Permanent Marker Quotes

We've searched our database for all the quotes and captions related to Permanent Marker. Here they are! All 57 of them:

For any true stickler, you see, the sight of the plural word “Book’s” with an apostrophe in it will trigger a ghastly private emotional process similar to the stages of bereavement, though greatly accelerated. First there is shock. Within seconds, shock gives way to disbelief, disbelief to pain, and pain to anger. Finally (and this is where the analogy breaks down), anger gives way to a righteous urge to perpetrate an act of criminal damage with the aid of a permanent marker.
Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
I don't know what it is about "magic happens"-stickers on cars but every time I see one I wanna get out my permanent marker and sneak over and write underneath it "so does cot death".
Tim Minchin
memory is linked to strong emotion, and that negative moments are like scribbling with permanent marker on the wall of the brain. But there’s a fine line between a negative moment and a traumatic one. Negative moments get remembered. Traumatic ones get forgotten, or so warped that they are unrecognizable,
Jodi Picoult (Leaving Time)
We took a right at the fork, heading farther north. The charred houses continued. To the right, a large sign nailed to an old telephone post shouted DANGER in huge red letters. Underneath in crisp black letters was written: IM-1: Infectious Magic Area Do Not Enter Authorized Personnel Only A second smaller sign under the first one, written on a piece of plastic with permanent marker, read: Keep out, stupid. “We aren’t going to keep out, are we?” Ascanio asked. “No.” “Awesome.
Ilona Andrews
I wondered how Setne knew that. Maybe he could ‘smell’ a demigod’s aura the way Greek monsters could. Or maybe my prankster friends the Stoll brothers had written I’M A DEMIGOD on my forehead in permanent marker and Annabeth had decided not to tell me. That happened occasionally.
Rick Riordan (The Crown of Ptolemy (Demigods & Magicians, #3))
Corbin was about as trustworthy as a toddler with a permanent marker.
Becky Wade (Falling for You (A Bradford Sisters Romance, #2))
I do not know why, because that is not my job, but history shows that every time a teenage boy opens a permanent marker, he will first sniff it before deciding how to go about defacing the planet.
Andrew Smith (Grasshopper Jungle)
Her father had died for her, with love in his heart, and Nesta held love in her own heart as she pulled the small, carved rose from her pocket and set it upon the gravestone. A permanent marker of the beauty and good he'd tried to bring into the world.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
memory is linked to strong emotion, and that negative moments are like scribbling with permanent marker on the wall of the brain. But there’s a fine line between a negative moment and a traumatic one. Negative moments get remembered. Traumatic ones get forgotten, or so warped that they are unrecognizable, or else they turn into the big, bleak, white nothing I get in my head when I try to focus on that night.
Jodi Picoult (Leaving Time)
Families weren't like a box of standardized-test-taking number two pencils. Families were like a box of assorted-color Sharpie markers: different, kinda stinky (but not in a bad way), and permanent whether you liked it or not.
Roshani Chokshi (Aru Shah and the Song of Death (Pandava, #2))
This is all I have to give you—me.” He lifts his shoulders and his vulnerability rips away a little piece of my heart. “A book with blank pages, weathered edges, and eraser marks, that’s what I am. I need you to paint my future, write my story in permanent marker, just like the mark you left on my heart the day we met.
Jewel E. Ann (Only Trick)
I sit, a martyr for this child's happiness, while she draws with a red permanent marker all over my new cast.
Emily Austin (Everyone in This Room Will Someday Be Dead)
Labels. I stuck them on everything. 'Good.' 'Bad.' 'Right.' 'Wrong.' 'Square.' 'Hip.' 'Queer.' 'Normal.' 'Friend.' 'Enemy.' 'Success.' 'Failure.' They're easy to use. They save you the bother of thinking. Those labels stay stuck. They proliferate. They become a habit. Soon, they're covering everything, and everybody, up. You start thinking reality is the labels. Simple labels, written in permanent marker. The trouble is, reality's the opposite. Reality is nuanced, paradoxical, shifting. It's difficult. It's many things at once. That's why we're so crummy at it. People harp on about freedom. All the time. It's everywhere. There are riots and wars about what freedom is and who it's for. But the Queen of Freedoms is this: to be free of labels.
