Peter Parker Quotes

We've searched our database for all the quotes and captions related to Peter Parker. Here they are! All 81 of them:

So that means that Peter..." I swallowed. "That his full name was Peter Parker." "Yeah" I burst into tears. "Oh, my God! I killed Spiderman!
Michelle Rowen (Fanged & Fabulous (Immortality Bites, #2))
All those years I thought that it was power that brought responsibility. It's not. I was wrong. It's responsibility that brings power. It's knowing what needs to be done that brings strength. And courage.
Peter Parker Spiderman
Okay, so I lied. He’s nothing like Peter Parker. He’s a bajillion times sexier than Peter Parker. Spiderman ain’t got nothing on Zak Gibbons.
Cassie Mae (How to Date a Nerd (How To, #1))
I'm a disciple of the Tao of Peter Parker, obviously,
Jim Butcher (Death Masks (The Dresden Files, #5))
No matter how buried it gets, or lost you feel, you must promise me, that you will hold on to hope and keep it alive. We have to be greater than what we suffer. My wish for you is to become hope. People need that.
Peter Parker Spiderman
If you took the city of Tokyo and turned it upside down and shook it you would be amazed at the animals that fall out: badgers, wolves, boa constrictors, crocodiles, ostriches, baboons, capybaras, wild boars, leopards, manatees, ruminants, in untold numbers. There is no doubt in my mind that that feral giraffes and feral hippos have been living in Tokyo for generations without seeing a soul.
Yann Martel (Life of Pi)
If Peter Pecker picked a pack of pecker partners, how many pecker partners would Peter Pecker pick?
Madison Parker (Play Me, I'm Yours)
My mom once told me that my dad had given me an alliterative name, Wade Watts, because he thought it sounded like the secret identity of a superhero. Like Peter Parker or Clark Kent.
Ernest Cline (Ready Player One (Ready Player One, #1))
Are you tryin' to defeat me by talking me to death?!' -- Peter Parker
Stan Lee (Essential Amazing Spider-Man, Vol. 1)
To live outcast from your own kind, laughed at and mocked by most mortals. Living in a hovel, barely scraping by. Spurning wealth and fame. Why do you do it?” “I’m a disciple of the Tao of Peter Parker, obviously,
Jim Butcher (Death Masks (The Dresden Files, #5))
Peter Parker: I mean, what I do sometimes requires violence, but I'm not a violent man, I'm really not. But I just-- Mary Jane: You wanted to deck her. Peter: Twice. And I hate feeling that way. Why is it that people feel the need to take whatever little authority they have and shove it down your throat? And the smaller the authority, the bigger the shove. Aunt May: It offends you, doesn't it? Peter: Yeah, it does. Aunt May: Why? Peter: I -- What do you mean, why? Aunt May: Why does it offend you? Peter: Shouldn't it? Aunt May: If a lion broke out of its cage at the zoo, and bit you, it would hurt, sure, and you'd be upset, of course. But would you be offended? Peter: No, of course not. Aunt May: Why? Peter: Because that's the nature of a lion. Aunt May: Some people by nature are kind and charitable. You could say that some people, including at least one person at this table, are by their nature heroes. Ben always reminded me that we each contain all the nobler and meaner aspects of humanity, but some get a bigger dose than others of one thing or another. Some are petty, and mean, and uncharitable. That's their nature. You can hope for better, even try to lead them to be and you may even succeed. But when they behave badly, it's right to be upset by it, or hurt by it, but you can be no more offended by it than you can when a lion bites you.
J. Michael Straczynski
Amazing? My heart fluttered. “But I don’t want Flash or Harry,” I murmured. “You want Spider-Man,” he finished for me, looking a little wistful. I shrugged. “And Peter Parker.” He looked at me, very seriously. “Then don’t settle,” he said.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
The best part of having superpowers is that most of the time other people do not even know that you have them— like when Peter Parker goes paintballing, people just think he is a really awesome paintballer, and he totally gets away with using his Spidey senses, and when Aquaman is on OkCupid, and he says he spends a lot of time thinking about global warming, people just think he’s a conscientious dude, and on the days that I get out of bed and put on appropriate workplace attire and eat three meals, none of which are Hot Pockets, people can’t even tell that right then, at that moment, I am using my superpowers. Anxiety is your body’s response to perceived danger and mine is so strong you would have to call it a superpower. It never gives up; It is always looking for a fight; It is the fiercest part of me.
Brenna Twohy (Forgive Me My Salt)
He was quiet for a moment. “So, in this analogy, you’re Mary Jane?” “You got that right, Tiger.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
When I was twenty-five, I went on exactly four dates with a much older guy whom I’ll call Peter Parker. I’m calling him Peter Parker because the actual guy’s name was also alliterative, and because, well, it’s my book and I’ll name a guy I dated after Spider-Man’s alter ego if I want to.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
As Parker Palmer said, “Self-care is never a selfish act—it is simply good stewardship of the only gift I have, the gift I was put on earth to offer others. Anytime we can listen to true self and give it the care it requires, we do it not only for ourselves, but for the many others whose lives we touch.
Peter Scazzero (Emotionally Healthy Spirituality: Unleash a Revolution in Your Life In Christ)
Parker looked distressed. He had confidence in Wimsey's judgment, and, in spite of his own interior certainty, he felt shaken. "My dear man, where's the flaw in [this case]?" "There isn't one ... There's nothing wrong about it at all, except that the girl's innocent.
Dorothy L. Sayers (Strong Poison (Lord Peter Wimsey, #5))
What if the girls on the squad realize I swoon over Peter Parker or that I secretly wish our uniforms included a cape
Leah Rae Miller (The Summer I Became a Nerd (Nerd, #1))
You legit left town as Peter Parker and came back as Spiderman.” “Those
Brittainy C. Cherry (The Fire Between High & Lo (Elements, #2))
His heart's as cold as an ice cube!' -- Peter Parker thought.
