Perfume Book Quotes

You must write every single day of your life... You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads... may you be in love every day for the next 20,000 days. And out of that love, remake a world.

I stepped into the bookshop and breathed in that perfume of paper and magic that strangely no one had ever thought of bottling.

If you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling. You must write every single day of your life. You must read dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next. You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads. I wish you a wrestling match with your Creative Muse that will last a lifetime. I wish craziness and foolishness and madness upon you. May you live with hysteria, and out of it make fine stories — science fiction or otherwise. Which finally means, may you be in love every day for the next 20,000 days. And out of that love, remake a world.

An idealist is one who, on noticing that a rose smells better than a cabbage, concludes that it makes a better soup.

This book, when I am dead, will be A little faint perfume of me. People who knew me well will say, She really used to think that way.

Warmth, perfume, rugs, soft lights, books. They do not appease me. I am aware of time passing, of all the world contains that I have not seen, of all the interesting people I have not met.

When does real love begin? At first it was a fire, eclipses, short circuits, lightning and fireworks; the incense, hammocks, drugs, wines, perfumes; then spasm and honey, fever, fatigue, warmth, currents of liquid fire, feast and orgies; then dreams, visions, candlelight, flowers, pictures; then images out of the past, fairy tales, stories, then pages out of a book, a poem; then laughter, then chastity. At what moment does the knife wound sink so deep that the flesh begins to weep with love? At first power, power, then the wound, and love, and love and fears, and the loss of the self, and the gift, and slavery. At first I ruled, loved less; then more, then slavery. Slavery to his image, his odor, the craving, the hunger, the thirst, the obsession.

(in response to the question: what do you think of e-books and Amazon’s Kindle?) Those aren’t books. You can’t hold a computer in your hand like you can a book. A computer does not smell. There are two perfumes to a book. If a book is new, it smells great. If a book is old, it smells even better. It smells like ancient Egypt. A book has got to smell. You have to hold it in your hands and pray to it. You put it in your pocket and you walk with it. And it stays with you forever. But the computer doesn’t do that for you. I’m sorry.

A story is alive, as you and I are. It is rounded by muscle and sinew. Rushed with blood. Layered with skin, both rough and smooth. At its core lies soft marrow of hard, white bone. A story beats with the heart of every person who has ever strained ears to listen. On the breath of the storyteller, it soars. Until its images and deeds become so real you can see them in the air, shimmering like oases on the horizon line. A story can fly like a bee, so straight and swift you catch only the hum of its passing. Or move so slowly it seems motionless, curled in upon itself like a snake in the sun. It can vanish like smoke before the wind. Linger like perfume in the nose. Change with every telling, yet always remain the same.

It's important to read a book, but also to hold the book, to smell the book... it's perfume, it's incense, it's the dust of Egypt...

Learning to decipher words had only added to the pleasures of holding spines and turning pages, measuring the journey to the end with a thumb-riffle, poring over frontispieces. Books! Opening with a crackle of old glue, releasing perfume; closing with a solid thump.

Poetry is jealous of you tonight, for as soon as I come to pen a few words, your perfume attacks me in the most civilised manner and I forget myself. I forget the poem. I forget the ...

The scent of book leather and lemons enveloped him, and his head went light. Books and clean woman. Had God ever divined a more perfect perfume?

You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads.

I’m not sure what it was or where she sprayed it, but her scent will be the end of the life I loved. And I will find comfort in the simpleness of sitting with her on a Saturday afternoon with nothing else to do.

To muse for long unwearied hours with my attention riveted to some frivolous device upon the margin, or in the typography of a book — to become absorbed for the better part of a summer's day in a quaint shadow falling aslant upon the tapestry, or upon the floor — to lose myself for an entire night in watching the steady flame of a lamp, or the embers of a fire — to dream away whole days over the perfume of a flower — to repeat monotonously some common word, until the sound, by dint of frequent repetition, ceased to convey any idea whatever to the mind — to lose all sense of motion or physical existence in a state of absolute bodily quiescence long and obstinately persevered in — Such were a few of the most common and least pernicious vagaries induced by a condition of the mental faculties, not, indeed, altogether unparalleled, but certainly bidding defiance to any thing like analysis or explanation.

A good book is never exhausted. It goes on whispering to you from the wall. Books perfume and give weight to a room. A bookcase is as good as a view, as the sight of a city or a river. There are dawns and sunsets in books - storms, fogs, zephyrs. I read about a family whose apartment consists of a series of spaces so strictly planned that they are obliged to give away their books as soon as they've read them. I think they have misunderstood the way books work. Reading a book is only the first step in the relationship. After you've finished it, the book enters on its real career. It stand there as a badge, a blackmailer, a monument, a scar. It's both a flaw in the room, like a crack in the plaster, and a decoration. The contents of someone's bookcase are part of his history, like an ancestral portrait. - in "About books; recoiling, rereading, retelling", The New York Times, February 22, 1987

The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.

I recommend readers to be adventurous and to try things they’ve never heard of or considered reading before. Get out of the comfort zone and discover something new and exciting. If you’d never be caught dead in the mystery section go and read some George Pelecanos, Dennis Lehane, Michael Connelly or many others. If you only read thrillers get deep into the literary fiction aisle and let yourself be seduced. If you only read non-fiction pick up a Ian McDonald novel or a Joyce Carol Oates novel. If you only read comic books, get acquainted with the great Charles Dickens or a certain Monsieur Dumas. Pick up something at random and read a page. Feel the texture of the language, the architecture of the imagery, the perfume of the style… There’s so much beauty, intelligence and excitement to be had between the pages of the books waiting for you at your local bookstore the only thing you need to bring is an open mind and a sense of adventure. Disregard all prejudices, all pre-conceived notions and all the rubbish some people try to make you think. Think for yourself. Regarding books or anything in life. Think for yourself.

He loved a book because it was a book; he loved its odor, its form, its title. What he loved in a manuscript was its old illegible date, the bizarre and strange Gothic characters, the heavy gilding which loaded its drawings. It was its pages covered with dust — dust of which he breathed the sweet and tender perfume with delight.