David Mitchell (Utopia Avenue)
Toddlers walk through life like we all wish we could: confident, demanding, and 100 percent positive that they are the center of the universe. They can kick their father in the testicles and feel nothing. They love to laugh. They love to destroy expensive cosmetics and to fingerpaint with long-wearing lipstick. Toddlers love to render electronic devices useless. They enjoy making debit cards and keys vanish into thin air. They like to permanent marker on shit. Toddlers live that #thuglyfe better than any of us could even try to because toddlers. don’t. give. a. fuck. The quicker you understand that, the better. Repeat after me: Toddlers don’t care and they never did.
Bunmi Laditan (Toddlers Are A**holes: It's Not Your Fault)
emotion, and that negative moments are like scribbling with permanent marker
Jodi Picoult (Where There's Smoke)
life is like drawing a picture with a permanent marker, you screw up and it messes up the whole thing
T.A.Z
...the fat permanent marker squeaking as it released the scent of organizastion...
Kristen Mae (Beyond the Break (Conch Garden Book 1))
memory is linked to strong emotion, and that negative moments are like scribbling with permanent marker on the wall of the brain.
Jodi Picoult (Leaving Time)
Her official published findings were that memory is linked to strong emotion, and that negative moments are like scribbling with permanent marker on the wall of the brain.
Jodi Picoult (Where There's Smoke)
On October first, fifteen past eight. My heart was ringing, my soul was singing because he wasn’t just typing on the other side. He was writing on my heart with a permanent marker, in pink.
Snehil Niharika (That’ll Be Our Song)
Touch me with so much as one of those claws, you freaky, albino Garfield, and I will make sure I knock you out, file those suckers down to a flat non-lethal edge, paint them red, and then write ‘Mr. Fluffy needs love, too’ all over your face in permanent marker.” ~ Jenna
Jessie Lane (Big Bad Bite (Big Bad Bite, #1))
Do you want to hold her?” Qhuinn asked. Xcor recoiled as if someone had inquired whether he’d like a hot poker in his hands. Then he recovered, shaking his head as he made a manly show of scrubbing his tears away like they were permanent marker on his cheeks. “I don’t think I’m quite ready for that. She looks…so delicate.” “She’s strong, though. She’s got her mahmen’s blood in her, too.” Qhuinn looked at Blay. “And she’s got good parents. They both do. We’re in this together, people, three fathers and one mom, two kids. Bam!” Xcor’s voice got low. “A father…?” He laughed softly. “I went from having no family, to having a mate, a brother, and now…” Qhuinn nodded. “A son and a daughter. As long as you are Layla’s hellren, you are their father, too.” Xcor’s smile was transformative, so wide that it stretched his face into something she had never seen. “A son and a daughter.” “That’s right,” Layla whispered with joy. But then instantly that expression on his face was gone, his lips thinning out and his brows dropping down like he was ready to go on the attack. “She is never dating. I don’t care who he is—” “Right!” Qhuinn put his palm out for a high five. “That’s what I’m talking about!” “Now, hold on,” Blay interjected as they clapped hands. “She has every right to live her life as she chooses.” “Yes, come on,” Layla added. “This double-standard stuff is ridiculous. She’s going to be allowed…” As the argument started up, she and Blay fell in beside each other, and Qhuinn and Xcor lined up shoulder to shoulder, their massive forearms crossed over their chests. “I’m good with a gun,” Xcor said like that was the end of things. “And I can handle the shovel,” Qhuinn tacked on. “They’ll never find the body.” The two of them pounded knuckles and looked so dead serious that Layla had to roll her eyes. But then she was smiling. “You know something?” she said to the three of them. “I really believe…that it’s all going to be okay. We’re going to work it out, together, because that’s what families do.” As she rose up on her tiptoes and kissed her male, she said, “Love has a way of fixing everything…even your daughter starting to date.” “Which is not going to happen,” Xcor countered. “Ever.” “My man,” Qhuinn said, backing him up. “I knew I liked you—” “Oh, for the love,” Layla muttered as the debate resumed, and Blay started laughing and Qhuinn and Xcor continued bonding. -Qhuinn, Xcor, Layla, & Blay
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
