Picnic Trip Quotes

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You live like this, sheltered, in a delicate world, and you believe you are living. Then you read a book… or you take a trip… and you discover that you are not living, that you are hibernating. The symptoms of hibernating are easily detectable: first, restlessness. The second symptom (when hibernating becomes dangerous and might degenerate into death): absence of pleasure. That is all. It appears like an innocuous illness. Monotony, boredom, death. Millions live like this (or die like this) without knowing it. They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death. Some never awaken.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 1: 1931-1934)
He'd written me up a proposal of why dating him was a sound decision. It had included things like "I'll give up cigarettes unless I really, really need one" and "I'll unleash romantic surprises every week, such as: an impromptu picnic, roses, or a trip to Paris—but not actually any of those things because now they're not surprises.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
When other young women dreamed up their theme colours and bridesmaids’ dresses, I just wanted everything after that. The husband, the kids, the home with the smell of cookies after school, picnics and road trips…
Penelope Douglas (Birthday Girl)
the lightness of having nothing to do and nowhere to be. She thought of all the things she could do once she’d finished this chapter of her life, all the books she could read and the picnics she could eat and the funfairs and shopping trips and holidays and parties.
Lisa Jewell (Then She Was Gone)
Occasionally he took us on a picnic or a camping trip and taught us many valuable lessons. The chief one was to remember that camping was a good way to find out people’s characters. Those who were selfish showed it very soon, in that they wanted the best bed or the best food and did not want to do their share of the work.
Eleanor Roosevelt (The Autobiography of Eleanor Roosevelt)
When other young women dreamed up their theme colors and bridesmaids’ dresses, I just wanted everything after that. The husband, the kids, the home with the smell of cookies after school, picnics and road trips…
Penelope Douglas (Birthday Girl)
Surely, somewhere in the back of Bulfinch, in a part Lillian had not gotten to, there is an obscure (abstruse, arcane, shadowy, and even hidden) version of Proserpine in he Underworld in which a tired Jewish Ceres schleps through the outskirts of Tartarus, an ugly village of tired whores who must double as laundresses and barbers, a couple of saloons, a nearly empty five-and-dime, and people too poor to pull up stakes. In this version, Ceres looks all over town for her Proserpine, who crossed the River Cyane in a pretty sailboat with Pluto, having had the good sense to come to an understanding with the king early on. Pluto and Proserpine picnic in a charming park, twinkling lights overhead and handsome wide benches like the ones in Central Park. When Ceres comes, tripping a little on her hem as she walks through the soft grass, muttering and trying to yank Proserpine to her feet so they can start the long trip home to Enna and daylight (which has lost much of its luster, now that Proserpine is queen of all she surveys), the girl does not jump up at the sight of her mother, but takes her time handing out the sandwiches and pours cups of sweetened tea for the three of them. She lays a nicely ironed napkin in her lap and another in the lap of her new husband, the king. Proserpine does not eat the pomegranate seeds by mistake, or in a moment of desperate hunger, or fright, or misunderstanding. She takes the pomegranate slice out of her husband’s dark and glittering hand and pulls the seeds into her open, laughing mouth; she eats only six seeds because her mother knocks it out of her hand before she can swallow the whole sparkling red cluster. “We have to get home,” Ceres says. “I am home,” her daughter says.
Amy Bloom (Away)
The farmers, who rent out their house so they can stay afloat, and sleep all together in a studio, but spend their days off outside on a picnic blanket, living the lives they want to live. Drew and Melanie, with their two homes and their horses and their love story. And Rene, traveling across the world, painting temporary masterpieces. Even my uncle Pete has something good worked out with Melinda and his day trips and his best friend, my dad, who has a small nice house in San Francisco and a dozen neighborhood vendors who know him by name. All of these different ways of living. Even Sophie, with her baby in that apartment, with her record store job and her record collection. I imagine her twirling with her baby across her red carpet with Diana Ross crooning, the baby laughing, the two of them getting older in that apartment, eating meals on red vinyl chairs. Walt, too, as pathetic as his situation is, seems happy in his basement, providing entertainment to Fort Bragg's inner circle. All of them, in their own ways, manage to make their lives work.
