Pi And Richard Parker Quotes

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What a terrible thing it is to botch a farewell. I am a person who believes in form, in the harmony of order. Where we can, we must give things a meaningful shape. For example - I wonder - could you tell my jumbled story in exactly one hundred chapters, not one more, not one less? I'll tell you, that's one thing I have about my nickname, the way the number runs on forever. It's important in life to conclude things properly. Only then can you let go. Otherwise you are left with words you should have said but never did, and your heart is heavy with remorse. That bungled goodbye hurts me to this day. I wish so much that I'd had one last look at him in the lifeboat, that I'd provoked him a little, so that I was on his mind. I wish I had said to him then - yes, I know, to a tiger, but still - I wish I had said, "Richard Parker, it's over. We have survived. Can you believe it? I owe you more gratitude than I can express I couldn't have done it without you. I would like to say it formally: Richard Parker, thank you. Thank you for saving my life. And now go where you must. You have known the confined freedom of a zoo most of your life; now you will know the free confinement of a jungle. I wish you all the best with it. Watch out for Man. He is not your friend. But I hope you will remember me as a friend. I will never forget you , that is certain. You will always be with me, in my heart. What is that hiss? Ah, our boat has touched sand. So farewell, Richard Parker, farewell. God be with you.
Yann Martel (Life of Pi)
I was weeping because Richard Parker had left me so unceremoniously. What a terrible thing it is to botch a farewell...it's important in life to conclude things properly. Only then can you let go. Otherwise you are left with words you should have said but never did, and your heart is heavy with remorse
Yann Martel (Life of Pi)
Jesus, Mary, Muhammad and Vishnu, how good to see you Richard Parker!
Yann Martel (Life of Pi)
Faith in God is an opening up, a letting go, a deept trust, a free act of love- but sometimes it was so hard to love. Sometimes my heart was sinking so fast with anger, desolation and weariness, I was afraid it would sink to the very bottom of the Pacific and I would not be able to lift it back up. At such moments I tried to elevate myself. I would touch the turban I had made with the remnants of my shirt and I would say aloud, "THIS IS GOD'S HAT!" I would pat my pants and say aloud, "THIS IS GOD'S ATTIRE!" I would point to Richard Parker and say aloud, "THIS IS GOD'S CAT!" I would point to the lifeboat and say aloud, "THIS IS GOD'S ARK!" I would spread my hands wide and say aloud, "THESE ARE GOD'S WIDE ACRES!" I would point at the sky and say aloud, "THIS IS GOD'S EAR!" And in this way I would remind myself of creation and of my place in it. But God's hat was always unravelling. God's pants were falling apart. God's cat was a constant danger. God's ark was a jail. God's wide acres were slowly killing me. God's ear didn't seem to be listening. Despair was a heavy blackness that let no light in or out. It was a hell beyond expression. I thank God it always passed. A school of fish appeared around the net or a knot cried out to be reknotted. Or I thought of my family, of how they were spared this terrible agony. The blackness would stir and eventually go away, and God would remain, a shining point of light in my heart. I would go on loving.
Yann Martel (Life of Pi)
Then Richard Parker, companion of my torment, awful, fierce thing that kept me alive, moved forward and disappeared forever from my life.
Yann Martel (Life of Pi)
Kalau begitu, apa gunanya punya akal, Richard Parker? Apakah sekadar untuk memenuhi kebutuhan sehari-hari —- mencari makanan, pakaian, dan atap untuk berteduh? Kenapa akal tak bisa memberikan jawaban-jawaban yang lebih kompleks? Kenapa kita bisa menanyakan hal yang tak ada jawabannya? Buat apa punya jala begitu besar kalau sedikit sekali ikan yang bisa ditangkap?
Yann Martel (Life of Pi)
Ravi was right. Truly I was to be the next goat. I had a wet, trembling, half-drowned, heaving and coughing three-year-old adult Bengal tiger in my lifeboat. Richard Parker rose unsteadily to his feet on the tarpaulin, eyes blazing as they met mine, ears laid tight to his head, all weapons drawn. His head was the size and colour of the lifebuoy, with teeth. I turned around, stepped over the zebra and threw myself overboard.
Yann Martel (Life of Pi)
What is the purpose of reason, Richard Parker? Is it no more than to shine at practicalities - the getting of food, clothing and shelter? Why can't reason give greater answers? Why can we throw a question further than we can pull in an answer? Why such a vast net of there's so little fish to catch?
Yann Martel (Life of Pi)
A part of me did not want Richard Parker to die at all, because if he died I would be left alone with despair, a foe even more formidable than a tiger.
Yann Martel (Life of Pi)
I am grateful. It’s the plain truth: without Richard Parker, I wouldn’t be alive today to tell you my story.
Yann Martel (Life of Pi)
Isn’t it ironic, Richard Parker? We’re in hell yet still we’re afraid of immortality.
Yann Martel (Life of Pi)
It was Richard Parker who calmed me down. It is the irony of this story that the one who scared me witless to start with was the very same who brought me peace, purpose, I dare say even wholeness.
