Picturesque View Quotes

The window gave onto a view of dove-gray roofs and balconies, each one containing the same cracked flowerpot and sleeping feline. It was as if the entire city of Paris had agreed to abide by a single understated taste. Each neighbor was doing his or her own to keep up standards, which was difficult because the French ideal wasn't clearly delineated like the neatness and greenness of American lawns, but more of a picturesque disrepair. It took courage to let things fall apart so beautifully.

I think that's the point of view of an outsider, a tourist who puts picturesqueness above everything else.

It is a place that 'grows upon you' every day. There seems to be always something to find out in it. There are the most extraordinary alleys and by-ways to walk about in. You can lose your way (what a comfort that is, when you are idle!) twenty times a day, if you like; and turn up again, under the most unexpected and surprising difficulties. It abounds in the strangest contrasts; things that are picturesque, ugly, mean, magnificent, delightful, and offensive, break upon the view at every turn.

It can be said with truth that certain aspects of reality conceal themselves from anyone who looks upon reality from a profane and materialistic point of view, and they become inaccessible to his observation: this is not a more or less ‘picturesque’ manner of speaking, as some people might be tempted to think, but is the simple and direct statement of a fact, just as it is a fact that animals flee spontaneously and instinctively from the presence of anyone who evinces a hostile attitude toward them. That is why there are some things that can never be grasped by men of learning who are materialists or positivists, and this naturally further confirms their belief in the validity of their conceptions by seeming to afford a sort of negative proof of them, whereas it is really neither more nor less than a direct effect of the conceptions themselves.

The course of the Rhine below Mainz becomes much more picturesque. The river descends rapidly and winds between hills, not high, but steep, and of beautiful forms. We saw many ruined castles standing on the edges of precipices, surrounded by black woods, high and inaccessible. This part of the Rhine, indeed, presents a singularly variegated landscape. In one spot you view rugged hills, ruined castles overlooking tremendous precipices, with the dark Rhine rushing beneath; and on the sudden turn of a promontory, flourishing vineyards with green sloping banks and a meandering river and populous towns occupy the scene.

I concentrate on the picturesque sight of the beach, whose light sand offers a fascinating contrast to the rugged black rocks. The rolling waves with their white crests add even more sparkling nuances to the countless shades of blue and white of the sky with the low-hanging fog. And the Golden Gate Bridge towers majestically above it all. It’s overwhelming.

That evening around dusk, she hiked up to Maryland Heights and sat on a cliff looking down upon the picturesque little town of Harpers Ferry, West Virginia. One hundred seventy years before, Thomas Jefferson called the view “one of the most stupendous scenes in nature.” In a book first published in France, he wrote that the scene alone, the passage of the Potomac River through the Blue Ridge and its crashing merger with the Shenandoah, was worth a trip across the Atlantic.

One less happy practice Vanbrugh introduced with Carlisle at Castle Howard was that of razing estate villages and moving the occupants elsewhere if they were deemed to be insufficiently picturesque or intrusive. At Castle Howard, Vanbrugh cleared away not only an existing village but also a church and the ruined castle from which the new house took its name. Soon villages up and down the country were being leveled to make way for more extensive houses and unimpeded views. It was almost as if a rich person couldn’t begin work on a grand house until he had thoroughly disrupted at least a few dozen menial lives. Oliver

Do you know where we are?” he whispered. “Surely that is Baker Street,” I answered, staring through the dim window. “Exactly. We are in Camden House, which stands opposite to our own old quarters.” “But why are we here?” “Because it commands so excellent a view of that picturesque pile. Might I trouble you, my dear Watson, to draw a little nearer to the window, taking every precaution not to show yourself, and then to look up at our old rooms--the starting-point of so many of your little fairy-tales? We will see if my three years of absence have entirely taken away my power to surprise you.” I crept forward and looked across at the familiar window. As my eyes fell upon it, I gave a gasp and a cry of amazement. The blind was down, and a strong light was burning in the room. The shadow of a man who was seated in a chair within was thrown in hard, black outline upon the luminous screen of the window. There was no mistaking the poise of the head, the squareness of the shoulders, the sharpness of the features. The face was turned half-round, and the effect was that of one of those black silhouettes which our grandparents loved to frame. It was a perfect reproduction of Holmes. So amazed was I that I threw out my hand to make sure that the man himself was standing beside me. He was quivering with silent laughter. “Well?” said he. “Good heavens!” I cried. “It is marvellous.” “I trust that age doth not wither nor custom stale my infinite variety,” said he, and I recognized in his voice the joy and pride which the artist takes in his own creation. “It really is rather like me, is it not?” “I should be prepared to swear that it was you.” “The credit of the execution is due to Monsieur Oscar Meunier, of Grenoble, who spent some days in doing the moulding. It is a bust in wax. The rest I arranged myself during my visit to Baker Street this afternoon.

