β
If cats looked like frogs we'd realize what nasty, cruel little bastards they are. Style. That's what people remember.
β
β
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
β
People who claim that they're evil are usually no worse than the rest of us... It's people who claim that they're good, or any way better than the rest of us, that you have to be wary of.
β
β
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
β
In the beginning there was nothing, which exploded.
β
β
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
β
DON'T THINK OF IT AS DYING, said Death. JUST THINK OF IT AS LEAVING EARLY TO AVOID THE RUSH.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Most books on witchcraft will tell you that witches work naked. This is because most books on witchcraft were written by men.
β
β
Neil Gaiman
β
So light a fire!" Harry choked. "Yes...of course...but there's no wood!" ...
"HAVE YOU GONE MAD!" Ron bellowed. "ARE YOU A WITCH OR NOT!
β
β
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
β
Remember this: Nothing is written in the stars. Not these stars, nor any others. No one controls your destiny.
β
β
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years #1))
β
It may help to understand human affairs to be clear that most of the great triumphs and tragedies of history are caused, not by people being fundamentally good or fundamentally bad, but by people being fundamentally people.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
You are what you believe yourself to be.
β
β
Paulo Coelho (The Witch of Portobello)
β
You believe in a book that has talking animals, wizards, witches, demons, sticks turning into snakes, burning bushes, food falling from the sky, people walking on water, and all sorts of magical, absurd and primitive stories, and you say that we are the ones that need help?
β
β
Mark Twain
β
It doesn't matter who you are or what you look like, so long as somebody loves you.
β
β
Roald Dahl (The Witches)
β
The sunset bled into the edges of the village. Smoke curled out of the cottage chimney like a crooked finger.
β
β
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
β
She was beautiful, but she was beautiful in the way a forest fire was beautiful: something to be admired from a distance, not up close.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
An Angel who did not so much Fall as Saunter Vaguely Downwards.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Many people, meeting Aziraphale for the first time, formed three impressions: that he was English, that he was intelligent, and that he was gayer than a treeful of monkeys on nitrous oxide.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
What a pity every child couldn't learn to read under a willow tree...
β
β
Elizabeth George Speare (The Witch of Blackbird Pond)
β
What is a teacher? I'll tell you: it isn't someone who teaches something, but someone who inspires the student to give of her best in order to discover what she already knows.
β
β
Paulo Coelho (The Witch of Portobello)
β
God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players [i.e. everybody], to being involved in an obscure and complex variant of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won't tell you the rules, and who smiles all the time.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
This book was written using 100% recycled words.
β
β
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
β
Tis "the witching time of night", / Orbed is the moon and bright, / And the stars they glisten, glisten, / Seeming with bright eyes to listen β
β
β
John Keats
β
Stay,β she panted. Tears leaked from her eyes. βStay till the end.β
βAnd after,β he said. βAnd always.β
βI want to feel safe again. I want to go home to Ravka.β
βThen Iβll take you there. Weβll set fire to raisins or whatever you heathens do for fun.β
βZealot,β she said weakly.
βWitch.β
βBarbarian.β
βNina,β he whispered, βlittle red bird. Donβt go.
β
β
Leigh Bardugo (Six of Crows (Six of Crows, #1))
β
Anyway, if you stop tellin' people it's all sorted out afer they're dead, they might try sorting it all out while they're alive.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Safe?β said Mr. Beaver; βdonβt you hear what Mrs. Beaver tells you? Who said anything about safe? βCourse he isnβt safe. But heβs good. Heβs the King, I tell you.
β
β
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
β
The future came and went in the mildly discouraging way that futures do.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Give me a man or woman who has read a thousand books and you give me an interesting companion. Give me a man or woman who has read perhaps three and you give me a very dangerous enemy indeed.
β
β
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
β
After all, what is happiness? Love, they tell me. But love doesn't bring and never has brought happiness. On the contrary, it's a constant state of anxiety, a battlefield; it's sleepless nights, asking ourselves all the time if we're doing the right thing. Real love is composed of ecstasy and agony.
β
β
Paulo Coelho (The Witch of Portobello)
β
Remember: that giants sleep too soundly; that witches are often betrayed by their appetites; dragons have one soft spot, somewhere, always; hearts can be well-hidden, and you can betray them with your tongue. (from "Instructions")
β
β
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
β
I hope no one who reads this book has been quite as miserable as Susan and Lucy were that night; but if you have been - if you've been up all night and cried till you have no more tears left in you - you will know that there comes in the end a sort of quietness. You feel as if nothing is ever going to happen again.
β
β
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
β
The entire universe has been neatly divided into things to (a) mate with, (b) eat, (c) run away from, and (d) rocks.
β
β
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
β
You're Hell's Angels, then? What chapter are you from?'
'REVELATIONS. CHAPTER SIX.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
He's not safe, but he's good (referring to Aslan, the Lion, in The Lion, the Witch and the Wardrobe)
β
β
C.S. Lewis
β
One never learns how the witch became wicked, or whether that was the right choice for her~is it ever the right choice? Does the devil ever struggle to be good again, or if so is he not a devil?
β
β
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
β
Witches didn't need blood to survive, but humans didn't need wine, either.
β
β
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
β
The witching hour, somebody had once whispered to her, was a special moment in the middle of the night when every child and every grown-up was in a deep deep sleep, and all the dark things came out from hiding and had the world all to themselves.
β
β
Roald Dahl (The BFG)
β
Most books on witchcraft will tell you that witches work naked. This is because most books on witchcraft are written by men.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
People couldn't become truly holy, he said, unless they also had the opportunity to be definitively wicked.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
All tapes left in a car for more than about a fortnight metamorphose into Best of Queen albums.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Never put your faith in a Prince. When you require a miracle, trust in a Witch.
β
β
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
β
Magic
Sandraβs seen a leprechaun,
Eddie touched a troll,
Laurie danced with witches once,
Charlie found some goblins gold.
Donald heard a mermaid sing,
Susy spied an elf,
But all the magic I have known
I've had to make myself.
β
β
Shel Silverstein (Where the Sidewalk Ends)
β
In fact, the mere act of opening the box will determine the state of the
cat, although in this case there were three determinate states the cat
could be in: these being Alive, Dead, and Bloody Furious.
β
β
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
β
You don't have to test everything to destruction just to see if you made it right.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
So you were going to rescue the Prince! Why did you pretend to run away? To deceive the Witch?"
"Not likely! I'm a coward. Only way I can do something this frightening is to tell myself I'm not doing it!
β
β
Diana Wynne Jones (Howlβs Moving Castle (Howlβs Moving Castle, #1))
β
Only in our dreams are we free. The rest of the time we need wages.
β
β
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
β
We are the granddaughters of the witches you weren't able to burn.
