Photo Tagging Quotes

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Where will this all end up? Will we completely lose our ability to be private, respectful, subtle? Will romance die? Often I long for a simpler time when break ups weren't made a trillion times worse by photo tagging, and rather than spelling it out for people you could be irritated by something and not feel as though you had to voice your gripe with convenient hashtags such as #dogaccidents, #cake and #snow in case it becomes a trending topic.
Alexa Chung (It)
we should not be surprised that deep work struggles to compete against the shiny thrum of tweets, likes, tagged photos, walls, posts, and all the other behaviors that we’re now taught are necessary for no other reason than that they exist. Bad
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
The students tend to stick close to campus. There is nothing for them to do in Blacksmith proper, no natural haunt or attraction. They have their own food, movies, music, theater, sports, conversation and sex. This is a town of dry cleaning shops and opticians. Photos of looming Victorian homes decorate the windows of real estate firms. These pictures have not changed in years. The homes are sold or gone or stand in other towns in other states. This is a town of tag sales and yard sales, the failed possessions arrayed in driveways and tended by kids.
Don DeLillo (White Noise)
Facebook automatically tagging your friends in photos; Apple and Google letting people look at their phones to unlock them; digital billboards from Microsoft and Intel with cameras that detected age and gender to show passersby appropriate ads.
Kashmir Hill (Your Face Belongs to Us: A Secretive Startup's Quest to End Privacy as We Know It)
In such a culture, we should not be surprised that deep work struggles to compete against the shiny thrum of tweets, likes, tagged photos, walls, posts, and all the other behaviors that we’re now taught are necessary for no other reason than that they exist.
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961
Sylvia Plath (Ariel)
Starting a little over a decade ago, Target began building a vast data warehouse that assigned every shopper an identification code—known internally as the “Guest ID number”—that kept tabs on how each person shopped. When a customer used a Target-issued credit card, handed over a frequent-buyer tag at the register, redeemed a coupon that was mailed to their house, filled out a survey, mailed in a refund, phoned the customer help line, opened an email from Target, visited Target.com, or purchased anything online, the company’s computers took note. A record of each purchase was linked to that shopper’s Guest ID number along with information on everything else they’d ever bought. Also linked to that Guest ID number was demographic information that Target collected or purchased from other firms, including the shopper’s age, whether they were married and had kids, which part of town they lived in, how long it took them to drive to the store, an estimate of how much money they earned, if they’d moved recently, which websites they visited, the credit cards they carried in their wallet, and their home and mobile phone numbers. Target can purchase data that indicates a shopper’s ethnicity, their job history, what magazines they read, if they have ever declared bankruptcy, the year they bought (or lost) their house, where they went to college or graduate school, and whether they prefer certain brands of coffee, toilet paper, cereal, or applesauce. There are data peddlers such as InfiniGraph that “listen” to shoppers’ online conversations on message boards and Internet forums, and track which products people mention favorably. A firm named Rapleaf sells information on shoppers’ political leanings, reading habits, charitable giving, the number of cars they own, and whether they prefer religious news or deals on cigarettes. Other companies analyze photos that consumers post online, cataloging if they are obese or skinny, short or tall, hairy or bald, and what kinds of products they might want to buy as a result.
Charles Duhigg (The Power of Habit: Why We Do What We Do in Life and Business)
Having a greater proportion of users returning to a service daily, dramatically increases Viral Cycle Time for two reasons: First, daily users initiate loops more often (think tagging a friend in a Facebook photo); second, more daily active users means more people to respond and react to each invitation.