Stan Lee (Amazing Spider-Man (1963-1998) #1)
If all that boasting doesn't tire you out, nothing will!' -- Peter Parker
Stan Lee (Essential Amazing Spider-Man, Vol. 1)
I feel like Peter Parker right after he gets bitten by the radioactive spider, when the onrush of super senses almost makes his brain explode.
Sophie Lark (There Are No Saints (Sinners, #1))
I really felt amazing overall---other than a few minutes ago in the shower. Pushing the thought from my mind, I focused on the positives. My senses were heightened now, like I'd been bitten by Peter Parker's radioactive spider. Only the guy who bit me was a mutated green beret. And instead of making me into a superhero, he'd doomed me to die of a brain hemorrhage.
Lisa Kessler (Blood Moon (Moon, #3))
when you look in her eyes, and she looks back in yours, everything feels not quite normal, because you feel strong—and weak at the same time. You feel excited, and at the same time terrified. The truth is you don't know the way you feel, except you know the kind of man you want to be. It's as if you've reached the unreachable, and you weren't ready for it
Spider Man
Spider-Man had Peter Parker.
Gordon Korman (Supergifted)
He became an object of ridicule in 1993 when a paper published an intercepted phone call in which he told his lover Camilla Parker Bowles he wanted to be reincarnated as her tampon.
Peter Graff
Lord Peter was hampered in his career as a private detective by a public school education. Despite Parker's admonitions, he was not always able to discount it. His mind had been warped in its young growth by "Raffles" and "Sherlock Holmes," or the sentiments for which they stand. He belonged to a family which had never shot a fox. 'I am an amateur,' said Lord Peter
Dorothy L. Sayers (Whose Body? (Lord Peter Wimsey, #1))
Here’s the thing: If you’re bereft and grieving and brokenhearted, and you’re presented with the opportunity to say, My name is Peter Parker. I was bitten by a radioactive spider and now I’m covering myself in parmesan cheese and chili flakes because I am pizza … You must—must!—take it.
Genevieve Wheeler (Adelaide)
No one can win every battle, but no man should fall without a struggle
Peter Parker Spiderman
There are many difficulties inherent in a teleological view of creation,” said Parker placidly.
Dorothy L. Sayers (Clouds of Witness (Lord Peter Wimsey #2))
I never thought I could live forever... It's...it's scary, man... things mean something when you can die. But livin' forever... what kind of life is that?
Chip Zdarsky (Peter Parker: The Spectacular Spider-Man, Vol. 4: Coming Home)
No matter how small I am--no matter how hopeless everything seems--I mustn't give up! My size doesn't matter! Even my life doesn't matter! No one can win--every battle, but--no man should fall-- without a struggle!
Peter Parker Spiderman
The boy who wears his comic books like armor often sits alone. He is more comfortable with Iron Man and his own thoughts than he will ever be with a woman. Because of his nervous ticks, no matter how long they are together, she will never feel commonplace to him. She will always know she is special. The boy who wears his comic books like armor tries to tell her that he loves her every day. She does not understand. When he says, You remind me of Psylocke, he is not saying he actually thinks she is a scantily clad assassin. He is just saying, Damn girl, you must be psychic. How else could you always know the right thing to make me smile? You have to be a ninja. How else could you have stolen my heart so easily? He is saying, Dammmmmmmmnnnnnn girl, you absolutely have to be Psylocke! She is the only character I have ever read about who is as graceful and daring as you are. She does not understand. The boy who wears his comic books like armor is not a good lover. The way he barely touches her makes her feel unattractive. Like he is only doing this because she wants him to. This could not be further from the truth. He is simply treating her like the only thing that has ever been this important to him before: comic books. He removes her clothes like he would the slipcover from a brand new issue, as careful not to wrinkle her clothing as he is not to damage the plastic. One day, she will leave him because feeling special isn’t as important as feeling loved. He does love her. She can’t understand. He will spend the rest of his life wishing he were Peter Parker, knowing that if he had a mask to remove, then, just like Mary Jane, she would be with him forever. But he doesn’t have a mask to remove, just an awkward smile. He hopes that one day that’s enough.
Jared Singer (Forgive Yourself These Tiny Acts of Self-Destruction)
Most of her friends owned laptops and seemed to spend more time with their phones than anything else. Steffy kept her latest playlists and apps updated frequently. She was a member of what Peter called, The Gadget Generation. She could not imagine what it must have been like before such a time. The unbearable isolation that must have been present. How did people deal with it? When she asked a few older people in the town, they simply said she had too much spare time on her hands. It appeared thinking was a crime in the world she lived
Jaime Allison Parker (Justice of the Fox)
When Camilla and her husband joined Prince Charles on a holiday in Turkey shortly before his polo accident, she didn’t complain just as she bore, through gritted teeth, Camilla’s regular invitations to Balmoral and Sandringham. When Charles flew to Italy last year on a sketching holiday, Diana’s friends noted that Camilla was staying at another villa a short drive away. On her return Mrs Parker-Bowles made it quite clear that any suggestion of impropriety was absurd. Her protestations of innocence brought a tight smile from the Princess. That changed to scarcely controlled anger during their summer holiday on board a Greek tycoon’s yacht. She quietly simmered as she heard her husband holding forth to dinner-party guests about the virtues of mistresses. Her mood was scarcely helped when, later that evening, she heard him chatting on the telephone to Camilla. They meet socially on occasion but, there is no love lost between these two women locked into an eternal triangle of rivalry. Diana calls her rival “the rotweiller” while Camilla refers to the Princess as that “ridiculous creature”. At social engagements they are at pains to avoid each other. Diana has developed a technique in public of locating Camilla as quickly as possible and then, depending on her mood, she watches Charles when he looks in her direction or simply evades her gaze. “It is a morbid game,” says a friend. Days before the Salisbury Cathedral spire appeal concert Diana knew that Camilla was going. She vented her frustration in conversations with friends so that on the day of the event the Princess was able to watch the eye contact between her husband and Camilla with quiet amusement. Last December all those years of pent-up emotion came flooding out at a memorial service for Leonora Knatchbull, the six-year-old daughter of Lord and Lady Romsey, who tragically died of cancer. As Diana left the service, held at St James’s Palace, she was photographed in tears. She was weeping in sorrow but also in anger. Diana was upset that Camilla Parker Bowles who had only known the Romseys for a short time was also present at such an intimate family service. It was a point she made vigorously to her husband as they travelled back to Kensington Palace in their chauffeur-driven limousine. When they arrived at Kensington Palace the Princess felt so distressed that she ignored the staff Christmas party, which was then in full swing, and went to her sitting-room to recover her composure. Diplomatically, Peter Westmacott, the Wales’s deputy private secretary, sent her avuncular detective Ken Wharfe to help calm her.
