Perspective Photography Quotes

While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see.

A portrait is not a likeness. The moment an emotion or fact is transformed into a photograph it is no longer a fact but an opinion. There is no such thing as inaccuracy in a photograph. All photographs are accurate. None of them is the truth.

We are often taught to look for the beauty in all things, so in finding it, the layman asks the philosopher while the philosopher asks the photographer.

Sometimes one waits too long for the perfect moment before snapping the picture. You never realize that you needed was to change perspective.

The female brain itself is a highly intuitive emotion-processing machine, which when put to practice in the progress of the society, would do much more than any man can with all his analytical perspectives.

Actually, it's nature itself that creates the most beautiful pictures, I'm only choosing the perspective.

Ironically, the only way to see clearly is to stand at a distance. You might be focused, but that doesn't mean you are seeing correctly. Sometimes, you have you to grab the camera from the idiot taking all the shots in your life because they don't realize the lens is dirty.

Not every artistic person should have to be a photographer, but every photographer should be artistic.

Photography is all about the perspective!

Our eyes captures thousands of beautiful pictures everyday.

The best thing about photography: it changes your point of view.

Life's the picture. But all good photographers know you gotta have the right lens.

This is my second paragliding photo book. Flying photography really drives my life, which is a never-ending search as every day, in every place, the light, atmosphere and elements are different. This book is not about paragliders, their performance or technology; it's clearly about evocations and emotions. To me, the most important aspects of my life of flying adventures are the places and their perspectives, the situations and their contrasts, and the special people I shared special moments with.

The underlying principle: Always try to do the most with the least—with the emphasis on try. You may not always succeed, but attempt to produce the greatest effect in the viewer’s mind by the least number of things on screen. Why? Because you want to do only what is necessary to engage the imagination of the audience—suggestion is always more effective than exposition. Past a certain point, the more effort you put into wealth of detail, the more you encourage the audience to become spectators rather than participants. The same principle applies to all the various crafts of filmmaking: acting, art direction, photography, music, costume, etc.

As he heard a brief click, Ralf thought about what had happened in that moment which had already passed. For just one hundredth of a second, the shutter had opened and photons had flooded into the dark box. They did not move in lines but everywhere at once, so that some might have travelled from Ralf’s face to the end of the beach and back. They went so quickly that, from the perspective of light, the rest of the universe remained at a standstill. For Ralf and Elsa, time was slipping by irrecoverably, but for that single hundredth of a second, the celluloid recorded its bombardment, like the sooty negatives of objects and people, scorched onto the façades of buildings in bombings. The celluloid had ceased to interact with the world, a carpaccio of time, a leaf of the past brought into the present, where Ralf and Elsa stood together, still.

Hyderabad's weddings are known for their opulence and grandeur. From the intricately designed bridal attire and jewelry to the sumptuous cuisine and exquisite decor, every detail is meticulously documented by photographers. These images serve as a testament to the city's rich cultural heritage and the values that bind families together. The business of wedding photography in Hyderabad india is thriving. The city's residents place a high value on preserving the memories of their special day, and they are willing to invest in professional photography services to achieve this. Photographers have embraced digital technology and social media to market their services and showcase their work. They have adapted to the changing times, offering diverse packages to meet the evolving needs and preferences of couples. Established photographers continue to innovate and expand their services, offering pre-wedding shoots, destination wedding coverage, thematic photography, and more. Aspiring photographers also enter the field, adding fresh talent and perspectives to the vibrant community of wedding photographers in Hyderabad.

Baby photography isn't just about documenting moments; it's about creating art. The best photographer should have a creative eye, finding unique angles and perspectives to capture the baby's beauty. Safety should be a top priority during baby photography sessions. The best baby photographer in Hyderabad must be well-versed in safety precautions to ensure that the baby is never put at risk during the shoot. Creating stunning Best baby photography in Hyderabad requires more than just technical skill; it demands a profound dedication to the art form. A talented baby photographer in Hyderabad will invest time and effort in understanding the individual needs and preferences of each family, customizing each photo shoot to capture the unique essence of the baby. The artistic aspect of baby photography is evident in the way a photographer composes shots, plays with lighting, and selects backgrounds and props. Each element is chosen carefully to enhance the aesthetic appeal of the images.

Still, there is something predatory in the act of taking a picture. To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them they can never have; it turns people into objects that can be symbolically possessed.

Therefore, I present to you this book—a tribute to light, the sense of sight, and the vision it gives, outside in. This work is none other than an invitation to see and experience life in all its unadulterated fullness, both outward, and above all, inward. I hope that it can offer you a new way of looking at the world.

