Pick Your Poison Quotes

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I have met so many heartbroken men. It's a catastrophe. Women are easily overcome by the process that happens when a boy falls in love and becomes a man. Men's hearts are so often broken. Still, you have to leave your broken heart in a place where- when the woman who knows how to see what a gift is, sees it- your broken heart can be picked up again. I think that it takes a very strong woman (inner strength) to be able to handle a man falling in love with her, without morphing into a monster (the process is a very potent process, it can poison a woman, really). A woman thinks she wants a man to fall in love with her for all the perks that come with it; but when a real love really does happen, when a real man shows his manhood; it's often too powerful a thing to endure without being poisoned. Hence, all the heartbroken men. But, I do believe that there are strong women in the world today. A few. But there are. You could say, that the mark of a real woman, is a woman who can handle a man- a man falling in love with her. A woman who can recognize that, and keep it with her.
C. JoyBell C.
How To Tell If Somebody Loves You: Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage! Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all. Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you. Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love. Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to. Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them. Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
Ryan O'Connell
Live or die, but don't poison everything... Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle. The chief ingredient is mutilation. And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn bitch! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk. This became perjury of the soul. It became an outright lie and even though I dressed the body it was still naked, still killed. It was caught in the first place at birth, like a fish. But I play it, dressed it up, dressed it up like somebody's doll. Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up. And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer. Today life opened inside me like an egg and there inside after considerable digging I found the answer. What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer. God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles. If I'm on fire they dance around it and cook marshmallows. And if I'm ice they simply skate on me in little ballet costumes. Here, all along, thinking I was a killer, anointing myself daily with my little poisons. But no. I'm an empress. I wear an apron. My typewriter writes. It didn't break the way it warned. Even crazy, I'm as nice as a chocolate bar. Even with the witches' gymnastics they trust my incalculable city, my corruptible bed. O dearest three, I make a soft reply. The witch comes on and you paint her pink. I come with kisses in my hood and the sun, the smart one, rolling in my arms. So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny tits. Just last week, eight Dalmatians, 3/4 of a lb., lined up like cord wood each like a birch tree. I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected. Not an Eichmann. The poison just didn't take. So I won't hang around in my hospital shift, repeating The Black Mass and all of it. I say Live, Live because of the sun, the dream, the excitable gift.
Anne Sexton (The Complete Poems)
Words can be more lethal than blades, Magnus. And Loki is a master of words. To beat him, you must find your inner poet. Only one thing can give you a chance to beat Loki at his own game.” “Mead,” I guessed. “Kvasir’s Mead.” The answer didn’t sit right with me. I’d been on the streets long enough to see how well “mead” improved people’s skills. Pick your poison: beer, wine, vodka, whiskey. Folks claimed they needed it to get through the day. They called it liquid courage. It made them funnier, smarter, more creative. Except it didn’t. It just made them less able to tell how unfunny and stupid they were acting.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
...I can't abide snakes." "I don't even think of her as a snake." "Ce'Nedra," he said patiently, "she's long and skinny, she wriggles, she doesn't have any arms or legs, and she's poisonous. By definition, she's a snake." "...I'm bitterly disappointed in you, Prince Kheldar. She's a sweet, loving, brave little creature, and you're insulting her." He looked at her for a moment, then rose to his feet and bowed floridly to the earthenware bottle. "I'm dreadfully sorry, dear Zith," he apologized. "I can't think what came over me. Can you possible find it in your cold little green heart to forgive me?" Zith hissed at him, a hiss ending in a curious grunt. "She says to leave her alone," Sadi told him. "Can you really understand what she's saying?" "In a general sort of way, yes. Snakes have a very limited vocabulary, so it's not all that difficult to pick up a few phrases here and there." The eunuch frowned. "She's been swearing a great deal lately, though, and that's not like her. She's usually a very ladylike little snake." "I can't believe I'm actually involved in this conversation," Silk said, shaking his head and going off down the hall toward the back of the house.
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
Don’t cast pearls before swine, as the old saying goes. And you might think that’s harsh. But training your child not to sleep, and rewarding him with the antics of a creepy puppet? That’s harsh too. You pick your poison, and I’ll pick mine.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
You stumble upon an unhappy Martian sentry on a mission and shoot ineffectually at his powersuit a few times before he pulps you with his laserbeam eyes and hideous poisonous-gas breath. Glory!
Daniel Keidl (Armageddon: Pick Your Plot)
When shame has been pumping through a heart, over time the heart itself grows toxic. When we are wounded, we leak toxic waste, and that waste poisons us and the people around us—even when we are completely unaware of it—just like I did with Joanna. The reality is: • Hurt people hurt people. • Broken people break people. • Shattered people shatter people. • Damaged people damage people. • Wounded people wound people. • Bound people bind people.
Christine Caine (Unashamed: Drop the Baggage, Pick up Your Freedom, Fulfill Your Destiny)
Compulsion, guilt, pick your poison.' Meaty shrugged. 'You make a better nurse than a patient.
Cassie Alexander (Nightshifted (Edie Spence, #1))
You can laugh about it or you can cry about it, Erik. Pick your poison, but I’d prefer to laugh.
Fiona Cole (Savior (Voyeur, #3))
You are one of the unfortunate ones whose body decays rapidly in the face of radiation poisoning. You hang your head over the toilet to vomit again and again, and die praying to the porcelain gods.
