Caves Best Quotes

Good idea,” Puck echoed from the back of the cave. “Why don’t you take first watch, prince? You could actually be doing something that doesn’t make me want to gouge my eyes out with a spork.” Ash’s lips curled in a smirk. “I would think you’re better suited to the task, Goodfellow,” he said without turning around. “After all, that’s what you’re best at isn’t it? Watching?” “Oh, keep it up, ice-boy. You’re gonna have to sleep sometime.

... the best way of killing a rose is to force it open when it is still only the promise of a bud.

I heard the car door shut and then Fabian's voice. "You won't believe what I found around the edge of your property," the ghost announced. "A cave with prehistoric painting inside it!" I rolled my eyes. That was the best tactic Fabian could come up with? This was a vampire he was trying to stall, not a paleontologist.

My dream is to create something so beautiful that it encourages people to present the best version of themselves to me everywhere I go.

What does reading do, You can learn almost everything from reading, But I read too, So you must know something, Now I'm not so sure, You'll have to read differently then, How, The same method doesn't work for everyone, each person has to invent his or her own, whichever suits them best, some people spend their entire lives reading but never get beyond reading the words on the page, they don't understand that the words are merely stepping stones placed across a fast-flowing river, and the reason they're there is so that we can reach the farther shore, it's the other side that matters, Unless, Unless what, Unless those rivers don't have just two shores but many, unless each reader is his or her own shore, and that shore is the only shore worth reaching.

Literature is love. I think it went like this: drawings in the cave, sounds in the cave, songs in the cave, songs about us. Later, stories about us. Part of what we always did was have sex and fight about it and break each other’s hearts. I guess there’s other kinds of love too. Great friendships. Working together. But poetry and novels are lists of our devotions. We love the feel of making the marks as the feelings are rising and falling. Living in literature and love is the best thing there is. You’re always home.

Whereas the truth is that the State in which the rulers are most reluctant to govern is always the best and most quietly governed, and the State in which they are most eager, the worst.

My relationship with my muse is a delicate one at the best of times and I feel that it is my duty to protect her from influences that may offend her fragile nature. She comes to me with the gift of song and in return I treat her with the respect I feel she deserves — in this case this means not subjecting her to the indignities of judgement and competition.

Carbon is the basis of human life and iron of robot life. It becomes easy to speak of C/Fe when you wish express a culture that combines the best of the two on an equal but parallel basis.

We was used to each other in the way I s'pose two old bats can get used to hangin upside-down next to each other in the same cave, even though they're a long way from what you'd call the best of friends.

My inner caveman demands she knows I’m a good provider. I’ll get her the best booth, order any food she wants, kill potential predators, and buy her the best cave on the block. I’ll do whatever it takes to make Daisy smile at me.

Evolution intended us to be travelers….Settlement for any length of time, in cave or castle, has at best been…a drop in the ocean of evolutionary time.” —Bruce Chatwin, ANATOMY OF RESTLESSNESS

The cave floor rumbled. A large stone emerged from the dirt-a smooth, oval rock exactly the same size and weight as a baby god... She wrapped the stone in swaddling clothes and gave the real baby Zeus to the nymphs to take care of... She marched right up to King Cannibal and shouted, "This is the best baby yet! A fine little boy named, uh, Rocky!

You and I have been happy; we haven't been happy just once, we've been happy a thousand times. . . Forget the past-what you can of it, and turn about and swim back home to me, to your haven forever and ever-even though it may seem a dark cave at times and lit with torches of fury; it is the best refuge for you-turn gently in the water through which you move and sail back.

You and I have been happy; we haven’t been happy just once, we’ve been happy a thousand times. The chances that spring, that’s for everyone, like in the popular songs, may belong to us too – the chances are pretty bright at this time because as usual, I can carry most of contemporary literary opinion, liquidated, in the hollow of my hand – and when I do, I see the swan floating on it and – I find it to be you and you only…. Forget the past – what you can of it, and turn about and swim back home to me, to your haven for ever and ever – even though it may seem a dark cave at times and lit with torches of fury; it is the best refuge for you – turn gently in the waters through which you move and sail back…

He did have to flush the toilet though, since I hadn’t gotten to that yet. I had only peed, otherwise I might have been mortified. Best friend or not, shit was still shit.

Bible: Various portions of it, when properly interpreted, contain a code of behaviour which many men consider best suited to the ultimate happiness of mankind.

And I know why our friendship must be kept a secret. Or they will kill You like they killed You in the Bible. And then we could not be together. If not for them we would live in this valley together. As best friends. But we must be careful, Jesus. I think I would die if anything happened to You...' - she cried ah think, for ah could hear her little sobs as she spoke - '...just close my eyes and die.' And she let fall a heavy tear, and it passed through the slats and exploded upon mah face, just below the right cheek. And as the droplet began to roll, ah caught it with mah tongue. And ah was shocked momentarily by that tear's sweetness, having known them only as bitter things - only bitter things - always bitter things.

If you want to see philosophy in action, pay a visit to a robo-rat laboratory. A robo-rat is a run-ofthe-mill rat with a twist: scientists have implanted electrodes into the sensory and reward areas in the rat’s brain. This enables the scientists to manoeuvre the rat by remote control. After short training sessions, researchers have managed not only to make the rats turn left or right, but also to climb ladders, sniff around garbage piles, and do things that rats normally dislike, such as jumping from great heights. Armies and corporations show keen interest in the robo-rats, hoping they could prove useful in many tasks and situations. For example, robo-rats could help detect survivors trapped under collapsed buildings, locate bombs and booby traps, and map underground tunnels and caves. Animal-welfare activists have voiced concern about the suffering such experiments inflict on the rats. Professor Sanjiv Talwar of the State University of New York, one of the leading robo-rat researchers, has dismissed these concerns, arguing that the rats actually enjoy the experiments. After all, explains Talwar, the rats ‘work for pleasure’ and when the electrodes stimulate the reward centre in their brain, ‘the rat feels Nirvana’. To the best of our understanding, the rat doesn’t feel that somebody else controls her, and she doesn’t feel that she is being coerced to do something against her will. When Professor Talwar presses the remote control, the rat wants to move to the left, which is why she moves to the left. When the professor presses another switch, the rat wants to climb a ladder, which is why she climbs the ladder. After all, the rat’s desires are nothing but a pattern of firing neurons. What does it matter whether the neurons are firing because they are stimulated by other neurons, or because they are stimulated by transplanted electrodes connected to Professor Talwar’s remote control? If you asked the rat about it, she might well have told you, ‘Sure I have free will! Look, I want to turn left – and I turn left. I want to climb a ladder – and I climb a ladder. Doesn’t that prove that I have free will?

Do it" she commands. "I need to know I won't cave, I need to prove to myself that even the torture of tickling won't make me give up the secrets of my best friend." I unbutton my cuffs, and roll up my shirt sleeves to my forearms "Don't go easy on me." she says. "Not in my nature.

The best evidence is the fact that this book predates Jesus and gives a multitude of prophecies for him. The Dead Sea Scroll copies of Enoch were found to predate Jesus and belong to the Essenes. This was a group of Jews that broke off from the mainstream and lived in various caves before Jesus was born.

You will be told that the best way to love is in the absence of yourself. But listen to me when I say, that the more treasures within you that you see and you find, the more purely you will be able to love another. We do not love properly when we have no treasures to give; but seeing the cave full of treasures within us, we love as the gods do.

The all-powerful Zahir seemed to be born with every human being and to gain full strength in childhood, imposing rules that would thereafter always be respected: People who are different are dangerous; they belong to another tribe; they want our lands and our women. We must marry, have children, reproduce the species. Love is only a small thing, enough for one person, and any suggestion that the heart might be larger than this may seem perverse. When we are married we are authorised to take possession of the other person, body and soul. We must do jobs we detest because we are part of an organised society, and if everyone did what they wanted to do, the world would come to a standstill. We must buy jewelry; it identifies us with our tribe. We must be amusing at all times and sneer at those who express their real feelings; it's dangerous for a tribe to allow its members to show their feelings. We must at all costs avoid saying no because people prefer those who always say yes, and this allows us to survive in hostile territory. What other people think is more important than what we feel. Never make a fuss--it might attract the attention of an enemy tribe. If you behave differently you will be expelled from the tribe because you could infect others and destroy something that was extremely difficult to organise in the first place. We must always consider the look of our new cave, and if we don't have a clear idea of our own, then we must call a decorator who will do his best to show others what good taste we have. We must eat three meals a day, even if we're not hungry, and when we fail to fit the current ideal of beauty we must fast, even if we're starving. We must dress according to the dictates of fashion, make love whether we feel like it or not, kill in the name of our country, wish time away so that retirement comes more quickly, elect politicians, complain about the cost of living, change our hair-style, criticise anyone who is different, go to a religious service on Sunday, Saturday or Friday, depending on our religion, and there beg forgiveness for our sins and puff ourselves up with pride because we know the truth and despise he other tribe, who worship false gods. Our children must follow in our footsteps; after all we are older and know more about the world. We must have a university degree even if we never get a job in the area of knowledge we were forced to study. We must never make our parents sad, even if this means giving up everything that makes us happy. We must play music quietly, talk quietly, weep in private, because I am the all-powerful Zahir, who lays down the rules and determines the meaning of success, the best way to love, the importance of rewards.

My inner caveman demands she knows I'm a good provider. I'll get her the best booth, order any food she wants, kill potential predators, and buy her the best cave on the block".

There are always secrets around the fringes of a wedding. I hear the things said in confidence, the bitchy remarks, the gossip. I heard some of the best man’s words in the cave.

When we encounter a friend who's depressed or afraid, we automatically try to take that distress away and to cheer the person up. While we may be operating with the best of intentions, this Band-Aid approach only reinforces the condition. Unless people experience their pain completely and begin to undrstand it, they will not only fail to overcome it, they'll also lose the opportunity of using it to advance their own growth. Pain can get you somewhere, and that somewhere can be a life-enhancing experience. We all tend to forget that pain can signal change. Alleviating the symptoms of pain in someone, without helping them to get at its underlying source, robs them of an important to for self-exploration. It's also a way of placating that reinforces the person'S need to cave in and succumb to another. This attitude undermines healthy character development and contributes to psychospiritual, moral, and ultimately social decay.

