Pickup Quotes

We've searched our database for all the quotes and captions related to Pickup. Here they are! All 100 of them:

There was an electric anger in his gaze, and a sort of challenge that made Simon long to hit him with something heavy. Like a pickup truck.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
I felt a warm hand on the skin of my lower back.” I twisted my neck, looked up and there he was. I held my breath and he asked, “You comin’ or what?” That was it. That was his pickup line. “You comin’ or what?” I went.
Kristen Ashley (Mystery Man (Dream Man, #1))
Without commitment, you cannot have depth in anything, whether it's a relationship, a business or a hobby.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
Hey girl," he said, wiggling his eyebrows. "You must be the riptide, 'cause you sweep me off my feet." He'd be practicing that pickup line for years. He was glad he finally got yo use it.
Rick Riordan (Percy Jackson's Greek Gods)
I don’t mind hot and spicy. Actually find that appealing in a girl. And chicken wings.
Julie James (About That Night (FBI/US Attorney, #3))
If there was anything I'd learned, it's that the man never chooses the woman. All he can do is give her an opportunity to choose him.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
In life, people tend to wait for good things to come to them. And by waiting, they miss out. Usually, what you wish for doesn't fall in your lap; it falls somewhere nearby, and you have to recognize it, stand up, and put in the time and work it takes to get to it. This isn't because the universe is cruel. It's because the universe is smart. It has its own cat-string theory and knows we don't appreciate things that fall into our laps.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
We literally have three “pickup trucks” in all of England, but here they’re everywhere. What is it that Americans have to pick up that the rest of the world doesn’t?
Rainbow Rowell (Wayward Son (Simon Snow, #2))
Men are not dogs. We merely think we are and, on occasion, act as if we are. But, by believing in our nobler nature, women have the amazing power to inspire us to live up to it.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
Heartache often drives us to consume things we wouldn't otherwise, such as an entire pint of Caramel Pecan Perfection high-fat ice cream, covered in ganache, the crack cocaine of frozed dairy. Twelve hundred calories per pint, six hundred and eighty of which are fat calories, but is only dulls the pain for the moment, there's that carb fog while you're standing at the sink shoving it in your face, and then it's over and you feel...used. Like a cheap pickup the Dove people seduced and abandoned in your kitchen, leaving you with sticky hands and an empty cup and a still-broken heart, except now you're mad at Dove, too.
Jennifer Crusie
After all, everyone's favorite subject is themselves.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
The strong live off the weak and the clever live off the strong.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
Grandpa always used to make me ride in the bed of his pickup truck, so he could keep up his conversations with the 100-pound sack of manure he kept buckled up in the passenger seat. Grandpa said all they ever talked about was grass, but I know Grandpa used to do a little flirting, too.
Jarod Kintz (There are Two Typos of People in This World: Those Who Can Edit and Those Who Can't)
My cervix looks great. Is that a gynecologist pickup line? I laugh internally.
Jana Aston (Wrong (Cafe, #1))
One of the things I'd learned ... was how to take a compliment. Just say, "Thank you." It's the only response a confident person can make.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
It’s not lying, it’s flirting.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
I looked over at her; if women knew how good they looked in the dash light of oversized pickup trucks, they'd never get out of them.
Craig Johnson (Death Without Company (Walt Longmire, #2))
If I’m going to do the time. Might as well do the crime?”  She scowled. “Worst pickup line in evolutionary history. Truly proof you never evolved past neanderthal.
J. Rose Black (Chasing Headlines)
Part of the journey in life is slipping and falling along the way; in these times true friends are the ones who pick you up and dust you off.
Ken Poirot
She scrambled to her feet, “We… uh… better get back. The clothes… ya know.” True, her ten grand worth of clothes were in the back of his pick-up, but he really needed a moment to… uh… compose himself. “Are you coming?” Well, that’s a loaded question.
Shelly Laurenston (Here Kitty, Kitty! (Magnus Pack, #3))
there are only so many ways to get rejected or ignored. It doesn't hurt at all anymore because why should someone who's a complete stranger have any control over your sense of selfworth?
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
Want to come back to the morgue with me after lunch? (Tate) I shudder at the thought of the pickup line you must have used the night you met LaShonda. Come with me, baby, and see my collection of stiffs. (Simone)
Sherrilyn Kenyon (Dream Chaser (Dark-Hunter, #13; Dream-Hunter, #3))
Pickup line... pickup line... she racked her brain until she found an explanation and brightened. "Mine would be—roses are red, violets are blue, if you don't do what I say I will kill you.