Let me guess, you could smell my perfume. Isn't that what always gives the heroine away in books?' He scoffs. 'I command shadows, but sure, it was your perfume that gave you away.

A faithful woman looks to the spring, a good book, perfume, earthquakes, and divine revelation for the experience others find in a lover. They deceive their husbands, so to speak, with the entire world, men excepted.

In every book she’d ever read, the heroine was subject to self-doubt and unjust criticism. And in every case, it only served to harden their resolve.

My husband has no more consideration for me than a dog, she said. He goes off and screws little girls with the other men and we sit home like good little women and wash their shirts and pack their bags for their sex trips. We keep their houses warm and clean for when they’re ready to come home and shower off some other woman’s perfume before tucking their children into bed. For years I’ve pretended I don’t know where he goes, or who those girls are on the phone, but every time he comes home, I lie there in bed beside my husband, who doesn’t touch me, who doesn’t talk to me, who doesn’t love me, and I pretend I can’t smell some twenty-year-old’s body on him

The works of Jesus and Mary can also be called wonderful flowers; but their perfume and beauty can only be appreciated by those who study them carefully—and who open them and drink in their scent by diligent and sincere meditation.

Lignin, the stuff that prevents all trees from adopting the weeping habit, is a polymer made up of units that are closely related to vanillin. When made into paper and stored for years, it breaks down and smells good. Which is how divine providence has arranged for secondhand bookstores to smell like good quality vanilla absolute, subliminally stoking a hunger for knowledge in all of us.

There are two perfumes to a book. If a book is new, it smells great. If a book is old, it smells even better. It smells like ancient Egypt. A book has got to smell. You have to hold it in your hands and pray to it. You put it in your pocket and you walk with it. And it stays with you forever.

What a happy woman I am living in a garden, with books, babies, birds, and flowers, and plenty of leisure to enjoy them! Yet my town acquaintances look upon it as imprisonment, and I don't know what besides, and would rend the air with their shrieks if condemned to such a life. Sometimes I feel as if I were blest above all my fellows in being able to find my happiness so easily. I believe I should always be good if the sun always shone, and could enjoy myself very well in Siberia on a fine day. And what can life in town offer in the way of pleasure to equal the delight of any one of the calm evenings I have had this month sitting alone at the foot of the verandah steps, with the perfume of young larches all about, and the May moon hanging low over the beeches, and the beautiful silence made only more profound in its peace by the croaking of distant frogs and hooting of owls?

This book is dedicated to the Ancient Ones, to the Lord of Abominations, Humwawa, whose face is a mass of entrails, whose breath is the stench of dung and the perfume of death, Dark Angel of all that is excreted and sours, Lord of Decay, Lord of the Future, who rides on a whispering south wind, to Pazuzu, Lord of Fevers and Plagues, Dark Angel of the Four Winds with rotting genitals from which he howls through sharpened teeth over stricken cities, to Kutulu, the Sleeping Serpent who cannot be summoned, to the Akhkharu, who such the blood of men since they desire to become men, to the Lalussu, who haunt the places of men, to Gelal and Lilit, who invade the beds of men and whose children are born in secret places, to Addu, raiser of storms who can fill the night sky with brightness, to Malah, Lord of Courage and Bravery, to Zahgurim, whose number is twenty-three and who kills in an unnatural fashion, to Zahrim, a warrior among warriors, to Itzamna, Spirit of Early Mists and Showers, to Ix Chel, the Spider-Web-that-Catches-the-Dew-of-Morning, to Zuhuy Kak, Virgin Fire, to Ah Dziz, the Master of Cold, to Kak U Pacat, who works in fire, to Ix Tab, Goddess of Ropes and Snares, patroness of those who hang themselves, to Schmuun, the Silent One, twin brother of Ix Tab, to Xolotl the Unformed, Lord of Rebirth, to Aguchi, Master of Ejaculations, to Osiris and Amen in phallic form, to Hex Chun Chan, the Dangerous One, to Ah Pook, the Destroyer, to the Great Old One and the Star Beast, to Pan, God of Panic, to the nameless gods of dispersal and emptiness, to Hassan i Sabbah, Master of Assassins. To all the scribes and artists and practitioners of magic through whom these spirits have been manifested…. NOTHING IS TRUE. EVERYTHING IS PERMITTED.

Before I grad her book and mine, I go sit next to her on the organ bench and she gives me a big grandma hug - her special version, made from strong arms, old-fashioned perfume, and years of practice. The kind that makes you think you've won the best prize in the world. For love and safety, find your grandma. (76)

She breathed deeply and smelled water-logged books, the perfume of rotting cardboard and paper that had dried beneath the furnace of the July sun. If a single breath could summarize an entire life, she supposed that would do.

Three years later, a new girl sits cross-legged on your bed. She tastes like a different flavor of bubblegum than you are used to. She opens up a book that you had to read in high school, and a folded picture of us falls out of chapter three. Now there are two unfinished stories resting in her lap. Inevitably, she asks, and you tell her. You say: I dated her a while back. You don’t say: Sometimes, when I’m holding you, I imagine the smell of her vanilla perfume. You say: She was younger than me. You don’t say: The sixteen summers in her bones warmed the eighteen winters my skin had weathered. You say: It’s nothing now. You don’t say: But it was everything then.

I'm all right, Nic," Wolfe said, and finally looked at him. "We walked through the dungeons under Rome, survived Philadelphia, and this perfumed cage won't bring us to our knees. We're all stronger than that." "All right," Santi said. "But don't ask me to stop standing next to you. Because you know I will, however much you shout about it.

Joel reached for her hands and held them tight. ‘No offence to Riza, but you are more than just energy. I can feel your hands in mine. Smell the perfume in your hair. You are Emily, and you’re a part of me. I couldn’t love a ball of energy, but I love . . .’ Joel seemed unable to continue. Emily’s heart started to pound. ‘You love . . .’ she gently prodded. He looked down at her hands in his and dropped them abruptly. He shuffled on his feet and wouldn’t meet her eyes. ‘Nothing . . .’ His voice had lost its softness.

You want to know a secret?” I asked. “Sure,” she said halfheartedly. “I love to sniff the insides of books,” I said in a whisper. “Because each book has its own special perfume.