A.J. Lauer (Armageddon: Pick Your Plot)
Kasha didn't say a word as we ate. She sat with her back to us, staring at a mountain range far in the distance. Yorn and I made small talk about the birds, but my mind was on Kasha, wondering what she was thinking. She was the Traveler from Eelong. We needed her. Eelong needed her. Heck, Halla needed her. I wished I knew how to convince her of that. When she finally did speak, I was surprised at her question. "How many territories are there?" she asked. "Ten in all," I said. "At least that's what I've been told. They're all part of Halla." "Explain to me what halla is," she said. It was an order more than a question. I didn't know why she suddenly had this interest, but if she was willing to listen, I was ready to talk. "The way it was told to me, Halla is everything. Every time, every place, every person and creature that ever existed. It all still exists." "And you understand that?" she asked. "Well, not entirely," I answered honestly. "But you're willing to risk your life and the lives of those around you to protect Halla from Saint Dane?" Good question. I'd asked myself the same question more than once. "I wasn't at first," I began. "Far from it. I didn't want any part of Travelers or flumes and especially of Saint Dane. But since then I've been to a bunch of territories and seen the evil he's capable of." Kasha scoffed and said,"Evil? You're a fool, Pendragon. A tang is evil. What possible evil could a gar cause that's worse than that?" "I'll tell you," I said. "He's killed more people than I want to count, all in the name of creating chaos. He fueled a war on Denduron and tried to poison all of Cloral. Then he nearly crushed three territories at once, my home territories of Earth. But each time the Travelers stopped him. Until Veelox. We failed on Veelox. An entire civilization is going to collapse, millions will die, all because we failed. And Saint Dane wil be there to pick up the pieces. Or step on them." "It's all mildly interesting," she said calmly. "But like I said before, it has nothing to do with me. I don't care." That's when I snapped. Okay, I admit, maybe I should have been cool, but Kasha's total lack of concern had finally gotten to me. I jumped to my feet and said, "Well, you'd better start!" "It's all right, Pendragon," Yorn said calmly. "Relax." "Relax?" I shouted, getting more amped up by the second. "Why? So I won't upset Kasha? She should be upset. People have died fighting Saint Dane. People I've loved, people she's loved." I looked right at Kasha and said, "You don't care? I'll tell you what I don't care about. I don't care that your life is a mess. Sorry, it's true. You've got way bigger problems coming, kitty cat. You want to pretend like none of this affects you? Fine. You're wrong. If we fail, Eelong will crumble and everything you care about will crash along with it. And whether you like it or not, you're a Traveler. So why don't you just grow up and accept it!
D.J. MacHale (Black Water (Pendragon, #5))
I'm just saying, when a woman in a maiden, she's in the spotlight. Everybody cares what a pretty, young girl does and says. And she's got some pretty strict archetypes to adhere to: Sleeping Beauty or Cinderella or Britney Spears. Pick your poison. But when you become a young mother? People don't give a fuck what you're doing. Their eyes glaze over before they even finish asking you. Once a woman starts doing the most important work of her life, all of a sudden, nobody wants to know a thing about it.
Rufi Thorpe (The Girls from Corona del Mar)
We’d never spent the night together, and I was aghast to learn what his mouth tasted like in the morning. I parted my lips and accepted the dry slug of his tongue, realizing you have two choices in life. You either wake up to someone’s fusty kiss or you wake up alone. Pick your poison.
Jessica Knoll (Bright Young Women)
LOOK, I’M ONLY IN THIS FOR THE PIZZA. The publisher was like, “Oh, you did such a great job writing about the Greek gods last year! We want you to write another book about the Ancient Greek heroes! It’ll be so cool!” And I was like, “Guys, I’m dyslexic. It’s hard enough for me to read books.” Then they promised me a year’s supply of free pepperoni pizza, plus all the blue jelly beans I could eat. I sold out. I guess it’s cool. If you’re looking to fight monsters yourself, these stories might help you avoid some common mistakes—like staring Medusa in the face, or buying a used mattress from any dude named Crusty. But the best reason to read about the old Greek heroes is to make yourself feel better. No matter how much you think your life sucks, these guys and gals had it worse. They totally got the short end of the Celestial stick. By the way, if you don’t know me, my name is Percy Jackson. I’m a modern-day demigod—the son of Poseidon. I’ve had some bad experiences in my time, but the heroes I’m going to tell you about were the original old-school hard-luck cases. They boldly screwed up where no one had screwed up before. Let’s pick twelve of them. That should be plenty. By the time you finish reading about how miserable their lives were—what with the poisonings, the betrayals, the mutilations, the murders, the psychopathic family members, and the flesh-eating barnyard animals—if that doesn’t make you feel better about your own existence, then I don’t know what will. So get your flaming spear. Put on your lion-skin cape. Polish your shield, and make sure you’ve got arrows in your quiver. We’re going back about four thousand years to decapitate monsters, save some kingdoms, shoot a few gods in the butt, raid the Underworld, and steal loot from evil people. Then, for dessert, we’ll die painful tragic deaths. Ready? Sweet. Let’s do this.
Rick Riordan (Percy Jackson's Greek Heroes (A Percy Jackson and the Olympians Guide))
A man does not know the full depth of his thoughts till he picks up a pen and writes; Or till he picks up a bottle and drinks; Both have roughly the same amount of intoxicating influence; With the former, they sometimes come out refined; With the latter, they always come out unscripted; Pick your poison wisely, Spill your innards sparingly
Eniitan Akinola
What’s your poison or should I just waste my money by guessing something you probably won’t even drink? I’d much rather get you something you like.
Jason Medina (A Ghost In New Orleans)
Don’t build a cabin near a termite colony. Don’t rear rabbits near wolves. Don’t attack a cub in front of its mother. Don’t stone a bird you want to catch. Don’t pick a flower before it blooms. Don’t pick fruit before it sweetens. Don’t count game you have not caught. Don’t hunt with a blunt spear. Don’t fish in poisoned waters. Don’t close your eyes near a predator.
Matshona Dhliwayo
She did not know how to react, for when your heart has been poisoned and someone picks a dandelion for you - because it is bright and yellow and you seem like you could use something like that - all you can do is contemplate the funny ways of weeds.