Paper: Some inexpensive plain bond paper A pad of Strathmore Drawing Paper, 80 lb., 11" × 14" Pencils: A #2 ordinary yellow writing pencil with an eraser at the top A #4 drawing pencil—Faber-Castell, Prismacolor Turquoise, or other brand Marking pens: Sharpie (or other brand) fine point non-permanent black A second marker, fine point permanent black Graphite stick: #4 General’s is a good brand, or other brand Pencil sharpener: A small handheld sharpener is fine Erasers: A Pink Pearl eraser A Staedtler Mars white plastic eraser A kneaded eraser—Lyra, Design, or other brand Masking tape: 3M Scotch Low Tack Artist Tape Clips: Two 1-inch-wide black clips Drawing board: A firm surface large enough to hold your 11" × 14" drawing paper—about 15" × 18" is a good size. This can be improvised from a kitchen cutting board, a piece of foam board, a piece of Masonite, or thick cardboard. Picture plane: This too can be improvised using an 8" × 10" piece of glass (you will need to tape the edges), or an 8" × 10" piece of clear plastic, about 1⁄16" thick. Viewfinders: You will make these from black paper—“construction” paper is a good thickness, or you could use thin black cardboard. You will find instructions for making the viewfinders here A small mirror: About 5" × 7" that can be taped to a wall, or any available wall mirror.
Betty Edwards (Drawing on the Right Side of the Brain: The Definitive Edition)
Birds in the nearby trees chirped and a slight wind rustled over the fallen leaves as the rapid beat of my heart pounded in my ears. My gaze slid over the view as I inhaled a breath of anticipation before landing on the beam I currently held. There, etched in permanent marker, was a small heart with words written next to it: “Don’t jump. You’re worth it.
Nikki Bolvair (The Bridge Over Snake Creek (The Lydents' Curse Book 2))
Make tea. As the water boils, you think about the “her’s” like a love list. Valerie in the 4th grade, Naomi in the 6th, Linda in high school, Sammie in college, Camille from work, and the latest one to have signed your heart and left: Sophia. You think through each girl, wondering what she’s eating for breakfast. You miss them, not because you want a relationship, but because love only works in permanent marker.
Kristian Ventura (The Goodbye Song)
It'd been years since Neil stood in the same room as Kevin [...]. Everything about him was different. Everything was the same, from his dark hair and green eyes to the black number two tattooed onto his left cheekbone. Neil saw that number and wanted to retch. Kevin had that number back then, too, but he'd been too young to have it done permanently. Instead he and his adopted brother Riko Moriyama wrote the numbers one and two on their faces with markers, tracing them over and over anytime they started to fade. Neil didn't understand it then, but Kevin and Riko were aiming for the stars. They were going to be famous, they promised him.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
Strong community is formed by powerful common experiences, as when people survive a flood or fight together in a battle. When they emerge on the other side, this shared experience becomes the basis for a deep, permanent bond that is stronger than blood. The more intense the experience, the more intense the bond. When we experience Christ’s radical grace through repentance and faith, it becomes the most intense, foundational event of our lives. Now, when we meet someone from a different culture, race, or social class who has received the same grace, we see someone who has been through the same life-and-death experience. In Christ, we have both spiritually died and been raised to new life (Rom 6:4 – 6; Eph 2:1 – 6). And because of this common experience of rescue, we now share an identity marker even more indelible than the ties that bind us to our family, our race, or our culture.
Timothy J. Keller (Center Church: Doing Balanced, Gospel-Centered Ministry in Your City)
This yet another DIY project that's simple enough it doesn't need laid out, listed instructions.  Simply take the permanent marker of your choice and decorate your mug as you wish!  You can keep it simple or go all out with a variety of colors, themes, drawings, sayings, and more.  When your mug (or mugs) is decorated to your content, pop it in the oven at 350 degrees for 30 minutes.  It is recommended to hand-wash the mugs after use rather than pop them in the dishwasher to better preserve the decorations.
