Phillis Wheatley Quotes

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Through thickest gloom look back, immortal shade, On that confusion which thy death has made.
Phillis Wheatley (Complete Writings)
Look at history,” Eva continued, rubbing a temple. “Roxanne Shanté out-rapping grown men at fourteen. Serena winning the US Open at seventeen. Mary Shelley writing Frankenstein at eighteen. Josephine Baker conquering Paris at nineteen. Zelda Fitzgerald’s high school diary was so fire that her future husband stole entire passages to write The Great Gatsby. The eighteenth-century poet Phillis Wheatley published her first piece at fourteen, while enslaved. Joan of Arc. Greta Thunberg. Teen girls rearrange the fucking world.
Tia Williams (Seven Days in June)
In every human Breast, God has implanted a Principle, which we call Love of Freedom; it is impatient of Oppression, and pants for Deliverance.
Phillis Wheatley
When African slave Phillis Wheatley wrote poetry, 18 men came to assess whether that was possible.
Jacky Fleming (The Trouble With Women)
Freedom is not free. Free men are not equal. Equal men are not free. The Trial of Phillis Wheatley
Richard Cotten
Twas mercy brought me from my Pagan land, Taught my benighted soul to understand That there's a God, that there's a Savior too: Once I redemption neither sought nor knew.
Phillis Wheatley (Poems of Phillis Wheatley)
For racists like Franklin, it proved difficult to believe that many Blacks were capable of becoming another Francis Williams or Phillis Wheatley. Racists often understood this capable handful to be “extraordinary Negroes.” Joseph
Ibram X. Kendi (Stamped from the Beginning: The Definitive History of Racist Ideas in America)
Diminishing their intellect was yet another way to justify enslaving African Americans, and it had the added benefit of preserving some types of work for whites, and creating and maintaining clear social and economic boundaries between blacks and whites. In an explicit challenge to African Americans’ intellect, eighteen prominent Massachusetts white men—including John Hancock and Thomas Hutchinson, the governor of the colony—examined Phillis Wheatley in Boston’s Town Hall in 1772 to determine whether she could possibly have produced the poetry she claimed to have written.
Heather Andrea Williams (American Slavery: A Very Short Introduction (Very Short Introductions))
On Virtue O thou bright jewel in my aim I strive To comprehend thee. Thine own words declare Wisdom is higher than a fool can reach. I cease to wonder, and no more attempt Thine height t’explore, or fathom thy profound. But, O my soul, sink not into despair, Virtue is near thee, and with gentle hand Would now embrace thee, hovers o’er thine head. Fain would the heaven-born soul with her converse, Then seek, then court her for her promised bliss. Auspicious queen, thine heavenly pinions spread, And lead celestial Chastity along; Lo! now her sacred retinue descends, Arrayed in glory from the orbs above. Attend me, Virtue, thro’ my youthful years! O leave me not to the false joys of time! But guide my steps to endless life and bliss. Greatness, or Goodness, say what I shall call thee, To give an higher appellation still, Teach me a better strain, a nobler lay, O Thou, enthroned with Cherubs in the realms of day!
Phillis Wheatley
In 1774, the year after her enslavers relinquished their claim on her, Boston poet Phillis Wheatley wrote to Mohegan cleric Samson Occom about the hypocrisy of leaders who rallied for freedom while practicing enslavement. “In every human Breast, God has implanted a Principle, which we call Love of Freedom; it is impatient of Oppression, and pants for Deliverance,” she wrote, adding, “I will assert, that the same Principle lives in us.
