Pill Box Quotes

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She reaches down into her bulging tote bag and pulls out a small plastic box with a hinged lid. It contains a round pill box with a threaded lid from which she tips out a vitamin pill, a fish-oil pill, and the enzyme tablet that lets her stomach digest milk. Inside the hinged plastic box she also carries packets of salt, pepper, horseradish, and hand-wipes, a doll size bottle of Tabasco sauce, chlorine pills for treating drinking water, Pepto-Bismol chews, and God knows what else. If you go to a concert, Bina has opera glasses. If you need to sit on the grass, she whips out a towel. Ant traps, a corkscrew, candles and matches, a dog muzzle, a penknife, a tiny aerosol can of freon, a magnifying glass - Landsman has seen everything come out of that overstuffed cowhide at one time or another.
Michael Chabon (The Yiddish Policemen's Union)
I wish I could prescribe her--and buy her--as I would a box of pills;--though if there gets to be many of her in the world, you and I might as well go to ribbon-selling and ditch-digging for all the money we'd get out of nursing and doctoring
Eleanor H. Porter (Pollyanna (Pollyanna, #1))
The labels on the little bottles and boxes do not tell you which one is the sleeping pill. Instead they have names, long strange names that slide out of shape while you are reading them. They sound like kings from history or alien planets. There are hundreds of them.
Paul Murray
When The Matrix debuted in 1999, it was a huge box-office success. It was also well received by critics, most of whom focused on one of two qualities—the technological (it mainstreamed the digital technique of three-dimensional “bullet time,” where the on-screen action would freeze while the camera continued to revolve around the participants) or the philosophical (it served as a trippy entry point for the notion that we already live in a simulated world, directly quoting philosopher Jean Baudrillard’s 1981 reality-rejecting book Simulacra and Simulation). If you talk about The Matrix right now, these are still the two things you likely discuss. But what will still be interesting about this film once the technology becomes ancient and the philosophy becomes standard? I suspect it might be this: The Matrix was written and directed by “the Wachowski siblings.” In 1999, this designation meant two brothers; as I write today, it means two sisters. In the years following the release of The Matrix, the older Wachowski (Larry, now Lana) completed her transition from male to female. The younger Wachowski (Andy, now Lilly) publicly announced her transition in the spring of 2016. These events occurred during a period when the social view of transgender issues radically evolved, more rapidly than any other component of modern society. In 1999, it was almost impossible to find any example of a trans person within any realm of popular culture; by 2014, a TV series devoted exclusively to the notion won the Golden Globe for Best Television Series. In the fifteen-year window from 1999 to 2014, no aspect of interpersonal civilization changed more, to the point where Caitlyn (formerly Bruce) Jenner attracted more Twitter followers than the president (and the importance of this shift will amplify as the decades pass—soon, the notion of a transgender US president will not seem remotely implausible). So think how this might alter the memory of The Matrix: In some protracted reality, film historians will reinvestigate an extremely commercial action movie made by people who (unbeknownst to the audience) would eventually transition from male to female. Suddenly, the symbolic meaning of a universe with two worlds—one false and constructed, the other genuine and hidden—takes on an entirely new meaning. The idea of a character choosing between swallowing a blue pill that allows him to remain a false placeholder and a red pill that forces him to confront who he truly is becomes a much different metaphor. Considered from this speculative vantage point, The Matrix may seem like a breakthrough of a far different kind. It would feel more reflective than entertaining, which is precisely why certain things get remembered while certain others get lost.
Chuck Klosterman (But What If We're Wrong?: Thinking About the Present As If It Were the Past)
John Gibson Lockhart, writing in Blackwood’s Magazine, described Endymion as “imperturbable drivelling idiocy”. With biting sarcasm, Lockhart advised, “It is a better and a wiser thing to be a starved apothecary than a starved poet; so back to the shop Mr John, back to plasters, pills, and ointment boxes
John Keats (Complete Works of John Keats)
In spite of the many pills she swallowed and the drops and powders out of the little bottles and boxes of which Madame Schoss, who was fond of such things, made a large collection, and in spite of being deprived of the country life to which she was accustomed, youth prevailed. Natasha’s grief began to be overlaid by the impressions of daily life, it ceased to press so painfully on her heart, it gradually faded into the past, and she began to recover physically.