Fool brother Filip led blind brother Daret deep into the black cave. He knew that inside it, the Queen Crab resided but that didn’t scare him away. Said blind brother Daret to fool brother Filip, does Queen Crab no longer reign? I have heard she is vicious, and likes to eat fishes. It’s best we avoid her domain. Answered fool Filip to his brother small, have I not always kept you safe? I know what I’m doing, for I’m older than you, and I’ll never lead you astray.

The problem with me is that I cannot focus when she is on my mind. I can’t. I probably will make a mistake when writing that paper and will start writing everything I feel about her—the professor will be very happy with that, I am sure. Oh well, such is my life. I guess I’ve been attempting my best to forget her for several weeks now. But even in that act of forgetting her, I am remembering her. I am recollecting her and recreating her in my mind. And that’s where everything falls apart. In remembering her, I remember her goodness. In remembering her, I remember her weaknesses and my own. In remembering her, I am remembering myself. Out of that dark cave of mine, I call myself out. And then all of the remembering starts again. I doodle, I twitch, I aim restlessly for some unseen goal. And then my thoughts drift to you. I’ll let them stay there for now. Just for a minute. Or two.

After dinner, I went upstairs and found Ren standing on the veranda again, looking at the sunset. I approached him shyly and stood behind him. “Hello, Ren.” He turned and openly studied my appearance. His gaze drifted ever so slowly down my body. The longer he looked, the wider his smile got. Eventually, his eyes worked their way back up to my bright red face. He sighed and bowed deeply. “Sundari. I was standing here thinking nothing could be more beautiful than this sunset tonight, but I was mistaken. You standing here in the setting sun with your hair and skin aglow is almost more than a man can…fully appreciate.” I tried to change the subject. “What does sundari mean?” “It means ‘most beautiful.’” I blushed again, which made him laugh. He took my hand, tucked it under his arm, and led me to the patio chairs. Just then, the sun dipped below the trees leaving its tangerine glow in the sky for just a few more moments. We sat again, but this time he sat next to me on the swinging patio seat and kept my hand in his. I ventured shyly, “I hope you don’t mind, but I explored your house today, including your room.” “I don’t mind. I’m sure you found my room the least interesting.” “Actually, I was curious about the note I found. Did you write it?” “A note? Ah, yes. I just scribbled a few notes to help me remember what Phet had said. It just says seek Durga’s prophecy, the Cave of Kanheri, Kelsey is Durga’s favored one, that sort of thing.” “Oh. I…also noticed a ribbon. Is it mine?” “Yes. If you’d like it back, you can take it.” “Why would you want it?” He shrugged, looking embarrassed. “I wanted a memento, a token from the girl who saved my life.” “A token? Like a fair maiden giving her handkerchief to a knight in shining armor?” He grinned. “Exactly.” I jested wryly, “Too bad you didn’t wait for Cathleen to get a little older. She’s going to be very pretty.” He frowned. “Cathleen from the circus?” He shook his head. “You were the chosen one, Kelsey. And if I had the option of choosing the girl to save me, I still would have picked you.” “Why?” “A number of reasons. I liked you. You are interesting. I enjoyed listening to your voice. I felt like you saw through the tiger skin to the person underneath. When you spoke, it felt like you were saying exactly the things I needed to hear. You’re smart. You like poetry, and you’re very pretty.” I laughed at his statement. Me, pretty? He can’t be serious. I was average in so many ways. I didn’t really concern myself with current makeup, hairstyles, or fashionable, but uncomfortable, clothes like other teenagers. My complexion was pale, and my eyes were so brown that they were almost black. By far, my best feature was my smile, which my parents paid dearly for and so did I-with three years of metal braces. Still, I was flattered. “Okay, Prince Charming, you can keep your memento.” I hesitated, and then said softly, “I wear those ribbons in memory of my mom. She used to brush out my hair and braid ribbons through it while we talked.” Ren smiled understandingly. “Then it means even more to me.

My grin was feral, matching my savage best friend’s.

Sienna's Pick for Best Pink Floyd Combined Song and Album Title Ever: "Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict," Ummagumma

Evolution intended us to be travelers....Settlement for any length of time, in cave or castle, has at best been...a drop in the ocean of evolutionary time.

Carlsbad Caverns National Park is best described as living artwork.

In the best of cases, the philosopher is not simply one who ascends from the cave and perceives the sun. Rather, he is one who out of the depths of his own creativity becomes a new sun for mankind.

It is a bad thing to think positively. It makes us weaker by preparing us for the best scenario. I think what we need to know is, no matter how terrible the situation is or we are strong enough to withstand it.

Nature Boy I was just a boy when I sat down To watch the news on TV I saw some ordinary slaughter I saw some routine atrocity My father said, don't look away You got to be strong, you got to be bold, now He said, that in the end it is beauty That is going to save the world, now And she moves among the sparrows And she floats upon the breeze She moves among the flowers She moves something deep inside of me I was walking around the flower show like a leper Coming down with some kind of nervous hysteria When I saw you standing there, green eyes, black hair Up against the pink and purple wisteria You said, hey, nature boy, are you looking at me With some unrighteous intention? My knees went weak, I couldn't speak, I was having thoughts That were not in my best interests to mention And she moves among the flowers And she floats upon the smoke She moves among the shadows She moves me with just one little look You took me back to your place And dressed me up in a deep sea diver's suit You played the patriot, you raised the flag And I stood at full salute Later on we smoked a pipe that struck me dumb And made it impossible to speak As you closed in, in slow motion, Quoting Sappho, in the original Greek She moves among the shadows She floats upon the breeze She moves among the candles And we moved through the days and through the years Years passed by, we were walking by the sea Half delirious You smiled at me and said, Babe I think this thing is getting kind of serious You pointed at something and said Have you ever seen such a beautiful thing? It was then that I broke down It was then that you lifted me up again She moves among the sparrows And she walks across the sea She moves among the flowers And she moves something deep inside of me She moves among the sparrows And she floats upon the breeze She moves among the flowers And she moves right up close to me

Last night I dreamed of the "happy hunting ground." I passed through a place of bones that looked human, but weren't--the skulls were wrong. Then I came to a place where the days were the best of every season, the sweetest air and water in spring, then the dry heat where deer make dust in the road, the fog of fall with good leaves. And you could shoot without a gun, never kill, but the rabbits would do a little dance, all as if it were a game, and they were playing it too. Then winter came with heavy powder-snow, and big deer, horses, goats and buffaloes--all white--snorted, tossed their heads, and I lay down with my Army blanket, made my bed in the snow, then dreamed within the dream. I dreamed I was at Fleety's, and she told me the bones were poor people killed by bandits, and she took me back to the place, and under a huge rock where no light should have shown, a cave almost, was a dogwood tree. It glowed the kind of red those trees get at sundown, the buds were purple in that weird light, and a madman came out with an axe and chopped at the skulls, trying to make them human-looking. Then I went back to the other side of both dreams. --from a letter to his mother, Helen Pancake, where he describes a dream that seems to encapsulate the play between violence and gentleness in his life.

It was the very essence of the bean, extracted within forty-five seconds under relentless pressure. Unlike human beings, coffee beans don’t cave into unabating stress. When pressed to perform, they give their very best.

Then the Man threw his two boots and his little stone axe (that makes three) at the Cat, and the Cat ran out of the Cave and the Dog chased him up a tree; and from that day to this, Best Beloved, three proper Men out of five will always throw things at a Cat whenever they meet him, and all proper Dogs will chase him up a tree. But the Cat keeps his side of the bargain too. He will kill mice and he will be kind to Babies when he is in the house, just as long as they do not pull his tail too hard. But when he has done that, and between times, and when the moon gets up and night comes, he is the Cat that walks by himself, and all places are alike to him. Then he goes out to the Wet Wild Woods or up the Wet Wild Trees or on the Wet Wild Roofs, waving his wild tail and walking by his wild lone.

Since stone tools were the only technology that survived archaeologically for millions of years and across several hominin species, it was assumed that they were male technology. It said so on the box: man the toolmaker, man the hunter. Women gave birth, cowered in the backs of caves, posed as the model for a Venus figurine occasionally so that Palaeolithic ‘man’ could get his other rocks off, and maybe collected a worthless vegetable from time to time when the mammoth chops were running low. The sometimes openly stated and mostly implicit assumption was that human physical and cultural evolution was driven by male hunting. Was this the best we could do?

You know when you’re a kid and you see a shadow on your wall at night, and it looks like a monster? Or when you see animals in the clouds? That’s pareidolia. And it happens with sound, too. The wind blows through a cave or something just right, and people think they hear a voice. Your brain even makes words out of it, in the language you know best.

So we call upon the author to explain (Doop doop doop doop dooop) Our myxomatoid kids spraddle the streets, we've shunned them from the greasy-grind The poor little things, they look so sad and old as they mount us from behind I ask them to desist and to refrain And then we call upon the author to explain (Doop doop doop doop dooop)Rosary clutched in his hand, he died with tubes up his nose And a cabal of angels with finger cymbals chanted his name in code We shook our fists at the punishing rain And we call upon the author to explain (Doop doop doop doop dooop) He said everything is messed up around here, everything is banal and jejune There is a planetary conspiracy against the likes of you and me in this idiot constituency of the moon Well, he knew exactly who to blame And we call upon the author to explain (Doop doop doop doop dooop) Prolix! Prolix! Nothing a pair of scissors can't fix! Prolix! Prolix! Nothing a pair of scissors can't fix!(Doop doop doop doop dooop) Well, I go guruing down the street, young people gather round my feet Ask me things, but I don't know where to start They ignite the power-trail ssstraight to my father's heart And once again I call upon the author to explain (Doop doop doop doop dooop ...)We call upon the author to explain Who is this great burdensome slavering dog-thing that mediocres my every thought? I feel like a vacuum cleaner, a complete sucker, it's fucked up and he is a fucker But what an enormous and encyclopaedic brain I call upon the author to explain (Doop doop doop doop dooop ...) Oh rampant discrimination, mass poverty, third world debt, infectious diseease Global inequality and deepening socio-economic divisions Well, it does in your brain And we call upon the author to explain (Doop doop doop doop dooop ...) Now hang on, my friend Doug is tapping on the window (Hey Doug, how you been?) Brings me back a book on holocaust poetry complete with pictures Then tells me to get ready for the rain And we call upon the author to explain (Doop doop doop doop dooop ...) I say prolix! Prolix! Something a pair of scissors can fix Bukowski was a jerk! Berryman was best! He wrote like wet papier mache, went the Heming-way weirdly on wings and with maximum pain We call upon the author to explain (Doop doop doop doop dooop ...) Down in my bolthole I see they've published another volume of unreconstructed rubbish "The waves, the waves were soldiers moving". Well, thank you, thank you, thank you And again I call upon the author to explain Yeah, we call upon the author to explain Prolix! Prolix! There's nothing a pair of scissors can't fix!

