Toe The Line Quotes

We think a person should do right because it's right, not because their soul will be in eternal jeopardy if they don't toe the line.

A girl's life was defined by lines: fine lines, hairlines, bikini lines, class lines, the tightrope line between being a good girl and a slut. But there was always a moment when the lines blurred and a good girl had to decide whether to toe the line, cross the line, or stay safe behind the line that guarded her virtue.

In any weather, at any hour of the day or night, I have been anxious to improve the nick of time, and notch it on my stick too; to stand on the meeting of two eternities, the past and future, which is precisely the present moment; to toe that line.

I like to make the odd impromptu visit. It keeps management on their toes, wives in their place. You know." He shrugs, his mouth set in an arrogant line.

While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.

Seen from the air, the male mind must look rather like the canals of Europe, with ideas being towed along well-worn towpaths by heavy-footed dray horses. There is never any doubt that they will, despite wind and weather, reach their destinations by following a simple series of connected lines. But the female mind, even in my limited experience, seems more of a vast and teeming swamp, but a swamp that knows in an instant whenever a stranger--even miles away--has so much as dipped a single toe into her waters. People who talk about this phenomenon, most of whom know nothing whatsoever about it, call it "woman's intuition.

No, that nurse ain't some kinda monster chicken, buddy, what she is is a ball-cutter. I've seen a thousand of 'em, old and young, men and women. Seen 'em all over the country and in the homes- people who try to make you weak so they can get you to toe the line, to follow their rules, to live like they want you to. And the best way to do this, to get you to knuckle under, is to weaken you by gettin' you where it hurts the worst.

A trial was a stupid word, considering that an attempt was never good enough: you were supposed to toe the line, period.

Anyway . . . we’ve decided we don’t care about getting into trouble anymore.” “Have you ever?” asked Hermione. “’Course we have,” said George. “Never been expelled, have we?” “We’ve always known where to draw the line,” said Fred. “We might have put a toe across it occasionally,” said George. “But we’ve always stopped short of causing real mayhem,” said Fred.

You cannot seriously think you’re going to fight this guy. He could kick your ass with one arm tied behind his back, much less with all his voluminous vampire powers. He’s probably stronger than you, faster than you. He can probably jump higher. Hell, he can probably glamour you into making out with him right there on the mats.” We simultaneously looked over to where Ethan, half naked, was toeing off his black leather loafers. The muscles in his abdomen clenched as he moved. So did the lines of corded muscle across his shoulders. God, but he was beautiful. I narrowed my gaze. Beautiful but evil. Wicked. The repugnant dregs of foul malevolence. Or something. “Jesus,” Mallory whispered. “I want to support your quest for revenge and all, but maybe you should just let him glamour you.” She looked at me, and I could tell she was trying not to laugh. “Either you’re fucked, or you’re fucked, right?

Choosing to work in HR is like choosing to work in the complaint department of hell, except way more frustrating, because at least in hell you’d be able to agree that that Satan is a real dick-wagon without having to toe the company line.

It’s not an intellectual exercise. It’s not an academic pursuit—it sort of masquerades as one, but at its core it’s a test of trust in each other. Are you or aren’t you one of us? And woe to the one who doesn’t toe the line.

I see the first flicker of warmth in his eyes, and I understand something then. At some point, if I continued using dark power and went fully dark— I’d join you in hell. Black eyes flash crimson. And I’d prefer not to. So, toe the motherfucking line, and don’t make me cross it, Ms. Lane.

STEALING THE CAR, I WOULDN’T HAVE BEEN SURPRISED IF THEY’D EXPELLED YOU, YOU WAIT TILL I GET HOLD OF YOU, I DON’T SUPPOSE YOU STOPPED TO THINK WHAT YOUR FATHER AND I WENT THROUGH WHEN WE SAW IT WAS GONE —” Mrs. Weasley’s yells, a hundred times louder than usual, made the plates and spoons rattle on the table, and echoed deafeningly off the stone walls. People throughout the hall were swiveling around to see who had received the Howler, and Ron sank so low in his chair that only his crimson forehead could be seen. “— LETTER FROM DUMBLEDORE LAST NIGHT, I THOUGHT YOUR FATHER WOULD DIE OF SHAME, WE DIDN’T BRING YOU UP TO BEHAVE LIKE THIS, YOU AND HARRY COULD BOTH HAVE DIED —” Harry had been wondering when his name was going to crop up. He tried very hard to look as though he couldn’t hear the voice that was making his eardrums throb. “— ABSOLUTELY DISGUSTED — YOUR FATHER’S FACING AN INQUIRY AT WORK, IT’S ENTIRELY YOUR FAULT AND IF YOU PUT ANOTHER TOE OUT OF LINE WE’LL BRING YOU STRAIGHT BACK HOME.” A ringing silence fell.

What's happening here?" This last bit was hissed to Ronan and Noah. "Noah took a personal day." "I lost..." Noah struggled for words. "There wasn't air. It went away. The - the line!" "The ley line?" Gansey asked. Noah nodded once, a sloppy thing that was sort of a shrug at the same time. "There was nothing ... left for me." Releasing Ronan, he shook out his hands. "You're welcome, man," Ronan snarled. He still couldn't feel his toes. "Thanks. I didn't mean to ... you were there. Oh, the glitter." "Yes," Ronan replied crossly. "The glitter.

His mouth landed on mine, crashed into mine, and I might've stopped breathing. He pulled me up against him, until only the tips of my toes remained on the carpet, and all the interesting parts were nearly lined up, chest to chest, hip to hip.

Unoka went into an inner room and soon returned with a small wooden disc containing a kola nut, some alligator pepper and a lump of white chalk. "I have kola," he announced when he sat down, and passed the disc over to his guest. "Thank you. He who brings kola brings life. But I think you ought to break it," replied Okoye passing back the disc. "No, it is for you, I think," and they argued like this for a few moments before Unoka accepted the honor of breaking the kola. Okoye, meanwhile, took the lump of chalk, drew some lines on the floor, and then painted his big toe.

Catholicism - all the perversions of Christianity - is not a faith of love. It is a faith of fear. Obey, be good, toe the line, and heaven is yours, the first prize in the lottery of eternity. Disobey, react, cut the lifeline, and never-ceasing damnation is the booby prize. The dogma is, love the only god and you shall be safe. Fail in that love and he will not rescue you, not until you crawl and apologize and fawn before the altar. What kind of a religion demands such indignity?

The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep. They could see how love might control you, from your head to your toes, not to mention every single part of you in between. A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes. She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly. What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake. She refused to believe in superstition, she wouldn’t; yet it was claiming her. Some fates are guaranteed, no matter who tries to intervene. After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well. She was bad luck, ill-fated and unfortunate as the plague. She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire. Love is worth the sum of itself and nothing more. But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly. It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop. What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind. The greatest portion of grief is the one you dish out for yourself. She preferred cats to human beings and turned down every offer from the men who fell in love with her. They told her how sticks and stones could break bones, but taunting and name-calling were only for fools. — & now here she is, all used up. Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside. She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind. If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do. You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like. She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with. Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.

As women, we're told our worth and our value, and the many ways in which we fall short of others' expectations; we're told why we're whores and why society can't tolerate whores. We're reminded of the ways we dishonor the unwritten contract we didn't know we signed on the day of our birth: a contract in which we agreed to toe the line and know our place simply because we are the fairer sex.

To “toe the line” derives from when boys on a ship were forced to stand still for inspection with their toes on a deck seam. To “pipe down” was the boatswain’s whistle for everyone to be quiet at night, and “piping hot” was his call for meals.

I gaze lovingly at "Hilal" a love that is reflected through time or what we imagine to be time, as in a mirror. She was never mine and never will be; that is how it is. We are both creators and creatures, but we are also puppets in God's hands, and there is a line we cannot cross, a line that was drawn for reasons we cannot know. We can approach and even dabble our toes in the river but we are forbidden to plunge in and let ourselves be carried along by the current.

So she tilted up on her toes and leaned forward, meeting his eyes as she lined her lips up with his—careful to leave a tiny wisp of space. A chance for him to change his mind. Keefe closed the distance between them.

How many times in life have I been advised to "toe the line," to "tone it down," to stop "pushing the envelope"? As a journalist, I had to keep my opinions to myself for 30 years. I thought that, as an artist, I'd have the liberty to express my views. Now I'm told that doing so might hurt my readership. I'm so idealistic, as I said elsewhere on FB today, that I think people ought to read my books because they're good. Period.