At the crest of the hill outside Agor, Henry pulled the car to the side of the road and we got out to take in the view. In the falling shadows, the little Arab village at the foot of the Jewish settlement looked nothing like so grim and barren as it had a few minutes before when we’d driven down its deserted main street. A desert sunset lent a little picturesqueness even to that cluster of faceless hovels. As for the larger landscape, you could see, particularly in this light, how someone might get the impression that it had been created in only seven days, unlike England, say, whose countryside appeared to be the creation of a God who’d had four or five chances to come back to perfect it and smooth it out, to tame and retame it until it was utterly habitable by every last man and beast. Judea was something that had been left just as it had been made; this could have passed for a piece of the moon to which the Jews had been sadistically exiled by their worst enemies rather than the place they passionately maintained was theirs and no one else’s from time immemorial. What he finds in this landscape, I thought, is a correlative for the sense of himself he would now prefer to effect, the harsh and rugged pioneer with that pistol in his pocket.

These rocky, verdant, and volcanic landscapes of the Greek Isles exert their own charm, but it is the sea that dominates every aspect of life. Winding paths hug the shoreline, revealing hidden coves and inlets of turquoise water sparkling in the sun. So many constructions--whether house, church, shop, or restaurant--offer a vista of the blue sea. Terraces spilling over with bougainvillea, and balconies bearing hand-hewn wooden chairs take advantage of the views afforded by crescent-shaped harbors and quiet bays. Each island takes pride in its own picturesque fishing harbors. Off the ports of Kalymnos, fishermen and skin divers gather sponges, octopi, grouper, and shellfish.

Everywhere, in whatever realm of life, whether among its callous, coarsely impoverished and messily moldering lower ranks, or among its monotonously gelid and tediously tidy upper strata, everywhere, if but once, a person will encounter a phenomenon on his journey that is unlike anything he has chanced to see heretofore and that, at least once will awake in him a feeling unlike any he is fated to feel for the rest of his life. Everywhere, across the sorrows, whatever they be, from which this life of ours is woven, a resplendent joy will gaily flash, just as sometimes a glittering equipage with golden trappings, picturesque steeds, and the gleam and sparkle of windows will suddenly and unexpectedly rush past some wretched little back-country village that has never seen anything but a rural cart, and long afterwards the muzhiks will stand, mouths agape, caps in hand, although the wondrous equipage has long since whirled off and disappeared from view. Such is the manner in which the pretty little blonde, suddenly and quite unexpectedly, has appeared in our story and has vanished in the same manner. If on this occasion some twenty-year-old youth had happened to be there instead of Chichikov, whether a hussar, or a student, or merely someone who had just embarked on the course of his life, then Lord! what would not have awakened, not have begun to stir, not have begun to speak within him! Long would he have remained standing, insensible, in one spot, eyes fixed vacantly upon the distance, oblivious to the road and to all the reprimands awaiting him and to the chastisements for tardiness, oblivious to himself, and his work, and the world, and everything that exists in the world.

I have made several comparisons... between modern and primitive man. Such comparisons... are essential to an understanding of the symbol-making propensities of man, and of the part that dreams play in expressing them. For one finds that many dreams present images and associations that are analogous to primitive ideas, myths, and rites. These dream images were called "archaic remnants" by Freud; the phrase suggests that they were psychic elements surviving in the human mind from ages long ago. This point of view is characteristic of those who regard the unconscious as a mere appendix of consciousness (or, more picturesquely, as a trash can that collects all the refuse of the conscious mind)... Further investigation suggested to me that this attitude is untenable and should be discarded. I found that associations and images of this kind are an integral part of the unconscious, and can be observed everywhere whether the dreamer is educated or illiterate, intelligent or stupid. They are not in any sense lifeless or meaningless "remnants." They still function, and they are especially valuable.