β
β
Tish Thawer (The Witches of BlackBrook (Witches of BlackBrook, #1))
β
Where I'm from, we believe in all sorts of things that aren't true... we call it history.
β
β
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
β
Progress just means bad things happen faster.
β
β
Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
β
I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand a word you say, but I shall still be your affectionate Godfather, C. S. Lewis.
β
β
C.S. Lewis (The Lion, the Witch and the Wardrobe)
β
Happy endings are still endings.
β
β
Gregory Maguire (Son of a Witch (The Wicked Years, #2))
β
If you want to imagine the future, imagine a boy and his dog and his friends. And a summer that never ends.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Wrong will be right, when Aslan comes in sight,
At the sound of his roar, sorrows will be no more,
When he bares his teeth, winter meets its death,
And when he shakes his mane, we shall have spring again.
β
β
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
β
25 And the Lord spake unto the Angel that guarded the eastern gate, saying 'Where is the flaming sword that was given unto thee?'
26 And the Angel said, 'I had it here only a moment ago, I must have put it down some where, forget my own head next.'
27 And the Lord did not ask him again.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Love simply is.
β
β
Paulo Coelho (The Witch of Portobello)
β
The summer sun bowing out threw slashes of colour between the buildings. London looked big, empty, and lonely. She stood in the doorway, like a cat trying to make up its mind.
β
β
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
β
Like water around rocks, people streamed around them as though this sort of interaction, noisy and involving foreigners, was nothing unusual.
β
β
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
β
Whatβs βague?ββ Raya asked.
βMalaria.β Oscar said.
βOh, great.β
βHey, you want plague? They got that too.β Raya ignored
the cat.
β
β
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
β
Oscar looked up from his plate, and if a cat could laugh, he would have. βBoy, thatβs ugly, even for a jinn. Looks like a cross between a rat, a frog and a bottlebrush.
β
β
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
β
Nanny Ogg looked under her bed in case there was a man there. Well, you never knew your luck.
β
β
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
β
Oo, I like a good cat fight β especially when it doesnβt involve me,β Oscar said.
βShut up!β Bryony and Raya said simultaneously. A hairline crack formed in the ice between them.
β
β
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
β
Just because something seems impossible doesnβt make it untrue,
β
β
Deborah Harkness (A Discovery of Witches (All Souls, #1))
β
It begins with absence and desire.
It begins with blood and fear.
It begins with a discovery of witches.
β
β
Deborah Harkness (A Discovery of Witches (All Souls, #1))
β
The difference between my darkness and your darkness is that I can look at my own badness in the face and accept its existence while you are busy covering your mirror with a white linen sheet. The difference between my sins and your sins is that when I sin I know I'm sinning while you have actually fallen prey to your own fabricated illusions. I am a siren, a mermaid; I know that I am beautiful while basking on the ocean's waves and I know that I can eat flesh and bones at the bottom of the sea. You are a white witch, a wizard; your spells are manipulations and your cauldron from hell yet you wrap yourself in white and wear a silver wig.
β
β
C. JoyBell C.
β
On the end of my bed. Heβs short, round and bald, with a tartan loin cloth, and what looks like a spout on the top of his head,β Bryony said. βYou flatter me,β came the snide male voice. βBut itβs a valve.
β
β
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
β
Aziraphale collected books. If he were totally honest with himself he would have to have admitted that his bookshop was simply somewhere to store them. He was not unusual in this. In order to maintain his cover as a typical second-hand book seller, he used every means short of actual physical violence to prevent customers from making a purchase. Unpleasant damp smells, glowering looks, erratic opening hours - he was incredibly good at it.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Blessings be on this house," Granny said, perfunctorily. It was always a good opening remark for a witch. It concentrated people's minds on what other things might be on this house.
β
β
Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
β
She was also, by the standards of other people, lost. She would not see it like that. She knew where she was, it was just that everywhere else didn't.
β
β
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
β
And sin, young man, is when you treat people like things.
β
β
Terry Pratchett (Carpe Jugulum (Discworld, #23; Witches, #6))
β
Then Raya saw Rebecca West, the fourteen-year-old who only saved her own life by testifying against her mother, and then she saw her own face reflected in these girls β a swirl of chance, and life and sorrow.
β
β
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
β
Elves are wonderful. They provoke wonder.
Elves are marvellous. They cause marvels.
Elves are fantastic. They create fantasies.
Elves are glamorous. They project glamour.
Elves are enchanting. They weave enchantment.
Elves are terrific. They beget terror.
The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning.
No one ever said elves are nice.
Elves are bad.
β
β
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
β
Once a king or queen of Narnia, always a king or queen of Narnia.
β
β
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
β
As far as I can tell there are only two emotions that keep the world spinning year after year...One is fear. The other is desire.
β
β
Deborah Harkness (A Discovery of Witches (All Souls, #1))
β
This was bad grammar of course, but that is how beavers talk when they are excited; I mean, in Narnia--in our world they usually don't talk at all.
- The Lion, The Witch, and the Wardrobe
β
β
C.S. Lewis (The Chronicles of Narnia (The Chronicles of Narnia, #1-7))
β
People think that stories are shaped by people. In fact, it's the other way around.
β
β
Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
β
A witch ought never to be frightened in the darkest forest, Granny Weatherwax had once told her, because she should be sure in her soul that the most terrifying thing in the forest was her.
β
β
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
β
Hell may have all the best composers, but heaven has all the best choreographers.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Aslan is a lion- the Lion, the great Lion." "Ooh" said Susan. "I'd thought he was a man. Is he-quite safe? I shall feel rather nervous about meeting a lion"..."Safe?" said Mr Beaver ..."Who said anything about safe? 'Course he isn't safe. But he's good. He's the King, I tell you.
β
β
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
β
Gods prefer simple, vicious games, where you Do Not Achieve Transcendence but Go Straight To Oblivion; a key to the understanding of all religion is that a god's idea of amusement is Snakes and Ladders with greased rungs.
β
β
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
β
All shall be done, but it may be harder than you think.
β
β
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
β
The duke had a mind that ticked like a clock and, like a clock, it regularly went cuckoo.
β
β
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
β
She was my assignment."
"From The Eye?"
"No, from the Boy Scouts. That Witch Dating badge just kept eluding me."
"Well, you must have at least three Total Douchebag badges by now, so that has to count for something.
β
β
Rachel Hawkins (Demonglass (Hex Hall, #2))
β
The true secret in being a hero lies in knowing the order of things. The swineherd cannot already be wed to the princess when he embarks on his adventures, nor can the boy knock on the witch's door when she is already away on vacation. The wicked uncle cannot be found out and foiled before he does something wicked. Things must happen when it is time for them to happen. Quests may not simply be abandoned; prophecies may not be left to rot like unpicked fruit; unicorns may go unrescued for a very long time, but not forever. The happy ending cannot come in the middle of the story.