Nir Eyal (Hooked: How to Build Habit-Forming Products)
Each day, Internet users share more than 1.8 billion photos, according to a report by venture firm Kleiner Perkins Caufield & Byers. For advertisers, the social media posts that include those photos are more valuable than those with just text because pictures reveal how consumers act "in the wild." "You have a window into their world," said Duncan Alney, CEO of Firebelly Marketing in Indianapolis, which uses Ditto Labs' service. Alney, whose firm represents a beer company, learned from Ditto that people drink beer not just with pub grub but also with healthier snacks like hummus. And that consumers who favor mainstream beers also consume craft brews. Other companies use it to interact with fans. Nissan North America found a photo on Twitter of a baby peeking out from behind a cardboard cutout of a Nissan race car driver. Nissan got the Twitter user's permission and reposted the photo on the company's account, garnering 17 retweets and 37 favorites. The original photo was not tagged with "Nissan," so without Ditto the company never would have found it, said Rob Robinson, a senior specialist in social communications at the automaker.
Anonymous
• When you favourite a tweet, send it to Evernote • When a new post is available on a site you like, send it to Evernote (or Pocket) • When you check in on Foursquare, send the location, comment and map to Evernote (travel diary?) • When you are tagged in a photo on Facebook, send the photo to Evernote • When you star an email in Gmail, send it to Evernote • When you post something on Tumblr, send it to Evernote • When you take a photo with Instagram, send it to Evernote • When you add something to a folder in Dropbox, send it to Evernote
Jeremy Roberts (Evernote Every Day)
From Love In The Time of Apps: Goodwin had little doubt that in the end he would lose his action for divorce. Where could he get a fair-minded jury? His public image was so tarnished at this point that he even received a letter from the Misogynist Society. For the first time in its history, the letter advised, the Society took the side of a woman. “Our vote,” the letter closed with, “was unanimous.” On the same day Goodwin received the letter, he saw his photograph on the cover of People Magazine’s new line extension, Unpopular People Magazine. Below his photo was a banner proclaiming, “The Most Unpopular Man In America.” Goodwin believed the tag to be accurate.
Jay Begler
Tagged photos are a jealous woman’s assault rifle.
Maggie Georgiana Young (Just Another Number)
As an example, here are a few of the more popular social media IFTTT tasks that may help you organize your social media: • Send all your Tweets to a Google spreadsheet. • Update your Twitter profile picture when you update your Facebook profile picture. • Automatically Tweet your Facebook status updates. • Post all pictures posted to Instagram on Twitter. • Archive photos you are tagged in on Facebook to Dropbox. • Archive all links you share on Facebook to a single file in Evernote. • Archive all photos you “like” on Instagram to Dropbox. • Have your iPhone pictures emailed to you as you take them.
S.J. Scott (10-Minute Digital Declutter: The Simple Habit to Eliminate Technology Overload)
At the time your book was written, the full story of the monarch migration was unknown to humanity." "When did they find it out?" Preston asked. The answer, to Dellarobia's astonishment, was within Ovid's lifetime. He had been just a bit older than Preston when the discovery was announced in the National Geographic, in 1976. A Canadian scientist chased the mystery his whole life, devising a tag that would stick to butterfly wings, recruiting volunteers to help track them, losing the trail many times. And then one winter's day, as an old man on shaky legs, he climbed a mountain in Michoacan to see what must have looked like his dream of heaven... Ovid could still quote passages of the article from memory: They carpeted the ground in their tremulous legions. He said he remembered exactly where he was when he read that article, and how he felt. "Where were you?" "Outside the post office, sitting on a lobster crate. I spent a lot of Saturdays there. My mother let me read the magazines before they went to their subscribers. I was so excited by the photos in that article, I ran all the way down Crown Street, all the way to West End and out a sandy road called Fortuna to the sea. I must have picked up a stick somewhere, because I remember jumping up and whacking every branch I passed, leaving a trail of flying leaves. When I got to the sea I didn't know what to do, so I threw the stick in Perseverance Bay and ran back. It was the happiest day of my life." Dellarobia wanted, of course, to know why. "Why," he repeated, thinking about it. "It was just like any schoolboy. I thought everything in the world was already discovered. Already in my books. A lot of dead stuff that put me to sleep. That was the day I understood the world is still living.