I was always fishing for something on the radio. Just like trains and bells, it was part of the soundtrack of my life. I moved the dial up and down and Roy Orbison's voice came blasting out of the small speakers. His new song, "Running Scared," exploded into the room. Orbison, though, transcended all the genres - folk, country, rock and roll or just about anything. His stuff mixed all the styles and some that hadn't even been invented yet. He could sound mean and nasty on one line and then sing in a falsetto voice like Frankie Valli in the next. With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. With him, it was all about fat and blood. He sounded like he was singing from an Olympian mountaintop and he meant business. One of his previous songs, "Ooby Dooby" was deceptively simple, but Roy had progressed. He was now singing his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal. Typically, he'd start out in some low, barely audible range, stay there a while and then astonishingly slip into histrionics. His voice could jar a corpse, always leave you muttring to yourself something like, "Man, I don't believe it." His songs had songs within songs. They shifted from major to minor key without any logic. Orbison was deadly serious - no pollywog and no fledgling juvenile. There wasn't anything else on the radio like him.

America?" said Gamesh, smiling. "Roland, what's American to you? Or me, or those tens of thousands up in the the stands? It's just a word they use to keep your nose to the grindstone and your toes to the line. America is the opiate of the people.

In any weather, at any hour of the day or night, I have been anxious to improve the nick of time, and notch it on my stick too; to stand on the meeting of two eternities, the past and the future, which is precisely the present moment; to toe that line. You will pardon some obscurities, for there are more secrets in my trade than in most men's, and yet not voluntarily kept, but inseparable from its very nature.

I realised that I had become too introverted. When you are the person everyone comes to in an isolated area, you have no-one to discuss things with. It's good up to a point but dreadful in a way. You simply have to have the corners rubbed off you and have criticism that's pretty cruel if you are to toe the line.

If you take that away from me, and every other opportunity to not quite toe the line,” Willing said, “then however many amusing things I’m at liberty to do, I don’t feel free. If I don’t feel free, I’m not free.” I don’t feel free, Willing did not add, and I have not felt free since you and yours jammed this fleck of metal into my neck.

But here he was, toeing that line he couldn’t stay away from. He

Should your naughty new neighbors resist your suggestions, invite them over to see your new media room. The fact that it doubles as a torture chamber should encourage them to toe the line!

It was that summer, too, that I began the cutting, and was almost as devoted to it as to my newfound loveliness. I adored tending to myself, wiping a shallow red pool of my blood away with a damp washcloth to magically reveal, just above my naval: queasy. Applying alcohol with dabs of a cotton ball, wispy shreds sticking to the bloody lines of: perky. I had a dirty streak my senior year, which I later rectified. A few quick cuts and cunt becomes can't, cock turns into back, clit transforms to a very unlikely cat, the l and i turned into a teetering capital A. The last words I ever carved into myself, sixteen years after I started: vanish. Sometimes I can hear the words squabbling at each other across my body. Up on my shoulder, panty calling down to cherry on the inside of my right ankle. On the underside of a big toe, sew uttering muffled threats to baby, just under my left breast. I can quiet them down by thinking of vanish, always hushed and regal, lording over the other words from the safety of the nape of my neck. Also: At the center of my back, which was too difficult to reach, is a circle of perfect skin the size of a fist. Over the years I've made my own private jokes. You can really read me. Do you want me to spell it out for you? I've certainly given myself a life sentence. Funny, right? I can't stand to look myself without being completely covered. Someday I may visit a surgeon, see what can be done to smooth me, but now I couldn't bear the reaction. Instead I drink so I don't think too much about what I've done to my body and so I don't do any more. Yet most of the time that I'm awake, I want to cut. Not small words either. Equivocate. Inarticulate. Duplicitous. At my hospital back in Illinois they would not approve of this craving. For those who need a name, there's a gift basket of medical terms. All I know is that the cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you're going to the doctor, and I'll want to cut worrisome on my arm. Say you've fallen in love and I buzz the outlines of tragic over my breast. I hadn't necessarily wanted to be cured. But I was out of places to write, slicing myself between my toes - bad, cry - like a junkie looking for one last vein. Vanish did it for me. I'd saved the neck, such a nice prime spot, for one final good cutting. Then I turned myself in.

I can text in complete sentences. Oh, yeah, it’s a skill.” He smiled, proud of his accomplishments. “And, thanks to my mom being a competitive dancer as a teen, I know how to do the Lindy hop and the jitterbug.” I sat bolt upright, and Akinli rolled his eyes. “I swear, if you tell me you can jitterbug, I’m going to . . . I don’t even know. Set something on fire. No one can dance like that.” I pursed my lips and dusted off my shoulder, a thing I’d seen Elizabeth do when she was bragging. As if he was accepting a challenge, he shrugged off his backpack and stood, holding out a hand for me. I took it and positioned myself in front of him as he shook his head, grinning. “All right, we’ll take this slow. Five, six, seven, eight.” In unison, we rock stepped and triple stepped, falling into the rhythm in our head. After a minute, he got brave and swung me around, lining me up for those peppy kicks I loved so much. People walked by, pointing and laughing, but it was one of those moments when I knew we weren’t being mocked; we were being envied. We stepped on each other’s toes more than once, and after he accidentally knocked his head into my shoulder, he threw his hands up. “Unbelievable,” he said, almost as if he was complaining. “I can’t wait to tell my mom this. She’s gonna think I’m lying. All those years dancing in the kitchen thinking I was special, and then I run across a master.

It is nearly impossible to believe: God shrinking down to the size of a zygote, implanted in the soft lining of a woman’s womb. God growing fingers and toes. God kicking and hiccupping in utero. God inching down the birth canal and entering this world covered in blood, perhaps into the steady, waiting arms of a midwife. God crying out in hunger. God reaching for his mother’s breasts. God totally relaxed, eyes closed, his chubby little arms raised over his head in a posture of complete trust. God resting in his mother’s lap. “On the days and nights when I believe this story that we call Christianity, I cannot entirely make sense of the storyline: God trusted God’s very self, totally and completely and in full bodily form, to the care of a woman. God needed women for survival. Before Jesus fed us with the bread and the wine, the body and the blood, Jesus himself needed to be fed, by a woman. He needed a woman to say: ‘This is my body, given for you.

We were getting closer and closer to that invisible line in the sand. The line that, when crossed, meant I’d no longer be Jamie Maysen’s wife. I’d be some other man’s girlfriend. A part of me wanted to run away from that line. Another wanted to take a flying leap to the other side. As it was, I was just standing with my toes on its edge. Frozen. Because I knew the man who’d pull me across was Cole. … He was the man of the future, patiently waiting on the other side of the line. I could imagine him standing there, holding out his hand. I wanted to take Cole’s hand.

He traced a line in the dirt with his toe. ‘This is a battlefield. Has been since Cain killed Abel. And don’t let it get complicated. Gray it ain’t. It’s black and white. Good versus evil. You might as well choose sides right now.

In a world where nothing exists by itself, where every division of one thing from another is a misperception - or misconception - of the way things really are, there are no eyes, ears, nose, tongue, body, or mind. We cannot, for example, draw a line around the eyes that is not necessarily arbitrary. There is no point at which the eyes begin or end, either in time or in space or conceptually. The eye bone is connected to the face bone, and the face bone is connected to the head bone, and the head bone is connected to the neck bone, and so it goes down to the toe bone, the floor bone, the earth bone, the worm bone, the dreaming butterfly bone. Thus, what we call our eyes are so many bubbles in a sea of foam. This is not only true of our eyes but of our other powers of sensation as well, including the mind.

In spite of wars and tourism and pictures by satellite, the world is just the same size it ever was. It is awesome to think how much of it I will never see. It is not a trick to go round these days, you can pay a lot of money and fly round it nonstop in less than forty-eight hours, but to know it, to smell it and feel it between your toes you have to crawl. There is no other way. Not flying, not floating. You have to stay on the ground and swallow the bugs as you go. Then the world is immense. The best you can do is to trace your long, infinitesimally thin line through the dust and extrapolate.

I have seen his face in its many variations. I have seen it when he's angry, when he's satisfied, when he tries to project control. I have been on his good side and his bad side. It is a face I have spent a lot of time trying to read, trying to appeal to, trying to capitulate to, trying to pretend for. I have always positioned myself in relation to him, thinking I could toe the line, thinking it would be fine if I just cooperated, thinking if only I compressed myself a little more.

But one of the rather open secrets about Catholicism is that plenty of Catholics don't toe the line as hard as the Vatican does. Each Catholic examines her conscience, and if her conscience says that an abortion done to save the life of the mother keeps at least one person alive, or if a condom worn by a guy with AIDS keeps AIDS from spreading, or if a cancer-racked body needs to depart the world painlessly, then so be it. The God we believe in, after all, is a God of mercy and compassion.