β
β
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
β
She peeped through one of the small holes in the outer wall rising up from the walkway. The world on the outside was nothing but countryside now. Dirt roads, like chocolate ribbons, disappeared into woods or green fields in the distance.
β
β
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
β
She walked quickly through the darkness with the frank stride of someone who was at least certain that the forest, on this damp and windy night, contained strange and terrible things and she was it.
β
β
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
β
Potentially evil. Potentially good, too, I suppose. Just this huge powerful potentiality waiting to be shaped.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Raya knew this type of girl β they never liked her. Usually theyβd make fun of her, behind her back, but loud enough for her to hear. She was too alternative, too poor and too cynical β the foster kid β to be of any interest to these social climbers.
β
β
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
β
He thrust his shoulders back and spoke in a whisper that sounded like the hiss of a snake.
βYes, the very battle between good and evil, played out even in the lowliest of lives like yours. Witches killing dogs because they did not get their favourite drink.
β
β
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
β
Most witches donβt believe in gods. They know that the gods exist, of course. They even deal with them occasionally. But they donβt believe in them. They know them too well. It would be like believing in the postman.
β
β
Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
β
But the worst enemy you can meet will always be yourself; you lie in wait for yourself in caverns and forests. Lonely one, you are going the way to yourself! And your way goes past yourself, and past your seven devils! You will be a heretic to yourself and witch and soothsayer and fool and doubter and unholy one and villain. You must be ready to burn yourself in your own flame: how could you become new, if you had not first become ashes?
β
β
Friedrich Nietzsche (Thus Spoke Zarathustra)
β
Niceness is all about what we do when other people are looking. Kindness, on the other hand, runs deep. Kindness is what happens when no oneβs looking.
β
β
Sangu Mandanna (The Very Secret Society of Irregular Witches)
β
If there is any possible consolation in the tragedy of losing someone we love very much, it's the necessary hope that perhaps it was for the best.
β
β
Paulo Coelho (The Witch of Portobello)
β
The men in the room suddenly realized that they did not want to know her better. She was beautiful, but she was beautiful in the way a forest fire was beautiful: something to be admired from a distance, not up close.
And she held her sword, and she smiled like a knife.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Where shall we three meet again in thunder, lightning, or in rain? When the hurlyburly 's done, when the battle 's lost and won
β
β
William Shakespeare (Macbeth)
β
If you've been up all night and cried till you have no more tears left in you - you will know that there comes in the end a sort of quietness. You feel as if nothing was ever going to happen again.
β
β
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
β
And she was right. No matter how they tried, the two humans, with the cat but without the microchip, couldnβt connect to headquarters. Raya heard a loud popping sound in her mind, like a huge rubber band being snapped, like a glider plane released from a Piper Cub.
β
β
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
β
He'll be coming and going" he had said. "One day you'll see him and another you won't. He doesn't like being tied down--and of course he has other countries to attend to. It's quite all right. He'll often drop in. Only you mustn't press him. He's wild, you know. Not like a tame lion.
β
β
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
β
It has been said that civilization is twenty-four hours and two meals away from barbarism.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Reason lost the battle, and all I could do was surrender and accept I was in love.
β
β
Paulo Coelho (The Witch of Portobello)
β
So he stalked her again. Love makes hunters of us all.
β
β
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
β
He desperately tried to think of a story to explain his involvement in her sudden appearance, without mentioning the book of magic in his possession.
Β
β
β
Max Nowaz (The Three Witches and the Master)
β
There was much to hate in this world and too much to love.
β
β
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
β
She said 'Over my dead body!' so I took her at her word.
β
β
Diana Wynne Jones (Howlβs Moving Castle (Howlβs Moving Castle, #1))
β
You confuse not speaking with not listening.
β
β
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
β
Witch. The word drifted across his mind. We call such women so, because we have no other name.
β
β
Katherine Arden (The Girl in the Tower (The Winternight Trilogy, #2))
β
Always winter but never Christmas.
β
β
C.S. Lewis (The Lion, the Witch and the Wardrobe)
β
Death and Famine and War and Pollution continued biking towards Tadfield. And Grievous Bodily Harm, Cruelty To Animals, Things Not Working Properly Even After You've Given Them A Good Thumping but secretly No Alcohol Lager, and Really Cool People travelled with them.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Whereβs my uncle?β she asked.
βI donβt know who your uncle is, but if it as the guy who owned this place before I bought it, then heβs pushing up daisies.β
βBut it canβt be, heβs still young.
β
β
Max Nowaz (The Three Witches and the Master)
β
You canβt escape me, Iβm coming for you soon,β shrieked his hellish voice. Whether the beast was a man in a mask or a demon of his imagination, made little difference to Adam, He was petrified.
β
β
Max Nowaz (The Three Witches and the Master)
β
...it is well known that a vital ingredient of success is not knowing that what you're attempting can't be done.
β
β
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
β
I havenβt got a clue why his bones disintegrated, but look at the bright side,β laughed Adam. βWe wonβt have to dispose of the body. Iβll get a pan and brush in a minute and flush him down the toilet.
β
β
Max Nowaz (The Three Witches and the Master)
β
Nanny's philosophy of life was to do what seemed like a good idea at the time, and do it as hard as possible. It had never let her down.
β
β
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
β
He couldnβt see why people made such a fuss about people eating their silly old fruit anyway, but life would be a lot less fun if they didnβt. And there was never an apple, in Adamβs opinion, that wasnβt worth the trouble you got into for eating it.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
And girls need cold anger. They need the cold simmer, the ceaseless grudge, the talent to avoid forgiveness, the side stepping of compromise. They need to know when they say something that they will never back down, ever, ever.
β
β
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
β
This witch had been crafted from the darkness between the stars.
β
β
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
β
A werewolf tossed me against a giant packing crate while I was trying to rescue a frightened young girl who'd been kidnapped by an evil witch and a drug lord.
β
β
Patricia Briggs (Moon Called (Mercy Thompson, #1))
β
Aziraphale. The Enemy, of course. But an enemy for six thousand years now, which made him a sort of friend.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
What are you?" I rasped.
It smiled. "Whatever scares you.
β
β
Kim Harrison (Dead Witch Walking (The Hollows, #1))
β
To me, a witch is a woman that is capable of letting her intuition take hold of her actions, that communes with her environment, that isn't afraid of facing challenges.
β
β
Paulo Coelho
β
Because humans are complicated beasts, the monster said. How can a queen be both a good witch and a bad witch? How can a prince be a murderer and a saviour? How can an apothecary be evil-tempered but right-thinking? How can a parson be wrong-thinking but good-hearted? How can invisible men make themselves more lonely by being seen?