Anne Ursu
Is this what you did at Death’s?” Jack demanded. “Let him touch your face, you? After you danced for him?” “Why didn’t you answer the radio?” I didn’t hear anything.” “Because I turned off the volume,” Aric said with a shrug. Precarious moments eked by before he lowered the pistol. “You’re right. I’m sorry, bébé.” “She refuses both our advances, mortal.” “Until she sees her way clear to me.” “Advances? You mean you messed with her head some more and reminded her of old games?” “Not at all. I merely pointed out some of the countless ways I’m better for her than you are. Even you recognize this.” When Jack clenched his hands, I shot to my feet. “Don’t touch him!” “Not goan to poison myself, no. Not when I have a future to look forward to.” “Ah, yes, a new start with Selena. My wife and I extend our felicitations.” “You think she’s goan to pick you over me? Imbécile!” “I have no doubt in my mind.” Where was Aric’s unnerving confidence coming from? If his gift would skew my decision, then was there even a choice? “When we return the Archer to the outpost,” Aric said, “you’ll kindly give us your answer. The suitor you pass over will leave you alone.” He offered Jack his deadly hand. “Come, let’s shake on it.” “Sheathe your goddamned weapons, Reaper, or I’ll pull my own again.” He asked me, “You agree to this?
Kresley Cole (Dead of Winter (The Arcana Chronicles, #3))
Not a single family finds itself exempt from that one haunted casualty who suffered irreparable damage in the crucible they entered at birth. Where some children can emerge from conditions of soul-killing abuse and manage to make their lives into something of worth and value, others can’t limp away from the hurts and gleanings time decanted for them in flawed beakers of memory. They carry the family cross up the hill toward Calvary and don’t mind letting every other member of their aggrieved tribe in on the source of their suffering. There is one crazy that belongs to each of us: the brother who kills the spirit of any room he enters; the sister who’s a drug addict in her teens and marries a series of psychopaths, always making sure she bears their children, who carry their genes of madness to the grave. There’s the neurotic mother who’s so demanding that the sound of her voice over the phone can cause instant nausea in her daughters. The variations are endless and fascinating. I’ve never attended a family reunion where I was not warned of a Venus flytrap holding court among the older women, or a pitcher plant glistening with drops of sweet poison trying to sell his version of the family maelstrom to his young male cousins. When the stories begin rolling out, as they always do, one learns of feuds that seem unbrokerable, or sexual abuse that darkens each tale with its intimation of ruin. That uncle hates that aunt and that cousin hates your mother and your sister won’t talk to your brother because of something he said to a date she later married and then divorced. In every room I enter I can sniff out unhappiness and rancor like a snake smelling the nest of a wren with its tongue. Without even realizing it, I pick up associations of distemper and aggravation. As far as I can tell, every family produces its solitary misfit, its psychotic mirror image of all the ghosts summoned out of the small or large hells of childhood, the spiller of the apple cart, the jack of spades, the black-hearted knight, the shit stirrer, the sibling with the uncontrollable tongue, the father brutal by habit, the uncle who tried to feel up his nieces, the aunt too neurotic ever to leave home. Talk to me all you want about happy families, but let me loose at a wedding or a funeral and I’ll bring you back the family crazy. They’re that easy to find.
Pat Conroy (The Death of Santini: The Story of a Father and His Son)
THE THEOPHANY, TECCAM writes of secrets, calling them painful treasures of the mind. He explains that what most people think of as secrets are really nothing of the sort. Mysteries, for example, are not secrets. Neither are little-known facts or forgotten truths. A secret, Teccam explains, is true knowledge actively concealed. Philosophers have quibbled over his definition for centuries. They point out the logical problems with it, the loopholes, the exceptions. But in all this time none of them has managed to come up with a better definition. That, perhaps, tells us more than all the quibbling combined. In a later chapter, less argued over and less well-known, Teccam explains that there are two types of secrets. There are secrets of the mouth and secrets of the heart. Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. These secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you’re barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free. Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become. Teccam claims it is better to have a mouthful of poison than a secret of the heart. Any fool will spit out poison, he says, but we hoard these painful treasures. We swallow hard against them every day, forcing them deep inside us. There they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them. Modern philosophers scorn Teccam, but they are vultures picking at the bones of a giant. Quibble all you like, Teccam understood the shape of the world.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
I don't know what your Company is feeling as of today about the work of Dr. Alice Hamilton on benzol [benzene] poisoning. I know that back in the old days some of your boys used to think that she was a plain nuisance and just picking on you for luck. But I have a hunch that as you have learned more about the subject, men like your good self have grown to realize the debt that society owes her for her crusade. I am pretty sure that she has saved the lives of a great many girls in can-making plants and I would hate to think that you didn't agree with me.
Bradley Dewey
We were playing our favourite game: Avoid Death. "So a poisonous snake has just bitten your left arm -- what do you do?" Joni asked. "I try to suck the poison out." "But that doesn't work. It's spreading up your arm..." "So I take my axe and chop off my arm." "But once you chop off your arm, you're bleeding to death." "So I pull of my shirt and tie it around the stump to stop the blood." "But a vulture smells the blood and comes swooping down at you." "So I use my right arm to pick up the left arm that I cut off, and I use it ti beat the vulture away!" [...] "But the vulture pulls youe arm out of your hand and begins to hit you with it...
David Levithan (Boy Meets Boy)
We were playing our favourite game: Avoid Death. "So a poisonous snake has just bitten your left arm -- what do you do?" Joni asked. "I try to suck the poison out." "But that doesn't work. It's spreading up your arm..." "So I take my axe and chop off my arm." "But once you chop off your arm, you're bleeding to death." "So I pull of my shirt and tie it around the stump to stop the blood." "But a vulture smells the blood and comes swooping down at you." "So I use my right arm to pick up the left arm that I cut off, and I use it ti beat the vulture away!" [...] "But the vulture pulls your arm out of your hand and begins to hit you with it...