Gena Showalter (The Darkest Touch (Lords of the Underworld, #11))
The prospect of his future life stretched before him like a sentence; not a prison sentence but a long-winded sentence with a lot of unnecessary subordinate clauses, as he was soon in the habit of quipping during Happy Hour pickup time at the local campus bars and pubs. He couldn’t say he was looking forward to it, this rest-of-his-life.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
I liked music that I didn't have to think about, and most country songs spelled it right out for the listener. The girl was mad because the guy cheated, the guy was mad his pickup got trashed, everyone was sad the dog died, and Taylor Swift had about as much luck with men as I did.
Jay Crownover (Jet (Marked Men, #2))
You burn a man's pickup, and he's ready for war.
John Grisham (The Confession)
Kya remembered, those many years ago, Ma warning her older sisters about young men who overrevved their rusted-out pickups or drove jalopies around with radios blaring. “Unworthy boys make a lot of noise,” Ma had said. She read a consolation for females. Nature is audacious enough to ensure that the males who send out dishonest signals or go from one female to the next almost always end up alone.
Delia Owens (Where the Crawdads Sing)
The Coffee Guy, whose name is Rosie by the way, has moved to El Salvador.' I lied. This was not met with happy noises. 'He's turned his back on coffee and is in the wilds of Central America building houses for the poor. I think we should all take a moment away from our quest for coffee-satisfaction and think about this noble decision. As you clamor for caffeine and curse the hard-working but innocent staff at my store, Rosie is sitting in the bed of a beat-up pickup bumping across roads to make one room homes out of mud for those who have nothing at all
Kristen Ashley (Rock Chick (Rock Chick, #1))
Sam tapped her hand on the steering wheel. Patrick held his hand outside the car and made air waves. I just sat between them. After the song finished, I said something. 'I feel infinite.' And Sam and Patrick looked at me like I said the greatest thing they ever heard. Because the song was that great and because we all really paid attention to it. Five minutes of a lifetime were truly spent, and we felt young in a good way. I have since bought the record, and I would tell you what it was, but truthfully, it's not the same unless you're driving to your first real party, and you're sitting in the middle seat of a pickup with two nice people when it starts to rain.
Stephen Chbosky (The Perks of Being a Wallflower)
If you ahve ever unloaded your pickup by backing up really fast and slamming on the brakes, you might be a redneck.
Jeff Foxworthy
Don't talk to strangers. Don't do drugs. Don't smoke. Don't drink and drive. Don't have sex. Wear a condom. Wear sunblock. Wear a seat belt. Wear a helmet. If you see something, say something. Just say no. Stop, drop, and roll. Stop, look, and listen. Look both ways before you cross the street... Safety is an illusion. Bad things can happen to anyone at any time, whether you follow the rules or not. You can check left, check right, check left again before you step off the curb and into the crosswalk, but that won't stop an anonymous asshole in his shitty pickup from putting you in intensive care...
Megan McCafferty (Perfect Fifths (Jessica Darling, #5))
Late in the afternoon, thunder growling, that same old green pickup rolled in and he saw Jack get out of the truck, beat up Resistol tilted back. A hot jolt scalded Ennis and he was out on the landing pulling the door closed behind him. Jack took the stairs two and two. They seized each other by the shoulders, hugged mightily, squeezing the breath out of each other, saying, son of a bitch, son of a bitch, then, and easily as the right key turns the lock tumblers, their mouths came together, and hard, Jack’s big teeth bringing blood, his hat falling to the floor, stubble rasping, wet saliva welling, and the door opening and Alma looking out for a few seconds at Ennis’s straining shoulders and shutting the door again and still they clinched, pressing chest and groin and thigh and leg together, treading on each other’s toes until they pulled apart to breathe and Ennis, not big on endearments, said what he said to his horses and his daughters, little darlin.
Annie Proulx (Brokeback Mountain)
To win the game was to leave it.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
I've never trusted collaborations, because most people in this world are not closers. They don't finish what they start; they don't live what they dream; they sabotage their own progress because they're afraid they won't find what they seek.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
Beauty is common but what’s rare is a great energy and outlook on life.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
We passed a pickup that was doing fifty-five in a fifty-five. Clearly a sociopath.
Andrew Shaffer (Hope Never Dies (Obama Biden Mysteries, #1))
Great. He was a hottie, a good kisser, and a literature buff. God really must have had a sense of humor, because if I had to name my biggest turn-on, it was literature. And he had just recommended a book that I didn’t know, that wasn’t taught in school. If I were single, there would be no better pick-up line. Suddenly, I found myself thinking back to Atonement—you know, the scene in the book where the two main characters have sex in the library? Even though Chloe said doing it against bookshelves would be really uncomfortable (and she’d probably know), it was still a fantasy of mine. Like, what’s more romantic than a quiet place full of books? But I shouldn’t have been thinking about my library fantasies. Especially while I was staring at Cash. In the middle of a library.