One of the few entry points to the Baltic Sea, the Kattegat passage is a busy and treacherous waterway. The entire region is a maze of fractured islands, shallow waters and tricky cur-rents which test the skills of all mariners. A vital sea route, the strait is used by large container ships, oil tankers and cruise ships alike and provides a crucial link between the Baltic coun-tries and Europe and the rest of the world. Navigating is difficult even in calm weather and clear visibility is a rare occurrence in these higher latitudes. During severe winters, it’s not uncommon for sections of the Baltic Sea to freeze, with ice occasionally drifting out of the straits, carried by the surface currents. The ship I was commandeering was on a back-and-forth ‘pendulum’ run, stopping at the ports of St Petersburg (Russia), Kotka (Finland), Gdańsk (Poland), Aarhus (Denmark) and Klaipėda (Lithuania) in the Baltic Sea, and Bremerhaven (Ger-many) and Rotterdam (Netherlands) in the North Sea. On this particular trip, the weather gods were in a benevolent mood and we were transiting under a faultless blue sky in one of the most picturesque regions of the world. The strait got narrower as we sailed closer to Zealand (Sjælland), the largest of the off-lying Danish islands. Up ahead, as we zigzagged through the laby-rinth of islands, the tall and majestic Great Belt Bridge sprang into view. The pylons lift the suspension bridge some sixty-five metres above sea level allowing it to accommodate the largest of the ocean cruise liners that frequently pass under its domi-nating expanse.

It looked as though knowing that you were right meant nothing; they all knew they were right. Weeks had no intention of undermining the boy's faith, but he was deeply interested in religion, and found it an absorbing topic of conversation. He had described his own views accurately when he said that he very earnestly disbelieved in almost everything that other people believed. Once Philip asked him a question, which he had heard his uncle put when the conversation at the vicarage had fallen upon some mildly rationalistic work which was then exciting discussion in the newspapers. "But why should you be right and all those fellows like St. Anselm and St. Augustine be wrong?" "You mean that they were very clever and learned men, while you have grave doubts whether I am either?" asked Weeks. "Yes," answered Philip uncertainly, for put in that way his question seemed impertinent. "St. Augustine believed that the earth was flat and that the sun turned round it." "I don't know what that proves." "Why, it proves that you believe with your generation. Your saints lived in an age of faith, when it was practically impossible to disbelieve what to us is positively incredible." "Then how d'you know that we have the truth now?" "I don't." Philip thought this over for a moment, then he said: "I don't see why the things we believe absolutely now shouldn't be just as wrong as what they believed in the past." "Neither do I." "Then how can you believe anything at all?" "I don't know." Philip asked Weeks what he thought of Hayward's religion. "Men have always formed gods in their own image," said Weeks. "He believes in the picturesque." Philip paused for a little while, then he said: "I don't see why one should believe in God at all.

I continued my explorations in a cobbled yard overlooked by broken doors and cracked windows. Pushing open a swollen door into a storeroom, I found a stream running across paving stones and a carpet of slippery green moss. My explorations took me beneath a gateway surmounted by a clock face, standing with hands fixed permanently at eleven o'clock. Beyond stood derelict stables; then the park opened up in an undulating vista, reaching all the way to a swathe of deep forest on the horizon. In the distance was the twinkle of the river that I realized must border my own land at Whitelow. The grass was knee-high and speckled with late buttercups, but I was transported by that first sight of the Delafosse estate. In its situation alone, the Croxons had chosen our new home well. I dreamed for a moment of myself and Michael making a great fortune, and no longer renting Delafosse Hall but owning every inch of it, my inheritance spinning gold from cotton. Turning back to view the Hall I took a sharp breath; it was as massive and ancient as a child's dream of a castle, the bulk of its walls carpeted in greenery, the diamond-leaded windows sparkling in picturesque stone mullions. True, the barley-twist chimneys leaned askew, and the roofs sagged beneath the weight of years, but the shell of it was magnificent. It cast a strange possessive mood upon me. I remembered Michael's irritation at the house the previous night, and his eagerness to leave. Somehow I had to entice Michael into this shared dream of a happy life here, beside me. Determined to explore the park, I followed the nearest path. After walking through a deep wood for a good while I emerged into the sunlight by a round hill surmounted by a two-story tower. A hunting lodge, Mrs. Croxon had called it, but I thought it more a folly. It had a fantastical quality, with four miniature turrets, each topped with a verdigris-tarnished dome. Above the doorway stood a sundial drawn upon a disc representing a blazing sun. It was embellished with a script I thought might be Latin: FERREA VIRGA EST, UMBRATILIS MOTUS. I wondered whether Michael might know the meaning, or Anne's husband perhaps. As for the sundial's accuracy, the morning light was too weak to cast a line of shadow.