David Levithan (Boy Meets Boy)
The difference is that in Scandinavia fears regarding such dangers are fought with familiarity, both at preschool and at home. When you grow up going to the woods on a regular basis, climb those trees, roll down those hills, cross those creeks, scramble up those boulders, those activities don’t feel any more dangerous than sitting on your couch. (Which, it could be argued, is actually far riskier, considering the very real and serious effects of a sedentary lifestyle on children’s health.) “In the forest there are poisonous berries and mushrooms, but instead of telling the children that they can’t pick any of them, we teach them which ones are poisonous,” Linde says. “Otherwise they won’t know once they get out in the woods on their own.
Linda Åkeson McGurk (There's No Such Thing as Bad Weather: A Scandinavian Mom's Secrets for Raising Healthy, Resilient, and Confident Kids (from Friluftsliv to Hygge))
If you hurt any of your fingers, your whole body will feel its effect. Everything is connected. Infect one part of something, and a reaction will spread and affect the rest. We sit sometimes not knowing why we feel restless or sad, but in truth we are feeling transferred emotions moving through our atmosphere. We pick up on frequencies that come from near and far that affect us unconsciously. Humans are like moving antennas. We are magnetic entities living in an electromagnetic world. The core of the earth is a gigantic crystal that captures and amplifies strong energies in all directions. We all act and react as its transmitters and receivers. Every cause has effect and every effect has cause. All words and actions do matter. We are all connected. When one arm or foot is poisoned, the whole body becomes infected.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
It had been obvious to me from a young age that my parents didn’t like one another. Couples in films and on television performed household tasks together and talked fondly about their shared memories. I couldn’t remember seeing my mother and father in the same room unless they were eating. My father had “moods.” Sometimes during his moods my mother would take me to stay with her sister Bernie in Clontarf, and they would sit in the kitchen talking and shaking their heads while I watched my cousin Alan play Ocarina of Time. I was aware that alcohol played a role in these incidents, but its precise workings remained mysterious to me. I enjoyed our visits to Bernie’s house. While we were there I was allowed to eat as many digestive biscuits as I wanted, and when we returned, my father was either gone out or else feeling very contrite. I liked it when he was gone out. During his periods of contrition he tried to make conversation with me about school and I had to choose between humoring and ignoring him. Humoring him made me feel dishonest and weak, a soft target. Ignoring him made my heart beat very hard and afterward I couldn’t look at myself in the mirror. Also it made my mother cry. It was hard to be specific about what my father’s moods consisted of. Sometimes he would go out for a couple of days and when he came back in we’d find him taking money out of my Bank of Ireland savings jar, or our television would be gone. Other times he would bump into a piece of furniture and then lose his temper. He hurled one of my school shoes right at my face once after he tripped on it. It missed and went in the fireplace and I watched it smoldering like it was my own face smoldering. I learned not to display fear, it only provoked him. I was cold like a fish. Afterward my mother said: why didn’t you lift it out of the fire? Can’t you at least make an effort? I shrugged. I would have let my real face burn in the fire too. When he came home from work in the evening I used to freeze entirely still, and after a few seconds I would know with complete certainty if he was in one of the moods or not. Something about the way he closed the door or handled his keys would let me know, as clearly as if he yelled the house down. I’d say to my mother: he’s in a mood now. And she’d say: stop that. But she knew as well as I did. One day, when I was twelve, he turned up unexpectedly after school to pick me up. Instead of going home, we drove away from town, toward Blackrock. The DART went past on our left and I could see the Poolbeg towers out the car window. Your mother wants to break up our family, my father said. Instantly I replied: please let me out of the car. This remark later became evidence in my father’s theory that my mother had poisoned me against him.
Sally Rooney (Conversations with Friends)
DEATH’S DIARY: THE PARISIANS Summer came. For the book thief, everything was going nicely. For me, the sky was the color of Jews. When their bodies had finished scouring for gaps in the door, their souls rose up. When their fingernails had scratched at the wood and in some cases were nailed into it by the sheer force of desperation, their spirits came toward me, into my arms, and we climbed out of those shower facilities, onto the roof and up, into eternity’s certain breadth. They just kept feeding me. Minute after minute. Shower after shower. I’ll never forget the first day in Auschwitz, the first time in Mauthausen. At that second place, as time wore on, I also picked them up from the bottom of the great cliff, when their escapes fell awfully awry. There were broken bodies and dead, sweet hearts. Still, it was better than the gas. Some of them I caught when they were only halfway down. Saved you, I’d think, holding their souls in midair as the rest of their being—their physical shells—plummeted to the earth. All of them were light, like the cases of empty walnuts. Smoky sky in those places. The smell like a stove, but still so cold. I shiver when I remember—as I try to de-realize it. I blow warm air into my hands, to heat them up. But it’s hard to keep them warm when the souls still shiver. God. I always say that name when I think of it. God. Twice, I speak it. I say His name in a futile attempt to understand. “But it’s not your job to understand.” That’s me who answers. God never says anything. You think you’re the only one he never answers? “Your job is to …” And I stop listening to me, because to put it bluntly, I tire me. When I start thinking like that, I become so exhausted, and I don’t have the luxury of indulging fatigue. I’m compelled to continue on, because although it’s not true for every person on earth, it’s true for the vast majority—that death waits for no man—and if he does, he doesn’t usually wait very long. On June 23, 1942, there was a group of French Jews in a German prison, on Polish soil. The first person I took was close to the door, his mind racing, then reduced to pacing, then slowing down, slowing down …. Please believe me when I tell you that I picked up each soul that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear. I took them all away, and if ever there was a time I needed distraction, this was it. In complete desolation, I looked at the world above. I watched the sky as it turned from silver to gray to the color of rain. Even the clouds were trying to get away. Sometimes I imagined how everything looked above those clouds, knowing without question that the sun was blond, and the endless atmosphere was a giant blue eye. They were French, they were Jews, and they were you.