If you had a clone, and you weren’t wearing perfume and your clone was, I’d automatically think your clone was more attractive.

the faint smell of corruption clung to it like a woman’s perfume.

For a bookoholic, that scent of age old paper is more intoxicating than any designer perfume.

No one knows the scent of books, or the scent of perfume, until someone opens them.

If the bible be true, God commanded his chosen people to destroy men simply for the crime of defending their native land. They were not allowed to spare trembling and white-haired age, nor dimpled babes clasped in the mothers' arms. They were ordered to kill women, and to pierce, with the sword of war, the unborn child. 'Our heavenly Father' commanded the Hebrews to kill the men and women, the fathers, sons and brothers, but to preserve the girls alive. Why were not the maidens also killed? Why were they spared? Read the thirty-first chapter of Numbers, and you will find that the maidens were given to the soldiers and the priests. Is there, in all the history of war, a more infamous thing than this? Is it possible that God permitted the violets of modesty, that grow and shed their perfume in the maiden's heart, to be trampled beneath the brutal feet of lust? If this was the order of God, what, under the same circumstances, would have been the command of a devil? When, in this age of the world, a woman, a wife, a mother, reads this record, she should, with scorn and loathing, throw the book away. A general, who now should make such an order, giving over to massacre and rapine a conquered people, would be held in execration by the whole civilized world. Yet, if the bible be true, the supreme and infinite God was once a savage.

When the delicious perfume of the sakura quickens the morning air, as the sun in its course rises to illumine first the isles of the Far East, few sensations are more serenely exhilarating than to inhale, as it were, the very breath of beauteous day.

…….one horizon always hides another and it goes on like that into infinity, to the unspeakable beauty of renewal, to intangible rapture. As for me, it is true all the way to the possibility of this book, to the moment when my words glide across the curve of your lips, to the sheets of white paper that put up with my trail, or rather the trail of those who have walked before me, for me. I moved forward in the trace of their footsteps as in a waking dream where the scent of a newly blown poppy is no longer a perfume but a blossoming: where the deep red of a maple leaf in autumn is no longer a colour but a grace; where a country is no longer a place but a lullaby.

Werther identifies himself with the madman, with the footman. As a reader, I can identify myself with Werther. Historically, thousands of subjects have done so, suffering, killing themselves, dressing, perfuming themselves, writing as if they were Werther (songs, poems, candy boxes, belt buckles, fans, colognes a' la Werther). A long chain of equivalences links all the lovers in the world. In the theory of literature, "projection" (of the reader into the character) no longer has any currency: yet it is the appropriate tonality of imaginative readings: reading a love story, it is scarcely adequate to say I project myself; I cling to the image of the lover, shut up with his image in the very enclosure of the book (everyone knows that such stories are read in a state of secession, of retirement, of voluptuous absence: in the toilet).

He took a deep breath of air. Once again he caught a strangeness on the wind, neither pleasant nor unpleasant, neither odor nor perfume—just strange, and curiously exciting. “Superintendent, what’s that smell? Casey noticed it too, the moment Sven opened the door.” Armstrong hesitated. Then he smiled. “That’s Hong Kong’s very own, Mr. Bartlett. It’s money.

We read the pagan sacred books with profit and delight. With myth and fable we are ever charmed, and find a pleasure in the endless repetition of the beautiful, poetic, and absurd. We find, in all these records of the past, philosophies and dreams, and efforts stained with tears, of great and tender souls who tried to pierce the mystery of life and death, to answer the eternal questions of the Whence and Whither, and vainly sought to make, with bits of shattered glass, a mirror that would, in very truth, reflect the face and form of Nature's perfect self. These myths were born of hopes, and fears, and tears, and smiles, and they were touched and colored by all there is of joy and grief between the rosy dawn of birth, and death's sad night. They clothed even the stars with passion, and gave to gods the faults and frailties of the sons of men. In them, the winds and waves were music, and all the lakes, and streams, and springs,—the mountains, woods and perfumed dells were haunted by a thousand fairy forms. They thrilled the veins of Spring with tremulous desire; made tawny Summer's billowed breast the throne and home of love; filled Autumns arms with sun-kissed grapes, and gathered sheaves; and pictured Winter as a weak old king who felt, like Lear upon his withered face, Cordelia's tears. These myths, though false, are beautiful, and have for many ages and in countless ways, enriched the heart and kindled thought. But if the world were taught that all these things are true and all inspired of God, and that eternal punishment will be the lot of him who dares deny or doubt, the sweetest myth of all the Fable World would lose its beauty, and become a scorned and hateful thing to every brave and thoughtful man.

He was a young man of savage & unexpected originality, a diseased genius & quite frankly, a mad genius. Imbeciles grow insane & in their insanity the imbecility remains stagnant or agitated; in the madness of a man of genius some genius often remains: the form & not the quality of intelligence has been affected; the fruit has been bruised in the fall, but has preserved all its perfume & all the savor of its pulp, hardly too ripe.

I stole her perfume out of her car, and in its place I left a loud fart.

Her joyful spirit would bring laughter and happiness to anyone in her life with the same natural ease that a rose blooms and sheds its perfume.

The crusaders against Nature are anti-Life unto death, Earth-estranged with every breath, malevolently cavalier and disdainfully deaf to subtle and even blatant cries of Creation.

Soon the forest would cast aside its sleeping blanket and perfume the air with its riches.

He stopped moving among the shelves. She stopped as well and scanned the books around her. 'Such a glorious perfume, these old books.

A good book and good perfume just need one good person to open them. The rest is the work of the book and the bottle, and the scent will spread through the world from that one person.

I remember that pomegranate well- the leathery red skin, the fleshy weight of it in my hand promising wine-sweet clusters of ruby fruit. As I lifted it off the pile, I imagined the satisfying crunch, the release of tangy perfume, the juices glazing my lips and running down my chin. Ah, that biblical fruit with its poignant umbilical tip, choice of the gods and food of the dead.

An astrologer told Coco Chanel that five was her lucky number. So she named her first perfume Chanel No. 5 and launched it on the fifth day of May (the fifth month). The rest, as they say, is history.