Andrew Morton (Diana: Her True Story in Her Own Words)
I could have been someone from the book if you’d told me in advance.” “Yes, well, today you’d make a really great Moaning Myrtle.” Peter gives me a blank look, and disbelieving, I say, “Wait a minute…have you never read Harry Potter?” “I’ve read the first two.” “Then you should know who Moaning Myrtle is!” “It was a really long time ago,” Peter says. “Was she one of those people in the paintings?” “No! And how could you stop after Chamber of Secrets? The third one’s the best out of the whole series. I mean, that’s literally crazy to me.” I peer at his face. “Do you not have a soul?” “Sorry if I haven’t read every single Harry Potter book! Sorry I have a life and I’m not in the Final Fantasy club or whatever that geek club is called--” I snatch my wand back from him and wave it in his face. “Silencio!” Peter crosses his arms. Smirking, he says, “Whatever spell you just tried to cast on me, it didn’t work, so I think you need to go back to Hogwarts.” He’s so proud of himself for the Hogwarts reference, it’s kind of endearing. Quick like a cat I pull down his mask, and then I put one hand over his mouth. With my other hand I wave my wand again. “Silencio!” Peter tries to say something, but I press my hand harder. “What? What was that? I can’t hear you, Peter Parker.” Peter reaches out and tickles me, and I laugh so hard I almost drop my wand. I dart away from him but he pounces after me, pretend shooting webs at my feet. Giggling, I run away from him, further down the hall, dodging groups of people. He gives chase all the way to chem class. A teacher screams at us to slow down, and we do, but as soon as we’re around the corner, I’m running again and so is he. I’m breathless by the time I’m in my seat. He turns around and shoots a web in my direction, and I explode into giggles again and Mr. Meyers glares at me. “Settle down,” he says, and I nod obediently. As soon as his back is turned, I giggle into my robe. I want to still be mad at Peter, but it’s just no use. Halfway through class he sends me a note. He’s drawn spiderwebs around the edges. It says, I’ll be on time tomorrow. I smile as I read it. Then I put it in my backpack, in my French textbook so the page won’t crease or crumble. I want to keep it so when this is over, I can have something to look at and remember what it was like to be Peter Kavinsky’s girlfriend. Even if it was all just pretend.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
whom had long gone to bed. By now the tears that had coursed down his ever-sun-tanned cheeks had gone . . . The question is: What made Charles weep such bitter tears? Sorrow, naturally . . . Shock and nostalgia also at what he had seen, standing there beside an electric fan which made a breeze that lifted the fringe of the dead Princess’s hair. And guilt . . . No one has ever seen him racked with such a sense of frustration and confusion as yesterday. He was distraught, and entirely drained, seeking answers to the unanswerable.’ The first sign of life from Balmoral came on Thursday, the day the Daily Mirror shouted, ‘Your subjects are suffering, speak to us Ma’am’. That day the Union flag was hoisted to half mast over Buckingham Palace – for the first time ever – and the family emerged from the gates of Balmoral. The children had said they would like to go to church again, so Charles took the opportunity to give them a taste of what awaited. The Queen, the Duke of Edinburgh, the Prince of Wales, William, Harry and their cousin Peter Phillips all got out of their cars to look at the messages and floral tributes that had been left there. About sixty members of the public were there, as were some photographers, and apart from the noise of their camera shutters clicking there
Penny Junor (The Duchess: Camilla Parker Bowles and the Love Affair That Rocked the Crown)
a young Goldman Sachs banker named Joseph Park was sitting in his apartment, frustrated at the effort required to get access to entertainment. Why should he trek all the way to Blockbuster to rent a movie? He should just be able to open a website, pick out a movie, and have it delivered to his door. Despite raising around $250 million, Kozmo, the company Park founded, went bankrupt in 2001. His biggest mistake was making a brash promise for one-hour delivery of virtually anything, and investing in building national operations to support growth that never happened. One study of over three thousand startups indicates that roughly three out of every four fail because of premature scaling—making investments that the market isn’t yet ready to support. Had Park proceeded more slowly, he might have noticed that with the current technology available, one-hour delivery was an impractical and low-margin business. There was, however, a tremendous demand for online movie rentals. Netflix was just then getting off the ground, and Kozmo might have been able to compete in the area of mail-order rentals and then online movie streaming. Later, he might have been able to capitalize on technological changes that made it possible for Instacart to build a logistics operation that made one-hour grocery delivery scalable and profitable. Since the market is more defined when settlers enter, they can focus on providing superior quality instead of deliberating about what to offer in the first place. “Wouldn’t you rather be second or third and see how the guy in first did, and then . . . improve it?” Malcolm Gladwell asked in an interview. “When ideas get really complicated, and when the world gets complicated, it’s foolish to think the person who’s first can work it all out,” Gladwell remarked. “Most good things, it takes a long time to figure them out.”* Second, there’s reason to believe that the kinds of people who choose to be late movers may be better suited to succeed. Risk seekers are drawn to being first, and they’re prone to making impulsive decisions. Meanwhile, more risk-averse entrepreneurs watch from the sidelines, waiting for the right opportunity and balancing their risk portfolios before entering. In a study of software startups, strategy researchers Elizabeth Pontikes and William Barnett find that when entrepreneurs rush to follow the crowd into hyped markets, their startups are less likely to survive and grow. When entrepreneurs wait for the market to cool down, they have higher odds of success: “Nonconformists . . . that buck the trend are most likely to stay in the market, receive funding, and ultimately go public.” Third, along with being less recklessly ambitious, settlers can improve upon competitors’ technology to make products better. When you’re the first to market, you have to make all the mistakes yourself. Meanwhile, settlers can watch and learn from your errors. “Moving first is a tactic, not a goal,” Peter Thiel writes in Zero to One; “being the first mover doesn’t do you any good if someone else comes along and unseats you.” Fourth, whereas pioneers tend to get stuck in their early offerings, settlers can observe market changes and shifting consumer tastes and adjust accordingly. In a study of the U.S. automobile industry over nearly a century, pioneers had lower survival rates because they struggled to establish legitimacy, developed routines that didn’t fit the market, and became obsolete as consumer needs clarified. Settlers also have the luxury of waiting for the market to be ready. When Warby Parker launched, e-commerce companies had been thriving for more than a decade, though other companies had tried selling glasses online with little success. “There’s no way it would have worked before,” Neil Blumenthal tells me. “We had to wait for Amazon, Zappos, and Blue Nile to get people comfortable buying products they typically wouldn’t order online.
