Percy Shelley Quotes

The sunlight claps the earth, and the moonbeams kiss the sea: what are all these kissings worth, if thou kiss not me?

I have drunken deep of joy, And I will taste no other wine tonight.

My name is Ozymandias, king of kings: Look on my works, ye Mighty, and despair!

Our sweetest songs are those of saddest thought.

If Winter comes, can Spring be far behind?

A poet is a nightingale who sits in darkness and sings to cheer its own solitude with sweet sounds.

Soul meets soul on lovers lips.

We look before and after, And pine for what is not; Our sincerest laughter With some pain is fraught; Our sweetest songs are those that tell Of saddest thought.

Rise like Lions after slumber In unvanquishable number- Shake your chains to earth like dew Which in sleep had fallen on you Ye are many-they are few.

The more we study, the more we discover our ignorance

Music, when soft voices die, vibrates in the memory.

No more let life divide what death can join together.

Poets and philosophers are the unacknowledged legislators of the world.

Fear not for the future, weep not for the past

A man, to be greatly good, must imagine intensely and comprehensively; he must put himself in the place of another and many others; the pains and pleasures of his species must become his own. The great instrument of moral good is the imagination.

Joy, once lost, is pain

Poetry is a mirror which makes beautiful that which is distorted

Ozymandias" I met a traveller from an antique land Who said: "Two vast and trunkless legs of stone Stand in the desert. Near them on the sand, Half sunk, a shattered visage lies, whose frown And wrinkled lip and sneer of cold command Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them and the heart that fed. And on the pedestal these words appear: 'My name is Ozymandias, King of Kings: Look on my works, ye mighty, and despair!' Nothing beside remains. Round the decay Of that colossal wreck, boundless and bare, The lone and level sands stretch far away.

The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself.

And the Spring arose on the garden fair, Like the Spirit of Love felt everywhere; And each flower and herb on Earth's dark breast Rose from the dreams of its wintry rest.

The cemetery is an open space among the ruins, covered in winter with violets and daisies. It might make one in love with death, to think that one should be buried in so sweet a place.

Death is the veil which those who live call life; They sleep, and it is lifted.

I arise from dreams of thee, And a spirit in my feet Has led me- who knows how? To thy chamber-window, Sweet!

All love is sweet, given or received...

When soul meets soul on lovers' lips.

Music, When Soft Voices Die Music, when soft voices die, Vibrates in the memory; Odours, when sweet violets sicken, Live within the sense they quicken. Rose leaves, when the rose is dead, Are heap'd for the belovèd's bed; And so thy thoughts, when thou art gone, Love itself shall slumber on.

Man has no right to kill his brother. It is no excuse that he does so in uniform: he only adds the infamy of servitude to the crime of murder.

Nothing in the world is single; All things by a law divine In one spirit meet and mingle. Why not I with thine?

The fountains mingle with the river, And the rivers with the ocean; The winds of heaven mix forever, With a sweet emotion; Nothing in the world is single; All things by a law divine In one another's being mingle:— Why not I with thine? See! the mountains kiss high heaven, And the waves clasp one another; No sister flower would be forgiven If it disdained its brother; And the sunlight clasps the earth, And the moonbeams kiss the sea:— What are all these kissings worth, If thou kiss not me?

And on the pedestal these words appear:
 'My name is Ozymandias, king of kings:
 Look on my works, ye Mighty, and despair!' 
Nothing beside remains. Round the decay
 Of that colossal wreck, boundless and bare
 The lone and level sands stretch far away.

O weep for Adonis - He is dead." "Peace. He is not dead he doth not sleep - he hath wakened from the dream of life

Poetry is a sword of lightning, ever unsheathed, which consumes the scabbard that would contain it.

He wanders, like a day-appearing dream, Through the dim wildernesses of the mind; Through desert woods and tracts, which seem Like ocean, homeless, boundless, unconfined.

Kiss me, so long but as a kiss may last!