Ready to go?” he asked. I spun to face him, scrutinizing him from head to toe, and sighed. “Finally dressed, are you? Once I’ve settled in as magistrate, I’m going to have to rein you in, Patrei.” “So today it’s magistrate? Yesterday you were Ambassador Brightmist.” “The queen left the roles to my discretion, depending on how you behave.” “Plan to arrest me?” he asked, a bit too eagerly. I narrowed my eyes. “If you don’t toe the line.” “If you weren’t so impatient, you wouldn’t be saddled with me now.

From the managerial perspective, Sir Oliver Humperdink, a heinous sort for most of his career, said the release of pentup emotions might even have been healthy for mind and soul. "As heels, we were able to be as annoying and politically incorrect’ as possible.We were able to say and do what everyone probably wanted to say and do, but, for one reason or another, could never, ever get away with. And, by being able to do so, I generally found that my fellow heels were much more 'easygoing' than our babyface counterparts who had to 'toe the line.

Some children are threatened with loss of privileges such as money, cell phones, cars or even eviction from home if they do not 'toe-the-line' and 'act straight'. I don't think parents who do such things consider for a moment the kind of emotional damage they are doing to their children - or thinking beyond their own feelings about the situation - which will not change or go away simply because of their denial.

Zeno gave his lectures on the stoa, the covered walkways or porticos that surrounded the Athenian marketplace. His followers were first called Zenonians and later Stoics. He presided over his school for fifty-eight years and the manner of his death at the age of ninety-eight is bizarre. One day, as he was leaving the school, he tripped and fell, breaking a toe. Lying there in pain, he struck the ground with his fist and quoted a line from the Niobe of Timotheus, “I come of my own accord; why then call me?” He died on the spot through holding his breath.

Their home is white and precise, an advertisement for right angles. When he’s sure no one’s looking, Benji silently nudges the shoe-rack one inch out of line and touches a couple of the photos on the wall so that they’re hanging ever so slightly crooked, and as he walks across the rug in the living room he lets his big toe fleetingly mess up some of the fringe. When he reaches the terrace door he sees Kevin’s mom’s reflection in the glass. She’s going around mechanically putting everything back to how it was, without missing a beat of her telephone conversation.

The people came out of their houses and smelled the hot stinging air and covered their noses from it. And the children came out of the houses, but they did not run or shout as they would have done after a rain. Men stood by their fences and looked at the ruined corn, drying fast now, only a little green showing through the film of dust. The men were silent and they did not move often. And the women came out of the houses to stand beside their men - to feel whether this time the men would break. The women studied the men's faces secretly, for the corn could go, as long as something else remained. The children stood near by drawing figures in the dust with bare toes, and the children sent exploring senses out to see whether men and women would break. The children peeked at the faces of the men and women, and then drew careful lines in the dust with their toes. Horses came to the watering troughs and nuzzled the water to clear the surface dust. After a while the faces of the watching men lost their bemused perplexity and became hard and angry and resistant. Then the women knew that they were safe and that there was no break. Then they asked, Whta'll we do? And the men replied, I don't know. but it was all right. The women knew it was all right, and the watching children knew it was all right. Women and children knew deep in themselves that no misfortune was too great to bear if their men were whole. The women went into the houses to their work, and the children began to play, but cautiously at first. As the day went forward the sun became less red. It flared down on the dust-blanketed land. The men sat in the doorways of their houses; their hands were busy with sticks and little rocks. The men sat still - thinking - figuring.

pick you apart like puzzle pieces, stick my fingers in your cracks and split you open to see the inside because I am so damn naive that I am always expecting a sweet, soft center even when there’s none to be had. You did not want to be smashed open and dived greedily into. You pressed your mouth to my fingers and toes, wrote prose into my palms where every other line began with “No” and ended with a reason that you could not bear to stay.

Being sick is supposed to come along with grand realizations about What Really Matters, but I don't know. I think deep down, we're already aware of what's important and what's not. Which isn't to say that we always live our lives accordingly. We snap at our spouses and curse the traffic and miss the buds pushing up from the ground. But we know. We just forget to know sometimes. Near-death forces us to remember. It pushes us into a state of aggressive gratitude that throws what's big and what's small into the sharpest relief. It's awfully hard to worry about the puddle of milk when you're just glad to be here to spill it. Aggressive gratitude, though, is no way to live. It's too easy. We're meant to work at these things. To strive to know. Our task is to seek out what's essential, get distracted by the fluff, and still know, feel annoyed by annoyances, and find our way back. The so-called small stuff actually matters very much. It's what we push against on our way to figuring out how much we wish to think and be. We need that dialectic, and illness snatches it away. A stubbed toe, a too-long line at the post office, these things and the fluster they bring are signifiers of a healthy life, and I craved them.

Some hugs were awkward. One person’s arm headed over the other’s shoulder just as that person was mirroring the action. So it would almost look like a defensive karate move in slow motion. Sometimes, a guy liked to hug around the waist and if the girl was shorter, he’d straighten a little and she’d end up on tip toe. This had always made her feel like a melon being weighed for juiciness. From the wrong man, from any man really, it was a creepy hug. Other hugs were comfortable, a perfect synchronization of arms crisscrossing around one another’s backs, a full, warm, brief embrace that said "I care about you" but didn’t cross any weird lines.

As you can see,” Daisy said, “one glass is filled with soap water, one with clear, and one with blue laundry water. The other, of course, is empty. The glasses will predict what kind of man you will marry.” They watched as Evie felt carefully for one of the glasses. Dipping her finger into the soap water, Evie waited for her blindfold to be drawn off, and viewed the results with chagrin, while the other girls erupted with giggles. “Choosing the soap water means she will marry a poor man,” Daisy explained. Wiping off her fingers, Evie exclaimed good-naturedly, “I s-suppose the fact that I’m going to be m-married at all is a good thing.” The next girl in line waited with an expectant smile as she was blindfolded, and the glasses were repositioned. She felt for the vessels, nearly overturning one, and dipped her fingers into the blue water. Upon viewing her choice, she seemed quite pleased. “The blue water means she’s going to marry a noted author,” Daisy told Lillian. “You try next!” Lillian gaveher a speaking glance. “You don’t really believe in this, do you?” “Oh, don’t be cynical—have some fun!” Daisy took the blindfold and rose on her toes to tie it firmly around Lillian’s head. Bereft of sight, Lillian allowed herself to be guided to the table. She grinned at the encouraging cries of the young women around her. There was the sound of the glasses being moved in front of her, and she waited with her hands half raised in the air. “What happens if I pick the empty glass?” she asked. Evie’s voice came near her ear. “You die a sp-spinster!” she said, and everyone laughed. “No lifting the glasses to test their weight,” someone warned with a giggle. “You can’t avoid the empty glass, if it’s your fate!” “At the moment I want the empty glass,” Lillian replied, causing another round of laughter. Finding the smooth surface of a glass, she slid her fingers up the side and dipped them into the cool liquid. A general round of applause and cheering, and she asked, “Am I marrying an author, too?” “No, you chose the clear water,” Daisy said. “A rich, handsome husband is coming for you, dear!” “Oh, what a relief,” Lillian said flippantly, lowering the blindfold to peek over the edge. “Is it your turn now?” Her younger sister shook her head. “I was the first to try. I knocked over a glass twice in a row, and made a dreadful mess.” “What does that mean? That you won’t marry at all?” “It means that I’m clumsy,” Daisy replied cheerfully. “Other than that, who knows? Perhaps my fate has yet to be decided. The good news is that your husband seems to be on the way.” “If so, the bastard is late,” Lillian retorted, causing Daisy and Evie to laugh.

West’s mouth slid from hers and followed the line of her throat. Finding the throb of her pulse, he kissed and nuzzled it ardently. “You’re not a possession,” he said raggedly. “You can’t be passed from one man to another like a painting or an antique vase.” Her voice was faint. “That’s not how it is.” “Has he told you he wants you?” “Not the way you mean. He . . . he’s a gentleman . . .” “I want you with my entire body.” West dragged his mouth over hers, shaping her lips before settling in for a rough and ardent kiss. He hitched her up against him until her toes barely touched the floor. “You’re all I think about. You’re all I see. You’re the center of a star, and the force of gravity keeps pulling me closer, and I don’t give a damn that I’m about to be incinerated.” He rested his forehead against hers, panting. “That’s what he should tell you.