John Getter (DIY Projects: 25 Surprisingly Useful DIY Projects For Your Home And Everyday Life (diy household hacks, diy cleaning and organizing, do it yourself decorating))
Life throws enough at you. Let’s not make unnecessary enemies… Our limits are not permanent barriers or walls; they are reference points, markers that are meant to be moved or exceeded according to our goals. They are not an enemy to be destroyed, but a temporary gauge to be referenced and adjusted.
Steve Maraboli
October first it was, fifteen past eight. For twenty minutes my heart was ringing, my soul was singing. Because he was typing on the other side. Just the hi, and hahaha. Silly, meaningless conversation, he didn’t even remember. That was my happiest twenty minutes. I stepped out of my house, got a haircut, I thought he’d like. After three days when my face was fine, I scrolled through his page, looked for the things he liked. Then I made a list of things to do, French class, swimming class, aerobics, and a road trip on November nineteen. On October first, fifteen past eight. My heart was ringing, my soul was singing because he wasn’t just typing on the other side. He was writing on my heart with a permanent marker, in pink.
Snehil Niharika (That’ll Be Our Song)
Labels. I stuck them on everything. “Good”. “Bad”. “Right”. “Wrong”. “Square”. “Hip”. “Queer”. “Normal”. “Friend”. “Enemy”. “Success”. “Failure”. They’re easy to use. They save you the bother of thinking. Those labels stay stuck. They proliferate. They become a habit. Soon, they’re covering everything, and everybody, up. You start thinking reality is the labels. Simple labels, written in permanent marker. The trouble is, reality’s the opposite. Reality is nuanced, paradoxical, shifting. It’s difficult. It’s many things at once. That’s why we’re so crummy at it. People harp on about freedom. All the time. It’s everywhere. There are riots and wars about what freedom is and who it’s for. But the Queen of Freedoms is this: to be free of labels. Here endeth today’s lesson. You’re giving me a funny look.
David Mitchell (Utopia Avenue)
She wrote his name on a piece of paper and lit it with a match. The letters curled as they turned dark and misshapen until she didn’t recognize them. They were figments of something that she had done in her past, lost into some other form of existence. Where did the letters go now? She tried to find traces within the ash of some resemblance of what used to be. She dug down, her fingers turning black and gray like the depths of her. He was gone. Gone. What was she left with but ashes and darkness once the light of the flame went out? The smell of smoke lingered like a memory of him. Was this the end or could she write a new word? Not a new name, not his name, but could she call a new word into existence? A new piece of HER; a new reason for her existence? Picking up the permanent marker, Amy placed it in her pocket for later. Ashes blow in the creek bed and blend with the stream, moving down like sand in an hourglass.
Eric Overby (Hourglass in Grace)
In the search for a strong and permanent glue, Spencer Silver at 3M in Minneapolis found a weak and temporary adhesive instead. This was in 1968. Nobody could think of a use for it, until five years later a colleague named Art Fry remembered it when irritated by his place-markers falling out of a hymn-book while singing in a church choir. He went back to Silver and asked to apply the glue to small sheets of paper. The only paper lying around was bright yellow. The Post-it note was born.