SECTION 4: The Qur’an as a Guidance 23  And say not of anything: I will do that tomorrow,a 23a. Though the words are general, there seems to be a special prophetic reference to the Prophet’s Flight and his taking refuge in a cave. He had entirely to trust in Allah, Who was to bring it about as He thought best for him. 24  Unless Allah please. And remember thy Lord when thou

Sala’s apartment on Calle Tetuan was about as homey as a cave, a dank grotto in the very bowels of the Old City. It was not an upscale neighborhood. Sanderson shunned it and Zimburger called it a sewer. It reminded me of a big handball court in some stench-ridden YMCA. The ceiling was twenty feet high not a breath of clean air, no furniture except two metal cots and an improvised picnic table, and since it was on the ground floor we could never open the windows because thieves would come in off the street and sack the place…We had no refrigerator and therefor no ice, so we drank hot rum out of dirty glasses and did our best to stay out of the place as much as possible…Night after night I would sit uselessly at Al’s, drinking myself into a stupor because I couldn’t stand the idea of going back to the apartment.

The woman laughed again. She was the loudest person in the cave. Eena wondered if perhaps she was talking to a female Ghengat. Curiosity got the best of her and she turned around to look, surprised to find neither a Ghengat nor a Harrowbethian woman, but a Mishmorat. A striking, cheetah-spotted Mishmorat with straight lengths of charcoal hair and the most alluring dark eyes in existence. This bronzed female was the same size as Eena but observably more muscular. She appeared to be a mix of cheetah, Arabian princess, and gladiator in tight-fitting pants. Eena paused, dropping the stone in her hands. “Kira?” she breathed. “Hmmm,” the woman grumbled. Her painted eyes scrunched with displeasure. The look was still stunning. “I see my reputation precedes me.” Eena gawked as if a legendary ghost had been resurrected. “You’re alive?

Only when religion is exposed to light of day, only when the believers walk out of the proverbial cave in that light, will humanity feel the warmth of the sun on their corporate faces. In the light of truth one will not need to fear for loss of faith or hope or even love. For faith, hope and love are parts of the human spiritual experience. Spirituality at its best is what we may find when we relieve ourselves of the fear of loss.

It is the duty of us, the founders, then, said I, to compel the best natures to attain the knowledge which we pronounced the greatest, and to win to the vision of good, to scale the ascent, and when they have reached the heights and taken an adequate view, we must not allow what is now permitted. What is that? That they should linger there, I said, and refuse to go down again among those bondsmen and share their labors and honors, whether they are of less or of greater worth.

I followed all the advice my mind could compute and digested it to the best of my ability. I’d run, work out, eat healthy, and then swallow a fifth of whiskey. The man cave below my home began to look like a recycling center for Crown Royal and Jack Daniels distilleries. I discovered that empty whiskey bottles made an eerily satisfying thud when stacked up like cordwood. The sturdy glass was much thicker and stronger than my own skin, and I admired their resilience to outside forces.

SOCRATES: It is our task as founders, then, to compel the best natures to learn what was said before3 to be the most important thing: namely, to see the good; to ascend that ascent. And when they have ascended and looked [10] sufficiently, we must not allow them to do what they are allowed to do [d] now. GLAUCON: What’s that, then? SOCRATES: To stay there and refuse to go down again to the prisoners in the cave and share their labors and honors, whether the inferior ones or the [5] more excellent ones.

A kiss with Lenore is a scenario in which Iskate with buttered soles over the moist rink of lower lip, sheltered from weathers by the wet warm overhang of upper, finally to crawl between lip and gum and pull the lip to me like a child’s blanket and stare over it with beady, unfriendly eyes out at the world external to Lenore, of which I no longer wish to be part. That I must in the final analysis remain part of the world that is external to and other from Lenore Beadsman is to me a source of profound grief. That others may dwell deep, deep within the ones they love, drink from the soft cup at the creamy lake at the center of the Object of Passion, while I am fated forever only to intuit the presence of deep recesses while I poke my nose, as it were, merely into the foyer of the Great House of Love, agitate briefly, and make a small mess onthe doormat, pisses me off to no small degree. But that Lenore finds such tiny frenzies, such conversations just inside the Screen Door of Union, to be not only pleasant and briefly diverting but somehow apparently right, fulfilling, significant, in some sense wonderful, quite simply and not at all surprisingly makes me feel the same way, enlarges my sense of it and me, sends me hurrying up the walk to that Screen Door in my best sportjacket and flower in lapel as excited as any schoolboy, time after time, brings me charging to the cave entrance in leopardskin shirt, avec club, bellowing for admittance and promising general kickings of ass if I am impeded in any way.

There’s a vegetarian takeaway place in Brighton called Infinity, where I would eat sometimes. I went there the first time I’d gone out in public after Arthur had died. There was a woman who worked there and I was always friendly with her, just the normal pleasantries, but I liked her. I was standing in the queue and she asked me what I wanted and it felt a little strange, because there was no acknowledgement of anything. She treated me like anyone else, matter-of-factly, professionally. She gave me my food and I gave her the money and – ah, sorry, it’s quite hard to talk about this – as she gave me back my change, she squeezed my hand. Purposefully. It was such a quiet act of kindness. The simplest and most articulate of gestures, but, at the same time, it meant more than all that anybody had tried to tell me – you know, because of the failure of language in the face of catastrophe. She wished the best for me, in that moment. There was something truly moving to me about that simple, wordless act of compassion.

INT. KAMA’S HIDEOUT—EVENING The interior of KAMA’S hideout is pitch black. The sound of water dripping. A brief shaft of sunlight reveals TINA, sleeping lightly on the floor in her coat. NEWT: Tina? She wakes. A moment as NEWT and TINA stare at each other. Each has thought of the other daily for a year. With no sign of KAMA, it seems she has been rescued. TINA (joyful, disbelieving): Newt! TINA notices KAMA entering in the background and raising his wand. Her expression changes. KAMA: Expelliarmus! NEWT’S wand flies out of his hand into KAMA’S. Bars form across the door, imprisoning them. KAMA (through the door): My apologies, Mr. Scamander! I shall return and release you when Credence is dead! TINA: Kama, wait! KAMA: You see, either he dies . . . or I do. He claps a hand to his eye. KAMA: No, no, no, no. Oh no. No, no, no. He jerks convulsively and slides to the floor, unconscious. NEWT: Well, that’s not the best start to a rescue attempt. TINA: This was a rescue attempt? You’ve just lost me my only lead. JACOB launches for the door, trying to break it down. NEWT (innocent): Well, how was the interrogation going before we turned up? TINA throws him a dark look. She strides to the back of the cave. Pickett, who, unnoticed, has hopped out of NEWT’S pocket, successfully picks the lock, and the bars swing open. JACOB: Newt! NEWT: Well done, Pick. (to TINA) You need this man, you say? TINA: Yeah. I think this man knows where Credence is, Mr. Scamander. As they bend over the unconscious KAMA, they hear an earth-shattering roar from somewhere above them. They look at each other. NEWT: Well, that’ll be the Zouwu. NEWT grabs his wand and Disapparates.

I don’t fear death. It’s more that I just don’t want to lose any more people, because I love them and love having them around. But, of course, we can’t make these cosmic covenants: we can’t bargain with God. It’s like asking the world to stop turning. So you learn to make peace with the idea of death as best you can. Or rather you reconcile yourself to the acute jeopardy of life, and you do this by acknowledging the value in things, the precious nature of things, and savouring the time we have together in this world. You learn that the binding agent of the world is love.

As Jurgis lay on his bed, hour after hour there came to him emotions that he had never known before. Before this he had met life with a welcome—it had its trials, but none that a man could not face. But now, in the nighttime, when he lay tossing about, there would come stalking into his chamber a grisly phantom, the sight of which made his flesh curl and his hair to bristle up. It was like seeing the world fall away from underneath his feet; like plunging down into a bottomless abyss into yawning caverns of despair. It might be true, then, after all, what others had told him about life, that the best powers of a man might not be equal to it! It might be true that, strive as he would, toil as he would, he might fail, and go down and be destroyed! The thought of this was like an icy hand at his heart; the thought that here, in this ghastly home of all horror, he and all those who were dear to him might lie and perish of starvation and cold, and there would be no ear to hear their cry, no hand to help them! It was true, it was true,—that here in this huge city, with its stores of heaped-up wealth, human creatures might be hunted down and destroyed by the wild-beast powers of nature, just as truly as ever they were in the days of the cave men! Ona

Over the years, McGuane had learned that it was best to strike before you interrogate. Most people, when presented with the threat of pain, will try to talk their way out of it. That goes double for men who are accustomed to using their mouths. They’ll search for angles, for half-truths, for credible lies. They are rational, the assumption goes, and thus their opponents must be the same. Words can be used to defuse. You need to strip them of that delusion. The pain and fear that accompany a sudden physical assault are devastating to the psyche. Your cognitive reasoning—your intelligentsia, if you will, your evolved man—fades away, caves in. You are left with the Neanderthal, the primitive true-you who knows only to escape pain. The

A kiss with Lenore is a scenario in which I skate with buttered soles over the moist rink of lower lip, sheltered from weathers by the wet warm overhang of upper, finally to crawl between lip and gum and pull the lip to me like a child’s blanket and stare over it with beady, unfriendly eyes out at the world external to Lenore, of which I no longer wish to be part. That I must in the final analysis remain part of the world that is external to and other from Lenore Beadsman is to me a source of profound grief. That others may dwell deep, deep within the ones they love, drink from the soft cup at the creamy lake at the center of the Object of Passion, while I am fated forever only to intuit the presence of deep recesses while I poke my nose, as it were, merely into the foyer of the Great House of Love, agitate briefly, and make a small mess on the doormat, pisses me off to no small degree. But that Lenore finds such tiny frenzies, such conversations just inside the Screen Door of Union, to be not only pleasant and briefly diverting but somehow apparently right, fulfilling, significant, in some sense wonderful, quite simply and not at all surprisingly makes me feel the same way, enlarges my sense of it and me, sends me hurrying up the walk to that Screen Door in my best sportjacket and flower in lapel as excited as any schoolboy, time after time, brings me charging to the cave entrance in leopardskin shirt, avec club, bellowing for admittance and promising general kickings of ass if I am impeded in any way.