People defeated scarcity. Everyone had what they needed, and nobody got sick, but they found that they needed things to be just a little bit difficult once in a while. They needed to stub their toe and wait in line and see that CHECK ENGINE light. They decided to leave their existence just a little short of perfect, because they wanted to want.

My power works by intention more than anything, so back then, I was still just scribbling random lines, but in my head I was drawing dinosaurs and aliens. So then the house became overrun with tiny little squiggle lines that believed they were dinosaurs and aliens and were always trying to chomp down on people’s toes when they were walking around.

Nature is crooked. I wanted right angles and straight lines. Ice! Oh, why do they all drip? You cut yourself opening a can of tuna fish and you die. One puncture in your foot and your life leaks out through your toe. What are they for, moose antlers? Get down on all fours and live. You're protected on your hands and knees. It's either that or wings.

...political correctness is ... not about tolerance; it’s about “toe the party line or it’s the gulag for you, Comrade.” - Solbury Tor

The Iraq war saw the overwhelming majority of British and American public commentators abandon all pretense at independent thought and toe the government line.

Umman Kudu: scissors-line of jaw muscles, chin like a boot toe - a man to be trusted because the captain's vices were known.

toeing any line.

Absolutely Disgusted! Your Father's Facing An Inquiry At Work And It's Entirely Your Fault! If You Put Another Toe Out Of Line, We'll Bring You Straight Back Home!

Remembering Mom's Clothesline -- There is one thing that's left out. We had a long wooden pole (clothes pole) that was used to push the clotheslines up so that longer items (sheets/pants/etc.) didn't brush the ground and get dirty. I can hear my mother now... THE BASIC RULES FOR CLOTHESLINES: (If you don't even know what clotheslines are, better skip this.) 1. You had to hang the socks by the toes... NOT the top. 2. You hung pants by the BOTTOM/cuffs... NOT the waistbands. 3. You had to WASH the clothesline(s) before hanging any clothes - Walk the entire length of each line with a damp cloth around the lines. 4. You had to hang the clothes in a certain order, and always hang "whites" with "whites," And hang them first. 5. You NEVER hung a shirt by the shoulders - always by the tail! What would the neighbors think? 6. Wash day on a Monday! NEVER hang clothes on the weekend, Or on Sunday, for Heaven's sake! 7. Hang the sheets and towels on the OUTSIDE lines so you could Hide your "unmentionables" in the middle perverts & busybodies, y'know!) 8. It didn't matter if it was sub-zero weather... Clothes would "freeze-dry." 9. ALWAYS gather the clothes pins when taking down dry clothes! Pins left on the lines were "tacky"! 10. If you were efficient, you would line the clothes up so that each item. Did not need two clothes pins, but shared one of the clothes pins with the next washed item. 11. Clothes off of the line before dinner time, neatly folded in the clothes basket, and ready to be ironed. 12. IRONED??!! Well, that's a whole OTHER subject!

Trolls have existed on this planet for as long as humans. This is what I was told and what I translated to Tub. The first mention of them in recorded history is from ninth-century Norway, when the nefarious creatures began showing up in song, verse, and bedtime stories to keep misbehaving children in line. According to Norse folklore, trolls are one of the Dark Beings, the purest embodiments of evil, and they scurried from between the toes of Ymir, the mythic six-headed Frost Giant whose murdered body became the universe in which we live; his bones became the mountains, his teeth boulders, and so forth.

The real issue in the Christian community was that it was conditional. You were loved, but if you had questions, questions about whether the Bible was true or whether America was a good country or whether last week’s sermon was good, you were not so loved. You were loved in word, but there was, without question, a social commodity that was being withheld from you until you shaped up. By toeing the party line you earned social dollars; by being yourself you did not. If you wanted to be valued, you became a clone. These are broad generalizations, and they are unfair, but this is what I was thinking at the time.

Human resources is the place where people come to complain and/or shoot people when they just can’t take it anymore. Choosing to work in HR is like choosing to work in the complaint department of hell, except way more frustrating, because at least in hell you’d be able to agree that that Satan is a real dick-wagon without having to toe the company line. The HR department is the place where people stop by to say, “THIS IS TOTALLY FUCKED UP,” and the HR employees will nod thoughtfully and professionally as they think to themselves, “Wow. That is totally fucked up. I wish that this person would leave so I could tell everyone else in the office about it.

Did nobody see where we were heading? Did nobody see through the shameless demagogy of the articles of Goebbels? I could see it even through the thick walls of the prison; yet more and more people outside were toeing the line.

The heart of our Creator is to bless you. Dead religion presents a freakish caricature, a pseudo-god who is reluctant to bless his creatures unless they toe the line of impeccable moral behavior and tireless service to him. But the authentic God of the Bible blessed Adam and Eve immediately [Genesis 1:27-28] - before they worshipped, before they served, before they prayed, before they displayed any kind of action at all. The first divine act toward humanity tells us so very much about Him.

they went, either. But they’d been doing it every summer, for as long as I’d been alive. “How old was your mom?” Irene asked, toe-nabbing her flip-flops and standing up, stretching her arms far above her so I could just see a thin line of her stomach. That feeling that being with Irene kept giving me when I least expected it again floated up in me like a hot-air balloon and I looked away. “She was twelve,” I said. “Just like us.” Eventually we wandered away from my house, no plan, just the two of us

He shook his head. “This is all wrong.” The look on his face almost undid me. It was lost, startled, like a little boy standing alone in the ruin of a burning village. “Please, Alina,” he said softly. “Please. This can’t be how it ends.” I rested my hand on his cheek, hoping that there was still enough between us that he would understand. I stood on my toes and kissed the scar on his jaw. “I have loved you all my life, Mal,” I whispered through my tears. “There is no end to our story.” I stepped back, memorizing every line of his beloved face.

She smoothes the front of the dress, looking down at her hands, at her bitten fingernails, at her big feet in the pointy-toes shoes. This is a woman's dress, she thinks, a young woman's dress. It is not a girl's dress. It is solidly on the other side of the line outside of girlhood. It is a dress that says something big in a very quiet way; it is a dress that is talking to Alice right now, a dress that is making her feel possibilities never before considered, the possibility of perfume and pretty and dancing and boys. This dress is who she might be, only more so.

I twirl away, then back to him, staying on my toes, my hips always lightly rotating. He reacts clumsily at first, but soon the awkwardness fades away and he begins matching my movements, reflecting them in reverse. We dance like this, wrist to wrist, twirl and turn, step for step, for several more minutes. He holds my gaze, our eyes connecting at every turn, anticipating one another’s movements. His pulse is so strong against my wrist that it echoes through me, almost like a heartbeat of my own. My skin warms; my breath catches in my throat. I know how closely I dance along the line of destruction, but I cannot pull myself away. He is intoxicating, his force of life an addiction I cannot refuse. I have not felt this alive in centuries, not since you, Habiba, when you taught me the dance of Fahradan. Ours was a dance of giddy laughter, a dance of friends, sisters, a dance of life and youth and hope. But this dance is different. It is not I but he who entices, reversing the ancient roles of the dance. And I resist because I must, because if I don’t, because if I give in to the all-too-human desires racing through me—then it is Aladdin who will pay the terrible price. “Stop.” I drop my wrists and step away, and he does the same, still caught up in mirroring me. Except that he is breathing heavily, his chest rising and falling with exertion, his eyes filled with a strange, wondrous, curious look as he stares at me. He moves closer, his eyes fixed on mine, and despite myself I cannot look away. Aladdin raises a tentative hand to my cheek. Immobile with both dread and longing, I can only stare up at him, flushing with warmth when he gently runs his hand down the side of my face. I shut my eyes, leaning into his touch just slightly, my stomach leaping. Longing. Wishing.

One of the biggest shifts in the last decade of anthropology, one of the discoveries in the field that has changed everything, is the realization that we evolved as cooperative breeders. Bringing up kids in a nuclear family is a novelty, a blip on the screen of human family life. We never did child rearing alone, isolated and shut off from others, or with just one other person, the child’s father. It is arduous and anomalous and it’s not the way it “should” be. Indeed, for as long as we have been, we have relied on other females—kin and the kindly disposed—to help us raise our offspring. Mostly we lived as Nisa did—in rangy, multifamily bands that looked out for one another, took care of one another, and raised one another’s children. You still see it in parts of the Caribbean today, where any adult in a small town can tell any kid to toe the line, and does, and the kids listen. Or in Hawaii, where kids and parents alike depend on hanai relationships—aunties and uncles, indispensible honorary relations who take a real interest in an unrelated child’s well-being and education. No, it wasn’t fire or hunting or the heterosexual dyad that gave us a leg up, anthropologists now largely concur; it was our female Homo ancestors holding and handling and caring for and even nursing the babies of other females. That is in large part why Homo sapiens flourished and flourish still, while other early hominins and prehominins bit the dust. This shared history of interdependence, of tending and caring, might explain the unique capacity women have for deep friendship with other women. We have counted on one another for child care, sanity, and survival literally forever. The loss of your child weighs heavily on me in this web of connectedness, because he or she is a little bit my own.