Kody Keplinger (Shut Out (Hamilton High, #2))
A rich man doesn't need to tell you he's rich.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
[American family court] is a system that is corrupt on his best day. It is like being tied to the back of a pickup truck and dragged down a gravel late at night. No one can hear your cries and complaints and it is not over until they say it's over.
Alec Baldwin (A Promise to Ourselves: A Journey Through Fatherhood and Divorce)
Don’t trust anyone who promises you a new life. Pick-up artists, lifestyle gurus, pyramid-scheme face cream evangelists, Weight Watchers coaches: These people make their living off of your failures.
Lindy West (Shrill: Notes from a Loud Woman)
His hand circled the back of my neck. "I need you tonight." Has there ever been a more effective line in the history of pickup lines than "I need you?
Leah Raeder (Unteachable)
A pickup truck is a fragile ego overcompensated
Brian D'Ambrosio (Sentiment and Sediment: 21 Poems (Heyday Books Book 1))
And yet I wasn't sure what his weakness was. We all do that as we get to know someone. Like a tabloid editor, we search for both greatness and weakness, jotting down notes in our heads for future exploitation. We are never comfortable with those who have no visible flaw.
Wayne Elise (The Game: Penetrating the Secret Society of Pickup Artists)
One of the reasons I became a writer is that, unlike starting a band, directing movies, or acting in a theatrical production, you can do it alone. Your success and failure depend entirely on yourself.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
An incomplete list: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
Damn. I never should have agreed to this. What is he thinking? Here we are in a piece of crap pickup truck on our way to sit outside of a supermarket to kidnap this girl. Damn. He’d better not be falling for her. Sure she’s cute, but I can’t think about that.
Jenna-Lynne Duncan (Hurricane (Hurricane #1))
Hardy was every loose-limbed cowboy in warn denim, every pair of blue eyes, every battered pickup, every hot cloudless day." -Liberty
Lisa Kleypas (Sugar Daddy (Travises, #1))
Our department takes 1,120 calls every day. Do you know how many of the calls the public expects perfection on? 1,120. Nobody calls the fire department and says, 'Send me two dumb-ass firemen in a pickup truck.' In three minutes they want five brain-surgeon decathlon champions to come and solve all their problems.
John Eversole
In fact, every woman I met seemed disposable and replaceable. I was experiencing seducer's paradox: The better a seducer I became, the less I loved women. Success was no longer defined by getting laid or finding a girlfriend, but by how well I performed.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
I sighed and closed my eyes, thumping my head against the bookcase. You take biology? Oh yeah, Franny. What a great fucking pick-up line.
Tahlie Purvis (The Boy At The Back Of The Class)
I slammed the door, floored the throttle, and reversed down the road as fast as the old car would go, which was not very. Then I spun the wheel and hit the brakes, backing off the road. I crunched the transfer lever into four-wheel drive and trundled off toward the water. Behind us, the pickup was backing and filling, trying to turn around on the narrow road.
Grahame Shannon (Tiger and the Robot (Chandler Gray, #1))
The same teen who can't legally operate a four-wheeler, or [ATV]...in a farm lane workplace environment can operate a jacked-up F-250 pickup on a crowded urban expressway. By denying these [farm work] opportunities to bring value to their own lives and the community around them, we've relegated our young adults to teenage foolishness. Then as a culture we walk around shaking our heads in bewilderment at these young people with retarded maturity. Never in life do people have as much energy as in their teens, and to criminalize leveraging it is certainly one of our nation's greatest resource blunders.
Joel Salatin (Folks, This Ain't Normal: A Farmer's Advice for Happier Hens, Healthier People, and a Better World)
Careful,” he said. “If you keep blushing like that I may do more than just draw you.
Nenia Campbell (Fearscape (Horrorscape, #1))
Think about it; the quicktank is given a job most of us would laugh out of town. Build a sophisticated camera capable of full 3-D input and peripheral pickup, using only water and jelly. Build an eye.
Warren Ellis (Transmetropolitan, Vol. 2: Lust for Life)
That's when I started to leave it behind. I realized that I got my entire validation from women. Women became like gods to me, but false gods.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
There are certain bad habits we've groomed our whole life -- from personality flaws to fashion faux pas. And it has been the role of parents and friends, outside of some minor tweaking, to reinforce the belief that we're okay just as we are. But it's not enough to just be yourself. You have to be your best self. And that's a tall order if you haven't found your best self yet.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
You just told me you didn't intend to love me. You didn't want to love me. You got yourself arrested to keep yourself away from me. That's not love. That's a compulsion. And, by the way, kudos on coming up with the worst pickup line of all time.