Nina LaCour (The Disenchantments)
The road trip would have been romantic, cathartic maybe, to feel each mile drop behind them, to watch the landscape change and change again, to eat hamburgers in sticky diners and make picnics from sad grocery stores and take over motels so beaten they could afford to stay two to a room and everyone could have his own bed.
Laurie Frankel (This Is How It Always Is)
Marlboro Man was out of town, on a trip to the southern part of the state, looking at farm ground, the night I began conceiving of the best way to arrange the reception menu. I was splayed on my bed in sweats, staring at the ceiling, when suddenly I gave birth to The Idea: one area of the country club would be filled with gold bamboo chairs, architecturally arranged orchids and roses, and antique lace table linens. Violins would serenade the guests as they feasted on cold tenderloin and sipped champagne. Martha Stewart would be present in spirit and declare, “This is my daughter, whom I love. In her I am well pleased.” Martha’s third cousin Mabel would prefer the ballroom on the other end of the club, however, which would be the scene of an authentic chuck wagon spread: barbecue, biscuits and gravy, fried chicken, Coors Light. Blue-checkered tablecloths would adorn the picnic tables, a country band would play “All My Exes Live in Texas,” and wildflowers would fill pewter jugs throughout the room. I smiled, imagining the fun. In one fell swoop, our two worlds--Marlboro Man’s country and my country club--would collide, combine, and unite in a huge, harmonious feast, one that would officially usher in my permanent departure from city life, cappuccino, and size 6 clothes.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Tell me something else instead. Tell me what you’re looking forward to most about going to school here.” “You go first. What are you most excited about?” Right away, Peter says, “That’s easy. Streaking the lawn with you.” “That’s what you’re looking forward to more than anything? Running around naked?” Hastily I add, “I’m never doing that, by the way.” He laughs. “It’s a UVA tradition. I thought you were all about UVA traditions.” “Peter!” “I’m just kidding.” He leans forward and puts his arms around my shoulders, rubbing his nose in my neck the way he likes to do. “Your turn.” I let myself dream about it for a minute. If I get in, what am I most looking forward to? There are so many things, I can hardly name them all. I’m looking forward to eating waffles every day with Peter in the dining hall. To us sledding down O-Hill when it snows. To picnics when it’s warm. To staying up all night talking and then waking up and talking some more. To late-night laundry and last-minute road trips. To…everything. Finally I say, “I don’t want to jinx it.” “Come on!” “Okay, okay…I guess I’m most looking forward to…to going to the McGregor Room whenever I want.” People call it the Harry Potter room, because of the rugs and chandeliers and leather chairs and the portraits on the wall. The bookshelves go from the floor to the ceiling, and all of the books are behind metal grates, protected like the precious objects they are. It’s a room from a different time. It’s very hushed--reverential, even. There was this one summer--I must have been five or six, because it was before Kitty was born--my mom took a class at UVA, and she used to study in the McGregor Room. Margot and I would color, or read. My mom called it the magic library, because Margot and I never fought inside of it. We were both quiet as church mice; we were so in awe of all the books, and of the older kids studying. Peter looks disappointed. I’m sure it’s because he thought I would name something having to do with him. With us. But for some reason, I want to keep those hopes just for me for now. “You can come with me to the McGregor Room,” I say. “But you have to promise to be quiet.” Affectionately Peter says, “Lara Jean, only you would look forward to hanging out in a library.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
You live like this, sheltered, in a delicate world, and you believe you are living. Then you read a book (Lady Chatterley, for instance), or you take a trip, or you talk with Richard, and you discover that you are not living, that you are hibernating. The symptoms of hibernating are easily detectable: first, restlessness. The second symptom (when hibernating becomes dangerous and might degenerate into death): absence of pleasure. That is all. It appears like an innocuous illness. Monotony, boredom, death. Millions live like this (or die like this) without knowing it. They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death.
