Piet Mondrian Quotes

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The position of the artist is humble. He is essentially a channel. Piet Mondrian The Artist's Way A Spiritual Path to Greater Creativity by Julia Cameron
Piet Mondriaan
I wish to approach truth as closely as is possible, and therefore I abstract everything until I arrive at the fundamental quality of objects.
Piet Mondriaan
Artists who shared (Paul) Klee's fundamental beliefs, such as (Piet) Mondrian, were searching for universal truths, often derived from nature and having "all-mighty power." For some, a traditional notion of God was part of this; for others, it was of no consequence. What mattered was not the precise character of the object of worship, but the shared belief in its superiority to the cult of self. (104)
Nicholas Fox Weber (The Bauhaus Group: Six Masters of Modernism)
Piet Mondrian was his favourite painter of all time, and this exact picture was his favourite work of all time. The title was Composition with Red, Yellow and Blue. Mondrian had painted the original in 1930 and Reacher had seen it in Zurich, Switzerland.
Lee Child (Tripwire (Jack Reacher, #3))
But in my profession I know one miraculous name. You will be very much surprised. This name is Piet Mondrian. That man painted extremely simple panels, where on a seemingly white ground, divided by what seems to merely be black lines of different sizes and some rectangles of color. If you sit in front of that picture or in front of any of his pictures, but you cannot see it quick, you see it certain times. You have to concentrate and suddenly in front of your eyes, the background recedes, the airy, wonderful structure is advancing towards your eyes and you see the green going far and red coming nearer and the yellow going out of sight. And in front of your eyes is the structure. You are assisting at something that becomes in front of your eyes, that's veritably a becoming, you are assisting at the birth of a form. It is miraculous to recreate the form, but to make you see form being born in front of you -- it is a great miracle. [-- Martin A. Ryerson Lecture, 20 February 1951]
Pavel Tchelitchew
El arte moderno rechaza los métodos de expresión usados en el pasado, pero desarrolla su verdadero contenido.
Mondrian Piet (Arte plástico y arte plástico puro)
But in my profession I know one miraculous name. You will be very much surprised. This name is Piet Mondrian. That man painted extremely simple panels, where on a seemingly white ground, divided by what seems to merely be black lines of different sizes and some rectangles of color. If you sit in front of that picture or in front of any of his pictures, but you cannot see it quick, you see it certain times. You have to conentrate and suddenly in front of your eyes, the background recedes, the airy, wonderful structure is advancing towards your eyes and you see the green going far and red coming nearer and the yellow going out of sight. And in front of your eyes is the structure. You are assisting at something that becomes in front of your eyes, that's veritably a becoming, you are assisting at the birth of a form. It is miraculous to recreate the form, but to make you see form being born in front of you -- it is a great miracle. [-- Martin A. Ryerson Lecture, 20 February 1951]
Pavel Tchelitchew