For love and beauty and delight, there is no death nor change.

In fact, the truth cannot be communicated until it is perceived.

And the sunlight clasps the earth And the moonbeams kiss the sea What are all these kissings worth - If thou kiss not me?

If he is infinitely good, what reason should we have to fear him? If he is infinitely wise, what doubts should we have concerning our future? If he knows all, why warn him of our needs and fatigue him with our prayers? If he is everywhere, why erect temples to him? If he is just, why fear that he will punish the creatures that he has filled with weaknesses?

Forget the dead, the past? O yet there are ghosts that may take revenge for it, memories that make the heart a tomb, regrets which gild thro’ the spirit’s gloom, and with ghastly whispers tell that joy, once lost, is pain.

The cloud of mind is discharging its collected lightning.

What is life? Thoughts and feelings arise, with or without our will, and we employ words to express them. We are born, and our birth is unremembered and our infancy remembered but in fragments. We live on, and in living we lose the apprehension of life. How vain is it to think that words can penetrate the mystery of our being. Rightly used they may make evident our ignorance of ourselves, and this is much.

Familiar acts are beautiful through love.

I have neither curiosity, interest, pain nor pleasure, in anything, good or evil, they can say of me. I feel only a slight disgust, and a sort of wonder that they presume to write my name.

Know what it is to be a child? It is to be something very different from the man of today. It is to have a spirit yet streaming from the waters of Baptism; it is to believe in belief; it is to be so little that elves can reach to whisper in your ear; it is to turn pumpkins into coaches, and mice into horses, lowness into loftiness, and nothing into everything, for each child had its fairy godmother in its soul.

a single word even may be a spark of inextinguishable thought

Rose leaves, when the rose is dead, Are heaped for the beloved's bed; And so thy thoughts, when thou art gone, Love itself shall slumber on.

It's temples and palaces did seem Like fabrics of enchantment pil'd to heaven.

As long as skies are blue, and fields are green Evening must usher night, night urge the morrow, Month follow month with woe, and year wake year to sorrow

We rest; a dream has power to poison sleep. We rise; one wand'ring thought pollutes the day. We feel, conceive, or reason; laugh or weep, Embrace fond woe, or cast our cares away; It is the same: for, be it joy or sorrow, The path of its departure still is free. Man's yesterday may ne'er be like his morrow; Nought may endure but Mutability!

A God made by man undoubtedly has need of man to make himself known to man.

To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy Power, which seems omnipotent; To love, and bear; to hope till Hope creates From it's own wreck the thing it contemplates; Neither to change, not falter, nor repent; This, like thy glory, Titan, is to be Good, great and joyous,beautiful and free; This is alone Life, Joy, Empire, and Victory

Although I may not be yours, I can never be another’s.

All spirits are enslaved which serve things evil.

A Poet is a nightingale who sits in darkness, and sings to cheer its own solitude with sweet sounds; his auditors are as men entranced by the melody of an unseen musician, who feel that they are moved and softened, yet know not whence or why.

The great secret of morals is Love; or a going out of our own nature, and an identification of ourselves with the beautiful which exists in thought, action, or person, not our own.

Sounds of vernal showers On the twinkling grass, Rain awaken'd flowers, All that ever was Joyous, and clear, and fresh, thy music doth surpass

I am the daughter of Earth and Water, And the nursling of the Sky; I pass through the pores of the ocean and shores; I change, but I cannot die. For after the rain when with never a stain The pavilion of Heaven is bare, And the winds and sunbeams with their convex gleams Build up the blue dome of air, I silently laugh at my own cenotaph, And out of the caverns of rain, Like a child from the womb, like a ghost from the tomb, I arise and unbuild it again.

God is an hypothesis, and, as such, stands in need of proof: the onus probandi rests on the theist.

To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy power which seems omnipotent; To love, and bear; to hope till Hope creates From its own wreck the thing it contemplates Life may change, but it may fly not; Hope may vanish, but can die not; Truth be veiled, but still it burneth; Love repulsed -but it returneth.