Pet Girl’s address indicated that her apartment was in the picturesque and cheapest part of the former barracks, a long walk from where we stood. And what got to me instantly was that Norma Johnson’s home was within viewing distance of Sea Cliff, where she’d gone to the Burke School—and where she’d been disgraced.

What good came of all this exploration? It was a question philosophes found irresistable. Progress was their almost irresistable answer. But Diderot, the secular pontiff of the Enlightenment, the editor of the Encyclopédie, did not agree. In 1773 he wrote a denunciation of explorers as agents of a new kind of barbarism. Base motives drove them: 'tyranny, crime, ambition, misery, curiousity, I know not what restlessness of spirit, the desire to know and the desire to see, boredom, the dislike of familiar pleasures' - all the baggage of the restless temperament. Lust for discovery was a new form of fanaticism on the part of men seeking 'islands to ravage, people to despoil, subjugate and massacre.' The explorers discovered people morally superior to themselves, because more natural or more civilized, while they, on their side, grew in savagery, far from the polite restraints that reined them in at home. 'All the long-range expeditions,' Diderot insisted, 'have reared a new generation of nomadic savages ... men who visit so many countries that they end by belonging to none ... amphibians who live on the surface of the waters,' deracinated, and, in the strictest sense of the word, demoralized. Certainly, the excesses explorers committed - of arrogance, of egotism, of exploitation - showed the folly of supposing that travel necessarily broadens the mind or improves the character. But Diderot exaggerated. Even as he wrote, the cases of disinterested exploration - for scientific or altruistic purposes - were multiplying. If the eighteenth century rediscovered the beauties of nature and the wonders of the picturesque, it was in part because explorers alerted domestic publics to the grandeurs of the world they discovered. If the conservation of species and landscape became, for the first time in Western history, an objective of imperial policy, it was because of what the historian Richard Grove has called 'green imperialism' - the awakened sense of stewardship inspired by the discovery of new Edens in remote oceans. If philosophers enlarged their view of human nature, and grappled earnestly and, on the whole, inclusively with questions about the admissability of formerly excluded humans - blacks, 'Hottentots,' Australian Aboriginals, and all other people estranged by their appearance or culture - to full membership of the moral community, it was because exploration made these brethren increasingly familiar. If critics of Western institutions were fortified in their strictures and encouraged in their advocacy of popular sovreignty, 'enlightened despotism,' 'free thinking,' civil liberties, and human 'rights,' it was, in part, because exploration acquainted them with challenging models from around the world of how society could be organized and life lived.

I have observed scenery-hunters of all sorts getting first views of yosemites, glaciers. While Mountain ranges, etc. Mixed with the enthusiasm which such scenery naturally excites, there is often weak gushing, and many splutter aloud like little waterfalls. Here, for a few moments at least, there is silence, and all are in dead earnest, as if awed and hushed by an earthquake—perhaps until the cook cries "Breakfast!" or the stable-boy "Horses are ready!" Then the poor unfortunates, slaves of regular habits, turn quickly away, gasping and muttering as if wondering where they had been and what had enchanted them.

The bus was hardly moving, but I could hardly keep pace with my own thoughts. “I’ve got to tackle this,” I told myself. “As soon as I have some free time, I should start a happiness project.” But I never had any free time. When life was taking its ordinary course, it was hard to remember what really mattered; if I wanted a happiness project, I’d have to make the time. I had a brief vision of myself living for a month on a picturesque, windswept island, where each day I would gather seashells, read Aristotle, and write in an elegant parchment journal. Nope, I admitted, that’s not going to happen. I needed to find a way to do it here and now. I needed to change the lens through which I viewed everything familiar. All

But too many kids get to college and try to collapse it, to make it as comfortable and recognizable as possible. They replicate the friends and friendships they've previously enjoyed. They join groups that perpetuate their high school cliques. Concerned with establishing a "network" they seek out peers with aspirations identical to their own. In doing so, they frequently default to a clannishness that too easily becomes a lifelong habit. ....Open your laptops . Delete at least one of every four bookmarks. Replace it with something entirely different, even anti ethical. Go to twitter, Facebook etc start falling or connecting with views that diverge from your own. Conduct your social lives along the same lines, mixing it up. Do not go only to the campus basketball games....wander beyond the periphery of campus, and not to find equally enchanted realms-if you study abroad, don't choose the destination for its picturesqueness-but to see something else.