Adam M. Grant (Originals: How Non-Conformists Move the World)
Everyday I wake up knowing that no matter how many lives I protect, no matter how many people call me a hero, someone even more powerful could change everything.
Peter Parker Spiderman
Ever since Justin Timberlake portrayed him in The Social Network, Sean has been perceived as one of the coolest people in America. JT is still more famous, but when he visits Silicon Valley, people ask if he’s Sean Parker.
Peter Thiel (Zero to One: Notes on Startups, or How to Build the Future)
Peter Parker—when
Michael Lewis (The Big Short: Inside the Doomsday Machine)
Shawn Fanning and Sean Parker, Napster’s then-teenage founders, credibly threatened to disrupt the powerful music recording industry in 1999. The next year, they made the cover of Time magazine. A year and a half after that, they ended up in bankruptcy court.
Peter Thiel (Zero to One: Notes on Startups, or How to Build the Future)
creating a company for acquisition or IPO is different from building a profitable enterprise; it’s about building a sellable enterprise. Startups are not trying to earn revenue (which is a liability); they are setting themselves up to win more capital. They are not part of the real economy or even the real world but part of the process through which working assets are converted into new stockpiles of dead ones. That’s all they have really accomplished with whatever digital fad they’ve foisted onto the market or sold to yesterday’s tech winners. They thought they were engineering a new technology, when they were actually engineering a reallocation of capital. That’s why digital entrepreneurs who do win often end up becoming the next generation of venture capitalists. Everyone from Marc Andreessen (Netscape) to Sean Parker (Napster) to Peter Thiel (PayPal) to Jack Dorsey (Twitter) now runs venture funds of his own. Facebook and Google, once startups themselves, now acquire more businesses than they incubate internally. With each new generation, firms and investors leverage the startup economy more deliberately, or even cynically. After all, a win is a win.
Douglas Rushkoff (Throwing Rocks at the Google Bus: How Growth Became the Enemy of Prosperity)
In retrospect, I can see in my own life what I could not see at the time — how the job I lost helped me find work I needed to do, how the “road closed” sign turned me toward terrain I needed to travel, how losses that felt irredeemable forced me to discern meanings I needed to know. On the surface it seemed that life was lessening, but silently and lavishly the seeds of new life were always being sown. — Parker Palmer50
Peter Scazzero (Emotionally Healthy Spirituality Day by Day: A 40-Day Journey with the Daily Office)
So handsome, I always think,” whispered the Duchess to Mr. Parker; “just exactly like William Morris, with that bush of hair and beard and those exciting eyes looking out of it—so splendid, these dear men always devoted to something or other—not but what I think socialism is a mistake—of course it works with all those nice people, so good and happy in art linen and the weather always perfect—Morris, I mean, you know—but so difficult in real life.
Dorothy L. Sayers (The Lord Peter Wimsey Mysteries: Whose Body? / Clouds of Witness, / Unnatural Death)
The two companies also clashed over creative control. Marvel wanted guarantees, for instance, that Peter Parker would be a heterosexual male who didn’t lose his virginity before age sixteen and never slept with anyone under sixteen (which Sony agreed to) and that he would be a Caucasian of average height who doesn’t smoke, drink, use drugs, or curse (which Sony would not accept). Both sides were regularly auditing each other, and Sony eventually formed a committee that met weekly just to deal with the nonstop barrage of Marvel-related issues.
Ben Fritz (The Big Picture: The Fight for the Future of Movies)
Parker Palmer lo expresa muy bien: Hay al menos una cosa que me ha quedado clara: el cuidado de sí mismo no es nunca un acto egoísta; sencillamente es una buena mayordomía del único don que tenemos; fui puesto en la tierra para poderles ofrecer ese don a los demás. Cada vez que podamos escuchar a nuestro verdadero yo y darle el cuidado que necesita, no lo hacemos solo para nosotros mismos, sino también para los muchos otros cuyas vidas tocamos.
Peter Scazzero (El líder emocionalmente sano: Cómo transformar tu vida interior transformará profundamente tu iglesia, tu equipo y el mundo (Emotionally Healthy Spirituality) (Spanish Edition))
No words in our ledgers could do justice to this sublime beauty,” Captain Lewis said. “The expedition should have brought a camera obscura.” Peter wasn’t familiar with the words, but no matter. He knew he was part of something magnificent—something greater than himself or the Corps of Discovery. And he knew what it was. It was America. And it was beautiful.
P.J. Parker (America Túwaqachi: The Saga of an American Family)
Andrew Parker ha aventurado que la invención de los ojos fue el acontecimiento decisivo del Cámbrico.
Peter Godfrey-Smith (Otras mentes. El pulpo, el mar y los orígenes profundos de la consciencia)
There tends to be most Morse activity on bands like 7 and 14 MHz within two or three hours of sunrise and sunset.