See the mountains kiss high Heaven And the waves clasp one another; No sister-flower would be forgiven If it disdained its brother; And the sunlight clasps the earth, And the moonbeams kiss the sea - What is all this sweet work worth If thou kiss not me?

The man Of virtuous soul commands not, nor obeys: Power, like a desolating pestilence, Pollutes whate'er it touches, and obedience, Bane of all genius, virtue, freedom, truth, Makes slaves of men, and, of the human frame, A mechanised automaton.

There is eloquence in the tongueless wind, and a melody in the flowing brooks and the rustling of the reeds beside them, which by their inconceivable relation to something within the soul, awaken the spirits to a dance of breathless rapture, and bring tears of mysterious tenderness to the eyes, like the enthusiasm of patriotic success, or the voice of one beloved singing to you alone.

The great instrument of moral good is the imagination.

Hence in solitude, or that deserted state when we are surrounded by human beings and yet they sympathize not with us, we love the flowers, the grass, the waters, and the sky. In the motion of the very leaves of spring, in the blue air, there is then found a secret correspondence with our heart.

Oh,lift me as a wave,a leaf,a cloud! I fall upon the thorns of life!I bleed!

Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself.

War is the statesman's game, the priest's delight, the lawyer's jest, the hired assassin's trade.

Though we eat little flesh and drink no wine, Yet let's be merry; we'll have tea and toast; Custards for supper, and an endless host Of syllabubs and jellies and mincepies, And other such ladylike luxuries.

(Title: To the Moon) Art thou pale for weariness Of climbing heaven, and gazing on the earth, Wandering companionless Among the stars that have a different birth,-- And ever-changing, like a joyless eye That finds no object worth its constancy?

Life and the world, or whatever we call that which we are and feel, is an astonishing thing. The mist of familiarity obscures from us the wonder of our being. We are struck with admiration at some of its transient modifications, but it is itself the great miracle.

Poets are the unacknowledged legislators of the world.

Rise like lions after slumber In unvanquishable number Shake your chains to earth like dew We are many, they are few

And in a mad trance Strike with our spirit's knife Invulnerable nothings We decay Like corpses in a charnel Fear & Grief Convulse is & consume us Day by day And cold hopes swarm Like worms within Our living clay

Poet's food is love and fame.

No change, no pause, no hope! Yet I endure.

I love all waste and solitary places; where we taste the pleasure of believing what we see. Is boundless, as we wish our souls to be.

The splendors of the firmament of time May be eclipsed, but are extinguished not; Like stars to their appointed height they climb And death is a low mist which cannot blot The brightness it may veil.

The everlasting universe of things Flows through the mind, and rolls its rapid waves, Now dark--now glittering--now reflecting gloom-- Now lending splendour, where from secret springs The source of human thought its tribute brings.

All things exist as they are perceived: at least in relation to the percipient. 'The mind is its own place, and of itself can make a heaven of hell, a hell of heaven.' But poetry defeats the curse which binds us to be subjected to the accident of surrounding impressions. And whether it spreads its own figured curtain or withdraws life's dark veil from before the scene of things, it equally creates for us a being within our being.

God is represented as infinite, eternal, incomprehensible; he is contained under every predicate in non that the logic of ignorance could fabricate.

Poets, the best of them, are a very chameleonic race; they take the colour not only of what they feed on, but of the very leaves under which they pass

Poetry is the record of the best and happiest moments of the happiest and best minds

The One remains, the many change and pass; Heaven’s light forever shines, Earth’s shadows fly; Life, like a dome of many-coloured glass, Stains the white radiance of Eternity, Until Death tramples it to fragments.—Die, If thou wouldst be with that which thou dost seek! Follow where all is fled!—Rome’s azure sky, Flowers, ruins, statues, music, words are weak The glory they transfuse with fitting truth to speak.