Oh, the airport’s not far from downtown. It’s just a little over an hour commute each way, thanks to this amazing Seattle traffic. The hotel’s not much, but it’s all we need. There’s ten channels’ worth of cable on the TV, and clean sheets on our twin beds, and a picturesque view of the gentlemen’s club next door.” Jimmy thought he saw Agent Miller’s left eye twitch. Jimmy said, “I’m sure that’s very entertaining.” Miller couldn’t take anymore. “It might be,” he said, “if we had a view of the inside, but all we can see is a parking lot full of desperate, lonely men, all of whom seem to look in our window. They seem to be fascinated by the sight of two middleaged men lying in twin beds like Ernie and Bert, watching The Weather Channel because it’s the most exciting thing on. It’s like being an exhibit in an alien zoo, on the planet of the scabby pervs!

Oh, the airport’s not far from downtown. It’s just a little over an hour commute each way, thanks to this amazing Seattle traffic. The hotel’s not much, but it’s all we need. There’s ten channels’ worth of cable on the TV, and clean sheets on our twin beds, and a picturesque view of the gentlemen’s club next door.” Jimmy thought he saw Agent Miller’s left eye twitch. Jimmy said, “I’m sure that’s very entertaining.” Miller couldn’t take anymore. “It might be,” he said, “if we had a view of the inside, but all we can see is a parking lot full of desperate, lonely men, all of whom seem to look in our window. They seem to be fascinated by the sight of two middleaged men lying in twin beds like Ernie and Bert, watching The Weather Channel because it’s the most exciting thing on. It’s like being an exhibit in an alien zoo, on the planet of the scabby pervs!

UNCONVENTIONAL DESTINATION WEDDING LOCALES Destination Wedding Jan 6 This wedding season, fall in love with endearing unconventional destination wedding locales Theme Weavers Designs Since all the travel restrictions have been lifted, destination weddings are back in vogue. However, the pandemic has led to a major paradigm shift. In this case, Indian couples are looking into hidden gems to take on as their wedding destination, instead of opting for an international location. With the rich cultural heritage and a myriad of local traditions, it has been observed by industry insiders that couples feel closer to their past and history after getting married in a regional wedding destination. At the same time, it is a very cumbersome task to find the perfect wedding destination - it has to be perfectly balanced in terms of the services it offers as well as having breathtaking views. This wedding season, choose something offbeat, by opting for an unexplored destination, that is both visually appealing and has a romantic vibe to them. Start off your wedding journey with an auspicious location. Rishikesh, on the banks of the holy river Ganges is one of the most sacred places a couple can tie the knot. This tiny town’s interesting traditions, picturesque locales, and ancient customs make this one of the most underrated places to get married in india. Perfect for a riverside wedding in extravagant outdoor tents, this wedding season, it is high time Rishikesh gets the hype it deserves. “The Glasshouse on the Ganges,” is one of the most stunning places to get married. While becoming informed travellers, this place is interred with a vast and vibrant cultural history. It offers an extremely unique experience as it revitalises ruined architectural wonders for the couple to tour or get married in, making it a heartwarming and wonderful experience for all those who are involved. Steep your wedding party in the lap of nature, in Naukuchiatal, Nainital, Uttarakhand. This place is commonly referred to as “treasure of natural beauty,” where it offers mesmerising natural spectacles for a couple to get married in a gorgeous outdoor ceremony. Away from the hustle and bustle of the urban jungles that have slowly been taking over the Indian subcontinent, this location provides a much needed breath of fresh air. This location also provides much needed reprieve from the fast paced lifestyle that we live, making a wedding a truly relaxing affair. As this is a quaint hill station, surrounded with lush greens, there are numerous ideas to create a natural and sustainable wedding. The most distinguishing feature of this location is the nine-cornered lake, situated 1,220 m above sea level. There is something classic and timeless about the Kerala backwaters. This location is enriching and chock full of unique cultural traditions. With spectacular and awe-inspiring views of the backwaters, Kumarakom in Kerala easily qualifies as one of the top wedding destinations in india. Just like Naukuchiatal, this space is a study in serenity, where it is far away from the noisy streets and bazaars. Perfect for a cozy and intimate wedding, the Kerala backwaters are a gorgeous choice for couples who are opting for a socially distant wedding, along with having a lot of indigenous flora and fauna. Punctuated with the salty sea and the sultry air, the backwaters in Kerala are an underrated gem that presents couples with a unique wedding location that is perfect for a historical and regal wedding. The beaches of Goa and the forts of Rajasthan are a classic for a reason, but at the same time, they can get boring. Couples have been exploring more underrated wedding locations in order to experience the diverse local cultures of India that can also host their weddings