"I don't know," Connor shrugged, exhausted. "Your stories never made any sense to me."
The answer is that it does not matter what you think, the monster said, because your mind will contradict itself a hundred times each day. You wanted her to go at the same time you were desperate for me to save her. Your mind will believe comforting lies while also knowing the painful truths that make those lies necessary. And your mind will punish you for believing both.
β
β
Patrick Ness (A Monster Calls)
β
The first time I called myself a 'Witch' was the most magical moment of my life.
β
β
Margot Adler (Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America)
β
I hate cats."
Death's face became a little stiffer, if that were possible. The blue glow in his eye sockets flickered red for an instant.
"I SEE," he said. The tone suggested that death was too good for cat haters.
β
β
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
β
Faith is not Desire. Faith is Will. Desires are things that need to be satisfied, whereas Will is a force. Will changes the space around us,...
β
β
Paulo Coelho (The Witch of Portobello)
β
Nanny Ogg knew how to start spelling 'banana', but didn't know how you stopped.
β
β
Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
β
The body apologizes to the soul for its errors, and the soul asks forgiveness for squatting in the body without invitation.
β
β
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
β
To the glistening eastern sea, I give you Queen Lucy the Valiant. To the great western woods, King Edmund the Just. To the radiant southern sun, Queen Susan the Gentle. And to the clear northern skies, I give you King Peter the Magnificent. Once a king or queen of Narnia, always a king or queen of Narnia. May your wisdom grace us until the stars rain down from the heavens.
β
β
C.S. Lewis (The Lion, the Witch and the Wardrobe)
β
His progress through life was hampered by his tremendous sense of his own ignorance, a disability which affects all too few.
β
β
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
β
I'm not the world's greatest expert, but I would have thought that the wizards, witches, trolls, unicorns, ... broomsticks and spells would have given her a clue?' - when J.K. Rowling insisted she wasn't writing fantasy.
β
β
Terry Pratchett
β
There are no monsters in the world, and no saints. Only infinite shades woven into the same tapestry, light and dark. One manβs monster is another manβs beloved. The wise know that.
β
β
Katherine Arden (The Winter of the Witch (The Winternight Trilogy, #3))
β
I heard the man and woman cry a warning as I frantically racked my brain for some sort of throat-repairing spell, which I was clearly about to need. Of course the only words that I actually managed to yell at the werewolf as he ran at me were, 'BAD DOG!'
Then, out of the corner of my eye, I caught a flash of blue light on my left. Suddenly, the werewolf seemed to smack into an invisible wall just inches in front of me....
"You know," someone said off to my left, "I usually find a blocking spell to be a lot more effective than yelling 'Bad dog,' but maybe that's just me.
β
β
Rachel Hawkins (Hex Hall (Hex Hall, #1))
β
You shall address me as βMy Dearestβ,β he repeated in a mocking voice, trying to copy her tone. βYou will forget all about this conversation when you leave this room.β It was interesting that tone; it had a sort of hypnotising ring to it.
β
β
Max Nowaz (The Three Witches and the Master)
β
It is a blessing as well as a burden to love so much that you can hurt so badly when love is gone.
β
β
Deborah Harkness (A Discovery of Witches (All Souls, #1))
β
When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet, of some mute and inglorious Jane Austen, some Emily Bronte who dashed her brains out on the moor or mopped and mowed about the highways crazed with the torture that her gift had put her to. Indeed, I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.
β
β
Virginia Woolf (A Room of Oneβs Own)
β
You are what you believe yourself to be
β
β
Paulo Coelho (The Witch of Portobello)
β
Many things that are true feel like a cheat. Kingdoms get the princes they deserve, farmersβ daughters die for no reason, and sometimes witches merit saving. Quite often, actually. Youβd be surprised.
β
β
Patrick Ness (A Monster Calls)
β
I was born on the night of Samhain, when the barrier between the worlds is whisper-thin and when magic, old magic, sings its heady and sweet song to anyone who cares to hear it.
β
β
Carolyn MacCullough (Once a Witch (Witch, #1))
β
Witches are not so delicate.
β
β
Madeline Miller (Circe)
β
People who didn't need people needed people around to know that they were the kind of people who didn't need people.
β
β
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
β
Crowley (An Angel who did not so much Fall as Saunter Vaguely Downwards)
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Why," he asked. "Why did you save her?"
She dragged a hand through her hair. [...]
"Because that golden-haired witch, Asterin ...," Aelin said. "She screamed Manon's name the way I screamed yours.
β
β
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
β
Yes, I see that you are behaving like a prince but that doesn't mean you won't behave like a devil at the first opportunity.
β
β
Deborah Harkness (A Discovery of Witches (All Souls, #1))
β
Was it weird having a witch grandma? Scary? Was she always, like, threatening to cast spells if you were bad?"
"Most of the time she just threatened to send me to my room."
"That doesn't sound so scary to me."
"That's because you haven't met her.
β
β
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
β
No one places her dreams in the hands of those who might destroy them.
β
β
Paulo Coelho (The Witch of Portobello)
β
Why are we talking about this good and evil? They're just names for sides. We know that.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Everything, absolutely everything on this earth makes sense, and even the smallest things are worthy of our consideration.
β
β
Paulo Coelho (The Witch of Portobello)
β
Heaven has no taste."
"Now-"
"And not one single sushi restaurant."
A look of pain crossed the angel's suddenly very serious face.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Because no retreat from the world can mask what is in your face.
β
β
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
β
Sorry, we've got ghosts.
β
β
Deborah Harkness (A Discovery of Witches (All Souls Trilogy, #1))
β
Once a King in Narnia, always a King in Narnia. But don't go trying to use the same route twice. Indeed, don't try to get there at all. It'll happen when you're not looking for it. And don't talk too much about it even among yourselves. And don't mention it to anyone else unless you find that they've had adventures of the same sort themselves. What's that? How will you know? Oh, you'll know all right. Odd things, they say-even their looks-will let the secret out. Keep your eyes open. Bless me, what do they teach them at these schools."
-The Professor
β
β
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
β
FaΓ«rie contains many things besides elves and fays, and besides dwarfs, witches, trolls, giants, or dragons; it holds the seas, the sun, the moon, the sky; and the earth, and all things that are in it: tree and bird, water and stone, wine and bread, and ourselves, mortal men, when we are enchanted.
β
β
J.R.R. Tolkien (Tolkien On Fairy-stories)
β
She dropped her shyness like a nightgown, and in the liquid glare of sunlight on old boards she held up her hands-as if, in the terror of the upcoming skirmish, she had at last understood that she was beautiful. In her own way.
