“
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.”
She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried.
And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.”
But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it.
I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away.
You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.
And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.
“Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.”
Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining.
Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
”
”
Sarah Kay
“
Poor people wait a lot. Welfare, unemployment lines, laundromats, phone booths, emergency rooms, jails, etc.
”
”
Lucia Berlin (A Manual for Cleaning Women: Selected Stories)
“
They'll be days like this" my momma said.
When you open your hands to catch, and wind up with only blisters and bruises.
When you try to step out of the phone booth and try to fly , and the very people you want to save, are the ones standing on your cape.
When your boots will fill with rain, and you'll be up to your knees with disappointment
And those are the very days you have all the more reason to say "Thank you".
”
”
Sarah Kay
“
I have never met a heavy heart that wasn’t a phone booth with a red cape inside
Some people will never understand the kind of superpower it takes for some people to just walk outside
Some days I know my smile looks like the gutter of a falling house
But my hands are always holding tight to the ripchord of believing
”
”
Andrea Gibson
“
Immediately after that fate-filled evening in May, the phone booth in its entirety had been confiscated by the Homicide Unit as embodying significant criminal evidence of murder. More accurately, though, the booth was like an envelope encapsulating the entire crime scene, including splattered skull fragments.
”
”
Tom Baldwin (Macom Farm)
“
You are not weak just because your heart feels so heavy. I have never met a heavy heart that wasn’t a phone booth with a red cape inside. Some people will never understand the kind of superpower it takes for some people to just walk outside.
”
”
Andrea Gibson
“
Gerry?' Laurel had to strain to hear thought the noise on the other end of the line. 'Gerry? Where are you?'
'London. A phone booth on Fleet Street.'
'The city still has working phone booths?'
'It would appear so. Unless this is the Tardis, in which case I'm in serious trouble.
”
”
Kate Morton (The Secret Keeper)
“
The trouble with superheroes is what to do between phone booths.
”
”
Ken Kesey
“
Of course, the underlying structure of everything in England is posh. There is no in between with these people. You have to walk a mile to find a telephone booth, but when you find it, it is built as if the senseless dynamiting of pay phones had been a serious problem at some time in the past. And a British mailbox can presumably stop a German tank.
”
”
Neal Stephenson (Cryptonomicon)
“
It isn't just the best things that come to an end, but also the worst.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
It was clear that in a past life the detective had been a phone booth beside an empty highway.
”
”
Amelia Gray (Threats)
“
He was now beginning to wonder whether the jigsaw was the correct metaphor for relationships between me and women after all. It didn't take account of the sheer stubbornness of human beings, their determination to affix themselves to another even if they didn't fit. They didn't care about jutting off at weird angles, and they didn't care about phone booths and Mary, Queen of Scots. They were motivated not by seamless and sensible matching, but by eyes, mouths, smiles, minds, breasts and chests and bottoms, wit, kindness, charm, romantic history and all sorts of other things that made straight edges impossible to achieve.
”
”
Nick Hornby (Juliet, Naked)
“
Love is like therapy, it only works when you believe in it.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
He likes to know things. He checks out book and record collections when he visits people, looks in medicine cabinets, takes inventory in refrigerators. He eaves drops on conversations at public phone booths. He reads murder victims' mail.
”
”
John Sayles (Los Gusanos)
“
love is a miracle. Even the second time around, even when it comes to you by mistake.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
Yui knew that the strongest kind of love is the kind that is taken for granted.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
There was no addition or subtraction in life that did not require some time for adjustment.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
Entering the phone booth, he did a phone thing.
Ring-ring-ring.
”
”
Philip K. Dick (A Scanner Darkly)
“
I’m a super hero and I’m in a phone booth but those things have nothing in common with each other; I just come here to cry.
”
”
Christy Leigh Stewart
“
Later, Yui realized she had learned another important thing in that place of confinement: that silencing a man was equivalent to erasing him forever. And so it was important to tell stories, to talk to people, to talk about people. To listen to people talking about other people. Even to speak with the dead, if it helped.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
being loved comes with enormous responsibilities, at least as enormous as those of loving.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
Anyone who has experienced great grief wonders at some point which is more difficult, learning or unlearning. There was a time when Yui wouldn't have been able to say, but now she was sure it was the second.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
A famous citation from the American psychotherapist Virginia Satir (1916-1988) reads: 'We need four hugs a day for survival. We need eight hugs a day for maintenance. And we need twelve hugs a day for growth.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
A man once told me that death is a very personal thing...' Suzuki-san said. 'To some extent, we try to build our lives exactly like everyone else's. But not death. Everyone reacts to death in their own way...