Anaïs Nin (The Diary of Anais Nin Volume 1 1931-1934)
About a month later, we left for our final training exercise, maneuvers on the planet Charon. Though nearing perihelion, it was still more than twice as far from the sun as Pluto. The troopship was a converted “cattlewagon” made to carry two hundred colonists and assorted bushes and beasts. Don’t think it was roomy, though, just because there were half that many of us. Most of the excess space was taken up with extra reaction mass and ordnance. The whole trip took three weeks, accelerating at two gees halfway, decelerating the other half. Our top speed, as we roared by the orbit of Pluto, was around one-twentieth of the speed of light—not quite enough for relativity to rear its complicated head. Three weeks of carrying around twice as much weight as normal…it’s no picnic. We did some cautious exercises three times a day and remained horizontal as much as possible. Still, we got several broken bones and serious dislocations. The men had to wear special supporters to keep from littering the floor with loose organs. It was almost impossible to sleep; nightmares of choking and being crushed, rolling over periodically to prevent blood pooling and bedsores. One girl got so fatigued that she almost slept through the experience of having a rib push out into the open air. I’d been in space several times before, so when we finally stopped decelerating and went into free fall, it was nothing but relief. But some people had never been out, except for our training on the moon, and succumbed to the sudden vertigo and disorientation. The rest of us cleaned up after them, floating through the quarters with
Joe Haldeman (The Forever War)
I Never Knew What They Meant by Flyover Country until the first time someone put me on a plane, windowed me into the congregation looking down on our fields stretched out endless in orderly blanks, redactions in the transcripts of the trial of man versus nature. All this holy squinting at scrimshaw country roads draped with power lines - trip wires lying in wait for the giants we just sort of mice around. I watched the others look down on our Fridays racing Opal Road to hit the tiny hill that drops stomachs like a roller coaster, headlights off for cops. Eighty; Ninety. Ninety-five in a fifty-five, how Kyle's brother talked about defusing IEDs on tour - snip whichever wire you want, you'll only find out if you're a hero. We learned a word for this, its reckless in court, predestination in church. Funny how a thing gets a different name there. Robe becomes vestment. Bench becomes pew. Truth grows a capital letter. Anything to help believe, Mom says, though when it comes to theology we are Presbyterian in casseroles only. This is the word of God, says the pastor into the microphone. See you at the picnic after. See you at the finish, says Kyle's Honda Civic. See you never says his brother's IED.
Robert Wood Lynn (Mothman Apologia)
The biggest fear for homeschooled children is that they will be unable to relate to their peers, will not have friends, or that they will otherwise be unable to interact with people in a normal way. Consider this: How many of your daily interactions with people are solely with people of your own birth year?  We’re not considering interactions with people who are a year or two older or a year or two younger, but specifically people who were born within a few months of your birthday. In society, it would be very odd to section people at work by their birth year and allow you to interact only with persons your same age. This artificial constraint would limit your understanding of people and society across a broader range of ages. In traditional schools, children are placed in grades artificially constrained by the child’s birth date and an arbitrary cut-off day on a school calendar. Every student is taught the same thing as everyone else of the same age primarily because it is a convenient way to manage a large number of students. Students are not grouped that way because there is any inherent special socialization that occurs when grouping children in such a manner. Sectioning off children into narrow bands of same-age peers does not make them better able to interact with society at large. In fact, sectioning off children in this way does just the opposite—it restricts their ability to practice interacting with a wide variety of people. So why do we worry about homeschooled children’s socialization?  