The mind in creation is as a fading coal, which some invisible influence, like an inconstant wind, awakens to transitory brightness; this power arises from within...could this influence be durable in its original purity and force, it is impossible to predict the greatness of the result; but when composition begins, inspiration is already on the decline; and the most glorious poetry that has been communicated to the world is probably a feeble shadow of the original conceptions of the poet.

Good-night? ah! no; the hour is ill Which severs those it should unite; Let us remain together still, Then it will be good night. How can I call the lone night good, Though thy sweet wishes wing its flight? Be it not said, thought, understood -- Then it will be -- good night. To hearts which near each other move From evening close to morning light, The night is good; because, my love, They never say good-night.

Away, away, from men and towns, To the wild wood and the downs— To the silent wilderness Where the soul need not repress Its music lest it should not find An echo in another's mind, While the touch of Nature's art Harmonizes heart to heart.

Hence the vanity of translation; it were as wise to cast a violet into a crucible that you might discover the formal principle of its color and odor, as seek to transfuse from one language into another the creations of a poet. The plant must spring again from its seed, or it will bear no flower—and this is the burden of the curse of Babel.

We look before and after, And pine for what is not: Our sincerest laughter With some pain is fraught; Our sweetest songs are those that tell Of saddest thought. Yet if we could scorn Hate, and pride, and fear; If we were things born Not to shed a tear, I know not how thy joy we ever Should come near.

I could lie down like a tired child, And weep away the life of care Which I have borne, and yet must bear,— Till death like sleep might steal on me And I might feel in the warm air My cheek grow cold, and hear the sea Breathe o'er my dying brain its last monotony.

The Moon And, like a dying lady lean and pale, Who totters forth, wrapp'd in a gauzy veil, Out of her chamber, led by the insane And feeble wanderings of her fading brain, The moon arose up in the murky east A white and shapeless mass. Art thou pale for weariness Of climbing heaven and gazing on the earth, Wandering companionless Among the stars that have a different birth, And ever changing, like a joyless eye That finds no object worth its constancy?

Miltons were, on the whole, the most enthusiastic poet followers. A flick through the London telephone directory would yield about four thousand John Miltons, two thousand William Blakes, a thousand or so Samuel Colleridges, five hundred Percy Shelleys, the same of Wordsworth and Keats, and a handful of Drydens. Such mass name-changing could have problems in law enforcement. Following an incident in a pub where the assailant, victim, witness, landlord, arresting officer and judge had all been called Alfred Tennyson, a law had been passed compelling each namesake to carry a registration number tattooed behind the ear. It hadn't been well received--few really practical law-enforcement measures ever are.

If he is infinitely good, what reason should we have to fear him? If he is infinitely wise, why should we have doubts concerning our future? If he knows all, why warn him of our needs and fatigue him with our prayers? If he is everywhere, why erect temples to him? If he is just, why fear that he will punish the creatures that he has filled with weaknesses? If grace does everything for them, what reason would he have for recompensing them? If he is all-powerful, how offend him, how resist him? If he is reasonable, how can he be angry at the blind, to whom he has given the liberty of being unreasonable? If he is immovable, by what right do we pretend to make him change his decrees? If he is inconceivable, why occupy ourselves with him? IF HE HAS SPOKEN, WHY IS THE UNIVERSE NOT CONVINCED?

The flower that smiles today Tomorrow dies; All that we wish to stay Tempts and then flies; What is this world's delight? Lightning, that mocks the night, Brief even as bright.-- Virtue, how frail it is!-- Friendship, how rare!-- Love, how it sells poor bliss For proud despair! But these though they soon fall, Survive their joy, and all Which ours we call.-- Whilst skies are blue and bright, Whilst flowers are gay, Whilst eyes that change ere night Make glad the day; Whilst yet the calm hours creep, Dream thou - and from thy sleep Then wake to weep.