Emily McKay (The Farm (The Farm, #1))
There is a downside to casual sex: Sometimes it stops being casual. People develop a desire for something more. And when one person's expectations don't match the other person's, then whoever holds the highest expectations suffers. There is no such thing as cheap sex. It always comes with a price.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
But who are we, really? Just a bundle of good genes and bad genes mixed with good habits and bad habits. And since there's no gene for coolness or confidence, then being uncool and unconfident are just bad habits, which can be changed with enough guidance and will power.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
For all the self-improvement books I had read, I still wasn't above shallow validation-seeking. None of us were. That's why we were in the game. Sex wasn't about getting our rocks off; it was about being accepted.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
I want to learn martial arts," he said docilely, "so when I want to kill someone, I can do something about it.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
If he wants me to stay away, he should leave me alone.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
One day I was driving down the farm track in the pickup,with two of the little boys, aged about four or five, sitting beside me. One of them turned to me conversationally and said, "Baba, don't worry. When you get old one day you'll be sitting here where we are, and we'll be driving you around!
Angus Buchan (Faith Like Potatoes: The Story of a Farmer Who Risked Everything for God)
I’ve been thinking about the way, when you walk down a crowded aisle, people pull in their legs to let you by. Or how strangers still say “bless you” when someone sneezes, a leftover from the Bubonic plague. “Don’t die,” we are saying. And sometimes, when you spill lemons from your grocery bag, someone else will help you pick them up. Mostly, we don’t want to harm each other. We want to be handed our cup of coffee hot, and to say thank you to the person handing it. To smile at them and for them to smile back. For the waitress to call us honey when she sets down the bowl of clam chowder, and for the driver in the red pick-up truck to let us pass. We have so little of each other, now. So far from tribe and fire. Only these brief moments of exchange. What if they are the true dwelling of the holy, these fleeting temples we make together when we say, “Here, have my seat,” “Go ahead—you first,” “I like your hat.
Danusha Laméris (The Moons of August)
There's an energy to these autumn nights that touches something primal inside of me. Something from long ago. From my childhood in Western Iowa. I think of high school football games and the stadium lights blazing down on the players. I smell ripening apples, and the sour reek of beer from keg parties in the cornfields. I feel the wind in my face as I ride in the bed of an old pickup truck down a country road at night, dust swirling red in the taillights and the entire span of my life yawning out ahead of me. It's the beautiful thing about youth. There's a weightlessness that permeates everything because no damning choices have been made, no paths committed to, and the road forking out ahead is pure, unlimited potential.
Blake Crouch (Dark Matter)
As he soars, he thinks, suddenly, of Dr. Kashen. Or not of Dr. Kashen, necessarily, but the question he had asked him when he was applying to be his advisee: What's your favorite axiom? (The nerd pickup line, CM had once called it.) "The axiom of equality," he'd said, and Kashen had nodded, approvingly. "That's a good one," he'd said. The axiom of equality states that x always equals x: it assumes that if you have a conceptual thing named x, that it must always be equivalent to itself, that it has a uniqueness about it, that it is in possession of something so irreducible that we must assume it is absolutely, unchangeably equivalent to itself for all time, that its very elementalness can never be altered. But it is impossible to prove. Always, absolutes, nevers: these are the words, as much as numbers, that make up the world of mathematics. Not everyone liked the axiom of equality––Dr. Li had once called it coy and twee, a fan dance of an axiom––but he had always appreciated how elusive it was, how the beauty of the equation itself would always be frustrated by the attempts to prove it. I was the kind of axiom that could drive you mad, that could consume you, that could easily become an entire life. But now he knows for certain how true the axiom is, because he himself––his very life––has proven it. The person I was will always be the person I am, he realizes. The context may have changed: he may be in this apartment, and he may have a job that he enjoys and that pays him well, and he may have parents and friends he loves. He may be respected; in court, he may even be feared. But fundamentally, he is the same person, a person who inspires disgust, a person meant to be hated. And in that microsecond that he finds himself suspended in the air, between ecstasy of being aloft and the anticipation of his landing, which he knows will be terrible, he knows that x will always equal x, no matter what he does, or how many years he moves away from the monastery, from Brother Luke, no matter how much he earns or how hard he tries to forget. It is the last thing he thinks as his shoulder cracks down upon the concrete, and the world, for an instant, jerks blessedly away from beneath him: x = x, he thinks. x = x, x = x.