The erroneous assumption is that the child will be homeschooled and will be at home, schooling in the house, all day every day, with no interactions with other people. Unless a family is remotely located in a desolate place away from any form of civilization, social isolation is highly unlikely. Every homeschooling family I know involves their children in daily life—going to the grocery store or the bank, running errands, volunteering in the community, or participating in sports, arts, or community classes. Within the homeschooled community, sports, arts, drama, co-op classes, etc., are usually sectioned by elementary, pre-teen, and teen groupings. This allows students to interact with a wider range of children, and the interactions usually enhance a child’s ability to interact well with a wider age-range of students. Additionally, being out in the community provides many opportunities for children to interact with people of all ages. When homeschooling groups plan field trips, there are sometimes constraints on the age range, depending upon the destination, but many times the trip is open to children of all ages. As an example, when our group went on a field trip to the Federal Reserve Bank, all ages of children attended. The tour and information were of interest to all of the children in one way or another. After the tour, our group dined at a nearby food court. The parents sat together to chat and the children all sat with each other, with kids of all ages talking and having fun with each other. When interacting with society, exposure to a wider variety of people makes for better overall socialization. Many homeschooling groups also have park days, game days, or play days that allow all of the children in the homeschooled community to come together and play. Usually such social opportunities last for two, three, or four hours. Our group used to have Friday afternoon “Park Day.”  After our morning studies, we would pack a picnic lunch, drive to the park, and spend the rest of the afternoon letting the kids run and play. Older kids would organize games and play with younger kids, which let them practice great leadership skills. The younger kids truly looked up to and enjoyed being included in games with the older kids.
Sandra K. Cook (Overcome Your Fear of Homeschooling with Insider Information)
For iron and pep, I wanted to make a cold lentil salad with a zingy orange-ginger vinaigrette, handfuls of chopped herbs, and slices of white peach. (The purple-green Puy lentils, more common than the orange ones in France, just seemed too dark for a summer salad.) After unpacking half the kitchen while standing, against my better judgement, on a kitchen chair, I ended up not with orange lentils, but with a bag of yellow split peas. That would have to do. The split peas had been hiding up there for a while--- I'm pretty sure I bought them after a trip to Puglia, where we were served warm split-pea puree drizzled with wonderful glass-green olive oil and a grind of fresh pepper. Still hankering after a cold salad, I tried cooking the dried peas al dente, as I would the lentils, but a half hour later, where the lentils would have been perfect, the split peas were a chalky, starchy mess. I decided to boil on past defeat and transform my salad into the silky puree I'd eaten with such gusto in Italy. When the peas were sweet and tender and the liquid almost absorbed, I got out the power tools. I'm deeply attached to my hand blender--- the dainty equivalent of a serial killer's obsession with chain saws. The orange-ginger vinaigrette was already made, so I dumped it in. The recipe's necessary dose of olive oil would have some lively company. The result was a warm, golden puree with just enough citrus to deviate from the classic. I toasted some pain Poilâne, slathered the bread with the puree, and chopped some dill. My tartines were still lacking a bit of sunshine, so I placed a slice of white peach on top.
Elizabeth Bard (Picnic in Provence: A Memoir with Recipes)
tried not to think about the time before Mum died. The three of them had been so happy. Dad had settled into a good job, buildings manager for a large company headquarters after years working worldwide as a project manager on construction sites. Mum worked part time in a creche for babies and toddlers, and Matt was in his first year at senior school, making new friends, struggling a bit during French and English lessons but doing well at maths and enjoying the chance to show his skills at football. Weekends were brilliant. Picnics and trips to adventure parks, the seaside, football matches, the swimming pool – always the three of them together, having fun, laughing. Then, just a year ago, it ended. On one of her days off Mum had gone shopping in the nearest big town. A gang of older boys racing along the pavement had knocked her into the path of a bus and she had died before an ambulance could reach the scene. After that all Matt could remember was the silence. The silent house, Dad sitting huddled in front of the television screen, the volume turned to mute, Matt sitting in his bedroom not knowing what to do, feeling it was wrong to play computer games or phone his mates. His mates were silent anyway – they didn’t know what to say to someone whose Mum had been killed so suddenly and shockingly.