Barbara Kingsolver (Flight Behavior)
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Earl Meyer (The Seasons of Our Souls)
Microsoft launched its AI chatbot Tay on Twitter on 23 March 2016. Tay was intended to mimic the speech of a nineteen-year-old girl and to learn from interactions with other Twitter users. Sixteen hours after its launch, Tay was removed from active duty after posting a series of racist and sexually inflammatory tweets, including one which captioned a photo of Adolf Hitler with the tag ‘swag alert’, and another saying ‘Fuck my robot pussy daddy I’m such a naughty robot’. Tay had ‘learned’ to communicate this way from other users on Twitter. This example says as much about humans on social media as it does about machine learning.
Jamie Susskind (Future Politics: Living Together in a World Transformed by Tech)
we should not be surprised that deep work struggles to compete against the shiny thrum of tweets, likes, tagged photos, walls, posts, and all the other behaviors that we’re now taught are necessary for no other reason than that they exist.
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
You’ve been uploading photos on social media for long, but CoSign lets you turn them into cash. Just tag images you upload to social media with information about the products pictured in them.
Ravi Jain (New Life Hacks: 1200+ Collection of Amazing Life Hacks)
The intention to harm or exclude may guide some technical design decisions. Yet even when they do, these motivations often stand in tension with aims framed more benevolently. Even police robots who can use lethal force while protecting officers from harm are clothed in the rhetoric of public safety.35 This is why we must separate “intentionality” from its strictly negative connotation in the context of racist practices, and examine how aiming to “do good” can very well coexist with forms of malice and neglect.36 In fact a do-gooding ethos often serves as a moral cover for harmful decisions. Still, the view that ill intent is always a feature of racism is common: “No one at Google giggled while intentionally programming its software to mislabel black people.”37 Here McWhorter is referring to photo-tagging software that classified dark-skinned users as “gorillas.” Having discovered no bogeyman behind the screen, he dismisses the idea of “racist technology” because that implies “designers and the people who hire them are therefore ‘racists.’” But this expectation of individual intent to harm as evidence of racism is one that scholars of race have long rejected.38
Ruha Benjamin (Race After Technology: Abolitionist Tools for the New Jim Code)
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Dhaval
Before she could open her camera, she noticed a notification and swiped to open it. Elle had tagged her in a photo on Instagram. She frowned because she wasn’t in the photo. Elle had snapped a picture selfie-style of her, Margot, Darcy, and Brendon seated around the coffee table, where Monopoly was spread out. Annie tapped the photo and pressed her lips together, her eyes watering viciously. Elle had tagged her on the empty cushion beside Brendon. His arms were resting casually on his knees and his smile was the brightest thing in the photo. She could hear his throaty chuckle when she shut her eyes, knew exactly how his lips felt curving against her mouth in that same grin. The caption read, The gang’s all here minus @anniekyriakos. We miss you!