I'd carry you," he added, "but I'd have to get you declawed first." "Don't count on it," I replied. Sage did an exaggerated stretch. "In the meantime, I think we should all get some sleep." He sprawled out across the dirt floor. "Good night." He shut his eyes and was perfectly still. There was no chance he was asleep already, but Ben spoke his mind anyway. He pulled me aside just the slightest bit and sneered down at Sage. "I don't like any of this, Clea." "Really? Because when he started talking about the Elixir of Life, I thought the two of you were ready to become blood brothers." "I believe in the Elixir," Ben said. "Enough that I want to believe Sage's story. I just don't now if we can. And we still can't explain the pictures. I don't trust him." "I don't care, Ben. Dad trusted him. And Sages plan is my best shot at finding him alive." "I guess. Just..." Ben took a moment to put together his next words. "Be careful around him, okay? I feel like..." I waited, but he wasn't going to finish. "Feel like what?" "Nothing. I'm here for you. You know that, right?" I could see him struggling. It was like he was trying to tell me something monumental, but the words that came out weren't doing it justice. He sprawled out on the cave floor as far away from Sage as he could, and patted his chest. "Need a pillow? It's not really in my job description, but I'm happy to offer." He pinched a corner of his shirt between two fingers. "Cotton twill. Very soft." I forced a laugh. "I'm okay. Thanks." I curled up on the cave floor in between the two guys. Despite everything, I could already feel myself drifting away. "Clea?" It was Ben's voice, now right next to my ear, but I was to tired to turn and respond. I think I managed a "Hmm?" but that might have been in my head. "Good night," he said, then I heard him lie back down.

Now, I’d like to suggest we all get to leveling. The best idea is probably to go back to the boring ass golems. They were ridiculous experience once they fell. I’m not far from nineteen, which I know you guys must—wait, Ver you’re already nineteen. You suck. Everyone else, we need to level.” She turned on her heel and began to head back to their camp, Havoc glowering in her wake. “It’s amazing how there aren’t even bears in this wood. Wouldn’t you think there’d be bears?” A sudden roar tore through the trees causing snow to dislodge from the branches and tumble to the ground with a heavy thud like a fallen corpse. Sinister turned back to the group. “Is it too late to take that back?” You have encountered Disestru, the giant bear. He doesn’t like to be roused from his sleep. Watch out, his claws and teeth don’t need to touch you to kill you. Probably shouldn’t have been making so much noise before checking for caves in the area.

Griff entered the cave, sword in hand. He had no desire to frighten Astelle, but he had to be prepared for anything. She jumped up from her fireside position with a small stifled scream at his entry, then continued to back fearfully towards the shadowed wall. She was quite alone. Griff could sense no other presence – only hers, and the wonder of it. He sheathed his sword, and gazed upon his long-lost love. Her hair had lost all trace of colour while still retaining the texture of youth, giving the appearance of white silk. There was a pulsating light of a blue-lilac shade which clung to the crown of her head, reflecting in the hair – a soul – a lost spirit – someone who had loved her. She was almost as pale as death, for Torking took far too much blood from her, too frequently. She was also much thinner than she should have been, but for all of this, she was still the most beautiful sight of his life. Her body was ravaged with Torking's bites and claw-marks. She was still wearing his old cloak which Griff instantly recognised, though it was little more than a rag, wrapped around her body and tied on one shoulder. Her beautiful dark eyes, those which had so haunted his dreams, seemed over-large in her pale face, as she stared at him with a mingling of shock, disbelief and joy. Griff took a few hesitant steps towards her, unsure of his reception. ‘Astelle?’ His voice grated with emotion. How often had she yearned to hear him speak her name exactly in that way? ‘Astelle – is it really you?’ He was just as divinely handsome as she remembered, and he looked so fine – he looked magnificent in Gremlen battledress. In the flickering torchlight, the blue krulmesh armour glittered over the black leather tunic. The emerald sheen in his raven hair was vivid as ever. Best of all, his dark forest-green eyes were shining with love, and she suddenly understood that Griff was a hundred times more beautiful than Torking, for his eyes held everything that was good, fine and noble. Astelle's heart almost stopped beating as she gazed at him. Her eyes filled with tears, and her lip trembled as she tried to whisper his name.

Mermaids - those half-human, half-fish sirens of the sea — are legendary sea creatures chronicled in maritime cultures since time immemorial. The ancient Greek epic poet Homer wrote of them in The Odyssey. In the ancient Far East, mermaids were the wives of powerful sea-dragons, and served as trusted messengers between their spouses and the emperors on land. The aboriginal people of Australia call mermaids yawkyawks – a name that may refer to their mesmerizing songs. The belief in mermaids may have arisen at the very dawn of our species. Magical female figures first appear in cave paintings in the late Paleolithic (Stone Age) period some 30,000 years ago, when modern humans gained dominion over the land and, presumably, began to sail the seas. Half-human creatures, called chimeras, also abound in mythology — in addition to mermaids, there were wise centaurs, wild satyrs, and frightful minotaurs, to name but a few. But are mermaids real? No evidence of aquatic humanoids has ever been found. Why, then, do they occupy the collective unconscious of nearly all seafaring peoples? That’s a question best left to historians, philosophers, and anthropologists.

Every once in a while during the preparation of these lectures, I find myself asking — and others asking me — what's the relevance of all this musico-linguistics? Can it lead us to an answer of Charles Ives' Unanswered Question — whither music? — and even if it eventually can, does it matter? The world totters, governments crumble, and we are poring over musical phonology, and now syntax. Isn't it a flagrant case of elitism? Well, in a way it is; certainly not elitism of class — economic, social, or ethnic — but of curiosity, that special, inquiring quality of the intelligence. And it was ever thus. But these days, the search for meaning-through-beauty and vice versa becomes even more important as each day mediocrity and art-mongering increasingly uglify our lives; and the day when this search for John Keats' truth-beauty ideal becomes irrelevant, then we can all shut up and go back to our caves. Meanwhile, to use that unfortunate word again, it is thoroughly relevant; and I as a musician feel that there has to be a way of speaking about music with intelligent but nonprofessional music lovers who don't know a stretto from a diminished fifth; and the best way I have found so far is by setting up a working analogy with language, since language is something everyone shares and uses and knows about.

Nonfiction at its best is like fashioning a cabinet. It can be elegant and very beautiful but it can never be sculpture. Captive to facts—or predetermined forms—it cannot fly. Excepting those masters who transcend their craft—great medieval and Renaissance artisans, for example, or nameless artisans of traditional cultures as far back as the caves who were also spontaneous unselfconscious artists. As in fiction, the nonfiction writer is telling a story, and when that story is well-made, the placement of details and events is never random. The parts are not strung out in a line but come around full circle, like a necklace, to set off the others. They resonate, rekindle one another, stirring the reader with a cumulative effect. A good essay or article can and should have all the attributes of a good short story, including structure and design, pacing and effective placement of its parts—almost all the attributes of fiction except the creative imagination, which can never be permitted to enliven fact. The writer of nonfiction is stuck with objective reality, or should be; how his facts are arranged and presented is where his craft appears, and it can be dazzling when the writer is a good one. The best nonfiction has many, many virtues, among which simple truthfulness is perhaps foremost, yet its fidelity to the known facts is its fatal constraint.

Those reporters, writers, photographers, and editors are the best Americans I know. They cherish the ideals of their imperfect profession and of the Republic whose freedoms, equally imperfect in practice have so often made those ideals real. They want desperately to do good, honorable work. In spite of long hours and low pay, they are insistently professional. They are also brave. I can't ever forget that in Indochina 65 journalists were killed in the course of recording the truth about that war. . . .Reporters and photographers did not stop dying when Vietnam was over. They have been killed in Lebanon and Nicaragua, in Bosnia and Peru, and in a lot of other places where hard rain falls. I can't believe that these good men and women died for nothing. I know they didn't. They died because they were the people chosen by the tribe to carry the torch to the back of the cave and tell the others what is there in the darkness. They died because they were serious about the craft they practiced. They died because they believed in the fundamental social need for what they did with a pen, a notebook, a typewriter, or a camera. They didn't die to increase profits for the stockholders. They didn't die to obtain an invitation to some White House dinner for a social-climbing publisher. They died for us. As readers or journalists, we honor them when we remember that their dying was not part of a plan to make the world cheaper, baser, or dumber. They died to bring us the truth.

The Enchanted Broccoli Forest. Oh, what a pleasure that was! Mollie Katzen's handwritten and illustrated recipes that recalled some glorious time in upstate New York when a girl with an appetite could work at a funky vegetarian restaurant and jot down some tasty favorites between shifts. That one had the Pumpkin Tureen soup that Margo had made so many times when she first got the book. She loved the cheesy onion soup served from a pumpkin with a hot dash of horseradish and rye croutons. And the Cardamom Coffee Cake, full of butter, real vanilla, and rich brown sugar, said to be a favorite at the restaurant, where Margo loved to imagine the patrons picking up extras to take back to their green, grassy, shady farmhouses dotted along winding country roads. Linda's Kitchen by Linda McCartney, Paul's first wife, the vegetarian cookbook that had initially spurred her yearlong attempt at vegetarianism (with cheese and eggs, thank you very much) right after college. Margo used to have to drag Calvin into such phases and had finally lured him in by saying that surely anything Paul would eat was good enough for them. Because of Linda's Kitchen, Margo had dived into the world of textured vegetable protein instead of meat, and tons of soups, including a very good watercress, which she never would have tried without Linda's inspiration. It had also inspired her to get a gorgeous, long marble-topped island for prep work. Sometimes she only cooked for the aesthetic pleasure of the gleaming marble topped with rustic pottery containing bright fresh veggies, chopped to perfection. Then Bistro Cooking by Patricia Wells caught her eye, and she took it down. Some pages were stuck together from previous cooking nights, but the one she turned to, the most splattered of all, was the one for Onion Soup au Gratin, the recipe that had taught her the importance of cheese quality. No mozzarella or broken string cheeses with- maybe- a little lacy Swiss thrown on. And definitely none of the "fat-free" cheese that she'd tried in order to give Calvin a rich dish without the cholesterol. No, for this to be great, you needed a good, aged, nutty Gruyère from what you couldn't help but imagine as the green grassy Alps of Switzerland, where the cows grazed lazily under a cheerful children's-book blue sky with puffy white clouds. Good Gruyère was blocked into rind-covered rounds and aged in caves before being shipped fresh to the USA with a whisper of fairy-tale clouds still lingering over it. There was a cheese shop downtown that sold the best she'd ever had. She'd tried it one afternoon when she was avoiding returning home. A spunky girl in a visor and an apron had perked up as she walked by the counter, saying, "Cheese can change your life!" The charm of her youthful innocence would have been enough to be cheered by, but the sample she handed out really did it. The taste was beyond delicious. It was good alone, but it cried out for ham or turkey or a rich beefy broth with deep caramelized onions for soup.