Markus Zusak (The Book Thief)
Ever seen a two-year-old tattering around a garden? There might be a poison ivy, or rose bushes or hawthorne around the edges. There might be spades or secateurs lying on the lawn. The kid doesn't care. He just wants to play with all those brightly coloured things he sees. To him, the world is a safe place. And you might want to rush out and cut back all those sharp spiky plants so they can't hurt him, and you might want to clear away all those dangerous tools just in case, he picks them up and cut himself on them, but you know you shouldn't because if you keep doing that then he either will grow up thinking the can never hurt him, or he might go the other way, and think that everything is dangerous, and he should never go far from your side. So you just watch. And wait. And if he does get rush from the poison ivy or if he does cut his fingers off with the secateurs, then you get him to the hospital as quickly as you can, in the reasonably sure knowledge the he'll never make the same mistake again.
Andy Lane (Slow Decay (Torchwood, #3))
There comes a time when you walk downstairs to pick up a letter you forgot, and the low confidential voices of the little group of girls in the living room suddenly ravels into an incoherent mumble and their eyes slide slimily through you, around you, away from you in a snaky effort not to meet the tentative half-fear quivering in your own eyes. And you remember a lot of nasty little tag ends of conversation directed at you and around you, meant for you, to strangle you on the invisible noose of insinuation. You know it was meant for you; so do they who stab you. But the game is for both of you to pretend you don't know, you don't really mean, you don't understand. Sometimes you can get a shot back in the same way, and you and your antagonist rival each other with brave smiles while the poison darts quiver, maliciously, in your mutual wounds. More often you are too sickened to fight back, because you know the fear and the inadequacy will crawl out in your words as they crackle falsely on the air. So you hear her say to you "We'd rather flunk school and be sociable than stick in our rooms all the time," and very sweetly "I never see you. You're always studying in your rooom!" And you keep your mouth shut. And oh, how you smile!
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
It was because there was a certain amount of faith one must have to be able to get along in this world, maybe in any world. You had to have faith that the food you bought, the water that poured so easily and thoughtlessly from your faucets, the home you built around you was, well, good. The chicken breast you picked up at the supermarket would not poison you. The water from the magical faucets would not kill you. The walls and floors and ceilings you called home would not suddenly collapse in on you and become a prison of your doom. When you flicked a switch, the light would come on. When you arose in the morning, the sun will have risen with you. Faith.
H.D. Gordon (Joe)
Kay loves her dogs. One time, Phil chopped a copperhead in three pieces with a shovel, and then he picked up the snakes head and threw it close to one of Kay’s dogs. Even though the snake was cut in three pieces, it somehow managed to bite the dog’s head and latch on to its eye. The dog’s head swelled up like a basketball. Phil looked at me and said, “Don’t tell your mother.” I was like, “Uh-huh, she’ll never notice.” The dog was fine. These are country dogs; they can take a little snake venom and keep on going. Phil is always throwing dead snakes at dogs to see their reaction, but not the poisonous ones anymore. He’s not going to take a chance on hurting one of Miss Kay’s beloved dogs.
Willie Robertson (The Duck Commander Family)
In an odd way you can compare the social enviroment of any online game to that of a skate park or to a lesser degree sports avenue. I know, I know, it seems like an insane comparision to make, but similarities really do exist. The most prevalent of which is the equality presented. In the previously mentioned spaces age/social status/economic background, etc... have little to no effect (depending upon the sport you don't want a 20 year old lined up across a 10 year old). The determining factors regarding inclusion or friendship revolve around talent and social skills. In a skate park or pick up soccer game where you come from doesn't matter. What matters is how you perform and more importantly if it is fun playing on your team or rolling with you. Same rules apply to online gaming, but to an even more significant degree. In the wow user interface guidez online world other people have no idea what you look like. They have no idea what you do for a living or how old you are. All they know is whether or not you are worth playing with. And being a worthwhile teammate does not just correlate to level of skill. As mentioned previously, it correlates very strongly to your social presence. In short do you make the game more fun to play? Now, you certainly do not want to be on polar opposites of each spectrum. Even if you are the most charming individual to even grace the planet earth, if you think soccer is played with your hands guess who is not getting on the field. In the same token if you think the main goal of battlegrounds in World of Warcraft is to dance on the stump guess who is not getting invited to next week's Rated Battlegrounds. On the other side of the coin there have been gigantic jack asses that just so happen to be the best player I have ever seen. Unfortunately for them despite their abilities no one wants to play with someone who makes everyone around them worse via their poisonous attitude. It is both difficult and important to find a balance between the two. There are so many opportunities waiting for you. Whether it be through sports or online gaming. Do not think for a minute that because you are XX years old or XXX pounds or from a certain background you can't fit in somewhere. One of the most amazing aspects of online gaming is that you can truly present yourself to others as you want. Physical and economic factors are completely removed from the equation. It becomes you, your voice, and who you are as a person that shines through.
Phil Janelle
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marshichampi
The nasty things people say behind your back are like poisoned arrows. But, thankfully, the words people say while hiding have no strength. So, those arrows can't pierce your heart. However, the most foolish thing you can do is pick up those arrows that have fallen to the ground and then, pierce your own heart with those arrows.
The Producers
Pick your poison. It’s all the same desire.