Hanya Yanagihara (A Little Life)
We get stuck in old thought and behavior patterns that may have been effective when we were twelve months or twelve years old, but now only serve to hold us back. And, while those around us may have no problem correcting our minor flaws, they let the big ones slide, because it would mean attacking who we are.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
There are a number of things a woman can tell about a man who is roughly twenty-nine years old, sitting in the cab of a pickup truck at 3:37 in the afternoon on a weekday, facing the Pacific, writing furiously on the back of pink invoice slips. Such a man may or may not be employed, but regardless, there is mystery there. If this man is with a dog, then that's good, because it means he's capable of forming relationships. But if the dog is a male dog, that's probably a bad sign, because it means the guy is likely a dog, too. A girl dog is much better, but if the guy is over thirty, any kind of dog is a bad sign regardless, because it means he's stopped trusting humans altogether. In general, if nothing else, guys my age with dogs are going to be work. Then there's stubble: stubble indicates a possible drinker, but if he's driving a van or a pickup truck, he hasn't hit bottom yet, so watch out, honey. A guy writing something on a clipboard while facing the ocean at 3:37 P.M. may be writing poetry, or he may be writing a letter begging someone for forgiveness. But if he's writing real words, not just a job estimate or something business-y, then more likely than not this guy has something emotional going on, which could mean he has a soul.
Douglas Coupland (Hey Nostradamus!)
If a woman has been married three years or more, you come to learn that she's usually easier to sleep with than a single woman.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
I looked from one to the other, and realized that Barrons and my dad were having one of those wordless conversations he and I have from time to time. Though the language was, by nature, foreign to me, I grew up in the Deep South where a man’s ego is roughly the size of his pickup truck, and women get an early and interesting education in the not-so-subtle roar of testosterone.
Karen Marie Moning (Bloodfever (Fever, #2))
Whoever destroys a single life is as guilty as though he had destroyed the entire world; and whoever rescues a single life earns as much merit as though he had rescued the entire world.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
When you’re in a band, you spend the first four hundred thousand years of your career dragging around your own crap. Your speakers, speaker stands, mixing head, mics, pickups, power cables, mic cables, speaker cables, instruments, the everything. You forget something, you’re screwed. You break something, you’re screwed. You don’t have a long enough extension cord? Screwed. Once you hit it big, though — You’re packing your shit into a late-model Mustang and a pickup truck and hoping you didn’t forget anything.
Maggie Stiefvater (Sinner (The Wolves of Mercy Falls, #4))
I think the existential dilemma is: We're social animals, so we all wrestle with a sense of inadequacy. But when we realize that we're not as inadequate as we thought we were, and when we realize that everybody else also thinks they're inadequate, then that ache goes away and the idea that we're not a person of value disappears to some extent.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
The first morning I really sat and watched him it was a Tuesday. I know that because Tuesday is trash day for our neighborhood. Unlike me, he leaves gathering up his trash for the morning of pickup instead of doing it the night before. My alarm went off at 6 AM and I went in to start the coffee maker, and as I went about selecting a bit of fruit from the bowl on my kitchen table I looked out the window. It was just a casual glance, and the human eye is attracted to movement.
Benjamin R. Smith (Sketches: An Erotic Collection)
We were all searching outside ourselves for our missing pieces, and we were all looking in the wrong direction. Instead of finding ourselves, we'd lost our sense of self. Mystery didn't have the answers. A blonde 10 in a twoset at the Standard didn't have the answers. The answers were to be found within.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
Find somebody else to entertain you," I said. "There is no one else." I turned a page in my notebook and started writing again. "There's always someone else.You've been Feeding off Forfeits for hundreds of years. Get a new one." "You don't give my job enough credit. It's really hard to convince a girl to follow me. The average pickup lines don't work so well. 'Hey,wanna get coffee? And then spend an eternity getting the life force sucked out of you?' They don't go for it.
Brodi Ashton (Everneath (Everneath, #1))
THERE HAVE ALWAYS BEEN ITINERANTS, drifters, hobos, restless souls. But now, in the second millennium, a new kind of wandering tribe is emerging. People who never imagined being nomads are hitting the road. They’re giving up traditional houses and apartments to live in what some call “wheel estate”—vans, secondhand RVs, school buses, pickup campers, travel trailers, and plain old sedans. They are driving away from the impossible choices that face what used to be the middle class. Decisions like: Would you rather have food or dental work? Pay your mortgage or your electric bill? Make a car payment or buy medicine? Cover rent or student loans? Purchase warm clothes or gas for your commute? For many the answer seemed radical at first. You can’t give yourself a raise, but what about cutting your biggest expense? Trading a stick-and-brick domicile for life on wheels?
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
A man in the UK is 230 times more likely to be raped himself than be falsely accused of rape, so low is the number of false allegations.15 In the meantime, 85,000 women each year in the UK experience rape or attempted rape.16
Laura Bates (Men Who Hate Women: From incels to pickup artists, the truth about extreme misogyny and how it affects us all)
But a human being, she, she, cannot simply exist; she is a hurricane, every thought bending and crossing its coherence inside her, nothing will let her be, not for a moment. Every emotion, every thought, is invaded by another.