Must we always kill the people?’ ‘Oh, certainly. It’s best. Some authorities think different, but mostly it’s considered best to kill them — except some that you bring to the cave here, and keep them till they’re ransomed.’ ‘Ransomed? What’s that?’ ‘I don’t know. But that’s what they do. I’ve seen it in books; and so of course that’s what we’ve got to do.’ ‘But how can we do it if we don’t know what it is?’ ‘Why, blame it all, we’ve GOT to do it. Don’t I tell you it’s in the books? Do you want to go to doing different from what’s in the books, and get things all muddled up?’ ‘Oh, that’s all very fine to SAY, Tom Sawyer, but how in the nation are these fellows going to be ran- somed if we don’t know how to do it to them? — that’s the thing I want to get at. Now, what do you reckon it is?’ ‘Well, I don’t know. But per’aps if we keep them till they’re ransomed, it means that we keep them till they’re dead. ‘ ‘Now, that’s something LIKE. That’ll answer. Why couldn’t you said that before? We’ll keep them till they’re ransomed to death; and a bothersome lot they’ll be, too — eating up everything, and always trying to get loose.’ ‘How you talk, Ben Rogers. How can they get loose when there’s a guard over them, ready to shoot them down if they move a peg?’ ‘A guard! Well, that IS good. So somebody’s got to set up all night and never get any sleep, just so as to watch them. I think that’s foolishness. Why can’t a body take a club and ransom them as soon as they get here?’ ‘Because it ain’t in the books so — that’s why. Now, Ben Rogers, do you want to do things regular, or don’t you? — that’s the idea. Don’t you reckon that the people that made the books knows what’s the correct thing to do? Do you reckon YOU can learn ‘em anything? Not by a good deal. No, sir, we’ll just go on and ransom them in the regular way.

You will promote harmony in your words and actions. You will not compete with other leaders or compare to them. You will work together with others to make meaningful changes. You will not measure success in numbers: dollars, followers, ranks, sales, reviews, Facebook likes. Rather, you will measure by people helped, connections made, and moments savoured. You will help people accept themselves by being real with them. You will not show up on the pulpit for attention or approval. You will show up because you have something important to say. You will build tribes instead of cults. You will see your followers as equals. You will learn with them, and they will trust you. And there is nothing like the trust of people who resonate with your most authentic, vulnerable self to push you, every day, to do your best. It will hold you to a higher standard of behaviour. As a self-aware leader, you can be honest. This is the missing element in so many ineffective and addictive doctrines. You can tell people the things that are true but hard to hear. Not everyone will be brave enough to sidestep idealism, but those who do will appreciate your honesty. If you do not describe the darkness and the light, the voyager who has followed in your footsteps will believe he is lost. He will blame himself or blame you for teaching him lies. By being honest about what the journey looks like—failures, warts, and all—your teachings will become sources of consolation rather than frustration. As that voyager travels down the crooked, lonely paths within him, he may find a dark, terrifying cave, but if you mentioned it, he will feel elated. Yes, he will think, it looks horrifying, but at least I’m on track if I’ve found this awful thing. Your honesty may be bitter medicine, but when it digests, it’ll provide such potent healing that its taste will become a distant memory.

There was a bell clanging in the tower of the building next to the black-shrike-thorn-cave. She found the noise irritating, so she twisted her neck and loosed a jet of blue and yellow flame at it. The tower did not catch fire, as it was stone, but the rope and beams supporting the bell ignited, and a few seconds later, the bell fell crashing into the interior of the tower. That pleased her, as did the two-legs-round-ears who ran screaming from the area. She was a dragon, after all. It was only right that they should fear her. One of the two-legs paused by the edge of the square in front of the black-shrike-thorn-cave, and she heard him shout a spell at her, his voice like the squeaking of a frightened mouse. Whatever the spell was, Eragon’s wards shielded her from it--at least she assumed they did, for she noticed no difference in how she felt or in the appearance of the world around her. The wolf-elf-in-Eragon’s-shape killed the magician for her. She could feel how Blödhgarm grasped hold of the spellcaster’s mind and wrestled the two-legs-round-ears’ thoughts into submission, whereupon Blödhgarm uttered a single word in the ancient-elf-magic-language, and the two-legs-round-ears fell to the ground, blood seeping from his open mouth. Then the wolf-elf tapped her on the shoulder and said, “Ready yourself, Brightscales. Here they come.” She saw Thorn rising above the edge of the rooftops, Eragon-half-brother-Murtagh a small, dark figure on his back. In the light of the morning sun, Thorn shone and sparkled almost as brilliantly as she herself did. Her scales were cleaner than his, though, as she had taken special care when grooming earlier. She could not imagine going into battle looking anything but her best. Her enemies should not only fear her, but admire her. She knew it was vanity on her part, but she did not care. No other race could match the grandeur of the dragons. Also, she was the last female of her kind, and she wanted those who saw her to marvel at her appearance and to remember her well, so if dragons were to vanish forevermore, two-legs would continue to speak of them with the proper respect, awe, and wonder.

When a middle school teacher in San Antonio, Texas, named Rick Riordan began thinking about the troublesome kids in his class, he was struck by a topsy-turvy idea. Maybe the wild ones weren’t hyperactive; maybe they were misplaced heroes. After all, in another era the same behavior that is now throttled with Ritalin and disciplinary rap sheets would have been the mark of greatness, the early blooming of a true champion. Riordan played with the idea, imagining the what-ifs. What if strong, assertive children were redirected rather than discouraged? What if there were a place for them, an outdoor training camp that felt like a playground, where they could cut loose with all those natural instincts to run, wrestle, climb, swim, and explore? You’d call it Camp Half-Blood, Riordan decided, because that’s what we really are—half animal and half higher-being, halfway between each and unsure how to keep them in balance. Riordan began writing, creating a troubled kid from a broken home named Percy Jackson who arrives at a camp in the woods and is transformed when the Olympian he has inside is revealed, honed, and guided. Riordan’s fantasy of a hero school actually does exist—in bits and pieces, scattered across the globe. The skills have been fragmented, but with a little hunting, you can find them all. In a public park in Brooklyn, a former ballerina darts into the bushes and returns with a shopping bag full of the same superfoods the ancient Greeks once relied on. In Brazil, a onetime beach huckster is reviving the lost art of natural movement. And in a lonely Arizona dust bowl called Oracle, a quiet genius disappeared into the desert after teaching a few great athletes—and, oddly, Johnny Cash and the Red Hot Chili Peppers—the ancient secret of using body fat as fuel. But the best learning lab of all was a cave on a mountain behind enemy lines—where, during World War II, a band of Greek shepherds and young British amateurs plotted to take on 100,000 German soldiers. They weren’t naturally strong, or professionally trained, or known for their courage. They were wanted men, marked for immediate execution. But on a starvation diet, they thrived. Hunted and hounded, they got stronger. They became such natural born heroes, they decided to follow the lead of the greatest hero of all, Odysseus, and

Then I remembered something else from the 2112 liner notes. I pulled them up and scanned over them again. There was my answer, in the text that preceded Part III—“Discovery”: Behind my beloved waterfall, in the little room that was hidden beneath the cave, I found it. I brushed away the dust of the years, and picked it up, holding it reverently in my hands. I had no idea what it might be, but it was beautiful. I learned to lay my fingers across the wires, and to turn the keys to make them sound differently. As I struck the wires with my other hand, I produced my first harmonious sounds, and soon my own music! I found the waterfall near the southern edge of the city, just inside the curved wall of the atmospheric dome. As soon as I found it, I activated my jet boots and flew over the foaming river below the falls, then passed through the waterfall itself. My haptic suit did its best to simulate the sensation of torrents of falling water striking my body, but it felt more like someone pounding on my head, shoulders, and back with a bundle of sticks. Once I’d passed through the falls to the other side, I found the opening of a cave and went inside. The cave narrowed into a long tunnel, which terminated in a small, cavernous room. I searched the room and discovered that one of the stalagmites protruding from the floor was slightly worn around the tip. I grabbed the stalagmite and pulled it toward me, but it didn’t budge. I tried pushing, and it gave, bending as if on some hidden hinge, like a lever. I heard a rumble of grinding stone behind me, and I turned to see a trapdoor opening in the floor. A hole had also opened in the roof of the cave, casting a brilliant shaft of light down through the open trapdoor, into a tiny hidden chamber below. I took an item out of my inventory, a wand that could detect hidden traps, magical or otherwise. I used it to make sure the area was clear, then jumped down through the trapdoor and landed on the dusty floor of the hidden chamber. It was a tiny cube-shaped room with a large rough-hewn stone standing against the north wall. Embedded in the stone, neck first, was an electric guitar. I recognized its design from the 2112 concert footage I’d watched during the trip here. It was a 1974 Gibson Les Paul, the exact guitar used by Alex Lifeson during the 2112 tour.