Leo Tolstoy (War and Peace)
Pervitin became a symptom of the developing performance society. Boxed chocolates spiked with methamphetamine were even put on the market. A good 14 milligrams of methamphetamine was included in each individual portion—almost five times the amount in a Pervitin pill. “Hildebrand chocolates are always a delight” was the slogan of this potent confectionery. The recommendation was to eat between three and nine of these, with the indication that they were, unlike caffeine, perfectly safe.
Norman Ohler (Blitzed: Drugs in the Third Reich)
Let the old Muse loosen her stays Or give me a new Muse with stockings and suspenders And a smile like a cat, With false eyelashes and finger-nails of carmine And dressed by Schiaparelli, with a pill-box hat. ... Give me a houri but houris are too easy, Give me a nun; We'll rape the angels off the golden reredos Before we're done.
Louis MacNeice (Autumn Journal)
It’s a tiny box, Mirren. Me and Mummy. Me and my pills. Me and my pain. I don’t want to live there anymore.
E. Lockhart (We Were Liars)
An 87 on the left, an 87 on the right. If a guest is dissatisfied with an elevator operator he can note the number and report him to the nearest starter. 'That 87 is a son-of-a-bitch, that 87 took me four floors too high, 87 87 87, I wasted two minutes in this box, that goddam son-of-a-bitch 87!' It's fun to berate a number. It's fun to use numbers. 24,035 deported to Siberia. Fun. Forty-seven dead in an airplane crash. Fun. 7,038,456 needles sold. Fun. Tonight Mister X got lucky three times. Fun. Today Miss Y died once. Fun. Right now I'm alone and I'll take a pill and have more fun.
Antanas Škėma (Balta drobulė)
She began to think of all the people in Belfast who were drinking or drugging themselves into bearable insensibility that night. People would be hitting other people in the face with broken bottles. People were avowing and making love to people for whom they truly cared nothing; other people were screaming hatred at those whom they really did love. People were destroying things, daubing walls with paint and breaking up telephone boxes; joy-riding stolen cars into stone walls. In hospitals and homes, people were watching others dying, hoping and praying that the inevitable would not happen, while other people were planning murder. People elsewhere were trying to commit suicide, fumbling with change for the gas meter or emptying brown plastic bottles of their pills and tablets, which were bitter and dry in the mouth. And there are, she thought, there must be, people who think as I do.
Deirdre Madden (Hidden Symptons)
Medicine once consisted of the knowledge of a few simples, to stop the flow of blood, or to heal wounds; then by degrees it reached its present stage of complicated variety. No wonder that in early days medicine had less to do! Men's bodies were still sound and strong; their food was light and not spoiled by art and luxury, whereas when they began to seek dishes not for the sake of removing, but of rousing, the appetite, and devised countless sauces to whet their gluttony, – then what before was nourishment to a hungry man became a burden to the full stomach. 16. Thence come paleness, and a trembling of wine-sodden muscles, and a repulsive thinness, due rather to indigestion than to hunger. Thence weak tottering steps, and a reeling gait just like that of drunkenness. Thence dropsy, spreading under the entire skin, and the belly growing to a paunch through an ill habit of taking more than it can hold. Thence yellow jaundice, discoloured countenances, and bodies that rot inwardly, and fingers that grow knotty when the joints stiffen, and muscles that are numbed and without power of feeling, and palpitation of the heart with its ceaseless pounding. 17. Why need I mention dizziness? Or speak of pain in the eye and in the ear, itching and aching[11] in the fevered brain, and internal ulcers throughout the digestive system? Besides these, there are countless kinds of fever, some acute in their malignity, others creeping upon us with subtle damage, and still others which approach us with chills and severe ague. 18. Why should I mention the other innumerable diseases, the tortures that result from high living?   Men used to be free from such ills, because they had not yet slackened their strength by indulgence, because they had control over themselves, and supplied their own needs.[12] They toughened their bodies by work and real toil, tiring themselves out by running or hunting or tilling the earth. They were refreshed by food in which only a hungry man could take pleasure. Hence, there was no need for all our mighty medical paraphernalia, for so many instruments and pill-boxes. For plain reasons they enjoyed plain health;
Seneca (Letters from a Stoic)
His mouth, his tongue, his voice box, seem to be working separately at first. His Adam's apple shivers, the skulls vibrate, his voice quakes. What's going on? It is as if a different Romeo is speaking, an interior Romeo. This unknown alternate Romeo has staged a coup. This Romeo Two has infiltrated his communication infrastructure. Are the drugs betraying him? What did he take again? What shape of pill? Romeo thinks it was a big white oval but there also were some smaller yellow articles. Perhaps crisscrossing side affects. Romeo is startled to silence even as Romeo Two becomes voluble, moved to unload certain acts undertaken for certain reasons. Romeo Two's mouth claptraps, his voice shifts gear, high and higher, until Romeo One understands in despair that Romeo Two has frog-leaped all the way to that holy step somewhere beyond three, maybe four, five, where you tell God and another human the exact nature of your wrongs. Talk about combined side effects. Where among the vertigo, gastric pain, incontinence, shortness of breath, and possible kidney failure was telling the truth?