Nadine Gordimer (The Pickup)
We have this idea that love is supposed to last forever. But love isn’t like that. It’s a free-flowing energy that comes and goes when it pleases. Sometimes it stays for life; other times it stays for a second, a day, a month, or a year. So don’t fear love when it comes simply because it makes you vulnerable. But don’t be surprised when it leaves, either. Just be glad you had the opportunity to experience it.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
You don't shower or shave for a month, until you smell like a sewer. Then you walk around for two weeks wearing a dress and a goalie mask with a dildo strapped to the front. That's what I did. And I will never be afraid of public humiliation again.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
in a society in which misogyny and violence against women are so widespread and so normalized, it is difficult for us to consider these things “extreme” or “radical,” because they are simply not out of the ordinary. We do not leap to tackle a terrorist threat to women, because the reality of women being terrorized, violated, and murdered by men is already part of the wallpaper.
Laura Bates (Men Who Hate Women: From incels to pickup artists, the truth about extreme misogyny and how it affects us all)
Note: One terrible aspect of preschool and day care is that it will put you in direct contact with parents who are doing better than you are. During drop-off and pickup, you will notice that there are parents who drive very expensive vehicles and are physically attractive, fit, and well-dressed. We call these people punk bitches (applies to males and females) and avoid them. If it helps, imagine that their personal life is in shambles. Look for the parents who look like they were just released from prison: unshaven, hunched over, afraid of sunlight, confused, shoes on the wrong feet, etc. These are your people.
Bunmi Laditan (Toddlers Are A**holes: It's Not Your Fault)
Special Agent Brad Wolgast hated Texas. He hated everything about it. [...] He hated the billboards and the freeways and the faceless subdivisions and the Texas flag, which flew over everything, always as big as a circus tent; he hated the giant pickup trucks everybody drove, no matter that gas was thirteen bucks a gallon and the world was slowly seaming itself to death like a package of peas in a microwave. He hated the boots and the belts and the way people talked, ya'll this and ya'll that, as if they spent the day ropin' and ridin', not cleaning teeth and selling insurance and doing the books, like people did everywhere.
Justin Cronin (The Passage (The Passage, #1))
Inevitable pickup trucks complete with full gun racks, chainsaws, fishing poles, and big, sneering dogs in the back, line the streets and parking lots. Meek murmur of autumn skies, Ford and Chevy outfits to roll through town, as people get ready for a long, gray, foggy winter, big, four-wheel-drive pickups with snow blades attached, the box loaded down, with a high stack of cordwood topped by a huge elk carcass, to go disheartened in the midst of wretched weather, cold, raw, continually snowing.
Brian D'Ambrosio
I was last. Sam walked up and held me for a long time. Finally, she whispered in my ear. She said a lot of wonderful things about how it was okay that I wasn't ready last night and how she would miss me and how she wanted me to take care of myself while she was gone. 'You're my best friend,' was all I could say in return. She smiled and kissed my cheek, and it was like for a moment, the bad part of last night disappeared. But it still felt like a goodbye rather than a 'see ya.' The thing was, I didn't cry. I didn't know what I felt. Finally, Sam climbed into her pickup, and Patrick started it up. And a great song was playing. And everyone smiled. Including me. But I wasn't there anymore.
Stephen Chbosky (The Perks of Being a Wallflower)
Young people are swaddled in delusion. You think you are more awesome than you are, the world more interested in you than it is, your countenance more dazzling, your ideas more captivating, and that LeBron James was just a natural talent recruited from a neighborhood pickup game. You don’t want to practice, you don’t see the value in sacrifice, and you are convinced there is some vast comedy conspiracy to keep you from buying your first Bentley and dating a model by the time you are twenty-five. Wow. You are a douche.
Aisha Tyler (Self-Inflicted Wounds: Heartwarming Tales of Epic Humiliation)
You are caught in the vicious cycle. You are hesitant because you are not used for things going your way. And things will never go your way because you remain hesitant. You see what you want, become hesitant, and the door of opportunity closes. It happens again. And again. And again. With each choice towards Inaction, you reject yourself a little bit more.