Alexandria Bellefleur (Hang the Moon (Written in the Stars, #2))
it is a shame that so many beautiful places have become immensely popular within the past 3-4 years...they are being plastered all over the internet making people want to go and see them, especially photographers...and its a further shame that so many photographers only want to take pictures, with the goal to share to their social media sites and get likes, sponsors, and money...ironically how before that, like just 4 years ago, you seldom saw many images of unknown places, and most people had no clue where these spots where...now these special places are becoming less unique as they get more and more coverage and exposure, becoming less and less mystical to the art-world... it is also a further shame how many of these photographers only care about themselves and getting their picture at any cost, including the cost of damaging their natural surroundings with their ignorance...and my god, the stuff i have seen them do and leave behind in their wake is appalling...and more and more all the reason for why i will not disclose anymore the places where i go now that are unknown treasures which i have been discovering, so these new photo sites do not ever have to become overrun like so many other beautiful places have regrettably become, all due to inconsiderate and selfish people with their selfish cameras and cellphones, and selfish actions, those annoying people out there who are merely like pesky fleas to a very beautiful location, sucking the blood and life out of it slowly... i feel partially to blame, as i used to always give people locations of my photo comps, so many of the places not many knew about and were rarely visited, let alone photographed...there were spots i photographed over 5 years ago, and now many of these sites are overrun with greed and stupidity, getting trashed, tagged, and overrun. i know i am not directly to blame, but i was part of the problem even though i was only trying to help out other courteous photographers, but in the process of doing just that, the door opened to the ugly people looking to use others and use places for their own greedy intentions...i would even give them the gps to within 5 feet of the spot if they asked me...i was always so open and as helpful as i could be...also gave out all my camera settings and told how i went about creating my impressions with my equipment and thoughts about the composition... now look what has happened...i am not to blame, but i do carry much of the responsibility as word got out to these previously secluded locations...so now, i want no part of it anymore. and even-though now i often get called selfish and mean for not disclosing my locations, i must do what i feel is necessary to protect what i love and the places i love.
Bodhi Smith (Bodhi Smith Impressionist Photography (#6))
Taking, Posting, or Tagging Photos on Social Media It is important to get permission from others before you take, post, or tag them in a group or individual photo and place it on social media. This is true especially of unflattering photos. It is also important to be careful of the photos you post of yourself. Make sure all photos you post are in good taste. It is one thing to post fun photos but entirely something else to post ones in bad taste. Remember, what you post is always and forever on the internet.
Jackie F. Whitehead (Etiquettes and Manners Plain and Simple: Successful Tips for Successful People: Best Practices for Boys, Girls, and Future Leaders)
As David Skok, tech entrepreneur turned venture capitalist, points out, “The most important factor to increasing growth is . . . Viral Cycle Time.”7 Viral Cycle Time is the amount of time it takes a user to invite another user, and it can have a massive impact. “For example, after 20 days with a cycle time of two days, you will have 20,470 users,” Skok writes. “But if you halved that cycle time to one day, you would have over 20 million users! It is logical that it would be better to have more cycles occur, but it is less obvious just how much better.” Having a greater proportion of users daily returning to a service dramatically decreases Viral Cycle Time for two reasons: First, daily users initiate loops more often (think tagging a friend in a Facebook photo); second, more daily active users means more people to respond and react to each invitation. The cycle not only perpetuates the process—with higher and higher user engagement, it accelerates it.
Nir Eyal (Hooked: How to Build Habit-Forming Products)
Governments continue to be motivated by the idea that the better they comprehend the world, the better they will be able to control and exploit it. They have been joined by large corporations, which also see the value in quantifying and classifying our world. From high-resolution drone and satellite images, to geographically tagged photos and tweets, mobile phones that constantly ping their location to colossal databases, and the “Internet of things”—the idea that most of the objects around us will soon be capable of communicating their whereabouts and status—one way or another, we continue to wander through the world, size it up, and digitally hammer colored nails into it.
Tim Harford (Messy: The Power of Disorder to Transform Our Lives)
it’s good etiquette to check with people before you post a photo of them, especially if you want to tag them in it. You probably curate your own pictures with an eagle eye, and it’s likely that others do the same, so give them the chance to say yea or nay.