β
β
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
β
A bond between souls is ancient - older than the planet.
β
β
Dianna Hardy (The Witching Pen (The Witching Pen Novellas, #1))
β
No one controls your destiny. Even at the very worst - there is always choice.
β
β
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
β
And happiness is always louder than sadness.
β
β
Deborah Harkness (A Discovery of Witches (All Souls, #1))
β
The really important thing to be was yourself, just as hard as you could.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
May my heart be kind, my mind fierce, and my spirit brave.
β
β
Kate Forsyth (The Witches of Eileanan (The Witches of Eileanan, #1))
β
Personalβs not the same as important. People just think it is.
β
β
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
β
Eye of newt, and toe of frog,
Wool of bat, and tongue of dog,
Adder's fork, and blind-worm's sting,
Lizard's leg, and owlet's wing,β
For a charm of powerful trouble,
Like a hell-broth boil and bubble.
Double, double toil and trouble;
Fire burn, and caldron bubble.
β
β
William Shakespeare
β
I stand in front of my window and imagine myself a fearless knight, imagine myself a witch who hid her heart in her finger and then chopped her finger off.
β
β
Holly Black (The Cruel Prince (The Folk of the Air, #1))
β
Love fills everything. It cannot be desired because it is an end in itself. It cannot betray because it has nothing to do with possession. It cannot be held prisoner because it is a river and will overflow its banks. Anyone who tries to imprison love will cut off the spring that feeds it, and the trapped water will grow stagnant.
β
β
Paulo Coelho (The Witch of Portobello)
β
I was going to fight vampires, and my name wasn't Buffy--I was so screwed.
β
β
Patricia Briggs (Frost Burned (Mercy Thompson, #7))
β
Daughter of Eve from the far land of Spare Oom where eternal summer reigns around the bright city of War Drobe, how would it be if you came and had tea with me?
β
β
C.S. Lewis (The Chronicles of Narnia The Lion, the Witch & the Wardrobe)
β
All witches are selfish, the Queen had said. But Tiffanyβs Third Thoughts said: Then turn selfishness into a weapon! Make all things yours! Make other lives and dreams and hopes yours! Protect them! Save them! Bring them into the sheepfold! Walk the gale for them! Keep away the wolf! My dreams! My brother! My family! My land! My world! How dare you try to take these things, because they are mine!
I have a duty!
β
β
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
β
Loads of children read books about dinosaurs, underwater monsters, dragons, witches, aliens, and robots. Essentially, the people who read SF, fantasy and horror haven't grown out of enjoying the strange and weird.
β
β
China MiΓ©ville
β
Witches are naturally nosy,β said Miss Tick, standing up. βWell, I must go. I hope we shall meet again. I will give you some free advice, though.β
βWill it cost me anything?β
βWhat? I just said it was free!β said Miss Tick.
βYes, but my father said that free advice often turns out to be expensive,β said Tiffany.
Miss Tick sniffed. βYou could say this advice is priceless,β she said, βAre you listening?β
βYes,β said Tiffany.
βGood. Now...if you trust in yourself...β
βYes?β
β...and believe in your dreams...β
βYes?β
β...and follow your star...β Miss Tick went on.
βYes?β
β...youβll still be beaten by people who spent their time working hard and learning things and werenβt so lazy. Goodbye.
β
β
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
β
It comes from history. It comes from the record of the Inquisition, persecuting heretics and torturing Jews and all that sort of stuff; and it comes from the other side, too, from the Protestants burning the Catholics. It comes from the insensate pursuit of innocent and crazy old women, and from the Puritans in America burning and hanging the witches β and it comes not only from the Christian church but also from the Taliban. Every single religion that has a monotheistic god ends up by persecuting other people and killing them because they don't accept him. Wherever you look in history, you find that. Itβs still going on.
β
β
Philip Pullman
β
Asleep, he looks like a bleeding Prince Charming chained in the dungeon. When I was little, I always thought Iβd be Cinderella, but I guess this makes me the wicked witch.
But then again, Cinderella didnβt live in a post-apocalyptic world invaded by avenging angels.
β
β
Susan Ee (Angelfall (Penryn & the End of Days, #1))
β
I don't see what's so triffic about creating people as people and then gettin' upset cos' they act like people", said Adam severely. "Anyway, if you stopped tellin' people it's all sorted out after they're dead, they might try sorting it all out while they're alive.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
It's like you said the other day," said Adam. "You grow up readin' about pirates and cowboys and spacemen and stuff, and jus' when you think the world's full of amazin' things, they tell you it's really all dead whales and chopped-down forests and nucular waste hangin' about for millions of years. 'Snot worth growin' up for, if you ask my opinion.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Hell wasn't a major reservoir of evil, any more then Heaven, in Crowley's opinion, was a fountain of goodness; they were just sides in the great cosmic chess game. Where you found the real McCoy, the real grace and the real heart-stopping evil, was right inside the human mind.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
People always did like to talk, didn't they? That's why I call myself a witch now: the Wicked Witch of the West, if you want the full glory of it. As long as people are going to call you a lunatic anyway, why not get the benefit of it? It liberates you from convention.
β
β
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
β
My mother says that pain is hidden in everyone you see. She says try to imagine it like big bunches of flowers that everyone is carrying around with them. Think of your pain like a big bunch of red roses, a beautiful thorn necklace. Everyone has one.
β
β
Francesca Lia Block (Witch Baby (Weetzie Bat, #2))
β
Think of every fairy-tale villainess you've ever heard of. Think of the wicked witches, the evil queens, the mad enchantresses. Think of the alluring sirens, the hungry ogresses, the savage she-beasts. Think of them and remember that somewhere, sometime, they've all been real.
Mab gave them lessons.
β
β
Jim Butcher (Small Favor (The Dresden Files, #10))
β
And this is Nymphadora-"
"Don't call me Nymphadora, Remus," said the young witch with a shudder. "It's Tonks."
"-Nymphadora Tonks, who prefers to be known by her surname only," finished Lupin.
"So would you if your fool of a mother had called you 'Nymphadora,' " muttered Tonks.
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
Liar! Liar!" shrieked suddenly from the now open trap door.
Miracle Max whirled. "Back, Witch--" he commanded.
"I'm not a witch, I'm your wife--" she was advancing on him now, an ancient tiny fury--"and after what you've just done I don't think I want to be that any more--
β
β
William Goldman (The Princess Bride)
β
Does a crow become a salmon simply because it wished to? You do not know the first thing about mortality, prince-who-is-not. Why would you want to become like them?"
"Because," Grimalkin answered before I could say anything, "he is in love."
"Ahhh." The Witch looked at me and shook her head. "I see. Poor creature. Then you will not hear a word I have to say"
I was in love. With a human.