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
Knowing how to love life is a necessity, Takeshi, and she needs to learn to trust people. Not to hate them, there’s no way out of hate.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
And when happiness is a thing, anything that threatens its safety is the enemy.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
She [Yui] was convinced that nostalgia had nothing to do with memory, that we actually feel it most strongly for things we have never experienced.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
The city still has working phone booths?’ ‘It would appear so. Unless this is the Tardis, in which case I’m in serious trouble.
”
”
Kate Morton (The Secret Keeper)
“
He was convinced that the purse was like that stupid phone booth thing on that TV show Hardison liked: bigger on the inside than the outside.
”
”
Keith R.A. DeCandido (The Zoo Job (Leverage, #2))
“
I called him up from a phone booth. The voice that answered was fat. It wheezed softly, like the voice of a man who had just won a pie-eating contest.
”
”
Raymond Chandler (Trouble Is My Business (Philip Marlowe, #8))
“
I can’t work well when I am under stress. It reduces me to normalcy. Stress is my kryptonite. And I usually don’t change in phone booths, though I do take long distance showers there.
”
”
Jarod Kintz (This Book is Not for Sale)
“
Yui and Takeshi gradually realised that the Wind Phone was like a verb that conjugated differently for each person: everybody's grief looked the same at first but was, ultimately, unique.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
The only difference between them and you, at this moment, is that when opportunity presented itself, they went into the phone booth and put on the cape. They took the leap. That’s basically it.
”
”
Guy Raz (How I Built This: The Unexpected Paths to Success from the World's Most Inspiring Entrepreneurs)
“
So I got my stuff and the girl at the register puts these other things in my bag, too. Little free samples: gum and a comb and a marker pen. So I says to her, 'Look, girlie, I got false teeth and I wear a wig.' So she fishes back in my bag and takes out the comb and the gum. Left the pen in there. Anyways, I went back to the van, even though I knew it was locked. Figured I'd just wait and have a smoke. You can't smoke in the van, see? So while I'm waiting there, minding my own business, this car pulls into the handicapped space right next to us--brand-new car, white and clean, and it's got this bumper sticker on it that says, 'Life Is a Shit Sandwich.' Isn't that stupid? So this guy gets out--good-lookin' fella, in his twenties. I say to him, 'Hey, handsome, tell me something.' He takes a look at my walker and gets all panicky. 'I'm just running in for two seconds,' he says. See, he thinks I'm going to yell at him for parking in a handicapped space, but I ain't. I don't give a rat's ass about that, you see. I'd rather walk the extra ten feet than be called handicapped. Where was I?'
She amazed me. 'Life's a shit sandwich,' I said.
'Oh, yeah. Right. So that guy goes runnin' into the store and here's what I did. I fished that free pen out of the bag and marched right over there to that bumper of his. Got myself right down on the ground--and I wrote--just after the 'Life's a shit sandwich' part--I wrote, 'But only if you're a shithead.' 'Course, then I couldn't get myself back up again--had to yell over to a couple of kids at the phone booth to come pick me back up.
”
”
Wally Lamb
“
It was the right moment. It always is when something beautiful happens.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
It was an act of pure faith to pick up the receiver, dial a number, to be answered by a wall of silence and speak anyway. Fatih was the key to it all.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
The door slammed and someone came home and low voices could be heard, the single lilt of a question as it rose, “How was it?” or “Are you hungry?” Something plain and necessary, yet extra, with care, a voice like those tiny roofs over the phone booths along the train tracks, the ones made from the same shingles used for houses, except only four rows wide—just enough to keep the phone dry. And maybe that’s all I wanted—to be asked a question and have it cover me, like a roof the width of myself.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
A bum woke up in the gutter right beside where I stood looking across the street at this place. He felt in the waist of his pants and came up with a pint bottle, half full. He tipped it up and it gurgled steadily until he'd emptied it all down into him. I was only twenty-four or -five but I already knew from experience how it tasted. And people who've kissed the feet of Christ know how it tasted. I saw everything there in the gutter -- the terror and the promise. Later I spent the morning in the smoky Day Labor Division with better than a hundred men who'd learned how not to move, learned how to stay beautifully still and let their lives hurt them, white men with gray faces and black men with yellow eyes. I worked the rest of the week in a factory without ever comprehending exactly what was manufactured there, and at night I'd get drunk and shut myself in a phone booth and call the woman in Minnesota who'd broken my heart.
”
”
Denis Johnson
“
Some loves, like ours was, are like wrecking balls in glass houses. And wrecking balls have no business being in glass houses like I had no business loving Christian how I did once upon a time, except that sometimes, some loves keep your head above the water when you’re drowning. Some loves might fog up a phone booth on a rainy London afternoon and make you feel less alone than you did before your lips touched. He’s leaving what we had behind, like he should. Like I should have let him so long ago. But I’ll miss him on my rainy days.