Matt Chandler (Recovering Redemption: A Gospel Saturated Perspective on How to Change)
You are going to give us man lessons.”   Ariana let out a sharp bark of laughter, her eyes twinkling. “Him? Are you kidding? He’s going to give us man lessons?”   “We don’t need to look super convincing as men close up,” Kyra said. “We just need to give the impression of men Fred’s taken into his service. If you saw a potion bottle with a red stamp on it, your brain would make you think it was a red skull, and you’d think it was dangerous even if the stamp was actually a grinning squirrel.” Kyra looked at Fred skeptically. “I’m sure Fred can give us a few tips, at least, of how to act like men.”   “Hey! I am more than capable of giving man lessons.” Fred smiled broadly at Kyra. “What do you want to know?”   “For one thing, we need to know how to walk.”   “No problem. I’ve been walking most of my life.” Fred held up a hand. “Stop and watch.”   The girls leaned up against an apple tree with Rosie at their feet.   “First, you aren’t just acting like any kind of men; you’re going to be especially manly men. I picked you up to work for me, after all, and I wouldn’t choose just any men for that sort of thing. I need men who can fight and lift heavy things. You might want to spit occasionally.”   “Why?”   “It helps keep you from looking too smart. Now, because you are so manly, it naturally follows that you have large upper-arm muscles. Huge muscles, really. The way you let people know this is by slightly bending your elbows and holding your arms out from your body, like your muscles are so big they’re getting in the way.”   Kyra and Ariana bent their elbows and pushed their arms a couple of inches away from their bodies.   The edges of Fred’s lips quirked as though he was trying to restrain a smile. “Then you need to let them know that not only are you muscular, you’re confident of your abilities in all areas. You accomplish this by swaggering when you walk. Langley, stay.” He pointed for the dog to sit next to the girls.   Fred sauntered away from them under the lacey white boughs of the trees in a masculine strut.   “Your turn.”   The girls copied Fred’s walk while he stood back and watched.   “A little less hip swinging, Kyra.”   “I’m not—”   “And don’t walk so close together. Imagine there’s at least one invisible guy between you at all times.”   Ariana leaned over and whispered in Kyra’s ear. “He wants us to imagine him between us. Guys are so weird.”   “Men don’t whisper, but if you have to do it, at least do it the right way.”   Ariana and Kyra stopped walking and turned back to Fred.   “If you find you need to whisper, you don’t get up close to the other person and lean into their ear. Stay where you are, a person’s-width apart, and put a hand up on the far side of your face like a shield.” He demonstrated with his hand out straight from one side of his face. “Then turn your head slightly to the other person and say what you need to say.”   The girls exchanged a look.   “No ‘best friends’ glances at each other like that, either. Or ‘dears’ and ‘darlings.’ Men insult each other every chance they get.”   “Men don’t have best friends?” Kyra asked.   “You’d only know it by the ferocity of the insults. If a guy’s your really good pal, you let him have it at every opportunity.”   “Got it, fathead,” Ariana said.   “Perfect.” Fred plucked two blossoms from the tree above him and tucked one behind each girl’s ear, then grabbed another and tucked it behind his own ear. “You have officially completed man lessons. Now that you know how to act like manly men, what’s the plan?
Bridget Zinn (Poison)
The second kind of nutriment is sense impressions. Our six sense organs — eyes, ears, nose, tongue, body, and mind — are in constant contact (sparsha) with sense objects, and these contacts become food for our consciousness. When we drive through a city, our eyes see so many billboards, and these images enter our consciousness. When we pick up a magazine, the articles and advertisements are food for our consciousness. Advertisements that stimulate our craving for possessions, sex, and food can be toxic. If after reading the newspaper, hearing the news, or being in a conversation, we feel anxious or worn out, we know we have been in contact with toxins. Movies are food for our eyes, ears, and minds. When we watch TV, the program is our food. Children who spend five hours a day watching television are ingesting images that water the negative seeds of craving, fear, anger, and violence in them. We are exposed to so many forms, colors, sounds, smells, tastes, objects of touch, and ideas that are toxic and rob our body and consciousness of their well-being. When you feel despair, fear, or depression, it may be because you have ingested too many toxins through your sense impressions. Not only children need to be protected from violent and unwholesome films, TV programs, books, magazines, and games. We, too, can be destroyed by these media. If we are mindful, we will know whether we are “ingesting” the toxins of fear, hatred, and violence, or eating foods that encourage understanding, compassion, and the determination to help others. With the practice of mindfulness, we will know that hearing this, looking at that, or touching this, we feel light and peaceful, while hearing that, looking at this, or touching that, we feel anxious, sad, or depressed. As a result, we will know what to be in contact with and what to avoid. Our skin protects us from bacteria. Antibodies protect us from internal invaders. We have to use the equivalent aspects of our consciousness to protect us from unwholesome sense objects that can poison us.
Thich Nhat Hanh (The Heart of the Buddha's Teaching: Transforming Suffering into Peace, Joy, and Liberation)
The tests you’d need to perform to confirm ricin poisoning are really specific. You can’t even test it in fluids. You have to do polymerase chain reactions with DNA to confirm it’s there. And it’s so rare your toxicologists wouldn’t even think to screen for it, and even if they did, they still might not pick it up if enough molecules aren’t there.” Yardley had dealt with a couple of poisonings before and had come across a bit of research that suggested if a person wanted to kill using poison, ingestion was not the best method, as traces of the poison would be found in the stomach or intestines. Injection was cleaner and less detectable, and the areas of the body that were best for injection, that had the least chance of being noticed in an autopsy, were the tongue and eyes.