I still don’t see why we couldn’t sleep in that cave,” Mari said as MacRieve led her out into the night. “Because my cave’s better than their cave.” “You know, that really figures.” After the rain, the din of cicadas and frogs resounded in the underbrush all around them, forcing her to raise her voice. “Is it far?” When he shook his head, she said, “Then why do I have to hold your hand through the jungle? This path looks like a tractor busted through here.” “I went back this way while you ate to make sure everything was clear. Brought your things here, too,” he said as he steered her toward a lit cave entrance. When they crossed the threshold, wings flapped in the shadows, building to a furor before settling. Inside, a fire burned. Beside it, she saw he’d unpacked some of his things, and had made up one pallet. “Well, no one can call you a pessimist, MacRieve.” She yanked her hand from his. “Deluded fits, though.” He merely leaned back against the wall, seeming content to watch her as she explored on her own. She’d read about this part of Guatemala and knew that here limestone caverns spread out underground like a vast web. Above them a cathedral ceiling soared, with stalactites jutting down. “What’s so special about this cave?” “Mine has bats.” She breathed, “If I stick with you, I’ll have nothing but the best.” “Bats mean fewer mosquitoes. And then there’s also the bathtub for you to enjoy.” He waved her attention to an area deeper within. A subterranean stream with a sandy beach meandered through the cavern. Her eyes widened. A small pool sat off to the side, not much larger than an oversize Jacuzzi, and laid out along its edge were her toiletries, her washcloth, and her towel. Her bag—filled with all of her clean clothes—was off just to the side. Mari cried out at the sight, doubling over to yank at her bootlaces. Freed of her boots, she hopped forward on one foot then the other as she snatched off her socks. She didn’t pause until she was about to start on the button fly of her shorts. She glanced up to find him watching her with a gleam of expectation in his eyes. “You will be leaving, of course.” “Or I could help you.” “I’ve had a bit of practice bathing myself and think I can stumble my way through this.” “But you’re tired. Why no’ let me help? Now that I’ve two hands again, I’m eager to use them.” “You give me privacy or I go without.” “Verra well.” He shrugged. “I’ll leave—because your going without is no’ an option. Call me if you need me.

If a man is to be saved it will be through faith, or not at all. But because he is spiritually lifeless (Eph. 2:1-2), he must first be made alive by the power of God's grace before he is able to repent and believe. Perhaps the best way to drive home this point is with an illustration. It comes from the pen of that great British evangelist of the eighteenth century, George Whitefield: "Come, ye dead, Christless, unconverted sinners, come and see the place where they laid the body of the deceased Lazarus; behold him laid out, bound hand and foot with grave-cloaths, locked up and stinking in a dark cave, with a great stone placed on the top of it. View him again and again; go nearer to him; be not afraid; smell him. Ah! How he stinketh. Stop there now, pause a while; and whilst thou art gazing upon the corpse of Lazarus, give me leave to tell thee with great plainness, but greater love, that this dead, bound entombed, stinking carcase, is butd a faith representation of thy poor soul in its natural state: for, whether thou believest or n ot, thy spirit which thou bearest about with thee, sepulchred in flesh and blood, is as literally dead to God, and as truly dead in trespasses and sins, as the body of Lazarus was in the cave. Was he bound hand and foot with grave-cloaths? So art thou bound hand and foot with thy corruptions: and as a stone was laid on the sepulchre, so is there a stone of unbelief upon thy stupid heart. Perhaps thou hast lain in this state, not only four days, but many years, stinking in God's nostrils. And, what is still more effecting thou art as unable to raise thyself out of this loathsome, dead state, to a life of righteousness and true holiness, as ever Lazarus was to raise himself from the cave in which he lay so long. Thou mayest try the power of thy own boasted free-will, and the force and energy of moral persuasion and rational arguments (which, without all doubt, have their proper place in religion); but all thy efforts, exerted with never so much vigour, will prove quite fruitless and abortive, till that same Jesus, who said 'Take away the stone'; and cried, 'Lazarus, come forth' also quicken you

It’s getting-up time,” Alessandro declares. “Today is the day.” “What day?” “The release date.” “What are we talking about?” “Daa-add. The new XBOX game. Hunting Old Sammie.” Armand opens his eyes. He looks at his son looking at him. The boy’s eyes are only inches away. “You’re kidding.” “It’s the newest best game. You hunt down terrorists and kill them.” Lifting his voice, “‘Deploy teams of Black Berets into the ancient mountains of Tora Bora. Track implacable terrorists to their cavernous lairs. Rain withering fire down on the homicidal masterminds who planned the horror of September eleven, two-thousand-and-one.’” The kid’s memory is canny. Armand lifts Alex off his chest and sits up. “Who invented it?” “I’m telling you, dad. It’s an XBOX game.” “We can get it today?” “No,” Leah says. “Absolutely not. The last thing he needs is another violent video game.” “Mahhuum!” “How bad can it be?” says Armand. “How would you know? A minute ago you hadn’t heard of it.” “And you had?” “I saw a promo. Helicopter gunships with giant machine guns. Soldiers with flamethrowers, turning bearded men into candles.” “Sounds great.” “Armand, really. How old are you?” “I don’t see what my age has to do with it.” “Dad, it’s totally cool. ‘Uncover mountain strongholds with thermal imaging technology. Call in air-strikes by F-16s. Destroy terrorist cells with laser weaponry. Wage pitched battles against mujahideen. Capture bin Laden alive or kill him on the spot. March down Fifth Avenue with jihadists’ heads on pikes. Make the world safe for democracy.’” Safe for Dick Cheney’s profits, Armand thinks, knowing all about it from his former life, but says nothing. It’s pretty much impossible to explain the complexity of how things work within the greater systemic dysfunction. Instead, he asks the one question that matters. “How much does it cost?” Alessandro’s mouth minces sideways. He holds up fingers, then realizes he needs more than two hands. Armand can see the kid doesn’t want to say. “C’mon. ’Fess up.” Alex sighs. “A one with two zeros.” “One hundred dollars.” Alex’s eyes slide away. Rapid nods, face averted. “Yeah.” “For a video game, Alex.” “Yhep.” “No way.” “Daa-add! It’s the greatest game ever!” The boy is beginning to whine. “Don’t whine,” Armand tells him. “On TV it’s awesome. The army guys are flaming a cave and when the terror guys try to escape, they shoot them.” “Neat.” “Their turbans are on fire.” “Even better.” “Armand,” Leah says. “Dad,” says Alessandro. He will not admit it but Armand is hooked. It would be deeply satisfying in the second-most intimate way imaginable to kill al Qaida terrorists holed up along the Afghanistan-Pakistan border—something the actual U.S. military cannot or will not completely do. But a hundred bucks. It isn’t really the money, although living on interest income Armand has become more frugal. He can boost the C-note but what message would it send? Hunting virtual terrorists in cyberspace is all well and good. But plunking down $100 for a toy seems irresponsible and possibly wrong in a country where tens of thousands are homeless and millions have no health insurance and children continue, incredibly, to go hungry. Fifty million Americans live in poverty and he’s looking to play games.

April 16 Can You Come Down? While ye have light, believe in the light. John 12:36 We all have moments when we feel better than our best, and we say—“I feel fit for anything; if only I could be like this always!” We are not meant to be. Those moments are moments of insight which we have to live up to when we do not feel like it. Many of us are no good for this workaday world when there is no high hour. We must bring our commonplace life up to the standard revealed in the high hour. Never allow a feeling which was stirred in you in the high hour to evaporate. Don’t put your mental feet on the mantelpiece and say—“What a marvellous state of mind to be in!” Act immediately, do something, if only because you would rather not do it. If in a prayer meeting God has shown you something to do, don’t say—“I’ll do it”; do it! Take yourself by the scruff of the neck and shake off your incarnate laziness. Laziness is always seen in cravings for the high hour; we talk about working up to a time on the mount. We have to learn to live in the grey day according to what we saw on the mount. Don’t cave in because you have been baffled once, get at it again. Burn your bridges behind you, and stand committed to God by your own act. Never revise your decisions, but see that you make your decisions in the light of the high hour.

I can read your thoughts. The amusement was soft and caressing, wrapping her up in strong arms. I was perfectly sane and sensible until I met you. Now look at me. I’m crawling around inside a mountain. Suddenly she stopped and held herself perfectly still. I’m hearing something. Tell me you are not taking me into a cave full of bats. Say it right now, Jacques, or I’m out of here. I am not taking you into cave filled with bats. Shea relaxed visibly. She was not squeamish about very many things, but bats were creatures that were on the earth to remain a safe distance away from her. Miles away. Bats were one of those things she could stare up at in the night sky and think how interesting and wonderful they were, as long as they stayed high above her and nowhere close. Her nose wrinkled. The sounds she was trying to ignore were getting louder. Her heart began to pound in alarm. The walls of the passageway were so narrow, she had no way to move fast. All at once she felt trapped, as if she was suffocating. I’m going back, Jacques. I’m not a cave person. She did her best to sound firm and matter-of-fact, not at all as if she were seconds from screaming her head off. She turned her head cautiously to keep from scraping her face on the jutting surfaces. His fingers circled her wrist like a vise. There must be no disturbance. If any creatures exit the cave or warn others of our existence here, we could be found. A piece of paper couldn’t fit in here, certainly not a person. No one is going to look for us here. A vampire would know the moment bats flew from the cave. Bats can’t fly out of here if there aren’t any in here, now, can they? She was sweetly reasonable.

When it comes to investing, it’s critical not to “force it.” Markets will cycle. There will be times when you too feel “out of step” with the market, just as Buffett did in the late 1960s. You’ll find that during the late bull market mania of the Go-Go years, his standards remained firmly set, while the pressure to perform caused the standards of many of even the best around him to crumble. It’s hard not to cave your principles in at the top of the cycle when your value approach has apparently stopped working and everyone around you seems to be making money easily (that’s why so many people do it). However, it’s more often than not a “buy high, sell low” strategy. Buffett set his plan, established his standards, and then entered the fray, maintaining the courage of his convictions, come what may.

One great film The 33, based on a book The 33 or Deep Down Dark by Hector Tobar. A story about miners, which are locked in a cave and survive 69 days with not a lot of food. The book can't show a lot of images, but if you want to feel everything the film is the best choice, a lot of different emotions, one moment you see anger, other rage and many others... but survive, still remaining brothers up to today!