Joy Wodhams (The Mystery of Craven Manor)
She wanted to believe him so much, but fear held her in its grasp more firmly than ever before. And if she made the wrong decision, she would have to live with the result for the rest of her life. That could be a long time and she’d already made one wrong choice regarding marriage and love. What if she made another? She sat there remembering the way he’d been good to her children, the way he’d made love to her that first time, soothing her fears. She remembered how he’d finally begun to teach her the shipping business, the impromptu baseball game with Philip, the picnic in her office, the trip to his family home, and all the little things that made her laugh. From the very first he’d been kind to her, while lying repeatedly regarding the business. The business seemed to be his Achilles’ heel and he’d just given it to her.
Sylvia McDaniel (Wronged (Cuvier Women #1))
You really think stopping here is a good idea?” Lex asked her uncle, eyeing the buffalo. A strange decoration for a small-town deli, to be sure, but then again Lex wasn’t really up to date on the interior design trends of small-town upstate New York. “Of course,” Uncle Mort said, counting out a stack of bills and placing them on the counter. “Don’t you think a cross-country run-for-our-lives road trip just screams ‘time for a picnic’?” “I would not have thought that, no.” “Well, that’s because you’re a total noob.” The girl reappeared behind the counter with two bagfuls of wrapped sandwiches. “That’ll be sixty-seven dollars and two cents,” she said, smiling sweetly at Uncle Mort. “Thanks,” he said, giving her a wink as he handed her the bills. “Keep the change, hon.” She giggled. Lex rolled her eyes. “Smooth move, Clooney,” Lex said as they exited the deli. “Do we need to pencil in some time for a sexy rendezvous? I think there’s a motel down the street that rents rooms by the hour.” “Pop quiz, hotshot: Let’s say someone shows up in this town and starts asking questions about a hooligan band of teenagers accompanied by two ghosts, an ancient woman, and a devastatingly attractive chaperone. Which one do you think that girl will be more likely to remember?” Lex grumbled. “The chaperone.” “You seem to have forgotten a couple of key adjectives there.” “Oh, I didn’t forget.” “Believe me, that girl won’t dream of ratting us out. Especially now that I’ve bestowed upon her the Wink of Trust.” Lex snorted. “The Wink of Trust?” “Has gotten me out of more trouble than you can imagine. I suggest you try it some time. Add it to your already overflowing arsenal of charm.
Gina Damico (Rogue (Croak, #3))
They’ll have Donald Duck and Goofy and the gang on the wallpaper ready for the first arrival in the nursery, the boy who would be conker champion, and the signed baseball bat and mitt, and his granddad’s fighter plane suspended from the ceiling. And he’ll coach him in baseball, and Phineas in cricket, and Owain will teach him to fish, and later shoot. Phineas would be one godparent, he’d decided, and Annie and Owain, and Jasmine, and the Commander and Priny, and Miss Wyndham and John Beecher, and Tom Parr, there’ll be plenty to go round, enough new trees over the years. And they’ll grow up, their brood, like Jasmine’s and the Owens’, and there’ll be all the Hall and the grounds to chase each other round in, and the river to explore, and picnics on it, and trips to its hidden places, and all that English countryside, and the half that was in Wales, to play in. Humphrey clamped his cigar in his mouth, and scattered sheep feeding by a field gate with a couple more blasts on the horn, singing his way down Batch Valley.
Peter Maughan (The Cuckoos Of Batch Magna)
Paula had never tired of the road and its secrets: the petrol stations manned by friendly country folk, the sugary treasures hidden in milk bars, the deserted public toilets attached to grassy picnic areas in quiet, shady gullies. Meat pies and cream buns, Big Ms and barley sugar. Her father’s tuneless whistling accompanying Bing Crosby cassettes, the relaxed look on her mother’s face, Jamie’s endless backseat tournaments of I-Spy, Twenty Questions and Thumb Wars. The back aches, the bursting bladders, the bush wees. The exquisite limbo of transit, the mysteries of dirt roads in indeterminate locations. The feelings of optimism and anticipation on departure, rivalled only by the tedium of the return trip.