”
”
Jessa Hastings (Magnolia Parks (Magnolia Parks Universe, #1))
“
Grief, Yui had once told him, is something you ingest every day, like a sandwich cut into small pieces, gently chewed and then calmly swallowed. Digestion was slow.
And so, Takeshi thought, joy must work the same way.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
There is a certain quality of light to be found only in midsummer in the South, as day, slipping into dusk, acquiesces to the filament, the bulb, the porch light; this seductive light is beautiful when it washes across dry cement, the sidewalk and stoop. The light spilling from the phone booth softens and cleanses all that it touches. It's a forgiving and almost protective light. The Minotaur is drawn to it from across the parking lot.
”
”
Steven Sherrill (The Minotaur Takes a Cigarette Break)
“
Takeshi and Yui agreed that the things you end up missing most about somebody when they're gone are their flaws: the most ridiculous or annoying things.
'I wonder,' said Takeshi, 'whether it's because you had such a hard time accepting those things at first that now it's impossible to forget them.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
Carlos, your mysophobia does affect my health. I feel freer – more alive, more vivacious and, ironically enough, healthier – if I’m not constantly made to worry about germs and unhealthy choices. Whether it’s for a moment of spontaneous kissing in a phone booth or eating an occasional hamburger…Obsessing about your health doesn’t actually make you healthier. The fact of the matter is, Carlos, our bodies are decaying at every moment, regardless of what we do. Living is bad for your health.”
“It doesn’t have to be.”
“Maybe if you live in an antiseptic bubble specially designed by the CDC it doesn’t. But in a place like New York City, you’re fighting a pointless battle. You can either embrace the dirt and the germs as part of the risky joy of living in an exciting, overpopulated metropolis, or you can spend lots of mental real estate obsessing over whether you touched a few extra microbes when you got on the subway.
”
”
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
“
fragility does not reside in things so much as in flesh. An object can be repaired or replaced, but the body cannot. Perhaps it is stronger than the soul, which once broken can remain so forever, but it is weaker than wood, lead, or iron.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
Yui concluded that memories were like objects, like the soccer ball that was found on the coast of Alaska a year after the tsunami, 3,000 miles away, on the other side of the Pacific Ocean.
Sooner or later, they always floated back to the surface.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
No space of regret can make amends for one life’s opportunity misused. —Charles Dickens, A Christmas Carol
”
”
Beth Merlin (The Last Phone Booth in Manhattan)
“
Sometimes when I’m not sure which direction to go, I think about what I was doing the last time I was happy and try to do some more of that.
”
”
Beth Merlin (The Last Phone Booth in Manhattan)
“
Sometimes you don’t realize the weight of what you’ve been carrying until you finally lay it down.
”
”
Beth Merlin (The Last Phone Booth in Manhattan)
“
Honey, did you ever stop to think that when things seem to be falling apart, they may actually be falling into place?
”
”
Beth Merlin (The Last Phone Booth in Manhattan)
“
A person can never have too many hugs.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
Being afraid of life and of people only makes you weaker.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
Woman! Get To The Throne Room, Shun The Phone Booth...The Solution Is In The Throne Room!
”
”
Jaachynma N.E. Agu (Woman: You've Got ALL IT TAKES!)
“
whole. Introverts may be able to fit all their friends in a phone booth, but those relationships tend to be deep and rewarding.
”
”
Brian Walsh (The Upside of Being an Introvert)
“
Malachi Constant of Hollywood, California, came out of the rhinestone phone booth cold sober. His eyes felt like cinders. His mouth tasted like horseblanket pur
”
”
Kurt Vonnegut Jr. (The Sirens of Titan)
“
Expecting...this?" I gestured at the foyer. "What reason could I have possibly had to expect a talking gargoyle and a cottage that's like the Doctor’s phone booth?
”
”
Lydia M. Hawke (Becoming Crone (The Crone Wars, #1))
“
Entering the phone booth, he did a phone thing.
”
”
Philip K. Dick (A Scanner Darkly)
“
He had yet to fall in love to the degree that he felt he was capable of falling, had never written villanelles or declaration veiled in careful metaphor, nor sold his blood plasma to buy champagne or jonquils, nor haunted a mailbox or a phone booth or a certain café, nor screamed his beloved's name in the streets at three in the morning, heedless of the neighbors.
”
”
Michael Chabon (A Model World and Other Stories)
“
Where are you?” “London. A phone booth on Fleet Street.” “The city still has working phone booths?” “It would appear so. Unless this is the Tardis, in which case I’m in serious trouble.