Silence reigned in the car as the three individuals united by a specific purpose, sharing similar opinions about the inexpediency of meaningless interactions, maintained placidity during the peregrination. The picturesque scenes compensated for the lack of conversation and the car’s entry into Port Bognolot provided them breathtaking views of the closest countryside to Paris, La Campagne a’ Paris, embedded in the hills of the locale. Green creepers, lush green plants, and bushy trees adorned the colorful houses on either side of the streets of the small village, rejuvenating their eyes grown tired from viewing the Hausmannian architecture.

From an art-historical point of view, the period of the July Monarchy was especially important for the emergence of the so-called Ecole de 1830, or School of 1830, the young generation of artists—including Louis Cabat (1812-1893), Camille Corot (1796-1873), Adrien Dauzats (1804-1868), Narcisse Diaz (1807-1876), Jules Dupre (1811-1889), Camille Flers (1802-1869), Paul Huet (1803-1869), Eugene Isabey (1803-1886), and Theodore Rousseau (1812-1867)—who reached maturity by the beginning of the July Monarchy. These artists altered the course of landscape painting in France by abandoning both the rule-bound classical landscape that had dominated French landscape art since its introduction by Nicolas Poussin and Claude Lorrain in the seventeenth century and the colorful romantic-picturesque topographic landscape imported by British watercolorists in the Restoration period, to turn instead to the depiction of the natural landscape.

Gulmarg in December is a winter wonderland nestled in the heart of the Indian Himalayas. As the first snowflakes blanket the landscape, the entire region transforms into a picturesque paradise. The quaint town of Gulmarg becomes a hub for snow enthusiasts, offering a myriad of activities such as skiing, snowboarding, and snowshoeing. The Gulmarg Gondola, one of the highest cable cars in the world, provides breathtaking views of the snow-capped peaks. Adventure-seekers can also explore the pristine forests on snowmobiles or enjoy a serene horse-drawn sledge ride. The cozy hotels and cottages offer warm hospitality and delicious Kashmiri cuisine, making Gulmarg in December an idyllic destination for a winter getaway amidst nature's splendor. click here to book now-

The Mardi Himal Trek is a hidden gem in the Annapurna region, offering a quieter and more intimate experience compared to the ABC Trek. The trek starts from Kande and takes you through lush forests, traditional villages, and picturesque ridges. The trail gradually climbs up to the Mardi Himal Base Camp, where you'll be rewarded with stunning views of the Annapurna and Machhapuchhre mountains. The highlight of the trek is the panoramic sunrise view from the viewpoint near the base camp, where the golden rays illuminate the snow-capped peaks. The Mardi Himal Trek is perfect for those seeking tranquility and off-the-beaten-path adventure.