Fiona Higgins (Wife on the Run)
Lottie's cake is last. This one is layered three deep, impressive for a moist, snacking-style cake, which normally couldn't be stacked. The bottom layers are bound together by a thick cream cheese icing, while the top is coated with a thick streusel crumble held in place by a circle of decorative piping. "It's a layered blueberry buckle," Lottie says, looking at Betsy hopefully. "Now that is another unconventional choice from you," Betsy says, eyeing the streusel topping, an odd choice for a layer cake. A buckle is a humble sort of cake--- old-fashioned in its simplicity--- that she hasn't seen around in years. Nowadays most prefer a thick layer of icing, buttercream they can decorate, or the scraped edge of a naked cake. Something meant to impress on a table or in a photograph rather than just be eaten at a family dinner or on a picnic. Secretly it's kind of a relief to see such a normal person's cake given its due. "The decoration is lacking," Betsy tells her flatly, though the completely bare sides show an even sprinkling of blueberries, which is impressive. It can be difficult to keep berries from falling to the bottom of a cake, but these are evenly distributed throughout. The knife glides into the cake, which has a springy sort of give to it. She cleaves a slice away, leaving a small avalanche of streusel crumbs in its wake. The cake inside is plump and golden, studded with juicy blueberries. Betsy can tell before she even takes a bite that it has been cooked to perfection. The flavors hit her tongue and bring on a wave of nostalgia so strong that she has to steady herself against the table. It is heavenly, the sweet and sour of the blueberries wrapped in the soft vanilla-y cake. She is instantly transported back in time, back to her childhood. It is unquestionably the best cake of the bunch, simple and satisfying, the kind that if you were to bake it at home would leave you wanting more, taking secret trips to the kitchen to cut another slice.
Jessa Maxwell (The Golden Spoon)
Around me umpteen birds are singing umpteen marvelous melodies, whistles and warbles and chirps and quavers cutting pitches high then sweep-swooping low, the pulchritudinous swimming pool sized pond glimmering picturesque in the lazy and hazy early afternoon sun. An attractive well-groomed mother duck- followed in a flawless and disciplined line by its ducklings like fluffy automatons - plies her trade alongside a young and jubilant hominid couple who, satisfactorily fulfilled to have settled and copulated once and to never again except on birthdays or anniversaries be carnal, play with their progeniture with proficiently prepared picnics loaded with an overkill of mother's home made tarts and buns and baskets of ham and cheese sandwiches; it was all sensationally Disney and dizzying and droll and not at all what this trip desired.
Darren Colgan (The Man with One Boot)
Stumbling to my feet, I glanced at my mom who still sat at the table. She looked at me then Larry then lowered her gaze and returned to her coupons. The logical choice for me was to run from the house. I was so much smaller than these three battling men and the smart thing was to run. Yet, Larry and his bullshit family were why Raven left. They were always telling me what to do and making me feel like shit. Now, he’d hit me and I wasn’t running. Grabbing a chair from the table, I swung it at Glenn and hit him at the back of the neck. As he went flying forward, the bastard tripped over Dylan and toppled hard to the ground. Before I could celebrate, Larry ripped the chair out of my hand then came at me. I backed away and grabbed one of the millions of bear figurines. Throwing it at him, I nailed Larry in the chest with the first one. The second one caught him over the eye, leaving a gash. As Larry chased me around the room, I grabbed more bears and flung them over my shoulders at him. While most missed, a few made contact and he finally hollered in frustration. Having recovered from the blow, Glenn tried to block me in. However, Dylan shoved the older man outside then locked the door. Unfortunately for Glenn, Larry’s stupid fluffy dog hated him and proceeded to attack his leg. “Dylan, this is your last chance,” Larry said, his face red and blood dripping down his face. “Give me that girl or you’re done.” “Fuck you. I was done the minute you put your fucking hand on her.” Watching the two men glare at one another, I exchanged the bears in my hands for heavier ones. “I’m leaving,” I said more to Mom than Larry. “If anyone messes with me, I’m cracking their heads open with Picnic Bear.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
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