1. Deodorant CAN be perfume. This was almost the title of this book. I carry travel-sized deodorants in my bags, because I'm self-conscious about how I smell and I'm forgetful when it comes to basic hygiene.

She opened it to the middle and pressed her face into the pages. She inhaled the scent of paper, ink and glue, and if they could make a perfume that smelled like old books, Allison would wear it every day of her life.

Goodbye blank canvases in painting and toneless de-compositions in music—and hello blossoms bearing pollen and melons with their seeds yielding weeds and specific breeds of peppers and capers and boundary layers of aromatic vapors.

Before they were done, he'd bought her tons of new clothes, underwear, perfume-because a saleslady had accosted them and he decided she definitely needed to smell like what was on that little white card-a new sketchbook, a watercolor of the Golden Gate Bridge he bought from a woman on the street, and a top-of-the-line MacBook with a pink carry case.

Anyone who loves books the way Homer does, loves libraries, too. It doesn't matter if the library has fancy red leather chairs and gold-plated shelves that reach to a vaulted ceiling, or if the library has splintery wooden benches and shelves made of old milk crates. it's the scent that sets the book lover at ease. It's better than grandma's perfume, or freshly baked chocolate chip cookies, or even toast. It's a scent derived from paper, mildew, dust, and human endeavors.

PAPER TOWERS The library was on the second floor of the House, not far from my room. It had two floors—the first held the majority of the books and a balcony wrapped in a wrought-iron railing held another set. It was a cavalcade of tomes, all in immaculate rows, and with study carrels and tables thrown in for good measure. It was my home away from home(away from home. I walked inside and paused for a moment to breathe in the scent of paper and dust—the perfumes of knowledge. The library was empty of patrons as far as I could tell, but I could hear the rhythmic squeal of a library cart somewhere in the rows. I followed them down until I found the dark-haired vampire shelving books with mechanical precision. I knew him only as “the librarian.” He was a fount of information, and he had a penchant for leaving books outside my door.

How many thousands have I spent on perfume and alcohol, cigarettes and Turkish baths, disappointing trips and third-class movies; how many months in silent bars or parks, expecting, in a chair with a book not reading, or waiting in line, waiting in line? Who will tell me it’s a loss when I know life must be for pleasure? The parks were balanced by museums, the baths by oceans, bars by composition, and the dreaming chair by books finished. Nothing is waste that makes a memory.

To be kissed like they do in books, some exotic setting beguiling two ordinary people, bewitching them with its subtle perfumes until, stranger inextricably linked to stranger, their lives are forever changed. I am only kissed like this in dreams.

...I have read but little of Madame Glyn. I did not know that things like "It" were going on. I have misspent my days. When I think of all those hours I flung away in reading William James and Santayana, when I might have been reading of life, throbbing, beating, perfumed life, I practically break down. Where, I ask you, have I been, that no true word of Madame Glyn's literary feats has come to me? But even those far, far better informed than I must work a bit over the opening sentence of Madame Glyn's foreword to her novel" "This is not," the says, drawing her emeralds warmly about her, "the story of the moving picture entitled It, but a full character study of the story It, which the people in the picture read and discuss." I could go mad, in a nice way, straining to figure that out. ...Well it turns out that Ava and John meet, and he begins promptly to "vibrate with passion." ... ...It goes on for nearly three hundred pages, with both of them vibrating away like steam launches." -Review of the book, It, by Elinor Glyn. Review title: Madame Glyn Lectures on "It," with Illustrations; November 26, 1927.

Those cocksure perfumers reside in abstraction town just next to virtual-ville which is located within counterfeit county in the state of reduction set inside their anything-goes-if-you-can-get-away-with-it world which exists as a mere speck in the nothing-matters-anyway universe.

I was sitting there, as I said, and had been for several watches, when I came to me that I was reading no longer. For some time I was hard put to say what I had been doing. When I tried, I could only think of certain odors and textures and colors that seemed to have no connection with anything discussed in the volume I held. At last I realized that instead of reading it, I had been observing it as a physical object. The red I recalled came from the ribbon sewn to the headband so that I might mark my place. The texture that tickled my fingers still was that of the paper in which the book was printed. The smell in my nostrils was old leather, still wearing the traces of birch oil. It was only then, when I saw the books themselves, when I began to understand their care.” His grip on my shoulder tightened. “We have books here bound in the hides of echidnes, krakens, and beasts so long extinct that those whose studies they are, are for the most part of the opinion that no trace of them survives unfossilized. We have books bound wholly in metals of unknown alloy, and books whose bindings are covered with the thickest gems. We have books cased in perfumed woods shipped across the inconceivable gulf between creations—books doubly precious because no one on Urth can read them.” “We have books whose papers are matted of plants from which spring curious alkaloids, so that the reader, in turning their pages, is taken unaware by bizarre fantasies and chimeric dreams. Books whose pages are not paper at all, but delicate wafers of white jade, ivory, and shell; books too who leaves are the desiccated leaves of unknown plants. Books we have also that are not books at all to the eye: scrolls and tablets and recordings on a hundred different substances. There is a cube of crystal here—though I can no longer tell you where—no larger than the ball of your thumb that contains more books than the library itself does. Though a harlot might dangle it from one ear for an ornament, there are not volumes enough in the world to counterweight the other.

The finest music in the room is that which streams out to the ear of the spirit in many an exquisite strain from the little shelf of books on the opposite wall. Every volume there is an instrument which some melodist of the mind created and set vibrating with music, as a flower shakes out its perfume or a star shakes out its light. Only listen, and they soothe all care, as though the silken-soft leaves of poppies had been made vocal and poured into the ear.

She wanted the best oils and perfumes, wanted the best kind of life, wanted the most tender hopes, wanted the best delicate meats and also the heaviest ones to eat, wanted her flesh to break into spirt and her spirit to break into flesh, wanted those fine mixtures— everything that would secretly ready her for those first moments that would come.

What’s life without a good book?

I find that physics is like oysters—it’s best first thing in the morning—so I always have these physics books in the loo.

I certainly did wrong to put this book together...