”
”
Kate Morton (The Secret Keeper)
“
A bum stood at the Lucky Market right in front of Artesia & Blossom. He was begging for money. He looked pretty pathetic, dressed in rancid, oily clothes. He smelled like cigarettes and urine. “Can you spare a dime?” he would ask. People would shake their heads or walk around him. He was getting nowhere. Two hours went by, no money, not a cent. “Please, a dime!” cried the bum. A middle-aged man walked by him, heard his plea and laid upon him a mint new dime. “Thank you, sir! Thank you!” shouted the bum. Dime in hand, the bum limped over to a phone booth and called in the airstrike.
”
”
Henry Rollins (The First Five: "High Adventure in the Great Outdoors", "Pissing in the Gene Pool", "Art to Choke Hearts", "Bang!", "One from None" (Henry Rollins))
“
Dori Duz was a lively little tart of copper-green and gold who loved doing it best in toolsheds, phone booths, field houses and bus kiosks. There was little she hadn’t tried and less she wouldn’t. She was shameless, slim, nineteen and aggressive. She destroyed egos by the score and made men hate themselves in the morning for the way she found them, used them and tossed them aside. Yossarian loved her.
”
”
Joseph Heller
“
Miss Ohio flailed with excitement. "Makeovers are so fun! It's like the Superman phone booth of girl."
Adina sat up. "It's denigrating and objectifying."
"No. It's eye shadow and lipstick and sex and mystery and magic and transformation and fun. And nobody's taking that away from me.
”
”
Libba Bray (Beauty Queens)
“
Of course, the underlying structure of everything in England is posh. There is no in-between with these people. You have to walk a mile to find a telephone booth, but when you find it, it is built as if the senseless dynamiting of pay phones had been a serious problem at some time in the past.
”
”
Neal Stephenson (Cryptonomicon)
“
Pale fibrous clouds lay on the surface of the sky, which resembled a dark blue inverted bowl. The moon was a perfect white disk. In the window of the café, the men, tables, bottles, and a piano stood out as sharply as a scene in a movie. Some distance away, on the other side of the station entrance, stood a glowing phone booth.
”
”
Elif Batuman (The Idiot)
“
We're still parens, even when our children are no longer here.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
How many things a hug can fix.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
Sometimes you need a change of scenery even if it's just to take stock of things.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
Habit is a remedy, people would say; you can get used to anything if you do it enough.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
Ogni settimana era stata una fatica, ogni mese semplicemente del tempo accumulato in soffitta, per un futuro utilizzo che chissà se mai sarebbe arrivato.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
We need to possess joy in abundance before we can bestow it on somebody else.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
Once hope changes direction, it loses its way and can no longer return.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
rock bottom will teach you the lessons the mountaintops never could.
”
”
Beth Merlin (The Last Phone Booth in Manhattan)
“
I love the way the Italians park. You turn any street corner in Rome and it looks as if you’ve just missed a parking competition for blind people. Cars are pointed in every direction, half on the sidewalks and half off, facing in, facing sideways, blocking garages and side streets and phone booths, fitted into spaces so tight that the only possible way out would be through the sun roof.
”
”
Bill Bryson (Neither Here Nor There: Travels in Europe)
“
Some loves, like ours was, are like wrecking balls in glass houses. And wrecking balls have no business being in glass houses like I had no business loving Christian how I did once upon a time, except that sometimes, some loves keep your head above the water when you’re drowning. Some loves might fog up a phone booth on a rainy London afternoon and make you feel less alone than you did before your lips touched.
”
”
Jessa Hastings (Magnolia Parks (The Magnolia Parks Universe, #1))
“
Anche la cosa più enorme la puoi tagliare in piccolissime parti» sussurrò allungando il palmo per accarezzare la guancia della bambina. «Anche il problema più grande. Tutto quanto lo si può infilare in una cornice.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
Se il mondo cadeva, si disse, lei sarebbe caduta con lui; ma se vi era anche una sola possibilità di tenerlo in piedi, magari pure in un goffo equilibrio, avrebbe speso ogni granello residuo di energia per aiutarlo.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
The smell of grease in the Horseshoe Diner was strong, like the residuals of every meal that had ever been cooked over its open griddle. I lingered in a corner booth near the window, speaking to my wife Ava on the cell phone. With as much free time as a corpse, I pondered past mistakes, but I kept the call short before she asked too many questions and revived the dying thoughts in my mind. A man was a sharp and useful tool, I thought, as long as he never paused to consider it.
”
”
Christopher Klim (True Surrealism)
“
But then she remembered a line, or even half a line, she had read in a book on raising children. She recalled it very clearly because it had unsettled her. It said that distance makes us love better and with greater respect. That distance wasn't, in fact, a bad thing. On the contrary, it was the lack of distance that could be harmful, and only the purest emotion, spontaneous and visceral love, was capable of healing a wound.