Gentleness, Virtue, Wisdom, and Endurance, These are the seals of that most firm assurance Which bars the pit over Destruction's strength; And if, with infirm hand, Eternity, Mother of many acts and hours, should free The serpent that would clasp her with his length; These are the spells by which to reassume An empire o'er the disentangled doom. To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy Power, which seems omnipotent; To love, and bear; to hope till Hope creates From its own wreck the thing it contemplates; Neither to change, nor falter, nor repent; This, like thy glory, Titan, is to be Good, great and joyous, beautiful and free; This is alone Life, Joy, Empire, and Victory.

Human vanity is so constituted that it stiffens before difficulties. The more an object conceals itself from our eyes, the greater the effort we make to seize it, because it pricks our pride, it excites our curiosity and it appears interesting. In fighting for his God everyone, in fact, fights only for the interest of his own vanity, which, of all the passions produced bye the mal-organization of society, is the quickest to take offense, and the most capable of committing the greatest follies.

Abyssinias "I met a traveler from an antique land Who said: A huge four-footed limestone form Sits in the desert, sinking in the sand. Its whiskered face, though marred by wind and storm, Still flaunts the dainty ears, the collar band And feline traits the sculptor well portrayed: The bearing of a born aristocrat, The stubborn will no mortal can dissuade. And on its base, in long-dead alphabets, These words are set: "Reward for missing cat! His name is Abyssinias, pet of pets; I, Ozymandias, will a fortune pay For his return. he heard me speak of vets -- O foolish King! And so he ran away.

We are as clouds that veil the midnight moon; How restlessly they speed, and gleam, and quiver, Streaking the darkness radiantly!--yet soon Night closes round, and they are lost for ever; Or like forgotten lyres, whose dissonant strings Give various response to each varying blast, To whose frail frame no second motion brings One mood or modulation like the last. We rest. -- A dream has power to poison sleep; We rise. -- One wandering thought pollutes the day; We feel, conceive or reason, laugh or weep; Embrace fond woe, or cast our cares away: It is the same!--For, be it joy or sorrow, The path of its departure still is free: Man's yesterday may ne'er be like his morrow; Nought may endure but Mutability.

Whether that lady's gentle mind, No longer with the form combined Which scattered love, as stars do light, Found sadness where it left delight, I dare not guess; but in this life Of error, ignorance, and strife, Where nothing is, but all things seem, And we the shadows of the dream, It is a modest creed, and yet Pleasant if one considers it, To own that death itself must be, Like all the rest, a mockery. That garden sweet, that lady fair, And all sweet shapes and odors there, In truth have never passed away: 'Tis we, 'tis ours, are changed; not they. For love, and beauty, and delight, There is no death or change: their might Exceeds our organs, which endure No light, being themselves obscure. (--Conclusion, Autumn - A Dirge)

Poetry turns all things to loveliness; it exalts the beauty of that which is most beautiful, and it adds beauty to that which is most deformed; it marries exultation and horror, grief and pleasure, eternity and change; it subdues to union under its light yoke all irreconcilable things. It transmutes all that it touches, and every form moving within the radiance of its presence is changed by wondrous sympathy to an incarnation of the spirit which it breathes: its secret alchemy turns to potable gold the poisonous waters which flow from death through life; it strips the veil of familiarity from the world, and lays bare the naked and sleeping beauty, which is the spirit of its forms.

The radiance of which he speaks is the scholastic quidditas, the whatness of a thing. The supreme quality is felt by the artist when the esthetic image is first conceived in his imagination. The mind in that mysterious instant Shelley likened beautifully to a fading coal. The instant wherein that supreme quality of beauty, the clear radiance of the esthetic image, is apprehended luminously by the mind which has been arrested by its wholeness and fascinated by its harmony is the luminous silent stasis of esthetic pleasure, a spiritual state very like to that cardiac condition which the Italian physiologist, Luigi Galvani, using a phrase almost as beautiful as Shelley’s, called the enchantment of the heart.