If you are not happy reading books, don’t read them. If you are not happy doing anything, don’t do it. Nobody forces you. This “follow your bliss” attitude will lead you towards bliss. Read the book as long as it makes you happy. When the book no longer makes you happy, put it aside. Don’t keep reading out of habit. Happiness is the highest good. It is sacred.

Occasionally, in the stillness of a taxi or an airplane, she would catalog the pleasures she had lost. Cigarettes. Chewing gum. Strong mint toothpaste. Any food with hard edges or sharp corners that could pierce or abrade the inside of her mouth: potato chips, croutons, crunchy peanut butter. Any food that was more than infinitesimally, protozoically, spicy or tangy or salty or acidic: pesto or Worcestershire sauce, wasabi or anchovies, tomato juice or movie-theater popcorn. Certain pamphlets and magazines whose paper carried a caustic wafting chemical scent she could taste as she turned the pages. Perfume. Incense. Library books. Long hours of easy conversation. The ability to lick an envelope without worrying that the glue had irritated her mouth. The knowledge that if she heard a song she liked, she could sing along to it in all her dreadful jubilant tunelessness. The faith that if she bit her tongue, she would soon feel better rather than worse.

Anyway, so he bounces in on his white horse like a big perfumed tea cozy, getting involved in affairs that are none of his business, and next thing you know she wakes up and—ooooh!—was she in a bad mood.

But the strongest scent was also the oldest – it was the perfume of his transgressions. There were other smells, too, some of which she could name – incense, books, sweat – and far, far more that she had no name for.

For thus, From us sweet perfumed words shall rise* To places known alone by God, the Wise; Our breaths are granted leave selectively, Gifts for the realm of His eternity, Rewards for good speech come down to us then Twice over, mercy from God to good men. Then He entrusts us to exemplars, so His servants can receive what such men know— These breaths ascend and grace comes down from there, 890 May you not cease from doing your own share!

That is the best scent in the world, better than any perfume, any flower. It’s the smell of lives lived, the weight of words …’ ‘Well, I guess I never quite thought of books that way before.’ Sure, they could transport you to another place, be there for you when no one else was, but I hadn’t quite pictured secondhand books as having lived their own important lives, being ferried from one person to the next, imparting a little magic along the way.

In Cecil B. DeMille’s 1920 film Why Change Your Wife?, the usually glamorous Gloria Swanson played a wife who wore glasses, listened to classical music, and read such books as How to Improve Your Mind. It was obvious to the audience why her husband left her for a perfumed, short-skirted man chaser. But a happy ending was achieved when Swanson’s character ordered some sleeveless, backless dresses and devoted herself to improving her dance steps instead of her mind.

Doc awakened very slowly and clumsily like a fat man getting out of a swimming pool. His mind broke the surface and fell back several times. There was red lipstick on his beard. He opened one eye, saw the brilliant colors of the quilt and closed his eye quickly. But after a while he looked again. His eye went past the quilt to the floor, to the broken plate in the corner, to the glasses standing on the table turned over on the floor, to the spilled wine and the books like heavy fallen butterflies. There were little bits of curled red paper all over the place and the sharp smell of firecrackers. He could see through the kitchen door to the steak plates stacked high and the skillets deep in grease. Hundreds of cigarette butts were stamped out on the floor. And under the firecracker smell was a fine combination of wine and whiskey perfume. His eye stopped for a moment on a little pile of hairpins in the middle of the floor. He rolled over slowly and supporting himself on one elbow he looked out the broken window. Cannery Row was quiet and sunny. The boiler was open. The door of the Palace Flophouse was closed. A man slept peacefully among the weeds in the vacant lot. The Bear Flag was shut up tight.

Love cannot be divided into divine and physical; it is only love—not that you love many or the one. That again is an absurd question to ask: “Do you love all?” You know, a flower that has perfume is not concerned who comes to smell it, or who turns his back upon it. So is love. Love is not a memory. Love is not a thing of the mind or the intellect. But it comes into being naturally as compassion, when this whole problem of existence—as fear, greed, envy, despair, hope—has been understood and resolved.

When will the West understand, or try to understand, the East? We Asiatics are often appalled by the curious web of facts and fancies which has been woven concerning us. We are pictured as living on the perfume of lotus, if not on mice and cockroaches. It is either impotent fanaticism or else abject voluptuousness. Indian spirituality has been derided as ignorance, Chinese sobriety as stupidity, Japanese patriotism as the result of fatalism. It has been said that we are less sensible to pain and wounds on account of the callousness of our nervous organisation!

What You Should Know to be a Poet" all you can know about animals as persons. the names of trees and flowers and weeds. the names of stars and the movements of planets and the moon. your own six senses, with a watchful elegant mind. at least one kind of traditional magic: divination, astrology, the book of changes, the tarot; dreams. the illusory demons and the illusory shining gods. kiss the ass of the devil and eat sh*t; fuck his horny barbed cock, fuck the hag, and all the celestial angels and maidens perfum’d and golden- & then love the human: wives husbands and friends children’s games, comic books, bubble-gum, the weirdness of television and advertising. work long, dry hours of dull work swallowed and accepted and lived with and finally lovd. exhaustion, hunger, rest. the wild freedom of the dance, extasy silent solitary illumination, entasy real danger. gambles and the edge of death.

I turn my head a little. The radio's caroling "Tonight," velvety smooth and young and filled with plaintive desire. Maria's song from West Side Story. I remember one beautiful night long ago at the Winter Garden, with a beautiful someone beside me. I tilt my nose and breathe in, and I can still smell her perfume, the ghost of her perfume from long ago. But where is she now, where did she go, and what did I do with her? Our paths ran along so close together they were almost like one, the one they were eventually going to be. Thin fear came along, fear entered into it somehow, and split them wide apart. Fear bred anxiety to justify. Anxiety to justify bred anger. The phone calls that wouldn't be answered, the door rings that wouldn't be opened. Anger bred sudden calamity. Now there aren't two paths anymore; there's only one, only mine. Running downhill into the ground, running downhill into its doom. ("New York Blues")

Quinces are ripe...when they are the yellow of canary wings in midflight. they are ripe when their scent teases you with the snap of green apples and the perfumed embrace of coral roses. but even then quinces remain a fruit, hard and obstinate--useless...until they are simmered, coddled for hours above a low, steady flame. add honey and water and watch their dry, bone-colored flesh soak-up the heat, coating itself in an opulent orange, not of the sunrises that you never see but of the insides of tree-ripened papayas, a color you can taste. to answer your question__love is not a bowl of quinces yellowing in a blue and white china bowl, seen but untouched__. ~The Book of Salt

Wearing perfume can't be a substitute for bath. For a seeker, reading famous spiritual books, visiting some holy Gurus and places, doing some chanting and rituals is like wearing perfume. If you wish to take bath, throw yourself to the universe. It will make you do things that are not even remotely spiritual or religious. But they will bathe you clean.