Heather Cox Richardson (Democracy Awakening: Notes on the State of America)
Look at history,” Eva continued, rubbing a temple. “Roxanne Shanté out-rapping grown men at fourteen. Serena winning the US Open at seventeen. Mary Shelley writing Frankenstein at eighteen. Josephine Baker conquering Paris at nineteen. Zelda Fitzgerald’s high school diary was so fire that her future husband stole entire passages to write The Great Gatsby. The eighteenth-century poet Phillis Wheatley published her first piece at fourteen, while enslaved. Joan of Arc. Greta Thunberg. Teen girls rearrange the fucking world.” An electrified
Tia Williams (Seven Days in June)
He had to backtrack immediately to account for the most famous and most acclaimed poet in America, Phillis Wheatley, who was, very unfortunately for Jefferson’s argument, unquestionably black. She had been brought to Boston as an enslaved African at the age of about six, learned English and Latin as a child, and began writing poetry as a teenager. Her published works earned accolades on both sides of the Atlantic. Among her admirers were Voltaire, who praised Wheatley’s “very good English verse,” George Washington, Benjamin Franklin, and even the naval hero John Paul Jones, who addressed her as “the celebrated Phillis the African favorite of the Nine [Muses] and Apollo” when he sent her some of his own verses. Dr. Rush cited her as a proof of black ability, listing her accomplishments when he wrote in 1775, “We have many well attested anecdotes of as sublime and disinterested virtue among them as ever adorned a Roman or a Christian character.”14 Franklin went to see Wheatley when she was in London, a literary celebrity on book tour. The acclaim irked Jefferson: “The compositions published under her name are below the dignity of criticism.”15
Henry Wiencek (Master of the Mountain: Thomas Jefferson and His Slaves)
Phillis Wheatley had auditioned and proven the capability of Black humanity to the assimilationist scions of Boston. But unlike the publishers, these men did not have much to lose.
Ibram X. Kendi (Stamped from the Beginning: The Definitive History of Racist Ideas in America)
Phillis Wheatley, a young slave girl, published a collection of poems titled 'Poems on Various Subjects, Religious and Moral' in 1773, when she was around twenty years old, becoming the first enslaved African in America to publish a book of poetry.
Linda Tarrant-Reid (Discovering Black America: From the Age of Exploration to the Twenty-First Century)
Phillis Wheatley,
Jay Winik (The Great Upheaval)
that White people could be persuaded away from their racist ideas if they saw Black people improving their behavior, uplifting themselves from their low station in American society. The burden of race relations was placed squarely on the shoulders of Black Americans. Positive Black behavior, abolitionist strategists held, undermined racist ideas, and negative Black behavior confirmed them. Uplift suasion was not conceived by the abolitionists meeting in Philadelphia in 1794. It lurked behind the craze to exhibit Phillis Wheatley and Francis Williams and other “extraordinary” Black people. So the American Convention, raising the stakes, asked every free Black person to serve as a Black exhibit. In every state, abolitionists publicly and privately drilled this theory into the minds of African people as they entered the ranks of freedom in the 1790s and beyond. This strategy to undermine racist ideas was actually based on a racist idea: “negative” Black behavior, said that idea, was partially or totally responsible for the existence and persistence of racist ideas. To believe that the negative ways of Black people were responsible for racist ideas was to believe that there was some truth in notions of Black inferiority. To believe that there was some truth in notions of Black inferiority was to hold racist ideas. From the beginning, uplift suasion was not only racist, it was also impossible for Blacks to execute. Free Blacks were unable to always display positive characteristics for the same reasons poor immigrants and rich planters were unable to do so: free Blacks were human and humanly flawed. Uplift suasion assumed, moreover, that racist ideas were sensible and could be undone by appealing to sensibilities. But the common political desire to justify racial inequities produced racist ideas, not logic. Uplift suasion also failed to account for the widespread belief in the extraordinary Negro, which had dominated assimilationist and abolitionist thinking in America for a century. Upwardly mobile Blacks were regularly cast aside as unique and as different from ordinary, inferior Black people.
Ibram X. Kendi (Stamped from the Beginning: The Definitive History of Racist Ideas in America)
position,—for the Negro to realize more deeply than he does at present the need of uplifting the masses of his people, for the white people to realize more vividly than they have yet done the deadening and disastrous effect of a color-prejudice that classes Phillis Wheatley
W.E.B. Du Bois (The Souls of Black Folk (Illustrated))
Roxanne Shanté out-rapping grown men at fourteen. Serena winning the US Open at seventeen. Mary Shelley writing Frankenstein at eighteen. Josephine Baker conquering Paris at nineteen. Zelda Fitzgerald’s high school diary was so fire that her future husband stole entire passages to write The Great Gatsby. The eighteenth-century poet Phillis Wheatley published her first piece at fourteen, while enslaved. Joan of Arc. Greta Thunberg. Teen girls rearrange the fucking world.
Tia Williams (Seven Days in June)
On stormy tempests, ever-dreary seas, / The way to long-seek'd Britain's coast we bend
Phillis Wheatley