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Myth is also where the differences lie. Where Crusoe articulates a ‘foundation myth’ that shows Western Man asserting his autonomy and dominance as if from scratch, the Journal charts his encounter with a phenomenon he cannot understand or control. Crusoe celebrates the resourcefulness needed to create a world from new; the Journal, the endurance to watch it fall apart. For that reason it is arguably this book that among all Defoe’s works speaks most eloquently to early twenty-first-century readers attuned to imaginary landscapes of nuclear and environmental devastation, to grim fantasies of alien invasion, to the panic and
policies that accompany epidemic disease...
Turning an eye on the commercial and spiritual centre of empire rather than an island outpost, it dares to envisage London consumed not just by disease but violent self-interest that tears at the social fabric. It is that very modern phenomenon, an illness narrative, but one in which the patient is a whole city. Works inspired by it—Mary Shelley’s The Last Man, Albert Camus’s La Peste—do not so much dismantle its ideology as try to render afresh the uniquely disturbing impact. (David Roberts)
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