Peter Parker (99 things you can do with Amateur Radio)
Like when Peter Parker didn’t go to the science fair, so Gwen Stacy did and she was bit by the radioactive spider and became Spider-Gwen.
Pixel Ate (Multiverse Tournament of Champions: Book 1: An Unofficial Minecraft Crossover Series)
We’ve all heard of the Spidey sense: the tingling sensation by which Peter Parker detected trouble in the vicinity. Why not have a Tweety sense?
David Eagleman (Livewired: The Inside Story of the Ever-Changing Brain)
A couple of weeks before, while going over a Variety list of the most popular songs of 1935 and earlier, to use for the picture’s sound track – which was going to consist only of vintage recording played not as score but as source music – my eye stopped on a .933 standard, words by E.Y. (“Yip”) Harburg (with producer Billy Rose), music by Harold Arlen, the team responsible for “Over the Rainbow”, among many notable others, together and separately. Legend had it that the fabulous Ms. Dorothy Parker contributed a couple of lines. There were just two words that popped out at me from the title of the Arlen-Harburg song, “It’s Only a Paper Moon”. Not only did the sentiment of the song encapsulate metaphorically the main relationship in our story – Say, it’s only a paper moon Sailing over a cardboard sea But it wouldn’t be make-believe If you believed in me – the last two words of the title also seemed to me a damn good movie title. Alvin and Polly agreed, but when I tried to take it to Frank Yablans, he wasn’t at all impressed and asked me what it meant. I tried to explain. He said that he didn’t “want us to have our first argument,” so why didn’t we table this conversation until the movie was finished? Peter Bart called after a while to remind me that, after all, the title Addie Pray was associated with a bestselling novel. I asked how many copies it had sold in hardcover. Peter said over a hundred thousand. That was a lot of books but not a lot of moviegoers. I made that point a bit sarcastically and Peter laughed dryly. The next day I called Orson Welles in Rome, where he was editing a film. It was a bad connection so we had to speak slowly and yell: “Orson! What do you think of this title?!” I paused a beat or two, then said very clearly, slowly and with no particular emphasis or inflection: “Paper …Moon!” There was a silence for several moments, and then Orson said, loudly, “That title is so good, you don’t even need to make the picture! Just release the title! Armed with that reaction, I called Alvin and said, “You remember those cardboard crescent moons they have at amusement parks – you sit in the moon and have a picture taken?” (Polly had an antique photo of her parents in one of them.) We already had an amusement park sequence in the script so, I continued to Alvin, “Let’s add a scene with one of those moons, then we can call the damn picture Paper Moon!” And this led eventually to a part of the ending, in which we used the photo Addie had taken of herself as a parting gift to Moze – alone in the moon because he was too busy with Trixie to sit with his daughter – that she leaves on the truck seat when he drops her off at her aunt’s house. … After the huge popular success of the picture – four Oscar nominations (for Tatum, Madeline Kahn, the script, the sound) and Tatum won Best Supporting Actress (though she was the lead) – the studio proposed that we do a sequel, using the second half of the novel, keeping Tatum and casting Mae West as the old lady; they suggested we call the new film Harvest Moon. I declined. Later, a television series was proposed, and although I didn’t want to be involved (Alvin Sargent became story editor), I agreed to approve the final casting, which ended up being Jodie Foster and Chris Connolly, both also blondes. When Frank Yablans double-checked about my involvement, I passed again, saying I didn’t think the show would work in color – too cute – and suggested they title the series The Adventures of Addie Pray. But Frank said, “Are you kidding!? We’re calling it Paper Moon - that’s a million-dollar title!” The series ran thirteen episodes.
Peter Bogdanovich (Paper Moon)
Avengers Endgame done, Spider-Man Far From Home theory says Tony Stark made the spider that bit Peter Parker A new fan theory says that it will be revealed in the upcoming Marvel movie Spider-Man: Far From Home that Tony Stark created the spider that bit a teenage Peter Parker and gave him his superpowers. Tony died at the end of Avengers: Endgame, and shared a fatherly relationship with Peter in the Marvel Cinematic Universe. If this theory were to be proven true, it would give new meaning to their father-son relationship. It has previously been reported that Far From Home, a sequel to 2017’s Spider-Man: Homecoming, will reveal a major secret about Tony. A trailer revealed that Tony has left behind a secret lab for Peter. The theory, posted on Reddit, suggests that Tony worked with Norman Osborne to create the spider that bit Peter, which is why he knew his identity in Captain America: Civil War, and shared such a close bond with him. This will also allow Marvel to introduce Norman into the MCU. A fan had previously ‘leaked’ that Marvel is considering making Norman Osborne (who goes on to become the Green Goblin) a major new villain in the overarching story of the MCU. Another theory suggests that Tony was behind Uncle Ben’s death, which happens before we’re introduced to this version of Peter in the films. A version of this theory previously stated suggests that Uncle Ben died during the Battle of New York, which could indirectly mean that Tony was responsible for it. Far From Home is directed by Jon Watts, and stars Samuel L Jackson, Cobie Smulders and Jake Gyllenhaal in supporting roles, in addition to Tom Holland as Peter. The embargo on reviews will lift on Wednesday - two weeks ahead of release - which suggests that Marvel is positive about the quality of the film.
TonyStark
Whatever that web is made of, it puts Peter Parker to shame.
Graci Kim (The Last Fallen Realm (Gifted Clans, #3))
We all have secrets; the ones we keep, and the ones that are kept from us.” – PETER PARKER, THE AMAZING SPIDER-MAN
Krista Ritchie (Addicted for Now (Addicted #3))
Have you any Scotch blood in you, Parker?” inquired his colleague, bitterly. “Not that I know of,” replied Parker. “Why?” “Because of all the cautious, ungenerous, deliberate and cold-blooded devils I know,” said Lord Peter, “you are the most cautious, ungenerous, deliberate and cold-blooded.