Louise Erdrich (LaRose)
February 2009 January 4. January 4. January 4. I rubbed the paper on my red calendar. I cried into the little box, into the last day we had sex. I was a tornado. I puked hurricanes. I was Jodi Arias. There were no more tears for him. Swirling eddies of vodka, pills, fattening food, and tears. Vortexes corralled other vortexes. They joined forces with the eyes of other storms far out into the Gulf, and Atlantic, and castrated my heart first, then everything below the neck. Fuck the heart; my brain was mauled into mush. He didn’t have a heart—and possibly, neither did I. The heart had nothing to do with a whirlpool of circles and left and rights I navigated.
Christy Heron (Unrequited - One Girl, Thirteen Boyfriends, and Vodka.)
In America, my father began working as a clerk for a government agency. He rented an apartment in a place called Queens, New York. A year after he left us, he sent airplane tickets. The Delhi of the seventies is hard to imagine: the quietness, the streets empty of traffic, children playing cricket in the middle of the street and rarely having to move out of the way to let cars by, the vegetable vendors who came pushing their carts down the streets in the late afternoon, crying out their wares in tight, high-pitched voices. There weren't VCRs back then, let alone cable channels. A movie would play for twenty-five or fifty weeks in huge auditorium theaters, and then once the movie was gone, it was gone forever. I remembered feeling grief when the enormous billboards for Sholay at the end of our street were taken down. It was like somebody had died. It is also hard to remember how frugal we were. We saved the cotton that comes inside pill bottles. Our mothers used it to make wicks. This frugality meant that we were sensitive to the physical reality of the world in a way most people no longer are. When my mother bought a box of matches, she had my brother sit at a table and use a razor to split the matches in half. When we had to light several things, we would use the match to set a twist of paper on fire and then walk around the apartment lighting the stove, the incense stick, the mosquito coil. This close engagement with things meant that we were conscious that the wood of a match is soft, that a bit of spit on paper split on paper slows down how it burns. By the time our airplane tickets arrived, not every family hired a band to play outside their house on the day of the departure to a foreign country. Still, many families did.
Akhil Sharma
Aisles and aisles of absolventina, theopathine, genuflix, orisol. An enormous place; organ music in the background while you shop. All the faiths are represented too—there’s chistendine and antichristendine, ormuzal, arymanol, anabaptiban, methadone, brahmax, supralapsarian suppositories, and zoroaspics, quaker oats, yogart, mishnameal and apocryphal dip. Pills, tablets, syrups, elixirs, powders, gums—they even have lollipops for the children. Many of the boxes come with halos.
Stanisław Lem (The Futurological Congress: From the Memoirs of Ijon Tichy)
Gods take whoever designed this crawlspace and jam them inside a sardine can. Then put that sardine can inside a pill box and shoot both into a black hole. Ugh, and I am having a very long discussion with Orn and his habit of throwing old candy sticks through the grates!
Sabrina Zbasnik (Dwarves in Space)
The Lord created depression to test our resolve, to forge strength and faith. It was not meant to be cured with a pill.