My life is ruined! My parents came home last night talking about how the teacher showed them the great essay I wrote. “I never knew you liked camp so much, son,” Dad said. “Yes, Honey. We were going to give you the summer to do whatever you wanted,” my Mom said. “Now that we know you love camp so much, we signed you up to go to camp this summer. There was a camp representative at the Parent-Teacher conference last night, so we signed you up right away.” “We even put down a non-refundable deposit for it too, son,” Dad said. “So, congratulations, you’re going to camp!” OMZ! My life is totally ruined! Now I’m going to spend my summer in the Swamp Biome at camp. Oh man, this is terrible! What am I going to do?!! I decided to ask Steve some advice on how to get out of my terrible situation. I found Steve in a cave crafting some fireworks. All of a sudden, “BOOOOMMM!” All that was left of him were his tools and his weapons. A few minutes later, Steve walked into the cave behind me. I totally understand how he does that trick now. “Hey, Steve!” “Wassup, Zombie?” Steve said. “I have a question for you.” “Shoot!” Steve said. So, I picked up his bow and arrow and I shot him. “Ow! What’d you do that for?” “You told me to shoot,” I said. “Forget about it. What’s your question?” “My Mom and Dad are making me go to camp this summer,” I said. “But I don’t want to go. I’ve got to find a way out of it, and I need your help.” “Why are they sending you to camp?” Steve asked. “Well, I kind of told them I wanted to go.” “And now, you don’t want to go?” Steve asked. “No, I never wanted to go,” I said. Steve just looked at me… Confused. “Well, I thought if I wrote an essay about how much I wanted to go to camp, my Mom and Dad wouldn’t send me to camp,” I said. After I said it out loud, I realized how dumb that idea was. “It sure made sense at the time,” I said. “So, you want to get out of camp, but your parents think you really want to go?” Steve asked. “Yeah.” “Well, you could always get in trouble and they’ll punish you by taking away your summer camp,” Steve said. Man, Steve is so smart. That was the best idea I have ever heard. So, I’ve got to get in trouble so that my parents will punish me by taking camp away. I can do that. I just have to find a class that I can fail this semester, and they’ll punish me for sure if that happens. See, this is why I always go to Steve when I need some good advice.

Lady Meliara?” There was a tap outside the door, and Oria’s mother, Julen, lifted the tapestry. Oria and I both stared in surprise at the three long sticks she carried so carefully. “More Fire Sticks?” I asked. “In midwinter?” “Just found them outside the gate.” Julen laid them down, looked from one of us to the other, and went out. Oria grinned at me. “Maybe they’re a present. You did save the Covenant last year, and the Hill Folk know it.” “I didn’t do it,” I muttered. “All I did was make mistakes.” Oria crossed her arms. “Not mistakes. Misunderstandings. Those, at least, can be fixed. Which is all the more reason to go to Court--” “And what?” I asked sharply. “Get myself into trouble again?” Oria stood silently, and suddenly I was aware of the social gulf between us, and I knew she was as well. It happened like that sometimes. We’d be working side by side, cleaning or scraping or carrying, and then a liveried equerry would dash up the road with a letter, and suddenly I was the countess and she the servant who waited respectfully for me to read my letter and discuss it or not as I saw fit. “I’m sorry,” I said immediately, stuffing the Marquise’s letter into the pocket of my faded, worn old gown. “You know how I feel about Court, even if Bran has changed his mind.” “I promise not to jaw on about it again, but let me say it this once. You need to make your peace,” Oria said quietly. “You left your brother and the Marquis without so much as a by-your-leave, and I think it’s gnawing at you. Because you keep watching that road.” I felt my temper flare, but I didn’t say anything because I knew she was right. Or half right. And I wasn’t angry with her. I tried my best to dismiss my anger and force myself to smile. “Perhaps you may be right, and I’ll write to Bran by and by. But here, listen to this!” And I picked up the book I’d been reading before the letter came. “This is one of the ones I got just before the snows closed the roads: ‘And in several places throughout the world there are caves with ancient paintings and Iyon Daiyin glyphs.’” I looked up from the book. “Doesn’t that make you want to jump on the back of the nearest horse and ride and ride until you find these places?” Oria shuddered. “Not me. I like it fine right here at home.” “Use your imagination!” I read on. “‘Some of the caves depict constellations never seen in our skies--’” I stopped when we heard the pealing of bells. Not the melodic pattern of the time changes, but the clang of warning bells at the guardhouse just down the road. “Someone’s coming!” I exclaimed. Oria nodded, brows arched above her fine, dark eyes. “And the Hill Folk saw them.” She pointed at the Fire Sticks. “‘Them?’” I repeated, then glanced at the Fire Sticks and nodded. “Means a crowd, true enough.” Julen reappeared then, and tapped at the door. “Countess, I believe we have company on the road.” She looked in, and I said, “I hadn’t expected anyone.” Then my heart thumped, and I added, “It could be the fine weather has melted the snows down-mountain--d’you think it might be Branaric at last? I don’t see how it could be anyone else!” “Branaric needs three Fire Sticks?” Oria asked. “Maybe he’s brought lots of servants?” I suggested doubtfully. “Perhaps his half year at Court has given him elaborate tastes, ones that only a lot of servants can see to. Or he’s hired artisans from the capital to help forward our work on the castle. I hope it’s artisans,” I added. “Either way, we’ll be wanted to find space for these newcomers,” Julen said to her daughter. She picked up the Fire Sticks again and looked over her shoulder at me. “You ought to put on one of those gowns of your mother’s that we remade, my lady.” “For my brother?” I laughed, pulling my blanket closer about me as we slipped out of my room. “I don’t need to impress him, even if he has gotten used to Court ways!

Scientist Welsh is holding some soil in his hand, pours it into a container. The ＥＸＥＣＵＴＩＶＥＳ burst in. ＴＯＤＤ Dr. Welsh, these cave-ins are getting worse. ＪＡＮＥ Can't we put something in the holes, to fill it in? ＤＲ．  ＷＡＬＳＨ Yes, yes. The best thing I can devise is this foam. It hardens, and can support as much weight as dirt. ＴＯＤＤ Oh. Great. They seem relieved. Then… ＲＯＮ Why don't we just build our new planet out of that foam? ＤＲ．  ＷＡＬＳＨ Well it's poisonous. No reaction. ＲＯＮ Also it costs more than dirt. ＡＬＬ Ahhhh. BEAT. ＲＯＮ What's the main ingredient? ＤＲ．  ＷＡＬＳＨ Poison foam.

We had been looking at some land adjoining the zoo and decided to purchase it in order to expand. There was a small house on the new property, nothing too grand, just a modest home built of brick, with three bedrooms and one bathroom. We liked the seclusion of the place most of all. The builder had tucked it in behind a macadamia orchard, but it was still right next door to the zoo. We could be part of the zoo yet apart from it at the same time. Perfect. “Make this house exactly the way you want it,” Steve told me. “This is going to be our home.” He dedicated himself to getting us moved in. I knew this would be our last stop. We wouldn’t be moving again. We laid new carpet and linoleum and installed reverse-cycle air-conditioning and heat. Ah, the luxury of having a climate-controlled house. I installed stained-glass windows in the bathroom with wildlife-themed panes, featuring a jabiru, a crocodile, and a big goanna. We also used wildlife tiles throughout, of dingoes, whales, and kangaroos. We made the house our own. We worked on the exterior grounds as well. Steve transplanted palm trees from his parents’ place on the Queensland coast and erected fences for privacy. He designed a circular driveway. As he laid the concrete, he put his own footprints and handprints in the wet cement. Then he ran into the house to fetch Bindi and me. “Come on,” he said. “Let’s all do it.” We grabbed Sui, too, and put her paw prints in, and then did Bindi, who was just eight months old. It took a couple of tries, but we got her handprints and her footprints as well, and then my own. We stood back and admired the time capsule we had created. That afternoon the rains came. The Sunshine Coast is usually bright and dry, but when it rains, the heavens open. We worried about all the concrete we had worked on getting pitted and ruined. “Get something,” Steve shouted, scrambling to gather up his tools. I ran into the house. I couldn’t find a plastic drop cloth quickly enough, so I grabbed one of my best sheets off the bed. As I watched the linen turn muddy and gray in the rain, I consoled myself. In the future I won’t care that I ruined the sheet, I thought. I’ll just be thankful that I preserved our footprints and handprints. “It’s our cave,” Steve said of our new home. We never entertained. The zoo was our social place. Living so close by, we could have easily gotten overwhelmed, so we made it a practice never to have people over. It wasn’t unfriendliness, it was simple self-preservation. Our brick residence was for our family: Steve and me, Bindi, Sui, and Shasta.

Talon rocked her against his chest, cradling her as one would a feverish child. “Shhh, shhh,” he soothed in Algonquian. “He is not dead.” She opened her eyes, and he knew from her glazed expression that she wasn’t seeing his face, but the haunting shadows of the spirit world. “Nuwi,” he coaxed. “Come back to me.” He dared not handle her roughly. Did not the shamans speak of dreaming souls that broke free from sleepers to drift away into the spirit world and never return? “Nuwi, Becca.” She whimpered and slipped her arms around his neck. He felt the shudders rack her body as she clung to him. “He’s not dead,” she whispered hoarsely. “No,” he repeated in English. “He is not dead.” She took a deep breath and her eyes closed. Her trembling lessened and color flowed into her cheeks. This time when her lashes parted, she saw him. She stiffened and gave a fearful cry, striking at him with her hands and trying to break free. “Ku,” he said. “No—do not be afraid. I will not harm you.” He released her and she tore loose from his arms and scrambled away until she reached the walls of the cave. “Do not be afraid,” he said impatiently. “You . . . you . . .” She gasped, clutching her arms against her body. “You cried out,” he explained, feeling foolish. “You had a dream.” “Yes.” Her voice was dry and rasping, her eyes wide with alarm. “You were very loud,” he chided. “I thought your screeching would bring the Huron.” “You . . . you touched me,” she said accusingly. “I touched you—as I would a terrified child or a startled horse.” “A horse?” He noticed spots of high color in her fair-skinned, oval face, a startling contrast to her vivid blue eyes and dark arching brows. Her fear was quickly turning to indignation. He gazed intensely at her delicate English features. Her nose was thin, sprinkled with freckles and slightly tilted at the tip. Without realizing that he was doing so, he smiled. Such a foolish nose for a woman—he didn’t think he had ever seen one quite like it. Her mouth was full, her lips plump and red as the first wild strawberries in May. “How dare you compare me to a horse?” she demanded hotly. “A horse?” He chuckled, remembering his words. “A horse was not the best comparison,” he conceded. “I may be your prisoner, but I have rights.” His mood shifted. “No,” he said sharply, remembering too how she had fitted neatly into his arms. “No. A prisoner has no rights—none but those her captor gives her. You are the wife of my enemy. Expect nothing from me, and be grateful for what I give.

Ladies ....a man does not want peace at home; he needs it. Home is supposed to be a refuge for a man; a hiding place, a cave to hide in, a place he can be away from the world that worked hard on him. You need to go home and study your home and see if it is a place someone can come into. How does it look physically? How does it look psychologically? How does it look emotionally? Study your home. Is it a place a man would love to stay and hide from the world?

Recounting how much I wanted the separation but then how I caved in and everything was now wrong, I howled, "Tell me what to do!