Dorothy L. Sayers (Whose Body? (Lord Peter Wimsey, #1))
By September 2004, Zuckerberg was referring to Parker as Facebook’s president, and Parker was steering Zuckerberg away from conventional venture capitalists. He told Benchmark and Google to back off, preferring to take a leaf out of Google’s own book; he wanted to raise capital from angels. His first port of call was an entrepreneur named Reid Hoffman, who had coached him through the Plaxo denouement. Hoffman declined to lead an investment in Facebook; he had himself founded a social network called LinkedIn, and there might be some rivalry. So Hoffman put Parker in touch with a Stanford friend named Peter Thiel, the co-founder of an online payments company called PayPal. Pretty soon, Thiel agreed to kick in $500,000 in exchange for 10.2 percent of the firm, with Hoffman providing a further $38,000.[11] A third social-networking entrepreneur named Mark Pincus also wrote a check for $38,000.
Sebastian Mallaby (The Power Law: Venture Capital and the Making of the New Future)
Parker Palmer said, “Self-care is never a selfish act—it is simply good stewardship of the only gift I have, the gift I was put on earth to offer others.
Peter Scazzero (Emotionally Healthy Spirituality: It's Impossible to Be Spiritually Mature, While Remaining Emotionally Immature)
De todos modos, ¿por qué tenemos que morir? Puedo entender la muerte cuando se trata de gente mayor. Nadie quiere vivir para siempre. Leí una vez un libro sobre personas que lo hicieron y no les gustó mucho. Simplemente se aburrieron y se volvieron viejas y solas y tristes. Y luego hay cosas prácticas también. Como por ejemplo que si nadie se muriera la gente seguiría naciendo y el mundo se llenaría más y más, hasta que acabaríamos todos unos encima de otros y tendríamos que vivir todos bajo el agua, o en Marte, e incluso entonces es probable que no hubiese sitio suficiente. Todo eso ya lo sé. Pero eso no explica por qué tienen que morir los niños. La abuelita dice que verlo así no está bien. Dice que morirse es como cuando las orugas se convierten en mariposas. Dice que por supuesto da miedo, al igual que a las orugas les da miedo volverse capullos. Pero ¿qué pasaría, dice, si las orugas fueran por ahí diciendo «Oh, no, estoy a punto de volverme un capullo, qué injusto»? Nunca se convertirían en mariposas, eso pasaría. Lo que quiere decir es que es la fase siguiente en un ciclo vital. Como si convertirse en Spiderman fuese la fase siguiente en el ciclo vital de Peter Parker. Así que uno no debería tener miedo, sino más bien sentirse emocionado. Pero de todas formas yo no tengo miedo. Sólo se trata de volver adonde estabas antes de que nacieras y nadie tiene miedo de antes de haber nacido. Solíamos estudiar los ciclos vitales en mi antiguo colegio. Conozco el ciclo del agua y el ciclo del carbono y el ciclo de las estrellas nuevas que nacen. Todos tratan de cosas viejas que mueren y cosas nuevas que nacen. Las estrellas viejas se convierten en estrellas nuevas. Las hojas muertas se convierten en plantitas. Puede tratarse de algo que se muere o de algo que está naciendo. Todo depende de cómo lo mires.
Anonymous
Alison into his arms and gently kissed her. She smiled as she looked up. Parker had everything loaded into Chuck’s vehicle. Chuck roared with laughter. He walked back inside. “How the hell do you enter this into your profit and loss?” Alison giggled. “Gift!” Peter roared with laughter. They all walked outside.
Bridgitte Lesley (My Lady Love)
Burnout is a state of emptiness, to be sure, but it does not result from giving all I have; it merely reveals the nothingness from which I was trying to give in the first place. — Parker Palmer21
Peter Scazzero (Emotionally Healthy Spirituality Day by Day: A 40-Day Journey with the Daily Office)
Everyone who draws breath “takes the lead” many times a day. We lead with actions that range from a smile to a frown; with words that range from blessing to curse; with decisions that range from faithful to fearful. . . . When I resist thinking of myself as a leader, it is neither because of modesty nor a clear-eyed look at the reality of my life. . . . I am responsible for my impact on the world whether I acknowledge it or not. So, what does it take to qualify as a leader? Being human and being here. As long as I am here, doing whatever I am doing, I am leading, for better or for worse. And, if I may say so, so are you. — Parker Palmer33
Peter Scazzero (Emotionally Healthy Spirituality Day by Day: A 40-Day Journey with the Daily Office)
Author Steve Denning has highlighted the weakness of Porter’s assumption that the purpose of strategy is to avoid competition. Denning pointed instead to management guru Peter Drucker’s dictum that the purpose of business is “to create a customer.
Geoffrey G. Parker (Platform Revolution: How Networked Markets Are Transforming the Economy and How to Make Them Work for You: How Networked Markets Are Transforming the Economy―and How to Make Them Work for You)
I can see perfectly and clearly. And my glasses are still on the nightstand. I bolt upright and look around my room. Everything – every poster, every tool, every spare part, every spool of wire – I can see it all crisp and clear. I saw every strand of Mom’s hair in perfect precision. Her tired eyes. The steam rising from her mug. It should’ve all been a blurred mess of colored blobs. I should’ve had to drag my glasses on before any of my surroundings made sense. I grab my glasses and slide them on. Everything shifts out of focus. I take them off and my world sharpens. I scowl down at my frames like they’ve betrayed me somehow. Then I fumble for my cell phone and dial Porter’s number. “Alex?” “You have to do something,” I say, panicked. “I woke up and now I’m Peter freaking Parker.” “Peter who?” “I can see. Like 20/20. I don’t need my glasses anymore.” “Oh. Well, that must be a residual from Shooter Delaney. She was a sharp shooter, you know.” “Is that all you have to say?” “What do you want me to say?” “I want you to tell me how to reverse it.” There’s a pause on the other end of the phone. “You want… your bad vision back?” “Yes.” “…Why?” “Because my other option is explaining to my parents how I have perfect vision all of a sudden. I’m pretty sure they won’t buy the whole ‘bitten by a radioactive spider’ thing.