I smiled bitterly at the thought. The old Ash, if faced with such a suggestion, would've either laughed scornfully or removed the offender's head from his neck.
β
β
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
β
This isn't your average book, it's pure gold: Twelve Fail-Safe Ways to Charm Witches. Explains everything you need to know about girls. IF only I'd had this last year I'd have known exactly how to get rid of Lavender and I would've known how to get going with... Well Fred and George gave me a copy, and I've learned a lot. You'd be surprised, it's not all about wandwork, either.
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
The Monks of Cool, whose tiny and exclusive monastery is hidden in a really cool and laid-back valley in the lower Ramtops, have a passing-out test for a novice. He is taken into a room full of all types of clothing and asked: Yo, my son, which of these is the most stylish thing to wear? And the correct answer is: Hey, whatever I select.
β
β
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
β
He had heard about talking to plants in the early seventies, on Radio Four, and thought it was an excellent idea. Although talking is perhaps the wrong word for what Crowley did.
What he did was put the fear of God into them.
More precisely, the fear of Crowley.
In addition to which, every couple of months Crowley would pick out a plant that was growing too slowly, or succumbing to leaf-wilt or browning, or just didn't look quite as good as the others, and he would carry it around to all the other plants. "Say goodbye to your friend," he'd say to them. "He just couldn't cut it. . . "
Then he would leave the flat with the offending plant, and return an hour or so later with a large, empty flower pot, which he would leave somewhere conspicuously around the flat.
The plants were the most luxurious, verdant, and beautiful in London. Also the most terrified.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
I didn't actually think you were hanging out at Hex Hall because of your burning love for me. But that's what I'm telling all the girls back at school," I said, stabbing a forkful of eggs. "I'm thinking 'heartbreaker' might be a nice addition to my 'avenging witch' reputation.
β
β
Rachel Hawkins (Demonglass (Hex Hall, #2))
β
We feel cold, but we don't mind it, because we will not come to harm. And if we wrapped up against the cold, we wouldn't feel other things, like the bright tingle of the stars, or the music of the aurora, or best of all the silky feeling of moonlight on our skin. It's worth being cold for that.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
There is darkness inside all of us, though mine is more dangerous than most. Still, we all have itβthat part of our soul that is irreparably damaged by the very trials and tribulations of life. We are what we are because of it, or perhaps in spite of it. Some use
it as a shield to hide behind, others as an excuse to do unconscionable things. But, truly, the darkness is simply a piece of the whole, neither good nor evil unless you make it so. It
took a witch, a war, and a voodoo queen to teach me that.
β
β
Jenna Maclaine (Bound By Sin (Cin Craven, #3))
β
The ducks in St James's Park are so used to being fed bread by secret agents meeting clandestinely that they have developed their own Pavlovian reaction. Put a St James's Park duck in a laboratory cage and show it a picture of two men -- one usually wearing a coat with a fur collar, the other something sombre with a scarf -- and it'll look up expectantly.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Not everyone is born a witch or a saint. Not everyone is born talented, or crooked, or blessed; some are born definite in no particular at all. We are a fountain of shimmering contradictions, most of us. Beautiful in the concept, if we're lucky, but frequently tedious or regrettable as we flesh ourselves out.
β
β
Gregory Maguire (Son of a Witch (The Wicked Years, #2))
β
As Harry and Ron rounded the clump of trees behind which Harry had first heard the dragons roar, a witch leapt out from behind them.
It was Rita Skeeter. She was wearing acid-green robes today; the Quick-Quotes Quill in her hand blended perfectly against them.
"Congratulations, Harry!' she said beaming at him. "I wonder if you could give me a quick word? How you felt facing that dragon? How do you feel now about the fairness of the scoring?"
"Yeah, you can have a word," said Harry savagely. "Goodbye!
β
β
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
β
It was lonely on the hill, and cold. And all you could do was keep going. You could scream, cry, and stamp your feet, but apart from making you feel warmer, it wouldnβt do any good. You could say it was unfair, and that was true, but the universe didnβt care because it didnβt know what βfairβ meant. That was the big problem about being a witch. It was up to you. It was always up to you.
β
β
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
β
She might even be your lovely school-teacher who is reading these words to you at this very moment. Look carefully at that teacher. Perhaps she is smiling at the absurdity of such a suggestion. Don't let that put you off. It could be part of cleverness.
I am not, of course, telling you for one second that your teacher actually is a witch. All I am saying is that she might be one. It is most unlikely. Butβhere comes the big "but"βnot impossible.
β
β
Roald Dahl (The Witches)
β
The stories never said why she was wicked. It was enough to be an old woman, enough to be all alone, enough to look strange because you have no teeth. It was enough to be called a witch. If it came to that, the book never gave you the evidence of anything. It talked about "a handsome prince"... was he really, or was it just because he was a prince that people called handsome? As for "a girl who was as beautiful as the day was long"... well, which day? In midwinter it hardly ever got light! The stories don't want you to think, they just wanted you to believe what you were told...
β
β
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
β
Granny Weatherwax was often angry. She considered it one of her strong points. Genuine anger was one of the world's greatest creative forces. But you had to learn how to control it. That didn't mean you let it trickle away. It meant you dammed it, carefully, let it develop a working head, let it drown whole valleys of the mind and then, just when the whole structure was about to collapse, opened a tiny pipeline at the base and let the iron-hard stream of wrath power the turbines of revenge.
β
β
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
β
You are so young, Lyra, too young to understand this, but I shall tell you anyway and you'll understand it later: men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, clever; and they die almost at once. They die so soon that our hearts are continually racked with pain. We bear their children, who are witches if they are female, human if not; and then in the blink of an eye they are gone, felled, slain, lost. Our sons, too. When a little boy is growing, he thinks he is immortal. His mother knows he isn't. Each time becomes more painful, until finally your heart is broken. Perhaps that is when Yambe-Akka comes for you. She is older than the tundra. Perhaps, for her, witches' lives are as brief as men's are to us.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
β
If you sit down and think about it sensibly, you come up with some very funny ideas. Like: why make people inquisitive, and then put some forbidden fruit where they can see it with a big neon finger flashing on and off saying 'THIS IS IT!'? ... I mean, why do that if you really don't want them to eat it, eh? I mean, maybe you just want to see how it all turns out. Maybe it's all part of a great big ineffable plan. All of it. You, me, him, everything. Some great big test to see if what you've built all works properly, eh? You start thinking: it can't be a great cosmic game of chess, it has to be just very complicated Solitaire.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
And then there were cats, thought Dog. He'd surprised the huge ginger cat from next door and had attempted to reduce it to cowering jelly by means of the usual glowing stare and deep-throated growl, which had always worked on the damned in the past. This time they had earned him a whack on the nose that had made his eyes water. Cats, Dog considered, were clearly a lot tougher than lost souls. He was looking forward to a further cat experiment, which he planned would consist of jumping around and yapping excitedly at it. It was a long shot, but it just might work.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
He lingered at the door, and said, 'The Lion wants courage, the Tin Man a heart, and the Scarecrow brains. Dorothy wants to go home. What do you want?'...