But I was stuck for a long time by myself at Abraham Lincoln's portrait, standing in the middle of the huge hall as people moved all around me with mostly children. I felt as if time had stopped as I watched Lincoln, facing him, while watching the woman’s back as she was looking out the window. I felt wronged, so much like Truman from the movie, standing there in the middle of the museum alone. I was wondering what would Abraham Lincoln do if he realized he was the slave in his own cotton fields, being robbed by evil thieves, nazis. I had taken numerous photos of Martina from behind, as well as silhouettes of her shadow. I remember standing there, watching as she stood in front of the window; it was almost as if she was admiring the view of the mountains from our new home, as I did take such pictures of her, with a very similar composition to that of the female depicted in the iconic Lincoln portrait looking outwards from the window. I hadn't realized how many photographs I snapped of Martina with her back turned towards me while we travelled to picturesque places. Fernanda and I walked side-by-side in utter silence, admiring painting after painting of Dali's, without exchanging a single word. Meanwhile, Luis and Martina had got lost somewhere in the museum. When I finally found her, she was taking pictures outside of the Rainy Cadillac. We both felt something was amiss without having to say it, as Fernanda knew things I didn't and vice versa. We couldn't bring ourselves to discuss it though, not because we lacked any legal authority between me and Martina, but because neither Fernanda or myself had much parental authority over the young lady. It felt like when our marriages and divorces had dissolved, it was almost as if our parenting didn't matter anymore. It was as if I were unwittingly part of a secret screenplay, like Jim Carrey's character in The Truman Show, living in a fabricated reality made solely for him. I was beginning to feel a strange nauseous feeling, as if someone was trying to force something surreal down my throat, as if I were living something not of this world, making me want to vomit onto the painted canvas of the personalised image crafted just for me. I couldn't help but wonder if Fernanda felt the same way, if she was aware of the magnitude of what was happening, or if, just like me, she was completely oblivious, occasionally getting flashes of truth or reality for a moment or two. I took some amazing photographs of her in Port Lligat in Dali's yard in the port, and in Cap Creus, but I'd rather not even try to describe them—they were almost like Dali's paintings which make all sense now. As if all the pieces are coming together. She was walking by the water and I was walking a bit further up on the same beach on pebbles, parallel to each other as we walked away from Dali's house in the port. I looked towards her and there were two boats flipped over on the two sides of my view. I told her: “Run, Bunny! Run!

Zahara de la Sierra is a picturesque village of whitewashed houses famously known as pueblos blancos. Tourists flock to the town for breathtaking views of the surrounding mountains and the clear, turquoise waters of the Zahara-El Gastor reservoir—not to mention the scintillating

The beaches in Dubai are well-known for their cleanliness and tranquility. While many individuals enjoy a relaxing weekend at the beach, thrill-seekers prefer to participate in thrilling water sports. Jet skiing is one of Dubai's most popular water activities, and adventure seekers love to try it. Do you want to know what the most extraordinary Dubai marine adventures are? What is the best method to see this magnificent city? There is plenty to do in this city-state of the UAE, and we have several fun aquatic activities for you to enjoy while on vacation or to live in the Emirates! How about a Jet Ski Ride along the Dubai waterfront? It can be done with your family, as a couple, with friends, or by yourself. We jet ski around all of Dubai's most famous attractions, skyscrapers, and landmarks. All of our Jet Ski trips include a stop at the luxury Burj Al Arab hotel, which is constructed into the sea, where you can have fun and receive a photo souvenir of Dubai. Jet skiing in Dubai is unquestionably the most acceptable way to see the city and have a good time during your vacation. Dubai Yacht Rental Experience When it comes to a luxury Boat Party in Dubai for those who can afford it, the pleasure and adventure that Yachts can provide cannot be overstated. Yachting is, without a doubt, the most beautiful sport on the planet. It's a once-in-a-lifetime opportunity to splash around in the ocean's deep blue waves and lose yourself in an environment that is both soothing and calming to the soul. The sensation you get from a yacht requires a whole new set of words to explain it. It's a fantastic experience that transports people to another zone while also altering their mental state. People who have the advantage of owning private yachts go sailing to have a relaxing excursion and clear their minds whenever they feel the need. Those who cannot afford to purchase a yacht can enjoy the thrill of cruising from one coastal region to the other by renting an economical Dubai yacht. It is not a challenging task to learn to sail. Some people believe that yachting can only be done by experts, which is a ridiculous misconception. Anyone willing to acquire a few tactics and hints can master the art of yachting. READ MORE About Dubai Jet Ski: Get lost in the tranquility of blue waters while waiting to partake in action. With the instructor sitting right behind you, you’ll learn astonishing stunts and skills for riding a Jet ski. This adventure will take your excitement to a new level of adventure in the open sea. While sailing past the picturesque shorelines of the islands, take in stunning views of prominent Dubai monuments such as the Burj Al Arab and more. About the activity: Jumeirah Beach is the meeting site for this activity. You have the option of riding for 30 minutes or 60 minutes Jet Ski around the beaches while being accompanied at all times by an instructor, as your safety is our top priority. Begin your journey from the marina and proceed to the world-famous Burj-Al-Arab, a world well known hotel, for a photo shoot. where you may take as many pictures as you want

For the most part, Page's picturesque and nostalgic representations steer clear of the swamps that historically challenged such a view of the South. However, when the swamp does emerge in his stories, it becomes both vehicle and repository for all the troublesome ambiguities that complicate his idealizing vision.