M.G. Buehrlen (The 57 Lives of Alex Wayfare (Alex Wayfare, #1))
Hilda Ross, the straight-shooting government minister in charge of the welfare of women and children, blamed youthful immorality on “lustful images flowing from trashy magazines and unclean reading matter”, and in July 1954, as the trial of Pauline Parker and Juliet Hulme was about to begin, the government convened a special committee to investigate. It reported that both comics and working mothers were to blame. The government quickly passed legislation banning the sale of contraceptives to anyone under sixteen.
Peter Graham (Anne Perry and the Murder of the Century)
I say, Parker, these are funny cases, ain't they? Every line of inquiry seems to peter out. It's awfully exciting up to a point, you know, and then nothing comes of it. It's like rivers getting lost in the sand.
Dorothy L. Sayers (Whose Body? (Lord Peter Wimsey, #1))
I gape at Peter, who’s in shorts, his t-shirt completely soaked, bouncing the basketball. He stops at the sound of my voice turning to me. And holy shit. The nerd alert himself is missing his pocket protector and glasses. His shirt, which is practically see though, shows off his pecks. He stops dribbling and, with his free hand, he takes the hem of his shirt and lifts it, using it to wipe the buildup of sweat from his face. Fuck. Me. Of course, Nerd Alert has a solid six pack. “You okay over there? You look like you haven’t eaten in days, licking your lips like that.
J.D. Hollyfield (Passing Peter Parker)
I couldn’t fight the urge any longer and looked at him with my evil stare down, making sure he knew I was fed up with him. But when I offered him my crazy eyes, I mistook my direction smacking right into the brick hallway wall. God I hate his laugh.
J.D. Hollyfield (Passing Peter Parker)
I laugh in my head, because let’s be honest, that was kinda funny. Peter’s eyes light up with humor. He agrees.
J.D. Hollyfield (Passing Peter Parker)
You’re in my house, in my bed. I have a long list of things I plan to, and will, do to you. So, if this isn’t what you want, tell me now.” His blunt words cause my heartrate to spike. I can feel him already hard on my stomach. “Do I get a preview of what I’m in for if I say yes?
J.D. Hollyfield (Passing Peter Parker)
I spent most of Sunday hiding, pretending I had food poisoning to keep Agnes from grilling me on what I was doing on Peter’s lap. If it was just as simple as saying, “Well, sis, I was dry humping the shit out of him, and it was awesome, thanks for asking.
J.D. Hollyfield (Passing Peter Parker)
All this yapping and I’m still trying to figure out what Agnes gets out of these get-togethers, besides an ulcer.
J.D. Hollyfield (Passing Peter Parker)
My life as, free as it is, just isn’t as great as I thought it would be. I don’t regret my decisions, because that would mean everybody else in the world was right and I was wrong. I do wish things were different. But then I would have to admit that my life wasn’t all bells and whistles, and I just didn’t want to admit that yet.
J.D. Hollyfield (Passing Peter Parker)
I hear the door open and close, and I peek to see the one and only. “What do you want?” I ask, staring back up at the stars, taking a large sip of my beer. He doesn’t answer, but takes a seat next to me. I turn to see he’s also drinking a beer. He’s back in his work attire, sporting a pair of kakis and a button up polo. “What happened to your Guns-N-Roses shirt? Don’t want anyone to know your alter ego? They might find out you’re really some sort of party animal who raves to heavy metal and goes on drinking binges instead of science fairs?” I laugh taking another swig. We connect eyes and something in them tells me that I might be on to something. “No way. Tell me I’m not wrong. The science teacher secretly has a bad side.” He stands quickly sticking out his hand. “Come with me.” Huh? “No way. Why? You gonna try and retaliate? Avenge all teachers I’ve tried to take out this week?” His laugh is like a tickle to my lady parts. I fight to admit that I seriously love that sound. “No, but it would be fitting though, Peter Parker, saving the world from the reckless bad girl.” I give him my evil eye while he smiles wider. “Come with me. I promise, I’ll bring you back in one piece.” His hand taunting, I decide, what the hell. I stick my hand out, sliding it into his, the feel of his warm skin wrapped around mine. He walks me around to the front of the house and a few cars down, until he stops beside a Jeep. Unlocking the door, he says, “Jump in,” and walks around the other side. Knowing I have a pretty loud voice if he does try and kill me, I jump in. The inside smells just like him. Of spice and aftershave.
J.D. Hollyfield (Passing Peter Parker)
Ahh, it’s true. Secret rocker. So, is the science teacher just a facade? Kinda like the real Peter Parker? Do you secretly save the world on your off time?” I’m smiling at him, enjoying the banter. His frame seems so much bigger, being in the small space. He’s not saying anything, so I go on. “Did I just bust you out? You gonna have to keep me quiet now?” I laugh. But he doesn’t. He leans over and wraps his strong hand around my neck, bringing our faces close, our lips pressing together. I can’t remember the last time I ever made out in a car, if that’s what we’re doing. The old-school French kissing outside the parent’s house until the lights go on and we have to break apart. But this time, I’m an adult and no one’s going to stop us. Not sure what comes over me, but I lean forward, letting him know I want more. His response is just want I want as he pulls my body over the center console to his side, my legs now straddling him. My body is on fire, being in this position. I shamelessly grind forward, loving the friction the hardness between his legs brushing against my covered clit causes. His grip around my ass tightens and he growls into my mouth. Our kiss becomes brutal, my hands working their way up his tight chest, up his neck and into his thick, dark hair. I grip handfuls into my fists and, as I cock my head to the side for a deeper kiss, I accidently knock his glasses off. “Shit, sorry,” I moan into his mouth. He doesn’t skip a beat, grabbing my ass cheeks tighter and grinding what feels like a gigantic sized monster against my sex. This is not how I saw this going, but man, am I glad. His mouth, his strong hands, his hard cock, everything has become a pleasant surprise. The sound of Axl Rose singing in the background while we kiss and grind, our teeth scraping, our tongues dancing around one another, while our hands explore, squeezing, pulling and pinching. It’s almost becoming too much and the buildup is going to cause me to orgasm. I should stop this; this is immature what we’re doing. Dry humping in a car, god, what’s wrong with us? His grip is strong and intense, pushing, pulling, as our bodies move.