Matt Ridley (How Innovation Works: And Why It Flourishes in Freedom)
Knowing Chris was getting married, his fellow Team members decided that they had to send him off with a proper SEAL bachelor party. That meant getting him drunk, of course. It also meant writing all over him with permanent markers-an indelible celebration, to be sure. Fortunately, they liked him, so his face wasn’t marked up-not by them, at least; he’d torn his eyebrow and scratched his lip during training. Under his clothes, he looked quite the sight. And the words wouldn’t come off no matter how he, or I scrubbed. I pretended to be horrified, but honestly, that didn’t bother me much. I was just happy to have him with me, and very excited to be spending the rest of my life with the man I loved. It’s funny, the things you get obsessed about. Days before the wedding, I spent forty-five minutes picking out exactly the right shape of lipstick, splurging on expensive cosmetics-then forgot to take it with me the morning of the wedding. My poor sister and mom had to run to Walgreens for a substitute; they came back with five different shades, not one of which matched the one I’d picked out. Did it matter? Not at all, although I still remember the vivid marks the lipstick made when I kissed him on the cheek-marking my man. Lipstick, location, time of day-none of that mattered in the end. What did matter were our families and friends, who came in for the ceremony. Chris liked my parents, and vice versa. I truly loved his mom and dad. I have a photo from that day taped near my work area. My aunt took it. It’s become my favorite picture, an accidental shot that captured us perfectly. We stand together, beaming, with an American flag in the background. Chris is handsome and beaming; I’m beaming at him, practically glowing in my white gown. We look so young, happy, and unworried about what was to come. It’s that courage about facing the unknown, the unshakable confidence that we’d do it together, that makes the picture so precious to me. It’s a quality many wedding photos possess. Most couples struggle to make those visions realities. We would have our struggles as well.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Nope- it was not! Ava and her girls that day went, and they cut a class at some point in the day and broke into my baby. Then Ava- ‘Rubbed one out!’ that means that she masturbated, and squirted her lady- juices all over the inside of my car. Yes- and I mean it went all over. It was on my seat on the dash, on the floor, and Ava smeared what creaminess that was on her two fingers on the windows, and driver’s side vent. As her clan, sisters pissed all over the carpet on the floor, and took their dumps on the seat, and left their thongs behind. Alison, she wrote a note on her undies saying- ‘Now you have some pairs to wear!’ It was so nasty! Plus- the outside was covered and wrapped with toilet paper as well as littered with Ava and her sisters used feminine products. What is wrong with these girls? What did I do to deserve this one? Likewise, the other kids thought it was the most humorous thing, which they ever witnessed at the end of the school day. When I discovered it- You know, I was utterly sick to my stomach. I think I screamed so loudly it echoed throughout the land, and started to cry and ran while being pushed around bouncing around off their bodies, I cannot remember- I was so upset, and then the kids were all around me kicking, and pushing me from one place to another. I was just like a hacky sack for them, until I passed out, and dropped to the hard ground. That gave them time for them to spit on me, and dump things like glue in my hair or whatever that shit was. Then what gets me is that she signed her name- Ava on the dashboard with a black permanent sharpie marker, and It reads, ‘Suck on this- Nevaeh- lick, what I gave you all up!’ and she drew a heart, with a line through it also. She wanted me to know because there was not a thing I could do about it. Depressed- to say that her juicy sprays were more yellowish, and a thick sticky white, then clear on my blue and white cloth seats. Yet, Hope had the car towed and cleaned for me inside and out, she could not believe what kids do these days. Therefore, that was the first time that I drove my car to school and the last. That whole thing cost me a lot. I guess it is back to the bus. That is what everyone wants is it not. This completely sucked; I have a car that I cannot drive anywhere other than at home or have locked up in the barn- with the other rust bucket car.
Marcel Ray Duriez (Nevaeh The Lusting Sapphire Blue Eyes)
scary mommy confession #80920 " I invited you into my home as a guest. And you brought my two year old permanent markers and play-doh. next time I visit you, I'm bringing your teenage daughter condoms and crack.
Jill Smokler (Motherhood Comes Naturally (and Other Vicious Lies))
grief. Whatever our loss and however deep our grief, eventually we come to some kind of crossroads that requires us to make a tough decision. While not denying my hurt or thinking that I must somehow simply get over it, I nevertheless face a choice. I can erect a monument here in the place of loss and grief and say, “This is where my life stopped and will permanently be buried.” Or, I can erect a marker and say, “This is where my pain has been felt and my deepest questions have gone unanswered. But with my hurt still with me, I will choose to live.
Ramon L. Presson (When Will My Life Not Suck? Authentic Hope for the Disillusioned)
Buttercream can be stored easily—just wrap the buttercream up by itself in two layers of plastic wrap, then write the name of the buttercream on the outside with a permanent marker. Store up to 2–3 weeks, or maybe just one week if there’s fresh fruit in the buttercream. When you’re ready to use the buttercream, just place on your counter for about 20 minutes, then whip up again in your stand mixer.