The law meant that anyone who had ever laughed at an anti-socialist joke or read an anti-socialist book, visited Europe or given his wife a western perfume could be picked up by NKVD officers without any warning or explanation — preferably at dawn. Of the twenty-one men on the Central Committee in 1917, only one was left alive by 1938: the man of steel himself.

Chloe sighted, then continued, 'She's very attached to the past - the mirror is ancient, a famili heirloom; perhaps it was her grandmother's. And she uses an unusual perfume - no one wears Habanita any more - she writes weird things in her notebook, she has a book signed by an author you admire...' Then she concluded with an ironic smile, 'She's the woman for you.

The sight of my mother's handwriting on the slips of paper and in the margins of the book causes me to inhale sharply, and for a moment I smell licorice, as if the mere sight of her heavily styled penmanship has produced an olfactory hallucination. It's a delicate smell, more like anise or fresh tarragon than the sugary smell of a licorice pastille. Smell, I remember my mother once telling me, is the most powerful of the senses. Without it, there is no taste. Long ago I lost the memory of her face, the sound of her voice, the touch of her fingers. But I can still remember her smell, in the aroma of a sherry reduction, the perfume, delicate and faint, that lingers on your hands after you've run them through a hedge of rosemary, the pungent assault of a Gauloises cigarette. Any of a thousand smells are enough to conjure her memory.

J.K. watches a storm rage into the crimson afternoon. The sky is electric. Rain whips her bare arms and legs. Dustbins are hauled into the air, caught on the wind’s curve. Bags and pillowcase unpacked for a while, toothbrush, perfume, books, a little pile of yellow feathers, J.K. knows she too is caught in the wind. She is Europe’s eerie child, and she is part of the storm." (from "Swallowing Geography" by Deborah Levy)

In a plot that smacks of James Bond (and has all the hallmarks of an Elliott ruse), a Dutch agent named Peter Tazelaar was put ashore near the seafront casino at Scheveningen, wearing full evening dress and covered with a rubber suit to keep him dry. Once ashore, Tazelaar peeled off his outer suit and began to “mingle with the crowd on the front” in his dinner jacket, which had been sprinkled with brandy to reinforce the “party-goer’s image.” Formally dressed and alcoholically perfumed, Tazelaar successfully made it past the German guards and picked up a radio previously dropped by parachute. The echo of 007 may not be coincidental: among the young blades of British intelligence at this time was a young officer in naval intelligence named Ian Fleming, the future author of the James Bond books. Ian Fleming and Nicholas Elliott had both experienced the trauma of being educated at Durnford School; they became close friends.

How is it you speak? What sound is there here?” “You must listen to my voice,” she told me, “and not to my words. What do you hear?” I did as she had instructed me, and heard the silken sliding of the sheet, the whisper of our bodies, the breaking of the little waves, and the beating of my own heart. A hundred questions I had been ready to ask, and it had seemed to me that each of the hundred might bring the New Sun. Her lips brushed mine, and every question vanished, banished from my consciousness as if it had never been. Her hands, her lips, her eyes, the breasts I pressed—all wondrous; but there was more, perhaps the perfume of her hair. I felt that I breathed an endless night … . Lying upon my back, I entered Yesod. Or say, rather, Yesod closed about me. It was only then that I knew I had never been there. Stars in their billions spurted from me, fountains of suns, so that for an instant I felt I knew how universes are born. All folly. Reality displaced it, the kindling of the torch that whips shadows to their corners, and with them all the winged fays of fancy. There was something born between Yesod and Briah when I met with Apheta upon that divan in that circling room, something tiny yet immense that burned like a coal conveyed to the tongue by tongs. That something was myself.

Everything felt wrong. She needed to go home, to her dad’s small lab in the basement, to curl up on one of the tables like she used to. It had been a long time since she’d last brought a quilt down and made a nest for herself among the books, tubes, and wires—a million years or however long it took light to travel. She’d rest her cheek on the table and listen to her dad talk about space. She’d been little when he’d told her about the beginning of the universe and how the solar system was born. How the sun was like an island, and the planets were ships sailing around it. He’d said, “Pluto is our far star sailor,” the way other people said Once upon a time. His words opened a door inside her. She wished she’d brought her NASA book, with six full pages on the “Thirty-Five New Guys,” the Astronaut Class of 1978, NASA’s first new group of astronauts since 1969. On Sally Ride, on Challenger—which she realized was gone now—on Judy Resnik, mission specialist, the second American woman in space. Who Nedda wanted to be. Who was gone now too. They were gas and carbon—and what else? They had to be something else. She wanted her stupid little-kid pony, but it was in the classroom. She wanted to go fishing with Denny, even if it was too cold. She wanted to smell her mother’s perfume until she was sick from it. She wanted to eat all the icing roses off that stupid cake until Betheen yelled.

I think back to the last time I saw her. It had been about two weeks ago, the day before she’d left for New York. She’s a consultant in the UK division of a huge American consultancy firm, Finchlakers, and often goes to the US on business. That evening, we’d gone to the cinema together and then on for a drink. Maybe that was when she’d asked me to get something for Susie. I rack my brains, trying to remember, trying to guess what we might have decided to buy. It could be anything – perfume, jewellery, a book – but nothing rings a bell. Had I forgotten? Memories of Mum, uncomfortable ones, flood my mind and I push them away quickly. It isn’t the same, I tell myself fiercely, I am not the same. By tomorrow, I’ll have remembered.