Yann Martel (Life of Pi)
What a terrible thing it is to botch a farewell. I am a person who believes in form, in the harmony of order. Where we can, we must give things a meaningful shape. For example - I wonder - could you tell my jumbled story in exactly one hundred chapters, not one more, not one less? I'll tell you, that's one thing I have about my nickname, the way the number runs on forever. It's important in life to conclude things properly. Only then can you let go. Otherwise you are left with words you should have said but never did, and your heart is heavy with remorse. That bungled goodbye hurts me to this day. I wish so much that I'd had one last look at him in the lifeboat, that I'd provoked him a little, so that I was on his mind. I wish I had said to him then - yes, I know, to a tiger, but still - I wish I had said, "Richard Parker, it's over. We have survived. Can you believe it? I owe you more gratitude than I can express I couldn't have done it without you.
Yann Martel (Life of Pi)
Richard Parker has stayed with me. I’ve never forgotten him. Dare I say I miss him? I do. I miss him. I still see him in my dreams. They are nightmares mostly, but nightmares tinged with love. Such is the strangeness of the human heart. I still cannot understand how he could abandon me so unceremoniously, without any sort of goodbye, without looking back even once. That pain is like an axe that chops at my heart.
Yann Martel (Life of Pi)
And what of my extended family—birds, beasts and reptiles? They too have drowned. Every single thing I value in life has been destroyed. And I am allowed no explanation? I am to suffer hell without any account from heaven? In that case, what is the purpose of reason, Richard Parker? Is it no more than to shine at practicalities—the getting of food, clothing and shelter? Why can’t reason give greater answers? Why can we throw a question further than we can pull in an answer? Why such a vast net if there’s so little fish to catch?
Yann Martel (Life of Pi)
But I learned at my expense that Father believed there was another animal even more dangerous than us, and one that was extremely common, too, found on every continent, in every habitat: the redoubtable species Animalus anthropomorphicus, the animal as seen through human eyes. We've all met one, perhaps even owned one. It is an animal that is "cute", "friendly", "loving", "devoted", "merry", "understanding". These animals lie in ambush in every toy store and children's zoo. Countless stories are told of them. They are the pendants of those "vicious", "bloodthirsty", "depraved" animals that inflame the ire of the maniacs I have just mentioned, who vent their spite on them with walking sticks and umbrellas. In both cases we look at an animal and see a mirror. The obsession with putting ourselves at the centre of everything is the bane not only of theologians but also of zoologists. I learned the lesson that an animal is an animal, essentially and practically removed from us, twice: once with Father and once with Richard Parker. Martel, Yann. Life of Pi (p. 39). Houghton Mifflin Harcourt.
Yann Martel (Life of Pi)
I was weeping because Richard Parker left me so unceremoniously. It broke my heart… After all we had been through he didn’t even look back. But I have to believe in his eyes there was more than my own reflection staring back at me. I know it, I felt it. Even if I can’t prove it… I suppose in the end, the whole of life becomes an act of letting go but what always hurts the most is not taking a moment to say goodbye… I wish I had said. It’s over, we survived, thank you for saving my life, I love you… you will always be with me. But I can’t be with you.
Yann Martel (Life of Pi)
The meerkats looked away. They did it like one man, all of them turning in the same direction at exactly the same time. I pulled myself out to see what it was. It was Richard Parker. He confirmed what I had suspected, that these meerkats had gone for so many generations without predators that any notion of flight distance, of flight, of plain fear, had been genetically weeded out of them. He was moving through them, blazing a trail of murder and mayhem, devouring one meerkat after another, blood dripping from his mouth, and they, cheek to jowl with a tiger, were jumping up and down on the spot, as if crying, “My turn! My turn! My turn!
Yann Martel (Life of Pi)
Der Glaube an Gott ist ein Sichöffnen, ein Loslassen, ein tiefes Vertrauen, eine bedingungslose Liebe – aber manchmal war es so schwer zu lieben. Manchmal sank mein Herz vor Wut, Verzagtheit und Erschöpfung so tief, dass ich befürchtete, es würde bis ganz hinab auf den Grund des Pazifiks sinken und ich würde es nie wieder heraufziehen können. In solchen Augenblicken versuchte ich mir Mut zu machen. Ich fasste mir an den Turban, den ich mir aus den Überresten meines Hemds gewunden hatte und rief: „DAS IST GOTTES HUT!“ Ich fuhr mir über meine Hosen und rief: „DAS SIND GOTTES KLEIDER!“ Ich wies auf Richard Parker und rief: „DAS IST GOTTES KATZE!“ Ich wies auf das Rettungsboot und rief: „DAS IST GOTTES ARCHE!“ Ich breitete meine Arme weit und rief: „DAS SIND DIE GÖTTLICHEN GEFILDE!“ Ich hob den Finger zum Himmel und rief: „DAS IST GOTTES OHR!“ Auf diese Weise rief ich mir ins Gedächtnis, was die Schöpfung war und wo ich meinen Platz darin hatte.
Yann Martel (Life of Pi)