Tony Bertauski (Halfskin Boxed Set (Halfskin, #1-3))
Thoreau left a record of his beachcombing for the “waste and wrecks of human art”. His gleanings and those of my student are protoarcheology, glances at cultural artifacts from two times. Cape Cod, 1849, 1850, 1855 Logs washed from the land (many) Wrecked boat lumber (abundant) Pebbles of brick (a few) Castile soap bars (not counted) Sand filled gloves (one pair) Rags (not counted) Arrowhead (one) Water soaked nutmegs (boatload) Items in fish stomachs (snuff boxes, knives, church membership cards, “jugs, jewels and Jonah” Box or barrel (one) Bottle, half full of ale (one) … St. Catherines Island wrack line, 2013-14, 160 square meters Blocks of buoyant plastic foam (163) Plastic drink bottles (12) Plastic pill bottle (1) Balloons, deflated, happy birthday (2) Just married (1) Air filled latex glove (1) Plastic 2 gallon juice jug with 75 barnacles attached (1) Flip flops, unmatched (2) Jar of may, half full, (1) Fishing buoy (1) Fragments of hard plastic (42) …
David George Haskell (The Songs of Trees: Stories from Nature's Great Connectors)
but she argued that lessons could be learned from the hysteria of the time. “Comet pills, comet insurance and a million other scams are likely to pop up in a bid to separate you from your financial resources,
Craig A. Falconer (Not Alone: The Contact Trilogy: Complete Box Set #1-3)
I grabbed the flashlight and the backpack before closing the seat and resuming my sitting position. Switching on the light, I unzipped the main compartment and began to rummage in search of the key. Within it was another knife, a box of matches, a loop of rope, an unlabeled white tube of pills that looked suspiciously like Benuxupane, a compass, a camera… and then two photographs. I removed the compass and placed it in a small holder that was fixed beneath the gears. Then I picked up the photographs and shone my light down on them. My breath hitched. One of them displayed an all-too-familiar sight: the table in the queen's library, etched with the words "FOR THE BOYS OF MATRUS". The second displayed a different message.
Bella Forrest (The Gender Game (The Gender Game #1))
with Justice by Attrition. It’s not just that it catches up innocent people in its massive dragnet. It’s also that it applies disproportionate punishment to the guilty. How many upscale New Yorkers have ever been arrested for public drunkenness, for carrying a joint or a bottle of pain pills, for having a knife or a box cutter in a car? Police, if they wanted, could throw a net over the exit of any nightclub in Lower Manhattan on a weekend night and score a couple of dozen drug cases. Or they could crack down on the Wall Street guys in suits who sneak into doorways for late-night rub-and-tugs or park their Lexuses near the Battery for after-work blowjobs.
Matt Taibbi (The Divide: American Injustice in the Age of the Wealth Gap)
But do you like being slaves?" the Savage was saying as they entered the Hospital. His face was flushed, his eyes bright with ardour and indignation. "Do you like being babies? Yes, babies. Mewling and puking," he added, exasperated by their bestial stupidity into throwing insults at those he had come to save. The insults bounced off their carapace of thick stupidity; they stared at him with a blank expression of dull and sullen resentment in their eyes. "Yes, puking!" he fairly shouted. Grief and remorse, compassion and duty–all were forgotten now and, as it were, absorbed into an intense overpowering hatred of these less than human monsters. "Don't you want to be free and men? Don't you even understand what manhood and freedom are?" Rage was making him fluent; the words came easily, in a rush. "Don't you?" he repeated, but got no answer to his question. "Very well then," he went on grimly. "I'll teach you; I'll make you be free whether you want to or not." And pushing open a window that looked on to the inner court of the Hospital, he began to throw the little pill-boxes of soma tablets in handfuls out into the area.
Aldous Huxley (Brave New World)
Don't build yourself an ivory tower" the moralists say. But I am an ivory tower by the mere fact that I am. On the crude physical level the body is a frame of (ivory) bones on which the muscles are stretched, crowned by an (ivory) bone pill-box turret housing the brain — shielding it from the blows of 'reality' so that it can get on with its absurd work undisturbed. On the non-physical level my I-ness is an ivory tower of orderly individual views and vistas shielding 'me' from being swallowed up in chaos. Dear moralists: don't they see that life is a constant flight up and down the endless steps of the dark ivory tower seeking to escape from the horrid chaos of real freedom?