She couldn't say forgiveness, not to Liir. She started to say 'a soldier,' to make fun of his mooning affections over the guys in uniform. But realizing even as she said it that he would be hurt, she caught herself halfway, and in the end what came out of her mouth surprised them both.
She said, 'A soul-'
He blinked at her.
β
β
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years #1))
β
Most of the members of the convent were old-fashioned Satanists, like their parents and grandparents before them. They'd been brought up to it, and weren't, when you got right down to it, particularly evil. Human beings mostly aren't. They just get carried away by new ideas, like dressing up in jackboots and shooting people, or dressing up in white sheets and lynching people, or dressing up in tie-dye jeans and playing guitars at people. Offer people a new creed with a costume and their hearts and minds will follow. Anyway, being brought up as a Satanist tended to take the edge off it. It was something you did on Saturday nights.
And the rest of the time you simply got on with life as best you could, just like everyone else.
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Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
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The old order, it is good for the old. A farmer wants his son to be afraid of beautiful women, so that he will not leave home too soon, so he tells a story about how one drowned his brotherβs cousinβs friend in a lake, not because he was a pig who deserved to be drowned, but because beautiful women are bad, and also witches. And it doesnβt matter that she didnβt ask to be beautiful, or to be born in a lake, or to live forever, or to not know how men breathe until they stop doing it.
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Catherynne M. Valente (Deathless)
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Crowley had always known that he would be around when the world ended, because he was immortal and wouldnβt have any alternative. But he hoped it was a long way off. Because he rather liked people. It was major failing in a demon. Oh, he did his best to make their short lives miserable, because that was his job, but nothing he could think up was half as bad as the stuff they thought up themselves. They seemed to have a talent for it. It was built into the design, somehow. They were born into a world that was against them in a thousand little ways, and then devoted most of their energies to making it worse. Over the years Crowley had found it increasingly difficult to find anything demonic to do which showed up against the natural background of generalized nastiness. There had been times, over the past millennium, when heβd felt like sending a message back Below saying, Look we may as well give up right now, we might as well shut down Dis and Pandemonium and everywhere and move up here, thereβs nothing we can do to them that they donβt do to themselves and they do things weβve never even thought of, often involving electrodes. Theyβve got what we lack. Theyβve got imagination. And electricity, of course. One of them had written it, hadnβt heβ¦βHell is empty, and all the devils are here.
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Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
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Her Kind
I have gone out, a possessed witch,
haunting the black air, braver at night;
dreaming evil, I have done my hitch
over the plain houses, light by light:
lonely thing, twelve-fingered, out of mind.
A woman like that is not a woman, quite.
I have been her kind.
I have found the warm caves in the woods,
filled them with skillets, carvings, shelves,
closets, silks, innumerable goods;
fixed the suppers for the worms and the elves:
whining, rearranging the disaligned.
A woman like that is misunderstood.
I have been her kind.
I have ridden in your cart, driver,
waved my nude arms at villages going by,
learning the last bright routes, survivor
where your flames still bite my thigh
and my ribs crack where your wheels wind.
A woman like that is not ashamed to die.
I have been her kind.
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Anne Sexton (To Bedlam and Part Way Back)
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Along with the standard computer warranty agreement which said that if the machine 1) didn't work, 2) didn't do what the expensive advertisements said, 3) electrocuted the immediate neighborhood, 4) and in fact failed entirely to be inside the expensive box when you opened it, this was expressly, absolutely, implicitly and in no event the fault or responsibility of the manufacturer, that the purchaser should consider himself lucky to be allowed to give his money to the manufacturer, and that any attempt to treat what had just been paid for as the purchaser's own property would result in the attentions of serious men with menacing briefcases and very thin watches. Crowley had been extremely impressed with the warranties offered by the computer industry, and had in fact sent a bundle Below to the department that drew up the Immortal Soul agreements, with a yellow memo form attached just saying: 'Learn, guys...
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Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
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Once upon a time,β I began. βThere was a little boy born in a little town. He was perfect, or so his mother thought. But one thing was different about him. He had a gold screw in his belly button. Just the head of it peeping out.
βNow his mother was simply glad he had all his fingers and toes to count with. But as the boy grew up he realized not everyone had screws in their belly buttons, let alone gold ones. He asked his mother what it was for, but she didnβt know. Next he asked his father, but his father didnβt know. He asked his grandparents, but they didnβt know either.
βThat settled it for a while, but it kept nagging him. Finally, when he was old enough, he packed a bag and set out, hoping he could find someone who knew the truth of it.
βHe went from place to place, asking everyone who claimed to know something about anything. He asked midwives and physickers, but they couldnβt make heads or tails of it. The boy asked arcanists, tinkers, and old hermits living in the woods, but no one had ever seen anything like it.
βHe went to ask the Cealdim merchants, thinking if anyone would know about gold, it would be them. But the Cealdim merchants didnβt know. He went to the arcanists at the University, thinking if anyone would know about screws and their workings, they would. But the arcanists didnβt know. The boy followed the road over the Stormwal to ask the witch women of the Tahl, but none of them could give him an answer.
βEventually he went to the King of Vint, the richest king in the world. But the king didnβt know. He went to the Emperor of Atur, but even with all his power, the emperor didnβt know. He went to each of the small kingdoms, one by one, but no one could tell him anything.
βFinally the boy went to the High King of Modeg, the wisest of all the kings in the world. The high king looked closely at the head of the golden screw peeping from the boyβs belly button. Then the high king made a gesture, and his seneschal brought out a pillow of golden silk. On that pillow was a golden box. The high king took a golden key from around his neck, opened the box, and inside was a golden screwdriver.
βThe high king took the screwdriver and motioned the boy to come closer. Trembling with excitement, the boy did. Then the high king took the golden screwdriver and put it in the boyβs belly button.β
I paused to take a long drink of water. I could feel my small audience leaning toward me. βThen the
high king carefully turned the golden screw. Once: Nothing. Twice: Nothing. Then he turned it the third time, and the boyβs ass fell off.β
There was a moment of stunned silence.
βWhat?β Hespe asked incredulously.
βHis ass fell off.
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Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
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I mean, d'you know what eternity is? There's this big mountain, see, a mile high, at the end of the universe, and once every thousand years there's this little bird-"
-"What little bird?" said Aziraphale suspiciously.