There is a time when the soul lives in God, and a time when God lives in the soul. What is appropriate to one state is inconsistent with the other. When God lives in the soul it ought to abandon itself entirely to his providence. When the soul lives in God it is obliged to procure for itself carefully and very regularly, every means it can devise by which to arrive at the divine union. The whole procedure is marked out; the readings, the examinations, the resolutions. The guide is always at hand and everything is by rule, even the hours for conversation. When God lives in the soul it has nothing left of self, but only that which the spirit which actuates it imparts to it at each moment. Nothing is provided for the future, no road is marked out . . . No more books with marked passages for such a soul; often enough it is even deprived of a regular directior, for God allows it no other support than that which he gives it himself. Its dwelling is in darkness, forgetfulness, abandonment, death and nothingness. . . Everything that others discover with great difficulty this soul finds in abandonment, and what they guard with care in order to be able to find it again, this soul receives at the moment there is occasion for it, and afterwards relinquishes so as to admit nothing but exactly what God desires it to have in order to live by him alone. The former soul undertakes an infinity of good works for the glory of God, the latter is often cast aside in a corner of the world like a bit of broken crockery, apparently of no use to anyone. There, this soul, forsaken by creatures but in the enjoyment of God by a very real, true, and active love (active though infused in repose), does not attempt anything by its own impulse; it only knows that it has to abandon itself and to remain in the hands of God to be used by him as he pleases. Often it is ignorant of its use, but God knows well. The world thinks it is useless, and appearances give colour to this judgment, but nevertheless it is very certain that in mysterious ways and by unknown channels, it spreads abroad an infinite amount of grace on persons who often have no idea of it, and of whom it never thinks . . . . . . Often they do not perceive the outflow of this virtue and even contribute nothing by cooperation: it is like a hidden balm, the perfume of which is exhaled without being recognized, and which knows not its own virtue.

A Book of Glass On the table, a book of glass. In the book only a few pages with no words But scratched in a diamond-point pencil to pieces in diagonal Spirals, light triangles; and a French curve fractures lines to elisions. The last pages are simplest. They can be read backwards and thoroughly. Each page bends a bit like ludicrous plastic. He who wrote it was very ambitious, fed up, and finished. He had been teaching the insides and outsides of things To children, teaching the art of Rembrandt to them. His two wives were beautiful and Death begins As a beggar beside them. What is an abstract persona? A painter visits but he prefers to look at perfume in vials. And I see a book in glass—the words go off In wild loops without words. I should Wake and render them! In bed, Mother says each child Will receive the book of etchings, but the book will be incomplete, after all. But I will make the book of glass.

Girls who chase boys, who twirl their hair and walk through clouds of chain-store perfume, learning their allure. Girls who like books, who revel in their solitude, and lonely girls who don't; girls who eat, and girls who don't. Girls with piercings, tattoos, scars. Angry girls, who bare their teeth and scratch at their arms. Unironic boy-band, pink-clad girls, who scream and wail and live in every breath. Girls who read Vogue and spend their Saturdays with jealous hands on clothes their allowances won't afford. Girls who long to be mothers, and their own mothers who long for their youth. Art girls. Science girls. Girls who'll make it out alive. Girls who won't. And then, there are invisible girls: the ones nobody thinks to be afraid of. The girls who hide in plain sight, flirting and giggling; girls for whom sugar and spice is a mask. Girls who spark matches and spill battery acid on skin. Girls for whom rules do not apply.

What are you doing?” “Coming to pick you up in a little bit,” he said. I loved it when he took charge. It made my heart skip a beat, made me feel flushed and excited and thrilled. After four years with J, I was sick and tired of the surfer mentality. Laid-back, I’d discovered, was no longer something I wanted in a man. And when it came to his affection for me, Marlboro Man was anything but that. “I’ll be there at five.” Yes, sir. Anything you say, sir. I’ll be ready. With bells on. I started getting ready at three. I showered, shaved, powdered, perfumed, brushed, curled, and primped for two whole hours--throwing on a light pink shirt and my favorite jeans--all in an effort to appear as if I’d simply thrown myself together at the last minute. It worked. “Man,” Marlboro Man said when I opened the door. “You look great.” I couldn’t focus very long on his compliment, though--I was way too distracted by the way he looked. God, he was gorgeous. At a time of year when most people are still milky white, his long days of working cattle had afforded him a beautiful, golden, late-spring tan. And his typical denim button-down shirts had been replaced by a more fitted dark gray polo, the kind of shirt that perfectly emphasizes biceps born not from working out in a gym, but from tough, gritty, hands-on labor. And his prematurely gray hair, very short, was just the icing on the cake. I could eat this man with a spoon. “You do, too,” I replied, trying to will away my spiking hormones. He opened the door to his white diesel pickup, and I climbed right in. I didn’t even ask him where we were going; I didn’t even care. But when we turned west on the highway and headed out of town, I knew exactly where he was taking me: to his ranch…to his turf…to his home on the range. Though I didn’t expect or require a ride from him, I secretly loved that he drove over an hour to fetch me. It was a throwback to a different time, a burst of chivalry and courtship in this very modern world. As we drove we talked and talked--about our friends, about our families, about movies and books and horses and cattle.

From all enchanted things of earth and air, this preciousness has been drawn. From the south wind that breathed a century and a half over the green wheat; from the perfume of the growing grasses waving over heavy-laden clover and laughing veronica, hiding the green finches, baffling the bee; from rose-lined hedge, woodbine, and cornflower, azure blue, where yellowing wheat stalks crowd up under the shadow of green firs. All the devious brooklets’ sweetness where the iris stays the sunlight; all the wild woods hold of beauty; all the broad hills of thyme and freedom thrice a hundred years repeated. “A hundred years of cowslips, bluebells, violets; purple spring and golden autumn; sunshine, shower, and dewy mornings; the night immortal; all the rhythm of time unrolling. A chronicle unwritten and past all power of writing; who shall preserve a record of the petals that fell from the roses a century ago? The swallows to the house-tops three hundred — times think of that! Thence she sprang, and the world yearns toward her beauty as to flowers that are past. The loveliness of seventeen is centuries old. That is why passion is almost sad.