Ah so, she remembered thinking, love is dangerous. And yet it's essential.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
That night in the phone booth, you told me you’d never been in love before. If you’ve never felt it, how do you know?” I close my eyes. I’ve got too many words and not enough ways to order them. How do I know? Because saying it aloud is as easy as breathing. Because even the mention of her name lights my skin on fire. Because she’s my first thought in the morning, and my last at night. Because I just. Fucking. Know. I swallow. “Because even though I’m unlucky with you, I feel even unluckier without you.
”
”
Somme Sketcher (Sinners Consumed (Sinners Anonymous, #3))
“
Newton Pulsifer had never had a cause in his life. Nor had he, as far as he knew, ever believed in anything. It had been embarrassing, because he quite wanted to believe in something, since he recognized that belief was the lifebelt that got most people through the choppy waters of Life. He’d have liked to believe in a supreme God, although he’d have preferred a half-hour’s chat with Him before committing himself, to clear up one or two points. He’d sat in all sorts of churches, waiting for that single flash of blue light, and it hadn’t come. And then he’d tried to become an official Atheist and hadn’t got the rock-hard, self-satisfied strength of belief even for that. And every single political party had seemed to him equally dishonest. And he’d given up on ecology when the ecology magazine he’d been subscribing to had shown its readers a plan of a self-sufficient garden, and had drawn the ecological goat tethered within three feet of the ecological beehive. Newt had spent a lot of time at his grandmother’s house in the country and thought he knew something about the habits of both goats and bees, and concluded therefore that the magazine was run by a bunch of bib-overalled maniacs. Besides, it used the word “community” too often; Newt had always suspected that people who regularly used the word “community” were using it in a very specific sense that excluded him and everyone he knew. Then he’d tried believing in the Universe, which seemed sound enough until he’d innocently started reading new books with words like Chaos and Time and Quantum in the titles. He’d found that even the people whose job of work was, so to speak, the Universe, didn’t really believe in it and were actually quite proud of not knowing what it really was or even if it could theoretically exist. To Newt’s straightforward mind this was intolerable. Newt had not believed in the Cub Scouts and then, when he was old enough, not in the Scouts either. He was prepared to believe, though, that the job of wages clerk at United Holdings [Holdings] PLC, was possibly the most boring in the world. This is how Newton Pulsifer looked as a man: if he went into a phone booth and changed, he might manage to come out looking like Clark Kent.
”
”
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
My bad mood returns like an unwanted rash. “I got in a fight with Logan. And that’s all I’m saying on the subject, because if I talk about it right now, it’ll just piss me off again and then I’ll be too distracted to produce Dumb and Dumber’s show.”
We both glance at the main booth, where Evelyn is using the reflection on her water glass to check her makeup, dabbing delicately at her eye shadow. Pace is engrossed with his phone, his chair tipped back so far that I predict a very loud disaster in the near future.
“God, I love them,” Daisy says with a snicker. “I don’t think I’ve ever met two more self-absorbed people.”
Morris saunters out of the booth and wanders over to us. He notices Daisy’s shirt and says, “Sweetheart, we’re at work. Show some decorum.”
“Says the guy who ripped this shirt off me in the supply closet.” Rolling her eyes, she takes a step away. “I’m going to make myself presentable in the bathroom. I’d do it out here, but I’m scared Dumber might take a picture and post it on a porn site.”
“Wait, the names Dumb and Dumber actually correspond to each of them?” Morris says in surprise. “I thought it was more of a general thing. Which one is Dumber?”
The second the question leaves his mouth, a muffled crash reverberates from the booth, and we all turn to see Pace tangled up on the floor. Yup, the guy who spent an hour regaling me about his cow-tipping days back in Iowa? Tipped himself right over.
From behind the glass, Pace bounces to his feet, notices us staring, and mouths the words, “I’m okay!”
Morris sighs. “I withdraw the question
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
I had to do a booth for my mom on Saturday. Every time someone from school walked past, I could see them on their cell phones typing so fast the hashtags and troll comments were almost floating above their heads. All because I was stupid enough to think Bennet Miller was interested in the books on my Goodreads list.
”
”
Amanda Ashby (The Heartbreak Cure)
“
Writing, to me, is the meaning of life. My life became something special because of writing. My desk is for me what the phone booth is for Clark Kent: Here I become Superman. I can do anything I want when I’m writing. I’m not afraid anymore. I can take anything from my imagination. I can save the world when I’m writing. But as soon as I leave the desk, I become Clark Kent again. Trust me, I am the most ordinary person in the world. I’m a good husband, I don’t yell at anyone, never lose it. But I don’t have a single idea for my literature in everyday life. When I run, cook or relax on the beach, there is absolutely nothing on my mind.