-"This little bird I'm talking about. And every thousand years-"
-"The same bird every thousand years?"
-Crowley hesitated. "Yeah," he said.
-"Bloody ancient bird, then."
-"Okay. And every thousand years this bird flies-"
-"-limps-"
-"-flies all the way to this mountain and sharpens its beak-"
-"Hold on. You can't do that. Between here and the end of the universe there's loads of-" The angel waved a hand expansively, if a little unsteadily. "Loads of buggerall, dear boy."
-"But it gets there anyway," Crowley persevered.
-"How?"
-"It doesn't matter!"
-"It could use a space ship," said the angel.
Crowley subsided a bit. "Yeah," he said. "If you like. Anyway, this bird-"
-"Only it is the end of the universe we're talking about," said Aziraphale. "So it'd have to be one of those space ships where your descendants are the ones who get out at the other end. You have to tell your descendants, you say, When you get to the Mountain, you've got to-" He hesitated. "What have
they got to do?"
-"Sharpen its beak on the mountain," said Crowley. "And then it flies back-"
-"-in the space ship-"
-"And after a thousand years it goes and does it all again," said Crowley quickly.
There was a moment of drunken silence.
-"Seems a lot of effort just to sharpen a beak," mused Aziraphale.
-"Listen," said Crowley urgently, "the point is that when the bird has worn the mountain down to nothing, right, then-"
Aziraphale opened his mouth. Crowley just knew he was going to make some point about the relative hardness of birds' beaks and granite mountains, and plunged on quickly.
-"-then you still won't have finished watching The Sound of Music."
Aziraphale froze.
-"And you'll enjoy it," Crowley said relentlessly. "You really will."
-"My dear boy-"
-"You won't have a choice."
-"Listen-"
-"Heaven has no taste."
-"Now-"
-"And not one single sushi restaurant."
A look of pain crossed the angel's suddenly very serious face.
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Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
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When you took me from the witch trial at Cranesmuir--you said then that you would have died with me, you would have gone to the stake with me, had it come to that!"
He grasped my hands, fixing me with a steady blue gaze.
"Aye, I would," he said. "But I wasna carrying your child."
The wind had frozen me; it was the cold that made me shake, I told myself. The cold that took my breath away.
"You can't tell," I said, at last. "It's much too soon to be sure."
He snorted briefly, and a tiny flicker of amusement lit his eyes.
"And me a farmer, too! Sassenach, ye havena been a day late in your courses, in all the time since ye first took me to your bed. Ye havena bled now in forty-six days."
"You bastard!" I said, outraged. "You counted! In the middle of a bloody war, you counted!"
"Didn't you?"
"No!" I hadn't; I had been much too afraid to acknowledge the possibility of the thing I had hoped and prayed for so long, come now so horribly too late.
"Besides," I went on, trying still to deny the possibility, "that doesn't mean anything. Starvation could cause that; it often does."
He lifted one brow, and cupped a broad hand gently beneath my breast.
"Aye, you're thin enough; but scrawny as ye are, your breasts are full--and the nipples of them gone the color of Champagne grapes. You forget," he said, "I've seen ye so before. I have no doubt--and neither have you."
I tried to fight down the waves of nausea--so easily attributable to fright and starvation--but I felt the small heaviness, suddenly burning in my womb. I bit my lip hard, but the sickness washed over me.
Jamie let go of my hands, and stood before me, hands at his sides, stark in silhouette against the fading sky.
"Claire," he said quietly. "Tomorrow I will die. This child...is all that will be left of me--ever. I ask ye, Claire--I beg you--see it safe.
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Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
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But...surely you know where your nephew is going?' she asked, looking bewildered.
'Certainly we know,' said Vernon Dursley. 'He's off with some of your lot, isn't he?
Right, Dudley, let's get in the car, you heard the man, we're in a hurry.'
Again, Vernon Dursley marched as far as the front door, but Dudley did not follow.
'Off with some of our lot?'
Hestia looked outraged. Harry had met the attitude before: witches and wizards seemed stunned that his closest living family took so little interest in the famous Harry Potter.
'It's fine,' Harry assured her. 'It doesn't matter, honestly.'
'Doesn't matter?' repeated Hestia, her voice rising ominously.
'Don't these people realise what you've been through? What danger you are in? The unique position you hold in the hearts of the anti-Voldemort movement?
'Er - no, they don't,' said Harry. 'They think I'm a waste of space, actually, but I'm used to -'
'I don't think you're a waste of space.'
If Harry had not seen Dudley's lips move, he might not have believed it.
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J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
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That is the idea -- that we should all be wicked if we did not hold to the Christian religion. It seems to me that the people who have held to it have been for the most part extremely wicked. You find this curious fact, that the more intense has been the religion of any period and the more profound has been the dogmatic belief, the greater has been the cruelty and the worse has been the state of affairs. In the so-called ages of faith, when men really did believe the Christian religion in all its completeness, there was the Inquisition, with all its tortures; there were millions of unfortunate women burned as witches; and there was every kind of cruelty practiced upon all sorts of people in the name of religion.
You find as you look around the world that every single bit of progress in humane feeling, every improvement in the criminal law, every step toward the diminution of war, every step toward better treatment of the colored races, or every mitigation of slavery, every moral progress that there has been in the world, has been consistently opposed by the organized churches of the world. I say quite deliberately that the Christian religion, as organized in its churches, has been and still is the principal enemy of moral progress in the world.
You may think that I am going too far when I say that that is still so. I do not think that I am. Take one fact. You will bear with me if I mention it. It is not a pleasant fact, but the churches compel one to mention facts that are not pleasant. Supposing that in this world that we live in today an inexperienced girl is married to a syphilitic man; in that case the Catholic Church says, 'This is an indissoluble sacrament. You must endure celibacy or stay together. And if you stay together, you must not use birth control to prevent the birth of syphilitic children.' Nobody whose natural sympathies have not been warped by dogma, or whose moral nature was not absolutely dead to all sense of suffering, could maintain that it is right and proper that that state of things should continue.
That is only an example. There are a great many ways in which, at the present moment, the church, by its insistence upon what it chooses to call morality, inflicts upon all sorts of people undeserved and unnecessary suffering. And of course, as we know, it is in its major part an opponent still of progress and improvement in all the ways that diminish suffering in the world, because it has chosen to label as morality a certain narrow set of rules of conduct which have nothing to do with human happiness; and when you say that this or that ought to be done because it would make for human happiness, they think that has nothing to do with the matter at all. 'What has human happiness to do with morals? The object of morals is not to make people happy.
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Bertrand Russell (Why I Am Not a Christian and Other Essays on Religion and Related Subjects)