Sometimes my pictures do not describe grand places or things, and sometimes they are not grand pictures; but they mean something to me —like this abandoned corner at the back of a church. She called to me that she was dying, crumbling down, and only some appreciation could save her.

I didn’t know whether these pictures would end up in history books or be used against me in a court hearing, but they would testify to something.

Photography is a discourse on perspective.

And when I say “think,” I want you to think about the subject, the location, the perspective, the lighting, the timing, the weather, the mood, the pose, the clothes, the expression, the composition, and yes, the camera settings. That’s a lot to absorb,

Ein Foto muss nicht immer technisch perfekt und ein Meisterwerk sein. Das Leben ist es ja auch nicht und trotzdem finden wir es wundervoll.

A specular perspective of the city demonstrates the voyeurship of both the viewer as spectator, and the photographer as auteur.

Scott Eastman told me that he “never completely fit in one world.” He grew up in Oregon and competed in math and science contests, but in college he studied English literature and fine arts. He has been a bicycle mechanic, a housepainter, founder of a housepainting company, manager of a multimillion-dollar trust, a photographer, a photography teacher, a lecturer at a Romanian university—in subjects ranging from cultural anthropology to civil rights—and, most unusually, chief adviser to the mayor of Avrig, a small town in the middle of Romania. In that role, he did everything from helping integrate new technologies into the local economy to dealing with the press and participating in negotiations with Chinese business leaders. Eastman narrates his life like a book of fables; each experience comes with a lesson. “I think that housepainting was probably one of the greatest helps,” he told me. It afforded him the chance to interact with a diverse palette of colleagues and clients, from refugees seeking asylum to Silicon Valley billionaires whom he would chat with if he had a long project working on their homes. He described it as fertile ground for collecting perspectives. But housepainting is probably not a singular education for geopolitical prediction. Eastman, like his teammates, is constantly collecting perspectives anywhere he can, always adding to his intellectual range, so any ground is fertile for him.

Rarely can they claim to be simply a mirror of events. Like eyewitness reports, images deliver an interpretation of an event from a specific perspective: subjective, sometimes partisan, sometimes manipulative. Anyone who believes a photograph captures "reality" is naïve. Why a picture was taken, who distributed it, what their intention was - these questions must be asked again and again. Photographs can only speak to us only after we have mistrusted and challenged them.

The ultimate wisdom of the photographic image is to say: ‘There is the surface. Now think—or rather feel, intuit—what is beyond it, what the reality must be like if it looks this way.

Change Your Perspective, Inspire the World

Be a gladiator, be afraid but fearless, brandish your sword of creativity and let your special arena/s of audience cheer you on. This is your time. Let’s enrich our world together with our translations of hope—writing, art, photography, creativity, perspective and discoveries. @reenadossauthor

Your life is your work of art, it's an expression of your uniqueness. Sensuality enables artists to explore the depths of human experience, translating their internal landscapes into creative expressions that resonate with others. Each form of art captures the essence of emotion in unique ways, inviting audiences to engage with the artist's vision. In painting, colors and textures evoke feelings that can range from joy to despair. The choice of hues can create warmth or coldness, while the brushstrokes convey movement and energy, allowing viewers to feel the artist's heartbeat on the canvas. Each artwork becomes a window into the artist’s soul, reflecting their innermost thoughts and feelings. Music, too, is a deeply emotional medium. A melody can evoke nostalgia, while a rhythm can ignite a sense of urgency or joy. The interplay of notes and silence creates a dynamic landscape where emotions can flow freely. Lyrics can tell stories of love, loss, and hope, forging a connection that often feels personal and intimate. Writing gives voice to the complexities of emotion. Through prose and poetry, writers can articulate thoughts and feelings that may be difficult to express otherwise. Each word is carefully chosen to resonate with the reader, drawing them into a world where they can empathize with the characters and situations presented. The written word has the power to heal, inspire, and provoke thought, making it a vital form of artistic expression. Photography captures fleeting moments, freezing them in time while conveying emotions that may otherwise be lost. A single image can tell a powerful story, eliciting joy, sadness, or contemplation. The photographer's perspective shapes how we see the world, inviting us to experience beauty, vulnerability, and the raw essence of life through their lens. Dance is perhaps the most physical manifestation of sensuality in art. It encompasses a language of movement that transcends spoken words, allowing dancers to express emotions through their bodies. Each movement tells a story, whether it’s a graceful ballet or an energetic street dance, and the connection between performers and audience can be electric, creating an atmosphere of shared emotion and energy. In all these forms, the artist's sensuality serves as a conduit for emotional exploration and expression. It is through their vulnerability and authenticity that they invite others to feel, reflect, and connect, reminding us of the richness of the human experience. Art becomes a celebration of life, an exploration of emotions that binds us together in our shared humanity. Being an artist is immersing oneself completely in the experience of life...