”
”
Haruki Murakami
“
In almost every thriller, a point is reached when someone, usually calling from a phone booth, telephones with a vital piece of information, which he cannot divulge by phone. By the time the hero arrives at the place where they had arranged to meet, the caller is dead, or too near death to tell. There is never an explanation for the reluctance of the caller to impart his message in the first place. Certainly, the convention existed well before the age of the tape recorder and the wiretap. Not on the phone, in a spy or mystery story, has always been, in and of itself, sufficient to hold up the resolution of the case for a long, long time.
”
”
Renata Adler (Speedboat)
“
The truth was, though, they were just giving out parts of themselves to relatives and trusted friends; they were learning that it was normal not to be able to cope on your own, and that asking people for help was the only way forward if there were other things they wanted to do with their lives. They had to depend on others.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
Yui developed her own theory: that for some people, life started loosening their joints when they were still in the cradle, and they had to work hard to hold the pieces together. She imagined those people juggling a bundle of limbs, ears, feet, and kidneys in their arms, like parts of the game Operation. But then, at some point, something would slot into place: they'd fall in love, start a family, get a well-paid job, a nice career, and they would begin to feel more stable. The truth was, though, they were just giving out parts of themselves to relatives and trusted friends; they were learning that it was normal not to be able to cope on your own, and that asking people for help was the only way forward if there were other things they wanted to do with their lives. They had to depend on others.
And then? Then what would happen? That's where Yui believed luck came into it. Because if those people lost someone who had been looking after a fundamental piece of them, they would never be able to regain their balance. The harmony would be gone, along with their loved one.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
Di chi non si sa nulla, non c'è niente da dire.
Di chi non si sa nulla, nulla più importa.
In quel luogo di confino Yui scoprì d'aver imparato un'altra cosa importante, ovvero che un uomo bastava tacerlo per eliminarlo per sempre. Per questo serviva ricordare le storie, parlare con le persone, parlare delle persone. Ascoltare le persone parlare di altre persone. Anche dialogare con i morti, se fosse servito.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
What makes a human being dare the impossible? What fires the will when we glimpse something never done before and a wild urge surges up to cry, “Then let’s do it”? Here in San Francisco a young woman blind from birth decides to sail alone across the Pacific and succeeds; I can’t imagine getting as far as Alcatraz. Mountaineers decide that it is not enough merely to climb Mount Everest; they have to climb it alone, take no oxygen, and choose the most difficult ascent. And just a few months ago a man and woman mortgaged their future to put together a fragile plane with a cockpit smaller than a phone booth, so they could fly around the world without a stop. We ask, “Why did you do it?” And the pilot of the Voyager can only reply with a shrug, “Just for the hell of it.” He can give no better reason, yet everyone understands.
”
”
Anonymous (The Upanishads (Easwaran's Classics of Indian Spirituality Book 2))
“
the hidden benefits of the introverted temperament—for workplaces, personal relationships and society as a whole. Introverts may be able to fit all their friends in a phone booth, but those relationships tend to be deep and rewarding. Introverts are more cautious and deliberate than extroverts, but that means they tend to think things through more thoroughly, which means they can often make smarter decisions. Introverts are better at listening—which, after all, is easier to do if you’re not talking—and that in turn can make them better business leaders, especially if their employees feel empowered to act on their own initiative. And simply by virtue of their ability to sit still and focus, introverts find it easier to spend long periods in solitary work, which turns out to be the best way to come up with a fresh idea or master a skill.
”
”
Brian Walsh (The Upside of Being an Introvert)
“
If Yui had to describe this feeling, this pain, she would say it was like the stabbing contractions that preceded childbirth, the wonder of the process she had experienced when her daughter was born: closing to open again, contracting to then dilate, clamp and hold, then spread your legs wide and push.
A total paradox, essentially, like one of those things you only find when you've stopped looking for it. Like love, true love, or children that won't come.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
Yankovich explained the most salient points: “You’re at a quarter mile and someone asks you who your mother is: you don’t know. That’s how focused you are. Okay, call the ball. Now it’s a knife fight in a phone booth. And remember: full power in the wire. Your IQ rolls back to that of an ape.” It sounds as if he’s being a smart-ass (he is), but deep lessons also are there to be teased out like some obscure Talmudic script. Lessons about survival, about what you need to know and what you don’t need to know. About the surface of the brain and its deep recesses. About what you know that you don’t know you know and about what you don’t know that you’d better not think you know. Call it an ape, call it a horse, as Plato did. Plato understood that emotions could trump reason and that to succeed we have to use the reins of reason on the horse of emotion. That turns out to be remarkably close to what modern research has begun to show us, and it works both ways: The intellect without the emotions is like the jockey without the horse.
”
”
Laurence Gonzales (Deep Survival: Who Lives, Who Dies, and Why)
“
Images of people in the Middle East dressing like Westerners, spending like Westerners, that is what the voters watching TV here at home want to see. That is a visible sign that we really are winning the war of ideas—the struggle between consumption and economic growth, and religious tradition and economic stagnation.
