to make her patented spinach-artichoke dip every February for a friend’s birthday party. True to her new, dairy-free E2 lifestyle, she was determined to make the recipe dairy-free, too. The guests had no idea it wasn’t the traditional one and gobbled it up. And there’s no baking necessary. Try this on the St. Nick Pizza (here) for lunch or dinner. Prep time: 10 minutes • Makes around 4 cups dip 14 ounces artichoke hearts, packed in water 2 to 6 garlic cloves 9 ounces fresh spinach, or 1½ cups frozen spinach 1 ripe avocado 1 cup nutritional yeast 6 shakes hot sauce Pinch of freshly ground black pepper (optional) Pinch of salt (optional) In a food processor or blender, pulse the drained artichokes with garlic until chopped. Add the raw spinach (or drained frozen), avocado, and nutritional yeast and pulse until well mixed. Shake in the hot sauce and season with salt and pepper as desired, and pulse again. Transfer to a bowl and serve with 100 percent whole wheat crackers or veggies,
Rip Esselstyn (My Beef with Meat: The Healthiest Argument for Eating a Plant-Strong Diet--Plus 140 New Engine 2 Recipes)
Something has happened, Philip.” In Linda’s whisper he heard a tension of delight, of exultation. “There is no lake, no cabin. When we wake in the morning we’ll find it entirely different.” The certainty in her words made him shudder, half with anger. Throwing off the blanket, he sat up. “When we wake in the morning, we’ll find ourselves in bed. This is a dream, and a bloody nightmare at that.” She gave a shrill, stifled giggle. “There! Is that a dream?” Philip swore: she had leaned forward and pinched his arm.
Ruth Nichols (The Marrow of the World)
Spanda Karikas II.1 says: Tadakramya balam mantrah sarvajnabalashalinah Pravartante ’dhikaraya karananiva dehinam Baba Muktananda’s colourful and informal translation of this aphorism was, ‘The mantra is the power of everything and everyone. The mantra is all-knowing and can do anything’. Jaideva Singh’s translation is, ‘Mantras derive their power from the spanda principle and finally dissolve in it’. For Baba, mantra was a method for tapping the deep source of inner energy and bringing its life to the surface of things. He considered the repetition of a mantra received from an awakened teacher to be a streamlined, easy and almost effortless path. There is tremendous emotional power in language. In fact, thought and feeling are two sides of the same coin. Thought or language is a container of feeling: words and ideas shape emotion and create upliftment or contraction. The wrong kind of language (or thought) pinches feeling and creates emotional pain, while the right kind of language is a fitting vehicle of feeling, and given such a vehicle, feeling becomes free to expand and soar. Language has the binding power of ignorance (Shiva Sutras I.2: Jnanam bandhah: Knowledge is bondage) and also the mysterious freeing power of the master of matrika. Mantra is a key method for liberating the practitioner from illusion. Do not underestimate it.
Shankarananda (Consciousness Is Everything: The Yoga of Kashmir Shaivism)