Mandy Merriman (Cake Confidence)
Do you want to hold her?” Qhuinn asked. Xcor recoiled as if someone had inquired whether he’d like a hot poker in his hands. Then he recovered, shaking his head as he made a manly show of scrubbing his tears away like they were permanent marker on his cheeks. “I don’t think I’m quite ready for that. She looks…so delicate.” “She’s strong, though. She’s got her mahmen’s blood in her, too.” Qhuinn looked at Blay. “And she’s got good parents. They both do. We’re in this together, people, three fathers and one mom, two kids. Bam!” Xcor’s voice got low. “A father…?” He laughed softly. “I went from having no family, to having a mate, a brother, and now…” Qhuinn nodded. “A son and a daughter. As long as you are Layla’s hellren, you are their father, too.” Xcor’s smile was transformative, so wide that it stretched his face into something she had never seen. “A son and a daughter.” “That’s right,” Layla whispered with joy. But then instantly that expression on his face was gone, his lips thinning out and his brows dropping down like he was ready to go on the attack. “She is never dating. I don’t care who he is—” “Right!” Qhuinn put his palm out for a high five. “That’s what I’m talking about!” “Now, hold on,” Blay interjected as they clapped hands. “She has every right to live her life as she chooses.” “Yes, come on,” Layla added. “This double-standard stuff is ridiculous. She’s going to be allowed…” As the argument started up, she and Blay fell in beside each other, and Qhuinn and Xcor lined up shoulder to shoulder, their massive forearms crossed over their chests. “I’m good with a gun,” Xcor said like that was the end of things. “And I can handle the shovel,” Qhuinn tacked on. “They’ll never find the body.” The two of them pounded knuckles and looked so dead serious that Layla had to roll her eyes. But then she was smiling. “You know something?” she said to the three of them. “I really believe…that it’s all going to be okay. We’re going to work it out, together, because that’s what families do.” As she rose up on her tiptoes and kissed her male, she said, “Love has a way of fixing everything…even your daughter starting to date.” “Which is not going to happen,” Xcor countered. “Ever.” “My man,” Qhuinn said, backing him up. “I knew I liked you—” “Oh, for the love,” Layla muttered.
J.R. Ward
Nice job out there, Pipes.” He gave her the smile he was famous for: perfect teeth, dimpled chin, a twinkle in his dark eyes that always made grown women scream and ask him to sign their bodies in permanent marker. (Seriously,
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
She also wrote all over my clothes in permanent marker. I sort of deserved it. I like that she’s my kind of crazy. She
Helena Hunting (Pucked Over (Pucked, #3))
He gave her the smile he was famous for: perfect teeth, dimpled chin, a twinkle in his dark eyes that always made grown women scream and ask him to sign their bodies in permanent marker. (Seriously, Piper thought, get a life.)
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
The most important mystery of ancient Egypt was presided over by a priesthood. That mystery concerned the annual inundation of the Nile flood plain. It was this flooding which made Egyptian agriculture, and therefore civilisation, possible. It was the centre of their society in both practical and ritual terms for many centuries; it made ancient Egypt the most stable society the world has ever seen. The Egyptian calendar itself was calculated with reference to the river, and was divided into three seasons, all of them linked to the Nile and the agricultural cycle it determined: Akhet, or the inundation, Peret, the growing season, and Shemu, the harvest. The size of the flood determined the size of the harvest: too little water and there would be famine; too much and there would be catastrophe; just the right amount and the whole country would bloom and prosper. Every detail of Egyptian life was linked to the flood: even the tax system was based on the level of the water, since it was that level which determined how prosperous the farmers were going to be in the subsequent season. The priests performed complicated rituals to divine the nature of that year’s flood and the resulting harvest. The religious elite had at their disposal a rich, emotionally satisfying mythological system; a subtle, complicated language of symbols that drew on that mythology; and a position of unchallenged power at the centre of their extraordinarily stable society, one which remained in an essentially static condition for thousands of years. But the priests were cheating, because they had something else too: they had a nilometer. This was a secret device made to measure and predict the level of flood water. It consisted of a large, permanent measuring station sited on the river, with lines and markers designed to predict the level of the annual flood. The calibrations used the water level to forecast levels of harvest from Hunger up through Suffering