I thought, why are those children coming onto the streets more and more often? It’s not anything we have done, is it? It’s not any speeches we have made, or countries we have invaded, or new constitutions we have written, or sweets we have handed out to children, or football matches between soldiers and the locals. It’s because they, too, watch TV.
They watch TV and see how we live here in the West.
They see children their own age driving sports cars. They see teenagers like them, instead of living in monastic frustration until someone arranges their marriages, going out with lots of different girls, or boys. They see them in bed with lots of different girls and boys. They watch them in noisy bars, bottles of lager upended over their mouths, getting happy, enjoying the privilege of getting drunk. They watch them roaring out support or abuse at football matches. They see them getting on and off planes, flying from here to there without restriction and without fear, going on endless holidays, shopping, lying in the sun. Especially, they see them shopping: buying clothes and PlayStations, buying iPods, video phones, laptops, watches, digital cameras, shoes, trainers, baseball caps. Spending money, of which there is always an unlimited supply, in bars and restaurants, hotels and cinemas. These children of the West are always spending. They are always restless, happy and with unlimited access to cash.
I realised, with a flash of insight, that this was what was bringing these Middle Eastern children out on the streets. I realised that they just wanted to be like us. Those children don’t want to have to go to the mosque five times a day when they could be hanging out with their friends by a bus shelter, by a phone booth or in a bar. They don’t want their families to tell them who they can and can’t marry. They might very well not want to marry at all and just have a series of partners. I mean, that’s what a lot of people do. It is no secret, after that serial in the Daily Mail, that that is what I do. I don’t necessarily need the commitment. Why should they not have the same choices as me? They want the freedom to fly off for their holidays on easy Jet. I know some will say that what a lot of them want is just one square meal a day or the chance of a drink of clean water, but on the whole the poor aren’t the ones on the street and would not be my target audience. They aren’t going to change anything, otherwise why are they so poor? The ones who come out on the streets are the ones who have TVs. They’ve seen how we live, and they want to spend.
”
”
Paul Torday (Salmon Fishing in the Yemen)
“
He narrowed his eyes at me, pushed out of the booth and stomped over to the cash desk where Ash had returned and was playing a game on his mobile phone.
"Sorry, sir," he echoed, dead-pan, and then added: "She is the owner."
He dropped his voice to a stage whisper. "And she's righ' crazy, so I wouldn't mess with her. She stabbed someone with a plastic fork just last week."
"A--a plastic fork?" the man said, looking over at me nervously.
"Yeah, and you would not believe the mess. A carving knife woulda made cleaner work of it."
The man slapped a few coins on the counter near the cash and, clutching the remains of his paper, dashed out the door.
"Thanks, Ash," I said, absently.
"No probs," he said. "Chasing zombies on my phone--fair inspirational, aye?
”
”
K.C. Dyer
“
Develop a rapid cadence. Ideal running requires a cadence that may be much quicker than you’re used to. Shoot for 180 footfalls per minute. Developing the proper cadence will help you achieve more speed because it increases the number of push-offs per minute. It will also help prevent injury, as you avoid overstriding and placing impact force on your heel. To practice, get an electronic metronome (or download an app for this), set it for 90+ beats per minute, and time the pull of your left foot to the chirp of the metronome. Develop a proper forward lean. With core muscles slightly engaged to generate a bracing effect, the runner leans forward—from the ankles, not from the waist. Land underneath your center of gravity. MacKenzie drills his athletes to make contact with the ground as their midfoot or forefoot passes directly under their center of gravity, rather than having their heels strike out in front of the body. When runners become proficient at this, the pounding stops, and the movement of their legs begins to more closely resemble that of a spinning wheel. Keep contact time brief. “The runner skims over the ground with a slithering motion that does not make the pounding noise heard by the plodder who runs at one speed,” the legendary coach Percy Cerutty once said.7 MacKenzie drills runners to practice a foot pull that spends as little time as possible on the ground. His runners aim to touch down with a light sort of tap that creates little or no sound. The theory is that with less time spent on the ground, the foot has less time to get into the kind of trouble caused by the sheering forces of excessive inward foot rolling, known as “overpronation.” Pull with the hamstring. To create a rapid, piston-like running form, the CFE runner, after the light, quick impact of the foot, pulls the ankle and foot up with the hamstring. Imagine that you had to confine your running stride to the space of a phone booth—you would naturally develop an extremely quick, compact form to gain optimal efficiency. Practice this skill by standing barefoot and raising one leg by sliding your ankle up along the opposite leg. Perform up to 20 repetitions on each leg. Maintain proper posture and position. Proper posture, MacKenzie says, shifts the impact stress of running from the knees to larger muscles in the trunk, namely, the hips and hamstrings. The runner’s head remains up and the eyes focused down the road. With the core muscles engaged, power flows from the larger muscles through to the extremities. Practice proper position by standing with your body weight balanced on the ball of one foot. Keep the knee of your planted leg slightly bent and your lifted foot relaxed as you hold your ankle directly below your hip. In this position, your body is in proper alignment. Practice holding this position for up to 1 minute on each leg. Be patient. Choose one day a week for practicing form drills and technique. MacKenzie recommends wearing minimalist shoes to encourage proper form, but not without taking care of the other necessary work. A quick changeover from motion-control shoes to minimalist shoes is a recipe for tendon problems. Instead of making a rapid transition, ease into minimalist shoes by wearing them just one day per week, during skill work. Then slowly integrate them into your training runs as your feet and legs adapt. Your patience will pay off.