J.D. Hollyfield (Passing Peter Parker)
Fuck,” I moan. I’m just at the peak, trying my hardest not to let go, when his phone begins to vibrate in his front pocket. The sensation intensifies and the vibrations are an added bonus to my already throbbing clit. I lose my battle and I bite down on Peters lip, letting my orgasm shoot through me. “Shit, shit… Shiiiiit,” I repeat, forgetting how good it feels to let go. The buzzing stops. But then starts again, tickling my sensitive center. “Sit up,” Peter says, digging his phone out of his pocket, he looks at the screen. “It’s your sister.” Shit! He presses the green button, and puts the phone to his ear. “Hey, Agnes,” he speaks, but you can tell his voice is strained. “Yeah, I know where she’s at.” What! My sister would kill me if she knew what I was doing! I slap him on his chest! I mouth no, while shaking my head. Smiling, he says, “Agnes, hold on, I have another call.” He pulls his phone away to mute it. “Go out with me.” “What?” “Go out with me. Let me take you to dinner. Or… I tell your sister you’re in here with me and I just gave you an old fashion orgasm.” I gasp. “Are you blackmailing me, Peter Parker?” He laughs, “Its Wesley, and yes. Yes, I am.” I can’t believe him. I call his bluff and shake my head no. When he asks me if I’m sure, I stick to my ground and say yes. He just shrugs his shoulders, and brings the phone back to his ear and tells my sister that I am currently sitting on his lap.
J.D. Hollyfield (Passing Peter Parker)
NOTHING EXCITING CAME FROM the rest of my night. After slapping Peter, and high tailing it out of his car, I went back inside, the beady little eyes of my sister staring at me as I walked through the living room. Making a pit stop in the kitchen for more beer, I came back, passing her to go to my room. I know she wanted to yell at me. I hope she yells at Peter, since he’s the one who decided to out us. And why? Really? He would risk his own job, just for a date with me? Idiot.
J.D. Hollyfield (Passing Peter Parker)
Great, but maybe you should mind your own damn business,” I snap. He’s standing there in his normal, causal stance with his hands in his pockets, his stupid sexy glasses hanging off his stupid sexy nose. “Wow, someone’s uptight this morning. Monday blues? You know, I know of something that can ease that tension.” God the nerve. How does he get away with it? I take a few menacing steps towards him, but he never drops that smile. “You know. You may have everyone fooled here. But not me. Ohhhh no! I see right through you. The ‘I’m just this nice innocent science teacher, who compliments old ladies’ cardigans and plays with baking soda and test tubes’. But nope. I know the real you. The condescending type. Thinks all highly of himself. With his big bad muscles and fake—” Peter grabs for me, pulling me into his classroom. The door shuts behind him and my back is thrown against the wall and his mouth is on mine. I spend a half-second thinking of fighting him off before I fight him in a different way, kissing him just as aggressively. God this is so hot. What is wrong with me!? His movement is quick and brutal. He doesn’t bother asking, but takes, as he spreads my legs with his knees, his hands hiking up my skirt. His mouth breaks from mine, his breath caressing my earlobe as he speaks. “We have exactly three minutes before that bell rings. Now you can waste it, or you can enjoy what I’m most definitely going to.” I don’t say a word, because his hand on my thigh is burning a hole through my skin. My silence is his green light, and he raises his hand, pushing my panties aside. The smirk on his face has a lot to do with the realization that I’m already soaking wet. He uses my juices to spread me open then pushing a thick finger inside. His mouth back on mine abusing my lips with his touch while his finger fucks me, in and out, the pleasure, heavenly. “Two minutes,” he says between nips and licks, his finger pulling out and two entering me. God, this is messed up, but so hot. I’m so turned on; my hands are pulling at his hair. “One minute,” he moans into my mouth and I find myself riding his hand thrust for thrust. It’s like I can hear the seconds ticking by, knowing that if I don’t come before that minute ends I will die. “Thirty seconds,” he murmurs across my lips and his pressure increases, his pumps wild, my back riding up and down the wall. He starts counting down from ten, the numbers getting louder and louder in my brain as he slams a third finger inside me and hooks, putting pressure on just the right spot. I explode. I squeeze his fingers so tight and come all over his hand, just as he grunts out the number one. We both hear the bell sound and he pulls out, adjusting my skirt. Taking his fingers into his mouth, he sucks off my juices, never taking his eyes off me. Before I can say anything, the doorknob begins to jiggle. Light appears from the outside and the door opens as a sea of children scatter in. “Thank you Ms. Gretchen, I will most definitely try out three finger servings of baking soda in today’s explosion experiment.” Smiling heftily at me, “But, you should really be getting to class now. The precious youth is waiting for you.” With that he holds his door open, and in a daze, I walk past him. What the fuck…
J.D. Hollyfield (Passing Peter Parker)
I was halfway up a wide curving staircase when Mimi Warren and her friend Kerri came around the corner and started down. Mimi’s nose was red and her hair looked like she hadn’t brushed it. When she saw me she took a half step back up toward the landing, then stopped. “How did you find me?” I spread my hands. “You’re supposed to be kidnapped. You go to clubs on Sunset Boulevard, you gotta expect to be found.” Kerri said, “Who is this?” I said, “Peter Parker.” Kerri looked confused. “Most people know me as The Amazing SpiderMan.
Robert Crais (Stalking The Angel (Elvis Cole, #2))
I say, Parker, I think this co-operative scheme is an uncommonly good one. It's much easier to work on someone else's job than one's own - gives one that delightful feelin' of interferin' and bossin' about, combined with the glorious sensation that another fellow is takin' all one's own work off one's hands. You scratch my back and I'll scratch yours, what?
Dorothy L. Sayers (Whose Body? (Lord Peter Wimsey Series Book 1))