through to Happiness, Security and Abundance, to, in a year with too much water, Disaster. Nilometers were a – perhaps the – priestly secret. They were situated in temples where only priests were allowed access; Herodotus, who wrote the first outsider’s account of Egyptian life the fifth century BC, was told of their existence, but wasn’t allowed to see one. As late as 1810, thousands of years after the nilometers had entered use, foreigners were still forbidden access to them. Added to the accurate records of flood patters dating back centuries, the nilometer was an essential tool for control of Egypt. It had to be kept secret by the ruling class and institutions, because it was a central component of their authority. The world is full of priesthoods. The nilometer offers a good paradigm for many kinds of expertise, many varieties of religious and professional mystery. Many of the words for deliberately obfuscating nonsense come from priestly ritual: mumbo jumbo from the Mandinka word maamajomboo, a masked shamanic ceremonial dancer; hocus pocus from hoc est corpus meum in the Latin Mass. On the one hand, the elaborate language and ritual, designed to bamboozle and mystify and intimidate and add value; on the other the calculations that the pros make in private. Practitioners of almost every métier, from plumbers to chefs to nurses to teachers to police, have a gap between the way they talk to each other and they way they talk to their customers or audience. Grayson Perry is very funny on this phenomenon at work in the art world, as he described it in an interview with Brian Eno. ‘As for the language of the art world – “International Art English” – I think obfuscation was part of its purpose, to protect what in fact was probably a fairly simple philosophical point, to keep some sort of mystery around it. There was a fear that if it was made understandable, it wouldn’t seem important.
John Lanchester (How to Speak Money: What the Money People Say — And What It Really Means)
. Someone wrote: ‘Who is the most beautiful girl in school?’ in permanent marker in the boys’ bathrooms outside the geography classes and within a few days, ‘Holly Lawson’ was written around it in a bunch of other pens by hundreds of different people! (Someone also wrote ‘Jennifer Hunds’ in small, neat handwriting near the bottom, but everyone knows that was written by Kyle Williams who has had a crush on her since Kindergarten, so that doesn’t count.)
Katrina Kahler (Catastrophe (Body Swap #1))
She had always been afraid of hope, in the same way she figured most people were afraid of black holes. Desire was something that consumed, she knew, and to desire impossibility was to let it consume you entirely. Hearts splintered with love and splintered with loss, and to fear one was to fear both—it was safer to resist them both, to draw thick, black demarcations in shining permanent marker, explicit, clear lines that gently reminded her of what could and could not be desired. 
Varsha Ravi
Terre Hill received an official nod by the United States Coast And Geodetic Survey, USC&GS, or just simply CGS, in the form of a permanent bronze marker in 1934. The Terre Hill survey markers have been officially recovered, or found, only four times since 1934. Unofficially the station has been logged three more times by geocachers using the NGS datasheets for reference.
Patrick R.F. Blakley (Terre Hill, Woodard, New York State: Surrounding History & Exploration)
We steal a permanent marker, scrawl STOOPID on their classroom doors, above posters that read Knowledge. Wisdom. Discipline. From the corner of our eyes, we study each other while we hold our Styrofoam lunch trays, wait on bus stops, and stretch in gym class, our sneakers skidding against scuffed floors. Think: Her body is not mine is not mine is not mine. And yet.
Daphne Palasi Andreades (Brown Girls)
She also wrote all over my clothes in permanent marker. I sort of deserved it. I like that she’s my kind of crazy.
Helena Hunting (Pucked Over (Pucked, #3))
The great French historian Ernest Renan in the late 1880s denied that a nation was based on ethnicity and language or blood-and-soil nationality. His argument was that a nation consists of people who have a collective shared sentiment and that sentiment is based on myth and history and a series of symbols and markers of identity. There is a constant referendum going as to whether that sentiment still exists in the union. Renan’s concept of a nation is that it can be ephemeral; it’s not there forever, it is not a permanency as it varies according to circumstances. This is a very intriguing parallel with what’s going on in the UK today.
T.M. Devine
I think after she tore it up, Sunny thought the song was lost for good. But some things are forever . . . like the story about that time in kindergarten when you got caught eating a glue stick . . . or that permanent marker stain you accidentally put on your teacher’s dry-erase board . . . or your red-haired best friend and the lyrics she inspired.