My fingers memorized his face, the textures and lines, to the tempo of his rising urgency. I love you I trust you I love you I trust you. Warm pleasure spread over my body like spilled milk, until I was covered in it, toes curling, back arching, legs stiffening,. I held back a cry and came for him, only him.

Who do you think taught me the tricks of the trade, so to speak?” I paused. Then, suddenly, it all became clear. “OMG!” I looked directly at Even. “You’re the Master?” He bowed his head. “That’d be me, sister dear.” Beyond dumbfounded, Nik leaned down and queried, “You’ve heard of him before?” Renée answered, “Who hasn’t? He’s known in at least six States.” Still, I sat there with my mouth gaping open and stared in shock. Alex added, “Yes. It’s questionable if the clubs are legal.” Even fired back, “That’s what I have you for. To make sure I toe the very gray line.” I finally found my voice. “So, you’re the teacher?” I

Our society doesn't allow any foreign objects. I've always suffered because of that," Shiraha said, drinking jasmine tea made with a teabag from the drink bar. I was the one who had gotten the jasmine tea for him since he didn't make any move to get anything for himself. He just sat in silence, and when I placed it in front of him he started drinking it without even saying thank you. "Everyone has to toe the line. Why am I still doing casual work even though I'm in my mid-thirties? Why haven't I ever had a girlfriend? The assholes don't even bat an eyelid when they ask whether I've ever had sex or not. And then they laugh and tell me not to include prostitutes in the count. I don't make trouble for anyone. But they all seem to think nothing of raping me, just because I'm in the minority." I considered him one step short of being a sex offender. But here he was casually likening his own suffering to sexual assault, without sparing a thought for all the trouble he'd caused for women store workers and customers. He seemed to have this odd circuitry in his mind that allowed him to see himself only as the victim, and never the perpetrator, I thought was I watched him. "Really," I said, even wondering whether he made a habit of being self-pitying. "That must be hard.

He reached down to the exposed line of her throat, drawing the backs of his fingers over her skin with a sensitive lightness that caused her breath to quicken. His fingertips rested on the rapid tattoo of her pulse, and caressed softly. Watching a delicate tide of pink rise in her face, he said in a low voice, “Put the book aside.” Poppy’s toes curled beneath the bed linens. “But I’ve reached a very interesting part,” she said demurely, teasing him. “Not half so interesting as what’s about to happen to you.” Drawing the covers back with a deliberate sweep that left her gasping, Harry lowered his body over hers … and the book dropped to the floor, forgotten.

You go about your business, as far away from these lines as possible, pretending they're not there. So when you eventually find yourself at one of these lines, your toe inching over, it's not only shocking and horrifying, it's banal. Because you've always been aware the lines were there, where you were trying with all your might not to see them, knowing that sooner or later you would.

One time I sat down in a bath where there was a beautiful girl sitting with a guy who didn’t seem to know her. Right away I began thinking, “Gee! How am I gonna get started talking to this beautiful nude babe?” I’m trying to figure out what to say, when the guy says to her, “I’m, uh, studying massage. Could I practice on you?” “Sure,” she says. They get out of the bath and she lies down on a massage table nearby. I think to myself, “What a nifty line! I can never think of anything like that!” He starts to rub her big toe. “I think I feel it,” he says. “I feel a kind of dent—is that the pituitary?” I blurt out, “You’re a helluva long way from the pituitary, man!” They looked at me, horrified—I had blown my cover—and said, “It’s reflexology!” I quickly closed my eyes and appeared to be meditating. That’s just an example of the kind of things that overwhelm me. I also looked into extrasensory perception and PSI phenomena, and the latest craze there was Uri Geller, a man who is supposed to be able to bend keys by rubbing them with his finger. So I went to his hotel room, on his invitation, to see a demonstration of both mindreading and bending keys. He didn’t do any mindreading that succeeded; nobody can read my mind, I guess. And my boy held a key and Geller rubbed it, and nothing happened. Then he told us it works better under water, and so you can picture all of us standing in the bathroom with the water turned on and the key under it, and him rubbing the key with his finger. Nothing happened. So I was unable to investigate that phenomenon.

Stance in Strategy Adopt a stance with the head erect, neither hanging down, nor looking up, nor twisted. Your forehead and the space between your eyes should not be wrinkled. Do not roll your eyes nor allow them to blink, but slightly narrow them. With your features composed, keep the line of your nose straight with a feeling of slightly flaring your nostrils. Hold the line of the rear of the neck straight: instill vigor into your hairline, and in the same way from the shoulders down through your entire body. Lower both shoulders and, without the buttocks jutting out, put strength into your legs from the knees to the tips of your toes. Brace your abdomen so that you do not bend at the hips. Wedge your companion sword in your belt against your abdomen, so that your belt is not slack - this is called "wedging in".

In medicine, we have long faced a conflict between the imperative to give patients the best possible care and the need to provide novices with experience. Residencies attempt to mitigate potential harm for supervision and graduated responsibility. And there is reason to think patients actually benefit from teaching. Studies generally find teaching hospitals have better outcomes than non teaching hospitals. Residents may be amateurs, but having them around checking on patients, asking questions, and keeping faculty on their toes seems to help. But there is still no getting around those first few unsteady times a young physician tries to put in a central line, remove a breast cancer, or sew together two segments of colon. No matter how many protections we put in place, on average these cases go less well with a novice then with someone experienced.

Wylan—and the obliging Kuwei—will get the weevil working,” Kaz continued. “Once we have Inej, we can move on Van Eck’s silos.” Nina rolled her eyes. “Good thing this is all about getting our money and not about saving Inej. Definitely not about that.” “If you don’t care about money, Nina dear, call it by its other names.” “Kruge? Scrub? Kaz’s one true love?” “Freedom, security, retribution.” “You can’t put a price on those things.” “No? I bet Jesper can. It’s the price of the lien on his father’s farm.” The sharpshooter looked at the toes of his boots. “What about you, Wylan? Can you put a price on the chance to walk away from Ketterdam and live your own life? And Nina, I suspect you and your Fjerdan may want something more to subsist on than patriotism and longing glances. Inej might have a number in mind too. It’s the price of a future, and it’s Van Eck’s turn to pay.” Matthias was not fooled. Kaz always spoke logic, but that didn’t mean he always told truth. “The Wraith’s life is worth more than that,” said Matthias. “To all of us.” “We get Inej. We get our money. It’s as simple as that.” “Simple as that,” said Nina. “Did you know I’m next in line for the Fjerdan throne? They call me Princess Ilse of Engelsberg.” “There is no princess of Engelsberg,” said Matthias. “It’s a fishing town.” Nina shrugged. “If we’re going to lie to ourselves, we might as well be grand about it.” Kaz ignored her, spreading a map of the city over the table, and Matthias heard Wylan murmur to Jesper, “Why won’t he just say he wants her back?” “You’ve met Kaz, right?” “But she’s one of us.” Jesper’s brows rose again. “One of us? Does that mean she knows the secret handshake? Does that mean you’re ready to get a tattoo?” He ran a finger up Wylan’s forearm, and Wylan flushed a vibrant pink. Matthias couldn’t help but sympathize with the boy. He knew what it was to be out of your depth, and he sometimes suspected they could forgo all of Kaz’s planning and simply let Jesper and Nina flirt the entirety of Ketterdam into submission. Wylan pulled his sleeve down self-consciously. “Inej is part of the crew.” “Just don’t push it.” “Why not?” “Because the practical thing would be for Kaz to auction Kuwei to the highest bidder and forget about Inej entirely.” “He wouldn’t—” Wylan broke off abruptly, doubt creeping over his features. None of them really knew what Kaz would or wouldn’t do. Sometimes Matthias wondered if even Kaz was sure. “Okay, Kaz,” said Nina, slipping off her shoes and wiggling her toes. “Since this is about the almighty plan, how about you stop meditating over that map and tell us just what we’re in for.