Artistic license, also known poetic license, narrative license, and licentiate poetical, is a colloquial term (employed occasionally as a euphemism), which denotes a license to distort the facts, alter the conventions of grammar or language, or reword pre-existing text by an artist in the name of art. Liberal usage of an artistic license to restructure basic facts can result because of conscious or unconscious acts. Artistic embellishment or misrepresentation of the facts and distortion or alteration of the compositional text frequently is the by-product of both intentional and unintentional additions and omissions. An artistic license, employed at an artist’s discretion to fill in details or gloss over factual and historical gaps, raises some ethical issues. Many stories retold verbatim would bore an audience or require inordinate time and resources to reenact, describe, and view. A dramatic license eliminates mundane details and tedious facts, spruces up the picturesque background, and glamorizes the characters’ temperament and action scenes. Is it wrong to be inventive with the facts? What degree of embroidery of a series of events and the characters’ mannerisms and attributes is acceptable? How can anyone paste together a set of facts into an interesting or compelling narrative that has literary value without engaging in some creative organization to enhance the theatrical retelling and to create juxtaposition of ideas and values?

The bazaar bore him along. That deep surge which knows none of the ebb and flow, the hurry, of a crowd along a European pavement, which rolls on with an irresistible, even motion as time flows on into eternity. He might not have been in this God-forsaken provincial hole, Antakiya, but transported to Aleppo or Damascus, so inexhaustibly did the two opposing streams of the bazaar surge past each other. Turks in European dress, wearing the fez, with stand-up collars and walking-sticks, officials or merchants. Armenians, Greeks, Syrians, these too in European dress, but with different headgear. In and out among them, Kurds and Circassians in their tribal garb. Most displayed weapons. For the government, which in the case of Christian peoples viewed every pocketknife with mistrust, tolerated the latest infantry rifles in the hands of these restless mountaineers; it even supplied them. Arab peasants, in from the neighborhood. Also a few bedouins from the south, in long, many-folded cloaks, desert-hued, in picturesque tarbushes, the silken fringes of which hung over their shoulders. Women in charshaffes, the modest attire of female Moslems. But then, too, the unveiled, the emancipated, in frocks that left free silk-stockinged legs. Here and there, in this stream of human beings, a donkey, under a heavy load, the hopeless proletarian among beasts. To Gabriel it seemed always the same donkey which came stumbling past him in a coma, with the same ragged fellow tugging his bridle. But this whole world, men, women, Turks, Arabs, Armenians, Kurds, with trench-brown soldiers in its midst -- its goats, its donkeys -- was smelted together into an indescribable unity by its gait -- a long stride, slow and undulating, moving onwards irresistibly, to a goal not to be determined.

The Annapurna region, located in central Nepal, is renowned for its stunning mountain ranges, picturesque valleys, and diverse flora and fauna. The region is named after Annapurna, the tenth-highest mountain in the world. Trekking in the Annapurna region offers a blend of natural beauty, cultural encounters, and thrilling adventures. The trails in this region are well-developed and cater to trekkers of all experience levels. Highlights of the Annapurna region trek Trekking in the Annapurna region offers a multitude of highlights that will leave you awe-struck. One of the most popular treks in this region is the Annapurna Circuit, which takes you through lush green forests, quaint traditional villages, and high mountain passes. The trek offers breathtaking views of snow-capped peaks like Annapurna I, Dhaulagiri, and Machhapuchhre (Fishtail). Another highlight of this region is the Annapurna Base Camp trek, which takes you to the foot of the majestic Annapurna massif. The trek offers panoramic views of the surrounding peaks and a chance to immerse yourself in the unique culture of the local Gurung and Magar communities.