From prehistoric cave paintings to the map of the London Underground, images, diagrams and charts have long been at the heart of human storytelling. The reason why is simple: our brains are wired for visuals. ‘Seeing comes before words. The child looks and recognises before it speaks,’ wrote the media theorist John Berger in the opening lines of his 1972 classic, Ways of Seeing[1]. Neuroscience has since confirmed the dominant role of visualisation in human cognition. Half of the nerve fibres in our brains are linked to vision and, when our eyes are open, vision accounts for two thirds of the electrical activity in the brain. It takes just 150 milliseconds for the brain to recognise and image and a mere 100 milliseconds more to attach a meaning to it[2]. Although we have blind spots in both of our eyes – where the optic nerve attaches to the retina – the brain deftly steps in to create the seamless illusion of a whole[3]. As a result, we are born pattern-spotters, seeing faces in clouds, ghosts in the shadows, and mythical beasts in the starts. And we learn best when there are pictures to look at. As the visual literacy expert Lynell Burmark explains, ‘unless our words, concepts and ideas are hooked onto an image, they will go in one ear, sail through the brain, and go out the other ear. Words are processed by our short-term memory where we can only retain about seven bits of information…Images, on the other hand, go directly into long-term memory where they are indelibly etched[4]. With far-fewer pen strokes, and without the weight of technical language, images have immediacy – and when text and image send conflicting messages, it is the visual messages that most often wins[5]. So the old adage turns out to be true: a picture really is worth a thousand words.

Taken as a unit, the consuls, Senate, and assemblies formed in Polybius’s mind the perfect “mixed constitution,” meaning a mixture of the best features of all three standard forms of government. “The result is a union which is strong enough to withstand all emergencies,” Polybius wrote; “this peculiar form of constitution possesses an irresistible power to achieve any goal it has set itself.” Following this analysis, Polybius had to conclude, “It is impossible to find a better form of constitution than this.

Octavianus took the name Caesar Augustus, and the title princeps et imperator. However, Augustus was shrewd enough to see that the best way to secure his reign was to present it not as the establishment of something new, namely a Roman empire, but as the restoration of something old: Polybius’s and Cicero’s balanced constitution. Augustus was like the architect who renovates an old apartment building by keeping the original Gilded Age façade but putting in completely brand-new fixtures. The façade included the conveniently dead figure of Cicero, who would be posthumously elevated to the status of a Roman Socrates—the virtuous man made impotent by the viciousness of his enemies, including the hated Mark Antony. It was a reputation Cicero would retain without interruption through Victorian times.

But “there is this to be said about the Many,” Aristotle remarks. “Each of them by himself may not be of [much] quality; but when they all come together it is possible they may surpass—collectively and as a body, not individually—the quality of the few best.”31 Those who argue that only experts know best are wrong. In politics, as in house building, the best judge of what works is the user, not the maker. Aristotle’s support for the rule of the people, backed by “rightly constitutional laws” that must be ultimately sovereign, becomes a crucial legacy for the future of the West. Democracy on the Athenian model may not be ideal, Aristotle says, but it may be the best we can hope for.32

Good laws will make good men, and the best laws are forged not in the heat of crisis or the give-and-take of ordinary political debate, where men’s appetites take over, but through the exercise of knowledge and reason. Self-interest must learn to yield to the common interest; and men must be united if they are to be free. Taken together, that remains Plato’s most important political legacy.

I'll probably never again feel as intensely about books, read as desperately, and fall as deeply in love with stories and characters as I did that summer. Now when I read, I'm continuously trying to bring back that same immersion, fall in love again, and I judge every book against that impossible ideal. The books I love now aren't necessarily those that are written best, they're those books, like The Thorn Birds and Clan Of The Cave Bear, that bring me closest to that magic.

The vast majority of mankind remain imprisoned in the cave and incapable of grasping the true nature of things. Their best hope is to accept the power of those versed in the true philosophy. Plato darkly concludes: by nature the masses prefer an illusory reality, and so they may turn on the philosopher, making him a martyr to the truth. Thus the masses fear the truth, and their instinct is to cling to the unreal.12

Beautiful world provides the best information and photos of the world's most stunning natural wonders. We cover their location, how to get to them, when to visit, trails, hotels, and their special features. National Parks and UNESCO sites are mixed amongst individual mountains and lakes. Islands and beaches feature as do some of the world's most amazing rock formations and caves. Beautifulworld.com is a great resource for travelers and students.

Aristotle’s God borrows many of the characteristics of Plato’s God. He exists outside time and space; He is knowable only through the effects of His rational presence. But He is also more remote. Aristotle’s God is pure Mind, with no material component or even a point of entry for such a component. Because God is perfect, and thinking is the best and most perfect activity, He can think only about Himself. The intrusion of thoughts about His creation and the creatures in it would not only break His concentration, it would overthrow the very principle on which (for Aristotle) His existence depends: His perfection. Aristotle’s God “cannot care for the world; he is not even aware of it.

Jack, R U alrite? That was the first text I got from Tom, my best friend. I peeked out from under the comforter to read it, then wrapped the blanket around my head again without replying. I wasn’t in the mood to deal with him right now. I wasn’t in the mood to deal with anyone. I just wanted to lie in the dark and pretend I didn’t exist. The cell phone buzzed again. I sighed. I made a little hole, just large enough for my eye, and stared angrily at the phone. I wanted it to realize what it was doing was wrong. That I wanted to be left alone. The phone stared back at me, a small notification light flashing on the top of the device. I picked it up and looked again. R U there? I heard U askd Jasmine 2 the dance! R U crazy??? D: )-:< I wished I was crazy. That would have made everything so much simpler. When I retreated back into my cave this time, I tried putting my pillow on my head too, hoping that it would stop the sound of the phone from cutting into my solitude. I closed my eyes as tightly as I could and tried to wish everything back to normal. That works sometimes in the movies, right? BUZZ BUZZ. “Agh!” I jumped slightly as the phone somehow buzzed even louder this time (how did it do that?) and the pillow flew off my head. Sunlight shone in through the window, blinding me. I squinted and waited for my room to blur into focus. The white walls, my posters of awesome superheroes, my laptop, my guitar… I grumbled as I leaned over and looked at my phone screen again. Wat abt HOLLY? UR GRLFRND? Ppl are sayn she is very upset! I threw the phone down on my bed. It bounced twice and ended up balancing on the edge of the mattress. I didn’t blame Holly. I was also very upset. A few weeks ago, my life had been pretty much perfect. I had the hottest girl in school as my girlfriend, I was a star player on the football team, I had a band that was definitely going to be famous someday soon, and it was all going my way. Now it was all gone, swirling towards disaster. Actually, disaster was a while back. Now things were definitely swirling towards complete chaos. My life was destroyed and I was hiding in my bed. That doesn’t happen in the movies. My phone buzzed again.

His name was Saul. He had come to Athens to deliver a message. A Jew by birth and a Greek by language and culture, Saul of Tarsus was also a Roman citizen. In fact, it is by his Romanized name, Paul, that we know him best. His message would be delivered in the language of ancient philosophy, in Greek, and would shake the ancient world to its foundations.

the Summa Contra Gentiles and Summa Theologica. These last two alone total a stupefying two million words. They are a monumental fusion of learning and faith, and a reconciliation of ancient philosophy and Christian theology, without parallel even in the works of Saint Augustine. In fact, together they make Aquinas the one Christian thinker whose system can stand beside those of Aristotle and Plato—in part because it is a brilliant synthesis of the best of both thinkers.

And then I did the best thing I knew to do with the strange concoction of sadness and hope brewing inside me. I prayed. I prayed for the people whose initials were on those slivers. Not just for those people, but for the cave people before them and the robot people after them. For real orphans. For all the people who have lost shoes in the road. For kids whose parents play war. For Toodie Bleu Skies and Toodi Bleu Nordenhauer, for M. B. McClean and Douglas Nordenhauer. And all the people who need to find the magic in Make Believe. That, I figured, just about covered the whole world.

She took one look at me and fireworks shot out of her ears. I think she hates me. At least, she’s still mad. But it could mean she still cares,” he added hopefully. “If I knew where to run into her again, I could try my persuasive charm on her without crowding her. I might’ve tried something like that the first time around. Like being at the officers’ club every time I thought she’d be there, till she got so sick of me shadowing her, she gave in.” Luke laughed. “Suave,” he said. “Think I should throw myself on her mercy? Nah,” he answered for himself. “From what I saw, she doesn’t have a lot of mercy in her right now. Besides, humility really isn’t my strong suit.” Luke laughed at him. “And, God forbid, we manly Riordans always play our best cards.” “You know what I mean. What woman wants a man who grovels? Did you grovel? When you and Shelby—?” “I hate to burst your bubble, pal, but I said I’d do anything that would make her happy. I know—it’s hard for you to imagine your tough big brother caving like that, but when I got down to it, I was doomed without her. She’s the breath in me.” Then he grinned. “But she doesn’t make me grovel anymore. She lets me pretend to be the big man.” “Swell,” Sean said, a long way from understanding all the rules for this game.

Halong Bay Halong Bay is the most beautiful place in Vietnam and a true natural wonder which hasn't yet been spoiled by mass tourism and hordes of tourists. It's best explored on a boat trip around the area which will take up at least a full day if you want to see the best of it. You can explore caves, swim in tiny creaks and enjoy the sun setting over these stunning limestone islets.

Hpa-An A small and fairly average town in Southeastern Myanmar but it is a base for exploring some of the fantastic surrounding areas. There are lots of curious caves to discover with the giant Saddar cave and its reclining Buddha and the Bat Cave the best ones. The Bat Cave is best visited at sunset when a ridiculous number of bats (hundreds of thousands) fly out of it only to return the following morning. You can also rent a bike or motorbike and explore the tranquil Burmese countryside. Another option is to climb to the top of Mount Zwegabin which is home to a monastery where the resident monks will let you sleep.

All of the real original stories, all of the best stories, were first told by the animals. The bears were superb story-tellers; so were the deep-space geese (they took nine generations to make a migration, laying eggs on the space journey and hatching out of them on the space journey, for the summer-land of their migrations was not on Earth). The brindled cave-cats were very good story-tellers. Among the stories were well-established genre stories. The seals told under-water stories that they learned from river-and-ocean creatures; and the golden weasels, who really came from the moon, told all sorts of space stories. So the Neanderthals, who learned the stories from the animals, had a very good stock of tales.