Pook (The Book of Pook)
The right lifestyle is something that is worn, not discussed. Money, fame, and looks, though helpful, are not required. It is, rather, something that screams: Ladies, abandon your boring, mundane, unfulfilled lives and step into my exciting world, full of interesting people, new experiences, good times, easy living, and dreams fulfilled.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
You know what else I did?' he yelled after me as I left. "I fingered her!" I turned back to look at him. He made me laugh. He pretended to be so confused and helpless, but maybe he was smarter than all of us. 'The inside of a vagina isn't at all what I thought it would feel like,' he shouted excitedly. 'It feels very organized.' Maybe not.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
actions on a loop. Change the diaper. Make the formula. Warm the bottle. Pour the Cheerios. Wipe up the mess. Negotiate. Beg. Change his sleeper. Get her clothes out. Where’s the lunch box? Bundle them up. Walk. Faster. We’re late. Hug her good-bye. Push the swing. Find the lost mitten. Rub the pinched finger. Give him a snack. Get another bottle. Kiss, kiss, kiss. Put him in the crib. Clean. Tidy. Find. Make. Defrost the chicken. Get him up from the crib. Kiss, kiss, kiss. Change his diaper. Put him in the high chair. Clean up his face. Wash the dishes. Tickle. Change the diaper. Tickle. Put the snacks in a baggie. Start the washing machine. Bundle him up. Buy diapers. And dish soap. Race for pickup. Hello, hello! Hurry, hurry. Unbundle. Laundry in the dryer. Turn on her show. Time-out. Please. Listen to my words. No! Stain remover. Diaper. Dinner. Dishes. Answer the question again and again. Run the bath. Take off their clothes.
Ashley Audrain (The Push)
can still marvel at how the dog runs straight toward the pickup trucks breaknecking down the road, because she thinks she loves them, because she’s sure, without a doubt, that the loud roaring things will love her back, her soft small self alive with desire to share her goddamn enthusiasm, until I yank the leash back to save her because I want her to survive forever. Don’t die, I say, and we decide to walk for a bit longer, starlings high and fevered above us, winter coming to lay her cold corpse down upon this little plot of earth. Perhaps we are always hurtling our bodies toward the thing that will obliterate us, begging for love from the speeding passage of time, and so maybe, like the dog obedient at my heels, we can walk together peacefully, at least until the next truck comes.
Ada Limon (The Carrying: Poems)
How to Make People Want to Start a Conversation with You Singles proficient at meeting potential sweethearts without the benefit of introduction (in the vernacular, making a "pickup"), have developed a deliciously devious technique that works equally well for social or corporate networking purposes. The technique requires no exceptional skill on your part, only the courage to sport a simple visual prop called a "Whatzit." What’s a Whatzit? A Whatzit is anything you wear or carry that is unusual—a unique pin, an interesting purse, a strange tie, or an amusing hat. A Whatzit is any object that draws people’s attention and inspires them to approach you and ask, "Uh, what’s that?" Your Whatzit can be as subtle or overt as your personality and the occasion permit.
Leil Lowndes (How to Talk to Anyone: 92 Little Tricks for Big Success in Relationships)
It is not women, or even feminists, who have limited, frustrated, diminished, hurt, and damaged men but masculinity itself or, rather, our society’s constricting, toxic, self-defeating version of what it means to perform being a man. Yet every time anybody tries to make progress in tackling this particular version of masculinity, the MRM rises up as a united voice to condemn and undermine the attempt.
Laura Bates (Men Who Hate Women: From incels to pickup artists, the truth about extreme misogyny and how it affects us all)
I read my copy of On the Road and dug the scenery whizzing past. On the Road is a semi-autobiographical novel about Jack Kerouac, a druggy, hard-drinking writer who goes hitchhiking around America, working crummy jobs, howling through the streets at night, meeting people and parting ways. Hipsters, sad-faced hobos, con-men, muggers, scumbags and angels. There's not really a plot -- Kerouac supposedly wrote it in three weeks on a long roll of paper, stoned out of his mind -- only a bunch of amazing things, one thing happening after another. He makes friends with self-destructing people like Dean Moriarty, who get him involved in weird schemes that never really work out, but still it works out, if you know what I mean. There was a rhythm to the words, it was luscious, I could hear it being read aloud in my head. It made me want to lie down in the bed of a pickup truck and wake up in a dusty little town somewhere in the central valley on the way to LA, one of those places with a gas station and a diner, and just walk out into the fields and meet people and see stuff and do stuff.
Cory Doctorow (Little Brother (Little Brother, #1))
I was a soldier, executing a series of physical actions on a loop. Change the diaper. Make the formula. Warm the bottle. Pour the Cheerios. Wipe up the mess. Negotiate. Beg. Change his sleeper. Get her clothes out. Where’s the lunch box? Bundle them up. Walk. Faster. We’re late. Hug her good-bye. Push the swing. Find the lost mitten. Rub the pinched finger. Give him a snack. Get another bottle. Kiss, kiss, kiss. Put him in the crib. Clean. Tidy. Find. Make. Defrost the chicken. Get him up from the crib. Kiss, kiss, kiss. Change his diaper. Put him in the high chair. Clean up his face. Wash the dishes. Tickle. Change the diaper. Tickle. Put the snacks in a baggie. Start the washing machine. Bundle him up. Buy diapers. And dish soap. Race for pickup. Hello, hello! Hurry, hurry. Unbundle. Laundry in the dryer. Turn on her show. Time-out. Please. Listen to my words. No! Stain remover. Diaper. Dinner. Dishes. Answer the question again and again. Run the bath. Take off their clothes. Wipe up the floor. Are you listening? Brush teeth. Find Benny the Bunny. Put on pajamas. Nurse. A story. Another story. Keep going, keep going, keep going.