Victor Methos (Crimson Lake Road (Desert Plains, #2))
When the soul becomes unburdened it's like a new saddle on a fresh horse. Suddenly the trail feels right again, and the strong horizon line in front of you as your turn becomes its own form of soothing medicine. Something of the sting and burn of the old poison may linger, but having crossed over from the Shadowlands into new open territory, one can almost pick up the scent of blooming flowers within. - from "The Bouquet of the Last Direction," The School of Soft-Attention
Hawk of the Pines (Frank LaRue Owen)
A matter of despair as regards bad butter is, that at the tables where it is used, it stands sentinel at the door to bar your way to every other food. You turn from your dreadful half-slice of bread, which fills your mouth with bitterness, to your beef-steak, which proves virulen with the same poison; you think to take refuge in vegetable diet, and find the butter in the string beans, and polluting the innocence of early peas; it is in the corn, in the succotash, in the squash; the beets swim in it, and the onions have it poured over them. Hungry and miserable, you think to solace yourself at the dessert; but the pastry is cursed, the cake is acrid with the same plague. You are ready to howl with despair and your misery is great upon you--especially if this is a table where you have taken board for three months with your delicate wife and four small children. Your case is dreadful and it is hopeless because of long use and habit rendered your host is incapable of discovering what is the matter. ‘Don’t like the butter, sir? I assure you I paid an extra price for it, and it’s the very best in the market. I looked over as many as a hundred tubs, and picked out this one.’ You are dumb, but not less despairing
Mark Kurlansky (Milk! A 10,000-Year Food Fracas)
It occurred to her that Mikaela was being nice to her. She did not know how to react, for when your heart has been poisoned and someone picks a dandelion for you -- because it is bright and yellow and you seem like you could use something like that -- all you can do is contemplate the funny ways of weeds.
Anne Ursu (Breadcrumbs)
As a child, she believed he was the kindest man she knew. But slowly over the years, Baba became a stranger and she feels nothing but a dull ache for the energetic, gleeful father she once knew. People change. Everyone. And all love ends. She knows this now. Only hardened exiles refuse to change; they dig their feet in and try to root everywhere they land, even if the soil poisons them. They hang on and on, afraid to move forward. They don't let go of dead things. They don't toss the lime juice. They hoard trinkets in ragged suitcases. They pile up photographs of long-ago days, begging their children for doubles. They build a fortress in the corner of a closet. Maybe Gui was right. You're still waiting, he said - it's true. She's so terrified of losing her every small advantage that now her own Baba poses a threat. If she had accepted Gui as her home, would she shield herself so zealously? Would she be a secure kind of woman with a dozen purses strewn everywhere, each containing an old ID or a document she once thought important - none of it vital enough to save, because her entitlement to her life isn't granted by these things, but intrinsic? No one can snatch it away. Maybe that's the difference between refugees and expats. The difference isn't Yale or naturalization papers, a fat bank account or invitations to native homes. In that way, she is the same as Mam'mad and Karim. When you learn to release that first great windfall after the long migration, when you trust that you'll still be you in a year or a decade, even without the treasures you've picked up along the way, always capable of more - when you stop carrying it all on your back - maybe that's when the refugee years end.
Dina Nayeri (Refuge)
In the pool, I thought you were asking me if I wanted more kissing – then the next thing I see is a condom? You couldn’t have cared less if I was freaked out because you skipped over all the bases I’d thought to expect, or nervous about your ancient-looking protection or – or not ready to go that fast! In general. I didn’t expect you to declare, like, love for me forever or anything. But for my first time, I’d hoped for more than ‘It’s slim pickings out there.
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
You paid your money and you picked your poison.
Elizabeth Bear (Undertow)
Beacon Harbor’s changed you. In New York you were always in your Wall Street tower counting money. Now you’re frying donuts, conversing with a ghost, and chasing after a backwoods enigma who just might be a closet poisoner. You picked a strange day to give up wine, Lindsey, darling.
Darci Hannah (Murder at the Beacon Bakeshop (Beacon Bakeshop, #1))
O Goodness, I didn't know there were such repulsive holes! My hairy holes! Creases of my stomach Hair-like cilia in my nostrils Finger-like villi in my small intestine Pubic hair of love Hair sprouts up inside the holes and ripples like water plants. Holes are neatneatly piled inside a steaming stomach. The wet and most poisonous snakes in the world pant. Fill us up! Fill us up with the outside! Delicious outside! When hair whines like the fingers that reach out towards the refugee-aid bread truck someone picks up a brass instrument and wails at the sky praising the blueness. Holes of the world, open up your lids and howl!
Kim Hyesoon (All the Garbage of the World, Unite!)
Not unlike the herbicide-spraying campaigns in Asia, Central Europe was also flown over by helicopters spraying chemicals intended to wipe out the deciduous forests, which had gone out of fashion. Beech and oak trees held very little value at that time; low oil prices meant that no one was interested in firewood. The scales were tilted in favour of spruce – sought after by the timber industry and safe from being devoured by the high game populations. Over 5,000 square kilometres of deciduous woodlands was cleared just in my local region of Eifel and Hunsrück, through this merciless method of dropping death from the air. The carrier for the substance, sold under the trade name Tormona, was diesel oil. Elements of this mixture may still lurk in the soil of our forests today; the rusty diesel drums are certainly still lying around in some places. Have things improved now? Not completely, because chemical sprays are still used, even if they’re not directed at the trees themselves. The target of the helicopters and trucks with their atomising nozzles is the insects that feed on the trees and wood. Because the drab spruce and pine monocultures give free rein to bark beetles and butterfly caterpillars, these are then bumped off with contact insecticides. The pesticides, with names like Karate, are so lethal for three months that mere contact spells the end for any unfortunate insects. Parts of a forest that have been sprayed with pesticide are usually marked and fenced off for a while, but wood piles at the side of the track are often not considered dangerous. I would therefore advise against sitting on them when you’re ready for a rest stop and look out for a mossy stump instead, which is guaranteed to be harmless. This is quite apart from the fact that freshly harvested softwood is often very resinous. The stains don’t come out in the normal wash; you need to attack it with a special stain remover. Stacked wood carries another danger: the whole pile is liable to come crashing down. When you know that a single trunk can weigh hundreds of kilograms, you tend to stay away from a precariously stacked pile. It’s not for nothing that the German name for a wood stack is Polter, as in the crashing and banging of a poltergeist. Back to the poison. In areas sprayed by helicopter I wouldn’t pick berries or mushrooms for the rest of the summer. Otherwise, the forest is low in harmful substances compared to industrial agriculture.