Of course, the goal is to make the tech invisible, to show the audience viewpoints and perspectives that enhance the story and draw viewers in, not remind them that they can buy a flying camera at Target next weekend.

When you include angled lines, choose a perspective that allows the angles to be at least 20 degrees off-level. Anything less doesn’t look deliberate and isn’t as appealing. To control the angle of lines, change your perspective. For example, in a landscape with a straight fence through it, you could hold your camera perpendicular to the fence so that it was perfectly straight across your picture. Or, you could move close to the fence and turn left or right so that the fence drew an attractive 20 to 30 degree angled line through the landscape. However, you wouldn’t want to be somewhere in-between; a 5 degree angle would look careless and unattractive.

The best photographers do not need 50000 dollars worth of gear. Look what Ansel Adams did with a Kodak brownie camera. A good photographer has a way of seeing (perspective) that is different from the mundane.

A lady recently said to me, “Lebo, the passion you have for women is so deep. I don’t think I have half the passion you have for my own self and I’m a woman.” Truth is, every man inherently has this drive whether they aware of it or not. We, as men, whether gay or straight, live to unravel the sensual mystery/beauty of the feminine energy. Not to sound like a male chauvinist, but I believe this is one of the biggest reasons why as Tom Ford said, “Men are often better designers for women than other women.” It is this approach of “mining” and wanting to “unravel” the sensual feminine mystery/beauty that serves as our biggest drive or motivation. Male designers (i.e. David tlale, Gert Johan Coetzee, Christian Louboutin, Tomford, ME, etc.) are very exceptional at their craft because I believe they have this deep acknowledgement that they were first and foremost “CALLED” TO PUT WOMEN ON A PEDESTAL, and that means understanding that women want to feel overwhelmingly desired rather than rationally considered. By the way, women are not given the luxury to unravel their own sensual feminine mystery/beauty as men are. Women in general tend to have a very limited perspective of themselves which prevents them from reaching their fullest sensual feminine potential. Blame it on the society. Their biggest challenge is seeing themselves beyond their insecurities; they’re trapped by their own views of themselves particularly as women in a patriarchal society. But men (NOT patriarchal men), on the other hand, are able to see beyond women’s insecurities; they can see women’s potential than most women can see themselves. AND AWAKENED MODERN MEN WANT TO FULLY MAXIMIZE THAT POTENTIAL. This is why I strongly believe that a man’s ultimate role in the 21st century is to help carve the definition of what it means to be a woman. I know most feminists are pissed to hear me say that. The legendary photographer Peter Lindbergh said, “The most important part of fashion photography, for me, is not the models; it is not the clothes. It’s that you are responsible for defining what a woman today is. That, I think, is my job.” If women are diamonds/gold, then men got to be jewelry designers.

Human perception / perspective through the viewfinder is more important (to me) than the science / technology in my hands. Nature provides the consequential value and satisfaction...

I photographed the Charles Bridge from several angles to capture my desired perspective and composition. Like me, several other amateur photographers had also flocked to the bridge to witness and capture the sunrise as it inked the sky in shades of pink, purple and orange while enjoying magnificent views of the city.

at any given moment, the world offers vastly more support to work it already understands — namely, art that’s already been around for a generation or a century. Expressions of truly new ideas often fail to qualify as even bad art — they’re simply viewed as no art at all.... On both intellectual and technical grounds, it’s wise to remain on good terms with your artistic heritage, lest you devote several incarnations to re-inventing the wheel. But once having allowed for that, the far greater danger is not that the artist will fail to learn anything from the past, but will fail to teach anything new to the future.... The unfolding over time of a great idea is like the growth of a fractal crystal, allowing details and refinements to multiply endlessly — but only in ever-decreasing scale. Eventually (perhaps by the early 1960’s) those who stepped forward to carry the West Coast Landscape Photography banner were not producing art, so much as re-producing the history of art.... Only those who commit to following their own artistic path can look back and see this issue in clear perspective: the real question about acceptance is not whether your work will be viewed as art, but whether it will be viewed as

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