”
”
T.J. Murphy (Unbreakable Runner: Unleash the Power of Strength & Conditioning for a Lifetime of Running Strong)
“
And then, with a shock like high-voltage coursing through me, the phone beside me started pealing thinly.
I just stood there and stared at it, blood draining from my face. A call to a tollbooth? It must, it must be a wrong number, somebody wanted the Information Booth or-! It must have been audible outside, with all I had the slide partly closed. One of the redcaps passing by turned, looked over, then started coming across toward where I was. To get rid of him I picked up the receiver, put it to my ear.
'You'd better come out now, time's up,' a flat, deadly voice said. 'They're calling your train, but you're not getting on that one - or any other.'
'Wh-where are talking from?'
'The next booth to yours,' the voice jeered. 'You forgot the glass inserts only reach halfway down.'
The connection broke and a man's looming figure was shadowing the glass in front of my eyes, before I could even get the receiver back on the hook. I dropped it full-length, tensed my right arm to pound it through his face as soon as I shoved the glass aside. He had a revolver-bore for a top vest-button, trained on me. Two more had shown up behind him, from which direction I hadn't noticed. It was very dark in the booth now, their collective silhouettes shut out all the daylight. The station and all its friendly bustle was blotted out, had receded into the far background, a thousand miles away for all the help it could give me. I slapped the glass wearily aside, came slowly out.
One of them flashed a badge - maybe Crow had loaned him his for the occasion. 'You're being arrested for putting slugs in that phone. It won't do any good to raise your voice and shriek for help, try to tell people different. But suit yourself.'
I knew that as well as he; heads turned to stare after us by the dozens as they started with me in their midst through the station's main-level. But not one in all that crowd would have dared interfere with what they mistook for a legitimate arrest in the line of duty. The one with the badge kept it conspicuously tilted in his upturned palm, at sight of which the frozen onlookers slowly parted, made way for us through their midst. I was being led to my doom in full view of scores of people. ("Graves For The Living")
”
”
Cornell Woolrich
“
A school bus is many things.
A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.
”
”
Jason Reynolds (Look Both Ways: A Tale Told in Ten Blocks)
“
the first three steps of Customer Development can be accomplished with a staff that can fit in a phone booth.
”
”
Steve Blank (The Four Steps to the Epiphany: Successful Strategies for Startups That Win)
“
Of course, the underlying structure of everything in England is posh. There is no in-between with these people. You have to walk a mile to find a telephone booth, but when you find it, it is built as if the senseless dynamiting of pay phones had been a serious problem at some time in the past. And a British mailbox can presumably stop a German tank. None of them have cars, but when they do, they are three-ton hand-built beasts. The concept of stamping out a whole lot of cars is unthinkable—there are certain procedures that have to be followed, Mr. Ford, such as the hand-brazing of radiators, the traditional whittling of the tyres from solid blocks of cahoutchouc.
”
”
Neal Stephenson (Cryptonomicon)
“
So would you do me a favor and come over and talk to him?” Blue used one millisecond of her time to imagine what that might be like, throwing herself at a booth of raven boys and wading through awkward, vaguely sexist conversation. Despite the comeliness of the boy in the booth, it was not a pleasant millisecond. “What exactly is it you think I’m going to talk to him about? President Cell Phone looked unconcerned. “We’ll think of something. We’re interesting people.” Blue doubted it.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
“
There had been the quick nooky in the changing room at one of those upscale hair salons. There had been under-the-coat manipulation in a private balcony at a lush Broadway musical. But it was midway through a particularly daring encounter in a British-style red phone booth located, in of all places, a quiet street in Allendale, New Jersey, when Jack suddenly panted, “I need space.” Grace had looked up at him. “Excuse me?” “I mean, literally. Back up! The phone receiver is pressing into my neck!” They’d both laughed.
”
”
Harlan Coben (Just One Look)
“
The things you end up missing most about somebody when they're gone are their flaws: the most ridiculous or annoying things.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)