Peter Wohlleben (Walks in the Wild: A Guide Through the Forest)
Lord, by faith here’s what I’m doing right now to prepare myself for the coming day. I’m putting on the belt of truth. I ask You to make it very clear to me what I am to accept into my life and what I am to reject. Help me to see clearly the motives of others as they deal with me and converse with me. Let me walk in Your truth, making decisions and choices according to Your plans and purposes for my life. I am putting on the breastplate of righteousness. Guard my emotions today. Protect my heart. Help me to take into my life only the things that are pure, and nothing that is poison or polluting. Help me to live in integrity and to have a reputation based upon doing, saying, believing, thinking, and feeling the right things. Help me to live in right relationship with You every moment of this coming day. I am putting on my spiritual boots. Help me to stand and walk in Your peace and to move forward in ways that bring Your peace and love to others. Help me to have the full confidence and assurance that come from knowing that I am filled with the peace that only You can give to those who are Your children. Help me to be a peacemaker. Show me where to walk and how to walk as You would walk. I am picking up the shield of faith. Help me to trust You to be my Victor in every area of life today. Help me to trust You to defend me, provide for me, and keep me in safety every hour of this day. I am putting on my helmet of salvation. Guard my mind today. Bring to my remembrance all that You have done for me as my Savior. Let me live in the hope and confidence that You are saving me—rescuing me and delivering me—from evil. I am picking up my sword of the Spirit, the Word of God. Bring to my remembrance today the verses of the Bible that I have read and memorized, and help me to apply them to the situations and circumstances I will face. Let me use Your Word to bring Your light into the darkness of this world and to defeat the devil when he comes to tempt me. Father, I want to be fully clothed with the identity of Jesus Christ today. I am in Christ. He is in me. Help me to fully realize and accept that He is my Truth, my Righteousness, my Peace, my Savior, the source of my faith, and the ever-present Lord of my life. I want to bring glory to Your name today. I ask all of this in the name of Jesus. Amen.
Charles F. Stanley (When the Enemy Strikes)
It was in the parking lot that Dakota became even less attractive. Ruby and Sabina were just driving slowly towards the exit when Dakota Lyme shouted, ‘You’re a phoney, Redfort. You cheat, I know you cheat, and your clothes are ugly, you dress like a boy.’ Dakota stamped her foot. Sabina Redfort reversed the car, wound down the window and said, ‘And you, pipsqueak, are a very unpleasant little madam who will never be attractive no matter what you wear!’ Then she put her foot down on the pedal and took off at more speed than was wise. Ruby winked at her mother and said, ‘Nice going, Mom.’ And her mother said, ‘I simply can’t abide a sore loser.
Lauren Child (The Ruby Redfort Collection: 4-6: Feed the Fear; Pick Your Poison; Blink and You Die (Ruby Redfort))
Bide your time, until things begin to make sense
Lauren Child (The Complete Ruby Redfort Collection: Look into My Eyes; Take Your Last Breath; Catch Your Death; Feel the Fear; Pick Your Poison; Blink and You Die (Ruby Redfort))
NEVER LIE TO SOMEONE WHO IS LIKELY TO SEE RIGHT THROUGH YOU.
Lauren Child (The Complete Ruby Redfort Collection: Look into My Eyes; Take Your Last Breath; Catch Your Death; Feel the Fear; Pick Your Poison; Blink and You Die (Ruby Redfort))
Pick up your broken pieces darling you are the only one who can save you.
Samyukta B (Poison and Antidote)
Having a sense of humor is better than feeling sorry for yourself. You can laugh about it or you can cry about it. Pick your poison, but I'd prefer to laugh.
Fiona Cole (Savior (Voyeur, #3))
a sketch pad in the cabin. Be sure to sharpen several pencils before you leave. And there’s a box to use for your critters, Carmella, along with a book on insects for this area so you don’t pick up a poisonous one.” “I’m not touching a spider,” Carmella declared. “Then don’t forget to take a pair of disposable plastic gloves with you. They’re in the kitchen,” Jayden told her. Tiffany picked up a shovel and killed the spider. “I hate mice. You owe me now. If there’s a mouse in here or in our cabin,
Carolyn Brown (The Daydream Cabin)
Teccam explains that there are two types of secrets. There are secrets of the mouth and secrets of the heart. Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. These secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you’re barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free. Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become. Teccam claims it is better to have a mouthful of poison than a secret of the heart. Any fool will spit out poison, he says, but we hoard these painful treasures. We swallow hard against them every day, forcing them deep inside us. There they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them. Modern philosophers scorn Teccam, but they are vultures picking at the bones of a giant. Quibble all you like, Teccam understood the shape of the world.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
Ruby
Lauren Child (Pick Your Poison (Ruby Redfort, #5))
Win,” he said softly. “Love, be still.” Her eyes slitted open at the sound of his voice. “I’m here,” he whispered. He picked up a spoon and dipped it into the cup. “Open your mouth, little gadji. Do it for me.” But she refused. She turned her face, and her lips moved in a soundless whisper. “What is it?” he murmured, easing her head back. “Win. You must take this medicine.” She whispered again. Comprehending the scratchy words, Kev stared at her in disbelief. “You’ll take it if I tell you my name?” She struggled to produce enough saliva to speak. “Yes.” His throat got tighter and tighter, and the corners of his eyes burned. “It’s Kev,” he managed to say. “My name is Kev.” She let him put the spoon between her lips then, and the inky poison trickled down her throat. Her body relaxed against him. As he continued to hold her, the fragile body felt as light and hot as flame in his arms. I will follow you, he thought, whatever your fate is. Win was the only thing on earth he had ever wanted. She would not leave without him. Kev bent over her, and touched the dry, hot lips with his own. A kiss she could not feel and would never remember.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))