Mine was, probably, the easiest imaginable kind of arrest. It did not tear me from the embrace of kith and kin, nor wrench me from a deeply cherished home life. One pallid European February it took me from our narrow salient on the Baltic Sea, where, depending on one's point of view, either we had surrounded the Germans or they had surrounded us, and it deprived me only of my familiar artillery battery and the scenes of the last three months of war. The brigade commander called me to his headquarters and asked me for my pistol; I turned it over without suspecting any evil intent, when suddenly, from a tense, immobile suite of staff officers in the corner, two counterintelligence officers stepped forward hurriedly, crossed the room in a few quick bounds, their four hands grabbed simultaneously at the star on my cap, my shoulder boards, my officer's belt, my map case, and they shouted theatrically: "You are under arrest!" Burning and prickling from head to toe, all I could explain was, "Me? What for?" Across the sheer gap separating me from those left behind, across that quarantine line not event a sound dared penetrate, came the unthinkable magic words of the brigade commander: "Sholzhenitsyn. Come back here." "You have ..." he asked weightily, "a friend on the First Ukrainian Front?" I knew instantly I had been arrested because of my correspondence with a school friend and understood what direction to expect danger.

To be a boy without a father is to grow guns in place of arms and a loaded cannon for a mouth. Always, at all times to be under siege with no reinforcements. To sprint at full speed into the pitch dark with fury trumping your fear, not aware that what you actually want is to hit a brick wall, or stumble into a pit, to find some limits, some restrictions and discipline. A broken leg. A concussion. Punishment from a surrogate father, even if that father is merely physics, to slap you down and make you toe some ultimate line.

Tony is back on the filed. Every hole is a burn and a pull. Now he feels as if he might not float up but instead fall inside of something underneath him. There is an anchor, something he's been rooted to all this time, as if in each hole there is a hook attached to a line pulling him down. A wind from the bay sweeps through the stadium, moves through him. Tony hears a bird. Not outside. From where he's anchored, to the bottom of the bottom, the middle of the middle of him. The center's center. There is a bird for every hole in him. Singing. Keeping him up. Keeping him from going. Tony remembers something his grandma said to him when she was teaching him how to dance. "You have to dance like birds sing in the morning," she said, and showed him how light she could be on her feet. She bounced and her toes pointed in just the right way. Dancer's feet. Dancer's gravity. Tony needs to be light now. Let the wind sign through the holes in him listen to the birds singing. Tony isn't going anywhere. And somewhere in there, inside him, where he is, where he'll always be, even now it is morning, and the birds, the birds are singing.

It is so rare to have a new tent appear that Celia considers canceling her performances entirely in order to spend the evening investigating it. Instead she waits, executing her standard number of shows, finishing the last a few hours before dawn. Only then does she navigate her way through nearly empty pathways to find the latest edition to the circus. The sign proclaims something called the Ice Garden. and Celia smiles at the addendum below which contains an apology for any thermal inconvenience. Despite the name, she is not prepared for what awaits her inside the tent. It is exactly what the sign described. But it is so much more than that. There are no stripes visible on the walls, everything is sparkling and white. She cannot tell how far it stretches, the size of the tent obscured by cascading willows and twisting vines. The air itself is magical. Crisp and sweet in her lungs as she breathes, sending a shiver down to her toes that is caused by more than the forewarned drop in temperature. There are no patrons in the tent as she explores, circling alone around trellises covered in pale roses and a softly bubbling, elaborately carved fountain. And everything, save for occasional lengths of whet silk ribbon strung like garlands, is made of ice. Curious, Celia picks a frosted peony from its branch, the stem breaking easily. But the layered petals shatter, falling from her fingers to the ground, disappearing in the blades of ivory grass below. When she looks back at the branch, an identical bloom has already appeared. Celia cannot imagine how much power and skill it would take not only to construct such a thing but to maintain it as well. And she longs to know how her opponent came up with the idea. Aware that each perfectly structured topiary, every detail down to the stones that line the paths like pearls, must have been planned.

This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented

While the Scripture encourages us to give up our liberties for the good of each other, the goal is not conformity. We sacrifice for each other because we are in relationship with each other, not in order to stay in relationship with each other. This nuance is essential because it helps us discern the difference between healthy and unhealthy communities. Because as much as healthy communities can lead us to wisdom and goodness, unhealthy communities can actually hinder our developing discernment. Another point that Jacobs makes in How to Think is how often we conform to community expectations and toe the party line, not because we are convinced it’s right or good, but because speaking out against it would jeopardize our membership in the group. Sometimes this may mean accepting bad treatment for ourselves, as in abusive relationships, or enabling the abuse of others, all in order to stay in the group. Jacobs says that we can tell the difference between an unhealthy community and a healthy one by its attitude toward discernment. An unhealthy community “discourages, mocks, and ruthlessly excludes those who ask uncomfortable questions. … The genuine community is open to thinking and questioning, so long as those thoughts and questions come from people of goodwill.”9 In fact, the dissenting voice is so important to finding goodness that God has equipped certain people with a particular gift for discernment.

I'm so excited to meet you, Emma," she says. "Now I know why Galen won't shut up about you." Her smile seems to contradict the decades' worth of frown lines rippling from her mouth. In fact, it's so genuine and warm that I almost believe she is excited to meet me. But isn't that what all moms say when introduced to their son's girlfriend? You're not his girlfriend, stupid. Or does she think we're dating, too? "Thanks, I think," I smile generically. "I'm sure he's told you a million times how clumsy I am." Because how else am I supposed to take that? "A million and one, actually. Wish you'd do something different for a change," Rayna drawls without looking up. Rayna has outstayed her welcome on my nerves. "I could teach you how to color in the lines," I shoot back. The look she gives me could sour milk. Toraf puts his hands on her shoulders and kisses the top of her head. "I think you're doing a great job, my princess." She wiggles out of his grasp and shoves the polish brush back into its bottle. "If you're so good at it, why don't you paint your toes? They probably stay injured all the time from you running into stuff. Am I right?" Yeah? And? I'm about to set her straight on a few things-like how wearing a skirt and sitting Indian-style ruins the effect of pretty toes anyway-when Galen's mom puts a gentle hand on my arm and clears her throat. "Emma, I'm so glad you're feeling better," she says. "I bet dinner would just about complete your recovery, don't you?

She was especially taken with Matt. Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.” Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.” Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread. Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill. Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner. Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance. As soon as he was close enough, Priss called out, “What’s wrong?” Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt. Backing up to the edge of the dock, Matt said, “Uh . . . Hello?” Trace didn’t say a thing; he just pushed Matt into the water. Arms and legs flailing out, Matt hit the surface with a cannonball effect. Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?” Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.” Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!” “I’m here now.” Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.” Trace’s beautiful eyes darkened, and he reached for her. “A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock. Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water. Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing. Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms. “Chris!” She made a grab for his shoulders. “Put me down!” “Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs. Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body. “Wait!” Priss shouted at him. He was still waist-deep as he turned to glare at her. Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!” Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.” Matt and Chris found that hilarious. Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard. For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.” “Only because you were being a jealous jerk.” His expression dark, he glared toward Matt. Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.

A few silent moments later, Peter tells me it’s time to go. He barely looks at me, scowls at the back wall instead. I suppose it would have been too much to ask, to see a friendly face this morning. I stand, and together we walk down the hallway. My toes are cold. My feet stick to the tiles. We turn a corner, and I hear muffled shouts. At first I can’t tell what the voice is saying, but as we draw closer, it takes shape. “I want to…her!” Tobias. “I…see her!” I glance at Peter. “I can’t speak to him one last time, can I?” Peter shakes his head. “There’s a window, though. Maybe if he sees you he’ll finally shut up.” He takes me down a dead-end corridor that’s only six feet long. At the end is a door, and Peter is right, there’s a small window near the top, about a foot above my head. “Tris!” Tobias’s voice is even clearer here. “I want to see her!” I reach up and press my palm to the glass. The shouts stop, and his face appears behind the glass. His eyes are red; his face, blotchy. Handsome. He stares down at me for a few seconds and then presses his hand to the glass so it lines up with mine. I pretend I can feel the warmth of it through the window. He leans his forehead against the door and squeezes his eyes shut. I take my hand down and turn away before he can open his eyes. I feel pain in my chest, worse than when I got shot in the shoulder. I clutch the front of my shirt, blink away tears, and rejoin Peter in the main hallway. “Thank you,” I say quietly. I meant to say it louder. “Whatever.” Peter scowls again. “Let’s just go.