Leigh Alley (Starr of the Show (Shiny Friends Super Squad Book 1))
Perhaps then, the most important tools for achieving our goals, ('singing our song' as the poet might say), may be a wall calendar and a permanent marker. Just circle a date and decide to go. The decision to act becomes more important than all subsequent decisions because it is the one that made all the other decisions possible." (Molded on a Motorcycle, page 17)
Wes Stephenson (Molded on a Motorcycle: A Rider's Journey)
In the graveyard, there are another eight hundred and five monoliths laid out like coffins, exact duplicates of the ones that are part of the permanent memorial. Each county in which a lynching took place is invited to research lynching in their communities and then enter into a process with the EJI in order to place the corresponding monolith in their community. As far as I know, only one community has claimed a marker.
Christina Sharpe (Ordinary Notes)
Once white, the walls were now an unhealthy shade of grey. Garish decorations of drawings and wording, made by permanent markers of all colours, covered the walls. The spelling could use some work, but some of the messages were almost profound: Life sux, so suck life, was one that spoke to me deeply.
J.C. Diem (Death Beckons (Mortis #1))
Umm five, no six, flashlights. Four sleeping bags. Four mylar blankets. Forty N95 masks. Two hundred surgical gloves. Two binoculars. Four butane torch lighters. Six packs of waterproof matches. Two flints. Six road flares. Two hatchets. Five permanent markers. Two gas masks. Two multitools. Six fishhooks with line. Two rolls of duct tape. Two first-aid kits. Two envelopes of cash.” “Should be ten thousand dollars
Todd Knight (The Posh Prepper)
Higher salaries were not the only way the government strove to staunch the bleeding. In the past, before admin salaries were raised, government leaders intervened when officers they considered key were targeted. Dr Goh Keng Swee, then still in the Cabinet, once told me: "We only let you take those we were prepared to release." In one celebrated case, in the early 1960s, he personally stepped in to stop one important hire. The paper's British management had recruited Herman Hochstadt, a rising young officer who later became permanent secretary. The morning he was to start work, even before he could settle in his chair at Times House, he found that Dr Goh had demanded his return to the civil service.
Cheong Yip Seng (OB Markers: My Straits Times Story)
It’s midnight. I figure it will get light about six or seven, right? We can’t just run the Blazer all night.” He paused as if he didn’t quite know what to say next. He ran his hand down his face, and I suddenly felt like laughing from sheer helplessness. I bit my lip hard, the inappropriate giggle perched at the back of my throat just waiting to jump out. I really was crazy. "I have a sleeping bag and two pillows, plus those three old blankets. It’s going to get cold when we turn off the Blazer.” Finn stopped again, as if he were uncomfortable, and the giggle escaped through my clenched lips. “Are you laughing?” “No.” “You are. Here I am feeling like a dirty old man because I’m about to suggest that we make a bed and cuddle up to keep warm, and you are laughing.” “You were going to suggest we . . . cuddle?” My shock immediately cured the giggling problem. Finn ran both hands over his face, scrubbing at it like he wanted to erase what he’d just said. “Okay,” I said in a tiny voice. He looked at me in surprise, and I couldn’t help it. I smiled. A big, wide, you-are-my-sunshine smile. “You do realize we’re in trouble here, right?” Finn shook his head like he doubted my sense, but a smile teetered around the corners of his mouth. “This isn’t a slumber party with your girlfriends and trips to the fridge for snacks.” “Hey, Clyde?” “Yeah, Bonnie?” “You will have officially slept with Bonnie Rae Shelby after tonight. You aren’t going to ask me to sign an autograph, are you? Maybe sign your hiney in permanent marker so you can take a picture and sell it to US Weekly?” “Got a little ego, there, huh?” I dove over the seat into the back, laughing. “Dibs on the pillow with a pillow case!
Amy Harmon (Infinity + One)
I am an obsessive-compulsive reader and a history junkie. I brake by rote at every historical marker, I buy out museum bookstores, and for years my interest in colonial forts and Shaker villages so exhausted my two children that they are now permanently allergic to the past. I can tell you, right down to the hour, everything that happened at Gettysburg, Pennsylvania, during the first week of July 1863, and each setback that Franklin Roosevelt endured during World War II feels like it happened to me.
Rinker Buck (The Oregon Trail: A New American Journey)