Katherine Furman (50 Essential Etiquette Lessons: How to Eat Lunch with Your Boss, Handle Happy Hour Like a Pro, and Write a Thank You Note in the Age of Texting and Tweeting)
There was a popular and rather clever saying during the 1960s that asked, “What if they gave a war and nobody came?” This is not quite as ludicrous a concept as it may seem on the surface. There is a constant danger on the battlefield that, in periods of extended close combat, the combatants will get to know and acknowledge one another as individuals and subsequently may refuse to kill each other. This danger and the process by which it can occur is poignantly represented by Henry Metelmann’s account of his experiences as a German soldier on the Russian front during World War II. There was a lull in the battle, during which Metelmann saw two Russians coming out of their foxhole, and I walked over towards them…they introduced themselves…[and] offered me a cigarette and, as a non-smoker, I thought if they offer me a cigarette I’ll smoke it. But it was horrible stuff. I coughed and later on my mates said “You made a horrible impression, standing there with those two Russians and coughing your head off.”…I talked to them and said it was all right to come closer to the foxhole, because there were three dead Russian soldiers lying there, and I, to my shame, had killed them. They wanted to get the [dog tags] off them, and the paybooks…. I kind of helped them and we were all bending down and we found some photos in one of the paybooks and they showed them to me: we all three stood up and looked at the photos…. We shook hands again, and one patted on my back and they walked away. Metelmann was called away to drive a half-track back to the field hospital. When he returned to the battlefield, over an hour later, he found that the Germans had overrun the Russian position. And although there were some of his friends killed, he found himself to be most concerned about what happened to “those two Russians.” “Oh they got killed,” they said. I said: “How did it happen?” “Oh, they didn’t want to give in. Then we shouted at them to come out with their hands up and they did not, so one of us went over with a tank,” he said, “and really got them, and silenced them that way.” My feeling was very sad. I had met them on a very human basis, on a comradely basis. They called me comrade and at that moment, strange as it may seem, I was more sad that they had to die in this mad confrontation than my own mates and I still think sadly about it.
Dave Grossman (On Killing: The Psychological Cost of Learning to Kill in War and Society)
Don’t over-share. We don’t need to see or hear it all, just the highlights.    The selfie is to be avoided. I know it may seem like a good idea and that everyone else is doing it, but stay strong. Something about it reeks of desperation. The likes will not set you free.    Keep the bragging to a minimum. Sharing your latest work or even the well-intended subtle flex is okay. Outright boasting will leave your audience wanting less.    Hashtags are a no-no. Hashtags serve a purpose for brands, but they should be left off any posts from your personal accounts. They look amateurish.    Avoid clogging the feed. Got a lot of exciting content? Stay measured and time-release it. Posting five images in a row will annoy even your biggest fans.    Tag someone only when it’s flattering. If you are posting a photo from your trip to Lisbon, make sure all parties look good in the chosen image. If someone has clearly overindulged, think twice before sharing. You would want the same courtesy.    Never under any circumstance should you confront someone about unfollowing you. That sort of behavior will make you the talk of the group chat, and not in a good way.    No spoilers. Your uncle in Los Angeles works in the industry and sent you a screener of the latest Oscar-worthy film. Watch it and enjoy it. Do not share any information about said film on social media. Your followers will be mad and so will your uncle.    Be yourself. With so many available platforms to share on, you might slip into a caricature of yourself. Make sure you always keep it real. Don’t be someone you aren’t—even if you are rewarded with likes and comments. Because self-awareness reigns supreme, online and off.    Never take it too seriously. Although social media has become ubiquitous in our modern era, it’s still not exactly real life. Hell, maybe put the phone down and take a stroll.
David Coggins (Men and Manners: Essays, Advice and Considerations)
The devil specializes in rearranging price tags, making the cheap look valuable and the miserable appear happy. (For example, if, before the purchase, people saw photos of themselves after five years of using methamphetamines, would they still buy them?)
Randy Alcorn (Happiness)
She rolled onto her side, crumpling more MRI print outs, and stared at the picture on her bedside table. It was a photo of Jady at five years old. She was sleeping peacefully, hair matted on her forehead and clutching her pink blanket, the tag up to her nose. Ella remembered those precious minutes, before she’d sneak out for the early train, when she’d spoon her warm little girl, smell her hair and, if she closed her eyes, feel as if they were one, safe from the world. It had been on a morning like that when she’d been convinced that she stopped Jady’s hiccups by sending comforting thoughts.
Richard Roberts (Tuning In)