The heart of the issue is not simply that a group that gets a large portion of its budget from the Walton family fortune is unlikely to be highly critical of Walmart. The 1990s was the key decade when the contours of the climate battle were being drawn—when a collective strategy for rising to the challenge was developed and when the first wave of supposed solutions was presented to the public. It was also the period when Big Green became most enthusiastically pro-corporate, most committed to a low-friction model of social change in which everything had to be ‘win- win.’ And in the same period many of the corporate partners of groups like the EDF and the Nature Conservancy—Walmart, FedEx, GM—were pushing hard for the global deregulatory framework that has done so much to send emissions soaring. This alignment of economic interests—combined with the ever powerful desire to be seen as ‘serious’ in circles where seriousness is equated with toeing the pro-market line —fundamentally shaped how these green groups conceived of the climate challenge from the start. Global warming was not defined as a crisis being fueled by overconsumption, or by high emissions industrial agriculture, or by car culture, or by a trade system that insists that vast geographical distances do not matter—root causes that would have demanded changes in how we live, work, eat, and shop. Instead, climate change was presented as a narrow technical problem with no end of profitable solutions within the market system, many of which were available for sale at Walmart.

On August 10, 1984, my plane landed in Kabul, the capital of Afghanistan. There were no skyscrapers here. The blue domes of the mosques and the faded mountains were the only things rising above the adobe duvals (the houses). The mosques came alive in the evening with multivoiced wailing: the mullahs were calling the faithful to evening prayer. It was such an unusual spectacle that, in the beginning, I used to leave the barracks to listen – the same way that, in Russia, on spring nights, people go outside to listen to the nightingales sing. For me, a nineteen-year-old boy who had lived his whole life in Leningrad, everything about Kabul was exotic: enormous skies – uncommonly starry – occasionally punctured by the blazing lines of tracers. And spread out before you, the mysterious Asian capital where strange people were bustling about like ants on an anthill: bearded men, faces darkend by the sun, in solid-colored wide cotton trousers and long shirts. Their modern jackets, worn over those outfits, looked completely unnatural. And women, hidden under plain dull garments that covered them from head to toe: only their hands visible, holding bulging shopping bags, and their feet, in worn-out shoes or sneakers, sticking out from under the hems. And somewhere between this odd city and the deep black southern sky, the wailing, beautifully incomprehensible songs of the mullahs. The sounds didn't contradict each other, but rather, in a polyphonic echo, melted away among the narrow streets. The only thing missing was Scheherazade with her tales of A Thousand and One Arabian Nights ... A few days later I saw my first missile attack on Kabul. This country was at war.

Last night I had the dream again. Except it's not a dream I know because when it comes for me, I'm still awake. There's my desk. The map on the wall. The Stuffed animals I don't play with anymore but don't want to hurt Dad's feelings by sticking in the closet I might be in bed. I might be just standing there, looking foe a missing sock. Then i'm gone. it doesn't just show me somthing this time, it takes me from here to THERE> standing on the bank of a river of fire. A thousand wasps in my head. Fighting and dying inside my skull, their bodies piling up against the backs of me eyes. Stinging and stinging. Dad's voice. Somewhere across the river. Calling my name. I've never heard him sound like that before. He's so frightened he can't hide it, even though he tries (he ALWAYS tries). The dead boy floats by. Facedown. So I wait for his head to pop up, show the holes where his eye used to be, say somthing with his blue lips. One of the terrible things it might make him do. But he just passes like a chunk of wood. I've never been here before, but I know it's real. The river is the line between this place and the Other Place. And I'm on the wrong side. There's a dark forest behind me but that's not what it is. I try to get to where Dad is. My toes touch the river and it sings with pain. Then there's arms pulling me back. Dragging me into the trees. They feel like a man's arms but it's not a man that sticks its fingers into my mouth. Nails that scratch the back of my throat. Skin that tastes like dirt. But just before that, before I'm back in my room with my missing sock in my hand, I realize I've been calling out to Dad just like he's been calling out to me. Telling him the same thing the whole time. Not words from my mouth through the air, but from my heart through the earth, so only the two of us could hear it. FIND ME

Drowning in Blue Pulled deeper and deeper into the void, I dig down into my pocket, find the capsule I stashed, first beneath a flap of tongue, then in a cave of fleece. I hold it like a jewel, the key to some magic kingdom where only good feelings are allowed. Funny, but sometimes all I feel is good. More than good. Great. Invincible. When Mama felt like that, Daddy called her manic. But why is mania bad, if it means you're on top of the world, where everything is white? Bright. I wish I were up there now, instead of treading water in this damn blue hole. This magic pill won't fly me there. It will only take me halfway, to what others call normal and I call gray-- toeing a straight gray line is all medication is good for. Bad genes have doomed me to seesaw, white to blue and back again, for the rest of my pitiful life. And the thought of that makes me want to open a vein, experience pain, know I'm alive, despite this living death.

per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number

You wonder what had happened, when a feller like that, in a place like that, talked of a childhood that might have as easily belonged to a millionaire, a lawyer, a schoolteacher, you. You had to think he was defective somehow, or had fucked up not once, not twice, but again and again, a peculiar resolve to his life. That was the thing, that resolve. We didn’t credit it. You looked at him and your brain said he was on the losing end of one of the two bargains that America made with you. There was the romantic one, that of the rambler, the man out seeking his destiny, living by his wits, all that horseshit. Then there was the classical American dare, that you could risk all, take an internal grudge and make of it a billion dollars and get a monumental tomb in the bargain. But the truth was neither. America was a grindstone. She used those notions as twin abrasives to wear you down into a dutiful drudge walking the straight and narrow. But there was something in the hearts of the some men, some of whom became Fritz, that wouldn’t accept that. These men in crummy bars, some of them, most of them, they were main-chance fellers. You could take ten of these wrecks and offer them a salesman’s job, a dozen white shirts and ties, forty Gs a year and perks, a neat house on a quiet street, a yard, a car, a dog, a wife, an expense account, a Chinese laundryman, membership in a church, grandkids who’d bounce on their knees, and you’d be lucky if one or two took you up on it. And those two would be the most defeated, the most broken and worn down. Take the same ten and offer them eight dollars a day to be litter bearers on a great adventure, a hike after a lost civilization, a one in hundred shot at survival, a one in thousand shot at a fabulous fortune of jewels and gold, and if you provided rum along the way, nine of the ten would sign up. I guarantee it. I guarantee too that the one or two who took the salesman’s job—within a year or two or three, he’d be fucking up again and again, no matter how many chances you gave him. He’s a main-chance feller, and even if he didn’t have the brains or the luck to make it work, he still couldn’t abide the line others toed, even if he couldn’t think of anything else to do with his life but the miserable American two step—toe the line, fuck up, toe the line, fuck up....

PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here. “You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.” “Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine. I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down. “She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly. I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods. Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other. Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.” Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.

And you're thinking I just tossed out some casual phrase that you've heard from dozens of guys? Or maybe one in particular,who mattered enough to turn you into a cynic?" At the intensity of his tone she looked up. "Yeah.Something like that.After all, McCord,your reputation precedes you. You're not exactly shy with women. I'm sure you've used plenty of lines like that to get what you want." His eyes,steady on hers,were hot and fierce. His voice was equally fierce. "I'll admit that when I first saw you, my initial reaction was purely physical. A healthy combination of testosterone and lust.What guy could look at you and not feel what I felt? You're beautiful, and bright and independent.And did I mention beautiful?" That brought a smile to her eyes. "But the more I got to know you,the more I realized you weren't just a pretty package.I started learning that you were someone special.Someone I wanted to treat very carefully." "And now?" "I'm still battling lust." There was that grin,sending an arrow straight through her heart. "But there's more here.Much more." He stared at her mouth with naked hunger. "I've waited a long time for this,but now I'm going to have to kiss you.And when I do,I can't promise to stop." She stood very still,heart pounding. "How do you know I'll ask you to?" "Careful.Because unless you tell me to stop,you have to know where this is heading..." In reply she stood on tiptoe to brush her mouth to his,stopping his words. Stopping his heart. He drew in a deep breath and drew her a little away to stare into her eyes. "I hope you meant that." "With all my heart." "Thank God." He dragged her against him and covered her lips with his.Inside her mouth he whispered, "Because, baby,I mean this." She'd waited so long.So long.And it was worth all the time she'd spent waiting and wondering.Here was a man who knew how to kiss a woman and make her feel like the only one in the universe. This kiss was so hot,so hungry, she felt the rush of desire from the top of her head all the way to her toes.And still it spun on and on until she became lost in it. He changed the angle of the kiss and took it deeper until Marilee could feel her flesh heating, her bones melting like hot wax. She wanted to be sensible,to move slowly, but her mind refused to cooperate. With a single kiss her brain had been wiped clear of every thought but one.She wanted this man.Wanted him now.Desperately. When at last they came up for air, she put a hand to his chest. "I need a minute to catch my breath." "Okay." A second later he dragged her close. "Time's up." Her laughter turned into a sigh as he ran nibbling kisses down her throat until the blood was drumming in her temples.