Ashley Audrain (The Push)
Richards remembered the day - that glorious and terrible day - watching the planes slam into the towers, the image repeated in endless loops. The fireballs, the bodies falling, the liquefaction of a billion tons of steel and concrete, the pillowing clouds of dust. The money shot of the new millennium, the ultimate reality show broadcast 24-7. Richards had been in Jakarta when it happened, he couldn't even remember why. He'd thought it right then; no, he'd felt it, right down to his bones. A pure, unflinching rightness. You had to give the military something to do of course, or they'd all just fucking shoot each other. But from that day forward, the old way of doing things was over. The war - the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more - the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are - would be fought by men like Richards: men with faces you didn't notice and couldn't remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees - the subjects hadn't changed, they never would, all coming down, after you'd boiled away the bullshit, to somebody's quarterly earnings report and who got to sit where - but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.
Justin Cronin (The Passage (The Passage, #1))
In Loving Memory Winifred Foster Jackson Dear Wife Dear Mother 1870--1948 “So,” said Tuck to himself. “Two years. She’s been gone two years.” He stood up and looked around, embarrassed, trying to clear the lump from his throat. But there was no one to see him. The cemetery was very quiet. In the branches of a willow behind him, a red-winged blackbird chirped. Tuck wiped his eyes hastily. Then he straightened his jacket again and drew up his hand in a brief salute. “Good girl,” he said aloud. And then he turned and left the cemetery, walking quickly. Later, as he and Mae rolled out of Treegap, Mae said softly, without looking at him, “She’s gone?” Tuck nodded. “She’s gone,” he answered. There was a long moment of silence between them, and then Mae said, “Poor Jesse.” “He knowed it, though,” said Tuck. “At least, he knowed she wasn’t coming. We all knowed that, long time ago.” “Just the same,” said Mae. She sighed. And then she sat up a little straighter. “Well, where to now, Tuck? No need to come back here no more.” “That’s so,” said Tuck. “Let’s just head on out this way. We’ll locate something.” “All right,” said Mae. And then she put a hand on his arm and pointed. “Look out for that toad.” Tuck had seen it, too. He reined in the horse and climbed down from the wagon. The toad was squatting in the middle of the road, quite unconcerned. In the other lane, a pickup truck rattled by, and against the breeze it made, the toad shut its eyes tightly. But it did not move. Tuck waited till the truck had passed, and then he picked up the toad and carried it to the weeds along the road’s edge. “Durn fool thing must think it’s going to live forever,” he said to Mae. And soon they were rolling on again, leaving Treegap behind, and as they went, the tinkling little melody of a music box drifted out behind them and was lost at last far down the road.
Natalie Babbitt (Tuck Everlasting)
Since the dawn of time, several billion human (or humanlike) beings have lived, each contributing a little genetic variability to the total human stock. Out of this vast number, the whole of our understanding of human prehistory is based on the remains, often exceedingly fragmentary, of perhaps five thousand individuals. You could fit it all into the back of a pickup truck if you didn't mind how much you jumbled everything up, Ian Tattersall, the bearded and friendly curator of anthropology at the American Museum of Natural History in New York, replied when I asked him the size of the total world archive of hominid and early human bones. The shortage wouldn't be so bad if the bones were distributed evenly through time and space, but of course they are not. They appear randomly, often in the most tantalizing fashion. Homo erectus walked the Earth for well over a million years and inhabited territory from the Atlantic edge of Europe to the Pacific side of China, yet if you brought back to life every Homo erectus individual whose existence we can vouch for, they wouldn't fill a school bus. Homo habilis consists of even less: just two partial skeletons and a number of isolated limb bones. Something as short-lived as our own civilization would almost certainly not be known from the fossil record at all. In Europe, Tattersall offers by way of illustration, you've got hominid skulls in Georgia dated to about 1.7 million years ago, but then you have a gap of almost a million years before the next remains turn up in Spain, right on the other side of the continent, and then you've got another 300,000-year gap before you get a Homo heidelbergensis in Germany and none of them looks terribly much like any of the others. He smiled. It's from these kinds of fragmentary pieces that you're trying to work out the histories of entire species. It's quite a tall order. We really have very little idea of the relationships between many ancient species which led to us and which were evolutionary dead ends. Some probably don't deserve to be regarded as separate species at all.
Bill Bryson (A Short History of Nearly Everything)