Nanamoli Thera
So he heads straight for the condoms an grabs a box a 24 Durex Avanti. He says they’ve got a 64mm width stead a the usual 56mm width. Also they in’t got extra lubricant, which means he generates his own, or rather, some lady’s own. You can tell Sonia Guha knows this when we get to the front a the checkout queue an start unloadin everything for her. You can just see it in her eyes. I mean, sure, she’s chattin to Amit an laughin at his jokes an lookin at him an all that. But she’s lookin at him with these Wow-you-wear-big-condoms eyes. She’s so impressed by the condoms an the aftershave an stuff that she don’t even notice the lipstick an pink bog roll or the pills. Me, I can’t believe Amit’s strategy’s actually workin. But then suddenly, just as she’spickin up the box a big condoms to put them in the carrier bag, some croaky voice behind us gives it,—Amit, vot is this gandh you buying? Amit turns an freezes.—Oh, hi, Aunty Narinder. How are you, Aunty? —Don’t you How-are-you me. Vot is this Durex business you buying? Wait till I tell your mama. —No, Aunty, wait. They ain’t for me, Amit goes, as if he’s forgotten Sonia Guha’s even there. Then there’s a pause as he thinks what he can say that’ll stop this aunty tellin his mum.—They’re for Mama an Papa. I’m doing the shopping for them. See, look, I also buy her Rimmel rose lipstick. I bought the toilet roll, even Bodyform with wings.
londonstani
literal lightning bolts rippled out of him. “No—knowledge. Share some of the secrets of the universe, let them in on some of your divine, God-only-knows knowledge.” “Why?” “Faith,” Penemue said. More confused looks. “By sharing a bit of your divinity with them, you will be expressing your own faith in them, and that … that is something they will reciprocate in kind.” And therein lay the crux of Penemue’s argument. Faith is a two-way street, and when you think about it—really think about it—it’s a tough pill to swallow. Faith was always one way: humans to gods. The idea that faith could be two ways, especially in the way Penemue meant it, was something most couldn’t wrap their heads around. Hell, I struggled with it and I’m an atheist. Even after the gods left and there was irrefutable proof that they existed, it didn’t change how I felt, because I never had faith in them before, and that didn’t change after.
R.E. Vance (Paradise Lost Epic Boxed Set (Paradise Lost #1-4))
I swallow two pills with the last of my wine, then fall back against the spread. A clock is ticking somewhere, distant and oddly muffled. I pull the box close. It’s just us again. My box of memories and me. I close my eyes, welcoming the darkness, where everything is quiet and the memories can’t find me. I have always grieved the ends of things.
Barbara Davis (The Keeper of Happy Endings)
or the other,” she pleads to us and to Haena especially, since she thinks Haena is still married. “Who will take care of you when you are old? Look at me, what would my life be without you?” She doesn’t understand that I will never have the capacity to shoulder the responsibility of another life when I am scrambling like a madman in my own. It’s why I buy ten boxes of birth control pills at a time from the pharmacy. Miho told me once that in America, they don’t sell birth control over the counter and you need a doctor to prescribe it. And to see a doctor, you can’t just walk in—you have to schedule an appointment days or even weeks in advance. A lot of the things she tells me about America puzzle me because it is so different from how I imagine it to be. I suspect there might have been a lot of miscommunication while she was there. She probably didn’t understand much of what anyone said to her. I’ve heard her speak English before and it didn’t sound that fluent. Miho herself doesn’t use the pills because she says they affect her moods and her work too much. That and she’s afraid they’ll prevent her from being able to get pregnant in the future. I told her I hope that’s true—for
Frances Cha (If I Had Your Face)
Sacrifice demands purity, and isn’t worth as much without it. This is why people get so pissed off when athletes get busted for performance-enhancing drugs. If sport were merely a competitive quest for excellence, pharmaceutical augmentations would be considered an innovation, and their side effects would be considered the price of doing business. We would feel the same way about doped-up athletes that we do about doped-up musicians: it might make them better at what they do. It’s part of the world they live in, although it’s a shame when they overdose or die. But if deep down, we know that sport is the sacrifice of a hunter’s energy, then doping destroys the purity of the ritual, and that’s what leaves us feeling robbed. It also spurs people to cheer for younger elite cyclists like Taylor Phinney, who conspicuously eschew not only banned substances but milder performing-enhancing measures like “finish bottles,” the crushed-up caffeine pills and painkillers that riders gulp down in the home stretch.5 The nutritional taboos of the Paleo Diet mesh perfectly with this mythos. The living root of sport is why Jerry Hill does one-legged box jumps in the Games, coaching from the floor of the arena: no excuses. And it’s why, when we see Chris Spealler carrying a 150-pound ball across the stadium, it seems like one of the great, for-the-ages moments in sport.