I am sitting alone in my old English classroom at my old desk, reading from Shakespeare’s Macbeth. The only sounds in the room are the ticking of the clock and the occasional rustling of the pages of the book. Then, Martina Reynaud, the most beautiful girl in the Class of ’83, walks in. She’s tall, graceful, and absolutely breathtaking. She’s wearing a black dress, one that shows off her long dancer’s legs. Her peaches-and-cream complexion is flawless; there is no sign of a pimple anywhere. Her long chestnut hair cascades down over her shoulders. In short, she is the personification of feminine elegance from the top of her head to her high-heeled shoes. I try to get back to my reading assignment, but the scent of her perfume, a mixture of jasmine and orange blossoms, is beguiling. I look to my right; she is sitting at the desk right next to mine. She gives me a smile. My heart skips a beat. I know guys who would kill for one of Marty’s smiles. She has that effect on most men. Her smile is full of genuine warmth and affection; I can tell by the look in her hazel eyes. “Hi, Jimmy,” she says. Her voice is soft and melodious; she speaks with a lilting British accent. From what I’ve heard, her family is from England. London, actually. “Hi,” I reply, feeling about as articulate as your average mango. Then, mustering my last reserves of willpower, I focus my attention on Shakespeare’s play.

Outlawing drugs in order to solve drug problems is much like outlawing sex in order to win the war against AIDS. We recognize that people will continue to have sex for nonreproductive reasons despite the laws and mores. Therefore, we try to make sexual practices as safe as possible in order to minimize the spread of the AIDS viruses. In a similar way, we continually try to make our drinking water, foods, and even our pharmaceutical medicines safer. The ubiquity of chemical intoxicants in our lives is undeniable evidence of the continuing universal need for safer medicines with such applications. While use may not always be for an approved medical purpose, or prudent, or even legal, it is fulfilling the relentless drive we all have to change the way we feel, to alter our behavior and consciousness, and, yes, to intoxicate ourselves. We must recognize that intoxicants are medicines, treatments for the human condition. Then we must make them as safe and risk free and as healthy as possible. Dream with me for a moment. What would be wrong if we had perfectly safe intoxicants? I mean drugs that delivered the same effects as our most popular ones but never caused dependency, disease, dysfunction, or death. Imagine an alcohol-type substance that never caused addiction, liver disease, hangovers, impaired driving, or workplace problems. Would you care to inhale a perfumed mist that is as enjoyable as marijuana or tobacco but as harmless as clean air? How would you like a pain-killer as effective as morphine but safer than aspirin, a mood enhancer that dissolves on your tongue and is more appealing than cocaine and less harmful than caffeine, a tranquilizer less addicting than Valium and more relaxing than a martini, or a safe sleeping pill that allows you to choose to dream or not? Perhaps you would like to munch on a user friendly hallucinogen that is as brief and benign as a good movie? This is not science fiction. As described in the following pages, there are such intoxicants available right now that are far safer than the ones we currently use. If smokers can switch from tobacco cigarettes to nicotine gum, why can’t crack users chew a cocaine gum that has already been tested on animals and found to be relatively safe? Even safer substances may be just around the corner. But we must begin by recognizing that there is a legitimate place in our society for intoxication. Then we must join together in building new, perfectly safe intoxicants for a world that will be ready to discard the old ones like the junk they really are. This book is your guide to that future. It is a field guide to that silent spring of intoxicants and all the animals and peoples who have sipped its waters. We can no more stop the flow than we can prevent ourselves from drinking. But, by cleaning up the waters we can leave the morass that has been the endless war on drugs and step onto the shores of a healthy tomorrow. Use this book to find the way.

But Dave Wain that lean rangy red head Welchman with his penchant for going off in Willie to fish in the Rogue River up in Oregon where he knows an abandoned mining camp, or for blattin around the desert roads, for suddenly reappearing in town to get drunk, and a marvelous poet himself, has that certain something that young hip teenagers probably wanta imitate–For one thing is one of the world's best talkers, and funny too–As I'll show–It was he and George Baso who hit on the fantastically simple truth that everybody in America was walking around with a dirty behind, but everybody, because the ancient ritual of washing with water after the toilet had not occurred in all the modern antisepticism–Says Dave "People in America have all these racks of drycleaned clothes like you say on their trips, they spatter Eau de Cologne all over themselves, they wear Ban and Aid or whatever it is under their armpits, they get aghast to see a spot on a shirt or a dress, they probably change underwear and socks maybe even twice a day, they go around all puffed up and insolent thinking themselves the cleanest people on earth and they're walkin around with dirty azzoles–Isnt that amazing?give me a little nip on that tit" he says reaching for my drink so I order two more, I've been engrossed, Dave can order all the drinks he wants anytime, "The President of the United States, the big ministers of state, the great bishops and shmishops and big shots everywhere, down to the lowest factory worker with all his fierce pride, movie stars, executives and great engineers and presidents of law firms and advertising firms with silk shirts and neckties and great expensive traveling cases in which they place these various expensive English imported hair brushes and shaving gear and pomades and perfumes are all walkin around with dirty azzoles! All you gotta do is simply wash yourself with soap and water! it hasn't occurred to anybody in America at all! it's one of the funniest things I've ever heard of! dont you think it's marvelous that we're being called filthy unwashed beatniks but we're the only ones walkin around with clean azzoles?"–The whole azzole shot in fact had spread swiftly and everybody I knew and Dave knew from coast to coast had embarked on this great crusade which I must say is a good one–In fact in Big Sur I'd instituted a shelf in Monsanto's outhouse where the soap must be kept and everyone had to bring a can of water there on each trip–Monsanto hadnt heard about it yet, "Do you realize that until we tell poor Lorenzo Monsanto the famous writer that he is walking around with a dirty azzole he will be doing just that?"–"Let's go tell him right now!"–"Why of course if we wait another minute...and besides do you know what it does to people to walk around with a dirty azzole? it leaves a great yawning guilt that they cant understand all day, they go to work all cleaned up in the morning and you can smell all that freshly laundered clothes and Eau de Cologne in the commute train yet there's something gnawing at them, something's wrong, they know something's wrong they dont know just what!"–We rush to tell Monsanto at once in the book store around the corner. (Big Sur, Chap. 11)