She wraps her legs around my waist, and I walk us slowly down the hall. "Mmm, wait," she whines against my mouth. "I haven't showered. I'm so gross, and I don't..." She trails off as I turn into my bathroom, then set her down. She shuffles her bare feet against the gray stone tile, an inquisitive look on her face as she looks around the narrow space bathed in neutral hues. I push open the glass door and turn on the shower. Water cascades from the waterfall showered. "Oh," she says as she grins and bites her bottom lip. By the time we've helped each other out of our clothes, the water's warm. I help her in first, then step in. And then, under the hot stream of water, we resume our dirty kissing and grabbing. "Wait, wait." She presses a hand against my chest, then reaches for the shampoo bottle on the ledge. "I do need to get clean first." I laugh and follow her lead by shampooing my own hair and doing a quick rinse with body wash. She holds her hand out for the loofah, but I shake my head. "Let me?" A devilish smirk tugs at her perfect mouth. When she nods and licks her lips, I have to take a second. God, this woman. The way she's sweet and filthy all at once is enough to make me lose it right here. But I refuse. Not before she gets what I'm dying to give her. I work up a lather and run the loofah all over her body. I take my time, paying attention to every part of her. These beautifully curved hips, the fullness of her thighs, the gentle curve of her waist, her arms, her hands, the swell of her boobs. And then I lather up my hands and slowly work between her legs. She clutches both hands around my biceps, and her toes curl against the earthen-hued river rock that lines the shower floor. Her eyes go wide and pleading as she looks up at me. I lean down to kiss her. "Tell me what you want." "You. Just you. Please." With her breathy request, I'm ready to burst. Not yet, though. She reaches down to palm me, but I gently push her hand away. I want this to be one hundred percent about her. When she presses her mouth against my shoulder and her sounds go louder and more frantic, I work my hand faster. She's panting, pleading, shouting. When I feel the sting of her teeth against my skin, I grin. Fuck yeah, my girl is rough when she loses it and I love it. I love her. She explodes against my palm, the weight of her body shuddering against me. I've got her, though. I've always, always got you. When she starts to ease back down, she lets out a breathy laugh. "Oh my god." I nod down at her, which only makes her laugh harder. Then she glances down at what I'm sporting between my legs and flashes a naughty smirk. "Let's do something about that." Soon it's me at the mercy of her hands. My head spins at the pleasure she delivers so confidently, like she knows every single one of my buttons to push. When I lose it, I'm shuddering and grunting. For a few seconds, my vision's blurry. She's that incredible.

Galveston?” he asked in that amazing voice, still surprising me by keeping our conversation going. “Yeah. Staying at a beach house and everything. Totally slumming it and having a miserable time, you know?” I gave him a real smile that time. Rip just raised his brows. “I promised her I would go visit, and she promised she would come up too... What’s that face for?” I surprised myself by laughing. “I don’t believe it either. I’ll get lucky if she comes once. I’m not that delusional.” I didn’t imagine the way his cheek twitched again, just a little, just enough to keep the smile on my face. “I’m stuck making my own lunches from now on. I have nobody to watch scary movies with who’s more dramatic than I am screaming at the scary parts. And my house is empty,” I told him, going on a roll. “Your lunches?” was what he picked up on. I wasn’t sure how much he’d had to drink that he was asking me so many questions, but I wasn’t going to complain. “I can’t cook to save my life, boss. I thought everyone knew. Baking is the only thing I can handle.” “You serious?” he asked in a surprised tone. I nodded. “For real?” “Yeah,” I confirmed. “I can’t even make rice in an Instant Pot. It’s either way too dry or it’s mush.” Oh. “An Instant Pot is—” “I know what it is,” he cut me off. It was my turn to make a face, but mine was an impressed one. He knew what an Instant Pot was but not a rom-com. Okay. “Sorry.” He didn’t react to me trying to tease him, instead he asked, “You can’t even make rice in that?” “Nope.” “You know there’s instructions online.” Was he messing with me now? I couldn’t help but watch him a little. How much had he drunk already? “Yeah, I know.” “And you still screw it up?” I blinked, soaking up Chatty Cathy over here like a plant that hadn’t seen the sun in too long. “I wouldn’t say I screw it up. It’s more like… you either need to chew a little more or a little less.” It was his turn to blink. “It’s a surprise. I like to keep people on their toes.” If I hadn’t been guessing that he’d had a couple drinks before, what he did next would have confirmed it. His left cheek twitched. Then his right one did too, and in the single blink of an eye, Lucas Ripley was smiling at me. Straight white teeth. That not-thin but not-full mouth dark pink and pulled up at the edges. He even had a dimple. Rip had a freaking dimple. And I wanted to touch it to make sure it was real. I couldn’t help but think it was just about the cutest thing I had ever seen, even though I had zero business thinking anything along those lines. But I was smart enough to know that I couldn’t say a single word to mention it; otherwise, it might never come out again. What I did trust myself to do was gulp down half of my Sprite before saying, “You can make rice, I’m guessing?” If he wanted to talk, we could talk. I was good at talking. “Uh-huh,” he replied, sounding almost cocky about it. All I could get myself to do in response was grin at him, and for another five seconds, his dimple—and his smile—responded to me.

Laura stands, in another photograph, wearing a two-piece gown, bodice and skirt, from centuries ago. The scarlet material is trimmed in gold brocade. From her waist the skirt billows outward, broad as a spinnaker, and grazes the floor in a huge circle. It fastens in front by a series of cobalt buttons, and she is about to start closing it, but for the moment it gapes open: a vertical window, eight or ten inches wide, runs from her waist to the floor. The gold brocade lines the opening like a ceremonial decoration, a veneration of what lies within. But nothing lies within. Inside the vast regal tent of the garment is darkness. Because of the lighting and pose, Laura’s body seems to end at the belly, to have no stumps at all. The opening exposes a pure emptiness. It is unclear how she is standing, what keeps her upright. The cavern beneath the skirt is illumined just enough to suggest that she isn’t wearing her prosthetics. She stands on no legs, suspended, magical. And that magic, along with her strong jawline turned in profile, endows her with omnipotence. The cavern is at once a universe and a womb. The vertical opening is a vaginal slit, and to slip through it, to slide the body inside the scarlet walls of the tent, to wait inside while she fastens the skirt and encloses you, swallows you, would be to live out the primal fantasy of entering the vagina not only with the penis but with everything from the skull to the toes: to be ensconced, to be consumed. The photograph’s viewer, not its subject, is at risk of disintegrating, coming apart, deliquescing in the lightless world he has longed for, turning to liquid in the womb. Laura, with her half-body, will remain more than intact, more than whole.

Moving with infinite reluctance, Westcliff gingerly put his arms around her. The escalation of Lillian’s heartbeat seemed to drive the air from her lungs. One of his broad hands settled between her tense shoulder blades, while the other pressed at the small of her back. He touched her with undue care, as if she were made of some volatile substance. And as he brought her body gently against his, her blood turned to liquid fire. Her hands fluttered in search of a resting place until her palms grazed the back of his coat. Flattening her palms on either side of his spine, she felt the flex of hard muscle even through the layers of silk-lined broadcloth and linen. “Is this what you were asking for?” he murmured, his low voice at her ear. Lillian’s toes curled inside her slippers as his hot breath tickled her hairline. She responded with a wordless nod, feeling crestfallen and mortified as she realized that she had lost her gamble. Westcliff was going to show her how easy it was to release her, and then he would forever afterward subject her to ruthless mockery. “You can let me go now,” she whispered, her mouth twisting in self-derision. But Westcliff didn’t move. His dark head dropped a little lower, and he drew in a breath that wasn’t quite steady. Lillian perceived that he was taking in the scent of her throat…absorbing it with slow but ever-increasing greed, as if he were an addict inhaling lungfuls of narcotic smoke. The perfume, she thought in bemusement. So it hadn’t been her imagination. It was working its magic again. But why did Westcliff seem to be the only man to respond to it? Why— Her thoughts were scattered as the pressure of his hands increased, causing her to shiver and arch. “Damn it,” Westcliff whispered savagely. Before she quite knew what was happening, he had pushed her up against a nearby wall. His fiercely accusing gaze moved from her dazed eyes to her parted lips, his silent struggle lasting another burning second, until he suddenly gave in with a curse and brought their mouths together with an impatient tug.