J.C. Herz (Learning to Breathe Fire: The Rise of CrossFit and the Primal Future of Fitness)
He came home in late May badly weakened and visibly ill, with high treatment needs at home. He'd lost more weight and color in the hospital and he moved slowly. He also came home on oxygen and ultra-strong IV antibiotics-- his lungs was still filled with a thick fluid and was at high risk of serious infection. I was floored when I learned that I was expected to administer these antibiotics three times a day, through his PICC line. In addition he came home with complex regimen of well over a dozen medications, and it fell on me to fill his extra-large pill box and refill his prescriptions.
Kate Washington (Already Toast: Caregiving and Burnout in America)
Karen admitted to Levenkron she was taking an unfathomable number of laxative tablets—eighty to ninety Dulcolax a night. The ingestion of large quantities of laxatives did not surprise Levenkron. In fact, it was a common practice for many anorexics. “For quite some time, I was taking sixty laxatives at once,” admits Cherry O’Neill. “Mainly because that was how many came in the box. . . . I would ingest the entire contents so as not to leave any evidence.” What did stun Levenkron was Karen’s next casual disclosure. She was also taking thyroid medication—ten pills a day. He was shocked, especially when she explained that she had a normal thyroid.
Randy L. Schmidt (Little Girl Blue: The Life of Karen Carpenter)
and you’re a good match.’ ‘You have a very precise memory.’ ‘It was yesterday.’ ‘I should have told you he keeps a mistress and ignores me.’ Reacher smiled. He said, ‘Good night, Mrs Mackenzie.’ She left him there, the same as the night before, alone in the dark, on the concrete bench, looking at the stars. At that moment a mile away, Stackley clicked off a phone call and parked his beat-up old pick-up truck in a lot behind an out-of-business retail enterprise three blocks from the centre of town. Earlier in his life he had favoured expensive haircuts, and one time when waiting in the salon he had read a magazine that said success in business depended entirely on ruthless control of costs. Thus wherever possible he slept in his truck. Hence the camper shell. A motel would take what he made on two pills. Why give it away? The old gal across the Snowy Range had bought a box of fentanyl patches, but he had given her one he had already opened, an hour before, very carefully, so he could skim out a patch all his own, for his pocket, for later. The old gal would never notice. If she did, she would assume she was too stoned to count right. A natural reaction. Addicts learned to blame themselves. The same the world over. He took scissors from his glove box, and he cut a quarter-inch strip off the patch, and he slipped it under his tongue. Sublingual, it was called. Another magazine in the same salon said it was the best method of all. Stackley couldn’t argue. At that moment sixty miles away, in the low hills west of town, Rose Sanderson was putting herself to bed. She had pulled down her hood, and taken off her silver track suit top. Under it was a T-shirt, which she took off, and a bra, likewise. She peeled the foil off her face. She used her toothbrush handle to scrape excess ointment off her skin. She buttered it back on the foil. With luck she might get one more day out of it. She ran her sink full of cool water. She took a breath, and held her face under the surface. Her record was four minutes. She came up and shook her head. Her
Lee Child (The Midnight Line (Jack Reacher, #22))
register with plastic bags full of herbs, roots, twigs and dried flowers, a box of “rattlesnake pills” with a picture of a coiled snake on the front, a packet of “Aztec energy tea,” a packet of Celebrex arthritis pills, and three boxed syringes loaded with a cortisone steroid that had been banned in the United States and presumably dumped on the Mexican market. She wrote out all the instructions and a bill that totaled nearly a hundred American dollars. I handed over the money and said thank you.
Richard Grant (God's Middle Finger: Into the Lawless Heart of the Sierra Madre)
A creative mind cannot function in an environment where just thinking outside the box can have literally deadly consequences.
Michael Malice (The White Pill: A Tale of Good and Evil)